- published: 22 Aug 2014
- views: 13676
Create your page here
-
remove the playlistGluck
-
remove the playlistLive Recordings
-
remove the playlistChristoph Willibald Gluck Concerts
-
remove the playlistChristoph Willibald Gluck Interviews
- remove the playlistGluck
- remove the playlistLive Recordings
- remove the playlistChristoph Willibald Gluck Concerts
- remove the playlistChristoph Willibald Gluck Interviews
back to playlist
Πρόσωπα της Κλασικής Μουσικής (Faces of Classical Music)
http://facesofclassicalmusic.blogspot.gr/
- published: 11 Nov 2013
- views: 92759
Christoph Willibald Gluck (1714-1787)
Symphony in G major, Wq. deest, Chen G3, "Weimarer": Allegro/Andante/Allegro.
L'Orfeo Barockorchester-Michi Gaigg
- published: 29 Sep 2011
- views: 22913
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html
Christoph Willibald Gluck (1714-1787)
♪ Orfeo ed Euridice (1762)
Cast:
Orfeo..........Bejun Mehta, countertenor
Euridice..........Eva Liebau, soprano
Amore..........Regula Mühlemann, soprano
Orchestra, Chorus: Collegium 1704, Collegium Vocale 1704
Conductor: Václav Luks
Director: Ondřej Havelka
Filmed at the Baroque Theatre of Český Krumlov Castle, 2013
(Full HD 1080p)
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
- published: 07 Jun 2015
- views: 34265
Christoph Willibald Gluck (1714~1787)
Flute Concerto in G major
00:00 I. Allegro
04:42 II. Andante
09:30 III. Allegro vivace
Flute / Conductor : Jean-Pierre Louis Rampal
Paris Philharmonic Chamber Orchestra
- published: 18 May 2014
- views: 9556
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH
http://vevo.ly/xOtU6K
- published: 01 Apr 2016
- views: 625
__
02:26 • Gluck: Orfeo ed Euridice
__
• Orfeo: Franco Fagioli
• Euridice: Malin Hartelius
• Amore: Emmanuelle de Negri
__
Insula orchestra
Conducted by Laurence Equilbey
__
- published: 10 Apr 2015
- views: 20483
4 février 2015
Direction musicale Hartmut Haenchen
Mise en scène Lukas Hemleb
Décors Alexander Polzin
Costumes Andrea Schmidt-Futterer
Lumières Marion Hewlett
Collaboration chorégraphique Joanna O’Keeffe
Iphigénie Anna Caterina Antonacci
Oreste Bruno Taddia
Pylade Steve Davislim
Thoas Alexey Tikhomirov
Diane Julienne Walker
Un Scythe Michel de Souza
1ère Prêtresse Mi-Young Kim
2ème Prêtresse Marianne Dellacasagrande
Une femme grecque Cristiana Presutti
Le Ministre du sanctuaire Wolfgang Barta
Chœur du Grand Théâtre de Genève
Direction : Alan Woodbridge
Orchestre de la Suisse Romande
- published: 17 Apr 2015
- views: 8124
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MORGEN.
Den Song, mit dem Alexa beim ESC Vorentscheid "Unser Song für Österreich" das Publikum emotional berührt hat.
Bestellt/streamt das Album hier:
►http://wmg.click/AlexaFeser_GoldVonMorgenLive
Mehr Informationen zur Künstlerin Alexa Feser gibt es hier:
►Facebook: https://www.facebook.com/alexafeserof...
►Website: http://www.alexa-feser.de
►Youtube-Kanal abonnieren: http://wmg.cc/alexafeser_youtube_abo
________________________________________________ ________________________
Abonniert unseren Newsletter: http://www.warnermusic.de/newsletter
Folgt uns auf Facebook: https://www.facebook.com/alexafeserofficial/?ref=ts&fref;=ts
Warner Music auf Youtube: http://bit.ly/1dHiFUL
Addet uns auf Snapchat: #Warnermusicde
Warner Music Website: http://www.warnermusic.de
Für weitere Playlists und Musik schau bei Topsify vorbei: http://www.topsify.de
- published: 06 Mar 2015
- views: 420053
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice.
- published: 10 Sep 2010
- views: 46048
Christoph Willibald Ritter von Gluck (2 July 1714 in Erasbach near Berching (Upper Palatinate), Germany – 15 November 1787 in Vienna) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century.
The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though he was extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse he left Paris in disgust and returned to Vienna to live out the remainder of his life.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Christoph_Willibald_Gluck
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Evgeny Igorevitch Kissin (Russian: Евге́ний И́горевич Ки́син Yevgeniy Igorevich Kisin; born 10 October 1971) is a Russian classical pianist. He first came to international fame as a child prodigy. He has been a British citizen since 2002. He is especially known for his interpretations of the works of the Romantic repertoire, particularly Frédéric Chopin, Rachmaninoff and Franz Liszt.
Kissin was born in Moscow to a Russian Jewish family. Recognized as a child prodigy, at age six, he began piano studies at the esteemed Gnessin School of Music for Gifted Children. At the school, he became a student of Anna Kantor, who remained Kissin's only piano teacher.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Evgeny_Kissin
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Don Juan (Spanish, or "Don Giovanni" in Italian) is a legendary, fictional libertine whose story has been told many times by many authors. El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina is a play set in the fourteenth century that was published in Spain around 1630. Evidence suggests it is the first written version of the Don Juan legend. Among the best known works about this character today are Molière's play Dom Juan ou le Festin de pierre (1665), Byron's epic poem Don Juan (1821), José de Espronceda's poem El estudiante de Salamanca (1840) and José Zorrilla's play Don Juan Tenorio (1844). Along with Zorrilla's work (still performed every year on November 2nd throughout the Spanish-speaking world), arguably the best known version is Don Giovanni, an opera composed by Wolfgang Amadeus Mozart with libretto by Lorenzo da Ponte, first performed in Prague in 1787 (with Giacomo Casanova probably in the audience) and itself the source of inspiration for works by E. T. A. Hoffmann, Alexander Pushkin, Søren Kierkegaard, George Bernard Shaw and Albert Camus.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Don_Juan
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
106:00GLUCK IPHIGENIE EN TAURIDE MINKOWSKI
GLUCK IPHIGENIE EN TAURIDE MINKOWSKIGLUCK IPHIGENIE EN TAURIDE MINKOWSKI
-
99:36Gluck Orphee et Eurydice Kozena
Gluck Orphee et Eurydice KozenaGluck Orphee et Eurydice Kozena
Πρόσωπα της Κλασικής Μουσικής (Faces of Classical Music) http://facesofclassicalmusic.blogspot.gr/ -
7:24Gluck - Orfeo ed Euridice - Dance of the Blessed Spirits
Gluck - Orfeo ed Euridice - Dance of the Blessed SpiritsGluck - Orfeo ed Euridice - Dance of the Blessed Spirits
Gluck -
14:28Gluck-Symphony in G major-L'Orfeo Barockorchester
Gluck-Symphony in G major-L'Orfeo BarockorchesterGluck-Symphony in G major-L'Orfeo Barockorchester
Christoph Willibald Gluck (1714-1787) Symphony in G major, Wq. deest, Chen G3, "Weimarer": Allegro/Andante/Allegro. L'Orfeo Barockorchester-Michi Gaigg -
75:01Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ • More information: http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html Christoph Willibald Gluck (1714-1787) ♪ Orfeo ed Euridice (1762) Cast: Orfeo..........Bejun Mehta, countertenor Euridice..........Eva Liebau, soprano Amore..........Regula Mühlemann, soprano Orchestra, Chorus: Collegium 1704, Collegium Vocale 1704 Conductor: Václav Luks Director: Ondřej Havelka Filmed at the Baroque Theatre of Český Krumlov Castle, 2013 (Full HD 1080p) More information: http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html • Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ -
4:06Adriano Celentano-Ragazzo della via gluck
Adriano Celentano-Ragazzo della via gluckAdriano Celentano-Ragazzo della via gluck
Il brano più famoso di Adriano Celentano -
13:37Gluck - Flute Concerto in G major
Gluck - Flute Concerto in G majorGluck - Flute Concerto in G major
Christoph Willibald Gluck (1714~1787) Flute Concerto in G major 00:00 I. Allegro 04:42 II. Andante 09:30 III. Allegro vivace Flute / Conductor : Jean-Pierre Louis Rampal Paris Philharmonic Chamber Orchestra -
3:56Berge - Glück
Berge - GlückBerge - Glück
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH http://vevo.ly/xOtU6K -
132:21Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence EquilbeyGluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
__ 02:26 • Gluck: Orfeo ed Euridice __ • Orfeo: Franco Fagioli • Euridice: Malin Hartelius • Amore: Emmanuelle de Negri __ Insula orchestra Conducted by Laurence Equilbey __ -
123:50IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina AntonacciIPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
4 février 2015 Direction musicale Hartmut Haenchen Mise en scène Lukas Hemleb Décors Alexander Polzin Costumes Andrea Schmidt-Futterer Lumières Marion Hewlett Collaboration chorégraphique Joanna O’Keeffe Iphigénie Anna Caterina Antonacci Oreste Bruno Taddia Pylade Steve Davislim Thoas Alexey Tikhomirov Diane Julienne Walker Un Scythe Michel de Souza 1ère Prêtresse Mi-Young Kim 2ème Prêtresse Marianne Dellacasagrande Une femme grecque Cristiana Presutti Le Ministre du sanctuaire Wolfgang Barta Chœur du Grand Théâtre de Genève Direction : Alan Woodbridge Orchestre de la Suisse Romande -
3:45Alexa Feser - Glück (offizielles Video)
Alexa Feser - Glück (offizielles Video)Alexa Feser - Glück (offizielles Video)
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MORGEN. Den Song, mit dem Alexa beim ESC Vorentscheid "Unser Song für Österreich" das Publikum emotional berührt hat. Bestellt/streamt das Album hier: ►http://wmg.click/AlexaFeser_GoldVonMorgenLive Mehr Informationen zur Künstlerin Alexa Feser gibt es hier: ►Facebook: https://www.facebook.com/alexafeserof... ►Website: http://www.alexa-feser.de ►Youtube-Kanal abonnieren: http://wmg.cc/alexafeser_youtube_abo ________________________________________________ ________________________ Abonniert unseren Newsletter: http://www.warnermusic.de/newsletter Folgt uns auf Facebook: https://www.facebook.com/alexafeserofficial/?ref=ts&fref;=ts Warner Music auf Youtube: http://bit.ly/1dHiFUL Addet uns auf Snapchat: #Warnermusicde Warner Music Website: http://www.warnermusic.de Für weitere Playlists und Musik schau bei Topsify vorbei: http://www.topsify.de -
4:23Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon EurydiceMaria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice. -
105:36CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
CH. WILLIBALD GLUCK.- 1762- Orfeo ed EuridiceCH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice R. Jacobs M. Kweksilber M. Falewicz Collegium Vocale La Petite Bande Dirección: Sigiswald Kuijken Argumento El primer verso de las arias, coros, etc., se ofrecen en italiano (versión de 1762) y en francés (versión de 1774). Acto I Un coro de ninfas y pastores se unen a Orfeo alrededor de la tumba de su esposa Eurídice en un solemne coro de luto. Desesperado, llora la muerte de Eurídice y sólo es capaz de murmurar el nombre de Eurídice (Coro y Orfeo: Ah, se intorno/Ah! Dans ce bois). Orfeo aleja al resto y canta su dolor en el aria Chiamo il mio ben/Objet de mon amour, los tres versos están precedidos por expresivos recitativos. Esta técnica era extremadamente radical en la época y de hecho lo demostró para aquellos que le siguieron inmediatamente: Mozart eligió conservar la unidad del aria. Ante los lamentos e imprecaciones de Orfeo, los dioses a través de Amore (Cupido) le permiten descender al Hades para rescatarla, pero con la única condición de no mirarla hasta estar bajo los rayos del sol (sólo 1774: aria de Amour, Si les doux accords). como forma de animarlo, Amore informa a Orfeo que su actual sufrimiento durará poco con el aria Gli sguardi trattieni/Soumis au silence. Orfeo decide emprender la búsqueda. Sólo en la versión de 1774 canta una ariette (L'espoir renaît dans mon âme) en el más antiguo, vistoso, estilo italiano, originariamente compuesto para un entretenimiento ocasional, Il Parnaso confuso (1765), y posteriormente reutilizado en otro, Le feste d'Apollo (1769). Acto II En un paisaje rocoso, Orfeo es recibido en los infiernos por las amenazantes Furias, y el canto de Cerbero, su guardián canino (Chi mai dell'Erebo/Quel est l'audacieux). El coro de las furias es uno de los pasajes corales más representativos de la época, «Chi mai dell'Erebo». Cuando Orfeo, acompañado por su lira (representada en la ópera por un arpa), ruega piedad en el aria Deh placatevi con me/Laissez-vous toucher, se ve interrumpido al principio por gritos diciendo No! por parte de las Furias, pero al final se ven suavizadas por la dulzura de su canto en las arias Mille pene/Ah! La flamme y Men tiranne/La tendresse, y le dejan entrar (Ah, quale incognito affetto/Quels chants doux). En la versión de 1774, la escena acaba con la Danza de las Furias (n.º 28). La segunda escena se abre en el Elíseo. El breve ballet de 1762 se convirtió en la Danza de los espíritus felices, de cuatro movimientos (con una parte destacada para solo de flauta) en 1774. A esto le siguió (sólo en 1774) un solo que celebra la felicidad en la bendición eterna (Cet asile), cantada bien por un Espíritu anónimo o por Eurídice, y repetida por el coro. Orfeo llega y se maravilla de la pureza del aire en un (Che puro ciel/Quel nouveau ciel). Pero no puede deleitarse en la belleza de lo que le rodea, pues Eurídice no está todavía con él. Implora a los espíritus que la lleven consigo, lo que ellos hacen (Coro: Torna, o bella/Près du tendre objet). Acto III Orfeo y Eurídice emprenden el camino de regreso al mundo de los vivos. Eurídice está encantada de regresar a la Tierra, pero Orfeo, recordando la condición impuesta por Amore en el Acto I, la suelta de la mano y rechaza mirarla, no explicándole nada a ella. Ella no comprende su acción y se lo reprocha, pero él debe sufrir en silencio (dúo: Vieni, appaga il tuo consorte/Viens, suis un époux). Eurídice toma esto como un signo de que él ya no la ama, y rechaza seguir adelante, concluyendo que la muerte sería preferible. Ella canta su dolor ante la supuesta infidelidad de Orfeo en el aria Che fiero momento/Fortune ennemie (en 1774, hay un breve dúo antes de la repetición). Incapaz de soportarlo más, Orfeo incumple la condición impuesta, girándose para mirar a Eurídice; nuevamente pierde a Eurídice. Desconsolado, el héroe llora lamentando la pérdida de su esposa en la famosa aria Che farò senza Euridice?/J'ai perdu mon Eurydice ("¿Qué haré sin Eurídice? / "He perdido a mi Eurídice"). Orfeo decide suicidarse para unirse a Eurídice en el Hades. Cupido, apiadado por su llanto, lo detiene (sólo en 1774, el trío Tendre Amour-"Tierno amor") y en recompensa por su amor constante, resucita a Eurídice. Finalmente ambos enamorados regresan a su patria donde son recibidos entre el alborozo general. Después de un ballet de cuatro movimientos, todos cantan en alabanza de Amore (Trionfi Amore). En la versión de 1774, el coro (L'Amour triomphe) precede al ballet, al que Gluck había añadido tres movimientos extra. La ópera es la más popular de las obras de Gluck, y una de las más influyentes en la ópera alemana posterior. Variaciones en su trama —la misión de rescate subyacente en la que el héroe debe controlar, u ocultar, sus emociones- incluyen La flauta mágica de Mozart, Fidelio de Beethoven y El oro del Rin de Wagner. -
4:23zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Callzweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
zweite Chance des Lebens von Menschen, die viel Glück im Jahr 2015 erstaunliche Video Compilation haben erstaunliche Video episches ausfallen, epic win 2015 Epic Fail 2015, lustige Videos, lustige Clips, lustige Streiche, lustige Videos, Streiche , erschrecken lustig Videos youtube unfälle funny funny unfälle unfälle fechten fechten unfälle tödliche unfälle fechten unfälle gestern gestern unfälle unfälle gütersloh gütersloh unfälle unfälle gestern deutschland unfälle gelsenkirchen
- 1774 in music
- 1784 in music
- Alceste (Gluck)
- Alfred Wotquenne
- Antonio Sacchini
- Antonio Salieri
- Apostolo Zeno
- Aria
- Armide (Gluck)
- Berching
- Bohemia
- Carl Maria von Weber
- Castrato
- Charles Burney
- Clarendon Press
- Composer
- Counterpoint
- David Garrick
- Don Juan (Gluck)
- Echo et Narcisse
- Festa teatrale
- Figured bass
- French opera
- Gaetano Guadagni
- Gaspare Spontini
- Gasparo Angiolini
- Giacomo Durazzo
- Giovanni Carestini
- Hector Berlioz
- House of Habsburg
- House of Lobkowicz
- Idomeneo
- Iphigénie en Aulide
- Iphigénie en Tauride
- Italian opera
- Jacobite rising
- Johann Adolph Hasse
- Johann Heinrich Voss
- Joseph Duplessis
- Journal de Paris
- Kapellmeister
- Les Danaïdes
- Les Troyens
- Louis XVI of France
- Luigi Cherubini
- Marie Antoinette
- Mentorship
- Messiah (Handel)
- Metastasio
- Mezzo-soprano
- Music & Letters
- Niccolò Jommelli
- Niccolò Piccinni
- Opera
- Opera buffa
- Opera house
- Opera seria
- Opéra comique
- Oratorio
- Orfeo ed Euridice
- Paride ed Elena
- Pietro Mingotti
- Pope Benedict XIV
- Psalm 130
- Recitative
- Requiem
- Richard Wagner
- Roland (Lully)
- Teatro di San Carlo
- Teatro Regio Ducal
- The Musical Times
- Upper Palatinate
- Vienna
- Vittoria Tesi
- Wikipedia Persondata
- Zentralfriedhof
- Étienne Méhul
- Alfred Wotquenne
- Antonio Sacchini
- Antonio Salieri
- Apostolo Zeno
- Carl Maria von Weber
- Charles Burney
- David Garrick
- Gaetano Guadagni
- Gaspare Spontini
- Gasparo Angiolini
- Giacomo Durazzo
- Giovanni Carestini
- Hector Berlioz
- Johann Adolph Hasse
- Johann Heinrich Voss
- Joseph Duplessis
- Louis XVI of France
- Luigi Cherubini
- Marie Antoinette
- Metastasio
- Niccolò Jommelli
- Niccolò Piccinni
- Pietro Mingotti
- Pope Benedict XIV
- Richard Wagner
- Vittoria Tesi
- Wikipedia Persondata
- Étienne Méhul
'Gluck' is featured as a movie character in the following productions:
Germans (1996)
Actors: Scott Cleverdon (actor), Per Oscarsson (actor), Eric Parkinson (actor), Andrzej Precigs (actor), Wojciech Siemion (actor), Katarzyna Figura (actress), Beata Tyszkiewicz (actress), Edward Zentara (actor), Teresa Budzisz-Krzyzanowska (actress), Cezary Zak (actor), Jan Prochyra (actor), Vivian Schilling (actress), Adam Kamien (actor), Ewa Pakulska (editor), Zbigniew Kaminski (director),
Plot: A wealthy German family is divided by the immorality of Nazi Germany, circa 1944. Former professional colleague, Joachim Peters, escapes from a Nazi concentration camp, and seeks refuge with his friends, the Sonnenbruchs. Torn between their duty as German citizens, and their greater humanitarian sensibilities, the family is divided in how to deal with Joachim's presence.
Keywords: german, independent-filmGenres: Drama, War,
Winds of Change, Winds of Love (1987)
Actors: Roger Sellberg (editor), Rosemary Martin (actress), Emrys James (actor), Andrew Seear (actor), Inger Åby (director),
Genres: Drama,Marie-Antoinette (1975)
Actors: Henri Guisol (actor), François Dyrek (actor), Victor Garrivier (actor), Van Doude (actor), Pierre Duncan (actor), Jacques Alric (actor), Jacques Dhéry (actor), Jean-Claude Bouillaud (actor), Bernard Dhéran (actor), Yves Brainville (actor), Benoît Allemane (actor), Gérard Caillaud (actor), Jacques Ciron (actor), Teddy Bilis (actor), Maurice Jacquemont (actor),
Genres: ,Gluck, Will Filmography
-
2014, role: writer
-
2014, role: producer
-
2014, role: producer
-
2014, role: director
-
2013, role: producer
-
2013, role: writer
-
2011, role: director
-
2011, role: actor , character name: Himself
-
2011, role: director
-
2011, role: writer
-
2011, role: producer
-
2011, role: actor , character name: Himself
-
2011, role: actor , character name: Himself
-
2010, role: director
-
2010, role: actor , character name: Himself
-
2010, role: actor , character name: Himself
-
2010, role: producer
-
2010, role: actor , character name: Himself
-
2010, role: writer
-
2009, role: actor , character name: Himself
-
2009, role: director
-
2009, role: producer
-
2009, role: director
-
2009, role: writer
-
2008, role: actor , character name: Man at Play #1
-
2006, role: writer
-
2006, role: producer
-
2003, role: producer
-
2003, role: writer
-
2003, role: miscellaneous crew
-
2001, role: producer
-
2001, role: producer
-
2001, role: writer
-
2001, role: writer
-
1995, role: miscellaneous crew
-
1985, role: actor , character name: Uraka
Christoph Willibald Gluck
ALBUMS
- Ezio (conductor: Alan Curtis; orchestra: Il Complesso Barocco) released: 2011
- Orphée et Eurydice (vocals: Juan Diego Florez, Ainhoa Garmendia, Alessandra Marianelli; cond: Jesus Lopez-Cobos; orch: Coro y Orquesta Titular del Teatro Real) released: 2010
- Orfeo ed Euridice released: 2009
- Orfeo ed Euridice (Orquesta Sinfónica de Galicia, feat. conductor: Peter Maag, singers: Podles, Rodrigo, de la Merced) released: 2008
- Los clásicos de la Ópera, No. 9: Orfeo ed Euridice (La Petite Bande feat. conductor: Sigiswald Kuijken) released: 2007
- Paride ed Elena (Gabrieli Consort & Players feat. conductor: Paul McCreesh) released: 2005
- Opera Arias released: 2004
- Orphée et Eurydice released: 2004
- L'innocenza giustificata (Cappella Coloniensis, feat. conductor: Christopher Moulds, singers: Bayo, Karasiak, De Liso, Cangemi) released: 2004
- Iphigénie in Aulis (Rias Kammerchor und Sinfonieorchester, feat conductor: Arthur Rother, Musial, Krebs, Blatter, Fischer-Dieskau, Greindl) released: 2002
- Orfeo ed Euridice released: 2002
- Iphigenie en Tauride released: 2001
- Orfeo & Euridice released: 2001
- Dreams and Fables: Italian Arias released: 2001
- Orfeo ed Euridice (Rome Opera Orchestra & Chorus, feat. conductor Pierre Monteux, singers: Stevens, Della Casa, Peters) released: 2000
- Iphigénie en Tauride (Boston Baroque feat. conductor : Martin Pearlman) released: 2000
- Orphée et Eurydice (Choer et Orchestre de la Radiodiffusion de Moscou, feat conductor: Samouïl Samossoud, singers: Kozlovsky, Choumskya, Sakharova, Talakhadze) released: 1999
- Orphée et Eurydice, Berlioz version (Monteverdi Choir, Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner) released: 1999
- Alceste (Drottningholm Theater Chorus & Orchestra feat. conductor: Arnold Östman) released: 1999
- Orfeo ed Euridice released: 1998
- Die Klassiksammlung 99: Gluck: Musikalische Reform released: 1996
- Orphée et Eurydice (San Francisco Opera Orchestra feat. conductor: Donald Runnicles, soprano: Dawn Upshaw, mezzo-soprano: Jennifer Larmore, soprano: Alison Hagley) released: 1996
- Paride ed Elena (ORF Symphonieorchester, feat. conductor: Lothar Zagrosek, singers: Cotrubas, Bonisolli, Greenberg, Fontana) released: 1995
- Le temps des castrats released: 1994
- Ifigenia in Tauride (Orchestra e Coro del Teatro alla Scala, feat. conductor: Nino Sanzogno, singers: Callas, Cossotto, Albanese, Dondi, Colzani) released: 1994
- Orfeo e Euridice (The Glyndebourne Chorus & The London Philharmonic Orchestra, feat. conductor: Raymond Leppard, singers: Bake, Speiser, Gale) released: 1993
- Don Juan / Semiramis (Tafelmusik On Period Instruments feat. conductor: Bruno Weil) released: 1993
- Orfeo ed Euridice (Monteverdi Choir & English Baroque Soloists feat. conductor: John Eliot Gardiner) released: 1993
- Orfeo ed Euridice released: 1990
- Armide (Les musiciens du Louvre feat. conductor: Mark Minkowski) released: 1990
- Iphigénie en Aulide (Monteverdi Choir & Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner) released: 1990
- Orfeo ed Euridice (Rundfunkchor Berlin & Kammerorchester Carl Philip Emanuel Bach, feat. conductor: Hartmut Haenchen, singers: Kowalski, Schellenberger-Ernst) released: 1989
- Meditation, Volume 1 released: 1989
- Iphigénie en Tauride (Monteverdi Choir & Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner) released: 1986
- Orpheus und Eurydike (Hermann Prey, Pilar Lorengar, Erika Köth) (Highlights) released:
- Armida released:
- Bauci e Filemone (Les Talens Lyriques) released:
- Alceste released:
Ezio (conductor: Alan Curtis; orchestra: Il Complesso Barocco)
Released 2011- add to main playlist Play in Full Screen Allegro. - Ezio, Sinfonia
- add to main playlist Play in Full Screen Andante. - Ezio, Sinfonia
- add to main playlist Play in Full Screen Allegro di molto. - Ezio, Sinfonia
- add to main playlist Play in Full Screen Marcia. - Ezio
- add to main playlist Play in Full Screen Recitativo. Signoe, vincemmo . - Ezio, Atto primo, Scena I
- add to main playlist Play in Full Screen Aria. Se tu la reggi al volo. - Ezio, Atto primo, Scena I
- add to main playlist Play in Full Screen Recitativo. Ezio, lascia ch'io stringa. - Ezio, Atto primo, Scena II
- add to main playlist Play in Full Screen Aria. Pensa a serbarmi, o cara. - Ezio, Atto primo, Scena II
- add to main playlist Play in Full Screen Recitativo. E soffrirai che sposa abbia la figlia. - Ezio, Atto primo, Scena III
- add to main playlist Play in Full Screen Aria. Caro padre. - Ezio, Atto primo, Scena III
- add to main playlist Play in Full Screen Recitativo accompagnato. Pria che sorga l'aurora. - Ezio, Atto primo, Scena IV
- add to main playlist Play in Full Screen Recitativo. Ezio sappia ch'io bramo seco parlar. - Ezio, Atto primo, Scena V
- add to main playlist Play in Full Screen Aria. Se povero il ruscello. - Ezio, Atto primo, Scena V
- add to main playlist Play in Full Screen Recitativo. Del ciel felice dono. - Ezio, Atto primo, Scena VI
- add to main playlist Play in Full Screen Aria. So chi t'accese. - Ezio, Atto primo, Scena VI
- add to main playlist Play in Full Screen Recitativo. Vedrem se ardisce ancora. - Ezio, Atto primo, Scena VII-VIII
- add to main playlist Play in Full Screen Aria. Se fedele mi brama il regnante. - Ezio, Atto primo, Scena VII-VIII
- add to main playlist Play in Full Screen Recitativo. A cesare nascondi. - Ezio, Atto primo, Scena IX
- add to main playlist Play in Full Screen Aria. Ancor non mremi il soglio. - Ezio, Atto primo, Scena IX
- add to main playlist Play in Full Screen Recitativo. Via, per mio danna aduna. - Ezio, Atto primo, Scena X
- add to main playlist Play in Full Screen Aria. Finché un zeffiro soave. - Ezio, Atto primo, Scena X
Orphée et Eurydice (vocals: Juan Diego Florez, Ainhoa Garmendia, Alessandra Marianelli; cond: Jesus Lopez-Cobos; orch: Coro y Orquesta Titular del Teatro Real)
Released 2010- add to main playlist Play in Full Screen Ouverture
- add to main playlist Play in Full Screen Act 1: Scene 1: Choeur: Ah! Dans ce bois tranquille et sombre
- add to main playlist Play in Full Screen Act 1: Scene 1: Récitatif: Vos plaintes, vos regrets, augmentent mon supplice
- add to main playlist Play in Full Screen Act 1: Scene 1: Pantomime des Nymphes et des Bergers
- add to main playlist Play in Full Screen Act 1: Scene 1: Choeur: Ah! Dans ce bois tranquille et sombre
- add to main playlist Play in Full Screen Act 1: Scene 1: Récitatif: Eloignez-vous: ce lieu convient a mes malheurs
- add to main playlist Play in Full Screen Act 1: Scene 1: Ritournelle
- add to main playlist Play in Full Screen Act 1: Scene 2: Air en rondeau: Objet de mon amour!
- add to main playlist Play in Full Screen Act 1: Scene 2: Air en rondeau: Eurydice! Ombre chere!
- add to main playlist Play in Full Screen Act 1: Scene 2: Air en rondeau: Accablé de regrets
- add to main playlist Play in Full Screen Act 1: Scene 2: Air en rondeau: Eurydice! Eurydice! De ce doux nom
- add to main playlist Play in Full Screen Act 1: Scene 2: Air en rondeau: Plein de trouble et d'effroi
- add to main playlist Play in Full Screen Act 1: Scene 2: Récitatif: Divinités de l'Achéron
- add to main playlist Play in Full Screen Act 1: Scene 3: Récitatif: L'Amour vient au secours de l'amant le plus tendre
- add to main playlist Play in Full Screen Act 1: Scene 3: Air: Si les doux accords de ta lyre
- add to main playlist Play in Full Screen Act 1: Scene 3: Air: Soumis au silence
- add to main playlist Play in Full Screen Act 1: Scene 4: Récitatif: Impitoyables Dieux!
- add to main playlist Play in Full Screen Act 1: Scene 4: Ariette: L'espoir renait dans mon ame
- add to main playlist Play in Full Screen Act 2: Scene 1: Maestoso - Prélude et Choeur: Quel est l'audacieux / Dans des Furies - Choeur: Quel est l'audacieux
- add to main playlist Play in Full Screen Act 2: Scene 1: Laissez-vous toucher par mes pleurs
- add to main playlist Play in Full Screen Act 2: Scene 1: Qui t'amene en ces lieux
- add to main playlist Play in Full Screen Act 2: Scene 1: Ah! La flamme qui me dévore
- add to main playlist Play in Full Screen Act 2: Scene 1: Par quels puissants accords
- add to main playlist Play in Full Screen Act 2: Scene 1: La tendresse qui me presse
- add to main playlist Play in Full Screen Act 2: Scene 1: Quels chants doux et touchants!
- add to main playlist Play in Full Screen Act 2: Scene 1: Danse des Furies
- add to main playlist Play in Full Screen Act 2: Scene 2: Ballet des Ombres heureuses
- add to main playlist Play in Full Screen Act 2: Scene 2: Air: Cet asile aimable et tranquille
- add to main playlist Play in Full Screen Act 2: Scene 3: Récitatif: Quel nouveau ciel pare ces lieux?
- add to main playlist Play in Full Screen Act 2: Scene 3: Choeur: Viens dans ce séjour paisible
- add to main playlist Play in Full Screen Act 2: Scene 3: Lent (Danse des Ombres heureuses)
- add to main playlist Play in Full Screen Act 2: Scene 3: Récitatif: O vous, Ombres que j'implore
- add to main playlist Play in Full Screen Act 3: Scene 4: Choeur: Pres du tendre objet qu'on aime
Orfeo ed Euridice
Released 2009- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. "Ah! se intorno a quest'urna funesta" (Chor, Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Rezitativ "Amici, quellamento" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Pantomime
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. "Ah! se intorno a quest'urna funesta" (Chor)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Rezitativ "Restar vuol' io" - Ritornello (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Arie "Chiamo il mio ben cosi" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Rezitativ "O numi, barbari numi" (Orfeo, Amor)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Arie "Se dolci suon" (Amor) - Szene "Ciel, lei riveder potrö" (Amor, Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Arie "Gli sguardi trattieni" (Amor)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt I. Rezitativ "Che disse? ehe ascoltai?" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Tanz der Furien
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. "Chi mai dell'Erebo" (Chor) - Tanz der Furien - "Deh placatevi con me" (Orfeo, Chor)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. "Misero giovane" (Chor der Furien)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Arie "Mille pene, ombre sdegnose" (Orfeo) - "Ah, quale incognito" (Chor der Furien) - Arie "Men tiranne voi sareste" (Orfeo) - "Ah, quale incognito" (Chor)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Tanz der Furien
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Reigen der seligen Geister
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Ballett
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Reigen der seligen Geister
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Arie und Chor "E quest'asilo ameno" (Euridice, Chor)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Arie "Che puro ciel, che chiaro sol" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Rezitativ "Oh voi, ombre felici" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Akt II. Reigen seliger Geister "Torna, o bella, al tuo consorte"
Orfeo ed Euridice (Orquesta Sinfónica de Galicia, feat. conductor: Peter Maag, singers: Podles, Rodrigo, de la Merced)
Released 2008- add to main playlist Play in Full Screen Orfeo ed Euridice: Sinfonia
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Ah se intorno a quest'urna" (Coro, Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Amici quel lamento" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Pantomima
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Ah se intorno a quest'urna" (Coro)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Restar vogl'io da sol" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Ritornello
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Aria "Chiamo il mio ben così" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Euridice, Euridice" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Aria "Chiamo il mio ben così" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Euridice! Euridice!"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Aria "Piango il mio ben così" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. "O Numi, barbari Numi" (Orfeo, Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. Aria "Se il dolce suon de la tua lira" (Amore, Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. "Ciel rivederla potrò" (Orfeo, Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. Aria "Gli Sguardi Trattieni" (Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. "Che disse, che ascoltai" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. Aria "Addio, addio o miei sospiri" (Orfeo)
Los clásicos de la Ópera, No. 9: Orfeo ed Euridice (La Petite Bande feat. conductor: Sigiswald Kuijken)
Released 2007- add to main playlist Play in Full Screen Obertura
- add to main playlist Play in Full Screen Primer Acto: "Ah, se intorno a quest'urna funesta"
- add to main playlist Play in Full Screen Primer Acto: "Basta, basta, o compagni"
- add to main playlist Play in Full Screen Primer Acto: Ballo (larghetto)
- add to main playlist Play in Full Screen Primer Acto: "Ah, se intorno a quest'urna funesta"
- add to main playlist Play in Full Screen Primer Acto: "Chiamo il mio ben così"
- add to main playlist Play in Full Screen Primer Acto: "Numi! Barbari Numi!"
- add to main playlist Play in Full Screen Primer Acto: "T'assiste Amore!"
- add to main playlist Play in Full Screen Primer Acto: "Gli sguardi trattieni"
- add to main playlist Play in Full Screen Primer Acto: "Che disse! Che ascoltai!"
- add to main playlist Play in Full Screen Segundo Acto: Ballo (maestoso)
- add to main playlist Play in Full Screen Segundo Acto: "Chi mai dell'Erebo"
- add to main playlist Play in Full Screen Segundo Acto: Ballo (presto)
- add to main playlist Play in Full Screen Segundo Acto: "Chi mai dell'Erebo"
- add to main playlist Play in Full Screen Segundo Acto: Ballo (maestoso)
- add to main playlist Play in Full Screen Segundo Acto: "Deh! Placatevi con me"
- add to main playlist Play in Full Screen Segundo Acto: "Che puro ciel!"
