- published: 07 Jul 2016
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David Toop (born 5 May 1949) is an English musician and author, and professor and chair of audio culture and improvisation at the London College of Communication. He was notably a member of The Flying Lizards. He was a prominent contributor to the British magazine The Face. He is a regular contributor to The Wire, a British music magazine.
Soon after his birth, his parents moved to Waltham Cross, Hertfordshire, where he grew up. He was educated at Broxbourne Grammar School, which he left in 1967 to study at Hornsey College of Art.
Toop published his pioneering book on hip hop, Rap Attack, in 1984. Eleven years later, Ocean of Sound appeared, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass." Since the 1970s, Toop has also been a significant presence on the British experimental and improvised music scene, collaborating with Max Eastley, Brian Eno, Scanner, and others. In 2001, Toop curated the sound art exhibition Sonic Boom, and the following year, he curated a 2-CD collection entitled Not Necessarily Enough English Music: A Collection of Experimental Music from Great Britain, 1960–1977. More experimentally, Toop has also actively engaged with 'sounding objects' from a range of museums.
David (/ˈdeɪvɪd/; Hebrew: דָּוִד, Modern David, Tiberian Dāwîḏ;ISO 259-3 Dawid; Arabic: داوُد Dāwūd; Syriac: ܕܘܝܕ Dawid; Ancient Greek: Δαυίδ; Latin: Davidus, David; Strong's: Daveed) was, according to the Books of Samuel, the second king of the United Kingdom of Israel, and according to the New Testament, an ancestor of Jesus. His life is conventionally dated to c. 1040 – 970 BCE, his reign over Judah c. 1010–970 BCE.
The Books of Samuel, 1 Kings, and 1 Chronicles are the only Old Testament sources of information on David, although the Tel Dan Stele (dated c. 850–835 BCE) contains the phrase בית דוד (bytdwd), read as "House of David", which many scholars confirm to be a likely plausible match to the existence in the mid-9th century BCE of a Judean royal dynasty called the House of David.
Depicted as a valorous warrior of great renown, and a poet and musician credited for composing much of the psalms contained in the Book of Psalms, King David is widely viewed as a righteous and effective king in battle and civil justice. He is described as a man after God's own heart in 1 Samuel 13:14 and Acts 13:22.
The Black Chamber, also known as The Cipher Bureau, was the United States' first peacetime cryptanalytic organization, and a forerunner of the National Security Agency. The only prior codes and cypher organizations maintained by the US government had been some intermittent, and always abandoned, attempts by Armed Forces branches prior to World War I.
Headed by Herbert O. Yardley (1889–1958), the Black Chamber was founded in May 1919 following World War I. Yardley had commanded the Army cryptographic section of Military Intelligence (MI-8) during World War I. MI-8 was disbanded after the war. Jointly funded by the Army and the State Department, the Cipher Bureau was disguised as a New York City commercial code company; it actually produced and sold such codes for business use. Its true mission, however, was to break the communications (chiefly diplomatic) of other nations. Its most notable known success was during the Washington Naval Conference during which it aided American negotiators considerably by providing them with the decrypted traffic of many of the Conference delegations, most notably the Japanese.
http://en.wikipedia.org/wiki/Hyperreality
David Toop Talking about sound, listening and digital technology
FLAT TIME/sounding Interview at the Whitechapel Gallery - Music & Live Words Saturday 4th September, 2010 A composition and performance by composer/author David Toop based on John Latham's ideas of Flat Time. Includes an interview with the David Toop and the performers. Performers: David Toop: laptops, flutes, strings, amplified processes, omnipresent score. John Butcher: saxophones, etc... Phil Durrant: Maschine, etc... Aleks Kolkowski: gramophones, Stroh violin, etc... +Roger Turner: percussive markers John Latham's 'Flat Time Hypothesis of 2000' elaborates on various forms of art, sound and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominately space-based, object-based materialistic epistemology. David To...
General Strike -- Danger In Paradise
A short excerpt from the open frame session of david toop, scanner and io3 (heinz riegler, tam patton, lawrence english)
Faixa extraída do álbum "Lost Shadows: In Defence Of The Soul (Yanomami Shamanism, Songs, Ritual, 1978)", que reúne gravações de rituais e cânticos de povos indígenas Yanomami coletados por David Toop na fronteira entre Brasil e Venezuela http://jconline.ne10.uol.com.br/canal/cultura/musica/noticia/2016/01/04/o-som-que-vem-da-alma-yanomami-215154.php
David Toop. Black Chamber, 2003
"Two people sit across a table from each other. They converse informally but also improvise with sound in their own way, never quite settling on either one mode or the other, sometimes moving out of synch with their opposite partner, sometimes performing and speaking simultaneously. Are there rules? Probably, but does anybody know what they are?" Table Manners is a performance strategy somewhere between a séance, a chess match, table tennis, a dinner date and an interrogation. Devised by Professor David Toop the format blurs and confuses boundaries between sound art installation, music performance, public lecture and private conversation. Participants: David Toop, UAL Chair of Audio Culture and Improvisation with Japanese vocalist and sound artist Haco Haco is a composer, vocalist, ele...
