- published: 19 Jan 2014
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Immanuel Kant (1724-1804) is one of the most influential philosophers in the history of Western philosophy. His contributions to metaphysics, epistemology, ethics, and aesthetics have had a profound impact on almost every philosophical movement that followed him. This article focuses on his metaphysics and epistemology in one of his most important works, The Critique of Pure Reason. A large part of Kant's work addresses the question "What can we know?" The answer, if it can be stated simply, is that our knowledge is constrained to mathematics and the science of the natural, empirical world. It is impossible, Kant argues, to extend knowledge to the supersensible realm of speculative metaphysics. The reason that knowledge has these constraints, Kant argues, is that the mind plays an active role in constituting the features of experience and limiting the mind's access only to the empirical realm of space and time.
Kant responded to his predecessors by arguing against the Empiricists that the mind is not a blank slate that is written upon by the empirical world, and by rejecting the Rationalists' notion that pure, a priori knowledge of a mind-independent world was possible. Reason itself is structured with forms of experience and categories that give a phenomenal and logical structure to any possible object of empirical experience. These categories cannot be circumvented to get at a mind-independent world, but they are necessary for experience of spatio-temporal objects with their causal behavior and logical properties. These two theses constitute Kant's famous transcendental idealism and empirical realism.
Kant's contributions to ethics have been just as substantial, if not more so, than his work in metaphysics and epistemology. He is the most important proponent in philosophical history of deontological, or duty based, ethics. In Kant's view, the sole feature that gives an action moral worth is not the outcome that is achieved by the action, but the motive that is behind the action. And the only motive that can endow an act with moral value, he argues, is one that arises from universal principles discovered by reason. The categorical imperative is Kant's famous statement of this duty: "Act only according to that maxim by which you can at the same time will that it should become a universal law."
- published: 20 Aug 2011
- views: 40942
ANTONIO LUCIO VIVALDI [1678 - 1741]
IL GIUSTINO (RV 717)
Dramma in musica in tre atti
Libretto: attributed to
Antonio Maria Lucchini after Nicolò Beregan, Pietro Pariati
Rome, Teatro Capranica, Carnival 1724
notes: Act III, Scene 3, Lost Aria: Di re sdegnato
Sinfonia for strings and basso continuo in C major (RV 111)
I. (Allegro)
II. Without tempo indication
III. Allegro
ACT I, SCENE 1
Recitativo: Febo, che non mai stanco
Aria con coro: Viva Augusto eterno impero
Recitativo: Da questa man, che al mio destin dà legge
Aria con coro: Viva Arianna, e il suo bel core
ACT I, SCENE 2
Recitativo: Il barbaro nemico
Aria [Anastasio]: Un vostro sguardo
ACT I, SCENE 3
Recitativo [Arianna]: Arianna, che pensi?
Aria: Sole degl'occhi miei
ACT I, SCENE 4
Recitativo [Giustino]: Deh, perché non poss'io
Aria [Giustino]: Bel riposo de' mortali
ACT I, SCENE 5
Sinfonia della fortuna: Spring theme / Allegro
(Al suono d'allegra Sinfonia s'illumina la Scena, e scende la Fortuna sù maestosa Machina affissa sù la Ruota, che gira, accompagnata da' suoi genii, che portano Scettri, Corone & Tesori)
Recitativo accompagnato: Giustin, lascia i riposi
Aria: Della tua sorte
Recitativo: Oh chiunque tu sii, ch'ora m'inviti
ACT I, SCENE 6
Aria [Leocasta]: Nacque al bosco
ACT I, SCENE 8
Recitativo: Già s'avanza la notte
Aria: La gloria del mio sangue
Recitativo: Corro all'impresa
Aria: Vedrò con mio diletto
ACT I, SCENE 11
Recitativo: Gran signora, ove il fato
Aria: Allor, che mi vedrò
ACT I, SCENE 13
Aria [Vitaliano]: All'armi o guerrieri!
Recitativo: Amor! Cieli! Che miro?
Aria: Vanne sì, superba va
ACTI, SCENE 14
Recitativo: Olà, costei si esponga
Aria: Mio dolce amato sposo
ACT II, SCENE 1
Recitativo: Al dispetto dell'onde
Aria [Anastasio]: Sento in seno ch'in pioggia di lagrime
ACT II, SCENES 3-4
Recitativo, arioso: Numi, che il ciel reggete... Quali strida funeste... Per me dunque il ciel non ha
Duetto: Mio bel tesoro, mia dolce speme
ACT II, SCENE 5
Recitativo: Ecco tranquillo il mare
Aria: Per noi soave e bella
ACT II, SCENE 6
Recitativo: Troppo fosti, o mio core
Aria [Vitaliano]: Quel torrente che s'innalza
ACT II, SCENE 8
Recitativo: Dopo il penoso orrore
Aria: Senti l'aura che leggiera
Recitativo: Dir così non poss'io
Aria [Leocasta]: Augelletti garruletti
ACT II, SCENE 9
Aria: Verdi lauri
Recitativo: Vieni, barbaro, vieni
Aria: Su l'altar di questo nume
ACT II, SCENE 10
Recitativo: Signore, a' tuoi trionfi
Aria: Taci per poco ancora
ACT II, SCENE 12
Recitativo: Dell'empio Vitalian domo è l'orgoglio
Aria: Se all'amor, ch'io porto al trono
ACT II, SCENE 13
Recitativo: Come! Tu nutri in seno
Aria [Leocasta]: Sventurata navicella
Recitativo: Sorte, che m'invitasti
Aria [Giustino]: Ho nel petto con cor sì forte
ACT III, SCENE 1
Recitativo: [Amici], eccoci in salvo
Aria: Il piacer della vendetta
ACT III, SCENE 2
Recitativo: Mal soffre il core amante
Aria: Quell'amoroso ardor
ACT III, SCENES 3-4
Recitativo: Amato sposo
Aria: Senza l'amato ben
ACT III, SCENE 8
Aria [Amanzio]: Or che cinto ho il crin d alloro
Recitativo: Pur m'arrisero i fati
ACT III, SCENE 10
Duetto: In braccio a te
ACT III, SCENE 12
Recitativo: Vieni, famoso eroe
Coro: Dopo i nembi e le procelle
ARIANNA
Dominique Labelle (soprano)
ANASTASIO
Marina Comparato (mezzo-soprano)
GIUSTINO
Francesca Provvisionato (mezzo-soprano)
LEOCASTA / PRIMO ECO
Geraldine McGreevy (soprano)
VITALIANO / POLIDARTE
Leonardo De Lisi (tenor)
AMANZIO / LA DEA FORTUNA / SECONDO ECO
Laura Cherici (soprano)
CHOIR BASS
Michiel Meijer (bass)
Il Complesso Barocco / Alan Curtis
http://www.ilcomplessobarocco.com/
2002 - DDD
Virgin Veritas
[on authentic instruments]
- published: 17 Oct 2011
- views: 48525
Pricing: http://3dgameman.pgpartner.com/search_getprod.php?masterid=1877118085&search=Amped+Wireless+Titan+AC1900&rd_type=M
Info/Comments: http://3dgameman.com/reviews/1724/amped-wireless-titan-ac1900-wi-fi-router
The Amped Wireless Titan Router is a Wi-Fi dead zone killer! If you're looking for an AC1900 router that offers rock solid coverage and the ability to have multiple connections steaming HD content and online gaming at the same time with ease, you've found it. It's possible because of the 1GHz dual-core processor, 258MB DDR3 of memory, 14 amplifiers and four 5dBi antennas.
For sponsorship and other inquiries, please email gameman@3dgameman.com
Social:
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- published: 29 Sep 2015
- views: 2305
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
$255,400
1724 CRESTLINE
Troy, MI 48083
New Listing!!! Spacious Updated Home In "Raintree Village", One Of Troy's Most Popular Subdivisions. Remodeled Kitchen Has Newer Cabinets, Counter Tops, And Bay Window. All Baths Are Updated. Newer Windows, Door Wall, Siding, And Deck. Home Also Offers Formal Living & Dining Rooms, Family Room With Fireplace And Wet Bar, Large Master Bedroom With Remodeled Private Bath, New Deck, Fenced Yard, Plus More. Located Near Shopping, Expressways, And In The Award Winning Troy School District ** Baker Middle School (IB Program). Selling Agent Must Accompany All Showings.