Paride ed Elena (Gabrieli Consort & Players feat. conductor: Paul McCreesh)
Released 2005- add to main playlist Play in Full Screen Paride ed Elena: Overtura
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena I: "Non sdegnare" (Coro, un Trojano)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena I: "O del mio dolce ardor" (Paride)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena I: Ballo
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena I: "Dall'aurea sua stella" (Un Trojano)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena I: "Spiagge amate" (Paride, un Trojano)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena II: "Stranier, la mia Regina a te m'invia" (Amore, Paride)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena II: "Ma, chi sei" (Paride, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: "Felice te" (Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: "Nell'idea ch'ei volge" (Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: Ballo I
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: Ballo II
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: Ballo III
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: Ballo IV
- add to main playlist Play in Full Screen Paride ed Elena, Atto I, Scena III: Ballo V
- add to main playlist Play in Full Screen Paride ed Elena, Atto II, Scena I: "Si presenti" (Elena, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto II, Scena II: "Regina!" (Paride, Elena, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto II, Scena II: "Forse più d'una beltà" (Elena, Paride, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto II, Scena III: "Tutto qui me sorprende" (Paride)
- add to main playlist Play in Full Screen Paride ed Elena, Atto II, Scena III: "La belle immagini" (Paride)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: Sinfonia
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Prence, la tua presenza" (Elena, Paride, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Dalla reggia rilucente scendi a noi" (Coro)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Negli strali, nell'arco possente" (Solo, Coro)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: Ballo
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Non più" (Elena)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Lodi al nume" (Coro)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Per te, signor" (Elena, Paride, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Quegli occhi belli" (Paride, Elena, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Non più! Misero!" (Elena, Paride, Amore)
- add to main playlist Play in Full Screen Paride ed Elena, Atto III, Scena I: "Fingere più non so" (Paride, Elena)
Opera Arias
Released 2004- add to main playlist Play in Full Screen Armide: Le perfide Renaud me fuit
- add to main playlist Play in Full Screen Iphigénie en Aulide: Vous essayez en vain - Par la crainte
- add to main playlist Play in Full Screen Iphigénie en Tauride: Non, cet affreux devoir
- add to main playlist Play in Full Screen Iphigénie en Aulide: Adieu, conservez dans votre âme
- add to main playlist Play in Full Screen Alceste: Divinités du Styx
- add to main playlist Play in Full Screen La rencontre imprévue: Bel inconnu
- add to main playlist Play in Full Screen La rencontre imprévue: Je cherche à vous faire
- add to main playlist Play in Full Screen Paride ed Elena: Spiagge amate
- add to main playlist Play in Full Screen Paride ed Elena: O del mio dolce ardor
- add to main playlist Play in Full Screen Paride ed Elena: Le belle immagini
- add to main playlist Play in Full Screen Paride ed Elena: Di te scordami
- add to main playlist Play in Full Screen Orfeo ed Euridice: Che puro ciel!
- add to main playlist Play in Full Screen Orfeo ed Euridice: Che farò senza Euridice?
Orphée et Eurydice
Released 2004- add to main playlist Play in Full Screen Orphée et Eurydice : Ouverture
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène I. Chorus: "Ah! dans ce bois tranquille et sombre"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène I. Recitative "Vos plaintes, vos regrets, augmentent mon supplice"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène I. Pantomime des Nymphes et des Bergers
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène I. Chorus: "Ah! dans ce bois tranquille et sombre"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène I. Recitative: "Eloignez-vous: ce lieu convient à mes malheurs"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène I. Ritournelle
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène II. "Objet de mon amour!"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène II. "Euridice! ombre chère!"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène II. "Accablé de regrets"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène II. "Euridice! Euridice! De ce doux nom"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène II. "Plein de trouble et d'effroi"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène II. Recitative: "Divinités de l'Achéron"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène III. Recitative "L'Amour vient au secours de l'amant le plus tendre"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène III. Air: "Si les doux accords de ta lyre"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène III. Air: "Soumis au silence"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène IV. Recitative: "Impitoyables Dieux!"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte I, Scène IV. Ariette: "L'espoir renaît dans mon âme"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. Maestoso
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. Choral prelude "Quel est l'audacieux"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. Air de Furies
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. Chorus "Quel est l'audacieux"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. Chorus "Laissez-vous toucher par mes pleurs"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. "Qui t'amène en sex lieux"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. "Ah! la flamme qui me dévore"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. "Par quels puissants accords"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. "La tendresse qui me presse"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. "Quel chants doux et touchants!"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène I. Air des Furies
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène II. Ballet des Ombres heureuses
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène II. Air "Cet asile aimable et tranquille", Danse des Héros et Héroines
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène III. Recitative: "Quel nouveau ciel pare ces lieux?"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène III. Chorus "Viens dans ce séjour paisible"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène III. Lent (Danse des Ombres heureuses)
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène III. Recitative: "Ô vous, ombres que j'implore"
- add to main playlist Play in Full Screen Orphée et Eurydice : Acte II, Scène III. Chorus "Près du tendre objet qu'on aime"
L'innocenza giustificata (Cappella Coloniensis, feat. conductor: Christopher Moulds, singers: Bayo, Karasiak, De Liso, Cangemi)
Released 2004- add to main playlist Play in Full Screen L'innocenza giustificata: No. 1. Sinfonia Allegro
- add to main playlist Play in Full Screen L'innocenza giustificata: No. 1. Sinfonia Andante
- add to main playlist Play in Full Screen L'innocenza giustificata: No. 1. Sinfonia Presto
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena I. "Signor, de'cenni tuoi"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena I. No. 2 Aria "D'atre nubi"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena II. "Qual presagi funesti minaccian questo dì!"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena II. No. 3 Aria "Sempre è maggior del vero"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena III. "Eterni Dei, da questo cor"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena III. No. 4 Aria "Guarda pria se in questa fronte"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena IV. "Ed io qui resto ancor?"
- add to main playlist Play in Full Screen L'innocenza giustificata: Parte I, Scena IV. No. 5 Aria "A'giorni suoi la sorte"
Iphigénie in Aulis (Rias Kammerchor und Sinfonieorchester, feat conductor: Arthur Rother, Musial, Krebs, Blatter, Fischer-Dieskau, Greindl)
Released 2002- add to main playlist Play in Full Screen Iphigénie in Aulis: Overture
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Arie "O artemis, Erzürnte! Umsonst gebeutst du mir..."
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Chor "Langer darfst du nicht widerstreben!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Du siehst, wie laut das Heer schon wütet
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Klytämnestra, mit der Tochter!
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Chor "Welch ein Reiz! Welche Majestät!
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Arie & Recitative "Wie gern hört mein. Ohr dieses schmeichelnde Lob"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Menuetto Tanz
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Die Liebe, durch die sie mich ehren"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Lasst uns allein!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Arie "Waffne dich mit zünendem Mute"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Hab' ich recht gehört?"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Ist's ein Traum, der mich täuscht!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. "Mein Bangen"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt I. Duet "Zweifle nie an meiner Treue!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. Chor "Lass deine Brust Freude durchwallen"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. "Omsonst wähnet ihr meine Sorgen zu täuschen"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. Marsch
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. Arie mit Chor "Singt laut und erhebt eure Königin!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. Quartet mit Chor "Der Ehe holdet Gott!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. Aria "Ach, zum Tode verdammt durch den grausamsten Vater"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. "Ha, er kommt!"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. Duet "Wie du so kühn und frech mir drohest"
- add to main playlist Play in Full Screen Iphigénie in Aulis: Akt II. "Ihr Wachen, her!"
Orfeo ed Euridice
Released 2002- add to main playlist Play in Full Screen Orfeo ed Euridice: Overture
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Ah, se intorno a quest'urna funesta"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Basta, basta, o compagni"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Ah, se intorno a quest'urna funesta"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Chiamo il mio ben così"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Euridice, ombra cara"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Cerco il mio ben così"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Euridice, Euridice!"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Piango il mio ben così"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 1: "Numi, Barbari Numi"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 2: "T'assiste Amore!"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 2: "Gli sguardi trattieni"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 2: "Che disse? Che ascoltai?"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act I, Scene 2: End of Act I
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Chi mai dell'Erebo fra le caligini"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Chi mai dell'Erebo fra le caligini"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Deh placatevi con me"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Misero giovane, che vuoi, che mediti"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Mille pene"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Ah, quale incognito affetto flebile"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Men tiranne"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 1: "Ah, quale incognito affetto flebile"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 2: Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 2: "Che puro ciel"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 2: "Vieni a' regni del riposo"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 2: Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 2: "Anime avventurose"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act II, Scene 2: "Torna, o bella, al tuo consorte"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Vieni, segui i miei passi"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Vieni appaga il tuo consorte"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Qual vita è questa mai"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Che fiero momento"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Ecco in nuovo tormento!"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Che farò senza Euridice?"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 1: "Ah finisca e per sempre"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 2: "Orfeo, che fai?"
- add to main playlist Play in Full Screen Orfeo ed Euridice, Act III, Scene 3: "Trionfi Amore"
Iphigenie en Tauride
Released 2001- add to main playlist Play in Full Screen Act 1 - Scène 1 - 1. Introduction - « Grands dieux ! soyez-nous secourables » (Iphigénie, choeur des Prêtresses)
- add to main playlist Play in Full Screen Act 1 - Scène 1 - 2. « Le calme reparaît » (Iphigénie, première Prêtresse, deuxième Prêtresse)
- add to main playlist Play in Full Screen Act 1 - Scène 1 - 3. « Ô songe affreux ! nuit effroyable ! » (choeur des Prêtresses)
- add to main playlist Play in Full Screen Act 1 - Scène 1 - 4. « Ô race de Pélops » (Iphigénie, deuxième Prêtresse)
- add to main playlist Play in Full Screen Act 1 - Scène 1 - 5. Air: « Ô toi qui prolongeras mes jours » (Iphigénie)
- add to main playlist Play in Full Screen Act 1 - Scène 1 - 6. « Quand verrons-nous tarir nos pleurs ? » (Choeur des Prêtresses)
- add to main playlist Play in Full Screen Act 1 - Scène 2 - 1. « Dieux ! le malheur en tous lieux suit mes pas » (Thoas, Iphigénie)
- add to main playlist Play in Full Screen Act 1 - Scène 2 - 2. Air: « De noirs pressentiments » (Thoas)
- add to main playlist Play in Full Screen Act 1 - Scène 3 & 4 - « Les dieux apaisent leur courroux » (ch. des Scythes, Iphig., Thoas, Scythe)-« Et vous, à vos dieux tutélaires»
- add to main playlist Play in Full Screen Act 1 - Scène 4.5 - Ballet
- add to main playlist Play in Full Screen Act 1 - Scène 5 - « Malheureux ! quel dessein à vous-mêmes contraire » (Thoas, Pylade, Oreste)
- add to main playlist Play in Full Screen Act 1 - Scène 6 - « Il nous fallait du sang » (choeur des Scythes)
- add to main playlist Play in Full Screen Act 2 - Scène 1 - 1. « Quel silence effrayant ! » (Pylade, Oreste)
- add to main playlist Play in Full Screen Act 2 - Scène 1 - 2. Air: « Dieux qui me poursuivez » (Oreste)
- add to main playlist Play in Full Screen Act 2 - Scène 1 - 3. « Quel langage accablant » (Pylade)
- add to main playlist Play in Full Screen Act 2 - Scène 1 - 4. Air: « Unis dès la plus tendre enfance » (Pylade)
- add to main playlist Play in Full Screen Act 2 - Scène 2 - « Etrangers malheureux, il faut vous séparer ! » (le Ministre du sanctuaire, Pylade, Oreste)
- add to main playlist Play in Full Screen Act 2 - Scène 3 - 1. « Dieux protecteurs de ces affreux rivages » (Oreste)
- add to main playlist Play in Full Screen Act 2 - Scène 3 - 2. « Le calme rentre dans mon coeur ! » (Oreste)
- add to main playlist Play in Full Screen Act 2 - Scène 4 - « Vengeons et la nature et les dieux en courroux ! » (les Euménides, Oreste)
- add to main playlist Play in Full Screen Act 2 - Scène 5 - « Je vois toute l'horreur » (Iphigénie, Oreste, les Prêteresses)
- add to main playlist Play in Full Screen Act 2 - Scène 6 - 1. « Ô ciel ! de mes tourments » (Iphigénie)
- add to main playlist Play in Full Screen Act 2 - Scène 6 - 2. Air avec choeur: « Ô malheureuse Iphigénie ! » (Iphigénie, choeur des Prêtresses)
- add to main playlist Play in Full Screen Act 2 - Scène 6 - 3. « Honorez avec moi ce héros qui n'est plus ! » (Iphigénie)
- add to main playlist Play in Full Screen Act 2 - Scène 6 - 4. Air avec choeur: « Contemplez ces tristes apprêts » (choeur des Prêtresses, Iphigénie)
Orfeo & Euridice
Released 2001- add to main playlist Play in Full Screen Orfeo & Euridice: Overtura
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena I. "Ah! Se intorno a quest'urna funesta" (Coro, Orfeo)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena I. "Basta, basta, o compagni!" (Orfeo)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena I. Ballo
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena I. "Ah, se intorno a quest'urna funesta" (Coro, Orfeo)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena I. "Chiamo il mio ben così" (Orfeo)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena I. "O Numi! Barbari numi" (Orfeo, Amore)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena II. "Gli sguardi trattieni" (Amore)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto I, Scena II. "Che disse! Che ascoltai!" (Orfeo)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto II, Scena I. "Chi mai dell'Erebo" (Coro)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto II, Scena I. "Chi mai dell'Erebo" (Coro)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto II, Scena I. "Deh! Placatevi con me" (Orfeo, Coro)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto II, Scena I. "Misero giovane" (Coro)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto II, Scena I. "Mille pene, ombre moleste" (Orfeo)
- add to main playlist Play in Full Screen Orfeo & Euridice: Atto II, Scena I. "Ah! Quale incognito" (Coro) / "Men tiranne ah, voi sareste" (Orfeo) / "Ah! Quale incognito" (Coro)
Dreams and Fables: Italian Arias
Released 2001- add to main playlist Play in Full Screen La clemenza di Tito: Atto II. "Tremo fra' dubbi miei" (Vitellia)
- add to main playlist Play in Full Screen Il Parnaso confuso: "Di questa cetra in seno" (Erato)
- add to main playlist Play in Full Screen Ezio: Atto III. "Misera, dove son! ... Ah! non son io che parlo" (Fulvia)
- add to main playlist Play in Full Screen La Semiramide riconosciuta: Atto I. "Ciascun siegua il suo stile ... Maggior follia" (Ircano)
- add to main playlist Play in Full Screen La corona: "Quel chiaro rio" (Atalanta)
- add to main playlist Play in Full Screen La clemenza di Tito: Atto II. "Ah, taci, barbaro ... Come potesti, oh Dio!" (Vitallia)
- add to main playlist Play in Full Screen La clemenza di Tito: Atto II. "Se mai senti spirarti sul volto" (Sesto)
- add to main playlist Play in Full Screen Antigono: Atto III. "Berenice, che fai?" (Berenice)
Orfeo ed Euridice (Rome Opera Orchestra & Chorus, feat. conductor Pierre Monteux, singers: Stevens, Della Casa, Peters)
Released 2000- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Ah, Vieni, Euridice"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Vieni, Vien appaga"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Qual vita e questa mai"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Che fiero momento!"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Avvezza al contento"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Che fiero momento!"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Ecco novel tormento!"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Che faro senza Euridice?"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Ah! finisca e per sempre"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Non piu! Che fai?"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto III. "Divo Amore, son tue pene"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Gracieux
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Gavotte
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Air vif
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Menuet
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Maestoso
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Tres lentement
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Chaconne
- add to main playlist Play in Full Screen Orfeo ed Euridice: Ballet Trionfi Amore
Iphigénie en Tauride (Boston Baroque feat. conductor : Martin Pearlman)
Released 2000- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Intro And Chor, 'Grands Dieux Soyez-nous Secourables'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Recitative, 'Iphigenie, O Ciel'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Chor, 'O Songe Affreux'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Aria, 'O Toi, Qui Prolongeas Mes Jours'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Chor, 'Quand Verrons-nous Tarir Nos Pleurs'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Recitative, 'Dieux Le Malheur En Tous Lieux Suit Mes Pas'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Aria, 'De Noirs Pressentiments'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Chor, 'Les Dieux Apaisent Leur Courroux', Recitative, 'Malheureuse', Chorus, 'Les Dieux Apaisent Leur Courroux', Recitative, 'Dieux Etouffez En Moi Le Cri De La Nature'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Chor, 'Il Nous Fallait Du Sang'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Ballet
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Recitative, 'Malheureux, Quel Dessein'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act I : Chor, 'Il Nous Fallait Du Sang'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Recitative, 'Quel Silence Effrayant'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Aria, 'Dieux Qui Me Poursuivez', Recitative, 'Quel Langage Accablant'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Aria, 'Unis Des La Plus Tendre Enfance'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Recitative, Entrangers Malheureux'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Recitative, 'Dieux Protecteurs De Ces Affreux Rivages'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Aria, 'Le Calme Rentre Dans Mon Chor'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Ballet-Pantomine
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Chor And Dance, 'Vengeons Et La Nature'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Recitative, 'Je Vois Toute L'horreur'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Chor, 'Patrie Infortunee'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Aria, 'O Malheureuse Iphigenie', Recitative, 'Honorez Avec Moi'
- add to main playlist Play in Full Screen Iphigénie en Tauride, Act II : Chor, 'Contemplez Ces Tristes Apprets'
Orphée et Eurydice (Choer et Orchestre de la Radiodiffusion de Moscou, feat conductor: Samouïl Samossoud, singers: Kozlovsky, Choumskya, Sakharova, Talakhadze)
Released 1999- add to main playlist Play in Full Screen Orphée et Eurydice: Acte II, Scène III. Récitatif: Quel nouveau ciel
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte II, Scène IV. Choeur "Viens dans ce séjour paisible"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte II, Scène IV. Danse des ombres heureuses
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte II, Scène II. Récit avec Choeur "Ô vous ombres"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte II, Scène V. Choeur "Près du tendre objet qu'on aime"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Récitatif "Viens, viens, Eurydice"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Duo "Viens, suis un époux qui t'adore"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Récitatif "Mais, d'où vient qu'il persiste à garder la silence"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Air et duo "Fortune ennemie"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Récitatif "Quelle épreuve cruelle!"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Air "J'ai perdu mon Eurydice"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Récitatif "Ah! puisse ma douleur finir avec ma vie"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Grand Ballet du Triomphe de l'Amour
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Trio "Tendre Amour"
- add to main playlist Play in Full Screen Orphée et Eurydice: Acte III, Scène I. Choeur "Triomphe, Amour"
Orphée et Eurydice, Berlioz version (Monteverdi Choir, Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner)
Released 1999- add to main playlist Play in Full Screen Ouverture
- add to main playlist Play in Full Screen Act 1, Scene 1 - Choeur "Ah! dans ce bois tranquille"
- add to main playlist Play in Full Screen Act 1, Scene 1 - Récit 'Vos plaintes, vos regrets' (Orphée)
- add to main playlist Play in Full Screen Act 1, Scene 1 - Pantomime
- add to main playlist Play in Full Screen Act 1, Scene 1 - Choeur "Ah! dans ce bois lugubre et sombre"
- add to main playlist Play in Full Screen Act 1, Scene 1 - Récit "Eloignez-vous" (Orphée)
- add to main playlist Play in Full Screen Act 1, Scene 1 - Ritournelle
- add to main playlist Play in Full Screen Act 1, Scene 2 - Récit "Eurydice, Eurydice! Ombre chère" (Orphée)
- add to main playlist Play in Full Screen Act 1, Scene 2 - Air "Objet de mon amour" (Orphée)
- add to main playlist Play in Full Screen Act 1, Scene 2 - Récit "Eurydice, Eurydice, de ce doux nom"
- add to main playlist Play in Full Screen Act 1, Scene 2 - Air "Accablé de regrets"
- add to main playlist Play in Full Screen Act 1, Scene 2 - Récit "Divinités de l'Achéron"
- add to main playlist Play in Full Screen Act 1, Scene 3 - Récit "L'Amour vient au secours" (L'Amour)
- add to main playlist Play in Full Screen Act 1, Scene 3 - Air "Si les doux accords de ma lyre" (L'Amour)
- add to main playlist Play in Full Screen Act 1, Scene 3 - Récit "Dieux! je la reverrais" (Orphée, L'Amour)
- add to main playlist Play in Full Screen Act 1, Scene 3 - Air "Soumis au silence" (L'Amour)
- add to main playlist Play in Full Screen Act 1, Scene 4 - Récit "Qu'entends-je ? Qu'a-t-il dit ?"
- add to main playlist Play in Full Screen Act 1, Scene 4 - Air "Amour, viens rendre à mon âme"
- add to main playlist Play in Full Screen Act 2, Scene 1 - Danse des Furies
- add to main playlist Play in Full Screen Act 2, Scene 1 - Choeur des Furies: "Quel est l'audacieux ?"
- add to main playlist Play in Full Screen Act 2, Scene 1 - Danse des Furies
- add to main playlist Play in Full Screen Act 2, Scene 1 - Choeur des Furies (Reprise)
- add to main playlist Play in Full Screen Act 2, Scene 1 - Air avec choeur "Laissez-vous toucher par mes pleurs"
- add to main playlist Play in Full Screen Act 2, Scene 1 - Air "La tendresse qui me presse"
- add to main playlist Play in Full Screen Act 2, Scene 1 - Danse des Furies
Alceste (Drottningholm Theater Chorus & Orchestra feat. conductor: Arnold Östman)
Released 1999- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 1. "Ferma. Perchè abbandoni"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 1. "Parto, ma senti!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "Partì, sola restai"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "Chi mi parla?"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "E vuoi morire, oh misera"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "Dunque vieni"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "Uditemi, fermate!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "Non vi turbate, no"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 2. "Pantomime of the Numi infernali"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 3. "Dal lieto soggiorno"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 3. Dance
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 3. "Or che morte il suo furore"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 3. Dance
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 3. "Dal lieto soggiorno"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 4. "Signor, mai più sincero"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 5. "Adorata consorte"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 5. "Ah perché con quelle lagrime"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 5. "Consorte! Alceste!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 5. "No, crudel, non posso vivere"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Oh tenerezza! oh amore!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Oh, come rapida"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "E il cor non mi si spezza!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Così bella! Così giovane!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Vesta, tu che fosti"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Oh, come rapida"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Oh casto, oh caro nuzial mio letto"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Così bella, così giovane!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Regina, ecco I tuoi figli"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Ah mia diletta madre"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Figli, diletti figli!"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Ah, per questo"
- add to main playlist Play in Full Screen Alceste (Italian version): Act II, Scene 6. "Oh, come rapida"
Orfeo ed Euridice
Released 1998- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Overture
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Coro: Se intorno
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Ballo: Larghetto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Coro: Se intorno
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Aria: Orfeo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Aria: Orfeo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Aria: Orfeo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Aria: Amor
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 1st Act: Ballo: Presto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Ballo: Maestoso
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: Chi mai
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Ballo: Presto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: Chi mai
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Ballo: Maestoso
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Aria: Orfeo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: Misero
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Aria: Orfeo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: Aquale
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: A quale
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Ballo (Dance of the Blessed Spirits): Andante
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: Vieni
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 2nd Act: Coro: Torna
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 3rd Act: Recitativo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 3rd Act: Aria: Orfeo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 3rd Act: Ballo ( Dance of the Furies): Vivace
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 3rd Act: Ballo: Lento
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 3rd Act: Coro: Se intorno
- add to main playlist Play in Full Screen Orfeo ed Euridice: Arias, Scenes, Choruses, 3rd Act: Coro: Euridice
Die Klassiksammlung 99: Gluck: Musikalische Reform
Released 1996- add to main playlist Play in Full Screen Ouvertüre zu "Iphigenie auf Tauris" (feat. conductor: Alberto Lizzio)
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 1 in C-Dur: Largo
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 1 in C-Dur : Presto
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 1 in C-Dur : Poco allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 2 in g-Moll: Andante
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 2 in g-Moll: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 2 in g-Moll: Menuett
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 3 in A-Dur: Andante
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 3 in A-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 3 in A-Dur: Minuetto affettuoso
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 4 in B-Dur: Andante
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 4 in B-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 4 in B-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 5 in Es-Dur: Andante
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 5 in Es-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 5 in Es-Dur: Menuett
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 6 in F-Dur: Andante
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 6 in F-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 6 in F-Dur: Menuett
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 7 in E-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 7 in E-Dur: Andante
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 7 in E-Dur: Allegro
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 8 in F-Dur: Moderato ed espressivo
- add to main playlist Play in Full Screen Triosonaten für zwei Violinen und Basso Continuo Nr. 8 in F-Dur: Allegro
Orphée et Eurydice (San Francisco Opera Orchestra feat. conductor: Donald Runnicles, soprano: Dawn Upshaw, mezzo-soprano: Jennifer Larmore, soprano: Alison Hagley)
Released 1996- add to main playlist Play in Full Screen Orphée et Eurydice : Ouverture
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Ah! dans ce bois tranquille'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Vos plaintes, vos regrets'
- add to main playlist Play in Full Screen Orphée et Eurydice : Pantomime
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Ah! dans ce bois lugubre et sombre'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Eloignez-vous'
- add to main playlist Play in Full Screen Orphée et Eurydice : Ritournelle
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Eurydice, Eurydice! Ombre chere'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Objet de mon amour'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Eurydice, Eurydice, de ce doux nom'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Accable de regrets'
- add to main playlist Play in Full Screen Orphée et Eurydice : Divintes de l'Acheron'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'L'Amour vient au secours'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Si les doux accords'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Dieux! je la reverrais!'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Soumis au silence'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Qu'entends-je?'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Amour, viens rendre a mon ame'
- add to main playlist Play in Full Screen Orphée et Eurydice : Danse des Furies
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Quel est l'audacieux'
- add to main playlist Play in Full Screen Orphée et Eurydice : Danse des Furies
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Quel est l'audacieux'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Laissez-vous toucher par mes pleurs'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Qui t'amene en ces lieux'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Ah! la flamme que me devore'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Par quels puissants accords'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'La tendresse que me presse'
- add to main playlist Play in Full Screen Orphée et Eurydice : 'Quels chants doux et touchants'
- add to main playlist Play in Full Screen Orphée et Eurydice : Danse des Furies
Paride ed Elena (ORF Symphonieorchester, feat. conductor: Lothar Zagrosek, singers: Cotrubas, Bonisolli, Greenberg, Fontana)
Released 1995- add to main playlist Play in Full Screen Paride ed Elena: Atto III. "Quegli occhi belli"
- add to main playlist Play in Full Screen Paride ed Elena: Atto III. "Non più!"
- add to main playlist Play in Full Screen Paride ed Elena: Atto III. "Fingere più non so"
- add to main playlist Play in Full Screen Paride ed Elena: Atto III. Balletto
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena I. "Temerario! E non basta"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena II. "Vengo, o Regina!"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena II. "Ah, lo veggo"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena II. "Non lontana esser già parmi"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena III. "Sì, spietata. s'accende"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena III. "Di te scordarmi"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena IV. "Lo temei: non mi sento"
- add to main playlist Play in Full Screen Paride ed Elena: Atto IV, Scena IV. Lo potrò!
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena I. "Elena a me s'asconde!"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena I. "Donzelle semplici"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena I. "Consolati, o Regina!"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena II. "Opportuno giungesti"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena III. "T'inganni, il tuo destino"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena III. "Va coll'amata in seno"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena IV. "Che udii?"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena IV. "L'amo! ... L'adoro"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena IV. "La vostre gioie"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V, Scena IV. "Sempre a te sarò fedele!"
- add to main playlist Play in Full Screen Paride ed Elena: Atto V. Scena ultima. "Vieni al mar!"