From The Album "New & Rediscovered Musical " [1975]
from Floating Foundation Vol. 2 - CD - Sub Rosa - 2002 David Toop: http://www.samadhisound.com/davidtoop/ Sub Rosa: http://www.subrosa.net/
Influential designers from a variety of disciplines came together to share their thoughts in Ben Kelly’s 2015 symposium: Interior Design, Dead or Alive. This is David Toop’s recording. David Toop is an English musician, author, professor and Chair of Audio Culture and Improvisation at the London College of Communication. He was notably a member of the group The Flying Lizards. He was a prominent contributor to the British magazine The Face. He is a regular contributor to The Wire, a British music magazine. Toop published his pioneering book on hip hop, Rap Attack, in 1984. Eleven years later, Ocean of Sound appeared, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass." Since the 1970s, Toop has also been a significant pr...
TABLE MANNERS - David Toop, Rie Nakajima Wilson Road, Camberwell 13th May 2015
Como parte de los programas públicos que acompañan la muestra La música es mi casa de Gastón Pérsico, el músico, escritor, curador y artista inglés David Toop reflexionará acerca de la naturaleza del sonido y de la escucha asumiendo como punto de partida su carácter espectral e inaprensible. Organizado en colaboración con British Council, Universidad de San Martín y editorial Caja Negra.
Track 1 from the Freedom Principle Acid Jazz & Other Illicit Grooves Vol 2. from 1989. Features David Toop - guitar, Orphy Robinson - Vibes, Phil Bent - Flute and Paul Beard, Programming
A short excerpt from the open frame session of david toop, scanner and io3 (heinz riegler, tam patton, lawrence english)
David Toop Talking about sound, listening and digital technology
FLAT TIME/sounding Interview at the Whitechapel Gallery - Music & Live Words Saturday 4th September, 2010 A composition and performance by composer/author David Toop based on John Latham's ideas of Flat Time. Includes an interview with the David Toop and the performers. Performers: David Toop: laptops, flutes, strings, amplified processes, omnipresent score. John Butcher: saxophones, etc... Phil Durrant: Maschine, etc... Aleks Kolkowski: gramophones, Stroh violin, etc... +Roger Turner: percussive markers John Latham's 'Flat Time Hypothesis of 2000' elaborates on various forms of art, sound and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominately space-based, object-based materialistic epistemology. David To...
Final day of the Alterations Festival, Sunday 19th June 2016. Terry Day - Drums, Thurston Moore - Guitar, David Toop - Guitar.
Masking and Enmasking: Noh Theatre as a Strategy in Contemporary Art and Performance Saturday 14 May 2016, 3.30 – 5.30pm Part of 'Noh Reimagined’ festival, Kings Place 13-14 May 2016
In Camille Norment's site-specific, sculptural and sonic installation Rapture in the Nordic Pavilion at the Venice Art Biennale 2015, the glass armonica, a legendary 18th-century instrument that creates ethereal music from glass and water plays a major role. Invented by Benjamin Franklin and once played by Mozart and Marie Antoinette, the glass armonica was at first celebrated for curing people with its entrancing music, but later it was banned because it was thought to induce states of ecstasy and arouse sexual excitement in women. In addition to the interviews with artist Camille Norment and the exhibition curator Katya García-Antón, we filmed a performance by Camille Norment and composer David Toop on 8th May 2015, with Norment playing on the glass harmonica. More videos on contemporar...
FLAT TIME/sounding' is David Toop's answer to the challenge of 'composing for improvisers'. Toop bases the work on John Latham's concept of 'Flat Time': an elaboration on various forms of art, sound, and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominantly space-based, object-based, materialistic epistemology. Using this as a starting point, Toop develops a unique 'score', which combines a multi-faceted approach to time with a range of performance directions which are more stimulus than instruction, widely open to a range of performance interpretation, from direct enactment, to metaphor, inspiration, and beyond.
Faixa extraída do álbum "Lost Shadows: In Defence Of The Soul (Yanomami Shamanism, Songs, Ritual, 1978)", que reúne gravações de rituais e cânticos de povos indígenas Yanomami coletados por David Toop na fronteira entre Brasil e Venezuela http://jconline.ne10.uol.com.br/canal/cultura/musica/noticia/2016/01/04/o-som-que-vem-da-alma-yanomami-215154.php
Influential designers from a variety of disciplines came together to share their thoughts in Ben Kelly’s 2015 symposium: Interior Design, Dead or Alive. This is David Toop’s recording. David Toop is an English musician, author, professor and Chair of Audio Culture and Improvisation at the London College of Communication. He was notably a member of the group The Flying Lizards. He was a prominent contributor to the British magazine The Face. He is a regular contributor to The Wire, a British music magazine. Toop published his pioneering book on hip hop, Rap Attack, in 1984. Eleven years later, Ocean of Sound appeared, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass." Since the 1970s, Toop has also been a significant pr...