Subdivision: Raintree Village Sub No 1
School District: Troy
Listed by Dianne Garwood ((248) 761-9446) - Real Estate One-Troy ((248) 813-4900)
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
- published: 08 May 2016
- views: 5
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières
(IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3
Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3.
Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3
Images : Hamed Benhamed et Fabrice Belmessieri.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Université de Sheffield, Grande-Bretagne (responsable : David McCallam)
LA PIECE
Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux.
LES INTERPRETES
Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb
LE RESPONSABLE
David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
- published: 20 Nov 2013
- views: 1014
« Immanuel Kant, ou l'amour fou de la métaphysique »
Émission « Une vie, une œuvre » (France Culture) du 15 mai 1986.
par Jacques Munier
Avec la participation des philosophes Jean Michel Besnier, Monique Devid Menard, René Garrigues, Alexis Philonenko et Jean Marie Vaysse.
Chargée de réalisation : Mireille Krauss.
- published: 01 Mar 2016
- views: 193
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières
(IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3
Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3.
Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3
Images : Hamed Benhamed et Fabrice Belmessieri.
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Université de Sheffield, Grande-Bretagne (responsable : David McCallam)
LA PIECE
Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux.
LES INTERPRETES
Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb
LE RESPONSABLE
David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
- published: 20 Nov 2013
- views: 969
Year 1724 (MDCCXXIV) was a leap year starting on Saturday (link will display the full calendar) of the Gregorian calendar and a leap year starting on Wednesday of the 11-day slower Julian calendar.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/1724
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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11:49ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
Last Batch of Signed Posters at http://CTFxCmerch.com Free Netflix for the CTFxC http://Netflix.com/CTFxC sv (↓↓ click show more ↓↓) Twitter Charles - http://twitter.com/CharlesTrippy Alli - http://twitter.com/AlliTrippy Subscribe To Our Other Channels: http://youtube.com/CharlesTrippy http://youtube.com/Alli http://youtube.com/Trippy Free month trial for CTFxCers on Netflix: http://netflix.com/ctfxc Also, thanks to Gamefly for hooking the CTFxC w/ a trial too: http://gamefly.com/ctfxc *Facebook: http://facebook.com/InternetKilledTV http://facebook.com/CharlesTrippy Instagram: http://instagram.com/CharlesTrippy http://instagram.com/AlliTrippy Google+: http://gplus.to/charlestrippy Tumblr: http://charlestrippy.tumblr.com This video is for entertainment purposes only. We don't condone anyone attempting the activities shown. -
19:34Immanuel Kant (1724-1804) Metaphysics
Immanuel Kant (1724-1804) MetaphysicsImmanuel Kant (1724-1804) Metaphysics
http://www.philosophybites.com/ Immanuel Kant (1724-1804) is one of the most influential philosophers in the history of Western philosophy. His contributions to metaphysics, epistemology, ethics, and aesthetics have had a profound impact on almost every philosophical movement that followed him. This article focuses on his metaphysics and epistemology in one of his most important works, The Critique of Pure Reason. A large part of Kant's work addresses the question "What can we know?" The answer, if it can be stated simply, is that our knowledge is constrained to mathematics and the science of the natural, empirical world. It is impossible, Kant argues, to extend knowledge to the supersensible realm of speculative metaphysics. The reason that knowledge has these constraints, Kant argues, is that the mind plays an active role in constituting the features of experience and limiting the mind's access only to the empirical realm of space and time. Kant responded to his predecessors by arguing against the Empiricists that the mind is not a blank slate that is written upon by the empirical world, and by rejecting the Rationalists' notion that pure, a priori knowledge of a mind-independent world was possible. Reason itself is structured with forms of experience and categories that give a phenomenal and logical structure to any possible object of empirical experience. These categories cannot be circumvented to get at a mind-independent world, but they are necessary for experience of spatio-temporal objects with their causal behavior and logical properties. These two theses constitute Kant's famous transcendental idealism and empirical realism. Kant's contributions to ethics have been just as substantial, if not more so, than his work in metaphysics and epistemology. He is the most important proponent in philosophical history of deontological, or duty based, ethics. In Kant's view, the sole feature that gives an action moral worth is not the outcome that is achieved by the action, but the motive that is behind the action. And the only motive that can endow an act with moral value, he argues, is one that arises from universal principles discovered by reason. The categorical imperative is Kant's famous statement of this duty: "Act only according to that maxim by which you can at the same time will that it should become a universal law." -
136:21A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso BaroccoA. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
ANTONIO LUCIO VIVALDI [1678 - 1741] IL GIUSTINO (RV 717) Dramma in musica in tre atti Libretto: attributed to Antonio Maria Lucchini after Nicolò Beregan, Pietro Pariati Rome, Teatro Capranica, Carnival 1724 notes: Act III, Scene 3, Lost Aria: Di re sdegnato Sinfonia for strings and basso continuo in C major (RV 111) I. (Allegro) II. Without tempo indication III. Allegro ACT I, SCENE 1 Recitativo: Febo, che non mai stanco Aria con coro: Viva Augusto eterno impero Recitativo: Da questa man, che al mio destin dà legge Aria con coro: Viva Arianna, e il suo bel core ACT I, SCENE 2 Recitativo: Il barbaro nemico Aria [Anastasio]: Un vostro sguardo ACT I, SCENE 3 Recitativo [Arianna]: Arianna, che pensi? Aria: Sole degl'occhi miei ACT I, SCENE 4 Recitativo [Giustino]: Deh, perché non poss'io Aria [Giustino]: Bel riposo de' mortali ACT I, SCENE 5 Sinfonia della fortuna: Spring theme / Allegro (Al suono d'allegra Sinfonia s'illumina la Scena, e scende la Fortuna sù maestosa Machina affissa sù la Ruota, che gira, accompagnata da' suoi genii, che portano Scettri, Corone & Tesori) Recitativo accompagnato: Giustin, lascia i riposi Aria: Della tua sorte Recitativo: Oh chiunque tu sii, ch'ora m'inviti ACT I, SCENE 6 Aria [Leocasta]: Nacque al bosco ACT I, SCENE 8 Recitativo: Già s'avanza la notte Aria: La gloria del mio sangue Recitativo: Corro all'impresa Aria: Vedrò con mio diletto ACT I, SCENE 11 Recitativo: Gran signora, ove il fato Aria: Allor, che mi vedrò ACT I, SCENE 13 Aria [Vitaliano]: All'armi o guerrieri! Recitativo: Amor! Cieli! Che miro? Aria: Vanne sì, superba va ACTI, SCENE 14 Recitativo: Olà, costei si esponga Aria: Mio dolce amato sposo ACT II, SCENE 1 Recitativo: Al dispetto dell'onde Aria [Anastasio]: Sento in seno ch'in pioggia di lagrime ACT II, SCENES 3-4 Recitativo, arioso: Numi, che il ciel reggete... Quali strida funeste... Per me dunque il ciel non ha Duetto: Mio bel tesoro, mia dolce speme ACT II, SCENE 5 Recitativo: Ecco tranquillo il mare Aria: Per noi soave e bella ACT II, SCENE 6 Recitativo: Troppo fosti, o mio core Aria [Vitaliano]: Quel torrente che s'innalza ACT II, SCENE 8 Recitativo: Dopo il penoso orrore Aria: Senti l'aura che leggiera Recitativo: Dir così non poss'io Aria [Leocasta]: Augelletti garruletti ACT II, SCENE 9 Aria: Verdi lauri Recitativo: Vieni, barbaro, vieni Aria: Su l'altar di questo nume ACT II, SCENE 10 Recitativo: Signore, a' tuoi trionfi Aria: Taci per poco ancora ACT II, SCENE 12 Recitativo: Dell'empio Vitalian domo è l'orgoglio Aria: Se all'amor, ch'io porto al trono ACT II, SCENE 13 Recitativo: Come! Tu nutri in seno Aria [Leocasta]: Sventurata navicella Recitativo: Sorte, che m'invitasti Aria [Giustino]: Ho nel petto con cor sì forte ACT III, SCENE 1 Recitativo: [Amici], eccoci in salvo Aria: Il piacer della vendetta ACT III, SCENE 2 Recitativo: Mal soffre il core amante Aria: Quell'amoroso ardor ACT III, SCENES 3-4 Recitativo: Amato sposo Aria: Senza l'amato ben ACT III, SCENE 8 Aria [Amanzio]: Or che cinto ho il crin d alloro Recitativo: Pur m'arrisero i fati ACT III, SCENE 10 Duetto: In braccio a te ACT III, SCENE 12 Recitativo: Vieni, famoso eroe Coro: Dopo i nembi e le procelle ARIANNA Dominique Labelle (soprano) ANASTASIO Marina Comparato (mezzo-soprano) GIUSTINO Francesca Provvisionato (mezzo-soprano) LEOCASTA / PRIMO ECO Geraldine McGreevy (soprano) VITALIANO / POLIDARTE Leonardo De Lisi (tenor) AMANZIO / LA DEA FORTUNA / SECONDO ECO Laura Cherici (soprano) CHOIR BASS Michiel Meijer (bass) Il Complesso Barocco / Alan Curtis http://www.ilcomplessobarocco.com/ 2002 - DDD Virgin Veritas [on authentic instruments] -
72:39La fama de Rubens en España 1628-1724
La fama de Rubens en España 1628-1724 -
7:04#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
