- published: 09 Mar 2016
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Ross Hunter (May 6, 1926 – March 10, 1996) was an American film and television producer and actor. Hunter is best known for producing light comedies such as Pillow Talk (1959), and the glamorous melodramas Magnificent Obsession (1954), Imitation of Life (1959), and Back Street (1961).
Hunter was born Martin Terry Fuss in Cleveland, Ohio on May 6, 1926. He was of Austrian-Jewish and German Jewish descent. Hunter attended Glenville High School where he later taught English and drama (he also taught these subjects at Rawlings High School). During World War II, he worked in United States Army Intelligence. After his time in the Army, he returned to his job as a drama teacher. He eventually moved to Los Angeles after his students sent his photo to Paramount Pictures. Paramount Pictures passed on signing him to a contract and he subsequently signed with Columbia Pictures. It was at Columbia that a casting agent changed his name from "Martin Fuss" to "Ross Hunter".
During the 1930s, Hunter acted in a number of B-movie musicals. When his acting career stalled, he returned to teaching drama at the Ben Bard Dramatic School and also taught speech therapy. Hunter missed working in films and decided to return to the business and focus on film production. During the late 1940s, Hunter enrolled at the Motion Picture Center Studio where he was trained in film production. In 1951, Universal-International hired him as a producer for the film Flame of Araby, starring Jeff Chandler and Maureen O'Hara. During production, Hunter cut $172,000 from the film's budget which pleased Universal executives who raised his salary.
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Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, composer and singer who became one of the pivotal and most influential figures in jazz music. His career spanned from the 1920s to the 1960s, covering many different eras of jazz.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing.
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over", whose skin color was secondary to his music in an America that was extremely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society which were highly restricted for black men of his era.
Actors: George M. Merrick (writer), Joseph P. Kennedy (miscellaneous crew), Bob Custer (actor), Duke R. Lee (actor), Bob Custer (producer), William Ryno (actor), Scott Pembroke (director), Walter Maly (actor), Ruby Blaine (actress), Ruth Todd (writer), Roy Bassett (actor), George M. Johnson (writer), Jack Castle (actor),
Genres: Western,