FLAT TIME/sounding at the Whitechapel Gallery - Music & Live Words Saturday 4th September, 2010 A composition and performance by composer/author David Toop based on John Latham's ideas of Flat Time. Performers: David Toop: laptops, flutes, strings, amplified processes, omnipresent score. John Butcher: saxophones, etc... Phil Durrant: Maschine, etc... Aleks Kolkowski: gramophones, Stroh violin, etc... +Roger Turner: percussive markers John Latham's 'Flat Time Hypothesis of 2000' elaborates on various forms of art, sound and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominately space-based, object-based materialistic epistemology. David Toop Highlights Flat Time's affinity to the conceptual framework of an improv...
Alterantions, the legendary free improvisation group formed by Peter Cusack, Steve Beresford, Terry Day and David Toop, live at Cafe OTO on 18 June 2016 as a part of Alterations Festival.
Como parte de los programas públicos que acompañan la muestra La música es mi casa de Gastón Pérsico, el músico, escritor, curador y artista inglés David Toop reflexionará acerca de la naturaleza del sonido y de la escucha asumiendo como punto de partida su carácter espectral e inaprensible. Organizado en colaboración con British Council, Universidad de San Martín y editorial Caja Negra.
"Two people sit across a table from each other. They converse informally but also improvise with sound in their own way, never quite settling on either one mode or the other, sometimes moving out of synch with their opposite partner, sometimes performing and speaking simultaneously. Are there rules? Probably, but does anybody know what they are?" Table Manners is a performance strategy somewhere between a séance, a chess match, table tennis, a dinner date and an interrogation. Devised by Professor David Toop the format blurs and confuses boundaries between sound art installation, music performance, public lecture and private conversation. Participants: David Toop, UAL Chair of Audio Culture and Improvisation with Japanese vocalist and sound artist Haco Haco is a composer, vocalist, ele...
http://en.wikipedia.org/wiki/Hyperreality
Como parte de los programas públicos que acompañan la muestra La música es mi casa de Gastón Pérsico, el músico, escritor, curador y artista inglés David Toop reflexionará acerca de la naturaleza del sonido y de la escucha asumiendo como punto de partida su carácter espectral e inaprensible. Organizado en colaboración con British Council, Universidad de San Martín y editorial Caja Negra.
TABLE MANNERS - David Toop, Rie Nakajima Wilson Road, Camberwell 13th May 2015
em:t playlist: https://www.youtube.com/playlist?list=PLtubRM-3tTtSL334MeEv_Vw8DUgv0Q-Xo Groove Salad playlist: https://www.youtube.com/playlist?list=PLC92F5746C6D6A454 Groove Salad Spotify: https://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0T0vfno 1 --Sine -- What's On Your Mind? 10:18 (at 0:00) 2 --David Toop -- Mud & Quartz 8:22 (at 10:18) 3 --A Small, Good Thing -- Saguaro Remix [Selected And Spliced] -- Chris, Dave 6:07 (at 18:40) 4 --Bad Data -- Borders 7:27 (at 24:47) 5 --Voodoo Warriors Of Love -- Blood 5:07 (at 32:04) 6 --Gas -- Microscopic 9:48 (at 37:11) 7 --International Peoples Gang -- Nine Churchill Drive 7:11 (at 46:59) 8 --Miasma -- Light Storm 9:30 (at 54:29) See my Spotify playlist for more: http://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0...
FLAT TIME/sounding' is David Toop's answer to the challenge of 'composing for improvisers'. Toop bases the work on John Latham's concept of 'Flat Time': an elaboration on various forms of art, sound, and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominantly space-based, object-based, materialistic epistemology. Using this as a starting point, Toop develops a unique 'score', which combines a multi-faceted approach to time with a range of performance directions which are more stimulus than instruction, widely open to a range of performance interpretation, from direct enactment, to metaphor, inspiration, and beyond.
Documentary about the work of Max Eastley, made in 1986, featuring sequences of sound sculptures in natural settings, plus Eastley accompanying them in the studio. Also includes extracts from performances of 'Whirled Music' (with Steve Beresford and David Holmes), a sequence composed jointly with David Toop and Kazuko Hohki, and a duo with Evan Parker in a cave in Devon.