Pricing: http://3dgameman.pgpartner.com/search_getprod.php?masterid=1877118085&search=Amped+Wireless+Titan+AC1900&rd_type=M Info/Comments: http://3dgameman.com/reviews/1724/amped-wireless-titan-ac1900-wi-fi-router The Amped Wireless Titan Router is a Wi-Fi dead zone killer! If you're looking for an AC1900 router that offers rock solid coverage and the ability to have multiple connections steaming HD content and online gaming at the same time with ease, you've found it. It's possible because of the 1GHz dual-core processor, 258MB DDR3 of memory, 14 amplifiers and four 5dBi antennas. For sponsorship and other inquiries, please email gameman@3dgameman.com Social: Facebook: https://www.facebook.com/3dGameMan Twitter: https://twitter.com/3dGameMan Steam: http://steamcommunity.com/groups/3dGameMan -
3:421724 CRESTLINE, Troy, MI - $255,400
1724 CRESTLINE, Troy, MI - $255,4001724 CRESTLINE, Troy, MI - $255,400
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube $255,400 1724 CRESTLINE Troy, MI 48083 New Listing!!! Spacious Updated Home In "Raintree Village", One Of Troy's Most Popular Subdivisions. Remodeled Kitchen Has Newer Cabinets, Counter Tops, And Bay Window. All Baths Are Updated. Newer Windows, Door Wall, Siding, And Deck. Home Also Offers Formal Living & Dining Rooms, Family Room With Fireplace And Wet Bar, Large Master Bedroom With Remodeled Private Bath, New Deck, Fenced Yard, Plus More. Located Near Shopping, Expressways, And In The Award Winning Troy School District ** Baker Middle School (IB Program). Selling Agent Must Accompany All Showings. Subdivision: Raintree Village Sub No 1 School District: Troy Listed by Dianne Garwood ((248) 761-9446) - Real Estate One-Troy ((248) 813-4900) http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube -
2:412016 05 07 1724 16
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1:592016 05 10 1724 03
2016 05 10 1724 032016 05 10 1724 03
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11:29Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles) Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières (IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3 Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3. Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes. Date: 4-5-6 avril 2012 Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3 Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3 Images : Hamed Benhamed et Fabrice Belmessieri. Date: 4-5-6 avril 2012 Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3 Marivaux, La Fausse Suivante (1724), 2/3 (acte II) Université de Sheffield, Grande-Bretagne (responsable : David McCallam) LA PIECE Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux. LES INTERPRETES Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb LE RESPONSABLE David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford. -
83:25Immanuel Kant (1724-1804) : Une vie, une œuvre
Immanuel Kant (1724-1804) : Une vie, une œuvreImmanuel Kant (1724-1804) : Une vie, une œuvre
« Immanuel Kant, ou l'amour fou de la métaphysique » Émission « Une vie, une œuvre » (France Culture) du 15 mai 1986. par Jacques Munier Avec la participation des philosophes Jean Michel Besnier, Monique Devid Menard, René Garrigues, Alexis Philonenko et Jean Marie Vaysse. Chargée de réalisation : Mireille Krauss. -
2:26MVI 1724
MVI 1724MVI 1724
Múa võ Vovinam Alvin T1 -
12:28Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles) Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières (IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3 Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3. Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes. Date: 4-5-6 avril 2012 Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3 Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3 Images : Hamed Benhamed et Fabrice Belmessieri. Marivaux, La Fausse Suivante (1724), 3/3 (acte III) Université de Sheffield, Grande-Bretagne (responsable : David McCallam) LA PIECE Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux. LES INTERPRETES Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb LE RESPONSABLE David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
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ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
Last Batch of Signed Posters at http://CTFxCmerch.com Free Netflix for the CTFxC http://Netflix.com/CTFxC sv (↓↓ click show more ↓↓) Twitter Charles - http://twitter.com/CharlesTrippy Alli - http://twitter.com/AlliTrippy Subscribe To Our Other Channels: http://youtube.com/CharlesTrippy http://youtube.com/Alli http://youtube.com/Trippy Free month trial for CTFxCers on Netflix: http://netflix.com/ctfxc Also, thanks to Gamefly for hooking the CTFxC w/ a trial too: http://gamefly.com/ctfxc *Facebook: http://facebook.com/InternetKilledTV http://facebook.com/CharlesTrippy Instagram: http://instagram.com/CharlesTrippy http://instagram.com/AlliTrippy Google+: http://gplus.to/charlestrippy Tumblr: http://charlestrippy.tumblr.com This video is for entertainment purposes only. We don't ... -
Immanuel Kant (1724-1804) Metaphysics
http://www.philosophybites.com/ Immanuel Kant (1724-1804) is one of the most influential philosophers in the history of Western philosophy. His contributions to metaphysics, epistemology, ethics, and aesthetics have had a profound impact on almost every philosophical movement that followed him. This article focuses on his metaphysics and epistemology in one of his most important works, The Critique of Pure Reason. A large part of Kant's work addresses the question "What can we know?" The answer, if it can be stated simply, is that our knowledge is constrained to mathematics and the science of the natural, empirical world. It is impossible, Kant argues, to extend knowledge to the supersensible realm of speculative metaphysics. The reason that knowledge has these constraints, Kant argues... -
A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
ANTONIO LUCIO VIVALDI [1678 - 1741] IL GIUSTINO (RV 717) Dramma in musica in tre atti Libretto: attributed to Antonio Maria Lucchini after Nicolò Beregan, Pietro Pariati Rome, Teatro Capranica, Carnival 1724 notes: Act III, Scene 3, Lost Aria: Di re sdegnato Sinfonia for strings and basso continuo in C major (RV 111) I. (Allegro) II. Without tempo indication III. Allegro ACT I, SCENE 1 Recitativo: Febo, che non mai stanco Aria con coro: Viva Augusto eterno impero Recitativo: Da questa man, che al mio destin dà legge Aria con coro: Viva Arianna, e il suo bel core ACT I, SCENE 2 Recitativo: Il barbaro nemico Aria [Anastasio]: Un vostro sguardo ACT I, SCENE 3 Recitativo [Arianna]: Arianna, che pensi? Aria: Sole degl'occhi miei ACT I, SCENE 4 Recitativo [Giustino]: Deh, perché non poss'io... -
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#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
Pricing: http://3dgameman.pgpartner.com/search_getprod.php?masterid=1877118085&search=Amped+Wireless+Titan+AC1900&rd_type=M Info/Comments: http://3dgameman.com/reviews/1724/amped-wireless-titan-ac1900-wi-fi-router The Amped Wireless Titan Router is a Wi-Fi dead zone killer! If you're looking for an AC1900 router that offers rock solid coverage and the ability to have multiple connections steaming HD content and online gaming at the same time with ease, you've found it. It's possible because of the 1GHz dual-core processor, 258MB DDR3 of memory, 14 amplifiers and four 5dBi antennas. For sponsorship and other inquiries, please email gameman@3dgameman.com Social: Facebook: https://www.facebook.com/3dGameMan Twitter: https://twitter.com/3dGameMan Steam: http://steamcommunity.com/gro... -
1724 CRESTLINE, Troy, MI - $255,400
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube $255,400 1724 CRESTLINE Troy, MI 48083 New Listing!!! Spacious Updated Home In "Raintree Village", One Of Troy's Most Popular Subdivisions. Remodeled Kitchen Has Newer Cabinets, Counter Tops, And Bay Window. All Baths Are Updated. Newer Windows, Door Wall, Siding, And Deck. Home Also Offers Formal Living & Dining Rooms, Family Room With Fireplace And Wet Bar, Large Master Bedroom With Remodeled Private Bath, New Deck, Fenced Yard, Plus More. Located Near Shopping, Expressways, And In The Award Winning Troy School District ** Baker Middle School (IB Program). Selling Agent Must Accompany All Showings. Subdivision: Raintree Village Sub No 1 School District: Troy Listed by Dianne Gar... -
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2016 05 10 1724 03
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Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles) Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières (IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3 Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3. Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes. Date: 4-5-6 avril 2012 Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3 Réalisation : DSI Service des usage... -
Immanuel Kant (1724-1804) : Une vie, une œuvre
« Immanuel Kant, ou l'amour fou de la métaphysique » Émission « Une vie, une œuvre » (France Culture) du 15 mai 1986. par Jacques Munier Avec la participation des philosophes Jean Michel Besnier, Monique Devid Menard, René Garrigues, Alexis Philonenko et Jean Marie Vaysse. Chargée de réalisation : Mireille Krauss. -
MVI 1724
Múa võ Vovinam Alvin T1 -
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles) Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières (IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3 Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3. Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes. Date: 4-5-6 avril 2012 Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3 Réalisation : DSI Service des usage...
ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
- Order: Reorder
- Duration: 11:49
- Updated: 19 Jan 2014
- views: 582670
Last Batch of Signed Posters at http://CTFxCmerch.com
Free Netflix for the CTFxC http://Netflix.com/CTFxC
sv
(↓↓ click show more ↓↓)
Twitter
Charles - http...
Last Batch of Signed Posters at http://CTFxCmerch.com
Free Netflix for the CTFxC http://Netflix.com/CTFxC
sv
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wn.com/Another Stupid Seizure ( (1.18.14 Day 1724)
Last Batch of Signed Posters at http://CTFxCmerch.com
Free Netflix for the CTFxC http://Netflix.com/CTFxC
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This video is for entertainment purposes only. We don't condone anyone attempting the activities shown.
- published: 19 Jan 2014
- views: 582670
Immanuel Kant (1724-1804) Metaphysics
- Order: Reorder
- Duration: 19:34
- Updated: 20 Aug 2011
- views: 40942
http://www.philosophybites.com/
Immanuel Kant (1724-1804) is one of the most influential philosophers in the history of Western philosophy. His contributions...
http://www.philosophybites.com/
Immanuel Kant (1724-1804) is one of the most influential philosophers in the history of Western philosophy. His contributions to metaphysics, epistemology, ethics, and aesthetics have had a profound impact on almost every philosophical movement that followed him. This article focuses on his metaphysics and epistemology in one of his most important works, The Critique of Pure Reason. A large part of Kant's work addresses the question "What can we know?" The answer, if it can be stated simply, is that our knowledge is constrained to mathematics and the science of the natural, empirical world. It is impossible, Kant argues, to extend knowledge to the supersensible realm of speculative metaphysics. The reason that knowledge has these constraints, Kant argues, is that the mind plays an active role in constituting the features of experience and limiting the mind's access only to the empirical realm of space and time.
Kant responded to his predecessors by arguing against the Empiricists that the mind is not a blank slate that is written upon by the empirical world, and by rejecting the Rationalists' notion that pure, a priori knowledge of a mind-independent world was possible. Reason itself is structured with forms of experience and categories that give a phenomenal and logical structure to any possible object of empirical experience. These categories cannot be circumvented to get at a mind-independent world, but they are necessary for experience of spatio-temporal objects with their causal behavior and logical properties. These two theses constitute Kant's famous transcendental idealism and empirical realism.
Kant's contributions to ethics have been just as substantial, if not more so, than his work in metaphysics and epistemology. He is the most important proponent in philosophical history of deontological, or duty based, ethics. In Kant's view, the sole feature that gives an action moral worth is not the outcome that is achieved by the action, but the motive that is behind the action. And the only motive that can endow an act with moral value, he argues, is one that arises from universal principles discovered by reason. The categorical imperative is Kant's famous statement of this duty: "Act only according to that maxim by which you can at the same time will that it should become a universal law."
wn.com/Immanuel Kant (1724 1804) Metaphysics
http://www.philosophybites.com/
Immanuel Kant (1724-1804) is one of the most influential philosophers in the history of Western philosophy. His contributions to metaphysics, epistemology, ethics, and aesthetics have had a profound impact on almost every philosophical movement that followed him. This article focuses on his metaphysics and epistemology in one of his most important works, The Critique of Pure Reason. A large part of Kant's work addresses the question "What can we know?" The answer, if it can be stated simply, is that our knowledge is constrained to mathematics and the science of the natural, empirical world. It is impossible, Kant argues, to extend knowledge to the supersensible realm of speculative metaphysics. The reason that knowledge has these constraints, Kant argues, is that the mind plays an active role in constituting the features of experience and limiting the mind's access only to the empirical realm of space and time.
Kant responded to his predecessors by arguing against the Empiricists that the mind is not a blank slate that is written upon by the empirical world, and by rejecting the Rationalists' notion that pure, a priori knowledge of a mind-independent world was possible. Reason itself is structured with forms of experience and categories that give a phenomenal and logical structure to any possible object of empirical experience. These categories cannot be circumvented to get at a mind-independent world, but they are necessary for experience of spatio-temporal objects with their causal behavior and logical properties. These two theses constitute Kant's famous transcendental idealism and empirical realism.
Kant's contributions to ethics have been just as substantial, if not more so, than his work in metaphysics and epistemology. He is the most important proponent in philosophical history of deontological, or duty based, ethics. In Kant's view, the sole feature that gives an action moral worth is not the outcome that is achieved by the action, but the motive that is behind the action. And the only motive that can endow an act with moral value, he argues, is one that arises from universal principles discovered by reason. The categorical imperative is Kant's famous statement of this duty: "Act only according to that maxim by which you can at the same time will that it should become a universal law."
- published: 20 Aug 2011
- views: 40942
A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
- Order: Reorder
- Duration: 136:21
- Updated: 17 Oct 2011
- views: 48525
ANTONIO LUCIO VIVALDI [1678 - 1741]
IL GIUSTINO (RV 717)
Dramma in musica in tre atti
Libretto: attributed to
Antonio Maria Lucchini after Nicolò Beregan, Pie...
ANTONIO LUCIO VIVALDI [1678 - 1741]
IL GIUSTINO (RV 717)
Dramma in musica in tre atti
Libretto: attributed to
Antonio Maria Lucchini after Nicolò Beregan, Pietro Pariati
Rome, Teatro Capranica, Carnival 1724
notes: Act III, Scene 3, Lost Aria: Di re sdegnato
Sinfonia for strings and basso continuo in C major (RV 111)
I. (Allegro)
II. Without tempo indication
III. Allegro
ACT I, SCENE 1
Recitativo: Febo, che non mai stanco
Aria con coro: Viva Augusto eterno impero
Recitativo: Da questa man, che al mio destin dà legge
Aria con coro: Viva Arianna, e il suo bel core
ACT I, SCENE 2
Recitativo: Il barbaro nemico
Aria [Anastasio]: Un vostro sguardo
ACT I, SCENE 3
Recitativo [Arianna]: Arianna, che pensi?
Aria: Sole degl'occhi miei
ACT I, SCENE 4
Recitativo [Giustino]: Deh, perché non poss'io
Aria [Giustino]: Bel riposo de' mortali
ACT I, SCENE 5
Sinfonia della fortuna: Spring theme / Allegro
(Al suono d'allegra Sinfonia s'illumina la Scena, e scende la Fortuna sù maestosa Machina affissa sù la Ruota, che gira, accompagnata da' suoi genii, che portano Scettri, Corone & Tesori)
Recitativo accompagnato: Giustin, lascia i riposi
Aria: Della tua sorte
Recitativo: Oh chiunque tu sii, ch'ora m'inviti
ACT I, SCENE 6
Aria [Leocasta]: Nacque al bosco
ACT I, SCENE 8
Recitativo: Già s'avanza la notte
Aria: La gloria del mio sangue
Recitativo: Corro all'impresa
Aria: Vedrò con mio diletto
ACT I, SCENE 11
Recitativo: Gran signora, ove il fato
Aria: Allor, che mi vedrò
ACT I, SCENE 13
Aria [Vitaliano]: All'armi o guerrieri!
