Abdulla Aliş

Alişev Ğabdullacan Ğäbdelbari ulı (pronounced [aˈliʃəf ɣʌbduˌlaˈʑan ɣæbˌdelbaˈrɯɪ uˈlɯ]; Tatar Cyrillic: Алишев Габдуллаҗан Габделбари улы; Russian: Алишев Габдуллазян Габдулбариевич, Alishev Gabdullazyan Gabdulbarievich), best known as Abdulla Aliş ([ʌbduˈla aˈliʃ]; Cyrillic: Абдулла Алиш, also anglicized as Abdulla Alish) was a Soviet Tatar poet, playwright, writer and resistance fighter. He wrote mostly novels for children, the most notable writings being: Dulqınnar (engl. The Waves, 1934), Ant (engl. The Oath, 1935), Minem abí (engl. My Brother, 1940), as well as fairy-tales, collected to Ana äkiätläre (engl. Mother’s Fairy-Tales, 1941). He also wrote several pieces for puppet-shows, the most notable Sertotmas ürdäk (engl. The Blabbing Duck).

In addition to his writing, Aliş spent his early years working towards the construction and improvement of an electric power station in the town of Menzelinsk, on the shores of the Qaban Lakes. From 1933 he worked as a professional journalist and executive secretary for the youth magazine Pioner kələme. In 1941, he was appointed Chief Editor of the Tatar Radio Committee.

Music video

A music video or song video is a short film integrating a song and imagery, produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. There are also cases where songs are used in tie in marketing campaigns that allow them to become more than just a song. Tie ins and merchandising could be used in toys are marketing campaigns for food and other products. Although the origins of music videos date back to musical short films that first appeared in the 1920s, they came into prominence in the 1980s when MTV based their format around the medium. Prior to the 1980s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip". Since the creation and increased popularity of YouTube, mainstream artists now promote new music videos by releasing trailers of short promos on the site for their upcoming song and music video. Consequentially, YouTube has been converted into a social media platform for celebrities and artists to market themselves to their fans and audiences.