13 September 2015 at Kulturhuset Oslo A new music-text-film work for Ultima by David Toop, performed by Elaine Mitchener, is based around the scientific and artistic thought patterns of the quintessential ‘Renaissance Man’, Leonardo da Vinci. In conversation with Ultima Academy curator Heloisa Amaral, David Toop discusses this multilayered piece. Read more at http://ultimaacademy.no/program/2015/5/29/leonardo-da-vinci-david-toop-and-heloisa-amaral-in-conversation. Film by Benedikte Rønsen ultimaacademy.no
Μια παράσταση εναέριων ακροβατικών σε πανιά από τις : Χρύσα Ρουμελιώτου, Βάσια Ταουξή, Σοφιάννα Κωστάκη, Μήνα Αγκιστριώτου, Γκέλυ Παπαδοπούλου, Ανθή Παρασκευά, Σοφία Ματζάφου, Μαρτίνα Παππά, Σοφία Πολυχρονίου, Τάνια Κοφιάδη Χορογραφίες-Διδασκαλία : Τάνια Κοφιάδη Μουσική επιμέλεια : Τάνια Κοφιάδη Τα μουσικά κομμάτια με τη σειρά που ακούγονται στην παράσταση : David Toop - Nocturnal service shaft Horizon - Ancestor Land - India Land - Caravan David Toop - Empty Future sound of London - My kingdom Land - India Land - Jacks Future sound of London - First death in the family Η παράσταση είναι ερασιτεχνική και πραγματοποιήθηκε 2 μήνες μετά την έναρξη των μαθημάτων . Πληροφορίες για τα μαθήματα εναέριων ακροβατικών σε πανιά : Facebook page - Tania Kofiadi 20/12/2015
Ovo Festival Sonoro é curioso e impremeditado. Traz na programação convidados internacionais para a realização de atividades formativas que tem a experimentação como fundamento. É um convite ao público, aberto e gratuito, para troca de experiências e imersão no universo artístico e criativo, da arte sonora à performance. www.ovofestivalsonoro.com Estão todos convidados a assistir a Masterclass na íntegra, com os artistas David Toop e Rie Nakajima. Mediação: Fábio Pinto Tradução: Mariana Bandarra Mais sobre os artistas: David Toop, é um dos artistas que ministrará a masterclass de abertura do Festival e workshop de arte sonora. É músico e compositor inglês, escritor e professor da London College of Communication e colaborador importante para a revista britânica The Face e The Wire. Desc...
The Seen Bertrand Denzler : tenor saxophonePhil Durrant : modular synthBurkhard Beins : percussionMark Wastell : tam tam, harmoniumMatt Davis : trumpetDavid Toop : alto flutePhil Julian : electronicsJennifer Allum : violin Mark Wastell has been organising larger formations of musicians, collectively known as THE SEEN, since the early 2000’s. Using predominantly improvised material with occasional instructions or themes distributed to individual musicians just prior to performance. No formation has ever been repeated, THE SEEN never stays static. Register of previous participants include Tetuzi Akiyama, Mattin, Michael Duch, Graham Halliwell, Andrea Neumann, Rhodri Davies, Paul Hood, Takehiro Nishide, Annette Krebs, Lee Gamble, Matt Davis, Joe Williamson, Wolfgang Fuchs, Burkhard Beins, To...
An event at Wysing Arts Centre, Cambridgeshire, 25 July 2015 More information: http://www.wysingartscentre.org/archive/events/electra_residency_event/2015 ------ The Event Programme As part of Electra's residency event at Wysing, titled 'If we’re going to use this wretched term, then let’s be clear about who was innovating in it', Electra's Director, Irene Revell, joined Conal McStravick in-conversation with David Toop. For this event Electra made public two intersecting strands of enquiry that they have been exploring during their time at Wysing; the feminist performance score, and the early sound works and video of Stuart Marshall (1949-1993).
The genre of nonsense raises philosophical problems from the first. There is a confrontation between meaning and non-meaning in the production of nonsense. The absurd is also born from this conflict. The absurd is of course not the ridiculous, and nonsense is not no sense. Participants: Kim Schoen, artist and curator of In An Absolut World True Taste Comes Naturally, co-founder of Material Press, Los Angeles Jean-Jacques Lecercle, author of The Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature. 29 April 2015 Ami Clarke, artist and founder of Banner Repeater David Toop, Chair of Audio Culture and Improvisation, University of the Arts London Pavel Büchler, artist and Research Professor at Manchester School of Art Duncan Wooldridge, Course Leader of BA Photography, ...