Recitativo: Amor! Cieli! Che miro?
Aria: Vanne sì, superba va
ACTI, SCENE 14
Recitativo: Olà, costei si esponga
Aria: Mio dolce amato sposo
ACT II, SCENE 1
Recitativo: Al dispetto dell'onde
Aria [Anastasio]: Sento in seno ch'in pioggia di lagrime
ACT II, SCENES 3-4
Recitativo, arioso: Numi, che il ciel reggete... Quali strida funeste... Per me dunque il ciel non ha
Duetto: Mio bel tesoro, mia dolce speme
ACT II, SCENE 5
Recitativo: Ecco tranquillo il mare
Aria: Per noi soave e bella
ACT II, SCENE 6
Recitativo: Troppo fosti, o mio core
Aria [Vitaliano]: Quel torrente che s'innalza
ACT II, SCENE 8
Recitativo: Dopo il penoso orrore
Aria: Senti l'aura che leggiera
Recitativo: Dir così non poss'io
Aria [Leocasta]: Augelletti garruletti
ACT II, SCENE 9
Aria: Verdi lauri
Recitativo: Vieni, barbaro, vieni
Aria: Su l'altar di questo nume
ACT II, SCENE 10
Recitativo: Signore, a' tuoi trionfi
Aria: Taci per poco ancora
ACT II, SCENE 12
Recitativo: Dell'empio Vitalian domo è l'orgoglio
Aria: Se all'amor, ch'io porto al trono
ACT II, SCENE 13
Recitativo: Come! Tu nutri in seno
Aria [Leocasta]: Sventurata navicella
Recitativo: Sorte, che m'invitasti
Aria [Giustino]: Ho nel petto con cor sì forte
ACT III, SCENE 1
Recitativo: [Amici], eccoci in salvo
Aria: Il piacer della vendetta
ACT III, SCENE 2
Recitativo: Mal soffre il core amante
Aria: Quell'amoroso ardor
ACT III, SCENES 3-4
Recitativo: Amato sposo
Aria: Senza l'amato ben
ACT III, SCENE 8
Aria [Amanzio]: Or che cinto ho il crin d alloro
Recitativo: Pur m'arrisero i fati
ACT III, SCENE 10
Duetto: In braccio a te
ACT III, SCENE 12
Recitativo: Vieni, famoso eroe
Coro: Dopo i nembi e le procelle
ARIANNA
Dominique Labelle (soprano)
ANASTASIO
Marina Comparato (mezzo-soprano)
GIUSTINO
Francesca Provvisionato (mezzo-soprano)
LEOCASTA / PRIMO ECO
Geraldine McGreevy (soprano)
VITALIANO / POLIDARTE
Leonardo De Lisi (tenor)
AMANZIO / LA DEA FORTUNA / SECONDO ECO
Laura Cherici (soprano)
CHOIR BASS
Michiel Meijer (bass)
Il Complesso Barocco / Alan Curtis
http://www.ilcomplessobarocco.com/
2002 - DDD
Virgin Veritas
[on authentic instruments]
wn.com/A. Vivaldi Il Giustino (Rv 717) The Complete Opera, Rome 1724 Il Complesso Barocco
ANTONIO LUCIO VIVALDI [1678 - 1741]
IL GIUSTINO (RV 717)
Dramma in musica in tre atti
Libretto: attributed to
Antonio Maria Lucchini after Nicolò Beregan, Pietro Pariati
Rome, Teatro Capranica, Carnival 1724
notes: Act III, Scene 3, Lost Aria: Di re sdegnato
Sinfonia for strings and basso continuo in C major (RV 111)
I. (Allegro)
II. Without tempo indication
III. Allegro
ACT I, SCENE 1
Recitativo: Febo, che non mai stanco
Aria con coro: Viva Augusto eterno impero
Recitativo: Da questa man, che al mio destin dà legge
Aria con coro: Viva Arianna, e il suo bel core
ACT I, SCENE 2
Recitativo: Il barbaro nemico
Aria [Anastasio]: Un vostro sguardo
ACT I, SCENE 3
Recitativo [Arianna]: Arianna, che pensi?
Aria: Sole degl'occhi miei
ACT I, SCENE 4
Recitativo [Giustino]: Deh, perché non poss'io
Aria [Giustino]: Bel riposo de' mortali
ACT I, SCENE 5
Sinfonia della fortuna: Spring theme / Allegro
(Al suono d'allegra Sinfonia s'illumina la Scena, e scende la Fortuna sù maestosa Machina affissa sù la Ruota, che gira, accompagnata da' suoi genii, che portano Scettri, Corone & Tesori)
Recitativo accompagnato: Giustin, lascia i riposi
Aria: Della tua sorte
Recitativo: Oh chiunque tu sii, ch'ora m'inviti
ACT I, SCENE 6
Aria [Leocasta]: Nacque al bosco
ACT I, SCENE 8
Recitativo: Già s'avanza la notte
Aria: La gloria del mio sangue
Recitativo: Corro all'impresa
Aria: Vedrò con mio diletto
ACT I, SCENE 11
Recitativo: Gran signora, ove il fato
Aria: Allor, che mi vedrò
ACT I, SCENE 13
Aria [Vitaliano]: All'armi o guerrieri!
Recitativo: Amor! Cieli! Che miro?
Aria: Vanne sì, superba va
ACTI, SCENE 14
Recitativo: Olà, costei si esponga
Aria: Mio dolce amato sposo
ACT II, SCENE 1
Recitativo: Al dispetto dell'onde
Aria [Anastasio]: Sento in seno ch'in pioggia di lagrime
ACT II, SCENES 3-4
Recitativo, arioso: Numi, che il ciel reggete... Quali strida funeste... Per me dunque il ciel non ha
Duetto: Mio bel tesoro, mia dolce speme
ACT II, SCENE 5
Recitativo: Ecco tranquillo il mare
Aria: Per noi soave e bella
ACT II, SCENE 6
Recitativo: Troppo fosti, o mio core
Aria [Vitaliano]: Quel torrente che s'innalza
ACT II, SCENE 8
Recitativo: Dopo il penoso orrore
Aria: Senti l'aura che leggiera
Recitativo: Dir così non poss'io
Aria [Leocasta]: Augelletti garruletti
ACT II, SCENE 9
Aria: Verdi lauri
Recitativo: Vieni, barbaro, vieni
Aria: Su l'altar di questo nume
ACT II, SCENE 10
Recitativo: Signore, a' tuoi trionfi
Aria: Taci per poco ancora
ACT II, SCENE 12
Recitativo: Dell'empio Vitalian domo è l'orgoglio
Aria: Se all'amor, ch'io porto al trono
ACT II, SCENE 13
Recitativo: Come! Tu nutri in seno
Aria [Leocasta]: Sventurata navicella
Recitativo: Sorte, che m'invitasti
Aria [Giustino]: Ho nel petto con cor sì forte
ACT III, SCENE 1
Recitativo: [Amici], eccoci in salvo
Aria: Il piacer della vendetta
ACT III, SCENE 2
Recitativo: Mal soffre il core amante
Aria: Quell'amoroso ardor
ACT III, SCENES 3-4
Recitativo: Amato sposo
Aria: Senza l'amato ben
ACT III, SCENE 8
Aria [Amanzio]: Or che cinto ho il crin d alloro
Recitativo: Pur m'arrisero i fati
ACT III, SCENE 10
Duetto: In braccio a te
ACT III, SCENE 12
Recitativo: Vieni, famoso eroe
Coro: Dopo i nembi e le procelle
ARIANNA
Dominique Labelle (soprano)
ANASTASIO
Marina Comparato (mezzo-soprano)
GIUSTINO
Francesca Provvisionato (mezzo-soprano)
LEOCASTA / PRIMO ECO
Geraldine McGreevy (soprano)
VITALIANO / POLIDARTE
Leonardo De Lisi (tenor)
AMANZIO / LA DEA FORTUNA / SECONDO ECO
Laura Cherici (soprano)
CHOIR BASS
Michiel Meijer (bass)
Il Complesso Barocco / Alan Curtis
http://www.ilcomplessobarocco.com/
2002 - DDD
Virgin Veritas
[on authentic instruments]
- published: 17 Oct 2011
- views: 48525
La fama de Rubens en España 1628-1724
- Order: Reorder
- Duration: 72:39
- Updated: 28 Sep 2015
- views: 101
La senda española de los artistas flamencos. De Van Eyck a Rubens
Conferencia impartida por Javier Portús, Jefe de Departamento de Pintura Barroca Española, Mu...
