- published: 22 Jan 2015
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Gylfaginning, (either Tricking of Gylfi or Gylfi's empowerment) (c. 20,000 words), is the first part of Snorri Sturluson's Prose Edda after Prologue. The Gylfaginning deals with the creation and destruction of the world of the Norse gods, and many other aspects of Norse mythology. The second part of the Prose Edda is called the Skáldskaparmál and the third Háttatal.
The Gylfaginning tells the story of Gylfi, a king of "the land that men now call Sweden", who after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so king Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon three men; High, Just-As-High, and Third.
Gangleri is then challenged to show his wisdom by asking questions, as is the custom in many Norse sagas. Each question made to High, Just-As-High, and Third is about an aspect of the Norse mythology or its gods, and also about the creation and destruction of the world (Ragnarök). In the end all the palace and its people just vanish and Gylfi is left standing on empty ground. It is then implied that as Gylfi returns to his nation, he retells the tales he was told. It can be argued that Snorri used this narrative device as a means of being able to safely document a vanishing and largely oral tradition within a Christian context.
The Prose Edda, also known as the Younger Edda, Snorri's Edda (Icelandic: Snorra Edda) or simply Edda, is an Old Norse work of literature written in Iceland in the early 13th century. Together with the Poetic Edda, it comprises the major store of Scandinavian mythology. The work is often assumed to have been written, or at least compiled, by the Icelandic scholar and historian Snorri Sturluson around the year 1220.
It begins with a euhemerized Prologue, a section on the Norse cosmogony, pantheon and myths. This is followed by three distinct books: Gylfaginning (consisting of around 20,000 words), Skáldskaparmál (around 50,000 words) and Háttatal (around 20,000 words). Seven manuscripts, dating from around 1300 to around 1600, have independent textual value. Sturluson planned the collection as a textbook. It was to enable Icelandic poets and readers to understand the subtleties of alliterative verse, and to grasp the meaning behind the many kenningar (compounds) that were used in skaldic poetry.
Snorri Sturluson /ˈsn̥ɔrɪ ˈstʰʏrtl̥ʏsɔn/ (1179 – 23 September 1241) was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker at the Icelandic parliament, the Althing. He was the author of the Prose Edda or Younger Edda, which consists of Gylfaginning ("the fooling of Gylfi"), a narrative of Norse mythology, the Skáldskaparmál, a book of poetic language, and the Háttatal, a list of verse forms. He was also the author of the Heimskringla, a history of the Norwegian kings that begins with legendary material in Ynglinga saga and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of Egil's saga.
As a historian and mythographer, Snorri is remarkable for proposing the hypothesis (in the Prose Edda) that mythological gods begin as human war leaders and kings whose funeral sites develop cults (see euhemerism). As people call upon the dead war leader as they go to battle, or the dead king as they face tribal hardship, they begin to venerate the figure. Eventually, the king or warrior is remembered only as a god. He also proposed that as tribes defeat others, they explain their victory by proposing that their own gods were in battle with the gods of the others.
I will edit this video soon, maby i can make it easier to grasp... 1. Gylfaginning, also called the tricking of Gylfi, is the book where Snorri Sturluson introduce us to the Norse Gods, the Æsir mythology. In this video, I look at the beginning of Snorri Sturlusons book, where Kong Gylfi meets the Aesir; Gefjon, High, Just-As-High, and Third. 2. Gylfi means in modern words: concept maker. In Gylfaginning Snorri says That King Gylfi would not accept help or hear the tiring words of a wandering "konu" named Gefjon\Gefjun. Gefjon is a woman, who is wisdoms representative there and then. Gefjon means; gef = give, giver, jon = unknown, in modern words: the unknown giver. (sent by Odin) 3. To stop the tiring Gefjon from talking, Gyfli gives Gefjon the land she can plow in a d...
Genre: Viking Black Metal Band: Enslaved Album: Frost Year: 1994 Osmose Productions
THE PROSE EDDA, by Snorri Sturleson - FULL LENGTH AUDIBOOK Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir...
Texti: Kött Grá Muthafucka Lag: Vrong Vídjó: Sigvaldi Þór Loftsson Koddí kossaslag/ homie/koddí kossaslag/ //sestí kjöltu mína mahr/ og skyldu eftir bossafar/ //elskandennan bossa mahr/ öfugsetta krossa mahr/ öfugugga/hugga/gjuggí/ hamraborgir klossaðar/ hámandí sig hrossatað/ fashanannog sossanna fuckin blíðra barnanna/ yo/börnin smíði krossana/ /ríðandi dölunum/og/ /rimmandi fossana/ /við kokum fjöll og kyngjum/ beljanda/sjá blossana/ klökkur/láttað gossa/mahr/ löva frík og tossana/ með amöbur í augunum/ ég verð að hossa/hossa mahr/ skálda sjitt/rick rossaða/ ér skáldað sjitt og flossaða/ bóhem/yo en/þó er skinka/ svín/perlur í bossana/ verrafá-ah-sucka yo dick komma soh-sucka yo dick kommah soh soh soh dýr /rapps ó cunt//kött grá hýr Nota maskara/ /homie/rokka maskara/ //prufa mara...
Gylfaginning
@ Jaxx in West Springfield, Virginia on 9 November 2007. You can see the still images I took from this and other concerts at: www.flickr.com/photos/metalchris
hestur
Snorri Sturluson specifically states that the Asgard is the city of Troy in the Prose Edda (Gylfaginning). Troy was found in modern day Turkey. https://en.wikipedia.org/wiki/Troy
He wandered on fine old paths
He wandered along high ridges
He wandered towards the heart of Midgard
He wandered until he saw a mountain
Over a bridge wet with dew he walked
Through the golden gate of Asgard
He saw the vigorous gardens of gods
Crowned around the father of All's high castle
'O father of all, I Ganglere ask:
How have we all come to existence and where do we end?
Answer, O high, even high and third
what is mankind and the race of gods' faith?'
Gylfaginning, deception for he who was wrongly taught
But not for the one who knows Gylfaginning