em:t playlist: https://www.youtube.com/playlist?list=PLtubRM-3tTtSL334MeEv_Vw8DUgv0Q-Xo Groove Salad playlist: https://www.youtube.com/playlist?list=PLC92F5746C6D6A454 Groove Salad Spotify: https://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0T0vfno Tracklist 1 -- Mendocino Sidetracked 9:17 2 -- International Peoples Gang Pool 4:53 3 -- A Small, Good Thing Ostrichism 2:30 4 -- Woob Mould 6:40 5 -- Voodoo Warriors Of Love Imagine 8:15 6 -- David Toop Bodies Of Water 9:45 7 -- Miasma Serum Switch 7:04 8 -- Ear, The Heavy Charm 7:22 9 -- Bad Data One By Four By Nine 6:11 10 -- Beatsystem Endlessly Downward 3:06 11 -- Carl Stone Sudi Mampir 8:22 See my Spotify playlist for more: http://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0T0vfno
Ηχητικό απόσπασμα της εμφάνισης του ντουέτο Rei Nakajina & David Toop στο Borderline Festival 2015 στη Στέγη Γραμμάτων & Τεχνών/ Οι φωτογραφίες είναι της Joe Pateraki
from Imitation Of Life / Double Indemnity (2001)
Strategic noise mapping. A drone, ambient and experimental mix recorded live recorded live at the No Place Like Drone Studios, Dublin 1, June 2017. Performed on 4 decks with extensive custom modular effects processing. NPLD on Mixcloud: https://www.mixcloud.com/noplaceliked... NPLD on Twitter: https://twitter.com/noplace_drone Tracklist: 01. Gareth Davis - Filament - Filament - Slaapwel Records (2016) 02. K. Leimer - Threshold - Closed System Potentials - Palace Of Lights (1980) 03. Stuart Dempster - Didjerilayover - Underground Overlays from the Cistern Chapel - New Albion (1994) 04. Dedekind Cut - So Far… So Good - American Zen - Ninjatunes (2016) 05. Ultra Red - Lewd Conduct (Unnatural Microphonics) - Second Nature: An Electroacoustic Rastoral - Mille Plateaux (1999) 06. Marifa - Ra...
An evening of performance, music and film in the ICA Theatre to celebrate the launch of 'Boooook: The Life and Work of Bob Cobbing'. The book was edited by William Cobbing and Rosie Cooper and published by Occasional Papers. Participating artists include Bob Cobbing (documentation of performances), Oscar Gaynor, Henrik Heinonen, Will Holder, Rahel Kraft, Hugh Metcalfe, Holly Pester, Heather Phillipson, Jasia Reichardt and David Toop. Bob Cobbing (1920-2002) was "the major exponent of concrete, visual and sound poetry in Britain" (Robert Sheppard, The Guardian). His performances of printed sound poems involved stretching language through the deployment of shouts, hisses, groans, interspersed between more recognisable tracts of spoken word. He was also a prolific organiser and collaborat...
Symposiet On the Edge samler et utvalg improviserende musikere til en mini-festival, med konserter på Victoria og til intervjuer, presentasjoner og faglig meningsutveksling på Musikkhøgskolen. I år er temaet improvisasjon i studio. Festivalen foregår fra onsdag 30. november til fredag 2. desember på Norges musikkhøgskole og Nasjonal jazzscene, og er åpen for alle! Programmet på Norges musikkhøgskole starter kl 10 den 1. og 2. desember. Mer info på On the Edge´s nettside: www.nmh.no/ontheedge 19:00 Young on Sylvian – Med Rob Young og gjest Jan Bang 20:00 Skrap 21:00 Keith Rowe/David Toop/Rhodri Davies/Rie Nakajima/Phil Durrant (ensemble kuratert av David Sylvian for On the Edge 2016) Kvelden starter med en frisk prat hvor Rob Young setter David Sylvian i søkelyset sammen med gjest ...
David Toop Talking about sound, listening and digital technology
13 September 2015 at Kulturhuset Oslo A new music-text-film work for Ultima by David Toop, performed by Elaine Mitchener, is based around the scientific and artistic thought patterns of the quintessential ‘Renaissance Man’, Leonardo da Vinci. In conversation with Ultima Academy curator Heloisa Amaral, David Toop discusses this multilayered piece. Read more at http://ultimaacademy.no/program/2015/5/29/leonardo-da-vinci-david-toop-and-heloisa-amaral-in-conversation. Film by Benedikte Rønsen ultimaacademy.no
FLAT TIME/sounding Interview at the Whitechapel Gallery - Music & Live Words Saturday 4th September, 2010 A composition and performance by composer/author David Toop based on John Latham's ideas of Flat Time. Includes an interview with the David Toop and the performers. Performers: David Toop: laptops, flutes, strings, amplified processes, omnipresent score. John Butcher: saxophones, etc... Phil Durrant: Maschine, etc... Aleks Kolkowski: gramophones, Stroh violin, etc... +Roger Turner: percussive markers John Latham's 'Flat Time Hypothesis of 2000' elaborates on various forms of art, sound and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominately space-based, object-based materialistic epistemology. David To...