La senda española de los artistas flamencos. De Van Eyck a Rubens
Conferencia impartida por Javier Portús, Jefe de Departamento de Pintura Barroca Española, Museo del Prado
Curso anual 2008-2009
© Fundación Amigos del Museo del Prado
wn.com/La Fama De Rubens En España 1628 1724
#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
- Order: Reorder
- Duration: 7:04
- Updated: 29 Sep 2015
- views: 2305
Pricing: http://3dgameman.pgpartner.com/search_getprod.php?masterid=1877118085&search=Amped+Wireless+Titan+AC1900&rd_type=M
Info/Comments: http://3dgame...
Pricing: http://3dgameman.pgpartner.com/search_getprod.php?masterid=1877118085&search=Amped+Wireless+Titan+AC1900&rd_type=M
Info/Comments: http://3dgameman.com/reviews/1724/amped-wireless-titan-ac1900-wi-fi-router
The Amped Wireless Titan Router is a Wi-Fi dead zone killer! If you're looking for an AC1900 router that offers rock solid coverage and the ability to have multiple connections steaming HD content and online gaming at the same time with ease, you've found it. It's possible because of the 1GHz dual-core processor, 258MB DDR3 of memory, 14 amplifiers and four 5dBi antennas.
For sponsorship and other inquiries, please email gameman@3dgameman.com
Social:
Facebook: https://www.facebook.com/3dGameMan
Twitter: https://twitter.com/3dGameMan
Steam: http://steamcommunity.com/groups/3dGameMan
wn.com/1724 Amped Wireless Titan Ac1900 Wi Fi Router Video Review
Pricing: http://3dgameman.pgpartner.com/search_getprod.php?masterid=1877118085&search=Amped+Wireless+Titan+AC1900&rd_type=M
Info/Comments: http://3dgameman.com/reviews/1724/amped-wireless-titan-ac1900-wi-fi-router
The Amped Wireless Titan Router is a Wi-Fi dead zone killer! If you're looking for an AC1900 router that offers rock solid coverage and the ability to have multiple connections steaming HD content and online gaming at the same time with ease, you've found it. It's possible because of the 1GHz dual-core processor, 258MB DDR3 of memory, 14 amplifiers and four 5dBi antennas.
For sponsorship and other inquiries, please email gameman@3dgameman.com
Social:
Facebook: https://www.facebook.com/3dGameMan
Twitter: https://twitter.com/3dGameMan
Steam: http://steamcommunity.com/groups/3dGameMan
- published: 29 Sep 2015
- views: 2305
1724 CRESTLINE, Troy, MI - $255,400
- Order: Reorder
- Duration: 3:42
- Updated: 08 May 2016
- views: 5
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
$255,400
1724 CRESTLINE
Troy, MI 48083
New Listing!!! Spacious Updat...
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
$255,400
1724 CRESTLINE
Troy, MI 48083
New Listing!!! Spacious Updated Home In "Raintree Village", One Of Troy's Most Popular Subdivisions. Remodeled Kitchen Has Newer Cabinets, Counter Tops, And Bay Window. All Baths Are Updated. Newer Windows, Door Wall, Siding, And Deck. Home Also Offers Formal Living & Dining Rooms, Family Room With Fireplace And Wet Bar, Large Master Bedroom With Remodeled Private Bath, New Deck, Fenced Yard, Plus More. Located Near Shopping, Expressways, And In The Award Winning Troy School District ** Baker Middle School (IB Program). Selling Agent Must Accompany All Showings.
Subdivision: Raintree Village Sub No 1
School District: Troy
Listed by Dianne Garwood ((248) 761-9446) - Real Estate One-Troy ((248) 813-4900)
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
wn.com/1724 Crestline, Troy, Mi 255,400
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
$255,400
1724 CRESTLINE
Troy, MI 48083
New Listing!!! Spacious Updated Home In "Raintree Village", One Of Troy's Most Popular Subdivisions. Remodeled Kitchen Has Newer Cabinets, Counter Tops, And Bay Window. All Baths Are Updated. Newer Windows, Door Wall, Siding, And Deck. Home Also Offers Formal Living & Dining Rooms, Family Room With Fireplace And Wet Bar, Large Master Bedroom With Remodeled Private Bath, New Deck, Fenced Yard, Plus More. Located Near Shopping, Expressways, And In The Award Winning Troy School District ** Baker Middle School (IB Program). Selling Agent Must Accompany All Showings.
Subdivision: Raintree Village Sub No 1
School District: Troy
Listed by Dianne Garwood ((248) 761-9446) - Real Estate One-Troy ((248) 813-4900)
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
- published: 08 May 2016
- views: 5
2016 05 07 1724 16
- Order: Reorder
- Duration: 2:41
- Updated: 07 May 2016
- views: 26
DM-Broken sadly lives up to its name on LoPing Arena.
https://www.epicgames.com/unrealtournament/forums/showthread.php?21864-DM_Broken
DM-Broken sadly lives up to its name on LoPing Arena.
https://www.epicgames.com/unrealtournament/forums/showthread.php?21864-DM_Broken
wn.com/2016 05 07 1724 16
2016 05 10 1724 03
- Order: Reorder
- Duration: 1:59
- Updated: 10 May 2016
- views: 3
- published: 10 May 2016
- views: 3
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
- Order: Reorder
- Duration: 11:29
- Updated: 20 Nov 2013
- views: 1014
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissanc...
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières
(IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3
Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3.
Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3
Images : Hamed Benhamed et Fabrice Belmessieri.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Université de Sheffield, Grande-Bretagne (responsable : David McCallam)
LA PIECE
Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux.
LES INTERPRETES
Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb
LE RESPONSABLE
David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
wn.com/Marivaux, La Fausse Suivante (1724), 2 3 (Acte Ii)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières
(IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3
Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3.
Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3
Images : Hamed Benhamed et Fabrice Belmessieri.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Université de Sheffield, Grande-Bretagne (responsable : David McCallam)
LA PIECE
Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux.
LES INTERPRETES
Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb
LE RESPONSABLE
David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
- published: 20 Nov 2013
- views: 1014
Immanuel Kant (1724-1804) : Une vie, une œuvre
- Order: Reorder
- Duration: 83:25
- Updated: 01 Mar 2016
- views: 193
« Immanuel Kant, ou l'amour fou de la métaphysique »
Émission « Une vie, une œuvre » (France Culture) du 15 mai 1986.
par Jacques Munier
Avec la participation...
« Immanuel Kant, ou l'amour fou de la métaphysique »
Émission « Une vie, une œuvre » (France Culture) du 15 mai 1986.
par Jacques Munier
Avec la participation des philosophes Jean Michel Besnier, Monique Devid Menard, René Garrigues, Alexis Philonenko et Jean Marie Vaysse.
Chargée de réalisation : Mireille Krauss.
wn.com/Immanuel Kant (1724 1804) Une Vie, Une Œuvre
« Immanuel Kant, ou l'amour fou de la métaphysique »
Émission « Une vie, une œuvre » (France Culture) du 15 mai 1986.
par Jacques Munier
Avec la participation des philosophes Jean Michel Besnier, Monique Devid Menard, René Garrigues, Alexis Philonenko et Jean Marie Vaysse.
Chargée de réalisation : Mireille Krauss.