Le temps des castrats
Released 1994- add to main playlist Play in Full Screen Xerxès, récit et air de Xerxès : "Frondi tenere... Ombra mai fu"
- add to main playlist Play in Full Screen Jules César, air de Ptolémée : "Upstart, barbarian and traitor"
- add to main playlist Play in Full Screen Le Choix d'Hercule, air d'Hercule : "Lead Goddess, lead the way"
- add to main playlist Play in Full Screen Saül, air de David : "O Lord, whose mercies numberless"
- add to main playlist Play in Full Screen Admeto, air d'Admeto : "Amor, qual nova fiamma... La tigre arde di sdegno"
- add to main playlist Play in Full Screen Le Messie : "He Was Despised"
- add to main playlist Play in Full Screen The Fairy Queen : "Hark How All Things"
- add to main playlist Play in Full Screen Ode à la reine Mary "Love goddess sure" : duo "Sweetness of nature"
- add to main playlist Play in Full Screen Messe en si mineur, BWV 232 : "Agnus Dei"
- add to main playlist Play in Full Screen Oratorio de Noël, BWV 248 : "Schließe, mein Herze, dies selige Wunder"
- add to main playlist Play in Full Screen Cleofide, air d'Alessandro : "Se trova perdono"
- add to main playlist Play in Full Screen Cleofide, air de Poro : "Dov'e? Si affretti"
- add to main playlist Play in Full Screen Solfeggio pour Farinelli
- add to main playlist Play in Full Screen Cantate pour alto, "Soffri mio caro Alcino"
- add to main playlist Play in Full Screen Orfeo ed Euridice, air d'Orfeo : "Che farò senza Euridice"
- add to main playlist Play in Full Screen Mitridate, Re di Ponto, air de Farnace : "Va, va, l'error mio palesa"
- add to main playlist Play in Full Screen Petite messe solennelle : "Crucifixus"
Ifigenia in Tauride (Orchestra e Coro del Teatro alla Scala, feat. conductor: Nino Sanzogno, singers: Callas, Cossotto, Albanese, Dondi, Colzani)
Released 1994- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto I. "O dei! Propiziate il destino" (Ifigenia, sacerdotesse)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto I. "Di mio padre..." (Ifigenia)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto I. "No, io non spero piùu" (Ifigenia)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto I. "L'augurio a me" (Toante)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto II. "O silenzio feral" (Pilade)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto II. "O de' misfatti miei..." (Oreste)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto II. "Un sol desio mi preme" (Pilade)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto II. "Nume, patrono dei funesti lidi (Oreste)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto II. "Tutto scorgo L'orror" (Ifigenia)
- add to main playlist Play in Full Screen Ifigenia in Tauride: Atto II. "Sommi Dei" (Ifigenia)
Orfeo e Euridice (The Glyndebourne Chorus & The London Philharmonic Orchestra, feat. conductor: Raymond Leppard, singers: Bake, Speiser, Gale)
Released 1993- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Sinfonia
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Coro di pastori e ninfe
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Pantomima
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Coro di pastore e ninfe
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Ritornello
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Aria (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Aria (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Aria (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo, Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Aria (Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo, Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Aria (Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Recitativo (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I. Aria (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Danza delle furie e degli spettri
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Coro delle furie et degli spettri
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Le furie riprendono il ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Coro
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Orfeo e coro
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Coro delle furie e degli spettri
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Aria (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Coro delle furie e degli spettri
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Aria (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Coro delle furioe e degli spettri
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Danza delle furie e degi spettri
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Balleto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Balleto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Balleto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II. Aria (Euridice e coro)
Don Juan / Semiramis (Tafelmusik On Period Instruments feat. conductor: Bruno Weil)
Released 1993- add to main playlist Play in Full Screen Don Juan: Sinfonia
- add to main playlist Play in Full Screen Don Juan: No. 1. Andante grazioso
- add to main playlist Play in Full Screen Don Juan: No. 2. Andante
- add to main playlist Play in Full Screen Don Juan: No. 3. Allegro maestoso
- add to main playlist Play in Full Screen Don Juan: No. 4. Allegro furioso - Adagio
- add to main playlist Play in Full Screen Don Juan: No. 5. Allegro forte risultoso - Andante - Allegretto
- add to main playlist Play in Full Screen Don Juan: No. 6. Risoluto moderato
- add to main playlist Play in Full Screen Don Juan: No. 7. Gavotte
- add to main playlist Play in Full Screen Don Juan: No. 8. Brillante
- add to main playlist Play in Full Screen Don Juan: No. 9. Allegretto
- add to main playlist Play in Full Screen Don Juan: No. 10. Moderato
- add to main playlist Play in Full Screen Don Juan: No. 11. Giusto
- add to main playlist Play in Full Screen Don Juan: No. 12. Allegro - Presto
- add to main playlist Play in Full Screen Don Juan: No. 13. Andante grazioso
- add to main playlist Play in Full Screen Don Juan: No. 14. Andante
- add to main playlist Play in Full Screen Don Juan: No. 15. Presto
- add to main playlist Play in Full Screen Don Juan: No. 16. Allegretto - Presto - Andante - Tempo primo
- add to main playlist Play in Full Screen Don Juan: No. 17. Andante
- add to main playlist Play in Full Screen Don Juan: No. 18. Allegro giusto
- add to main playlist Play in Full Screen Don Juan: No. 19. Moderato
- add to main playlist Play in Full Screen Don Juan: No. 20. Andante
- add to main playlist Play in Full Screen Don Juan: No. 21. Grazioso
- add to main playlist Play in Full Screen Don Juan: No. 22. Allegretto
- add to main playlist Play in Full Screen Don Juan: No. 23. Moderato - Presto - Moderato - Presto
- add to main playlist Play in Full Screen Don Juan: No. 24. Risoluto e moderato
- add to main playlist Play in Full Screen Don Juan: No. 25. Allegro - Allegro giusto - Allegro
- add to main playlist Play in Full Screen Don Juan: No. 26. Andante staccato
- add to main playlist Play in Full Screen Don Juan: No. 27. Allegro
- add to main playlist Play in Full Screen Don Juan: No. 28. Allegretto
- add to main playlist Play in Full Screen Don Juan: No. 29. Andante staccato
- add to main playlist Play in Full Screen Don Juan: No. 30. Larghetto
- add to main playlist Play in Full Screen Don Juan: No. 31. Allegro non troppo
- add to main playlist Play in Full Screen Semiramis: Sinfonia
- add to main playlist Play in Full Screen Semiramis: No. 1. Andante
- add to main playlist Play in Full Screen Semiramis: No. 2. Allegro
- add to main playlist Play in Full Screen Semiramis: No. 3. Moderato
- add to main playlist Play in Full Screen Semiramis: No. 4. Moderato, grazioso
- add to main playlist Play in Full Screen Semiramis: No. 5. Moderato
- add to main playlist Play in Full Screen Semiramis: No. 6. Maestoso
- add to main playlist Play in Full Screen Semiramis: No. 7. Grazioso
- add to main playlist Play in Full Screen Semiramis: No. 8. Maestoso
- add to main playlist Play in Full Screen Semiramis: No. 9a. Affettuoso
- add to main playlist Play in Full Screen Semiramis: No. 9b. Affettuoso
- add to main playlist Play in Full Screen Semiramis: No. 10. Adagio - Più adagio
- add to main playlist Play in Full Screen Semiramis: No. 11. Affettuoso
- add to main playlist Play in Full Screen Semiramis: No. 12. Adagio
- add to main playlist Play in Full Screen Semiramis: No. 13. Allegro maestoso
- add to main playlist Play in Full Screen Semiramis: No. 14. Adagio - Allegro - Allegro assai
Orfeo ed Euridice (Monteverdi Choir & English Baroque Soloists feat. conductor: John Eliot Gardiner)
Released 1993- add to main playlist Play in Full Screen Orfeo ed Euridice: Overture
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "Ah, se intorno a quest'urna funesta"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "Basta, basta, o compagni!"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. Dance: Larghetto
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "Ah, se intorno a quest'urna funesta"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "Chiamo il mio ben così"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "T'assiste Amore!"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "Gli sguardi trattieni"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act I. "Che disse? che ascoltai?"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. Dance: Maestoso / "Chi mai dell'Erebo"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. "Deh! placatevi con me"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. "Misero giovane"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. Dance: Andante
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. "Che puro ciel, che chioro sol"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. "Vieni a' regni del riposo"
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. Dance: Andante
- add to main playlist Play in Full Screen Orfeo ed Euridice: Act II. "Anime avventurose"
Orfeo ed Euridice
Released 1990- add to main playlist Play in Full Screen Overtura
- add to main playlist Play in Full Screen Atto I: Ah! se intorno a quest' urna funestra (Coro, Orfeo)
- add to main playlist Play in Full Screen Atto I: Basta, basta, o compagni! (Orfeo)
- add to main playlist Play in Full Screen Atto I: Ballo
- add to main playlist Play in Full Screen Atto I: Ah! se intorno a quest' urna funestra (Coro)
- add to main playlist Play in Full Screen Atto I: Chiamo, il mio ben cosi
- add to main playlist Play in Full Screen Atto I: Numi! barbari Numi! (Orfeo)
- add to main playlist Play in Full Screen Atto I: T' assiste Amore! (Amore, Orfeo)
- add to main playlist Play in Full Screen Atto I: Gli sguardi trattieni (Amore)
- add to main playlist Play in Full Screen Atto I: Che disse? Che ascoltai? (Orfeo)
- add to main playlist Play in Full Screen Atto II: Ballo - Chi mai dell'Erebo - Ballo - Chi mai dell'Erebo (Orchestra, Coro)
- add to main playlist Play in Full Screen Atto II: Deh! placatevi con me (Orfeo, Coro)
- add to main playlist Play in Full Screen Atto II: Misero giovane! (Coro)
- add to main playlist Play in Full Screen Atto II: Mille pene, ombre moleste (Orfeo)
- add to main playlist Play in Full Screen Atto II: Ah quale incognito (Coro, Orfeo)
- add to main playlist Play in Full Screen Atto II: Ballo
- add to main playlist Play in Full Screen Atto II: Che puro ciel! (Orfeo, Coro)
- add to main playlist Play in Full Screen Atto II: Vieni a' regni del riposo
- add to main playlist Play in Full Screen Atto II: Ballo
- add to main playlist Play in Full Screen Atto II: Anime avventurose (Orfeo, Coro)
- add to main playlist Play in Full Screen Atto II: Torna, o bella (Coro)
Armide (Les musiciens du Louvre feat. conductor: Mark Minkowski)
Released 1990- add to main playlist Play in Full Screen Armide: Ouverture
- add to main playlist Play in Full Screen Armide: Act I Scene 1: I. Duo "Dans un jour de triomphe" (Phénice, Sidonie)
- add to main playlist Play in Full Screen Armide: Act I Scene 1: II. Air "Je ne triomphe pas" (Armide)
- add to main playlist Play in Full Screen Armide: Act I Scene 1: III. Duo "Qu'importe qu'un captif manque" (Sidonie, Phénice)
- add to main playlist Play in Full Screen Armide: Act I Scene 1: IV. Air "Les enfers ont predit cent fois" / Recitative "Un songe affreux" (Armide)
- add to main playlist Play in Full Screen Armide: Act I Scene 1: V. Air "Vous troublez-vous d'une image legere" (Sidonie)
- add to main playlist Play in Full Screen Armide: Act I Scene 2: I. Introduction et Recitatif "Armide, que le sang qui m'unit avec vous" (Hidraot)
- add to main playlist Play in Full Screen Armide: Act I Scene 2: II. Air "Je vois de pres la mort" (Hidraot)
- add to main playlist Play in Full Screen Armide: Act I Scene 2: III. Air "La chaine de l'hymen m'etonne" (Armide)
- add to main playlist Play in Full Screen Armide: Act I Scene 2: IV. Air "Pour vous, quand il vous plait" (Hidraot)
- add to main playlist Play in Full Screen Armide: Act I Scene 2: V. Recitatif "Contre mes ennemis" (Armide, Hidraot)
- add to main playlist Play in Full Screen Armide: Act I Scene 2: VI. Air "Si je dois m'engager un jour" (Armide)
- add to main playlist Play in Full Screen Armide: Act I Scene 3: I. Choeur et soli "Armide est encore plus aimable" / "Nos ennemis" / "Suivons Armide, et chantons" (Coryphées, Hidraot, peuples de Damas, Phénice, Sidonie)
- add to main playlist Play in Full Screen Armide: Act I Scene 3: II. Andante
- add to main playlist Play in Full Screen Armide: Act I Scene 4: I. Soli et choeur "O ciel! O disgrâce cruelle!" (Aronte, Armide, Hidraot, Sidonie, Phénice, peuples des Damas)
- add to main playlist Play in Full Screen Armide: Act I Scene 4: II. Choeur "Poursuivons jousqu'au trepas" (Armide, Sidonie, Phénice, Hidraot, Aronte, peuples des Damas)
- add to main playlist Play in Full Screen Armide: Act II Scene 1: I. Introduction et recitatif "Invincible heros" (Artémidore, Renaud)
- add to main playlist Play in Full Screen Armide: Act II Scene 1: II. Air "Le Repos me fait violence" (Renaud) / Duo "Fuyez les lieux ou reigne Armide" (Artémidore, Renaud) / Air "J'aime la liberte" (Renaud)
- add to main playlist Play in Full Screen Armide: Act II Scene 2: I. Introduction et Recitatif "Arretons-nous ici" (Hidraot, Armide)
- add to main playlist Play in Full Screen Armide: Act II Scene 2: II. Duo et recitative "Esprits de haine et de la rage" / "Dans le piege fatal notre ennemi s'engage" (Armide, Hidraot)
- add to main playlist Play in Full Screen Armide: Act II Scene 3: I. Air "Plus j'observe ces lieux" (Renaud)
- add to main playlist Play in Full Screen Armide: Act II Scene 4: I. Trio "Au temps heureux ou l'on sait plaire" (Une Naïade, deux coryphées en écho)
- add to main playlist Play in Full Screen Armide: Act II Scene 4: II. Choeur avec danse "Ah! Quelle erreur, quelle folie" (Coryphées)
- add to main playlist Play in Full Screen Armide: Act II Scene 4: III. Moderato
- add to main playlist Play in Full Screen Armide: Act II Scene 4: IV. Air "On s'etonnerait moins" (Une Bergère)
- add to main playlist Play in Full Screen Armide: Act II Scene 4: V. Choeur avec danse "Ah! Quelle erreur, quelle folie" Nymphes, bergers, bergères)
- add to main playlist Play in Full Screen Armide: Act II Scene 5: I. Introduction et Recitatif "Enfin, il est en ma puissance" (Armide)
- add to main playlist Play in Full Screen Armide: Act II Scene 5: II. Air "Ah! Quelle cruaute de lui ravir le jour!" (Armide)
- add to main playlist Play in Full Screen Armide: Act II Scene 5: III. Air "Venez, secondez mes desirs" (Armide)
- add to main playlist Play in Full Screen Armide: Act III Scene 1: I. Air "Ah!. Si la liberte me doit etre ravie" (Armide)
- add to main playlist Play in Full Screen Armide: Act III Scene 2: I. Duo et Recitatif "Que ne peut point votre art?" / "Votre amitie dans mon sort s'interesse" (Phénice, Sidonie, Armide)
- add to main playlist Play in Full Screen Armide: Act III Scene 2: II. Air "De mes plus doux regards Renaud sutse defendre" (Armide)
- add to main playlist Play in Full Screen Armide: Act III Scene 2: III. Trio "Que votre art serait beau!" (Phénice, Sidonie, Armide)
- add to main playlist Play in Full Screen Armide: Act III Scene 3: I. Air "Venez, venez, Haine implacable!" (Armide)
- add to main playlist Play in Full Screen Armide: Act III Scene 4: I. Recitatif "Je responds a tes voeux" (La Haine)
- add to main playlist Play in Full Screen Armide: Act III Scene 4: II. Air et Choeur "Plus on connait l'amour" (La Haine, la suite de la Haine)
- add to main playlist Play in Full Screen Armide: Act III Scene 4: III. Andante
- add to main playlist Play in Full Screen Armide: Act III Scene 4: IV. Air et choeur "Amour, sors pour jamais" (La Haine, la suite de la Haine)
- add to main playlist Play in Full Screen Armide: Act III Scene 4: V. Introduction, Soli et Choeur "Sors, sorsde sein d'Armide" (La Haine, Armide, la suite de la Haine)
- add to main playlist Play in Full Screen Armide: Act III Scene 4: VI. Solo et Choeur "Suis l'amour, puisque tule veux" (La Haine, la suite de la Haine)
- add to main playlist Play in Full Screen Armide: Act III Scene 4: VII. Air "O ciel! Quelle horrible menace!" (Armide)
Iphigénie en Aulide (Monteverdi Choir & Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner)
Released 1990- add to main playlist Play in Full Screen Iphigénie en Aulide : Ouverture
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 1. "Diane impitoyable"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 1. "Brillant auteur de la lumière"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 2. "C'est trop faire de résistance"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 2. "D'une sainte terreur" / "Tu veux que par ma main tremblante"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 2. "Nommez-nous la victime"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 3. "Vous voyez leur fureur extrême"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 3. "Peuvent-ils ordonner?"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 3. "Vous oseriez être parjure?"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 4. "Au faîte des grandeurs"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 4. "Dieux cruels!"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 4. "Que d'attraits!" / "Que d'attraits!"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 5. "Que j'aime à voir ces hommages flatteurs"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 5. "Demeurez dans ces lieux"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 5. "Non, jamais"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 5. "Les vœux dont ce peuple m'honore"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 5. "Mouvement de passepied"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 6. "Allez, il faut venger notre gloire offensée"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 6. "Armez-vous d'un noble courage"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 7. "L'ai-je bien entendu?"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 7. "Hélas! mon cœur sensible!"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 8. "En croirai-je mes yeux?"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 8. "Iphigénie, hélas!"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 8. "S'il est vrai"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 8. "Cruelle, non jamais"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 8. "Mon trouble, mes soupçons"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte I, Scène 8. "Ne doutez jamais de ma flamme"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 1. "Rassurez-vous, belle Princesse" / "Vous essayez en vain" / "Rassurez-vous, belle Princesse" / "Vous essayez en vain"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 1. "Par la crainte et par l'espérance"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 2. "Ma fille, votre hymen s'apprête" / Scène 3. "Les auteurs de vos jours"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. Marche
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. "Rival de ma valeur"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. "Chantez, célébrez votre reine"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. "Achille est couronné"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. "Ami sensible, ennemi redoutable"
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. Danse : Air gai
- add to main playlist Play in Full Screen Iphigénie en Aulide : Acte II, Scène 3. Ballet : Passacaille
Orfeo ed Euridice (Rundfunkchor Berlin & Kammerorchester Carl Philip Emanuel Bach, feat. conductor: Hartmut Haenchen, singers: Kowalski, Schellenberger-Ernst)
Released 1989- add to main playlist Play in Full Screen Orfeo ed Euridice: Overture
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Ah, se intorno a quest'urna funesta" (Chorus, Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Recitativo "Basta, basta, o compagni" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. "Ah, se intorno a quest'urna funesta" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Aria "Chiamo il mio ben cosi" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Recitativo "Euridice, ombra cara" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Aria "Cerco il mio ben cosi" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Recitativo "Euridice, Euridice!" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Aria "Piango il mio ben cosi" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena I. Recitativo "Numi, Barbari Numi" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. Recitativo "T'assiste Amore!" (Amore, Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. Aria "Gli sguardi trattieni" (Amore)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto I, Scena II. Recitativo "Che disse? Che ascoltai?" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. "Chi mai dell'Erebo fra le caligini" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. "Chi mai dell'Erebo fra le caligini" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. "Deh placatevi con me" (Orfeo, Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. "Misero giovane, che vuoi, che mediti" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. Aria "Mille pene" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. "Ah, quale incognito affetto flebile" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. Aria "Men tiranne" (Orfeo)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena I. "Ah, quale incognito affetto flebile" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena II. Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena II. Arioso "Che puro ciel" (Orfeo, Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena II. "Vieni a' regni del riposo" (Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena II. Ballo
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena II. Recitativo "Anime avventurose" (Orfeo, Chorus)
- add to main playlist Play in Full Screen Orfeo ed Euridice: Atto II, Scena II. "Torna, o bella, al tuo consorte" (Chorus)
Meditation, Volume 1
Released 1989- add to main playlist Play in Full Screen Adagio G Minor
- add to main playlist Play in Full Screen Double Concerto - Largo G Minor
- add to main playlist Play in Full Screen Air for four-handed Organ BWV 1068
- add to main playlist Play in Full Screen Orpheus & Euridice - Larghetto
- add to main playlist Play in Full Screen Orpheus & Euridice - Andante
- add to main playlist Play in Full Screen Andante for Flute and Orchestra K. 315 7'25
- add to main playlist Play in Full Screen Dreaming op. 15/7
- add to main playlist Play in Full Screen Xersex (Opera) - Largo for Organ
- add to main playlist Play in Full Screen Consolation No. 3 D flat major
- add to main playlist Play in Full Screen Adagio for musical glasses K.617a
- add to main playlist Play in Full Screen Liebestraum No. 3 A flat major
- add to main playlist Play in Full Screen Ave verum K.618
Iphigénie en Tauride (Monteverdi Choir & Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner)
Released 1986- add to main playlist Play in Full Screen Iphigénie en Tauride: Act I, Scene 1. Introduction et choeur "Grands Dieux! soyez-nous secourables"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act I, Scene 1. Récitatif "Iphigénie, ô ciel!" / Choeur "Ô songe affreux!" / Récitatif "Ô race de Pélops"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act I, Scene 1. Air "Ô toi qui prolongeas mes jours" / Choeur "Quand verrons-nous tarir nos pleurs?"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act I, Scene 2. Récitatif "Dieux! le malheur en tous lieux suit mes pas" / Air "De noirs pressentiments"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act I, Scene 3. Choeur "Les Dieux apaisent leur courroux" / Récitatif "Dieux! étouffez en moi" / Scene 4. Récitatif "Et vous, à vos Dieux tutélaires" / Choeur "Il nous fallait du sang"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act I, Scene 4. Ballet / Scene 5. Choeur "Il nous fallait du sang"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 1. Récitatif "Quel silence effrayant!"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 1. Air "Dieux qui me poursuivez" / Récitatif "Quel langage accablant"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 1. Air "Unis dès la plus tendre enfance"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 2. Récitatif "Etrangers malheureux" / Scene 3. Récitatif "Dieux protecteurs"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 3. Air "Le calme rentre dans mon cœur"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 4. Pantomime / Choeur et danse "Vengeons et la nature et les Dieux"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 5. Récitatif "Je vois toute l'horreur" / Scene 6. Choeur "Patrie infortunée"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 5. Air et choeur "Ô malheureuse Iphigénie!!"
- add to main playlist Play in Full Screen Iphigénie en Tauride: Act II, Scene 5. Récitatif "Honorez avec moi ce héros" / Choeur "Contemplez ces tristes apprêts" / Air "Ô mon frère"
Orpheus und Eurydike (Hermann Prey, Pilar Lorengar, Erika Köth) (Highlights)
- add to main playlist Play in Full Screen Act I - Oh, wenn in diesen dunklen Hainen
- add to main playlist Play in Full Screen So klag' ich ihren Tod
- add to main playlist Play in Full Screen Grausame Götter!
- add to main playlist Play in Full Screen Deines Harfenspiels Harmonien
- add to main playlist Play in Full Screen Mit Freuden den Willen der Götter erfüllen
- add to main playlist Play in Full Screen Act II - Wer ist der Sterbliche?
- add to main playlist Play in Full Screen Ach, erbarmt euch mein
- add to main playlist Play in Full Screen Sein sanftes Trauerlied
- add to main playlist Play in Full Screen Furientanz
- add to main playlist Play in Full Screen Reigen der seligen Geister
- add to main playlist Play in Full Screen Diese Augen sind seligem Frieden und der Ruhe nur geweiht
- add to main playlist Play in Full Screen Oh sel'ge, beglückte Schatten
- add to main playlist Play in Full Screen Komm und vertrau meiner Treue
- add to main playlist Play in Full Screen Welch' grausame Wandlung
- add to main playlist Play in Full Screen Ach, welch schreckliche Prüfung!
- add to main playlist Play in Full Screen Ach, Ich habe sie verloren
- add to main playlist Play in Full Screen So mag der tiefe Schmerz mit meinem Leben enden!
- add to main playlist Play in Full Screen Triumph sei Amor
Armida
- add to main playlist Play in Full Screen Armide: "Ah! si la liberté me doit être ravie"
- add to main playlist Play in Full Screen Armide: "La chaîne de l'hymen m'étonne"
- add to main playlist Play in Full Screen Armide: "Ah quelle cruauté de lui ravir le jour!"
- add to main playlist Play in Full Screen Armide: "Venez sécondez mes désirs"
- add to main playlist Play in Full Screen Armide: "Venez, venez, haine implacable!"
- add to main playlist Play in Full Screen Armide: Chaconne
- add to main playlist Play in Full Screen Rinaldo: "Ah, crudel il pianto mio"
- add to main playlist Play in Full Screen Armida abbandonata: Sinfonia
- add to main playlist Play in Full Screen Armida abbandonata: "Ah! ti sento, mio povero core"
- add to main playlist Play in Full Screen Armida abbandonata: "Ah! crudele, e pur ten' vai"
- add to main playlist Play in Full Screen Armida abbandonata: "In tanti affanni miei"
- add to main playlist Play in Full Screen Armida: "Se pietade avete, oh Numi"
- add to main playlist Play in Full Screen Armida: "Ah, non ferir: t'arresta"
- add to main playlist Play in Full Screen Armida Abbandonata: "Odio, furor, dispetto"
Bauci e Filemone (Les Talens Lyriques)
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Introduzione
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo e dovro sempre
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo popoli a lui soggetti
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Aria ati, quell'alma agitata
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo si vezzosa cidippe
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo o del patria peneo
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Aria cidippe, tu sei madre
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo cosi risponde
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Aria cirene, nocchier che in mezzo all'onde
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo impaziente attendo
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Cavatina aristeo, numi offesi, ombre sdegnate
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Sinfonia
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo meco venite, amici
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Coro, del figlio d'apollo
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo tuona il cielo a sinistra
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Aria aristeo, cessate, fuggite
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Coro, eccheggiar s'odano
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo d'aristene I presagi
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Recitativo fra le tue braccia, o madre
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Terzetto cirene, cidippe, aristeo, fosti ognor l'amato bene
- add to main playlist Play in Full Screen Bauci e Filemone: Atto di Aristeo: Coro, accompagni la coppia felice
Alceste
- add to main playlist Play in Full Screen ouverture
- add to main playlist Play in Full Screen choeur
- add to main playlist Play in Full Screen choeur
- add to main playlist Play in Full Screen air
- add to main playlist Play in Full Screen pantomime
- add to main playlist Play in Full Screen recitatif
- add to main playlist Play in Full Screen recitatif
- add to main playlist Play in Full Screen recitatif
- add to main playlist Play in Full Screen recitatif
- add to main playlist Play in Full Screen recitatif
- add to main playlist Play in Full Screen solo
- add to main playlist Play in Full Screen air
- add to main playlist Play in Full Screen choeur
- add to main playlist Play in Full Screen ballet
- add to main playlist Play in Full Screen recitatif
- add to main playlist Play in Full Screen recitatif
Born: 1714-07-02
Died: 1787-11-15
-
GLUCK IPHIGENIE EN TAURIDE MINKOWSKI
-
Gluck Orphee et Eurydice Kozena
Πρόσωπα της Κλασικής Μουσικής (Faces of Classical Music) http://facesofclassicalmusic.blogspot.gr/ -
Gluck - Orfeo ed Euridice - Dance of the Blessed Spirits
Gluck -
Gluck-Symphony in G major-L'Orfeo Barockorchester
Christoph Willibald Gluck (1714-1787) Symphony in G major, Wq. deest, Chen G3, "Weimarer": Allegro/Andante/Allegro. L'Orfeo Barockorchester-Michi Gaigg -
Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ • More information: http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html Christoph Willibald Gluck (1714-1787) ♪ Orfeo ed Euridice (1762) Cast: Orfeo..........Bejun Mehta, countertenor Euridice..........Eva Liebau, soprano Amore..........Regula Mühlemann, soprano Orchestra, Chorus: Collegium 1704, Collegium Vocale 1704 Conductor: Václav Luks Director: Ondřej Havelka Filmed at the Baroque Theatre of Český Krumlov Castle, 2013 (Full HD 1080p) More information: http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html • Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ -
Adriano Celentano-Ragazzo della via gluck
Il brano più famoso di Adriano Celentano -
Gluck - Flute Concerto in G major
Christoph Willibald Gluck (1714~1787) Flute Concerto in G major 00:00 I. Allegro 04:42 II. Andante 09:30 III. Allegro vivace Flute / Conductor : Jean-Pierre Louis Rampal Paris Philharmonic Chamber Orchestra -
Berge - Glück
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH http://vevo.ly/xOtU6K -
Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
__ 02:26 • Gluck: Orfeo ed Euridice __ • Orfeo: Franco Fagioli • Euridice: Malin Hartelius • Amore: Emmanuelle de Negri __ Insula orchestra Conducted by Laurence Equilbey __ -
IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
4 février 2015 Direction musicale Hartmut Haenchen Mise en scène Lukas Hemleb Décors Alexander Polzin Costumes Andrea Schmidt-Futterer Lumières Marion Hewlett Collaboration chorégraphique Joanna O’Keeffe Iphigénie Anna Caterina Antonacci Oreste Bruno Taddia Pylade Steve Davislim Thoas Alexey Tikhomirov Diane Julienne Walker Un Scythe Michel de Souza 1ère Prêtresse Mi-Young Kim 2ème Prêtresse Marianne Dellacasagrande Une femme grecque Cristiana Presutti Le Ministre du sanctuaire Wolfgang Barta Chœur du Grand Théâtre de Genève Direction : Alan Woodbridge Orchestre de la Suisse Romande -
Alexa Feser - Glück (offizielles Video)
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MORGEN. Den Song, mit dem Alexa beim ESC Vorentscheid "Unser Song für Österreich" das Publikum emotional berührt hat. Bestellt/streamt das Album hier: ►http://wmg.click/AlexaFeser_GoldVonMorgenLive Mehr Informationen zur Künstlerin Alexa Feser gibt es hier: ►Facebook: https://www.facebook.com/alexafeserof... ►Website: http://www.alexa-feser.de ►Youtube-Kanal abonnieren: http://wmg.cc/alexafeser_youtube_abo ________________________________________________ ________________________ Abonniert unseren Newsletter: http://www.warnermusic.de/newsletter Folgt uns auf Facebook: https://www.facebook.com/alexafeserofficial/?ref=ts&fref;=ts Warner Music auf Youtube: http://bit.ly/1dHiFUL Addet uns auf Snapchat:... -
Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice. -
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice R. Jacobs M. Kweksilber M. Falewicz Collegium Vocale La Petite Bande Dirección: Sigiswald Kuijken Argumento El primer verso de las arias, coros, etc., se ofrecen en italiano (versión de 1762) y en francés (versión de 1774). Acto I Un coro de ninfas y pastores se unen a Orfeo alrededor de la tumba de su esposa Eurídice en un solemne coro de luto. Desesperado, llora la muerte de Eurídice y sólo es capaz de murmurar el nombre de Eurídice (Coro y Orfeo: Ah, se intorno/Ah! Dans ce bois). Orfeo aleja al resto y canta su dolor en el aria Chiamo il mio ben/Objet de mon amour, los tres versos están precedidos por expresivos recitativos. Esta técnica era extremadamente radical en la época y de hecho lo demostró para aquellos que le siguieron in... -
zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
zweite Chance des Lebens von Menschen, die viel Glück im Jahr 2015 erstaunliche Video Compilation haben erstaunliche Video episches ausfallen, epic win 2015 Epic Fail 2015, lustige Videos, lustige Clips, lustige Streiche, lustige Videos, Streiche , erschrecken lustig Videos youtube unfälle funny funny unfälle unfälle fechten fechten unfälle tödliche unfälle fechten unfälle gestern gestern unfälle unfälle gütersloh gütersloh unfälle unfälle gestern deutschland unfälle gelsenkirchen -
Gluck, Orfeo ed Euridice. Karl Richter
- Christoph Willibald Ritter von Gluck (1714 - 1787) Orfeo ed Euridice (1762) Gundula Janowitz, soprano Dietrich Fisher-Dieskau, barítono Edda Moser, soprano Münchener Bach-Chor & Münchener Bach-Orchester Karl Richter, director 01. Overtura 02. Coro. Ah! se intorno a quest'urna funesta 03. Recitativo. Basta, basta, o compagni! 04. Ballo. Larghetto 05. Coro. Ah! se intorno a quest'urna funesta 06. Aria. Cerco il mio ben cosi 07. Recitativo. Euridice, ombra cara 08. Aria. Cerco il mio ben cosi 09. Recitativo. Euridice! Euridice! ah, questo nome 10. Aria. Piango il mio ben così 11. Recitativo. Numi! barbari Numi! 12. Recitativo. 'T'Assiste Amore' 13. Aria. 'Gli Sguardi Trattieni' 14. Recitativo. 'Che Disse- Che Ascoltai-' 15. Ballo. Maestoso 16. Coro. 'Che Mai Dell'Erebo' 17. Ballo. Presto ... -
Evgeny Kissin - Gluck-Sgambati Melody from Orpheus
My Piano Music (^_^) – Arietta Op. 12, No. 1 (Edward Grieg), https://www.youtube.com/watch?v=V-_G_n9axd8 Come Visit My Blog (^_^) - http://philipcaruso-story.com/ Kissin perform at the age of 19, For more beautiful videos, visit http://www.youtube.com/user/PhilipCaruso02 -
Gluck - Orfeo ed Euridice (Leppard)
Ópera Orfeu e Eurídice, de Cristoph Willibald Glück. Versão apresentada pela Filarmônica de Londres, no Glyndebourne Festival de Opera, com texto original de Ranieiri De' Calzabigi, produzida por Peter Hall, coreografias de Stauart Hopps e direção de Raymond Leppard. Essa versão foi filmada em 1982 e editada para video. -
WILHELM FURTWÄNGLER "IPHIGENIE EN AULIDE" (Gluck), Overture
Wilhelm Furtwängler conducts the Overture to Iphigenie en Aulide by Christoph Willibald Gluck Wiener Philharmoniker recorded: 08.III. 1954 -
Gluck "Don Juan" Günter Kehr
"Don Juan", complete Ballet Music by Christoph Willibald Gluck Mainzer Kammerorchester Günter Kehr, conductor -
Gluck - Alceste - Bolton
Christoph Willibald Gluck Alceste, Wq 44 Paul Groves, Admète Angela Denoke, Alceste Willard White, Grand Prêtre d’Apollon Magnus Staveland, Evandre Thomas Oliemans, Hercule Isaac Galàn, Appolon Fernando Radò, Un héraut, l’Oracle Teatro Real Orchestra and Chorus Ivor Bolton 2014 -
Lebensgefährlich! Motorradfahrer noch mal Glück gehabt.
Motorradfahrer noch mal Glück gehabt -
Andreas Bourani "Glück" (Akustikversion) / Free Track kostenlos downloaden
Andreas Bourani – „Glück“ | Staub und Fantasie als Deluxe Edition inkl. unveröffentlichter Akustik- & Big-Band Versionen. Jetzt bei Amazon bestellen: http://amzn.to/1drK0lk www.bourani.de http://www.facebook.com/bourani http://instagram.com/andreasbourani# https://twitter.com/bourani http://www.universal-music.de/andreas-bourani/home Kanal abonnieren http://bitly.com/YTVertigoTV -
Yuja Wang plays Mélodie de Gluck/Orfeo ed Euridice
Gluck/Wang : Melodie / Orfeo ed Euridice Yuja Wang : piano
GLUCK IPHIGENIE EN TAURIDE MINKOWSKI
- Order: Reorder
- Duration: 106:00
- Updated: 22 Aug 2014
- views: 13676
- published: 22 Aug 2014
- views: 13676
Gluck Orphee et Eurydice Kozena
- Order: Reorder
- Duration: 99:36
- Updated: 11 Nov 2013
- views: 92759
Πρόσωπα της Κλασικής Μουσικής (Faces of Classical Music)
http://facesofclassicalmusic.blogspot.gr/
- published: 11 Nov 2013
- views: 92759
Gluck - Orfeo ed Euridice - Dance of the Blessed Spirits
- Order: Reorder
- Duration: 7:24
- Updated: 29 Mar 2008
- views: 578788
Gluck-Symphony in G major-L'Orfeo Barockorchester
- Order: Reorder
- Duration: 14:28
- Updated: 29 Sep 2011
- views: 22913
Christoph Willibald Gluck (1714-1787)
Symphony in G major, Wq. deest, Chen G3, "Weimarer": Allegro/Andante/Allegro.
L'Orfeo Barockorchester-Michi Gaigg
Christoph Willibald Gluck (1714-1787)
Symphony in G major, Wq. deest, Chen G3, "Weimarer": Allegro/Andante/Allegro.
L'Orfeo Barockorchester-Michi Gaigg
wn.com/Gluck Symphony In G Major L'Orfeo Barockorchester
Christoph Willibald Gluck (1714-1787)
Symphony in G major, Wq. deest, Chen G3, "Weimarer": Allegro/Andante/Allegro.
L'Orfeo Barockorchester-Michi Gaigg
- published: 29 Sep 2011
- views: 22913
Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
- Order: Reorder
- Duration: 75:01
- Updated: 07 Jun 2015
- views: 34265
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gl...
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html
Christoph Willibald Gluck (1714-1787)
♪ Orfeo ed Euridice (1762)
Cast:
Orfeo..........Bejun Mehta, countertenor
Euridice..........Eva Liebau, soprano
Amore..........Regula Mühlemann, soprano
Orchestra, Chorus: Collegium 1704, Collegium Vocale 1704
Conductor: Václav Luks
Director: Ondřej Havelka
Filmed at the Baroque Theatre of Český Krumlov Castle, 2013
(Full HD 1080p)
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
wn.com/Christoph Willibald Gluck Orfeo Ed Euridice Bejun Mehta, Eva Liebau, Václav Luks (2013, Hd 1080P)
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html
Christoph Willibald Gluck (1714-1787)
♪ Orfeo ed Euridice (1762)
Cast:
Orfeo..........Bejun Mehta, countertenor
Euridice..........Eva Liebau, soprano
Amore..........Regula Mühlemann, soprano
Orchestra, Chorus: Collegium 1704, Collegium Vocale 1704
Conductor: Václav Luks
Director: Ondřej Havelka
Filmed at the Baroque Theatre of Český Krumlov Castle, 2013
(Full HD 1080p)
More information:
http://facesofclassicalmusic.blogspot.gr/2015/06/christoph-willibald-gluck-orfeo-ed.html
•
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
- published: 07 Jun 2015
- views: 34265
Adriano Celentano-Ragazzo della via gluck
- Order: Reorder
- Duration: 4:06
- Updated: 13 Apr 2008
- views: 4567842
Il brano più famoso di Adriano Celentano
Il brano più famoso di Adriano Celentano
wn.com/Adriano Celentano Ragazzo Della Via Gluck
Gluck - Flute Concerto in G major
- Order: Reorder
- Duration: 13:37
- Updated: 18 May 2014
- views: 9556
Christoph Willibald Gluck (1714~1787)
Flute Concerto in G major
00:00 I. Allegro
04:42 II. Andante
09:30 III. Allegro vivace
Flute / Conductor : Jean-Pier...
Christoph Willibald Gluck (1714~1787)
Flute Concerto in G major
00:00 I. Allegro
04:42 II. Andante
09:30 III. Allegro vivace
Flute / Conductor : Jean-Pierre Louis Rampal
Paris Philharmonic Chamber Orchestra
wn.com/Gluck Flute Concerto In G Major
Christoph Willibald Gluck (1714~1787)
Flute Concerto in G major
00:00 I. Allegro
04:42 II. Andante
09:30 III. Allegro vivace
Flute / Conductor : Jean-Pierre Louis Rampal
Paris Philharmonic Chamber Orchestra
- published: 18 May 2014
- views: 9556
Berge - Glück
- Order: Reorder
- Duration: 3:56
- Updated: 01 Apr 2016
- views: 625
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH
http://vevo.ly/xOtU6K
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH
http://vevo.ly/xOtU6K
wn.com/Berge Glück
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH
http://vevo.ly/xOtU6K
- published: 01 Apr 2016
- views: 625
Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
- Order: Reorder
- Duration: 132:21
- Updated: 10 Apr 2015
- views: 20483
__
02:26 • Gluck: Orfeo ed Euridice
__
• Orfeo: Franco Fagioli
• Euridice: Malin Hartelius
• Amore: Emmanuelle de Negri
__
Insula orchestra
Conducted by Laur...
__
02:26 • Gluck: Orfeo ed Euridice
__
• Orfeo: Franco Fagioli
• Euridice: Malin Hartelius
• Amore: Emmanuelle de Negri
__
Insula orchestra
Conducted by Laurence Equilbey
__
wn.com/Gluck Orfeo Ed Euridice, Opera Seria In Three Acts | Laurence Equilbey
__
02:26 • Gluck: Orfeo ed Euridice
__
• Orfeo: Franco Fagioli
• Euridice: Malin Hartelius
• Amore: Emmanuelle de Negri
__
Insula orchestra
Conducted by Laurence Equilbey
__
- published: 10 Apr 2015
- views: 20483
IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
- Order: Reorder
- Duration: 123:50
- Updated: 17 Apr 2015
- views: 8124
4 février 2015
Direction musicale Hartmut Haenchen
Mise en scène Lukas Hemleb
Décors Alexander Polzin
Costumes Andrea Schmidt-Futterer
Lumières Marion Hewlett
...
4 février 2015
Direction musicale Hartmut Haenchen
Mise en scène Lukas Hemleb
Décors Alexander Polzin
Costumes Andrea Schmidt-Futterer
Lumières Marion Hewlett
Collaboration chorégraphique Joanna O’Keeffe
Iphigénie Anna Caterina Antonacci
Oreste Bruno Taddia
Pylade Steve Davislim
Thoas Alexey Tikhomirov
Diane Julienne Walker
Un Scythe Michel de Souza
1ère Prêtresse Mi-Young Kim
2ème Prêtresse Marianne Dellacasagrande
Une femme grecque Cristiana Presutti
Le Ministre du sanctuaire Wolfgang Barta
Chœur du Grand Théâtre de Genève
Direction : Alan Woodbridge
Orchestre de la Suisse Romande
wn.com/Iphigénie En Tauride Gluck, Anna Caterina Antonacci
4 février 2015
Direction musicale Hartmut Haenchen
Mise en scène Lukas Hemleb
Décors Alexander Polzin
Costumes Andrea Schmidt-Futterer
Lumières Marion Hewlett
Collaboration chorégraphique Joanna O’Keeffe
Iphigénie Anna Caterina Antonacci
Oreste Bruno Taddia
Pylade Steve Davislim
Thoas Alexey Tikhomirov
Diane Julienne Walker
Un Scythe Michel de Souza
1ère Prêtresse Mi-Young Kim
2ème Prêtresse Marianne Dellacasagrande
Une femme grecque Cristiana Presutti
Le Ministre du sanctuaire Wolfgang Barta
Chœur du Grand Théâtre de Genève
Direction : Alan Woodbridge
Orchestre de la Suisse Romande
- published: 17 Apr 2015
- views: 8124
Alexa Feser - Glück (offizielles Video)
- Order: Reorder
- Duration: 3:45
- Updated: 06 Mar 2015
- views: 420053
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MORGEN.
Den Song, mit dem Alexa beim ESC Vorentscheid "Unser Song für Ös...
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MORGEN.
Den Song, mit dem Alexa beim ESC Vorentscheid "Unser Song für Österreich" das Publikum emotional berührt hat.
Bestellt/streamt das Album hier:
►http://wmg.click/AlexaFeser_GoldVonMorgenLive
Mehr Informationen zur Künstlerin Alexa Feser gibt es hier:
►Facebook: https://www.facebook.com/alexafeserof...
►Website: http://www.alexa-feser.de
►Youtube-Kanal abonnieren: http://wmg.cc/alexafeser_youtube_abo
________________________________________________ ________________________
Abonniert unseren Newsletter: http://www.warnermusic.de/newsletter
Folgt uns auf Facebook: https://www.facebook.com/alexafeserofficial/?ref=ts&fref;=ts
Warner Music auf Youtube: http://bit.ly/1dHiFUL
Addet uns auf Snapchat: #Warnermusicde
Warner Music Website: http://www.warnermusic.de
Für weitere Playlists und Musik schau bei Topsify vorbei: http://www.topsify.de
wn.com/Alexa Feser Glück (Offizielles Video)
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MORGEN.
Den Song, mit dem Alexa beim ESC Vorentscheid "Unser Song für Österreich" das Publikum emotional berührt hat.
Bestellt/streamt das Album hier:
►http://wmg.click/AlexaFeser_GoldVonMorgenLive
Mehr Informationen zur Künstlerin Alexa Feser gibt es hier:
►Facebook: https://www.facebook.com/alexafeserof...