Bjork is interviewed on David Toop. Part 1 of 11
Hear John Latham's colleagues, friends, and family talk about this extraordinary artist and the works within A World View: John Latham. Including interviews with David Toop, Laure Prouvost, Ismail Saray, Douglas Gordon and John-Paul Latham
Como parte de los programas públicos que acompañan la muestra La música es mi casa de Gastón Pérsico, el músico, escritor, curador y artista inglés David Toop reflexionará acerca de la naturaleza del sonido y de la escucha asumiendo como punto de partida su carácter espectral e inaprensible. Organizado en colaboración con British Council, Universidad de San Martín y editorial Caja Negra.
Provided to YouTube by The state51 Conspiracy Ceremony Behind Screens · David Toop Screen Ceremonies ℗ 1995 Quartz Publications Released on: 1995-04-20 Auto-generated by YouTube.
David Toop / Max Eastley NEW AND REDISCOVERED MUSICAL INSTRUMENTS (obscure no.4 ) Side Two. David Toop : "The Divination of the Bowhead Whale"(16 :42 ) edit 4:03 -ランダムに計4分03秒
Influential designers from a variety of disciplines came together to share their thoughts in Ben Kelly’s 2015 symposium: Interior Design, Dead or Alive. This is David Toop’s recording. David Toop is an English musician, author, professor and Chair of Audio Culture and Improvisation at the London College of Communication. He was notably a member of the group The Flying Lizards. He was a prominent contributor to the British magazine The Face. He is a regular contributor to The Wire, a British music magazine. Toop published his pioneering book on hip hop, Rap Attack, in 1984. Eleven years later, Ocean of Sound appeared, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass." Since the 1970s, Toop has also been a significant pr...
"Two people sit across a table from each other. They converse informally but also improvise with sound in their own way, never quite settling on either one mode or the other, sometimes moving out of synch with their opposite partner, sometimes performing and speaking simultaneously. Are there rules? Probably, but does anybody know what they are?" Table Manners is a performance strategy somewhere between a séance, a chess match, table tennis, a dinner date and an interrogation. Devised by Professor David Toop the format blurs and confuses boundaries between sound art installation, music performance, public lecture and private conversation. Participants: David Toop, UAL Chair of Audio Culture and Improvisation with Japanese vocalist and sound artist Haco Haco is a composer, vocalist, ele...
Thurston Moore of Sonic Youth was at Goldsmiths recently, along with Tania Chen and David Toop. Here they reflect on the final months of Bowie's music and life, studying music, and the challenges of staying innovative.
TABLE MANNERS - David Toop, Rie Nakajima Wilson Road, Camberwell 13th May 2015
Faixa extraída do álbum "Lost Shadows: In Defence Of The Soul (Yanomami Shamanism, Songs, Ritual, 1978)", que reúne gravações de rituais e cânticos de povos indígenas Yanomami coletados por David Toop na fronteira entre Brasil e Venezuela http://jconline.ne10.uol.com.br/canal/cultura/musica/noticia/2016/01/04/o-som-que-vem-da-alma-yanomami-215154.php
an extract from 'Wunderkammern', a CD of 6 improvised pieces by David Toop (laptop, steel guitar, flutes), Lee Patterson (amplified devices & field recordings), and Rhodri Davies (harp, electronics, preparations). The pieces were recorded in London in July 2006, and the Cd was released on Another Timbre in 2010, www.anothertimbre.com
Como parte de los programas públicos que acompañan la muestra La música es mi casa de Gastón Pérsico, el músico, escritor, curador y artista inglés David Toop reflexionará acerca de la naturaleza del sonido y de la escucha asumiendo como punto de partida su carácter espectral e inaprensible. Organizado en colaboración con British Council, Universidad de San Martín y editorial Caja Negra.
TABLE MANNERS - David Toop, Rie Nakajima Wilson Road, Camberwell 13th May 2015
em:t playlist: https://www.youtube.com/playlist?list=PLtubRM-3tTtSL334MeEv_Vw8DUgv0Q-Xo Groove Salad playlist: https://www.youtube.com/playlist?list=PLC92F5746C6D6A454 Groove Salad Spotify: https://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0T0vfno 1 --Sine -- What's On Your Mind? 10:18 (at 0:00) 2 --David Toop -- Mud & Quartz 8:22 (at 10:18) 3 --A Small, Good Thing -- Saguaro Remix [Selected And Spliced] -- Chris, Dave 6:07 (at 18:40) 4 --Bad Data -- Borders 7:27 (at 24:47) 5 --Voodoo Warriors Of Love -- Blood 5:07 (at 32:04) 6 --Gas -- Microscopic 9:48 (at 37:11) 7 --International Peoples Gang -- Nine Churchill Drive 7:11 (at 46:59) 8 --Miasma -- Light Storm 9:30 (at 54:29) See my Spotify playlist for more: http://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0...