- published: 01 Mar 2016
- views: 193
MVI 1724
- Order: Reorder
- Duration: 2:26
- Updated: 10 May 2016
- views: 9
Múa võ Vovinam Alvin T1
Múa võ Vovinam Alvin T1
wn.com/Mvi 1724
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
- Order: Reorder
- Duration: 12:28
- Updated: 20 Nov 2013
- views: 969
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissanc...
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières
(IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3
Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3.
Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3
Images : Hamed Benhamed et Fabrice Belmessieri.
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Université de Sheffield, Grande-Bretagne (responsable : David McCallam)
LA PIECE
Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux.
LES INTERPRETES
Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb
LE RESPONSABLE
David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
wn.com/Marivaux, La Fausse Suivante (1724), 3 3 (Acte Iii)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-XVIIIe siècles)
Organisé par l'Institut de recherche sur la Renaissance, l'âge classique et les Lumières
(IRCL - UMR 5186 du CNRS), Université Paul-Valéry Montpellier 3
Comité d'organisation: Bénédicte Louvat-Molozay, UM3; Franck Salaün, UM3; Janice Valls-Russell, CNRS UM3; Nathalie Vienne-Guerrin, UM3.
Sous la direction de leurs responsables ou enseignants, étudiants et stagiaires de diverses institutions s'impliquent dans l'interprétation de scènes variées, issues de pièces de théâtre renommées, parmi les moments identifiés comme moments de reconnaissance entre protagonistes.
Date: 4-5-6 avril 2012
Lieu: Théâtre La Vignette, Université Paul-Valéry Montpellier 3
Réalisation : DSI Service des usages numériques, Université Paul-Valéry Montpellier 3
Images : Hamed Benhamed et Fabrice Belmessieri.
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Université de Sheffield, Grande-Bretagne (responsable : David McCallam)
LA PIECE
Pour mieux juger de la probité d'un certain Lélio, à qui on l'a promise en mariage, une demoiselle de Paris se travestit en Chevalier. Lélio invite son nouvel ami à séduire la Comtesse, son amante, pour que Lélio puisse rompre avec elle sans avoir à payer un dédit convenu entre eux. Démasquée par des valets vénaux, la demoiselle se fait passer pour sa propre servante, et contraint le fourbe Lélio et la complaisante Comtesse à devoir choisir entre un mariage sans amour ou une rupture sans argent, avant de se dévoiler aux amants perfides et de triompher d'eux.
LES INTERPRETES
Eleanor Hodgson, David McCallam, Toby Podmore, Ruth Uffold, Joanna Webb
LE RESPONSABLE
David McCallam est maître de conférences au département de français de l'Université de Sheffield, Grande-Bretagne. Spécialiste de la littérature et de la culture françaises du XVIIIe siècle, il a publié des études sur Chamfort (2002) et sur Laclos (2008) et travaille aussi sur les sciences de la terre au siècle des Lumières. Amateur du théâtre francophone, avec Dr Julia Dobson et le Prof David Walker, il anime à Sheffield une troupe de théâtre estudiantine qui monte des pièces françaises (actuellement Le Malade imaginaire de Molière). En 2010 il a mis en scène Le Barbier de Séville de Beaumarchais à Sheffield et, en tournée, à Oxford.
- published: 20 Nov 2013
- views: 969
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11:49
ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
Last Batch of Signed Posters at http://CTFxCmerch.com
Free Netflix for the CTFxC http://Ne...
published: 19 Jan 2014
ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)
- Report rights infringement
- published: 19 Jan 2014
- views: 582670
19:34
Immanuel Kant (1724-1804) Metaphysics
http://www.philosophybites.com/
Immanuel Kant (1724-1804) is one of the most influentia...
published: 20 Aug 2011
Immanuel Kant (1724-1804) Metaphysics
Immanuel Kant (1724-1804) Metaphysics
- Report rights infringement
- published: 20 Aug 2011
- views: 40942
136:21
A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
ANTONIO LUCIO VIVALDI [1678 - 1741]
IL GIUSTINO (RV 717)
Dramma in musica in tre atti
Lib...
published: 17 Oct 2011
A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
A. Vivaldi: Il Giustino (RV 717) / The complete opera, Rome 1724 / Il Complesso Barocco
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- published: 17 Oct 2011
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72:39
La fama de Rubens en España 1628-1724
La senda española de los artistas flamencos. De Van Eyck a Rubens
Conferencia impartida p...
published: 28 Sep 2015
La fama de Rubens en España 1628-1724
La fama de Rubens en España 1628-1724
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7:04
#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
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published: 29 Sep 2015
#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
#1724 - Amped Wireless Titan AC1900 Wi-Fi Router Video Review
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3:42
1724 CRESTLINE, Troy, MI - $255,400
http://www.realestateone.com/homes/216041585_MIRC-1724_CRESTLINE-Troy-MI-48083/r_youtube
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published: 08 May 2016
1724 CRESTLINE, Troy, MI - $255,400
1724 CRESTLINE, Troy, MI - $255,400
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2:41
2016 05 07 1724 16
DM-Broken sadly lives up to its name on LoPing Arena.
https://www.epicgames.com/unrealto...
published: 07 May 2016
2016 05 07 1724 16
2016 05 07 1724 16
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1:59
2016 05 10 1724 03
published: 10 May 2016
2016 05 10 1724 03
2016 05 10 1724 03
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11:29
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-...
published: 20 Nov 2013
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)
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- published: 20 Nov 2013
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83:25
Immanuel Kant (1724-1804) : Une vie, une œuvre
« Immanuel Kant, ou l'amour fou de la métaphysique »
Émission « Une vie, une œuvre » (Fra...
published: 01 Mar 2016
Immanuel Kant (1724-1804) : Une vie, une œuvre
Immanuel Kant (1724-1804) : Une vie, une œuvre
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12:28
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Colloque-Festival, La scène de reconnaissance dans les théâtres anglais et français (XVIe-...
published: 20 Nov 2013
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
Marivaux, La Fausse Suivante (1724), 3/3 (acte III)
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ANOTHER STUPID SEIZURE :( (1.18.14 - Day 1724)...
Immanuel Kant (1724-1804) Metaphysics...
A. Vivaldi: Il Giustino (RV 717) / The complete op...
La fama de Rubens en España 1628-1724...
#1724 - Amped Wireless Titan AC1900 Wi-Fi Router V...
1724 CRESTLINE, Troy, MI - $255,400...
2016 05 07 1724 16...
2016 05 10 1724 03...
Marivaux, La Fausse Suivante (1724), 2/3 (acte II)...
Immanuel Kant (1724-1804) : Une vie, une œuvre...
MVI 1724...
Marivaux, La Fausse Suivante (1724), 3/3 (acte III...
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Lyrics list:lyrics
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1724
1724
You took me to regents park,
It was chill and it was dark.
You took me to regents park,
It was chill and it was dark.
With your lips on top of mine,
And your blonde hair and blue eyes.
With your lips on top of mine,
And your blonde hair and blue eyes.
Seventeen seventeen seventeen seventeen
Twenty Four Twenty Four
Seventeen seventeen seventeen seventeen
Twenty Four Twenty Four
We went out to see live bands,
In the shadows of my hand.
We went out to see live bands,
In the shadows of my hand.
Typical north south collide,
Love to hate you, hate to fight.
Typical north south collide,
Love to hate you, hate to fight.
