Pyramides is a station of the Paris Métro. It is named after the Rue des Pyramides, which commemorates the victory in 1798 of Napoleon Bonaparte's Armée d’Orient over the Mamluks of Murad Bey in the Battle of the Pyramids in Egypt. The line 7 station opened in 1916 and the line 14 station was opened at the line's inception in 1998.
Line 14 platforms at Pyramides
Line 14 platforms at Pyramides
Bicalutamide (brand names Casodex, Cosudex, Calutide, Kalumid) is a synthetic, non-steroidal, pure antiandrogen used in the treatment of prostate cancer,hirsutism, and other androgen-dependent conditions. Developed and marketed by AstraZeneca, bicalutamide was approved in 1995 as a combination treatment (with a gonadotropin-releasing hormone (GnRH) analogue (e.g., leuprorelin) or surgical castration) for stage D2 metastatic prostate cancer, and has since also been approved and used, for instance in Germany, as a monotherapy for the treatment of an earlier stage of the disease, stage C or D1 locally advanced prostate cancer. Prior to the approval of enzalutamide, a recently introduced, newer non-steroidal antiandrogen with improved effectiveness, bicalutamide was regarded as the standard-of-care antiandrogen for the treatment of prostate cancer.
It is on the WHO Model List of Essential Medicines, the most important medications needed in a basic health system.
Revelation is the third studio album by country music artist Joe Nichols, released in 2004 on Universal South Records. It produced two singles on the Billboard Hot Country Songs charts: "If Nobody Believed in You" at number 10 and "What's a Guy Gotta Do" at number 4. Also included is "Farewell Party", a cover of a Gene Watson hit single.
"A Singer in a Band" was previously recorded by Mark Wills on his 2003 album And the Crowd Goes Wild. "Don't Ruin It for the Rest of Us" was also recorded the same year by Mark Chesnutt on his album Savin' the Honky Tonk. "If I Ever Get Her Back" was previously recorded by Billy Yates on his 2001 album If I Could Go Back. "No Time to Cry" was recorded by Iris DeMent on her 1993 album My Life, and the title track was originally recorded by Waylon Jennings on his 1972 album Ladies Love Outlaws. In addition, The Oak Ridge Boys later recorded "The Shade" on their 2011 album It's Only Natural.
The following is a list of episodes in the Transformers series, Transformers: Cybertron. It chronicles the adventures of the Autobots, as they battle the Decepticons and attempt to claim the four Cyber Planet Keys.
The series uses four pieces of theme music. For the first twenty-seven episodes of the series "Call You - Kimi to Boku no Mirai [The Future of You and I]" by Shinji Kakijima is used for the opening theme and "Itsumo" by Tomoka Issei is used for the ending theme. The remaining episodes use "Ignition!" by CHINO for the opening theme and "Growing Up" by Shinji Kakijima for the Ending theme. In the English dub of the series, all of the original ending themes are removed, with the song "Transformers: Cybertron Theme" by Paul Oakenfold used for both the opening and ending in all episodes.
"Revelation" is a short story by Flannery O'Connor. It was published in 1965 in her short story collection Everything That Rises Must Converge. O'Connor finished the collection during her final battle with lupus. She died in 1964, just before her last book was published. A devout Roman Catholic, O'Connor often used religious themes in her work.
Ruby Turpin is a large Southern woman who is, like so many of Flannery O'Connor's characters, stuck in a narrow way of perceiving the world. She feels her actions and decisions make her superior to black people and those she calls "white trash." The story opens as she and her husband Claud enter a doctor's crowded waiting room. She insists that he take the last vacant chair. She notices a dirty toddler with a runny nose lying across two seats and is quietly affronted that the child's dirty, uncouth mother doesn't make him move over for Mrs Turpin to sit.
Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics were divided in their opinions of Born to Die; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.
The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.
The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."