FLAT TIME/sounding' is David Toop's answer to the challenge of 'composing for improvisers'. Toop bases the work on John Latham's concept of 'Flat Time': an elaboration on various forms of art, sound, and those immaterial and mysteriously insubstantial events that exist as anomalies within our predominantly space-based, object-based, materialistic epistemology. Using this as a starting point, Toop develops a unique 'score', which combines a multi-faceted approach to time with a range of performance directions which are more stimulus than instruction, widely open to a range of performance interpretation, from direct enactment, to metaphor, inspiration, and beyond.
Documentary about the work of Max Eastley, made in 1986, featuring sequences of sound sculptures in natural settings, plus Eastley accompanying them in the studio. Also includes extracts from performances of 'Whirled Music' (with Steve Beresford and David Holmes), a sequence composed jointly with David Toop and Kazuko Hohki, and a duo with Evan Parker in a cave in Devon.
13 September 2015 at Kulturhuset Oslo A new music-text-film work for Ultima by David Toop, performed by Elaine Mitchener, is based around the scientific and artistic thought patterns of the quintessential ‘Renaissance Man’, Leonardo da Vinci. In conversation with Ultima Academy curator Heloisa Amaral, David Toop discusses this multilayered piece. Read more at http://ultimaacademy.no/program/2015/5/29/leonardo-da-vinci-david-toop-and-heloisa-amaral-in-conversation. Film by Benedikte Rønsen ultimaacademy.no
Μια παράσταση εναέριων ακροβατικών σε πανιά από τις : Χρύσα Ρουμελιώτου, Βάσια Ταουξή, Σοφιάννα Κωστάκη, Μήνα Αγκιστριώτου, Γκέλυ Παπαδοπούλου, Ανθή Παρασκευά, Σοφία Ματζάφου, Μαρτίνα Παππά, Σοφία Πολυχρονίου, Τάνια Κοφιάδη Χορογραφίες-Διδασκαλία : Τάνια Κοφιάδη Μουσική επιμέλεια : Τάνια Κοφιάδη Τα μουσικά κομμάτια με τη σειρά που ακούγονται στην παράσταση : David Toop - Nocturnal service shaft Horizon - Ancestor Land - India Land - Caravan David Toop - Empty Future sound of London - My kingdom Land - India Land - Jacks Future sound of London - First death in the family Η παράσταση είναι ερασιτεχνική και πραγματοποιήθηκε 2 μήνες μετά την έναρξη των μαθημάτων . Πληροφορίες για τα μαθήματα εναέριων ακροβατικών σε πανιά : Facebook page - Tania Kofiadi 20/12/2015
Ovo Festival Sonoro é curioso e impremeditado. Traz na programação convidados internacionais para a realização de atividades formativas que tem a experimentação como fundamento. É um convite ao público, aberto e gratuito, para troca de experiências e imersão no universo artístico e criativo, da arte sonora à performance. www.ovofestivalsonoro.com Estão todos convidados a assistir a Masterclass na íntegra, com os artistas David Toop e Rie Nakajima. Mediação: Fábio Pinto Tradução: Mariana Bandarra Mais sobre os artistas: David Toop, é um dos artistas que ministrará a masterclass de abertura do Festival e workshop de arte sonora. É músico e compositor inglês, escritor e professor da London College of Communication e colaborador importante para a revista britânica The Face e The Wire. Desc...
The Seen Bertrand Denzler : tenor saxophonePhil Durrant : modular synthBurkhard Beins : percussionMark Wastell : tam tam, harmoniumMatt Davis : trumpetDavid Toop : alto flutePhil Julian : electronicsJennifer Allum : violin Mark Wastell has been organising larger formations of musicians, collectively known as THE SEEN, since the early 2000’s. Using predominantly improvised material with occasional instructions or themes distributed to individual musicians just prior to performance. No formation has ever been repeated, THE SEEN never stays static. Register of previous participants include Tetuzi Akiyama, Mattin, Michael Duch, Graham Halliwell, Andrea Neumann, Rhodri Davies, Paul Hood, Takehiro Nishide, Annette Krebs, Lee Gamble, Matt Davis, Joe Williamson, Wolfgang Fuchs, Burkhard Beins, To...
An event at Wysing Arts Centre, Cambridgeshire, 25 July 2015 More information: http://www.wysingartscentre.org/archive/events/electra_residency_event/2015 ------ The Event Programme As part of Electra's residency event at Wysing, titled 'If we’re going to use this wretched term, then let’s be clear about who was innovating in it', Electra's Director, Irene Revell, joined Conal McStravick in-conversation with David Toop. For this event Electra made public two intersecting strands of enquiry that they have been exploring during their time at Wysing; the feminist performance score, and the early sound works and video of Stuart Marshall (1949-1993).