►Website: http://www.alexa-feser.de
►Youtube-Kanal abonnieren: http://wmg.cc/alexafeser_youtube_abo
________________________________________________ ________________________
Abonniert unseren Newsletter: http://www.warnermusic.de/newsletter
Folgt uns auf Facebook: https://www.facebook.com/alexafeserofficial/?ref=ts&fref;=ts
Warner Music auf Youtube: http://bit.ly/1dHiFUL
Addet uns auf Snapchat: #Warnermusicde
Warner Music Website: http://www.warnermusic.de
Für weitere Playlists und Musik schau bei Topsify vorbei: http://www.topsify.de
- published: 06 Mar 2015
- views: 420053
Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
- Order: Reorder
- Duration: 4:23
- Updated: 10 Sep 2010
- views: 46048
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice.
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice.
wn.com/Maria Callas Gluck Orphee Et Eurydice J'ai Perdu Mon Eurydice
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice.
- published: 10 Sep 2010
- views: 46048
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
- Order: Reorder
- Duration: 105:36
- Updated: 07 Aug 2012
- views: 31168
CH. WILLIBALD GLUCK.- 1762-
Orfeo ed Euridice
R. Jacobs
M. Kweksilber
M. Falewicz
Collegium Vocale
La Petite Bande
Dirección: Sigiswald Kuijken
Argumento...
CH. WILLIBALD GLUCK.- 1762-
Orfeo ed Euridice
R. Jacobs
M. Kweksilber
M. Falewicz
Collegium Vocale
La Petite Bande
Dirección: Sigiswald Kuijken
Argumento
El primer verso de las arias, coros, etc., se ofrecen en italiano (versión de 1762) y en francés (versión de 1774).
Acto I
Un coro de ninfas y pastores se unen a Orfeo alrededor de la tumba de su esposa Eurídice en un solemne coro de luto. Desesperado, llora la muerte de Eurídice y sólo es capaz de murmurar el nombre de Eurídice (Coro y Orfeo: Ah, se intorno/Ah! Dans ce bois). Orfeo aleja al resto y canta su dolor en el aria Chiamo il mio ben/Objet de mon amour, los tres versos están precedidos por expresivos recitativos. Esta técnica era extremadamente radical en la época y de hecho lo demostró para aquellos que le siguieron inmediatamente: Mozart eligió conservar la unidad del aria. Ante los lamentos e imprecaciones de Orfeo, los dioses a través de Amore (Cupido) le permiten descender al Hades para rescatarla, pero con la única condición de no mirarla hasta estar bajo los rayos del sol (sólo 1774: aria de Amour, Si les doux accords). como forma de animarlo, Amore informa a Orfeo que su actual sufrimiento durará poco con el aria Gli sguardi trattieni/Soumis au silence. Orfeo decide emprender la búsqueda. Sólo en la versión de 1774 canta una ariette (L'espoir renaît dans mon âme) en el más antiguo, vistoso, estilo italiano, originariamente compuesto para un entretenimiento ocasional, Il Parnaso confuso (1765), y posteriormente reutilizado en otro, Le feste d'Apollo (1769).
Acto II
En un paisaje rocoso, Orfeo es recibido en los infiernos por las amenazantes Furias, y el canto de Cerbero, su guardián canino (Chi mai dell'Erebo/Quel est l'audacieux). El coro de las furias es uno de los pasajes corales más representativos de la época, «Chi mai dell'Erebo». Cuando Orfeo, acompañado por su lira (representada en la ópera por un arpa), ruega piedad en el aria Deh placatevi con me/Laissez-vous toucher, se ve interrumpido al principio por gritos diciendo No! por parte de las Furias, pero al final se ven suavizadas por la dulzura de su canto en las arias Mille pene/Ah! La flamme y Men tiranne/La tendresse, y le dejan entrar (Ah, quale incognito affetto/Quels chants doux). En la versión de 1774, la escena acaba con la Danza de las Furias (n.º 28).
La segunda escena se abre en el Elíseo. El breve ballet de 1762 se convirtió en la Danza de los espíritus felices, de cuatro movimientos (con una parte destacada para solo de flauta) en 1774. A esto le siguió (sólo en 1774) un solo que celebra la felicidad en la bendición eterna (Cet asile), cantada bien por un Espíritu anónimo o por Eurídice, y repetida por el coro. Orfeo llega y se maravilla de la pureza del aire en un (Che puro ciel/Quel nouveau ciel). Pero no puede deleitarse en la belleza de lo que le rodea, pues Eurídice no está todavía con él. Implora a los espíritus que la lleven consigo, lo que ellos hacen (Coro: Torna, o bella/Près du tendre objet).
Acto III
Orfeo y Eurídice emprenden el camino de regreso al mundo de los vivos. Eurídice está encantada de regresar a la Tierra, pero Orfeo, recordando la condición impuesta por Amore en el Acto I, la suelta de la mano y rechaza mirarla, no explicándole nada a ella. Ella no comprende su acción y se lo reprocha, pero él debe sufrir en silencio (dúo: Vieni, appaga il tuo consorte/Viens, suis un époux). Eurídice toma esto como un signo de que él ya no la ama, y rechaza seguir adelante, concluyendo que la muerte sería preferible. Ella canta su dolor ante la supuesta infidelidad de Orfeo en el aria Che fiero momento/Fortune ennemie (en 1774, hay un breve dúo antes de la repetición). Incapaz de soportarlo más, Orfeo incumple la condición impuesta, girándose para mirar a Eurídice; nuevamente pierde a Eurídice. Desconsolado, el héroe llora lamentando la pérdida de su esposa en la famosa aria Che farò senza Euridice?/J'ai perdu mon Eurydice ("¿Qué haré sin Eurídice? / "He perdido a mi Eurídice"). Orfeo decide suicidarse para unirse a Eurídice en el Hades. Cupido, apiadado por su llanto, lo detiene (sólo en 1774, el trío Tendre Amour-"Tierno amor") y en recompensa por su amor constante, resucita a Eurídice. Finalmente ambos enamorados regresan a su patria donde son recibidos entre el alborozo general. Después de un ballet de cuatro movimientos, todos cantan en alabanza de Amore (Trionfi Amore). En la versión de 1774, el coro (L'Amour triomphe) precede al ballet, al que Gluck había añadido tres movimientos extra.
La ópera es la más popular de las obras de Gluck, y una de las más influyentes en la ópera alemana posterior. Variaciones en su trama —la misión de rescate subyacente en la que el héroe debe controlar, u ocultar, sus emociones- incluyen La flauta mágica de Mozart, Fidelio de Beethoven y El oro del Rin de Wagner.
wn.com/Ch. Willibald Gluck. 1762 Orfeo Ed Euridice
CH. WILLIBALD GLUCK.- 1762-
Orfeo ed Euridice
R. Jacobs
M. Kweksilber
M. Falewicz
Collegium Vocale
La Petite Bande
Dirección: Sigiswald Kuijken
Argumento
El primer verso de las arias, coros, etc., se ofrecen en italiano (versión de 1762) y en francés (versión de 1774).
Acto I
Un coro de ninfas y pastores se unen a Orfeo alrededor de la tumba de su esposa Eurídice en un solemne coro de luto. Desesperado, llora la muerte de Eurídice y sólo es capaz de murmurar el nombre de Eurídice (Coro y Orfeo: Ah, se intorno/Ah! Dans ce bois). Orfeo aleja al resto y canta su dolor en el aria Chiamo il mio ben/Objet de mon amour, los tres versos están precedidos por expresivos recitativos. Esta técnica era extremadamente radical en la época y de hecho lo demostró para aquellos que le siguieron inmediatamente: Mozart eligió conservar la unidad del aria. Ante los lamentos e imprecaciones de Orfeo, los dioses a través de Amore (Cupido) le permiten descender al Hades para rescatarla, pero con la única condición de no mirarla hasta estar bajo los rayos del sol (sólo 1774: aria de Amour, Si les doux accords). como forma de animarlo, Amore informa a Orfeo que su actual sufrimiento durará poco con el aria Gli sguardi trattieni/Soumis au silence. Orfeo decide emprender la búsqueda. Sólo en la versión de 1774 canta una ariette (L'espoir renaît dans mon âme) en el más antiguo, vistoso, estilo italiano, originariamente compuesto para un entretenimiento ocasional, Il Parnaso confuso (1765), y posteriormente reutilizado en otro, Le feste d'Apollo (1769).
Acto II
En un paisaje rocoso, Orfeo es recibido en los infiernos por las amenazantes Furias, y el canto de Cerbero, su guardián canino (Chi mai dell'Erebo/Quel est l'audacieux). El coro de las furias es uno de los pasajes corales más representativos de la época, «Chi mai dell'Erebo». Cuando Orfeo, acompañado por su lira (representada en la ópera por un arpa), ruega piedad en el aria Deh placatevi con me/Laissez-vous toucher, se ve interrumpido al principio por gritos diciendo No! por parte de las Furias, pero al final se ven suavizadas por la dulzura de su canto en las arias Mille pene/Ah! La flamme y Men tiranne/La tendresse, y le dejan entrar (Ah, quale incognito affetto/Quels chants doux). En la versión de 1774, la escena acaba con la Danza de las Furias (n.º 28).
La segunda escena se abre en el Elíseo. El breve ballet de 1762 se convirtió en la Danza de los espíritus felices, de cuatro movimientos (con una parte destacada para solo de flauta) en 1774. A esto le siguió (sólo en 1774) un solo que celebra la felicidad en la bendición eterna (Cet asile), cantada bien por un Espíritu anónimo o por Eurídice, y repetida por el coro. Orfeo llega y se maravilla de la pureza del aire en un (Che puro ciel/Quel nouveau ciel). Pero no puede deleitarse en la belleza de lo que le rodea, pues Eurídice no está todavía con él. Implora a los espíritus que la lleven consigo, lo que ellos hacen (Coro: Torna, o bella/Près du tendre objet).
Acto III
Orfeo y Eurídice emprenden el camino de regreso al mundo de los vivos. Eurídice está encantada de regresar a la Tierra, pero Orfeo, recordando la condición impuesta por Amore en el Acto I, la suelta de la mano y rechaza mirarla, no explicándole nada a ella. Ella no comprende su acción y se lo reprocha, pero él debe sufrir en silencio (dúo: Vieni, appaga il tuo consorte/Viens, suis un époux). Eurídice toma esto como un signo de que él ya no la ama, y rechaza seguir adelante, concluyendo que la muerte sería preferible. Ella canta su dolor ante la supuesta infidelidad de Orfeo en el aria Che fiero momento/Fortune ennemie (en 1774, hay un breve dúo antes de la repetición). Incapaz de soportarlo más, Orfeo incumple la condición impuesta, girándose para mirar a Eurídice; nuevamente pierde a Eurídice. Desconsolado, el héroe llora lamentando la pérdida de su esposa en la famosa aria Che farò senza Euridice?/J'ai perdu mon Eurydice ("¿Qué haré sin Eurídice? / "He perdido a mi Eurídice"). Orfeo decide suicidarse para unirse a Eurídice en el Hades. Cupido, apiadado por su llanto, lo detiene (sólo en 1774, el trío Tendre Amour-"Tierno amor") y en recompensa por su amor constante, resucita a Eurídice. Finalmente ambos enamorados regresan a su patria donde son recibidos entre el alborozo general. Después de un ballet de cuatro movimientos, todos cantan en alabanza de Amore (Trionfi Amore). En la versión de 1774, el coro (L'Amour triomphe) precede al ballet, al que Gluck había añadido tres movimientos extra.
La ópera es la más popular de las obras de Gluck, y una de las más influyentes en la ópera alemana posterior. Variaciones en su trama —la misión de rescate subyacente en la que el héroe debe controlar, u ocultar, sus emociones- incluyen La flauta mágica de Mozart, Fidelio de Beethoven y El oro del Rin de Wagner.
- published: 07 Aug 2012
- views: 31168
zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
- Order: Reorder
- Duration: 4:23
- Updated: 17 Feb 2015
- views: 65299
zweite Chance des Lebens von Menschen, die viel Glück im Jahr 2015 erstaunliche Video Compilation haben erstaunliche Video
episches ausfallen, epic win 2015 Ep...
zweite Chance des Lebens von Menschen, die viel Glück im Jahr 2015 erstaunliche Video Compilation haben erstaunliche Video
episches ausfallen, epic win 2015 Epic Fail 2015, lustige Videos, lustige Clips, lustige Streiche,
lustige Videos, Streiche , erschrecken lustig Videos youtube unfälle funny
funny unfälle
unfälle fechten
fechten unfälle
tödliche unfälle fechten
unfälle gestern
gestern unfälle
unfälle gütersloh
gütersloh unfälle
unfälle gestern deutschland
unfälle gelsenkirchen
wn.com/Zweite Chance Des Lebens Von Menschen, Die Viel Glück 2015 Erstaunliche Video Compilation Close Call
zweite Chance des Lebens von Menschen, die viel Glück im Jahr 2015 erstaunliche Video Compilation haben erstaunliche Video
episches ausfallen, epic win 2015 Epic Fail 2015, lustige Videos, lustige Clips, lustige Streiche,
lustige Videos, Streiche , erschrecken lustig Videos youtube unfälle funny
funny unfälle
unfälle fechten
fechten unfälle
tödliche unfälle fechten
unfälle gestern
gestern unfälle
unfälle gütersloh
gütersloh unfälle
unfälle gestern deutschland
unfälle gelsenkirchen
- published: 17 Feb 2015
- views: 65299
Gluck, Orfeo ed Euridice. Karl Richter
- Order: Reorder
- Duration: 94:47
- Updated: 06 May 2014
- views: 22162
-
Christoph Willibald Ritter von Gluck (1714 - 1787)
Orfeo ed Euridice (1762)
Gundula Janowitz, soprano
Dietrich Fisher-Dieskau, barítono
Edda Moser, soprano
M...
-
Christoph Willibald Ritter von Gluck (1714 - 1787)
Orfeo ed Euridice (1762)
Gundula Janowitz, soprano
Dietrich Fisher-Dieskau, barítono
Edda Moser, soprano
Münchener Bach-Chor &
Münchener Bach-Orchester
Karl Richter, director
01. Overtura
02. Coro. Ah! se intorno a quest'urna funesta
03. Recitativo. Basta, basta, o compagni!
04. Ballo. Larghetto
05. Coro. Ah! se intorno a quest'urna funesta
06. Aria. Cerco il mio ben cosi
07. Recitativo. Euridice, ombra cara
08. Aria. Cerco il mio ben cosi
09. Recitativo. Euridice! Euridice! ah, questo nome
10. Aria. Piango il mio ben così
11. Recitativo. Numi! barbari Numi!
12. Recitativo. 'T'Assiste Amore'
13. Aria. 'Gli Sguardi Trattieni'
14. Recitativo. 'Che Disse- Che Ascoltai-'
15. Ballo. Maestoso
16. Coro. 'Che Mai Dell'Erebo'
17. Ballo. Presto
18. Coro. 'Chi Mai Dell'Erebo'
19. Ballo Delle Furie
20. Ballo. Maestoso
21. 'Deh Placatevi Con Me'
22. Coro. 'Misero Giovane'
23. Aria. 'Mille Pene, Ombre Sdegnose'
24. Coro. 'Ah, Quale Incognito'
25. Aria. 'Men Tiranne'
26. Coro. 'Ah, Quale Incognito'
27. Ballo. Andante
28. Arioso. 'Che Puro Ciel'
29. Coro. 'Vieni A'Regni Del Riposo'
30. Ballo. Andante
31. Recitativo. 'Anime Avventurose'
32. Coro. 'Torna, O Bello, Al Tuo Consorte'
33. Recitativo. 'Vieni, Segui I Miei Passi'
34. Duetto. 'Vieni, Appana Il Tuo Consorte'
35. Recitativo. 'Qual Vita E Questa Mai'
---
wn.com/Gluck, Orfeo Ed Euridice. Karl Richter
-
Christoph Willibald Ritter von Gluck (1714 - 1787)
Orfeo ed Euridice (1762)
Gundula Janowitz, soprano
Dietrich Fisher-Dieskau, barítono
Edda Moser, soprano
Münchener Bach-Chor &
Münchener Bach-Orchester
Karl Richter, director
01. Overtura
02. Coro. Ah! se intorno a quest'urna funesta
03. Recitativo. Basta, basta, o compagni!
04. Ballo. Larghetto
05. Coro. Ah! se intorno a quest'urna funesta
06. Aria. Cerco il mio ben cosi
07. Recitativo. Euridice, ombra cara
08. Aria. Cerco il mio ben cosi
09. Recitativo. Euridice! Euridice! ah, questo nome
10. Aria. Piango il mio ben così
11. Recitativo. Numi! barbari Numi!
12. Recitativo. 'T'Assiste Amore'
13. Aria. 'Gli Sguardi Trattieni'
14. Recitativo. 'Che Disse- Che Ascoltai-'
15. Ballo. Maestoso
16. Coro. 'Che Mai Dell'Erebo'
17. Ballo. Presto
18. Coro. 'Chi Mai Dell'Erebo'
19. Ballo Delle Furie
20. Ballo. Maestoso
21. 'Deh Placatevi Con Me'
22. Coro. 'Misero Giovane'
23. Aria. 'Mille Pene, Ombre Sdegnose'
24. Coro. 'Ah, Quale Incognito'
25. Aria. 'Men Tiranne'
26. Coro. 'Ah, Quale Incognito'
27. Ballo. Andante
28. Arioso. 'Che Puro Ciel'
29. Coro. 'Vieni A'Regni Del Riposo'
30. Ballo. Andante
31. Recitativo. 'Anime Avventurose'
32. Coro. 'Torna, O Bello, Al Tuo Consorte'
33. Recitativo. 'Vieni, Segui I Miei Passi'
34. Duetto. 'Vieni, Appana Il Tuo Consorte'
35. Recitativo. 'Qual Vita E Questa Mai'
---
- published: 06 May 2014
- views: 22162
Evgeny Kissin - Gluck-Sgambati Melody from Orpheus
- Order: Reorder
- Duration: 4:42
- Updated: 12 Sep 2011
- views: 110684
My Piano Music (^_^) – Arietta Op. 12, No. 1 (Edward Grieg), https://www.youtube.com/watch?v=V-_G_n9axd8
Come Visit My Blog (^_^) - http://philipcaruso-story.c...
My Piano Music (^_^) – Arietta Op. 12, No. 1 (Edward Grieg), https://www.youtube.com/watch?v=V-_G_n9axd8
Come Visit My Blog (^_^) - http://philipcaruso-story.com/
Kissin perform at the age of 19, For more beautiful videos, visit http://www.youtube.com/user/PhilipCaruso02
wn.com/Evgeny Kissin Gluck Sgambati Melody From Orpheus
My Piano Music (^_^) – Arietta Op. 12, No. 1 (Edward Grieg), https://www.youtube.com/watch?v=V-_G_n9axd8
Come Visit My Blog (^_^) - http://philipcaruso-story.com/
Kissin perform at the age of 19, For more beautiful videos, visit http://www.youtube.com/user/PhilipCaruso02
- published: 12 Sep 2011
- views: 110684
Gluck - Orfeo ed Euridice (Leppard)
- Order: Reorder
- Duration: 120:28
- Updated: 30 Dec 2012
- views: 143126
Ópera Orfeu e Eurídice, de Cristoph Willibald Glück. Versão apresentada pela Filarmônica de Londres, no Glyndebourne Festival de Opera, com texto original de R...
Ópera Orfeu e Eurídice, de Cristoph Willibald Glück. Versão apresentada pela Filarmônica de Londres, no Glyndebourne Festival de Opera, com texto original de Ranieiri De' Calzabigi, produzida por Peter Hall, coreografias de Stauart Hopps e direção de Raymond Leppard. Essa versão foi filmada em 1982 e editada para video.
wn.com/Gluck Orfeo Ed Euridice (Leppard)
Ópera Orfeu e Eurídice, de Cristoph Willibald Glück. Versão apresentada pela Filarmônica de Londres, no Glyndebourne Festival de Opera, com texto original de Ranieiri De' Calzabigi, produzida por Peter Hall, coreografias de Stauart Hopps e direção de Raymond Leppard. Essa versão foi filmada em 1982 e editada para video.
- published: 30 Dec 2012
- views: 143126
WILHELM FURTWÄNGLER "IPHIGENIE EN AULIDE" (Gluck), Overture
- Order: Reorder
- Duration: 10:15
- Updated: 18 Sep 2010
- views: 37978
Wilhelm Furtwängler conducts the Overture to
Iphigenie en Aulide by Christoph Willibald Gluck
Wiener Philharmoniker
recorded: 08.III. 1954
Wilhelm Furtwängler conducts the Overture to
Iphigenie en Aulide by Christoph Willibald Gluck
Wiener Philharmoniker
recorded: 08.III. 1954
wn.com/Wilhelm Furtwängler Iphigenie En Aulide (Gluck), Overture
Wilhelm Furtwängler conducts the Overture to
Iphigenie en Aulide by Christoph Willibald Gluck
Wiener Philharmoniker
recorded: 08.III. 1954
- published: 18 Sep 2010
- views: 37978
Gluck "Don Juan" Günter Kehr
- Order: Reorder
- Duration: 50:44
- Updated: 14 Jul 2015
- views: 1362
"Don Juan", complete Ballet Music
by Christoph Willibald Gluck
Mainzer Kammerorchester
Günter Kehr, conductor
"Don Juan", complete Ballet Music
by Christoph Willibald Gluck
Mainzer Kammerorchester
Günter Kehr, conductor
wn.com/Gluck Don Juan Günter Kehr
"Don Juan", complete Ballet Music
by Christoph Willibald Gluck
Mainzer Kammerorchester
Günter Kehr, conductor
- published: 14 Jul 2015
- views: 1362
Gluck - Alceste - Bolton
- Order: Reorder
- Duration: 137:23
- Updated: 11 Jan 2015
- views: 7861
Christoph Willibald Gluck
Alceste, Wq 44
Paul Groves, Admète
Angela Denoke, Alceste
Willard White, Grand Prêtre d’Apollon
Magnus Staveland, Evandre
Thomas Olie...
Christoph Willibald Gluck
Alceste, Wq 44
Paul Groves, Admète
Angela Denoke, Alceste
Willard White, Grand Prêtre d’Apollon
Magnus Staveland, Evandre
Thomas Oliemans, Hercule
Isaac Galàn, Appolon
Fernando Radò, Un héraut, l’Oracle
Teatro Real Orchestra and Chorus
Ivor Bolton
2014
wn.com/Gluck Alceste Bolton
Christoph Willibald Gluck
Alceste, Wq 44
Paul Groves, Admète
Angela Denoke, Alceste
Willard White, Grand Prêtre d’Apollon
Magnus Staveland, Evandre
Thomas Oliemans, Hercule
Isaac Galàn, Appolon
Fernando Radò, Un héraut, l’Oracle
Teatro Real Orchestra and Chorus
Ivor Bolton
2014
- published: 11 Jan 2015
- views: 7861
Lebensgefährlich! Motorradfahrer noch mal Glück gehabt.
- Order: Reorder
- Duration: 4:38
- Updated: 23 Apr 2015
- views: 62958
Motorradfahrer noch mal Glück gehabt
Motorradfahrer noch mal Glück gehabt
wn.com/Lebensgefährlich Motorradfahrer Noch Mal Glück Gehabt.
Motorradfahrer noch mal Glück gehabt
- published: 23 Apr 2015
- views: 62958
Andreas Bourani "Glück" (Akustikversion) / Free Track kostenlos downloaden
- Order: Reorder
- Duration: 4:20
- Updated: 27 Apr 2011
- views: 893294
Andreas Bourani – „Glück“ | Staub und Fantasie als Deluxe Edition inkl. unveröffentlichter Akustik- & Big-Band Versionen. Jetzt bei Amazon bestellen: http://amz...
Andreas Bourani – „Glück“ | Staub und Fantasie als Deluxe Edition inkl. unveröffentlichter Akustik- & Big-Band Versionen. Jetzt bei Amazon bestellen: http://amzn.to/1drK0lk
www.bourani.de
http://www.facebook.com/bourani
http://instagram.com/andreasbourani#
https://twitter.com/bourani
http://www.universal-music.de/andreas-bourani/home
Kanal abonnieren http://bitly.com/YTVertigoTV
wn.com/Andreas Bourani Glück (Akustikversion) Free Track Kostenlos Downloaden
Andreas Bourani – „Glück“ | Staub und Fantasie als Deluxe Edition inkl. unveröffentlichter Akustik- & Big-Band Versionen. Jetzt bei Amazon bestellen: http://amzn.to/1drK0lk
www.bourani.de
http://www.facebook.com/bourani
http://instagram.com/andreasbourani#
https://twitter.com/bourani
http://www.universal-music.de/andreas-bourani/home
Kanal abonnieren http://bitly.com/YTVertigoTV
- published: 27 Apr 2011
- views: 893294
Yuja Wang plays Mélodie de Gluck/Orfeo ed Euridice
- Order: Reorder
- Duration: 3:48
- Updated: 15 May 2014
- views: 45559
-
Christoph Willibald Gluck Trio Sonatas Reinhard Goebel
Christoph Willibald Gluck Trio Sonatas 1. No. 1, for 2 violins & continuo in C major 0:00 2. No. 2, for 2 violins & continuo in G minor 8:38 3. No. 3, for 2 violins & continuo in A major 17:32 4. No. 4, for 2 violins & continuo in B flat major 26:06 5. No. 5, for 2 violins & continuo in E flat major 34:30 6. No. 6, for 2 violins & continuo in F major 42:07 7. No. 8, for 2 violins & continuo in F major 49:51 Musica Antiqua Köln Reinhard Goebel Conductor -
Shinkarchuk ~ Christoph Willibald Gluck ~ GRAPHIC ARTS ~ From which so wants to live
Кристоф Виллибальд Глюк,Мелодия, Орфей и Эвридика. Моя авторская живопись и графика, сайт : http://shinkarchuk.ucoz.com/ Cотрудничество : shinkarchuk.a@gmail.com https://twitter.com/Shinkarchuk http://www.facebook.com/shinkarchuk http://vk.com/shinkarchuk333 -
Christoph Willibald Gluck - 'Che farò senza Euridice', Orfeo & Euridice (Grâce Bumbry)
Grace Bumbry sings "Che farò senza Euridice" from Orfeo & Euridice by Christoph Willibald Gluck (1714-1787) - Gewandhausorchester Leipzig (Vaclav NEUMANN, conductor) I hear the VOICE OF GRACE BUMBRY of the depths of the UNIVERSE : "GRACE" is returned to him J'entends la voix de GRACE BUMBRY du fin fond de l'UNIVERS : "GRACE" lui soit rendue -
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluc... -
Christoph Willibald Gluck - 'Dance of the Blessed Spirits' (Orfeo & Euridice)
Christoph Willibald Gluck - Orfeo & Euridice Danse des Ombres Heureuses (Dance of the Blessed Spirits) "Regardez, c'est vraiment magnifique" ! ("Look, it's really magnificent" !) Mise en scène par Pina Bausch de "Orphée et Eurydice" From Pina Bausch's production of "Orpheus and Eurydice" Palais Garnier, Paris 2008 -
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluc... -
'ALCESTE' de Christoph Willibald Gluck
El director polaco Krzysztof Warlikowski vuelve al Teatro Real con una nueva propuesta de 'Alceste' de Christoph Willibald Gluck. Bajo la batuta de Ivor Bolton, Angela Denoke dará vida a la heroína Alceste en una adaptación contemporánea del drama centrado en dar la propia vida para salvar la ajena. Le acompañarán Paul Groves como Admète y Willard White como El sumo sacerdote, entre otros artistas. Más información de la producción y la obra en http://bit.ly/1loMBOj -
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work has much in common with that of "Orfeo". Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in ... -
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluc... -
IPHIGENIE auf Tauris - Christoph Willibald Gluck
Iphigenie- Sena Jurinac Pylades - Fritz Wunderlich Orest - Hermann Prey Thoas - Kieth Engen Diana - Antonia Fahberg 1´Priesterin - Marjorie Heistermann 2.Priesterin - Erika Rüggeberg Ein Skythe - Karl Kreille Ein Diener des Tempels - Josef Weber Chor und Symphonieorchester des Bayerischen Rundfunks, Maestrostro del Coro:Wolfgang Schubert Dirigent..Rafael Kubelik München März 1965 -
Alceste ( Vienna ) - Cristoph Willibald Gluck - 1967
Alceste - Leyla Gencer Admeto - Mirto Picchi Evandro - Giuseppe Baratti Ismene - Fernanda Cadoni Sommo Pontifice - Attilio D' Orazi Apollo - Luigi Roni Conductor - Vittorio Gui Orchestra - Teatro dell'Opera di Roma Chorus - Teatro dell'opera di Roma -
Christoph Willibald Gluck - Orphée et Eurydice (Orpheus among the Blessed Spirits)
Orphée - Magdalena Kozena, Eurydice - Madeline Bender, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, conductor - John Eliot Gardiner, choreographer - Giuseppe Frigeni, stage director - Robert Wilson -
Gluck - Sgambati : Melody from Orfeo ed Euridice for piano (live)
Christoph Willibald Gluck (1714-1787) - Giovanni Sgambati (1841-1914) Melody from Orfeo ed Euridice (1762) Transcription by Giovanni Sgambati for solo piano of "Dance of the Blessed Spirits" Lento Riccardo Caramella, piano live concert Moncalieri, 2015 -
IPHIGÉNIE EN TAURIDE Christoph Willibald Gluck
Premiere: 14. März 2010 // Tragédie opéra in vier Akten (1779) / Dirigent: Harry Bicket / Wiener Symphoniker / Regie: Torsten Fischer / Bühne: Vasilis Triantafillopoulos / Kostüme: Andreas Janczyk / Licht: Diego Leetz // Iphigénie: Véronique Gens / Thoas: Andrew Schroeder / Oreste: Stéphane Degout / Pylade: Rainer Trost / Erste Priesterin: Petra Simková / Zweite Priesterin: Agnes Scheibelreiter / Eine griechische Frau: Teresa Gardner / Der Minister: Andreas Jankowitsch / Clytemnestre: Anna Franziska Srna / Agamemnon: Christoph Zadra // Arnold Schoenberg Chor (Ltg. Erwin Ortner) / Neuproduktion des Theater an der Wien -
Christoph Willibald Gluck- Alceste
In the Gluck-Year 2014 the Teatro Real in Madrid celebrated the outstanding success of the esteemed director Krysztof Warlikowski’s newly produced staging of „Alceste“, under the musical baton of Ivor Bolton. A sumptuous hall, a sovereign aristocrat, an explosive TV-Interview. The role of Alceste displayed to the audience of Madrid, strongly resembles the personage of Lady Diana…Featuring the celebrity cast of: Angela Denoke as Alceste, Paul Groves as Admète and Willard White as senior priest Apollos. Furthermore with Thomas Oliemans (Hercule), Fernando Radó (Orakel), Magnus Staveland (Évandre) and Isaac Galàn (Apollon). The „Parisian-version“ in French, celebrated world- premiere in 1777, ten years after the debut premiere. View this product in our online- shop: http://shop.euroarts.com/... -
Christoph Willibald Gluck - "Dance of the Blessed Spirits"
Haim Shapira - Piano (live performance) Copyright details: "Planet Earth E2: Mountains", visual content administered by: BBC Worldwide -
-
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 9. The Loss of Eurydice and The Second Lament of Orpheus (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluc... -
Christoph Willibald Gluck - Ballet Suite - d. Armide Sici...
Christoph Willibald Gluck - Christoph Willibald Gluck - Ballet Suite - d. Armide Sicilienne (performed by unknown) Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre... -
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 6. Elysium & Dance of the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluc... -
Lily Martirosyan - Orfeo ed Euridice by Christoph Willibald Gluck
Lily Martirosyan performing Orfeo ed Euridice by Christoph Willibald Gluck Hello! My name is Lily! I'm 16 and I'm going ahead with opera singing. I work hard to make my dream come true - I want to become an opera singer. I live in Varna, Bulgaria and study at the National School of Arts "Dobri Hristov". I hope you like my performance! Subscribe for more! :) -
Andante Cantabile by Christoph Willibald Gluck
This is another one of my portfolio pieces. Enjoy! -
Christoph Willibald Gluck(1714-1787) ITALIAN ARIAS-Cecilia Bartoli-mezzo-soprano
Christoph Willibald Gluck Trio Sonatas Reinhard Goebel
- Order: Reorder
- Duration: 62:19
- Updated: 31 May 2015
- views: 784
Christoph Willibald Gluck Trio Sonatas
1. No. 1, for 2 violins & continuo in C major 0:00
2. No. 2, for 2 violins & continuo in G minor 8:38
3. No. 3, for 2...
Christoph Willibald Gluck Trio Sonatas
1. No. 1, for 2 violins & continuo in C major 0:00
2. No. 2, for 2 violins & continuo in G minor 8:38
3. No. 3, for 2 violins & continuo in A major 17:32
4. No. 4, for 2 violins & continuo in B flat major 26:06
5. No. 5, for 2 violins & continuo in E flat major 34:30
6. No. 6, for 2 violins & continuo in F major 42:07
7. No. 8, for 2 violins & continuo in F major 49:51
Musica Antiqua Köln
Reinhard Goebel Conductor
wn.com/Christoph Willibald Gluck Trio Sonatas Reinhard Goebel
Christoph Willibald Gluck Trio Sonatas
1. No. 1, for 2 violins & continuo in C major 0:00
2. No. 2, for 2 violins & continuo in G minor 8:38
3. No. 3, for 2 violins & continuo in A major 17:32
4. No. 4, for 2 violins & continuo in B flat major 26:06
5. No. 5, for 2 violins & continuo in E flat major 34:30
6. No. 6, for 2 violins & continuo in F major 42:07
7. No. 8, for 2 violins & continuo in F major 49:51
Musica Antiqua Köln
Reinhard Goebel Conductor
- published: 31 May 2015
- views: 784
Shinkarchuk ~ Christoph Willibald Gluck ~ GRAPHIC ARTS ~ From which so wants to live
- Order: Reorder
- Duration: 4:01
- Updated: 12 Dec 2011
- views: 194
Кристоф Виллибальд Глюк,Мелодия, Орфей и Эвридика.
Моя авторская живопись и графика, сайт :
http://shinkarchuk.ucoz.com/
Cотрудничество : shinkarchuk.a@gmail.c...
Кристоф Виллибальд Глюк,Мелодия, Орфей и Эвридика.
Моя авторская живопись и графика, сайт :
http://shinkarchuk.ucoz.com/
Cотрудничество : shinkarchuk.a@gmail.com
https://twitter.com/Shinkarchuk
http://www.facebook.com/shinkarchuk
http://vk.com/shinkarchuk333
wn.com/Shinkarchuk ~ Christoph Willibald Gluck ~ Graphic Arts ~ From Which So Wants To Live
Кристоф Виллибальд Глюк,Мелодия, Орфей и Эвридика.
Моя авторская живопись и графика, сайт :
http://shinkarchuk.ucoz.com/
Cотрудничество : shinkarchuk.a@gmail.com
https://twitter.com/Shinkarchuk
http://www.facebook.com/shinkarchuk
http://vk.com/shinkarchuk333
- published: 12 Dec 2011
- views: 194
Christoph Willibald Gluck - 'Che farò senza Euridice', Orfeo & Euridice (Grâce Bumbry)
- Order: Reorder
- Duration: 4:35
- Updated: 16 Aug 2013
- views: 5442
Grace Bumbry sings "Che farò senza Euridice" from Orfeo & Euridice by Christoph Willibald Gluck (1714-1787) - Gewandhausorchester Leipzig (Vaclav NEUMANN, condu...
Grace Bumbry sings "Che farò senza Euridice" from Orfeo & Euridice by Christoph Willibald Gluck (1714-1787) - Gewandhausorchester Leipzig (Vaclav NEUMANN, conductor)
I hear the VOICE OF GRACE BUMBRY of the depths of the UNIVERSE : "GRACE" is returned to him
J'entends la voix de GRACE BUMBRY du fin fond de l'UNIVERS : "GRACE" lui soit rendue
wn.com/Christoph Willibald Gluck 'Che Farò Senza Euridice', Orfeo Euridice (GrâCe Bumbry)
Grace Bumbry sings "Che farò senza Euridice" from Orfeo & Euridice by Christoph Willibald Gluck (1714-1787) - Gewandhausorchester Leipzig (Vaclav NEUMANN, conductor)
I hear the VOICE OF GRACE BUMBRY of the depths of the UNIVERSE : "GRACE" is returned to him
J'entends la voix de GRACE BUMBRY du fin fond de l'UNIVERS : "GRACE" lui soit rendue
- published: 16 Aug 2013
- views: 5442
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Order: Reorder
- Duration: 10:44
- Updated: 11 Jan 2009
- views: 25610
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera...