Seventeen seventeen seventeen seventeen
Twenty Four Twenty Four
Seventeen seventeen seventeen seventeen
Twenty Four Twenty Four
Seventeen seventeen seventeen seventeen
Twenty Four Twenty Four
Seventeen seventeen seventeen seventeen
photo: WN / Sweet Radoc
Burgers contain rat and human DNA, study finds
Edit The Independent 11 May 2016photo: Creative Commons / Presse03
Surplus Killings: When Wolves Behave Like Humans
Edit WorldNews.com 11 May 2016
Wasteful killings over time can in reality cause starvation among an entire pack. Scientists Puzzled Over Rare Surplus KillingTherefore, scientists were puzzled when a pack of gray wolves in northwestern Wyoming committed a rare occurrence ... Officials were also concerned the killings, two adult cows and nine calves, would cause unfounded fears among ranchers and hunters ... Animal nature is seldom wasteful ... It is displaced ... March, 2016. ....
photo: AP / Associated Press Photo
Report: ISIS Android Alphabet App Appears Harmless, But Has Hidden Dangers
Edit WorldNews.com 11 May 2016
According to the jihadi monitoring site Vocativ, the app cannot be downloaded in the Google Store but only using AKP files that are being shared among the group’s supporters.ISIS has previously released apps, such as its “jihadist news feed” in November 2015, and a radio app in February that broadcasts the group’s propaganda....
photo: AP / Alastair Grant
Queen says Chinese officials were 'very rude' during Xi Jinping's state visit
Edit The Guardian 11 May 2016
‘Oh, bad luck,’ Queen tells police commander in charge of visit security, in off-guard moment caught on camera at Buckingham Palace garden party. The “golden era” of UK-China relations appears to have lost some of its glitter after the Queen accused Chinese officials of being “very rude” to the British ambassador during president Xi Jinping’s first state visit to Britain last year ... “Oh, bad luck.”. Related ... Twitter ... Related ... Transcript ... ....
photo: United States Department of Health and Human Services / Len Rizzi
Trump: Budweiser So Impressed What Country Will Become Changed Name To America
Edit WorldNews.com 11 May 2016
“I think so, they’re so impressed with what our country will become that they decided to do this before the fact.” – Republican presidential candidate Donald Trump. Anheuser-Busch announced the Budweiser name change and rebranding on Tuesday, saying it was repackaging 12-ounce bottles and cans with “America” from May 23 through the November election....
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Free tree seedlings available at Hamilton Indoor Recreation Center (City of Moscow, ID)
Edit Public Technologies 10 May 2016
(Source. City of Moscow, ID) ... These Arbor Day celebration seedlings are available for pick up at the Hamilton Indoor Recreation Center, 1724 F Street from 8.00 am to 10.00 pm the week of May 9 through the 13 ... There is no charge for the permit....
Notifiable trading (Statoil ASA)
Edit Public Technologies 10 May 2016
(Source. Statoil ASA). The long-term incentive programme is a fixed, monetary compensation calculated as a portion of the participant's base salary; ranging from 20 - 30 per cent depending on the individual's position. On behalf of the participant, the company acquires shares equivalent to the net annual amount. The grant is subject to a three year lock-in period ... Name. New total. Statoil. share. holding. LTI ... 1724....
Statoil ASA: Notifiable trading
Edit Stockhouse 10 May 2016
STAVANGER, Norway, May 10, 2016 (GLOBE NEWSWIRE) -- The following primary insiders have on 9 May 2016 acquired shares in Statoil ASA (OSE.STL, NYSE.STO) at a share price of NOK 136.38 in connection with the company's long-term incentive programme ... On behalf of the participant, the company acquires shares equivalent to the net annual amount ... The trade has been made through DNB Markets ... Statoil. share ... Rummelhoff, Irene 19 719 1724....
Food Recall: Frontera Texas Original Taco Skillet Sauce (City of Clifton, NJ)
Edit Public Technologies 09 May 2016
(Source. City of Clifton, NJ). Posted. Monday, May 09, 2016. Frontera Foods of Chicago, Illinois is recalling a total of 720 (8 oz.) packages of its Frontera Texas Original Taco Skillet Sauce because it contains undeclared soy ... The recalled Frontera Texas Original Taco Skillet Sauce packages were only distributed to District Columbia and the following 11 states ... KEY FOOD OLIVE TREE #1724 1724 31-30 ROUTE 10 WEST DEVILLE NJ 07834 ... (noodl....
Support for North Carolina Governor’s Lawsuit in Response to Department of Justice Overreach (CWA - Concerned Women for America)
Edit Public Technologies 09 May 2016
(Source. CWA - Concerned Women for America). Washington, D.C. - Today, North Carolina Governor Pat McCrory filed suit against the Department of Justice after being ordered to drop the state's 'bathroom' law. Concerned Women for America CEO and President Penny Nance had this to say.. 'Concerned Women for America wholly supports Gov ... For an interview with Penny Nance contact Janae Stracke at jstracke@cwfa.org or 712-269-1724 ... (noodl....
Cothrom na Fèinne do litreachas na Gàidhlig mu dheireadh thall
Edit Scotsman 07 May 2016
An uair a leugh mi A Literary History of Scotland le J H Millar an làithean m’ òige, rinn e dragh dhomh gum b’ urrainn do dhuine làn eachdraidh litreachais na h-Alba a sgrìobhadh gun a’ Ghàidhlig ainmeachadh. Bha siud fìor mun duanaire bh' againn san sgoil cuideachd, Poet's Quair ... Sin an rathad a tha cùisean a' dol ... Dé mu dheidhinn Donnchadh Bàn Mac an t-Saoir (Duncan Bàn Mac Intyre) 1724-1812....
Home of the Day: A fresh start on the Westside
Edit The Los Angeles Times 06 May 2016
1724 Pine St., Santa Monica 90405 ....
Open rodent bait in food-storage area, empty paper towel dispensers: Dauphin County restaurant inspections, April 10-16
Edit Penn Live 06 May 2016
The Pennsylvania Department of Agriculture oversees restaurant inspections in the state. Inspection reports are "snapshots" of the day and time the inspections took place. In many cases, violations are corrected on site prior to the inspector leaving ... READ MORE. Reports from Dauphin County for the week of April 3-9. READ MORE. Past reports from around the midstate. . Establishments with violations ... 1724 ROUTE 25, MILLERSBURG ... ....
Form 8.5 (EPT/RI)Replacement Anheuser-Busch InBev (ISE - The Irish Stock Exchange plc)
Edit Public Technologies 06 May 2016
(Source. ISE - The Irish Stock Exchange plc). Morgan Stanley & Co. Int'l plc. AMENDMENT(Section 2a and 2b). FORM 8.5 (EPT/RI). PUBLIC DEALING DISCLOSURE BY AN EXEMPT PRINCIPAL TRADER WITH RECOGNISED INTERMEDIARY STATUS DEALING IN A CLIENT-SERVING CAPACITY. Rule 8.5 of the Takeover Code (the 'Code'). 1. KEY INFORMATION. (a) Name of exempt principal trader.. Morgan Stanley & Co. International plc ... Anheuser Busch InBev SA NV ... Yes. 2 ... e.g ... 106.1724 EUR....
Stop arresting indigenous Papuans plea to Indonesia
Edit Indonesia News 05 May 2016
The Asian Human Rights Commission has learned from national and local sources that on May 2 police officers arrested in total 1724 indigenous Papuans who took part in a peaceful ... ....
Undeclared Soy (FDA - Food and Drug Administration)
Edit Public Technologies 04 May 2016
(Source. FDA - Food and Drug Administration). Frontera Foods of Chicago, Illinois is recalling a total of 720 (8 oz.) packages of its Frontera Texas Original Taco Skillet Sauce because it contains undeclared soy. People who have an allergy or severe sensitivity to soy may run the risk of a serious or life-threatening allergic reaction if they consume this product ... KEY FOOD OLIVE TREE #1724 1724 31-30 ROUTE 10 WEST DEVILLE NJ 07834 ... ###....
Arrow Global Group PLC Director/PDMR Shareholding (Arrow Global Group plc)
Edit Public Technologies 03 May 2016
(Source. Arrow Global Group plc) Arrow Global Group PLC Director/PDMR Shareholding. TIDMARW. RNS Number . 1183X. Arrow Global Group PLC. 03 May 2016. 3 May 2016. Arrow Global Group PLC (the 'Company'). Director/PDMR Shareholding ... Notes. (a) Pursuant to a regular monthly instruction, the SIP Trustee acquires Partnership Shares using the participating employees' gross salaries ... +44 (0)161 Arrow Global 242 1724 Stewart Hamilton (Company Secretary)....
Miscellaneous (L'Occitane International SA)
Edit Public Technologies 03 May 2016
(Source. L'Occitane International SA) 3601694-m01annc ... L'OCCITANE INTERNATIONAL S.A. 49, Boulevard Prince Henri L-1724 Luxembourg. R.C.S. Luxembourg. B80359. (Incorporated under the laws of Luxembourg with limited liability). (Stock code. 973) ANNOUNCEMENT. SETTLEMENT OF TAX DISPUTES WITH THE FRENCH TAX AUTHORITIES ... Reference is made to the disclosure on contingency by L'Occitane International S.A ... The FTA questioned the ... =C 6.6 ... The FY2016....
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