The genre of nonsense raises philosophical problems from the first. There is a confrontation between meaning and non-meaning in the production of nonsense. The absurd is also born from this conflict. The absurd is of course not the ridiculous, and nonsense is not no sense. Participants: Kim Schoen, artist and curator of In An Absolut World True Taste Comes Naturally, co-founder of Material Press, Los Angeles Jean-Jacques Lecercle, author of The Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature. 29 April 2015 Ami Clarke, artist and founder of Banner Repeater David Toop, Chair of Audio Culture and Improvisation, University of the Arts London Pavel Büchler, artist and Research Professor at Manchester School of Art Duncan Wooldridge, Course Leader of BA Photography, ...
em:t playlist: https://www.youtube.com/playlist?list=PLtubRM-3tTtSL334MeEv_Vw8DUgv0Q-Xo Groove Salad playlist: https://www.youtube.com/playlist?list=PLC92F5746C6D6A454 Groove Salad Spotify: https://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0T0vfno Tracklist 1 -- Mendocino Sidetracked 9:17 2 -- International Peoples Gang Pool 4:53 3 -- A Small, Good Thing Ostrichism 2:30 4 -- Woob Mould 6:40 5 -- Voodoo Warriors Of Love Imagine 8:15 6 -- David Toop Bodies Of Water 9:45 7 -- Miasma Serum Switch 7:04 8 -- Ear, The Heavy Charm 7:22 9 -- Bad Data One By Four By Nine 6:11 10 -- Beatsystem Endlessly Downward 3:06 11 -- Carl Stone Sudi Mampir 8:22 See my Spotify playlist for more: http://open.spotify.com/user/121914379/playlist/1iING5wJ1gZGaiU0T0vfno
Ηχητικό απόσπασμα της εμφάνισης του ντουέτο Rei Nakajina & David Toop στο Borderline Festival 2015 στη Στέγη Γραμμάτων & Τεχνών/ Οι φωτογραφίες είναι της Joe Pateraki
from Imitation Of Life / Double Indemnity (2001)
Strategic noise mapping. A drone, ambient and experimental mix recorded live recorded live at the No Place Like Drone Studios, Dublin 1, June 2017. Performed on 4 decks with extensive custom modular effects processing. NPLD on Mixcloud: https://www.mixcloud.com/noplaceliked... NPLD on Twitter: https://twitter.com/noplace_drone Tracklist: 01. Gareth Davis - Filament - Filament - Slaapwel Records (2016) 02. K. Leimer - Threshold - Closed System Potentials - Palace Of Lights (1980) 03. Stuart Dempster - Didjerilayover - Underground Overlays from the Cistern Chapel - New Albion (1994) 04. Dedekind Cut - So Far… So Good - American Zen - Ninjatunes (2016) 05. Ultra Red - Lewd Conduct (Unnatural Microphonics) - Second Nature: An Electroacoustic Rastoral - Mille Plateaux (1999) 06. Marifa - Ra...
An evening of performance, music and film in the ICA Theatre to celebrate the launch of 'Boooook: The Life and Work of Bob Cobbing'. The book was edited by William Cobbing and Rosie Cooper and published by Occasional Papers. Participating artists include Bob Cobbing (documentation of performances), Oscar Gaynor, Henrik Heinonen, Will Holder, Rahel Kraft, Hugh Metcalfe, Holly Pester, Heather Phillipson, Jasia Reichardt and David Toop. Bob Cobbing (1920-2002) was "the major exponent of concrete, visual and sound poetry in Britain" (Robert Sheppard, The Guardian). His performances of printed sound poems involved stretching language through the deployment of shouts, hisses, groans, interspersed between more recognisable tracts of spoken word. He was also a prolific organiser and collaborat...
Symposiet On the Edge samler et utvalg improviserende musikere til en mini-festival, med konserter på Victoria og til intervjuer, presentasjoner og faglig meningsutveksling på Musikkhøgskolen. I år er temaet improvisasjon i studio. Festivalen foregår fra onsdag 30. november til fredag 2. desember på Norges musikkhøgskole og Nasjonal jazzscene, og er åpen for alle! Programmet på Norges musikkhøgskole starter kl 10 den 1. og 2. desember. Mer info på On the Edge´s nettside: www.nmh.no/ontheedge 19:00 Young on Sylvian – Med Rob Young og gjest Jan Bang 20:00 Skrap 21:00 Keith Rowe/David Toop/Rhodri Davies/Rie Nakajima/Phil Durrant (ensemble kuratert av David Sylvian for On the Edge 2016) Kvelden starter med en frisk prat hvor Rob Young setter David Sylvian i søkelyset sammen med gjest ...