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 7. Scena - "Quel est l'audacieux". The scene between the chorus of Furies and Orpheus is easily the most successful and effective, the barking of Cerberus which sounds through it is another wonderful touch which, though its' naivete may provoke a smile. Orpheus appears and pleads his cause in accents of touching entreaty. Time after time his pathetic song is broken by a sternly decisive "No" but the Furies slowly become more and more sympathetic to the hero who relates his torment in two breathtaking ariosos (6:35 and 8:15). In the end he triumphs, and the Furies grant him passage in a moving chorus (though still using the same angular string effects and a large amount of the first chorus to remind the listener of the Furies' unholy nature).
Again, hope you'll enjoy :).
wn.com/Christoph Willibald Gluck Orphee Et Eurydice (1774 Tenor Version In French) No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau Claire Delgado Boge Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 7. Scena - "Quel est l'audacieux". The scene between the chorus of Furies and Orpheus is easily the most successful and effective, the barking of Cerberus which sounds through it is another wonderful touch which, though its' naivete may provoke a smile. Orpheus appears and pleads his cause in accents of touching entreaty. Time after time his pathetic song is broken by a sternly decisive "No" but the Furies slowly become more and more sympathetic to the hero who relates his torment in two breathtaking ariosos (6:35 and 8:15). In the end he triumphs, and the Furies grant him passage in a moving chorus (though still using the same angular string effects and a large amount of the first chorus to remind the listener of the Furies' unholy nature).
Again, hope you'll enjoy :).
- published: 11 Jan 2009
- views: 25610
Christoph Willibald Gluck - 'Dance of the Blessed Spirits' (Orfeo & Euridice)
- Order: Reorder
- Duration: 8:27
- Updated: 28 Aug 2014
- views: 7005
Christoph Willibald Gluck - Orfeo & Euridice
Danse des Ombres Heureuses (Dance of the Blessed Spirits)
"Regardez, c'est vraiment magnifique" ! ("Look, it's rea...
Christoph Willibald Gluck - Orfeo & Euridice
Danse des Ombres Heureuses (Dance of the Blessed Spirits)
"Regardez, c'est vraiment magnifique" ! ("Look, it's really magnificent" !)
Mise en scène par Pina Bausch de "Orphée et Eurydice"
From Pina Bausch's production of "Orpheus and Eurydice"
Palais Garnier, Paris 2008
wn.com/Christoph Willibald Gluck 'Dance Of The Blessed Spirits' (Orfeo Euridice)
Christoph Willibald Gluck - Orfeo & Euridice
Danse des Ombres Heureuses (Dance of the Blessed Spirits)
"Regardez, c'est vraiment magnifique" ! ("Look, it's really magnificent" !)
Mise en scène par Pina Bausch de "Orphée et Eurydice"
From Pina Bausch's production of "Orpheus and Eurydice"
Palais Garnier, Paris 2008
- published: 28 Aug 2014
- views: 7005
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Order: Reorder
- Duration: 3:56
- Updated: 11 Jan 2009
- views: 31736
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera...
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 8. Dance of the Furies. The original version of "Orfeo" featured quite a small amount of actually ballet sequences, and the 1774 rewrite capitalizes on this omission by adding a large amount of additional dance music, including this furious dance of the furies on Orpheus' departure (featuring strong parts for horns and strings) which serves as a perfect contrast to the serenity that follows in the Elysium scene and, specifically, the similarly elaborate Dance of the Blessed Spirits.
Again, hope you'll enjoy :).
wn.com/Christoph Willibald Gluck Orphee Et Eurydice (1774 Tenor Version In French) No. 5. Dance Of The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau Claire Delgado Boge Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 8. Dance of the Furies. The original version of "Orfeo" featured quite a small amount of actually ballet sequences, and the 1774 rewrite capitalizes on this omission by adding a large amount of additional dance music, including this furious dance of the furies on Orpheus' departure (featuring strong parts for horns and strings) which serves as a perfect contrast to the serenity that follows in the Elysium scene and, specifically, the similarly elaborate Dance of the Blessed Spirits.
Again, hope you'll enjoy :).
- published: 11 Jan 2009
- views: 31736
'ALCESTE' de Christoph Willibald Gluck
- Order: Reorder
- Duration: 4:45
- Updated: 28 Feb 2014
- views: 6730
El director polaco Krzysztof Warlikowski vuelve al Teatro Real con una nueva propuesta de 'Alceste' de Christoph Willibald Gluck. Bajo la batuta de Ivor Bolton,...
El director polaco Krzysztof Warlikowski vuelve al Teatro Real con una nueva propuesta de 'Alceste' de Christoph Willibald Gluck. Bajo la batuta de Ivor Bolton, Angela Denoke dará vida a la heroína Alceste en una adaptación contemporánea del drama centrado en dar la propia vida para salvar la ajena. Le acompañarán Paul Groves como Admète y Willard White como El sumo sacerdote, entre otros artistas.
Más información de la producción y la obra en http://bit.ly/1loMBOj
wn.com/'ALCESTE' De Christoph Willibald Gluck
El director polaco Krzysztof Warlikowski vuelve al Teatro Real con una nueva propuesta de 'Alceste' de Christoph Willibald Gluck. Bajo la batuta de Ivor Bolton, Angela Denoke dará vida a la heroína Alceste en una adaptación contemporánea del drama centrado en dar la propia vida para salvar la ajena. Le acompañarán Paul Groves como Admète y Willard White como El sumo sacerdote, entre otros artistas.
Más información de la producción y la obra en http://bit.ly/1loMBOj
- published: 28 Feb 2014
- views: 6730
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Order: Reorder
- Duration: 10:19
- Updated: 10 Jan 2009
- views: 110716
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera...
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work has much in common with that of "Orfeo". Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The changes, though seemingly insignificant, are actually essential to the work's inner equilibrium. First off, the libretto is given a French translation which does shift some of the accents. Next, and more importantly, the work is greatly expanded, including the addition of a bravura, coloratura-filled aria for Orfeo at the close of Act 1, a more elaborate dance of the blessed spirits and an aria for Eurydice during the Elysium scene; the transformation of the B section of Eurydice's second aria into an intense duettino for the lovers; a penultimate terzet for all three characters and a large ballet for the end of the opera; thus, the work's original omissions are amended with the structure of the piece becoming more logical in the process. Thirdly, the orchestration is changed somewhat: for example, originally each verse of the strophic "Chiamo il mio ben cosi" is accompanied by different solo instruments - flute, horns and English horns - but in 1774 Gluck was required to change this orchestration to that of a single horn and two clarinets. Finally, and even more importantly, the transformation of the originally castrato-voiced Orfeo into the high tenor Orphee, including a more passionate reading than the original. As if that wasn't enough, the present recording, rather controversially, sets the pitch at A=403, a full tone below current pitch, which leads to a further transformation of the work which is especially evident in the baritonal lower notes that the tenor has to approach. All in all, a much different version from the original, and this is where its' interest lies.
There are only three versions of this particular version, one - under Hans Rosbaud with Leopold Simoneau in the title role; a more recent one - the Naxos release with Jean-Paul Fouchecourt; and the one that I am going to use in this case (as it is my only recording of the tenor version of "Orfeo") - Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
As per usual, I had to cut some of the music to keep each upload (all in all, ten full postings) under eleven minutes, though I tried to keep these cuts to a minimum: the repeat of the opening chorus and (though I could upload it separately) the ballet sequence which brings the opera its' closure; all the rest of the music is retained.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 1. Sinfonia. Berlioz, when creating his own version of the score, went so far as to describe the overture to "Orfeo" as "an unbelievable trifle" ("une niaiserie incroyable") and, truth be told, it seems ironic that the firstborn of Gluck's reform begins with a piece which, though by turns lively, exciting and life-affirming, does not really go that well with the work as a whole. There are, though, more somber sections that come as a hint to the tragedy that is about to unfold but they quickly give way to the strings' unfailingly thunderous melody.
No. 2. Chorus, Dance & Ritournelle - "Ah! dans ce bois tranquille et sombre". The opening scene shows the tomb of Eurydice erected in a grassy valley - a justly famous coup-de-theatre - though this choice comes at the expense of a rather small part for Eurydice and the love of the pair underrepresented from the beginning (even Monteverdi's "Orfeo", where there is, arguably, an even larger part for Orfeo and an even smaller part for Eurydice, gives us an opportunity to see the lovers' symbolic wedding)). Orpheus stands beside it plunged in the deepest grief, while a troop of shepherds and maidens bring flowers to adorn it. The singer's despairing cry of "Eurydice" breaks passionately upon their mournful chorus, and the whole scene, though drawn in simple lines, is instinct with genuine pathos. After a pantomime of Eurydice's death, the chorus slowly leaves over the same melody which is placed strategically to close the scene and to set up Orpheus' first great lament.
And again, hope you'll enjoy :).
wn.com/Christoph Willibald Gluck Orphee Et Eurydice (1774 Tenor Version In French) No. 1. The Mourning Of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau Claire Delgado Boge Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work has much in common with that of "Orfeo". Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The changes, though seemingly insignificant, are actually essential to the work's inner equilibrium. First off, the libretto is given a French translation which does shift some of the accents. Next, and more importantly, the work is greatly expanded, including the addition of a bravura, coloratura-filled aria for Orfeo at the close of Act 1, a more elaborate dance of the blessed spirits and an aria for Eurydice during the Elysium scene; the transformation of the B section of Eurydice's second aria into an intense duettino for the lovers; a penultimate terzet for all three characters and a large ballet for the end of the opera; thus, the work's original omissions are amended with the structure of the piece becoming more logical in the process. Thirdly, the orchestration is changed somewhat: for example, originally each verse of the strophic "Chiamo il mio ben cosi" is accompanied by different solo instruments - flute, horns and English horns - but in 1774 Gluck was required to change this orchestration to that of a single horn and two clarinets. Finally, and even more importantly, the transformation of the originally castrato-voiced Orfeo into the high tenor Orphee, including a more passionate reading than the original. As if that wasn't enough, the present recording, rather controversially, sets the pitch at A=403, a full tone below current pitch, which leads to a further transformation of the work which is especially evident in the baritonal lower notes that the tenor has to approach. All in all, a much different version from the original, and this is where its' interest lies.
There are only three versions of this particular version, one - under Hans Rosbaud with Leopold Simoneau in the title role; a more recent one - the Naxos release with Jean-Paul Fouchecourt; and the one that I am going to use in this case (as it is my only recording of the tenor version of "Orfeo") - Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
As per usual, I had to cut some of the music to keep each upload (all in all, ten full postings) under eleven minutes, though I tried to keep these cuts to a minimum: the repeat of the opening chorus and (though I could upload it separately) the ballet sequence which brings the opera its' closure; all the rest of the music is retained.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 1. Sinfonia. Berlioz, when creating his own version of the score, went so far as to describe the overture to "Orfeo" as "an unbelievable trifle" ("une niaiserie incroyable") and, truth be told, it seems ironic that the firstborn of Gluck's reform begins with a piece which, though by turns lively, exciting and life-affirming, does not really go that well with the work as a whole. There are, though, more somber sections that come as a hint to the tragedy that is about to unfold but they quickly give way to the strings' unfailingly thunderous melody.
No. 2. Chorus, Dance & Ritournelle - "Ah! dans ce bois tranquille et sombre". The opening scene shows the tomb of Eurydice erected in a grassy valley - a justly famous coup-de-theatre - though this choice comes at the expense of a rather small part for Eurydice and the love of the pair underrepresented from the beginning (even Monteverdi's "Orfeo", where there is, arguably, an even larger part for Orfeo and an even smaller part for Eurydice, gives us an opportunity to see the lovers' symbolic wedding)). Orpheus stands beside it plunged in the deepest grief, while a troop of shepherds and maidens bring flowers to adorn it. The singer's despairing cry of "Eurydice" breaks passionately upon their mournful chorus, and the whole scene, though drawn in simple lines, is instinct with genuine pathos. After a pantomime of Eurydice's death, the chorus slowly leaves over the same melody which is placed strategically to close the scene and to set up Orpheus' first great lament.
And again, hope you'll enjoy :).
- published: 10 Jan 2009
- views: 110716
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Order: Reorder
- Duration: 9:36
- Updated: 11 Jan 2009
- views: 26219
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera...
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 3. Scena - "Objet de mon amour". In an interesting touch by the composer, both of Orpheus' important laments are set in the form of rondo, though it is the first of these which represents Gluck's musical invention at its' height, as instead of a continuous musical piece (as in the case of the second lament) the composer utilizes a series of ariosos linked by expressive recitative, strikingly close in approach to arioso (that's one of the reasons why I used the word "scena" to describe the piece), to present the poor man's troubled mind. The highlight here, for me, is the passionate second recitative, featuring a most inspired quiet appeal to the gods (starting at 4:22) accompanied by hushed, flowing string lines. Another point of interest is the rather unusual fact that both of Orpheus' plaints are based on and presented in harmonies not exactly mournful in nature (especially apparent in the final air) but utilized to great effect by Gluck to suggest the introverted, personal torment of the hero.
No. 4. Aria - "Si les doux accords de ta lyre" (first appeared in the 1774 version). Amour's music is perhaps less dramatic that either of the lovers' but it provides much needed lightness and humor to the work. Strikingly, Gluck allows Amour's first aria to be repeated after a shocked "I will see her again" from Orpheus but this sounds completely logical, as if the messenger of the gods is assuring the hero of the gods' blessing.
And again, hope you'll enjoy :).
wn.com/Christoph Willibald Gluck Orphee Et Eurydice (1774 Tenor Version In French) No. 2. Orpheus' First Lament The Appearance Of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau Claire Delgado Boge Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti/orphee.html
Hope you'll enjoy :).
No. 3. Scena - "Objet de mon amour". In an interesting touch by the composer, both of Orpheus' important laments are set in the form of rondo, though it is the first of these which represents Gluck's musical invention at its' height, as instead of a continuous musical piece (as in the case of the second lament) the composer utilizes a series of ariosos linked by expressive recitative, strikingly close in approach to arioso (that's one of the reasons why I used the word "scena" to describe the piece), to present the poor man's troubled mind. The highlight here, for me, is the passionate second recitative, featuring a most inspired quiet appeal to the gods (starting at 4:22) accompanied by hushed, flowing string lines. Another point of interest is the rather unusual fact that both of Orpheus' plaints are based on and presented in harmonies not exactly mournful in nature (especially apparent in the final air) but utilized to great effect by Gluck to suggest the introverted, personal torment of the hero.
No. 4. Aria - "Si les doux accords de ta lyre" (first appeared in the 1774 version). Amour's music is perhaps less dramatic that either of the lovers' but it provides much needed lightness and humor to the work. Strikingly, Gluck allows Amour's first aria to be repeated after a shocked "I will see her again" from Orpheus but this sounds completely logical, as if the messenger of the gods is assuring the hero of the gods' blessing.
And again, hope you'll enjoy :).
- published: 11 Jan 2009
- views: 26219
IPHIGENIE auf Tauris - Christoph Willibald Gluck
- Order: Reorder
- Duration: 112:02
- Updated: 10 Apr 2014
- views: 4062
Iphigenie- Sena Jurinac
Pylades - Fritz Wunderlich
Orest - Hermann Prey
Thoas - Kieth Engen
Diana - Antonia Fahberg
1´Priesterin - Marjorie Heistermann
2.Pries...
Iphigenie- Sena Jurinac
Pylades - Fritz Wunderlich
Orest - Hermann Prey
Thoas - Kieth Engen
Diana - Antonia Fahberg
1´Priesterin - Marjorie Heistermann
2.Priesterin - Erika Rüggeberg
Ein Skythe - Karl Kreille
Ein Diener des Tempels - Josef Weber
Chor und Symphonieorchester des Bayerischen Rundfunks,
Maestrostro del Coro:Wolfgang Schubert
Dirigent..Rafael Kubelik
München März 1965
wn.com/Iphigenie Auf Tauris Christoph Willibald Gluck
Iphigenie- Sena Jurinac
Pylades - Fritz Wunderlich
Orest - Hermann Prey
Thoas - Kieth Engen
Diana - Antonia Fahberg
1´Priesterin - Marjorie Heistermann
2.Priesterin - Erika Rüggeberg
Ein Skythe - Karl Kreille
Ein Diener des Tempels - Josef Weber
Chor und Symphonieorchester des Bayerischen Rundfunks,
Maestrostro del Coro:Wolfgang Schubert
Dirigent..Rafael Kubelik
München März 1965
- published: 10 Apr 2014
- views: 4062
Alceste ( Vienna ) - Cristoph Willibald Gluck - 1967
- Order: Reorder
- Duration: 135:01
- Updated: 09 Dec 2011
- views: 14477
Alceste - Leyla Gencer
Admeto - Mirto Picchi
Evandro - Giuseppe Baratti
Ismene - Fernanda Cadoni
Sommo Pontifice - Attilio D' Orazi
Apollo - Luigi Roni
Conduct...
Alceste - Leyla Gencer
Admeto - Mirto Picchi
Evandro - Giuseppe Baratti
Ismene - Fernanda Cadoni
Sommo Pontifice - Attilio D' Orazi
Apollo - Luigi Roni
Conductor - Vittorio Gui
Orchestra - Teatro dell'Opera di Roma
Chorus - Teatro dell'opera di Roma
wn.com/Alceste ( Vienna ) Cristoph Willibald Gluck 1967
Alceste - Leyla Gencer
Admeto - Mirto Picchi
Evandro - Giuseppe Baratti
Ismene - Fernanda Cadoni
Sommo Pontifice - Attilio D' Orazi
Apollo - Luigi Roni
Conductor - Vittorio Gui
Orchestra - Teatro dell'Opera di Roma
Chorus - Teatro dell'opera di Roma
- published: 09 Dec 2011
- views: 14477
Christoph Willibald Gluck - Orphée et Eurydice (Orpheus among the Blessed Spirits)
- Order: Reorder
- Duration: 8:42
- Updated: 19 Nov 2009
- views: 58187
Orphée - Magdalena Kozena, Eurydice - Madeline Bender, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, conductor - John Eliot Gardiner, choreographer...
Orphée - Magdalena Kozena, Eurydice - Madeline Bender, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, conductor - John Eliot Gardiner, choreographer - Giuseppe Frigeni, stage director - Robert Wilson
wn.com/Christoph Willibald Gluck Orphée Et Eurydice (Orpheus Among The Blessed Spirits)
Orphée - Magdalena Kozena, Eurydice - Madeline Bender, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, conductor - John Eliot Gardiner, choreographer - Giuseppe Frigeni, stage director - Robert Wilson
- published: 19 Nov 2009
- views: 58187
Gluck - Sgambati : Melody from Orfeo ed Euridice for piano (live)
- Order: Reorder
- Duration: 4:58
- Updated: 11 Apr 2016
- views: 15
Christoph Willibald Gluck (1714-1787) - Giovanni Sgambati (1841-1914)
Melody from Orfeo ed Euridice (1762)
Transcription by Giovanni Sgambati for solo piano of...
Christoph Willibald Gluck (1714-1787) - Giovanni Sgambati (1841-1914)
Melody from Orfeo ed Euridice (1762)
Transcription by Giovanni Sgambati for solo piano of "Dance of the Blessed Spirits"
Lento
Riccardo Caramella, piano
live concert Moncalieri, 2015
wn.com/Gluck Sgambati Melody From Orfeo Ed Euridice For Piano (Live)
Christoph Willibald Gluck (1714-1787) - Giovanni Sgambati (1841-1914)
Melody from Orfeo ed Euridice (1762)
Transcription by Giovanni Sgambati for solo piano of "Dance of the Blessed Spirits"
Lento
Riccardo Caramella, piano
live concert Moncalieri, 2015
- published: 11 Apr 2016
- views: 15
IPHIGÉNIE EN TAURIDE Christoph Willibald Gluck
- Order: Reorder
- Duration: 3:16
- Updated: 10 Apr 2010
- views: 18415
Premiere: 14. März 2010 // Tragédie opéra in vier Akten (1779) / Dirigent: Harry Bicket / Wiener Symphoniker / Regie: Torsten Fischer / Bühne: Vasilis Triantafi...
Premiere: 14. März 2010 // Tragédie opéra in vier Akten (1779) / Dirigent: Harry Bicket / Wiener Symphoniker / Regie: Torsten Fischer / Bühne: Vasilis Triantafillopoulos / Kostüme: Andreas Janczyk / Licht: Diego Leetz //
Iphigénie: Véronique Gens / Thoas: Andrew Schroeder / Oreste: Stéphane Degout / Pylade: Rainer Trost / Erste Priesterin: Petra Simková / Zweite Priesterin: Agnes Scheibelreiter / Eine griechische Frau: Teresa Gardner / Der Minister: Andreas Jankowitsch / Clytemnestre: Anna Franziska Srna / Agamemnon: Christoph Zadra // Arnold Schoenberg Chor (Ltg. Erwin Ortner) / Neuproduktion des Theater an der Wien
wn.com/Iphigénie En Tauride Christoph Willibald Gluck
Premiere: 14. März 2010 // Tragédie opéra in vier Akten (1779) / Dirigent: Harry Bicket / Wiener Symphoniker / Regie: Torsten Fischer / Bühne: Vasilis Triantafillopoulos / Kostüme: Andreas Janczyk / Licht: Diego Leetz //
Iphigénie: Véronique Gens / Thoas: Andrew Schroeder / Oreste: Stéphane Degout / Pylade: Rainer Trost / Erste Priesterin: Petra Simková / Zweite Priesterin: Agnes Scheibelreiter / Eine griechische Frau: Teresa Gardner / Der Minister: Andreas Jankowitsch / Clytemnestre: Anna Franziska Srna / Agamemnon: Christoph Zadra // Arnold Schoenberg Chor (Ltg. Erwin Ortner) / Neuproduktion des Theater an der Wien
- published: 10 Apr 2010
- views: 18415
Christoph Willibald Gluck- Alceste
- Order: Reorder
- Duration: 3:33
- Updated: 25 Feb 2015
- views: 704
In the Gluck-Year 2014 the Teatro Real in Madrid celebrated the outstanding success of the esteemed director Krysztof Warlikowski’s newly produced staging of „A...
In the Gluck-Year 2014 the Teatro Real in Madrid celebrated the outstanding success of the esteemed director Krysztof Warlikowski’s newly produced staging of „Alceste“, under the musical baton of Ivor Bolton. A sumptuous hall, a sovereign aristocrat, an explosive TV-Interview. The role of Alceste displayed to the audience of Madrid, strongly resembles the personage of Lady Diana…Featuring the celebrity cast of: Angela Denoke as Alceste, Paul Groves as Admète and Willard White as senior priest Apollos. Furthermore with Thomas Oliemans (Hercule), Fernando Radó (Orakel), Magnus Staveland (Évandre)
and Isaac Galàn (Apollon). The „Parisian-version“ in French, celebrated world- premiere in 1777, ten years after the debut premiere.
View this product in our online- shop: http://shop.euroarts.com/index.php/catalogsearch/result/?q=alceste
For further information on this product: http://www.euroarts.com/artikel/dvd/?id=007497_teatro_real_gluck_alceste
wn.com/Christoph Willibald Gluck Alceste
In the Gluck-Year 2014 the Teatro Real in Madrid celebrated the outstanding success of the esteemed director Krysztof Warlikowski’s newly produced staging of „Alceste“, under the musical baton of Ivor Bolton. A sumptuous hall, a sovereign aristocrat, an explosive TV-Interview. The role of Alceste displayed to the audience of Madrid, strongly resembles the personage of Lady Diana…Featuring the celebrity cast of: Angela Denoke as Alceste, Paul Groves as Admète and Willard White as senior priest Apollos. Furthermore with Thomas Oliemans (Hercule), Fernando Radó (Orakel), Magnus Staveland (Évandre)
and Isaac Galàn (Apollon). The „Parisian-version“ in French, celebrated world- premiere in 1777, ten years after the debut premiere.
View this product in our online- shop: http://shop.euroarts.com/index.php/catalogsearch/result/?q=alceste
For further information on this product: http://www.euroarts.com/artikel/dvd/?id=007497_teatro_real_gluck_alceste
- published: 25 Feb 2015
- views: 704
Christoph Willibald Gluck - "Dance of the Blessed Spirits"
- Order: Reorder
- Duration: 2:38
- Updated: 18 Jun 2010
- views: 4387
Haim Shapira - Piano (live performance)
Copyright details:
"Planet Earth E2: Mountains", visual content administered by:
BBC Worldwide
Haim Shapira - Piano (live performance)
Copyright details:
"Planet Earth E2: Mountains", visual content administered by:
BBC Worldwide
wn.com/Christoph Willibald Gluck Dance Of The Blessed Spirits
Haim Shapira - Piano (live performance)
Copyright details:
"Planet Earth E2: Mountains", visual content administered by:
BBC Worldwide
- published: 18 Jun 2010
- views: 4387
Dance of the Blessed Spirits for Flute and Orchestra By Christoph Willibald Gluck
- Order: Reorder
- Duration: 9:33
- Updated: 11 Feb 2016
- views: 527
Flute: Patrick GALLOIS
Orchestre Du Festival De Musique De Chambre De Paris : VERSAILLES CONCERT 1986
Flute: Patrick GALLOIS
Orchestre Du Festival De Musique De Chambre De Paris : VERSAILLES CONCERT 1986
wn.com/Dance Of The Blessed Spirits For Flute And Orchestra By Christoph Willibald Gluck
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 9. The Loss of Eurydice and The Second Lament of Orpheus (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Order: Reorder
- Duration: 7:18
- Updated: 11 Jan 2009
- views: 15022
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera...
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti...
Hope you'll enjoy :).
No. 14. Aria - "J'ai perdu mon Eurydice". Orphee second lament would have to be the opera's most famous and its' most criticized aria. Truth be told, it does seem dramatically rather relaxed, especially coming after an impassioned and tormented recitative. Set in the form of the rondo, it features only one movement (the fourth, 5:30) which is suitably mournful in melody. Gluck faced criticism during his lifetime of "Che faro senza Euridice?" on the grounds that it was emotionally uninvolved; he responded by pointing out the absolute necessity of fine execution of the aria: "make the slightest change, either in the movement or in the turn of expression, and it will become a saltarello for marionettes". And, in accordance with Gluck's defence, one does feel that the piece lends true credibility to Orpheus' lament: he has completely lost all hope of recovering his wife and his aria, sounding slightly odd in its' surroundings, helps to note his complete breakdown at seeing his wife dead for a second time. And, after all, it is a beautiful piece of music :).
Again, hope you'll enjoy :).
wn.com/Christoph Willibald Gluck Orphee Et Eurydice (1774 Tenor Version In French) No. 9. The Loss Of Eurydice And The Second Lament Of Orpheus (Richard Croft, Mireille Delunsch, Marion Harousseau Claire Delgado Boge Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti...
Hope you'll enjoy :).
No. 14. Aria - "J'ai perdu mon Eurydice". Orphee second lament would have to be the opera's most famous and its' most criticized aria. Truth be told, it does seem dramatically rather relaxed, especially coming after an impassioned and tormented recitative. Set in the form of the rondo, it features only one movement (the fourth, 5:30) which is suitably mournful in melody. Gluck faced criticism during his lifetime of "Che faro senza Euridice?" on the grounds that it was emotionally uninvolved; he responded by pointing out the absolute necessity of fine execution of the aria: "make the slightest change, either in the movement or in the turn of expression, and it will become a saltarello for marionettes". And, in accordance with Gluck's defence, one does feel that the piece lends true credibility to Orpheus' lament: he has completely lost all hope of recovering his wife and his aria, sounding slightly odd in its' surroundings, helps to note his complete breakdown at seeing his wife dead for a second time. And, after all, it is a beautiful piece of music :).
Again, hope you'll enjoy :).
- published: 11 Jan 2009
- views: 15022
Christoph Willibald Gluck - Ballet Suite - d. Armide Sici...
- Order: Reorder
- Duration: 4:15
- Updated: 15 Nov 2013
- views: 1301
Christoph Willibald Gluck - Christoph Willibald Gluck - Ballet Suite - d. Armide Sicilienne (performed by unknown)
Christoph Willibald Ritter von Gluck (2 July...
Christoph Willibald Gluck - Christoph Willibald Gluck - Ballet Suite - d. Armide Sicilienne (performed by unknown)
Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though he was extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse he left Paris in disgust and returned to Vienna to live out the remainder of his life.
wn.com/Christoph Willibald Gluck Ballet Suite D. Armide Sici...
Christoph Willibald Gluck - Christoph Willibald Gluck - Ballet Suite - d. Armide Sicilienne (performed by unknown)
Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though he was extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse he left Paris in disgust and returned to Vienna to live out the remainder of his life.
- published: 15 Nov 2013
- views: 1301
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 6. Elysium & Dance of the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Order: Reorder
- Duration: 9:28
- Updated: 11 Jan 2009
- views: 27773
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera...
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti...
Hope you'll enjoy :).
No. 9. Dance of the Blessed Spirits. The gently pastoral Dance of the Blessed Spirits beautifully exemplifies Gluck's revolutionary principle that in opera, music and poetry should never overstate their message. Written for solo flute with string accompaniment, this piece is in simple ternary form (ABA), the first part an elegant, stately melody that conjures up images of pastoral tranquility. The contrasting minor part, however, like a sudden zephyr, introduces, with its muted passion, an element of anguish that is perhaps an echo of the earlier dialogue with the Furies. However, as the A section is reiterated, the idyllic landscape reappears, perhaps suggesting that Orpheus' quest will be successful.
No. 10. Aria - "Cet asile paisible" (first appeared in the 1774 version). This simple, graceful appraisal of the Elysium is yet another piece that did not appear in the original version of the work but without which I cannot imagine the work. In effect its' Eurydice's "cavatina", the first time we are supposed to see her on stage. In this recording, however (and that is my only major quibble with this rendition of the score), the aria is given, inexplicably, to one of the happy shades which does help to underline Orpheus' entrance into Elysium but this decision relieves the role of Eurydice of a proper entrance.
Again, hope you'll enjoy :).
wn.com/Christoph Willibald Gluck Orphee Et Eurydice (1774 Tenor Version In French) No. 6. Elysium Dance Of The Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau Claire Delgado Boge Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French opera, particularly in its' extensive use of accompanied recitative and a general absence of vocal virtuosity. In fact, it is generally supposed that Gluck frankly took Rameau's "Castor et Pollux" as his model when he sat down to compose "Orfeo": indeed, the plot of the earlier work, in particular, the rescue of Pollux by Castor from the infernal regions, has much in common with that of "Orfeo", so it is possible that Gluck took many hints from Rameau's musical treatment of the various scenes which the two works have in common. Therefore, it seems quite fitting that twelve years after the 1762 premiere of the original work, in 1774, Gluck presented his work to the Parisian public, readapting it, in the process, to suit the tastes of the audience at the Academie Royale de Musique. This reworking was given the title "Orphee et Eurydice" which is the version of this ever well-known piece that I want to present in this series of uploads.
The recording presented here is Minkowski's 2004 live recording of the work with the following cast:
Richard Croft - Orphee,
Mireille Delunsch - Eurydice,
Marion Harousseau - L'Amour,
Claire Delgado-Boge - Une ombre heureuse.
Finally, here is a link to the complete libretto:
http://opera.stanford.edu/iu/libretti...
Hope you'll enjoy :).
No. 9. Dance of the Blessed Spirits. The gently pastoral Dance of the Blessed Spirits beautifully exemplifies Gluck's revolutionary principle that in opera, music and poetry should never overstate their message. Written for solo flute with string accompaniment, this piece is in simple ternary form (ABA), the first part an elegant, stately melody that conjures up images of pastoral tranquility. The contrasting minor part, however, like a sudden zephyr, introduces, with its muted passion, an element of anguish that is perhaps an echo of the earlier dialogue with the Furies. However, as the A section is reiterated, the idyllic landscape reappears, perhaps suggesting that Orpheus' quest will be successful.
No. 10. Aria - "Cet asile paisible" (first appeared in the 1774 version). This simple, graceful appraisal of the Elysium is yet another piece that did not appear in the original version of the work but without which I cannot imagine the work. In effect its' Eurydice's "cavatina", the first time we are supposed to see her on stage. In this recording, however (and that is my only major quibble with this rendition of the score), the aria is given, inexplicably, to one of the happy shades which does help to underline Orpheus' entrance into Elysium but this decision relieves the role of Eurydice of a proper entrance.
Again, hope you'll enjoy :).
- published: 11 Jan 2009
- views: 27773
Lily Martirosyan - Orfeo ed Euridice by Christoph Willibald Gluck
- Order: Reorder
- Duration: 3:51
- Updated: 31 Mar 2014
- views: 315
Lily Martirosyan performing Orfeo ed Euridice by Christoph Willibald Gluck
Hello! My name is Lily! I'm 16 and I'm going ahead with opera singing. I work hard t...
Lily Martirosyan performing Orfeo ed Euridice by Christoph Willibald Gluck
Hello! My name is Lily! I'm 16 and I'm going ahead with opera singing. I work hard to make my dream come true - I want to become an opera singer. I live in Varna, Bulgaria and study at the National School of Arts "Dobri Hristov".
I hope you like my performance! Subscribe for more! :)
wn.com/Lily Martirosyan Orfeo Ed Euridice By Christoph Willibald Gluck
Lily Martirosyan performing Orfeo ed Euridice by Christoph Willibald Gluck
Hello! My name is Lily! I'm 16 and I'm going ahead with opera singing. I work hard to make my dream come true - I want to become an opera singer. I live in Varna, Bulgaria and study at the National School of Arts "Dobri Hristov".
I hope you like my performance! Subscribe for more! :)
- published: 31 Mar 2014
- views: 315
Andante Cantabile by Christoph Willibald Gluck
- Order: Reorder
- Duration: 1:43
- Updated: 13 Apr 2011
- views: 2467
This is another one of my portfolio pieces. Enjoy!
This is another one of my portfolio pieces. Enjoy!
wn.com/Andante Cantabile By Christoph Willibald Gluck
Christoph Willibald Gluck(1714-1787) ITALIAN ARIAS-Cecilia Bartoli-mezzo-soprano
- Order: Reorder
- Duration: 11:28
- Updated: 19 Jun 2014
- views: 2413
- published: 19 Jun 2014
- views: 2413
-
Christoph Willibald Gluck - Balletto don Giovanni
Christoph Willibald Gluck (Erasbach, 2 luglio 1714 -- Vienna, 15 novembre 1787) è stato un compositore tedesco, attivo soprattutto come operista, uno dei maggiori se non il principale iniziatore del cosiddetto periodo storico musicale che va sotto il nome di Classicismo viennese, coprente tutto l'arco della seconda metà del XVIII secolo. Attraverso nuove e radicali opere come Orfeo ed Euridice (1762) ed Alceste (1767) riformò l'opera seria ,da tempo in declino, semplificandone la trama e cercando un sostanziale equilibrio tra musica e canto.Le sue riforme in ambito operistico ebbero grande fortuna influenzando notevolmente molti compositori tra i quali: Mozart, Antonio Salieri, Cherubini, Berlioz e Wagner. Video caricato da Alfredo Romano, nato a Collemeto di Galatina (Lecce). Vive a Civit... -
Christoph Willibald Gluck - Alessandro (Balletto, 1764)
Alessandro (Les Amours d'Alexandre et de Roxane) 4 octobre 1764, Vienne Musica Antiqua Köln, Reinhard Goebel (1995) 1) Ballo, Sinfonia - 00:00 2) Marche - 00:47 3) Andantino - 03:29 4) Allegretto - 07:18 5) Moderato - 08:14 6) Minuetto - 10:20 7) Antipoisino - 12:55 8) Ciaccona - 14:52 -
Christoph Willibald Gluck - Wq. 47 - Écho et Narcisse - Opera ion two acts
Christoph Willibald Gluck (1714 - 1787) Wq 47 - Echo & Narcisse - Opera in 2 acts / opera i 2 akter Ensemble: Concerto Köln Conductor/Dirigent: René Jacobs Vocals/vokalister: Sophie Boulin, Peter Galliard, Christina Hogman, Janusz Niziolek, Kurt Streit & Eva Maria Tersson(vocals Album: "Gluck: Echo & Narcisse" -
Ch. W. Gluck - Don Juan ou Le Festin de Pierre (Wq.52)
DON JUAN OU LE FESTIN DE PIERRE, Wq. 52 (Don Juan, or the Stone Guest's Banquet), ballet for orchestra, by Christoph Willibald Gluck. Libretto by Ranieri de' Calzabigi (1714-95) Choreography by Gasparo Angiolini. 1st per. 17 Oct 1761, on Saturday, Vienna, at the Theater am Kärntnertor. I. Sinfonia: Allegro II. Allegro graziozo III. Andante IV. Allegro maestoso V. Allegro furioso VI. Allegro forte risoluto VII. Risoluto moderato VIII. Gavotte IX. Brillante X. Allegretto XI. Moderato XII. Giusto XIII. Allegro XIV. Andante grazioso XV. Andante XVI. Presto XVII. Allegretto XVIII. Andante XIX. Allegro giusto XX. Moderato XXI. Andante XXII. Grazioso XXIII. Allegretto XXIV. Moderato XXV. Risoluto e Moderato XXVI. Allegro XXVII. Andante staccato XXVIII. Allegro XXIX. Allegretto XXX. Larghetto XX... -
Christoph Willibald Gluck - Wq 40 - Iphigénie en Aulide - Arr for piano
Christoph Willibald Gluck (1714 - 1787) Wq 40 - Iphigénie en Aulide Movements from the opera Iphigenie in Aulis Satser ur operan Ifigenia i Aulis Arr: Hans von Bülow (1830 - 1894) Pianist: Daniel Blumenthal Album: "Bülow: Piano Transcriptions" Movements / Satser: 00:00 I. Waffentanz 01:01 II. Sarabande 03:43 III. Menuetto 05:50 IV. Anglaise 07:10 V. Passepied 08:01 VI. Marsch (Entrance of Achilles) 10:40 VII. Passepied 13:44 VIII. Gavotte 17:04 IX. Tambourin 18:44 X. Menuetto 21:44 XI. Sklaventanz -
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 1 of 3
Christoph Willibald Gluck (1714 - 1787) Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 1/Akt 1 Libretto: Pietro Metastasio (1698 - 1782) Ensemble Armonia Atenea, Giuseppe Sigismondi de Risio, dir. Helène Le Corre & Burçu Uyar (Sopranos / Sopraner) Irini Karaianni & Mary-Ellen Nesi (Mezzo-sopranos/sopraner) Vassilis Kavayas (Tenor) Florin Cezar Ouatu (Counter Tenor) Album: "Gluck - Il trionfo di Clelia" Act 2 & 3 / Akt 2 & 3: https://www.youtube.com/watch?v=tnvE6DyPHFs -
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 2 & 3 of 3
Christoph Willibald Gluck (1714 - 1787) Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 2 & 3/Akt 2 & 3 Libretto: Pietro Metastasio (1698 - 1782) Ensemble Armonia Atenea, Giuseppe Sigismondi de Risio, dir. Helène Le Corre & Burçu Uyar (Sopranos / Sopraner) Irini Karaianni & Mary-Ellen Nesi (Mezzo-sopranos/sopraner) Vassilis Kavayas (Tenor) Florin Cezar Ouatu (Counter Tenor) Album: "Gluck - Il trionfo di Clelia" Act 1 / Akt 1. https://www.youtube.com/watch?v=gmLUMsLSs7I -
-
Le feste d‘Apollo: Atto d‘Orfeo (Parma 1769) --Christoph Willibald Gluck
Act of 'Orfeo' (This is a reworking of Orfeo ed Euridice) in "Le feste d'Apollo" by Christoph Willibald Gluck Orfeo: Valer Sabadus Euridice: Sophie Marin Degor Amore: Johanna Neß ChorWerk Ruhr Hofkapelle München Conductor: Rüdiger Lotter November 2014, Herne Artwork: Parnassus by Anton Raphael Mengs -
Christoph Willibald Gluck - Wq 44 - Alcaste "Orchestral suite"
Christoph Willibald Gluck (1714-1787) Wq 44: Alcaste (instrumental parts / delar) Performnce / Framförande: Royal Opera House Orchestra at Covent Garden Conductor / Dirigent: Robert Tear Album: "Gluck: Alceste,Wq. 44 (Sung in French)" Movements / Satser: 00:00 1 Overture / Ouvertyr 05:03 2 Act I: Pantomime: Moderato 08:42 3 Act I: Pantomime: Adagio 10:34 4 Act II: Ballet: Legerement 13:18 5 Act II: Ballet: Andante 14:47 6 Act II: Ballet: Allegro 16:02 7 Act II: Ballet: Lent 18:11 8 Act III: Divertissement: March in D Major /Marsch i D dur 19:57 9 Act III: Divertissement: Andante in A Major / A dur 22:08 10 Act III: Divertissement: Chaconne in D Major / D dur -
Christoph Willibald Gluck - Fruhlingsfeier
Christoph Willibald Gluck - Christoph Willibald Gluck - Fruhlingsfeier (performed by unknown) Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis... -
Gluck "Orpheus & Eurydike" Ferenc Fricsay 1956
"Orpheus & Eurydike" by Christoph Willibald Gluck Dietrich Fischer-Dieskau (Orpheus) Maria Stader (Eurydike) Rita Streich (Amor) RIAS-Kammerchor, Berliner Motettenchor RIAS Symphonie-Orchester Ferenc Fricsay, conductor Berlin 08.-12.IX.1956 -
Der bekehrte Trunkenbold - Christoph Willibald Gluck
Eine Freiluft-Opern-Aufführung der Franz Schmidt Musikschule Perchtoldsdorf im Jahre 1993 unter der künstlerischen Leitung von Mag. Elfriede Mohrenberger und Bernhard Maxara. Der Trunkenbold Zipperlein möchte seine Nichte Marie mit dem Weinbauern Lukas verheiraten. Marie ist aber in den Schauspieler Cleón verliebt und mit Hilfe seiner Schauspieltruppe erteilen sie Zipperlein und Lukas eine nachhaltige Lektion. -
-
Christoph Willibald Gluck - IL CADI' INGANNATO - Rai Napoli, 20.12.1971
personaggi e interpreti : Il Cadì : Federico Davià, Fatime: Cecilia Fusco, Zelmire: Anna Maccianti, Nureddin: Gino Sinimberghi, Omar: Giuseppe Valdengo Omega: Giuliana Ghilardi Orchestra Alessandro Scarlatti di Napoli della RAI Direttore Luciano Rosada -
Christoph Willibald Gluck - ARMIDE - Rai Torino, 21.12.1958
Armida: Anna De Cavalieri, Sidonia : Anna Moffo, La Furia :Jolanda Gardino, Rinaldo: Mirto Picchi, Idrarte: Pierre Mollet, Ubaldo: Renato Cesari, Fenicia/Lucinda: Ester Orell, Una Naiade: Irene Gasperoni, Primo Eco/una corifea: Nadia Mura Carpi, Secondo Eco: Edy Amedeo, Il cavaliere Danese: Tommaso Frascati, Artemidoro: Alfredo Nobile, Aronte: Giuliano Ferrein Orchestra e coro della Rai di Torino Direttore Mario Rossi Registrazione del 21.12.1958 -
Gluck - La clemenza di Tito - Act I
Christoph Willibald Gluck (1714-1787) La clemenza di Tito (The Clemency of Titus) Tito - Rainer Trost Vitellia - Laura Aikin Sesto - Raffaella Milanesi Servilia - Arantza Ezenarro Annio - Valer Sabadus Publio - Flavio Ferri-Benedetti l'arte del mondo Werner Ehrhardt performed on period instruments Triumph of Titus and Vespasian, c.1537, Giulio Romano - - - - - - - - - - Sinfonia: I. Allegro [0:00] II. Largo [1:57] III. Allegro molto [3:29] ATTO PRIMO [4:27] Aria: "Deh! Se piacer mi vuoi" (Vitellia) [8:43] Aria: "Io sento che in petto" (Annio) [15:37] Aria: "Opprimete i contumaci" (Sesto) [25:10] Marcia [33:26] Aria: "Di quel sublime soglio" (Tito) [40:26] Aria: "Ah! Perdona al primo affetto" (Annio) [46:49] Aria: "Amo te solo; te solo amai" (Servilia) [52:46] Aria: "Ah! Se fosse int...
Christoph Willibald Gluck - Balletto don Giovanni
- Order: Reorder
- Duration: 42:55
- Updated: 14 Apr 2013
- views: 2733
Christoph Willibald Gluck (Erasbach, 2 luglio 1714 -- Vienna, 15 novembre 1787) è stato un compositore tedesco, attivo soprattutto come operista, uno dei maggio...
Christoph Willibald Gluck (Erasbach, 2 luglio 1714 -- Vienna, 15 novembre 1787) è stato un compositore tedesco, attivo soprattutto come operista, uno dei maggiori se non il principale iniziatore del cosiddetto periodo storico musicale che va sotto il nome di Classicismo viennese, coprente tutto l'arco della seconda metà del XVIII secolo. Attraverso nuove e radicali opere come Orfeo ed Euridice (1762) ed Alceste (1767) riformò l'opera seria ,da tempo in declino, semplificandone la trama e cercando un sostanziale equilibrio tra musica e canto.Le sue riforme in ambito operistico ebbero grande fortuna influenzando notevolmente molti compositori tra i quali: Mozart, Antonio Salieri, Cherubini, Berlioz e Wagner.
Video caricato da Alfredo Romano, nato a Collemeto di Galatina (Lecce). Vive a Civita Castellana (Viterbo).
wn.com/Christoph Willibald Gluck Balletto Don Giovanni
Christoph Willibald Gluck (Erasbach, 2 luglio 1714 -- Vienna, 15 novembre 1787) è stato un compositore tedesco, attivo soprattutto come operista, uno dei maggiori se non il principale iniziatore del cosiddetto periodo storico musicale che va sotto il nome di Classicismo viennese, coprente tutto l'arco della seconda metà del XVIII secolo. Attraverso nuove e radicali opere come Orfeo ed Euridice (1762) ed Alceste (1767) riformò l'opera seria ,da tempo in declino, semplificandone la trama e cercando un sostanziale equilibrio tra musica e canto.Le sue riforme in ambito operistico ebbero grande fortuna influenzando notevolmente molti compositori tra i quali: Mozart, Antonio Salieri, Cherubini, Berlioz e Wagner.
Video caricato da Alfredo Romano, nato a Collemeto di Galatina (Lecce). Vive a Civita Castellana (Viterbo).
- published: 14 Apr 2013
- views: 2733
Christoph Willibald Gluck - Alessandro (Balletto, 1764)
- Order: Reorder
- Duration: 23:39
- Updated: 09 Mar 2014
- views: 2286
Alessandro (Les Amours d'Alexandre et de Roxane) 4 octobre 1764, Vienne
Musica Antiqua Köln, Reinhard Goebel (1995)
1) Ballo, Sinfonia - 00:00
2) Marche - 00:47...
Alessandro (Les Amours d'Alexandre et de Roxane) 4 octobre 1764, Vienne
Musica Antiqua Köln, Reinhard Goebel (1995)
1) Ballo, Sinfonia - 00:00
2) Marche - 00:47
3) Andantino - 03:29
4) Allegretto - 07:18
5) Moderato - 08:14
6) Minuetto - 10:20
7) Antipoisino - 12:55
8) Ciaccona - 14:52
wn.com/Christoph Willibald Gluck Alessandro (Balletto, 1764)
Alessandro (Les Amours d'Alexandre et de Roxane) 4 octobre 1764, Vienne
Musica Antiqua Köln, Reinhard Goebel (1995)
1) Ballo, Sinfonia - 00:00
2) Marche - 00:47
3) Andantino - 03:29
4) Allegretto - 07:18
5) Moderato - 08:14
6) Minuetto - 10:20
7) Antipoisino - 12:55
8) Ciaccona - 14:52
- published: 09 Mar 2014
- views: 2286
Christoph Willibald Gluck - Wq. 47 - Écho et Narcisse - Opera ion two acts
- Order: Reorder
- Duration: 92:46
- Updated: 25 Feb 2016
- views: 1
Christoph Willibald Gluck (1714 - 1787)
Wq 47 - Echo & Narcisse - Opera in 2 acts / opera i 2 akter
Ensemble: Concerto Köln Conductor/Dirigent: René Jacobs...
Christoph Willibald Gluck (1714 - 1787)
Wq 47 - Echo & Narcisse - Opera in 2 acts / opera i 2 akter
Ensemble: Concerto Köln Conductor/Dirigent: René Jacobs
Vocals/vokalister:
Sophie Boulin, Peter Galliard, Christina Hogman,
Janusz Niziolek, Kurt Streit & Eva Maria Tersson(vocals
Album: "Gluck: Echo & Narcisse"
wn.com/Christoph Willibald Gluck Wq. 47 Écho Et Narcisse Opera Ion Two Acts
Christoph Willibald Gluck (1714 - 1787)
Wq 47 - Echo & Narcisse - Opera in 2 acts / opera i 2 akter
Ensemble: Concerto Köln Conductor/Dirigent: René Jacobs
Vocals/vokalister:
Sophie Boulin, Peter Galliard, Christina Hogman,
Janusz Niziolek, Kurt Streit & Eva Maria Tersson(vocals
Album: "Gluck: Echo & Narcisse"
- published: 25 Feb 2016
- views: 1
Ch. W. Gluck - Don Juan ou Le Festin de Pierre (Wq.52)
- Order: Reorder
- Duration: 44:38
- Updated: 26 Sep 2015
- views: 1117
DON JUAN OU LE FESTIN DE PIERRE, Wq. 52 (Don Juan, or the Stone Guest's Banquet), ballet for orchestra, by Christoph Willibald Gluck.
Libretto by Ranieri de' C...
DON JUAN OU LE FESTIN DE PIERRE, Wq. 52 (Don Juan, or the Stone Guest's Banquet), ballet for orchestra, by Christoph Willibald Gluck.
Libretto by Ranieri de' Calzabigi (1714-95)
Choreography by Gasparo Angiolini.
1st per. 17 Oct 1761, on Saturday, Vienna, at the Theater am Kärntnertor.
I. Sinfonia: Allegro
II. Allegro graziozo
III. Andante
IV. Allegro maestoso
V. Allegro furioso
VI. Allegro forte risoluto
VII. Risoluto moderato
VIII. Gavotte
IX. Brillante
X. Allegretto
XI. Moderato
XII. Giusto
XIII. Allegro
XIV. Andante grazioso
XV. Andante
XVI. Presto
XVII. Allegretto
XVIII. Andante
XIX. Allegro giusto
XX. Moderato
XXI. Andante
XXII. Grazioso
XXIII. Allegretto
XXIV. Moderato
XXV. Risoluto e Moderato
XXVI. Allegro
XXVII. Andante staccato
XXVIII. Allegro
XXIX. Allegretto
XXX. Larghetto
XXXI. Allegro non troppo
Performed by The English Baroque Soloists
dir. John Eliot Gardiner
Picture: Pilgrimage to Cythera, so-called The Embarkation for Cythera (1717), by Antoine Watteau (1684-1721).
wn.com/Ch. W. Gluck Don Juan Ou Le Festin De Pierre (Wq.52)
DON JUAN OU LE FESTIN DE PIERRE, Wq. 52 (Don Juan, or the Stone Guest's Banquet), ballet for orchestra, by Christoph Willibald Gluck.
Libretto by Ranieri de' Calzabigi (1714-95)
Choreography by Gasparo Angiolini.
1st per. 17 Oct 1761, on Saturday, Vienna, at the Theater am Kärntnertor.
I. Sinfonia: Allegro
II. Allegro graziozo
III. Andante
IV. Allegro maestoso
V. Allegro furioso
VI. Allegro forte risoluto
VII. Risoluto moderato
VIII. Gavotte
IX. Brillante
X. Allegretto
XI. Moderato
XII. Giusto
XIII. Allegro
XIV. Andante grazioso
XV. Andante
XVI. Presto
XVII. Allegretto
XVIII. Andante
XIX. Allegro giusto
XX. Moderato
XXI. Andante
XXII. Grazioso
XXIII. Allegretto
XXIV. Moderato
XXV. Risoluto e Moderato
XXVI. Allegro
XXVII. Andante staccato
XXVIII. Allegro
XXIX. Allegretto
XXX. Larghetto
XXXI. Allegro non troppo
Performed by The English Baroque Soloists
dir. John Eliot Gardiner
Picture: Pilgrimage to Cythera, so-called The Embarkation for Cythera (1717), by Antoine Watteau (1684-1721).
- published: 26 Sep 2015
- views: 1117
Christoph Willibald Gluck - Wq 40 - Iphigénie en Aulide - Arr for piano
- Order: Reorder
- Duration: 24:17
- Updated: 25 Sep 2015
- views: 151
Christoph Willibald Gluck (1714 - 1787)
Wq 40 - Iphigénie en Aulide
Movements from the opera Iphigenie in Aulis
Satser ur operan Ifigenia i Aulis
Arr: Hans v...
Christoph Willibald Gluck (1714 - 1787)
Wq 40 - Iphigénie en Aulide
Movements from the opera Iphigenie in Aulis
Satser ur operan Ifigenia i Aulis
Arr: Hans von Bülow (1830 - 1894)
Pianist: Daniel Blumenthal
Album: "Bülow: Piano Transcriptions"
Movements / Satser:
00:00 I. Waffentanz
01:01 II. Sarabande
03:43 III. Menuetto
05:50 IV. Anglaise
07:10 V. Passepied
08:01 VI. Marsch (Entrance of Achilles)
10:40 VII. Passepied
13:44 VIII. Gavotte
17:04 IX. Tambourin
18:44 X. Menuetto
21:44 XI. Sklaventanz
wn.com/Christoph Willibald Gluck Wq 40 Iphigénie En Aulide Arr For Piano
Christoph Willibald Gluck (1714 - 1787)
Wq 40 - Iphigénie en Aulide
Movements from the opera Iphigenie in Aulis
Satser ur operan Ifigenia i Aulis
Arr: Hans von Bülow (1830 - 1894)
Pianist: Daniel Blumenthal
Album: "Bülow: Piano Transcriptions"
Movements / Satser:
00:00 I. Waffentanz
01:01 II. Sarabande
03:43 III. Menuetto
05:50 IV. Anglaise
07:10 V. Passepied
08:01 VI. Marsch (Entrance of Achilles)
10:40 VII. Passepied
13:44 VIII. Gavotte
17:04 IX. Tambourin
18:44 X. Menuetto
21:44 XI. Sklaventanz
- published: 25 Sep 2015
- views: 151
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 1 of 3
- Order: Reorder
- Duration: 85:29
- Updated: 28 Jan 2016
- views: 33
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 1/Akt 1
Libretto: Pietro Metastasio (1698 - 1782)
Ensemble Arm...
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 1/Akt 1
Libretto: Pietro Metastasio (1698 - 1782)
Ensemble Armonia Atenea, Giuseppe Sigismondi de Risio, dir.
Helène Le Corre & Burçu Uyar (Sopranos / Sopraner)
Irini Karaianni & Mary-Ellen Nesi (Mezzo-sopranos/sopraner)
Vassilis Kavayas (Tenor) Florin Cezar Ouatu (Counter Tenor)
Album: "Gluck - Il trionfo di Clelia"
Act 2 & 3 / Akt 2 & 3: https://www.youtube.com/watch?v=tnvE6DyPHFs
wn.com/Christoph Willibald Gluck Wq.31 Il Trionfo Di Clelia Act 1 Of 3
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 1/Akt 1
Libretto: Pietro Metastasio (1698 - 1782)
Ensemble Armonia Atenea, Giuseppe Sigismondi de Risio, dir.
Helène Le Corre & Burçu Uyar (Sopranos / Sopraner)
Irini Karaianni & Mary-Ellen Nesi (Mezzo-sopranos/sopraner)
Vassilis Kavayas (Tenor) Florin Cezar Ouatu (Counter Tenor)
Album: "Gluck - Il trionfo di Clelia"
Act 2 & 3 / Akt 2 & 3: https://www.youtube.com/watch?v=tnvE6DyPHFs
- published: 28 Jan 2016
- views: 33
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 2 & 3 of 3
- Order: Reorder
- Duration: 109:57
- Updated: 29 Jan 2016
- views: 36
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 2 & 3/Akt 2 & 3
Libretto: Pietro Metastasio (1698 - 1782)
Ense...
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 2 & 3/Akt 2 & 3
Libretto: Pietro Metastasio (1698 - 1782)
Ensemble Armonia Atenea, Giuseppe Sigismondi de Risio, dir.
Helène Le Corre & Burçu Uyar (Sopranos / Sopraner)
Irini Karaianni & Mary-Ellen Nesi (Mezzo-sopranos/sopraner)
Vassilis Kavayas (Tenor) Florin Cezar Ouatu (Counter Tenor)
Album: "Gluck - Il trionfo di Clelia"
Act 1 / Akt 1. https://www.youtube.com/watch?v=gmLUMsLSs7I
wn.com/Christoph Willibald Gluck Wq.31 Il Trionfo Di Clelia Act 2 3 Of 3
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloeli) Act 2 & 3/Akt 2 & 3
Libretto: Pietro Metastasio (1698 - 1782)
Ensemble Armonia Atenea, Giuseppe Sigismondi de Risio, dir.
Helène Le Corre & Burçu Uyar (Sopranos / Sopraner)
Irini Karaianni & Mary-Ellen Nesi (Mezzo-sopranos/sopraner)
Vassilis Kavayas (Tenor) Florin Cezar Ouatu (Counter Tenor)
Album: "Gluck - Il trionfo di Clelia"
Act 1 / Akt 1. https://www.youtube.com/watch?v=gmLUMsLSs7I
- published: 29 Jan 2016
- views: 36
ORFEO ED EURIDICE di CHRISTOPH WILLIBALD GLUCK, Jesi (AN) Teatro Moriconi, 15 novembre 2014
- Order: Reorder
- Duration: 84:36
- Updated: 09 Feb 2016
- views: 65
Opera in tre atti di CHRISTOPHER WILLIBALD GLUCK
Libretto di Ranieri De' Calzabigi
Trascrizione per pianoforte di Andrea Zepponi
Teatro Valeria Moriconi - Jesi ...
Opera in tre atti di CHRISTOPHER WILLIBALD GLUCK
Libretto di Ranieri De' Calzabigi
Trascrizione per pianoforte di Andrea Zepponi
Teatro Valeria Moriconi - Jesi (AN) 15 novembre 2014
wn.com/Orfeo Ed Euridice Di Christoph Willibald Gluck, Jesi (An) Teatro Moriconi, 15 Novembre 2014
Le feste d‘Apollo: Atto d‘Orfeo (Parma 1769) --Christoph Willibald Gluck
- Order: Reorder
- Duration: 81:03
- Updated: 17 Nov 2014
- views: 982
Act of 'Orfeo' (This is a reworking of Orfeo ed Euridice) in "Le feste d'Apollo" by Christoph Willibald Gluck
Orfeo: Valer Sabadus
Euridice: Sophie Marin Deg...
Act of 'Orfeo' (This is a reworking of Orfeo ed Euridice) in "Le feste d'Apollo" by Christoph Willibald Gluck
Orfeo: Valer Sabadus
Euridice: Sophie Marin Degor
Amore: Johanna Neß
ChorWerk Ruhr
Hofkapelle München
Conductor: Rüdiger Lotter
November 2014, Herne
Artwork: Parnassus by Anton Raphael Mengs
wn.com/Le Feste D‘Apollo Atto D‘Orfeo (Parma 1769) Christoph Willibald Gluck
Act of 'Orfeo' (This is a reworking of Orfeo ed Euridice) in "Le feste d'Apollo" by Christoph Willibald Gluck
Orfeo: Valer Sabadus
Euridice: Sophie Marin Degor
Amore: Johanna Neß
ChorWerk Ruhr
Hofkapelle München
Conductor: Rüdiger Lotter
November 2014, Herne
Artwork: Parnassus by Anton Raphael Mengs
- published: 17 Nov 2014
- views: 982
Christoph Willibald Gluck - Wq 44 - Alcaste "Orchestral suite"
- Order: Reorder
- Duration: 25:40
- Updated: 07 Apr 2015
- views: 208
Christoph Willibald Gluck (1714-1787)
Wq 44: Alcaste (instrumental parts / delar)
Performnce / Framförande:
Royal Opera House Orchestra at Covent Garden
Condu...
Christoph Willibald Gluck (1714-1787)
Wq 44: Alcaste (instrumental parts / delar)
Performnce / Framförande:
Royal Opera House Orchestra at Covent Garden
Conductor / Dirigent: Robert Tear
Album: "Gluck: Alceste,Wq. 44 (Sung in French)"
Movements / Satser:
00:00 1 Overture / Ouvertyr
05:03 2 Act I: Pantomime: Moderato
08:42 3 Act I: Pantomime: Adagio
10:34 4 Act II: Ballet: Legerement
13:18 5 Act II: Ballet: Andante
14:47 6 Act II: Ballet: Allegro
16:02 7 Act II: Ballet: Lent
18:11 8 Act III: Divertissement: March in D Major /Marsch i D dur
19:57 9 Act III: Divertissement: Andante in A Major / A dur
22:08 10 Act III: Divertissement: Chaconne in D Major / D dur
wn.com/Christoph Willibald Gluck Wq 44 Alcaste Orchestral Suite
Christoph Willibald Gluck (1714-1787)
Wq 44: Alcaste (instrumental parts / delar)
Performnce / Framförande:
Royal Opera House Orchestra at Covent Garden
Conductor / Dirigent: Robert Tear
Album: "Gluck: Alceste,Wq. 44 (Sung in French)"
Movements / Satser:
00:00 1 Overture / Ouvertyr
05:03 2 Act I: Pantomime: Moderato
08:42 3 Act I: Pantomime: Adagio
10:34 4 Act II: Ballet: Legerement
13:18 5 Act II: Ballet: Andante
14:47 6 Act II: Ballet: Allegro
16:02 7 Act II: Ballet: Lent
18:11 8 Act III: Divertissement: March in D Major /Marsch i D dur
19:57 9 Act III: Divertissement: Andante in A Major / A dur
22:08 10 Act III: Divertissement: Chaconne in D Major / D dur
- published: 07 Apr 2015
- views: 208
Christoph Willibald Gluck - Fruhlingsfeier
- Order: Reorder
- Duration: 20:09
- Updated: 15 Nov 2013
- views: 770
Christoph Willibald Gluck - Christoph Willibald Gluck - Fruhlingsfeier (performed by unknown)
Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November ...
Christoph Willibald Gluck - Christoph Willibald Gluck - Fruhlingsfeier (performed by unknown)
Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though he was extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse he left Paris in disgust and returned to Vienna to live out the remainder of his life.
wn.com/Christoph Willibald Gluck Fruhlingsfeier
Christoph Willibald Gluck - Christoph Willibald Gluck - Fruhlingsfeier (performed by unknown)
Christoph Willibald Ritter von Gluck (2 July 1714 -- 15 November 1787) was an opera composer of the early classical period. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though he was extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse he left Paris in disgust and returned to Vienna to live out the remainder of his life.
- published: 15 Nov 2013
- views: 770
Gluck "Orpheus & Eurydike" Ferenc Fricsay 1956
- Order: Reorder
- Duration: 94:21
- Updated: 01 Jun 2014
- views: 16316
"Orpheus & Eurydike" by Christoph Willibald Gluck
Dietrich Fischer-Dieskau (Orpheus)
Maria Stader (Eurydike)
Rita Streich (Amor)
RIAS-Kammerchor, Berliner Motet...
"Orpheus & Eurydike" by Christoph Willibald Gluck
Dietrich Fischer-Dieskau (Orpheus)
Maria Stader (Eurydike)
Rita Streich (Amor)
RIAS-Kammerchor, Berliner Motettenchor
RIAS Symphonie-Orchester
Ferenc Fricsay, conductor
Berlin 08.-12.IX.1956
wn.com/Gluck Orpheus Eurydike Ferenc Fricsay 1956
"Orpheus & Eurydike" by Christoph Willibald Gluck
Dietrich Fischer-Dieskau (Orpheus)
Maria Stader (Eurydike)
Rita Streich (Amor)
RIAS-Kammerchor, Berliner Motettenchor
RIAS Symphonie-Orchester
Ferenc Fricsay, conductor
Berlin 08.-12.IX.1956
- published: 01 Jun 2014
- views: 16316
Der bekehrte Trunkenbold - Christoph Willibald Gluck
- Order: Reorder
- Duration: 60:54
- Updated: 20 May 2015
- views: 351
Eine Freiluft-Opern-Aufführung der Franz Schmidt Musikschule Perchtoldsdorf im Jahre 1993 unter der künstlerischen Leitung von Mag. Elfriede Mohrenberger und Be...
Eine Freiluft-Opern-Aufführung der Franz Schmidt Musikschule Perchtoldsdorf im Jahre 1993 unter der künstlerischen Leitung von Mag. Elfriede Mohrenberger und Bernhard Maxara.
Der Trunkenbold Zipperlein möchte seine Nichte Marie mit dem Weinbauern Lukas verheiraten. Marie ist aber in den Schauspieler Cleón verliebt und mit Hilfe seiner Schauspieltruppe erteilen sie Zipperlein und Lukas eine nachhaltige Lektion.
wn.com/Der Bekehrte Trunkenbold Christoph Willibald Gluck
Eine Freiluft-Opern-Aufführung der Franz Schmidt Musikschule Perchtoldsdorf im Jahre 1993 unter der künstlerischen Leitung von Mag. Elfriede Mohrenberger und Bernhard Maxara.
Der Trunkenbold Zipperlein möchte seine Nichte Marie mit dem Weinbauern Lukas verheiraten. Marie ist aber in den Schauspieler Cleón verliebt und mit Hilfe seiner Schauspieltruppe erteilen sie Zipperlein und Lukas eine nachhaltige Lektion.
- published: 20 May 2015
- views: 351
Christoph Willibald Gluck - LE CINESI - Rai Roma, 24.03.1963
- Order: Reorder
- Duration: 46:36
- Updated: 18 Feb 2016
- views: 8
Personaggi e interpreti :
Lisinga: Genia Las , Silango: Renato Ercolani , Sivene: Renata Mattioli , Tangia: Rosina Cavicchioli ,
Coro e Orchestra Sinfonica di...
Personaggi e interpreti :
Lisinga: Genia Las , Silango: Renato Ercolani , Sivene: Renata Mattioli , Tangia: Rosina Cavicchioli ,
Coro e Orchestra Sinfonica di Roma della RAI
Direttore Luciano Bettarini
Rai Roma, 24 marzo 1963
wn.com/Christoph Willibald Gluck Le Cinesi Rai Roma, 24.03.1963
Christoph Willibald Gluck - IL CADI' INGANNATO - Rai Napoli, 20.12.1971
- Order: Reorder
- Duration: 41:37
- Updated: 23 Jun 2015
- views: 311
personaggi e interpreti :
Il Cadì : Federico Davià, Fatime: Cecilia Fusco, Zelmire: Anna Maccianti, Nureddin: Gino Sinimberghi, Omar: Giuseppe Valdengo
Omega: ...
personaggi e interpreti :
Il Cadì : Federico Davià, Fatime: Cecilia Fusco, Zelmire: Anna Maccianti, Nureddin: Gino Sinimberghi, Omar: Giuseppe Valdengo
Omega: Giuliana Ghilardi
Orchestra Alessandro Scarlatti di Napoli della RAI
Direttore Luciano Rosada
wn.com/Christoph Willibald Gluck Il Cadi' Ingannato Rai Napoli, 20.12.1971
personaggi e interpreti :
Il Cadì : Federico Davià, Fatime: Cecilia Fusco, Zelmire: Anna Maccianti, Nureddin: Gino Sinimberghi, Omar: Giuseppe Valdengo
Omega: Giuliana Ghilardi
Orchestra Alessandro Scarlatti di Napoli della RAI
Direttore Luciano Rosada
- published: 23 Jun 2015
- views: 311
Christoph Willibald Gluck - ARMIDE - Rai Torino, 21.12.1958
- Order: Reorder
- Duration: 124:24
- Updated: 18 Apr 2016
- views: 73
Armida: Anna De Cavalieri, Sidonia : Anna Moffo, La Furia :Jolanda Gardino, Rinaldo: Mirto Picchi, Idrarte: Pierre Mollet, Ubaldo:
Renato Cesari, Fenicia/Lucind...
Armida: Anna De Cavalieri, Sidonia : Anna Moffo, La Furia :Jolanda Gardino, Rinaldo: Mirto Picchi, Idrarte: Pierre Mollet, Ubaldo:
Renato Cesari, Fenicia/Lucinda: Ester Orell, Una Naiade: Irene Gasperoni, Primo Eco/una corifea: Nadia Mura Carpi, Secondo Eco:
Edy Amedeo, Il cavaliere Danese: Tommaso Frascati, Artemidoro:
Alfredo Nobile, Aronte: Giuliano Ferrein
Orchestra e coro della Rai di Torino
Direttore Mario Rossi
Registrazione del 21.12.1958
wn.com/Christoph Willibald Gluck Armide Rai Torino, 21.12.1958
Armida: Anna De Cavalieri, Sidonia : Anna Moffo, La Furia :Jolanda Gardino, Rinaldo: Mirto Picchi, Idrarte: Pierre Mollet, Ubaldo:
Renato Cesari, Fenicia/Lucinda: Ester Orell, Una Naiade: Irene Gasperoni, Primo Eco/una corifea: Nadia Mura Carpi, Secondo Eco:
Edy Amedeo, Il cavaliere Danese: Tommaso Frascati, Artemidoro:
Alfredo Nobile, Aronte: Giuliano Ferrein
Orchestra e coro della Rai di Torino
Direttore Mario Rossi
Registrazione del 21.12.1958
- published: 18 Apr 2016
- views: 73
Gluck - La clemenza di Tito - Act I
- Order: Reorder
- Duration: 93:33
- Updated: 04 Aug 2015
- views: 398
Christoph Willibald Gluck (1714-1787)
La clemenza di Tito
(The Clemency of Titus)
Tito - Rainer Trost
Vitellia - Laura Aikin
Sesto - Raffaella Milanesi
Servili...
Christoph Willibald Gluck (1714-1787)
La clemenza di Tito
(The Clemency of Titus)
Tito - Rainer Trost
Vitellia - Laura Aikin
Sesto - Raffaella Milanesi
Servilia - Arantza Ezenarro
Annio - Valer Sabadus
Publio - Flavio Ferri-Benedetti
l'arte del mondo
Werner Ehrhardt
performed on period instruments
Triumph of Titus and Vespasian, c.1537, Giulio Romano
- - - - - - - - - -
Sinfonia:
I. Allegro [0:00]
II. Largo [1:57]
III. Allegro molto [3:29]
ATTO PRIMO [4:27]
Aria: "Deh! Se piacer mi vuoi" (Vitellia) [8:43]
Aria: "Io sento che in petto" (Annio) [15:37]
Aria: "Opprimete i contumaci" (Sesto) [25:10]
Marcia [33:26]
Aria: "Di quel sublime soglio" (Tito) [40:26]
Aria: "Ah! Perdona al primo affetto" (Annio) [46:49]
Aria: "Amo te solo; te solo amai" (Servilia) [52:46]
Aria: "Ah! Se fosse intorno al trono" (Tito) [1:03:41]
Aria: "Parto, ma tu, ben mio" (Sesto) [1:15:44]
Aria: "Quando sarà quel dì" (Vitellia) [1:21:52]
ATTO SECONDO
https://www.youtube.com/watch?v=l3JKV-6nqu4
ATTO TERZO
https://www.youtube.com/watch?v=U2SE_j23T3k
wn.com/Gluck La Clemenza Di Tito Act I
Christoph Willibald Gluck (1714-1787)
La clemenza di Tito
(The Clemency of Titus)
Tito - Rainer Trost
Vitellia - Laura Aikin
Sesto - Raffaella Milanesi
Servilia - Arantza Ezenarro
Annio - Valer Sabadus
Publio - Flavio Ferri-Benedetti
l'arte del mondo
Werner Ehrhardt
performed on period instruments
Triumph of Titus and Vespasian, c.1537, Giulio Romano
- - - - - - - - - -
Sinfonia:
I. Allegro [0:00]
II. Largo [1:57]
III. Allegro molto [3:29]
ATTO PRIMO [4:27]
Aria: "Deh! Se piacer mi vuoi" (Vitellia) [8:43]
Aria: "Io sento che in petto" (Annio) [15:37]
Aria: "Opprimete i contumaci" (Sesto) [25:10]
Marcia [33:26]
Aria: "Di quel sublime soglio" (Tito) [40:26]
Aria: "Ah! Perdona al primo affetto" (Annio) [46:49]
Aria: "Amo te solo; te solo amai" (Servilia) [52:46]
Aria: "Ah! Se fosse intorno al trono" (Tito) [1:03:41]
Aria: "Parto, ma tu, ben mio" (Sesto) [1:15:44]
Aria: "Quando sarà quel dì" (Vitellia) [1:21:52]
ATTO SECONDO
https://www.youtube.com/watch?v=l3JKV-6nqu4
ATTO TERZO
https://www.youtube.com/watch?v=U2SE_j23T3k
- published: 04 Aug 2015
- views: 398
-
"Alceste" by Christoph Willibald Gluck - Interview with Olivier Py
ALCESTE Christoph Willibald Gluck Interview with the stage director Performed at the Palais Garnier from 12 September to 7 October 2013 Entretien avec le metteur en scène d'Alceste. A l'affiche du Palais Garnier du 12 septembre au 7 octobre 2013. -
Gluck the Reformer - (fr-de-es-subs)
Conductor's William Christie & John Eliot Gardiner feature in this documentary on the operas of Christoph Willibald Gluck and the timely reforms to opera that they comprised. [deutsche untertitel, sous-titres français, subtitles en espanol] I find most extras on DVDs to be pointless and/or self-indulgent, this however I found reasonably interesting. The forms of French and Italian opera contemporary with C. W. Gluck are discussed and his Operas "Echo et Narcisse", "Iphigénie en Tauride", "Orfeo ed Euridice", "Orphée et Euridice" and "Alceste" all feature. Features: William Christie Interview Rodney Gilfry interview Juliette Galstian interview John Eliot Gardiner interview Claus Guth interview Drama used in the Documentary: The documentary includes some scenes from Inger Åby`s 1987 bio... -
Christoph Willibald Gluck.
Luc Mabaf:f interviews the reincarnated Christoph Willibald Gluck. -
Interview with Marc Minkowski : "Alceste" by Gluck
ALCESTE - Christoph W. Gluck Tragedie lyrique in three acts Simplicity, truth and naturalness: these, according to Gluck, are the eternal attributes of beauty. Marc Minkowski and Olivier Py lead Sophie Koch and Roberto Alagna along pathways both infernal and celestial in this tragic opera. From 12 September to 07 October 2013 at the Palais Garnier The Opéra de Paris' Youtube channel : http://www.youtube.com/operadeparis Subscribe to the channel : http://www.youtube.com/subscription_center?add_user=operanationaldeparis The Opéra de Paris' website : http://www.operadeparis.fr Facebook page : https://www.facebook.com/operadeparis Twitter : https://twitter.com/operadeparis ALCESTE - Christoph W. Gluck Tragédie Lyrique en trois actes Simplicité, vérité et naturel : tels sont selon G... -
ORFEO ED EURIDICE | Oper von Christoph Willibald Gluck | Staatsoper Berlin
MUSIKALISCHE LEITUNG Daniel Barenboim INSZENIERUNG Jürgen Flimm BÜHNENBILD in Kooperation mit Gehry Partners, LLP KOSTÜME Florence von Gerkan CHOREOGRAPHIE Gail Skrela LICHT Olaf Freese CHOR Martin Wright DRAMATURGIE Roman Reeger ORFEO Bejun Mehta EURIDICE Anna Prohaska AMOR Nadine Sierra JUPITER Wolfgang Stiebritz TÄNZERINNEN Martina Borroni | Vanessa Cokaric | Livia Delgado | Susanne Eder |Angeliki Gouvi Sarah Grether | Victoria McConnell TÄNZER Roberto Pareira Barbosa | Aladino Rivera Blanca | Daniel Drabek | Chris Jäger | Oren Lazovski | Ronni Maciel STAATSKAPELLE BERLIN STAATSOPERNCHOR FESTTAGE-PREMIERE am 18. März 2016 Staatsoper im Schiller Theater -
Christoph Willibald Gluck - Alceste Act II Scene 3
An excerpt from Act II, Scene 3 of Gluck's opera "Alceste" (1767, rev. 1776). Alceste - Anne Sofie von Otter Admète - Paul Groves English Baroque Soloists and Monteverdi Choir - conducted by John Eliot Gardiner Stage Director - Robert Wilson King Admète has learned from an oracle that he will die unless another mortal takes his place. Here, Admète finds out that his substitute will be his devoted wife Alceste. He pleads with her to change her mind. This excerpt corresponds to pages 66-76 of the "History of Music in Western Culture" anthology by Mark Evan Bonds. -
TELEMACO by Christoph Willibald Gluck (Overture)
Musikalische Leitung: René Jacobs / Akademie für Alte Musik Berlin Inszenierung: Torsten Fischer Mit Bejun Mehta (Telemaco), Alexandrina Pendatchanska (Circe), Rainer Trost (Ulisse), Anett Fritsch (Merione), Valentina Farcas (Asteria), Anna Franziska Srna (Penelope) u.a. Arnold Schoenberg Chor Premiere: 19. Februar 2012 Eine Neuproduktion des Theater an der Wien -
Christoph Willibald Gluck: Alceste (Trailer) | Wiener Staatsoper
http://www.wiener-staatsoper.at http://www.staatsoperlive.com BESETZUNG: Les Talens Lyriques | Orchester Gustav Mahler Chor | Chor Christophe Rousset | Dirigent Christof Loy | Regie Dirk Becker | Bühnenbild Ursula Renzenbrink | Kostüme Olaf Winter | Licht Thomas Wilhelm | Choreographie Simone von Büren | Dramaturgie Joseph Kaiser | Admète, König von Thessalien Véronique Gens | Alceste, Gattin des Admète -
Joyce DiDonato hosting Orfeo ed Euridice - MET 2009
Joyce DiDonato as host for the MET Orfeo ed Euridice interviews the famous American conductor James Levine, then Mark Morris, choregrapher and director for this specific production. Christoph Willibald Gluck ORFEO ED EURIDICE Orfeo - Stephanie Blythe Euridice - Danielle de Niese Amore - Heidi Grant Murphy Joshua Greene: Harpsichord Conductor: James Levine Production: Mark Morris Set Designer: Allen Moyer Costume Designer: Isaac Mizrahi Lighting Designer: James F. Ingalls Choreographer: Mark Morris TV Director: Barbara Willis Sweete Metropolitan Opera House, New York January 24, 2009 Simulcast -
-
Trailer December Operamaand NTR Podium
Registraties van bijzondere opera's die het afgelopen seizoen in première gingen bij De Nederlandse Opera. Het zijn opera's van Christoph Willibald Gluck, Richard Wagner en Rimski-Korsakov. De uitzendingen beginnen met een uitgebreide inleiding op de opera met beelden van de repetities en interviews met makers en cast. Zondag 9 december 2012, 13.00 uur, Ned 2 Christoph Willibald Gluck -- Iphigénie en Aulide Zondag 16 december 2012, 13.00 uur, Ned 2 Christoph Willibald Gluck -- Iphigénie en Tauride Zondag 23 december 2012, 13.00 uur, op Ned 2 Richard Wagner -- Parsifal, Akte I Dinsdag 25 december, Eerste Kerstdag, 13.30 uur, op Ned 2 Donna Giovanna van Opera Spanga i.s.m. NTR Woensdag 26 december 2012, Tweede Kerstdag, 13.15 uur, op Ned 2 Richard Wagner -- Parsifal, Akte II en II... -
Orfeo, Eurydice & The Serpent - Jessica Grigg, mezzo-soprano
EPK Interview with mezzo-soprano Jessica Grigg performing Che faro senza Euridice (excerpt) by Christoph Willibald Gluck ORFEO, EURYDICE & THE SERPENT Friday, April 9 at 7:00 pm Sunday, April 11 at 6:00 pm Five Words in a Line presents "Orfeo, Eurydice & The Serpent" - a new satirical chamber opera made up entirely of fragments from multiple versions of the Orpheus myth at Theatre 80 St Marks on Friday, April 9 and Sunday, April 11. Bits of recitative, arias, duets and trios from known scores by Claudio Monteverdi, Christoph Willibald Gluck and Jacques Offenbach are interspersed with rarely performed music by Baroque composers Luigi Rossi, Antonio Sartorio and Georg Telemann, classicist Joseph Haydn and the 20th Century composer Darius Milhaud with additional instrumental music ... -
LVYO Symphony May 2013, Alceste, Overture - Christoph Willibald von Gluck
Las Vegas Youth Orchestra Spring Concert, Wednesday, May 1, 2013 at The Smith Center The Symphony, Conducted by Jeffrey Lance -
精霊の踊り オルフェオとエウリディーチェ Orfeo ed Euridice Christoph Willibald Gluck
セゴビアの編曲した「精霊の踊り」を弾いてみました。performed Orfeo ed Euridice. -
Gluck's Minuet and Air (Dance of the Blessed Spirits) - Paula Robison, flute
Minuet and Air (Dance of the Blessed Spirits) by Christoph Willibald Gluck Paula Robison, flute Farewell performance after 30 years of performing at the Temple of Dendur, Metropolitan Museum, NYC, 2008 For more information please visit: www.paularobison.com -
-
"Alceste" by Christoph Willibald Gluck - Interview with Olivier Py
- Order: Reorder
- Duration: 3:59
- Updated: 09 Sep 2013
- views: 1099
ALCESTE
Christoph Willibald Gluck
Interview with the stage director
Performed at the Palais Garnier from 12 September to 7 October 2013
Entretien avec le me...
ALCESTE
Christoph Willibald Gluck
Interview with the stage director
Performed at the Palais Garnier from 12 September to 7 October 2013
Entretien avec le metteur en scène d'Alceste.
A l'affiche du Palais Garnier du 12 septembre au 7 octobre 2013.
wn.com/Alceste By Christoph Willibald Gluck Interview With Olivier Py
ALCESTE
Christoph Willibald Gluck
Interview with the stage director
Performed at the Palais Garnier from 12 September to 7 October 2013
Entretien avec le metteur en scène d'Alceste.
A l'affiche du Palais Garnier du 12 septembre au 7 octobre 2013.
- published: 09 Sep 2013
- views: 1099
Gluck the Reformer - (fr-de-es-subs)
- Order: Reorder
- Duration: 58:20
- Updated: 25 Feb 2014
- views: 2361
Conductor's William Christie & John Eliot Gardiner feature in this documentary on the operas of Christoph Willibald Gluck and the timely reforms to opera that t...
Conductor's William Christie & John Eliot Gardiner feature in this documentary on the operas of Christoph Willibald Gluck and the timely reforms to opera that they comprised.
[deutsche untertitel, sous-titres français, subtitles en espanol]
I find most extras on DVDs to be pointless and/or self-indulgent, this however I found reasonably interesting.
The forms of French and Italian opera contemporary with C. W. Gluck are discussed and his Operas "Echo et Narcisse", "Iphigénie en Tauride", "Orfeo ed Euridice", "Orphée et Euridice" and "Alceste" all feature.
Features:
William Christie Interview
Rodney Gilfry interview
Juliette Galstian interview
John Eliot Gardiner interview
Claus Guth interview
Drama used in the Documentary:
The documentary includes some scenes from Inger Åby`s 1987 biopic of Gluck "Winds of Change, Winds of Love" featurring Emrys James as Gluck and Andrew Seear as Antonio Salieri.
*SPOILER WARNING*
This documentary accompanied the William Christie/Claus Guth 2001 Zurich production of 'Iphigénie en Tauride'. It discusses and draws heavily upon this production.
Gluck The Reformer directed by Reiner E. Moritz.
~~~terms~~~~
History of Opera, Christoph Willibald Gluck, Jean-Philippe Rameau, Handel Rinaldo Valkyrie, directed by Claus Guth director Reiner Moritz (aka Reiner E. Moritz), Christie/Guth, English Language Documentary. French Subtitles, German subtitles, Spanish Subtitles ES DE FR Subs
wn.com/Gluck The Reformer (Fr De Es Subs)
Conductor's William Christie & John Eliot Gardiner feature in this documentary on the operas of Christoph Willibald Gluck and the timely reforms to opera that they comprised.
[deutsche untertitel, sous-titres français, subtitles en espanol]
I find most extras on DVDs to be pointless and/or self-indulgent, this however I found reasonably interesting.
The forms of French and Italian opera contemporary with C. W. Gluck are discussed and his Operas "Echo et Narcisse", "Iphigénie en Tauride", "Orfeo ed Euridice", "Orphée et Euridice" and "Alceste" all feature.
Features:
William Christie Interview
Rodney Gilfry interview
Juliette Galstian interview
John Eliot Gardiner interview
Claus Guth interview
Drama used in the Documentary:
The documentary includes some scenes from Inger Åby`s 1987 biopic of Gluck "Winds of Change, Winds of Love" featurring Emrys James as Gluck and Andrew Seear as Antonio Salieri.
*SPOILER WARNING*
This documentary accompanied the William Christie/Claus Guth 2001 Zurich production of 'Iphigénie en Tauride'. It discusses and draws heavily upon this production.
Gluck The Reformer directed by Reiner E. Moritz.
~~~terms~~~~
History of Opera, Christoph Willibald Gluck, Jean-Philippe Rameau, Handel Rinaldo Valkyrie, directed by Claus Guth director Reiner Moritz (aka Reiner E. Moritz), Christie/Guth, English Language Documentary. French Subtitles, German subtitles, Spanish Subtitles ES DE FR Subs
- published: 25 Feb 2014
- views: 2361
Christoph Willibald Gluck.
- Order: Reorder
- Duration: 10:10
- Updated: 25 Apr 2012
- views: 247
Luc Mabaf:f interviews the reincarnated Christoph Willibald Gluck.
Luc Mabaf:f interviews the reincarnated Christoph Willibald Gluck.
wn.com/Christoph Willibald Gluck.
Luc Mabaf:f interviews the reincarnated Christoph Willibald Gluck.
- published: 25 Apr 2012
- views: 247
Interview with Marc Minkowski : "Alceste" by Gluck
- Order: Reorder
- Duration: 3:44
- Updated: 26 Feb 2013
- views: 1333
ALCESTE - Christoph W. Gluck
Tragedie lyrique in three acts
Simplicity, truth and naturalness: these, according to Gluck, are the eternal attributes of beauty....
ALCESTE - Christoph W. Gluck
Tragedie lyrique in three acts
Simplicity, truth and naturalness: these, according to Gluck, are the eternal attributes of beauty. Marc Minkowski and Olivier Py lead Sophie Koch and Roberto Alagna along pathways both infernal and celestial in this tragic opera.
From 12 September to 07 October 2013 at the Palais Garnier
The Opéra de Paris' Youtube channel :
http://www.youtube.com/operadeparis
Subscribe to the channel :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
The Opéra de Paris' website :
http://www.operadeparis.fr
Facebook page :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
ALCESTE - Christoph W. Gluck
Tragédie Lyrique en trois actes
Simplicité, vérité et naturel : tels sont selon Gluck les éternels attributs de la beauté. Marc Minkowski et Olivier Py mènent Sophie Koch et Roberto Alagna sur les chemins infernaux et célestes de cette tragédie lyrique.
Du 12 septembre au 07 octobre 2013 au Palais Garnier
Chaîne Youtube de l'Opéra de Paris :
http://www.youtube.com/user/operanationaldeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
Site internet :
http://www.operadeparis.fr
Page Facebook :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
wn.com/Interview With Marc Minkowski Alceste By Gluck
ALCESTE - Christoph W. Gluck
Tragedie lyrique in three acts
Simplicity, truth and naturalness: these, according to Gluck, are the eternal attributes of beauty. Marc Minkowski and Olivier Py lead Sophie Koch and Roberto Alagna along pathways both infernal and celestial in this tragic opera.
From 12 September to 07 October 2013 at the Palais Garnier
The Opéra de Paris' Youtube channel :
http://www.youtube.com/operadeparis
Subscribe to the channel :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
The Opéra de Paris' website :
http://www.operadeparis.fr
Facebook page :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
ALCESTE - Christoph W. Gluck
Tragédie Lyrique en trois actes
Simplicité, vérité et naturel : tels sont selon Gluck les éternels attributs de la beauté. Marc Minkowski et Olivier Py mènent Sophie Koch et Roberto Alagna sur les chemins infernaux et célestes de cette tragédie lyrique.
Du 12 septembre au 07 octobre 2013 au Palais Garnier
Chaîne Youtube de l'Opéra de Paris :
http://www.youtube.com/user/operanationaldeparis
Abonnez-vous à la chaîne de l'Opéra de paris :
http://www.youtube.com/subscription_center?add_user=operanationaldeparis
Site internet :
http://www.operadeparis.fr
Page Facebook :
https://www.facebook.com/operadeparis
Twitter :
https://twitter.com/operadeparis
- published: 26 Feb 2013
- views: 1333
ORFEO ED EURIDICE | Oper von Christoph Willibald Gluck | Staatsoper Berlin
- Order: Reorder
- Duration: 1:26
- Updated: 22 Mar 2016
- views: 2
MUSIKALISCHE LEITUNG Daniel Barenboim
INSZENIERUNG Jürgen Flimm
BÜHNENBILD in Kooperation mit Gehry Partners, LLP
KOSTÜME Florence von Gerkan
CHOREOGRAPHIE Gail...
MUSIKALISCHE LEITUNG Daniel Barenboim
INSZENIERUNG Jürgen Flimm
BÜHNENBILD in Kooperation mit Gehry Partners, LLP
KOSTÜME Florence von Gerkan
CHOREOGRAPHIE Gail Skrela
LICHT Olaf Freese
CHOR Martin Wright
DRAMATURGIE Roman Reeger
ORFEO Bejun Mehta
EURIDICE Anna Prohaska
AMOR Nadine Sierra
JUPITER Wolfgang Stiebritz
TÄNZERINNEN Martina Borroni | Vanessa Cokaric | Livia Delgado | Susanne Eder |Angeliki Gouvi Sarah Grether | Victoria McConnell
TÄNZER Roberto Pareira Barbosa | Aladino Rivera Blanca | Daniel Drabek | Chris Jäger | Oren Lazovski | Ronni Maciel
STAATSKAPELLE BERLIN
STAATSOPERNCHOR
FESTTAGE-PREMIERE am 18. März 2016
Staatsoper im Schiller Theater
wn.com/Orfeo Ed Euridice | Oper Von Christoph Willibald Gluck | Staatsoper Berlin
MUSIKALISCHE LEITUNG Daniel Barenboim
INSZENIERUNG Jürgen Flimm
BÜHNENBILD in Kooperation mit Gehry Partners, LLP
KOSTÜME Florence von Gerkan
CHOREOGRAPHIE Gail Skrela
LICHT Olaf Freese
CHOR Martin Wright
DRAMATURGIE Roman Reeger
ORFEO Bejun Mehta
EURIDICE Anna Prohaska
AMOR Nadine Sierra
JUPITER Wolfgang Stiebritz
TÄNZERINNEN Martina Borroni | Vanessa Cokaric | Livia Delgado | Susanne Eder |Angeliki Gouvi Sarah Grether | Victoria McConnell
TÄNZER Roberto Pareira Barbosa | Aladino Rivera Blanca | Daniel Drabek | Chris Jäger | Oren Lazovski | Ronni Maciel
STAATSKAPELLE BERLIN
STAATSOPERNCHOR
FESTTAGE-PREMIERE am 18. März 2016
Staatsoper im Schiller Theater
- published: 22 Mar 2016
- views: 2
Christoph Willibald Gluck - Alceste Act II Scene 3
- Order: Reorder
- Duration: 7:35
- Updated: 06 Feb 2008
- views: 32879
An excerpt from Act II, Scene 3 of Gluck's opera "Alceste" (1767, rev. 1776).
Alceste - Anne Sofie von Otter
Admète - Paul Groves
English Baroque Solois...
An excerpt from Act II, Scene 3 of Gluck's opera "Alceste" (1767, rev. 1776).
Alceste - Anne Sofie von Otter
Admète - Paul Groves
English Baroque Soloists
and Monteverdi Choir - conducted by John Eliot Gardiner
Stage Director - Robert Wilson
King Admète has learned from an oracle that he will die unless another mortal takes his place. Here, Admète finds out that his substitute will be his devoted wife Alceste. He pleads with her to change her mind.
This excerpt corresponds to pages 66-76 of the "History of Music in Western Culture" anthology by Mark Evan Bonds.
wn.com/Christoph Willibald Gluck Alceste Act Ii Scene 3
An excerpt from Act II, Scene 3 of Gluck's opera "Alceste" (1767, rev. 1776).
Alceste - Anne Sofie von Otter
Admète - Paul Groves
English Baroque Soloists
and Monteverdi Choir - conducted by John Eliot Gardiner
Stage Director - Robert Wilson
King Admète has learned from an oracle that he will die unless another mortal takes his place. Here, Admète finds out that his substitute will be his devoted wife Alceste. He pleads with her to change her mind.
This excerpt corresponds to pages 66-76 of the "History of Music in Western Culture" anthology by Mark Evan Bonds.
- published: 06 Feb 2008
- views: 32879
TELEMACO by Christoph Willibald Gluck (Overture)
- Order: Reorder
- Duration: 2:52
- Updated: 20 Feb 2012
- views: 4093
Musikalische Leitung: René Jacobs / Akademie für Alte Musik Berlin
Inszenierung: Torsten Fischer
Mit Bejun Mehta (Telemaco), Alexandrina Pendatchanska (Circe)...
Musikalische Leitung: René Jacobs / Akademie für Alte Musik Berlin
Inszenierung: Torsten Fischer
Mit Bejun Mehta (Telemaco), Alexandrina Pendatchanska (Circe), Rainer Trost (Ulisse), Anett Fritsch (Merione), Valentina Farcas (Asteria), Anna Franziska Srna (Penelope) u.a. Arnold Schoenberg Chor
Premiere: 19. Februar 2012
Eine Neuproduktion des Theater an der Wien
wn.com/Telemaco By Christoph Willibald Gluck (Overture)
Musikalische Leitung: René Jacobs / Akademie für Alte Musik Berlin
Inszenierung: Torsten Fischer
Mit Bejun Mehta (Telemaco), Alexandrina Pendatchanska (Circe), Rainer Trost (Ulisse), Anett Fritsch (Merione), Valentina Farcas (Asteria), Anna Franziska Srna (Penelope) u.a. Arnold Schoenberg Chor
Premiere: 19. Februar 2012
Eine Neuproduktion des Theater an der Wien
- published: 20 Feb 2012
- views: 4093
Christoph Willibald Gluck: Alceste (Trailer) | Wiener Staatsoper
- Order: Reorder
- Duration: 1:57
- Updated: 17 Feb 2016
- views: 26
http://www.wiener-staatsoper.at
http://www.staatsoperlive.com
BESETZUNG:
Les Talens Lyriques | Orchester
Gustav Mahler Chor | Chor
Christophe Rousset | Dirige...
http://www.wiener-staatsoper.at
http://www.staatsoperlive.com
BESETZUNG:
Les Talens Lyriques | Orchester
Gustav Mahler Chor | Chor
Christophe Rousset | Dirigent
Christof Loy | Regie
Dirk Becker | Bühnenbild
Ursula Renzenbrink | Kostüme
Olaf Winter | Licht
Thomas Wilhelm | Choreographie
Simone von Büren | Dramaturgie
Joseph Kaiser | Admète, König von Thessalien
Véronique Gens | Alceste, Gattin des Admète
wn.com/Christoph Willibald Gluck Alceste (Trailer) | Wiener Staatsoper
http://www.wiener-staatsoper.at
http://www.staatsoperlive.com
BESETZUNG:
Les Talens Lyriques | Orchester
Gustav Mahler Chor | Chor
Christophe Rousset | Dirigent
Christof Loy | Regie
Dirk Becker | Bühnenbild
Ursula Renzenbrink | Kostüme
Olaf Winter | Licht
Thomas Wilhelm | Choreographie
Simone von Büren | Dramaturgie
Joseph Kaiser | Admète, König von Thessalien
Véronique Gens | Alceste, Gattin des Admète
- published: 17 Feb 2016
- views: 26
Joyce DiDonato hosting Orfeo ed Euridice - MET 2009
- Order: Reorder
- Duration: 7:16
- Updated: 26 Jul 2009
- views: 4350
Joyce DiDonato as host for the MET Orfeo ed Euridice interviews the famous American conductor James Levine, then Mark Morris, choregrapher and director for this...
Joyce DiDonato as host for the MET Orfeo ed Euridice interviews the famous American conductor James Levine, then Mark Morris, choregrapher and director for this specific production.
Christoph Willibald Gluck
ORFEO ED EURIDICE
Orfeo - Stephanie Blythe
Euridice - Danielle de Niese
Amore - Heidi Grant Murphy
Joshua Greene: Harpsichord
Conductor: James Levine
Production: Mark Morris
Set Designer: Allen Moyer
Costume Designer: Isaac Mizrahi
Lighting Designer: James F. Ingalls
Choreographer: Mark Morris
TV Director: Barbara Willis Sweete
Metropolitan Opera House, New York
January 24, 2009 Simulcast
wn.com/Joyce Didonato Hosting Orfeo Ed Euridice Met 2009
Joyce DiDonato as host for the MET Orfeo ed Euridice interviews the famous American conductor James Levine, then Mark Morris, choregrapher and director for this specific production.
Christoph Willibald Gluck
ORFEO ED EURIDICE
Orfeo - Stephanie Blythe
Euridice - Danielle de Niese
Amore - Heidi Grant Murphy
Joshua Greene: Harpsichord
Conductor: James Levine
Production: Mark Morris
Set Designer: Allen Moyer
Costume Designer: Isaac Mizrahi
Lighting Designer: James F. Ingalls
Choreographer: Mark Morris
TV Director: Barbara Willis Sweete
Metropolitan Opera House, New York
January 24, 2009 Simulcast
- published: 26 Jul 2009
- views: 4350
Franco Bonisolli in Paride & Elena - Christoph Willibald Gluck ( O del mio dolce ardor )
- Order: Reorder
- Duration: 2:58
- Updated: 10 Jun 2013
- views: 432
Aria of Paride
Conductor - Lothar Zagrosek
Orchestra - ORF-Symphonie-Orchester (Wien)
Chorus - Chor des Osterreichischen Rundfunks (Wien)
Year - 1986
Aria of Paride
Conductor - Lothar Zagrosek
Orchestra - ORF-Symphonie-Orchester (Wien)
Chorus - Chor des Osterreichischen Rundfunks (Wien)
Year - 1986
wn.com/Franco Bonisolli In Paride Elena Christoph Willibald Gluck ( O Del Mio Dolce Ardor )
Trailer December Operamaand NTR Podium
- Order: Reorder
- Duration: 0:31
- Updated: 29 Nov 2012
- views: 509
Registraties van bijzondere opera's die het afgelopen seizoen in première gingen bij De Nederlandse Opera. Het zijn opera's van Christoph Willibald Gluck, Richa...
Registraties van bijzondere opera's die het afgelopen seizoen in première gingen bij De Nederlandse Opera. Het zijn opera's van Christoph Willibald Gluck, Richard Wagner en Rimski-Korsakov. De uitzendingen beginnen met een uitgebreide inleiding op de opera met beelden van de repetities en interviews met makers en cast.
Zondag 9 december 2012, 13.00 uur, Ned 2
Christoph Willibald Gluck -- Iphigénie en Aulide
Zondag 16 december 2012, 13.00 uur, Ned 2
Christoph Willibald Gluck -- Iphigénie en Tauride
Zondag 23 december 2012, 13.00 uur, op Ned 2
Richard Wagner -- Parsifal, Akte I
Dinsdag 25 december, Eerste Kerstdag, 13.30 uur, op Ned 2
Donna Giovanna van Opera Spanga i.s.m. NTR
Woensdag 26 december 2012, Tweede Kerstdag, 13.15 uur, op Ned 2
Richard Wagner -- Parsifal, Akte II en III
Zondag 30 december 2012, 13.00 uur, op Ned 2
Nikolaj Rimski-Korsakov -- De legende van de onzichtbare stad Kitezj
wn.com/Trailer December Operamaand Ntr Podium
Registraties van bijzondere opera's die het afgelopen seizoen in première gingen bij De Nederlandse Opera. Het zijn opera's van Christoph Willibald Gluck, Richard Wagner en Rimski-Korsakov. De uitzendingen beginnen met een uitgebreide inleiding op de opera met beelden van de repetities en interviews met makers en cast.
Zondag 9 december 2012, 13.00 uur, Ned 2
Christoph Willibald Gluck -- Iphigénie en Aulide
Zondag 16 december 2012, 13.00 uur, Ned 2
Christoph Willibald Gluck -- Iphigénie en Tauride
Zondag 23 december 2012, 13.00 uur, op Ned 2
Richard Wagner -- Parsifal, Akte I
Dinsdag 25 december, Eerste Kerstdag, 13.30 uur, op Ned 2
Donna Giovanna van Opera Spanga i.s.m. NTR
Woensdag 26 december 2012, Tweede Kerstdag, 13.15 uur, op Ned 2
Richard Wagner -- Parsifal, Akte II en III
Zondag 30 december 2012, 13.00 uur, op Ned 2
Nikolaj Rimski-Korsakov -- De legende van de onzichtbare stad Kitezj
- published: 29 Nov 2012
- views: 509
Orfeo, Eurydice & The Serpent - Jessica Grigg, mezzo-soprano
- Order: Reorder
- Duration: 1:40
- Updated: 17 Mar 2010
- views: 1490
EPK Interview with mezzo-soprano Jessica Grigg performing Che faro senza Euridice (excerpt) by Christoph Willibald Gluck
ORFEO, EURYDICE & THE SERPENT
Fri...
EPK Interview with mezzo-soprano Jessica Grigg performing Che faro senza Euridice (excerpt) by Christoph Willibald Gluck
ORFEO, EURYDICE & THE SERPENT
Friday, April 9 at 7:00 pm
Sunday, April 11 at 6:00 pm
Five Words in a Line presents "Orfeo, Eurydice & The Serpent" - a new satirical chamber opera made up entirely of fragments from multiple versions of the Orpheus myth at Theatre 80 St Marks on Friday, April 9 and Sunday, April 11. Bits of recitative, arias, duets and trios from known scores by Claudio Monteverdi, Christoph Willibald Gluck and Jacques Offenbach are interspersed with rarely performed music by Baroque composers Luigi Rossi, Antonio Sartorio and Georg Telemann, classicist Joseph Haydn and the 20th Century composer Darius Milhaud with additional instrumental music on the underworld by Hector Berlioz, Franz Schubert and George Crumb.
Mezzo-soprano Jessica Grigg plays a vain Orfeo long past his prime with soprano Sara Paar as the philandering Eurydice hell-bent on climbing the social ladder one husband at a time. Soprano Helen Gabrielsen brings out the best vices in both as the cunning Serpent who takes a bite out of Eurydice and lures the couple down to the underworld for an extended stay.
ORFEO, EURYDICE & THE SERPENT
Jessica Grigg, mezzo soprano, as Orfeo
Sara Paar, soprano, as Eurydice
Helen Gabrielsen, soprano, as The Serpent
Directed by Lynn Neuman
ARTICHOKE DANCE COMPANY
Jessica Corbin, conductor
GUIDO'S EAR
Nathan Botts, trumpet
David Walker, theorbo
Aaron Brown, violin
Dongmyung Ahn, violin
Benjamin Wolff, cello
Theatre 80 St Marks
80 St Marks Place
New York, NY
Advance tickets $25 online at www.fivewordsinaline.org
wn.com/Orfeo, Eurydice The Serpent Jessica Grigg, Mezzo Soprano
EPK Interview with mezzo-soprano Jessica Grigg performing Che faro senza Euridice (excerpt) by Christoph Willibald Gluck
ORFEO, EURYDICE & THE SERPENT
Friday, April 9 at 7:00 pm
Sunday, April 11 at 6:00 pm
Five Words in a Line presents "Orfeo, Eurydice & The Serpent" - a new satirical chamber opera made up entirely of fragments from multiple versions of the Orpheus myth at Theatre 80 St Marks on Friday, April 9 and Sunday, April 11. Bits of recitative, arias, duets and trios from known scores by Claudio Monteverdi, Christoph Willibald Gluck and Jacques Offenbach are interspersed with rarely performed music by Baroque composers Luigi Rossi, Antonio Sartorio and Georg Telemann, classicist Joseph Haydn and the 20th Century composer Darius Milhaud with additional instrumental music on the underworld by Hector Berlioz, Franz Schubert and George Crumb.
Mezzo-soprano Jessica Grigg plays a vain Orfeo long past his prime with soprano Sara Paar as the philandering Eurydice hell-bent on climbing the social ladder one husband at a time. Soprano Helen Gabrielsen brings out the best vices in both as the cunning Serpent who takes a bite out of Eurydice and lures the couple down to the underworld for an extended stay.
ORFEO, EURYDICE & THE SERPENT
Jessica Grigg, mezzo soprano, as Orfeo
Sara Paar, soprano, as Eurydice
Helen Gabrielsen, soprano, as The Serpent
Directed by Lynn Neuman
ARTICHOKE DANCE COMPANY
Jessica Corbin, conductor
GUIDO'S EAR
Nathan Botts, trumpet
David Walker, theorbo
Aaron Brown, violin
Dongmyung Ahn, violin
Benjamin Wolff, cello
Theatre 80 St Marks
80 St Marks Place
New York, NY
Advance tickets $25 online at www.fivewordsinaline.org
- published: 17 Mar 2010
- views: 1490
LVYO Symphony May 2013, Alceste, Overture - Christoph Willibald von Gluck
- Order: Reorder
- Duration: 9:14
- Updated: 18 May 2013
- views: 1698
Las Vegas Youth Orchestra Spring Concert, Wednesday, May 1, 2013 at The Smith Center
The Symphony, Conducted by Jeffrey Lance
Las Vegas Youth Orchestra Spring Concert, Wednesday, May 1, 2013 at The Smith Center
The Symphony, Conducted by Jeffrey Lance
wn.com/Lvyo Symphony May 2013, Alceste, Overture Christoph Willibald Von Gluck
Las Vegas Youth Orchestra Spring Concert, Wednesday, May 1, 2013 at The Smith Center
The Symphony, Conducted by Jeffrey Lance
- published: 18 May 2013
- views: 1698
精霊の踊り オルフェオとエウリディーチェ Orfeo ed Euridice Christoph Willibald Gluck
- Order: Reorder
- Duration: 2:49
- Updated: 27 Apr 2016
- views: 8
セゴビアの編曲した「精霊の踊り」を弾いてみました。performed Orfeo ed Euridice.
セゴビアの編曲した「精霊の踊り」を弾いてみました。performed Orfeo ed Euridice.
wn.com/精霊の踊り オルフェオとエウリディーチェ Orfeo Ed Euridice Christoph Willibald Gluck
Gluck's Minuet and Air (Dance of the Blessed Spirits) - Paula Robison, flute
- Order: Reorder
- Duration: 8:03
- Updated: 05 Sep 2012
- views: 34395
Minuet and Air (Dance of the Blessed Spirits)
by Christoph Willibald Gluck
Paula Robison, flute
Farewell performance after 30 years of performing at the Templ...
Minuet and Air (Dance of the Blessed Spirits)
by Christoph Willibald Gluck
Paula Robison, flute
Farewell performance after 30 years of performing at the Temple of Dendur, Metropolitan Museum, NYC, 2008
For more information please visit:
www.paularobison.com
wn.com/Gluck's Minuet And Air (Dance Of The Blessed Spirits) Paula Robison, Flute
Minuet and Air (Dance of the Blessed Spirits)
by Christoph Willibald Gluck
Paula Robison, flute
Farewell performance after 30 years of performing at the Temple of Dendur, Metropolitan Museum, NYC, 2008
For more information please visit:
www.paularobison.com
- published: 05 Sep 2012
- views: 34395
Christoph Willibald Gluck, arr. Richard - Ouverture "Iphigénie en Aulide"
- Order: Reorder
- Duration: 10:54
- Updated: 30 Nov 2009
- views: 9318
Sinfonie Orchester Biel - Orchestre Symphonique Bienne
Leitung: Thomas Rösner
Probe vom / Répétition du 28.10.2008
Sinfonie Orchester Biel - Orchestre Symphonique Bienne
Leitung: Thomas Rösner
Probe vom / Répétition du 28.10.2008
wn.com/Christoph Willibald Gluck, Arr. Richard Ouverture Iphigénie En Aulide
Elisabeth Schwarzkopf; "Einem Bach, der fliesst"; Christoph Willibald Gluck
- Order: Reorder
- Duration: 2:29
- Updated: 10 Mar 2016
- views: 12
close fullscreen
- Playlist
- Chat
close fullscreen
- Playlist
- Chat
106:00
GLUCK IPHIGENIE EN TAURIDE MINKOWSKI
published: 22 Aug 2014
GLUCK IPHIGENIE EN TAURIDE MINKOWSKI
GLUCK IPHIGENIE EN TAURIDE MINKOWSKI
- Report rights infringement
- published: 22 Aug 2014
- views: 13676
99:36
Gluck Orphee et Eurydice Kozena
Πρόσωπα της Κλασικής Μουσικής (Faces of Classical Music)
http://facesofclassicalmusic.blog...
published: 11 Nov 2013
Gluck Orphee et Eurydice Kozena
Gluck Orphee et Eurydice Kozena
- Report rights infringement
- published: 11 Nov 2013
- views: 92759
7:24
Gluck - Orfeo ed Euridice - Dance of the Blessed Spirits
Gluck
published: 29 Mar 2008
Gluck - Orfeo ed Euridice - Dance of the Blessed Spirits
Gluck - Orfeo ed Euridice - Dance of the Blessed Spirits
- Report rights infringement
- published: 29 Mar 2008
- views: 578788
14:28
Gluck-Symphony in G major-L'Orfeo Barockorchester
Christoph Willibald Gluck (1714-1787)
Symphony in G major, Wq. deest, Chen G3, "Weimarer":...
published: 29 Sep 2011
Gluck-Symphony in G major-L'Orfeo Barockorchester
Gluck-Symphony in G major-L'Orfeo Barockorchester
- Report rights infringement
- published: 29 Sep 2011
- views: 22913
75:01
Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
Faces of Classical Music
http://facesofclassicalmusic.blogspot.com/
•
More information:
h...
published: 07 Jun 2015
Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
Christoph Willibald Gluck: Orfeo ed Euridice - Bejun Mehta, Eva Liebau, Václav Luks (2013, HD 1080p)
- Report rights infringement
- published: 07 Jun 2015
- views: 34265
4:06
Adriano Celentano-Ragazzo della via gluck
Il brano più famoso di Adriano Celentano
published: 13 Apr 2008
Adriano Celentano-Ragazzo della via gluck
Adriano Celentano-Ragazzo della via gluck
- Report rights infringement
- published: 13 Apr 2008
- views: 4567842
13:37
Gluck - Flute Concerto in G major
Christoph Willibald Gluck (1714~1787)
Flute Concerto in G major
00:00 I. Allegro
04:42 ...
published: 18 May 2014
Gluck - Flute Concerto in G major
Gluck - Flute Concerto in G major
- Report rights infringement
- published: 18 May 2014
- views: 9556
3:56
Berge - Glück
Music video by Berge performing Glück. (C) 2016 Sony Music Entertainment Germany GmbH
htt...
published: 01 Apr 2016
Berge - Glück
Berge - Glück
- Report rights infringement
- published: 01 Apr 2016
- views: 625
132:21
Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
__
02:26 • Gluck: Orfeo ed Euridice
__
• Orfeo: Franco Fagioli
• Euridice: Malin Harteli...
published: 10 Apr 2015
Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
Gluck: Orfeo ed Euridice, opera seria in three acts | Laurence Equilbey
- Report rights infringement
- published: 10 Apr 2015
- views: 20483
123:50
IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
4 février 2015
Direction musicale Hartmut Haenchen
Mise en scène Lukas Hemleb
Décors Alex...
published: 17 Apr 2015
IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
IPHIGÉNIE EN TAURIDE: Gluck, Anna Caterina Antonacci
- Report rights infringement
- published: 17 Apr 2015
- views: 8124
3:45
Alexa Feser - Glück (offizielles Video)
Sieh' hier das offizielle Video zu "Glück" von Alexa Feser vom aktuellen Album GOLD VON MO...
published: 06 Mar 2015
Alexa Feser - Glück (offizielles Video)
Alexa Feser - Glück (offizielles Video)
- Report rights infringement
- published: 06 Mar 2015
- views: 420053
4:23
Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
Maria Callas; Georges Prêtre: Orchestre National De La Radiodiffusion Francaise - Gluck: O...
published: 10 Sep 2010
Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
Maria Callas; Gluck: Orphee Et Eurydice - J'ai Perdu Mon Eurydice
- Report rights infringement
- published: 10 Sep 2010
- views: 46048
105:36
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
CH. WILLIBALD GLUCK.- 1762-
Orfeo ed Euridice
R. Jacobs
M. Kweksilber
M. Falewicz
Coll...
published: 07 Aug 2012
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
CH. WILLIBALD GLUCK.- 1762- Orfeo ed Euridice
- Report rights infringement
- published: 07 Aug 2012
- views: 31168
4:23
zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
zweite Chance des Lebens von Menschen, die viel Glück im Jahr 2015 erstaunliche Video Comp...
published: 17 Feb 2015
zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
zweite Chance des Lebens von Menschen, die viel Glück 2015 erstaunliche Video Compilation Close Call
- Report rights infringement
- published: 17 Feb 2015
- views: 65299
close fullscreen
- Playlist
- Chat
62:19
Christoph Willibald Gluck Trio Sonatas Reinhard Goebel
Christoph Willibald Gluck Trio Sonatas
1. No. 1, for 2 violins & continuo in C major 0:...
published: 31 May 2015
Christoph Willibald Gluck Trio Sonatas Reinhard Goebel
Christoph Willibald Gluck Trio Sonatas Reinhard Goebel
- Report rights infringement
- published: 31 May 2015
- views: 784
4:01
Shinkarchuk ~ Christoph Willibald Gluck ~ GRAPHIC ARTS ~ From which so wants to live
Кристоф Виллибальд Глюк,Мелодия, Орфей и Эвридика.
Моя авторская живопись и графика, сайт...
published: 12 Dec 2011
Shinkarchuk ~ Christoph Willibald Gluck ~ GRAPHIC ARTS ~ From which so wants to live
Shinkarchuk ~ Christoph Willibald Gluck ~ GRAPHIC ARTS ~ From which so wants to live
- Report rights infringement
- published: 12 Dec 2011
- views: 194
4:35
Christoph Willibald Gluck - 'Che farò senza Euridice', Orfeo & Euridice (Grâce Bumbry)
Grace Bumbry sings "Che farò senza Euridice" from Orfeo & Euridice by Christoph Willibald ...
published: 16 Aug 2013
Christoph Willibald Gluck - 'Che farò senza Euridice', Orfeo & Euridice (Grâce Bumbry)
Christoph Willibald Gluck - 'Che farò senza Euridice', Orfeo & Euridice (Grâce Bumbry)
- Report rights infringement
- published: 16 Aug 2013
- views: 5442
10:44
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Report rights infringement
- published: 11 Jan 2009
- views: 25610
8:27
Christoph Willibald Gluck - 'Dance of the Blessed Spirits' (Orfeo & Euridice)
Christoph Willibald Gluck - Orfeo & Euridice
Danse des Ombres Heureuses (Dance of the Bles...
published: 28 Aug 2014
Christoph Willibald Gluck - 'Dance of the Blessed Spirits' (Orfeo & Euridice)
Christoph Willibald Gluck - 'Dance of the Blessed Spirits' (Orfeo & Euridice)
- Report rights infringement
- published: 28 Aug 2014
- views: 7005
3:56
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Report rights infringement
- published: 11 Jan 2009
- views: 31736
4:45
'ALCESTE' de Christoph Willibald Gluck
El director polaco Krzysztof Warlikowski vuelve al Teatro Real con una nueva propuesta de ...
published: 28 Feb 2014
'ALCESTE' de Christoph Willibald Gluck
'ALCESTE' de Christoph Willibald Gluck
- Report rights infringement
- published: 28 Feb 2014
- views: 6730
10:19
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 10 Jan 2009
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Report rights infringement
- published: 10 Jan 2009
- views: 110716
9:36
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
- Report rights infringement
- published: 11 Jan 2009
- views: 26219
112:02
IPHIGENIE auf Tauris - Christoph Willibald Gluck
Iphigenie- Sena Jurinac
Pylades - Fritz Wunderlich
Orest - Hermann Prey
Thoas - Kieth Eng...
published: 10 Apr 2014
IPHIGENIE auf Tauris - Christoph Willibald Gluck
IPHIGENIE auf Tauris - Christoph Willibald Gluck
- Report rights infringement
- published: 10 Apr 2014
- views: 4062
135:01
Alceste ( Vienna ) - Cristoph Willibald Gluck - 1967
Alceste - Leyla Gencer
Admeto - Mirto Picchi
Evandro - Giuseppe Baratti
Ismene - Fernanda ...
published: 09 Dec 2011
Alceste ( Vienna ) - Cristoph Willibald Gluck - 1967
Alceste ( Vienna ) - Cristoph Willibald Gluck - 1967
- Report rights infringement
- published: 09 Dec 2011
- views: 14477
8:42
Christoph Willibald Gluck - Orphée et Eurydice (Orpheus among the Blessed Spirits)
Orphée - Magdalena Kozena, Eurydice - Madeline Bender, Monteverdi Choir, Orchestre Révolut...
published: 19 Nov 2009
Christoph Willibald Gluck - Orphée et Eurydice (Orpheus among the Blessed Spirits)
Christoph Willibald Gluck - Orphée et Eurydice (Orpheus among the Blessed Spirits)
- Report rights infringement
- published: 19 Nov 2009
- views: 58187
4:58
Gluck - Sgambati : Melody from Orfeo ed Euridice for piano (live)
Christoph Willibald Gluck (1714-1787) - Giovanni Sgambati (1841-1914)
Melody from Orfeo e...
published: 11 Apr 2016
Gluck - Sgambati : Melody from Orfeo ed Euridice for piano (live)
Gluck - Sgambati : Melody from Orfeo ed Euridice for piano (live)
- Report rights infringement
- published: 11 Apr 2016
- views: 15
3:16
IPHIGÉNIE EN TAURIDE Christoph Willibald Gluck
Premiere: 14. März 2010 // Tragédie opéra in vier Akten (1779) / Dirigent: Harry Bicket / ...
published: 10 Apr 2010
IPHIGÉNIE EN TAURIDE Christoph Willibald Gluck
IPHIGÉNIE EN TAURIDE Christoph Willibald Gluck
- Report rights infringement
- published: 10 Apr 2010
- views: 18415
close fullscreen
- Playlist
- Chat
42:55
Christoph Willibald Gluck - Balletto don Giovanni
Christoph Willibald Gluck (Erasbach, 2 luglio 1714 -- Vienna, 15 novembre 1787) è stato un...
published: 14 Apr 2013
Christoph Willibald Gluck - Balletto don Giovanni
Christoph Willibald Gluck - Balletto don Giovanni
- Report rights infringement
- published: 14 Apr 2013
- views: 2733
23:39
Christoph Willibald Gluck - Alessandro (Balletto, 1764)
Alessandro (Les Amours d'Alexandre et de Roxane) 4 octobre 1764, Vienne
Musica Antiqua Köl...
published: 09 Mar 2014
Christoph Willibald Gluck - Alessandro (Balletto, 1764)
Christoph Willibald Gluck - Alessandro (Balletto, 1764)
- Report rights infringement
- published: 09 Mar 2014
- views: 2286
92:46
Christoph Willibald Gluck - Wq. 47 - Écho et Narcisse - Opera ion two acts
Christoph Willibald Gluck (1714 - 1787)
Wq 47 - Echo & Narcisse - Opera in 2 acts / opera...
published: 25 Feb 2016
Christoph Willibald Gluck - Wq. 47 - Écho et Narcisse - Opera ion two acts
Christoph Willibald Gluck - Wq. 47 - Écho et Narcisse - Opera ion two acts
- Report rights infringement
- published: 25 Feb 2016
- views: 1
44:38
Ch. W. Gluck - Don Juan ou Le Festin de Pierre (Wq.52)
DON JUAN OU LE FESTIN DE PIERRE, Wq. 52 (Don Juan, or the Stone Guest's Banquet), ballet f...
published: 26 Sep 2015
Ch. W. Gluck - Don Juan ou Le Festin de Pierre (Wq.52)
Ch. W. Gluck - Don Juan ou Le Festin de Pierre (Wq.52)
- Report rights infringement
- published: 26 Sep 2015
- views: 1117
24:17
Christoph Willibald Gluck - Wq 40 - Iphigénie en Aulide - Arr for piano
Christoph Willibald Gluck (1714 - 1787)
Wq 40 - Iphigénie en Aulide
Movements from the op...
published: 25 Sep 2015
Christoph Willibald Gluck - Wq 40 - Iphigénie en Aulide - Arr for piano
Christoph Willibald Gluck - Wq 40 - Iphigénie en Aulide - Arr for piano
- Report rights infringement
- published: 25 Sep 2015
- views: 151
85:29
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 1 of 3
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloel...
published: 28 Jan 2016
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 1 of 3
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 1 of 3
- Report rights infringement
- published: 28 Jan 2016
- views: 33
109:57
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 2 & 3 of 3
Christoph Willibald Gluck (1714 - 1787)
Wq.31: Il trionfo di Clelia (The Triumph of Cloel...
published: 29 Jan 2016
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 2 & 3 of 3
Christoph Willibald Gluck - Wq.31 - "Il trionfo di Clelia" - Act 2 & 3 of 3
- Report rights infringement
- published: 29 Jan 2016
- views: 36
84:36
ORFEO ED EURIDICE di CHRISTOPH WILLIBALD GLUCK, Jesi (AN) Teatro Moriconi, 15 novembre 2014
Opera in tre atti di CHRISTOPHER WILLIBALD GLUCK
Libretto di Ranieri De' Calzabigi
Trascri...
published: 09 Feb 2016
ORFEO ED EURIDICE di CHRISTOPH WILLIBALD GLUCK, Jesi (AN) Teatro Moriconi, 15 novembre 2014
ORFEO ED EURIDICE di CHRISTOPH WILLIBALD GLUCK, Jesi (AN) Teatro Moriconi, 15 novembre 2014
- Report rights infringement
- published: 09 Feb 2016
- views: 65
81:03
Le feste d‘Apollo: Atto d‘Orfeo (Parma 1769) --Christoph Willibald Gluck
Act of 'Orfeo' (This is a reworking of Orfeo ed Euridice) in "Le feste d'Apollo" by Chri...
published: 17 Nov 2014
Le feste d‘Apollo: Atto d‘Orfeo (Parma 1769) --Christoph Willibald Gluck
Le feste d‘Apollo: Atto d‘Orfeo (Parma 1769) --Christoph Willibald Gluck
- Report rights infringement
- published: 17 Nov 2014
- views: 982
25:40
Christoph Willibald Gluck - Wq 44 - Alcaste "Orchestral suite"
Christoph Willibald Gluck (1714-1787)
Wq 44: Alcaste (instrumental parts / delar)
Perfor...
published: 07 Apr 2015
Christoph Willibald Gluck - Wq 44 - Alcaste "Orchestral suite"
Christoph Willibald Gluck - Wq 44 - Alcaste "Orchestral suite"
- Report rights infringement
- published: 07 Apr 2015
- views: 208
20:09
Christoph Willibald Gluck - Fruhlingsfeier
Christoph Willibald Gluck - Christoph Willibald Gluck - Fruhlingsfeier (performed by unkno...
published: 15 Nov 2013
Christoph Willibald Gluck - Fruhlingsfeier
Christoph Willibald Gluck - Fruhlingsfeier
- Report rights infringement
- published: 15 Nov 2013
- views: 770
94:21
Gluck "Orpheus & Eurydike" Ferenc Fricsay 1956
"Orpheus & Eurydike" by Christoph Willibald Gluck
Dietrich Fischer-Dieskau (Orpheus)
Maria...
published: 01 Jun 2014
Gluck "Orpheus & Eurydike" Ferenc Fricsay 1956
Gluck "Orpheus & Eurydike" Ferenc Fricsay 1956
- Report rights infringement
- published: 01 Jun 2014
- views: 16316
60:54
Der bekehrte Trunkenbold - Christoph Willibald Gluck
Eine Freiluft-Opern-Aufführung der Franz Schmidt Musikschule Perchtoldsdorf im Jahre 1993 ...
published: 20 May 2015
Der bekehrte Trunkenbold - Christoph Willibald Gluck
Der bekehrte Trunkenbold - Christoph Willibald Gluck
- Report rights infringement
- published: 20 May 2015
- views: 351
46:36
Christoph Willibald Gluck - LE CINESI - Rai Roma, 24.03.1963
Personaggi e interpreti :
Lisinga: Genia Las , Silango: Renato Ercolani , Sivene: Renata ...
published: 18 Feb 2016
Christoph Willibald Gluck - LE CINESI - Rai Roma, 24.03.1963
Christoph Willibald Gluck - LE CINESI - Rai Roma, 24.03.1963
- Report rights infringement
- published: 18 Feb 2016
- views: 8
close fullscreen
- Playlist
- Chat
3:59
"Alceste" by Christoph Willibald Gluck - Interview with Olivier Py
ALCESTE
Christoph Willibald Gluck
Interview with the stage director
Performed at the Pa...
published: 09 Sep 2013
"Alceste" by Christoph Willibald Gluck - Interview with Olivier Py
"Alceste" by Christoph Willibald Gluck - Interview with Olivier Py
- Report rights infringement
- published: 09 Sep 2013
- views: 1099
58:20
Gluck the Reformer - (fr-de-es-subs)
Conductor's William Christie & John Eliot Gardiner feature in this documentary on the oper...
published: 25 Feb 2014
Gluck the Reformer - (fr-de-es-subs)
Gluck the Reformer - (fr-de-es-subs)
- Report rights infringement
- published: 25 Feb 2014
- views: 2361
10:10
Christoph Willibald Gluck.
Luc Mabaf:f interviews the reincarnated Christoph Willibald Gluck.
published: 25 Apr 2012
Christoph Willibald Gluck.
Christoph Willibald Gluck.
- Report rights infringement
- published: 25 Apr 2012
- views: 247
3:44
Interview with Marc Minkowski : "Alceste" by Gluck
ALCESTE - Christoph W. Gluck
Tragedie lyrique in three acts
Simplicity, truth and natural...
published: 26 Feb 2013
Interview with Marc Minkowski : "Alceste" by Gluck
Interview with Marc Minkowski : "Alceste" by Gluck
- Report rights infringement
- published: 26 Feb 2013
- views: 1333
1:26
ORFEO ED EURIDICE | Oper von Christoph Willibald Gluck | Staatsoper Berlin
MUSIKALISCHE LEITUNG Daniel Barenboim
INSZENIERUNG Jürgen Flimm
BÜHNENBILD in Kooperation ...
published: 22 Mar 2016
ORFEO ED EURIDICE | Oper von Christoph Willibald Gluck | Staatsoper Berlin
ORFEO ED EURIDICE | Oper von Christoph Willibald Gluck | Staatsoper Berlin
- Report rights infringement
- published: 22 Mar 2016
- views: 2
7:35
Christoph Willibald Gluck - Alceste Act II Scene 3
An excerpt from Act II, Scene 3 of Gluck's opera "Alceste" (1767, rev. 1776).
Alceste ...
published: 06 Feb 2008
Christoph Willibald Gluck - Alceste Act II Scene 3
Christoph Willibald Gluck - Alceste Act II Scene 3
- Report rights infringement
- published: 06 Feb 2008
- views: 32879
2:52
TELEMACO by Christoph Willibald Gluck (Overture)
Musikalische Leitung: René Jacobs / Akademie für Alte Musik Berlin
Inszenierung: Torsten ...
published: 20 Feb 2012
TELEMACO by Christoph Willibald Gluck (Overture)
TELEMACO by Christoph Willibald Gluck (Overture)
- Report rights infringement
- published: 20 Feb 2012
- views: 4093
1:57
Christoph Willibald Gluck: Alceste (Trailer) | Wiener Staatsoper
http://www.wiener-staatsoper.at
http://www.staatsoperlive.com
BESETZUNG:
Les Talens Lyri...
published: 17 Feb 2016
Christoph Willibald Gluck: Alceste (Trailer) | Wiener Staatsoper
Christoph Willibald Gluck: Alceste (Trailer) | Wiener Staatsoper
- Report rights infringement
- published: 17 Feb 2016
- views: 26
7:16
Joyce DiDonato hosting Orfeo ed Euridice - MET 2009
Joyce DiDonato as host for the MET Orfeo ed Euridice interviews the famous American conduc...
published: 26 Jul 2009
Joyce DiDonato hosting Orfeo ed Euridice - MET 2009
Joyce DiDonato hosting Orfeo ed Euridice - MET 2009
- Report rights infringement
- published: 26 Jul 2009
- views: 4350
2:58
Franco Bonisolli in Paride & Elena - Christoph Willibald Gluck ( O del mio dolce ardor )
Aria of Paride
Conductor - Lothar Zagrosek
Orchestra - ORF-Symphonie-Orchester (Wien)
Chor...
published: 10 Jun 2013
Franco Bonisolli in Paride & Elena - Christoph Willibald Gluck ( O del mio dolce ardor )
Franco Bonisolli in Paride & Elena - Christoph Willibald Gluck ( O del mio dolce ardor )
- Report rights infringement
- published: 10 Jun 2013
- views: 432
0:31
Trailer December Operamaand NTR Podium
Registraties van bijzondere opera's die het afgelopen seizoen in première gingen bij De Ne...
published: 29 Nov 2012
Trailer December Operamaand NTR Podium
Trailer December Operamaand NTR Podium
- Report rights infringement
- published: 29 Nov 2012
- views: 509
1:40
Orfeo, Eurydice & The Serpent - Jessica Grigg, mezzo-soprano
EPK Interview with mezzo-soprano Jessica Grigg performing Che faro senza Euridice (excerpt...
published: 17 Mar 2010
Orfeo, Eurydice & The Serpent - Jessica Grigg, mezzo-soprano
Orfeo, Eurydice & The Serpent - Jessica Grigg, mezzo-soprano
- Report rights infringement
- published: 17 Mar 2010
- views: 1490
9:14
LVYO Symphony May 2013, Alceste, Overture - Christoph Willibald von Gluck
Las Vegas Youth Orchestra Spring Concert, Wednesday, May 1, 2013 at The Smith Center
The S...
published: 18 May 2013
LVYO Symphony May 2013, Alceste, Overture - Christoph Willibald von Gluck
LVYO Symphony May 2013, Alceste, Overture - Christoph Willibald von Gluck
- Report rights infringement
- published: 18 May 2013
- views: 1698
2:49
精霊の踊り オルフェオとエウリディーチェ Orfeo ed Euridice Christoph Willibald Gluck
セゴビアの編曲した「精霊の踊り」を弾いてみました。performed Orfeo ed Euridice.
published: 27 Apr 2016
精霊の踊り オルフェオとエウリディーチェ Orfeo ed Euridice Christoph Willibald Gluck
精霊の踊り オルフェオとエウリディーチェ Orfeo ed Euridice Christoph Willibald Gluck
- Report rights infringement
- published: 27 Apr 2016
- views: 8
"Alceste" by Christoph Willibald Gluck - Interview...
Gluck the Reformer - (fr-de-es-subs)...
Christoph Willibald Gluck....
Interview with Marc Minkowski : "Alceste" by Gluck...
ORFEO ED EURIDICE | Oper von Christoph Willibald G...
Christoph Willibald Gluck - Alceste Act II Scene 3...
TELEMACO by Christoph Willibald Gluck (Overture)...
Christoph Willibald Gluck: Alceste (Trailer) | Wie...
Joyce DiDonato hosting Orfeo ed Euridice - MET 200...
Franco Bonisolli in Paride & Elena - Christoph Wil...
Trailer December Operamaand NTR Podium...
Orfeo, Eurydice & The Serpent - Jessica Grigg, mez...
LVYO Symphony May 2013, Alceste, Overture - Christ...
精霊の踊り オルフェオとエウリディーチェ Orfeo ed Euridice Christoph...
Gluck's Minuet and Air (Dance of the Blessed Spiri...
Christoph Willibald Gluck, arr. Richard - Ouvertu...
Elisabeth Schwarzkopf; "Einem Bach, der fliesst"; ...
-
Lyrics list:lyrics
-
Captain Save A Hoe
-
Hurricane
-
Hot Ones Echo Thru The Ghetto
-
Wolf Tickets
-
What You Gon' Do About It
-
We Don't Fuck Wit' That
-
Victor Baron
-
Tramp Dogs
-
Struggled & I Strived
-
She Was Only 16
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Captain Save A Hoe
Captain Save A Hoe (remix)feat. The Click
[Hook]
Ah is a, Ah is a
Should I save her (I wanna be saved)
Ah is a, Ah is a
Should I save her (I wanna be saved)
Ah is a, Ah is a
Should I save her (I wanna be saved)
[B-Legit]
It's 1994 and fools need to miss me be savin' these
foes
You know how these tricks be, be buyin' em' clothes
Wanna taxi those on vogues with the beat
And have em' sittin' next to em' in the front seat
But not B see I'm a hog up out the V
And my motto is bust a batch and hit the throttle
To the smoke talkin' on my Okie doe
World wide I got a clydes up in Tokoyo
[E-40]
Look up in the sky it's a bird it's a plane
What's that fool name? (Captain save a hoe main)
More faster than a speeding bullet
To put on his cape and scared
I put the fake the fake the funk the funk
To me that's not the way to do it
Captain mutha-f em' Save a soul came to me
Flexin' just like a little ol' batch
All up in front of my company
Had to check him fast with an ear check dump and
pumpin'
Talkin' to him while I'm beatin' him down
Pumpin' fear talkin' bout partner you gone retrospect
something here
[Hook]
[D-Shot]
Mr. Super-Snitch, Mr. Super-Trick
Yeah, you wanna kill me cause I tossed ya chick
You should had your cape on tight that night
Cause a brother like the Shot sho plugs em' right
And now yo batch is straight callin me lovin me
On the under for the porno star that I be
And don't you come in my face with that trick shhh
Ya betta try some more shhh
[E-40]
I got the gift to grab any batch
That I want but I don't
Cause batches now a days will get you caught up in some
funk
Oh no, I'm not tryin' to save you girls 'n
How come when I was broke you wasn't brown nosin'?
The other day you see me smobbin' down magazine
With some ol' sucker in your car lookin' at me mean
I stopped in the middle of the street
Reached under seat to grab my heat
Man that's the same ol' buster
that I got into it with at the club last week
[B-Legit]
Man them suckers can't fade
They batch made
And so they start
But suckers with no heart
Don't want no part to this
Fool rollin' with the Funk Mobb
And when it's funk
The pump will spit them double laws
So what you doin' when we roll through you hideout
I let my mack get off and then I rides out
With your as* there smokin' like a dope fiend
You savin em' man and that's batch thang
[Hook]
[Suga-T]
I'm lovin' tricks when I'm pimpin'
And even snitches just for my riches
Captain Save Me, it's all good if ya slippin'
It's all good as long as ya payin' yeah
It ain't my fault if you get sprung off my land
I'm takin' GA checks, go to the bank Hank
If ya comin' faulty, you get ganked main
Long as a trick comes fallin' down
That gets me all upset to put on my suit and clown
[E-40]
But make that man take care your kids
Make that fella call your kids his
Make that mark get out there and work
Make him fool buy you a Brinun Burk
It's all part of that sucker take care of me
Crevice whipped fool come save me
Batches out there be on the look out
For Captain save em' though
Cause he's savin though
[Hook]
[Captain Save a Hoe]
Ha ha
Yeah baby, what's up you wanna get your hair done
Come on let's go down to Lee and Kim Nail's
We can get your nails done, get your hair done
What about your kids? How many kids you got? Two?
Ah, yeah that's cool we can go feed and cloth them kids
We can go down and get the hook up at Durant Square
Yeah baby I do anything for ya
Want you phone cranked on, I can get it cranked on to
my name
Matter of fact I get you a cellular phone and a pager
We can get that package deal down there at Cellular One
Baby I'm here for you I got you
photo: US Army
Bowe Bergdahl's defense wins battle over classified documents
Edit CNN 01 May 2016
(CNN)The defense team for Sgt. Bowe Bergdahl, who is charged with desertion and misbehavior before the enemy, has won access to hundreds of thousands of pages of classified information. In a Thursday ruling, the U.S. Army Court of Criminal Appeals denied an appeal made by the prosecution regarding access to classified information ... Read More ... "It's anybody's guess ... The government has not told us what it's giving us," he said ... Gen ... Gen ... ....
photo: NASA / CXC/SAO/P. Slane et al.
Dark Energy Has Not Changed In Billions Of Years
Edit IFL Science 01 May 2016
The expansion of the universe is due to dark energy, a mysterious form of energy that surrounds us and permeates the entire cosmos. But its exact characteristics remain unknown, with most of what we know about dark energy coming from its effect on galaxies ... Astronomers used the size of galaxy clusters as “cosmic rulers,” and compared nearby clusters to far away ones ... ....
photo: US DoS
US once again forced to turn to Russia for help on Syria
Edit Deseret News 01 May 2016
WASHINGTON — Scrambling to resuscitate a nearly dead truce in Syria, the Obama administration has again been forced to turn to Russia for help, with little hope for the desired U.S. outcome ... Kerry spoke at length on Friday with Russian Foreign Minister Sergey Lavrov to that end, and had been hoping to meet with Lavrov soon, according to U.S. officials. Kerry was scheduled to arrive in Switzerland late Sunday for talks with U.N ... U.S....
photo: AP / Michael Sohn
Anti-immigrant party says Muslims not welcome in Germany
Edit Dawn 01 May 2016
STUTTGART. Delegates from Germany's anti-immigration party Alternative for Germany (AfD) on Sunday backed an election manifesto that says Islam is not compatible with the country's constitution and calls for a ban on minarets and the burqa. The AfD, set up just three years ago, has been buoyed by Europe's migrant crisis, which saw the arrival of more than one million, mostly Muslim, migrants in Germany last year ... ....
photo: US Navy / Journalist 2nd Class Luke D. Johnson.
China Blocks US Navy Ships' Access to Hong Kong Port
Edit Voa News 30 Apr 2016
China has denied a U.S. Navy aircraft carrier access to a port in Hong Kong. The Pentagon said Friday the USS Stennis and its accompanying vessels were refused entry into the port. The reason for denying access to the port was not clear ... WATCH ... ....
« back to news headlines
Personal Finance 101: New Financial Literacy Club Reaches Out to Alumni (Bowdoin College)
Edit Public Technologies 29 Apr 2016
Jessica Gluck '18. Last summer, Jessica Gluck '18 received an education in the financial world ... Following her financially-oriented internship, Gluck realized that other liberal arts students would benefit from training on how to take care of their finances ... So Gluck, an economics and Hispanic studies major, launched the Financial Literacy Club ... 'We want to bring professionals and alumni to campus to host hands-on workshops,' Gluck said....
600 birds on display in 2-day show
Edit Otago Daily Times 29 Apr 2016
Who cares about a bird show?. Plenty of people, according to North Otago Bird Fanciers Club Show spokeswoman Olwyn Gibb. She was expecting dozens of people to turn out to this weekend's bird show at the Drill Hall in Itchen St, Oamaru ... "There's a different way they sing. There's a gluck and a roll. There are 15 different little tunes that they sing ... ....
Media Advisory: Acting Health Commissioner to Attend Minority Health Month Event Highlighting African-American Brain Health Initiative at Rutgers University-Newark (State of New Jersey Department of Health)
Edit Public Technologies 28 Apr 2016
Neuroscientist Mark Gluck of Rutgers University-Newark (RU-N) is leading a team that will use a five-year, $1 million grant from the New Jersey Department of Health - obtained through a competition among states for funding from the federal Department of Health and Human Services - to teach residents how to protect their brains through exercise....
Media Advisory: RU-N to Host Community Briefing on African-American Brain Health Initiative (Rutgers University, Newark)
Edit Public Technologies 27 Apr 2016
With African Americans possessing a higher risk for developing Alzheimer's disease than the broader population, Rutgers University-Newark (RU-N) neuroscientist Mark Gluck is leading a team that is using a five-year $1-million grant from the New Jersey Department of Health - obtained through a ... Mark Gluck, Professor of Neuroscience at the Center for Molecular and Behavioral Science at RU-N....
Magical multi-lingual mathematicians make Grange Academy proud (East Ayrshire Council)
Edit Public Technologies 27 Apr 2016
(Source. East Ayrshire Council). The thought of solving tough mathematical problems is enough to bring some folk out in a cold sweat, but imagine trying to do it, after first translating the problem from a foreign language? ... Grange Academy's S3 class also finished as runners-up in 2013 ... 'In the meantime, it's bonne chance, viel gluck, buena suerte, buona fortuna and good luck to all our pupils, as we wait for t ... Original Document ... (noodl....
Somerset/Hunterdon/Warren Vicinage to Sponsor Talk on LGBT Youth (New Jersey Courts)
Edit Public Technologies 27 Apr 2016
(Source ... YOLANDA CICCONE ADRIANA M. CALDERON ... PARDO. Asst ... • • • • • • ... Gigl, a partner at the law firm of Gluck Walrath LLP and a member of the Supreme Court Committee on Minority Concerns; Danielle King, president, Lambda Law Alliance and member, Diversity Council, Seton Hall University School of Law and Gary Paul Wright, founder and executive director, African American Office of Gay Concerns, member, Essex County LGBTQ Advisory Board ... •....
Bevin revamps Kentucky Horse Racing Commission
Edit Tampa Bay Online 27 Apr 2016
LOUISVILLE, Ky. (AP) Gov. Matt Bevin revamped the Kentucky Horse Racing Commission on Wednesday with 11 new members and one holdover, reshaping a group overseeing a signature state industry. The new members include retired Hall of Fame jockey Pat Day; Bret Jones, the son of former Gov ... Last week, Thomas K ... Other appointees were. ... Lesley Howard of Lexington, a member of the board of directors of the Gluck Equine Research Center ... ....
College Town. City Life. (University of Missouri - Kansas City)
Edit Public Technologies 27 Apr 2016
(Source. University of Missouri - Kansas City). Each week, the University of Missouri-Kansas City offers an array of on-campus activities. It's nothing new. UMKC has a long legacy of hosting countless culturally enriching events. These activities are part of what give UMKC a vibrant campus life, and make UMKC an arts and culture powerhouse ... Featured Event.. What ... Where ... 'Esurientes implevit bonis' from Magnificat in D Major, BWV 243; Gluck ... 5....
In Memoriam: Walter Kohn (University of California - Santa Barbara)
Edit Public Technologies 26 Apr 2016
(Source. University of California - Santa Barbara). Walter Kohn saw the very worst the world has to offer - and he also saw the very best. Born in Vienna in 1923, the Nobel Prize-winning scientist was a teenager when World War II began and terrifying - and seemingly unimaginable - events unfolded around his family ... As to Kohn's parents, Gittel and Salomon, they were killed at Auschwitz ... Yang ... Gluck Chair in Theoretical Phyics ... (noodl....
NASCAR changes lug nut rule less than week after Stewart's criticism
Edit Yahoo Daily News 25 Apr 2016
View photo. NASCAR is changing its lug nut rule. And Tony Stewart is still fined $35,000. The sanctioning body issued a rules release Monday telling all teams that all five lug nuts must be fastened to each wheel effective with the weekend's Xfinity and Sprint Cup Series races at Talladega ... It still stands ... Just checked with NASCAR...Tony Stewart's penalty remains in place.— Jeff Gluck (@jeff_gluck) April 25, 2016 ... From NBC Sports.....
Bruckner Orchestra Linz
Edit Skiddle 21 Apr 2016
Gluck/Wagner's Overture to Iphigenie en Aulide, Mozart's Piano Concerto No 23 in A major, K 488 and Bruckner's Symphony No 6....
- 1
- 2
- 3
- 4
- 5
- Next page »
