- published: 24 Feb 2011
- views: 25659
- author: ADMETTestSystems
1:37
How Strong are Eggs? Compression Strength Test
We've all attempted to break an egg by squeezing it with our hands and failed miserably. I...
published: 24 Feb 2011
author: ADMETTestSystems
How Strong are Eggs? Compression Strength Test
We've all attempted to break an egg by squeezing it with our hands and failed miserably. In an attempt to have a little fun we decided to try and test the st...
- published: 24 Feb 2011
- views: 25659
- author: ADMETTestSystems
2:28
Compression strength of a full pop can
Compression tests of a filled, un-opened pop can for material science and engineering clas...
published: 28 Apr 2008
author: Dan Samborsky
Compression strength of a full pop can
Compression tests of a filled, un-opened pop can for material science and engineering class. Local buckling and crippling is shown. Maximum compression loads...
- published: 28 Apr 2008
- views: 2323
- author: Dan Samborsky
2:39
Compressive Strength of Concrete ASTM Method C 39
Compressive Strength of Concrete....
published: 03 Nov 2006
author: tiberius2oo5
Compressive Strength of Concrete ASTM Method C 39
Compressive Strength of Concrete.
- published: 03 Nov 2006
- views: 35589
- author: tiberius2oo5
2:05
MAX 1618 A/B COMPRESSION STRENGTH TEST VIDEO.mpg
MAX 1618 A/B ULTRA CLEAR EPOXY RESIN SYTEM COMPRESSIVE STRENGTH TEST....
published: 05 Jan 2012
author: Gerald L.
MAX 1618 A/B COMPRESSION STRENGTH TEST VIDEO.mpg
MAX 1618 A/B ULTRA CLEAR EPOXY RESIN SYTEM COMPRESSIVE STRENGTH TEST.
- published: 05 Jan 2012
- views: 487
- author: Gerald L.
13:19
Preparing and testing concrete cylinders (ASTM C39)
Preparing and testing 4 x 8 concrete cylinders for a compressive strength test in accordan...
published: 02 Aug 2012
author: Matt OReilly
Preparing and testing concrete cylinders (ASTM C39)
Preparing and testing 4 x 8 concrete cylinders for a compressive strength test in accordance with ASTM C39.
- published: 02 Aug 2012
- views: 1674
- author: Matt OReilly
1:31
Concrete Cube Compressive Strength Testing @ LJMU
The investigation used 4 concrete cubes to test the compressive strength of the concrete b...
published: 07 Mar 2007
author: Chris Maloney
Concrete Cube Compressive Strength Testing @ LJMU
The investigation used 4 concrete cubes to test the compressive strength of the concrete batch used in each section. This cube is a 7 days concrete compressi...
- published: 07 Mar 2007
- views: 25056
- author: Chris Maloney
4:28
Unconfined Compression Testing
Unconfined compression strength testing performed in the geotechnical engineering laborato...
published: 20 Nov 2009
author: vleafar
Unconfined Compression Testing
Unconfined compression strength testing performed in the geotechnical engineering laboratory at Auburn University.
- published: 20 Nov 2009
- views: 7082
- author: vleafar
2:52
SEW-Application-Podcast Vol. 10: Compression strength test stand
When steel is deformed, its internal structure also changes. This is the objective of a pr...
published: 22 Nov 2012
author: SEW EURODRIVE
SEW-Application-Podcast Vol. 10: Compression strength test stand
When steel is deformed, its internal structure also changes. This is the objective of a process called "linear flow splitting", in which the load areas of el...
- published: 22 Nov 2012
- views: 161
- author: SEW EURODRIVE
1:22
Concrete - HSHDC Cube Under Compression
Ultra-ductile performance of High Strength High Ductility Concrete under compression with ...
published: 06 Apr 2012
author: Ravi Ranade
Concrete - HSHDC Cube Under Compression
Ultra-ductile performance of High Strength High Ductility Concrete under compression with peak strength of 160 MPa (23 ksi). Compare this with the catastroph...
- published: 06 Apr 2012
- views: 451
- author: Ravi Ranade
8:35
ANULAB Agra Compressive Strength of Core Cylinder
Engineers usually specify the required compressive strength of concrete, which is normally...
published: 22 Oct 2009
author: ANULAB AGRA
ANULAB Agra Compressive Strength of Core Cylinder
Engineers usually specify the required compressive strength of concrete, which is normally given as the 28 day compressive strength in megapascals (MPa) or p...
- published: 22 Oct 2009
- views: 3004
- author: ANULAB AGRA
10:03
Compressive Strength of Cement Punjab PWD(B&R;)
Quality Control Videos in Punjabi recorded by Quality Control Cell of Punjab PWD (B&R;)...
published: 26 Mar 2011
author: Rakesh Garg
Compressive Strength of Cement Punjab PWD(B&R;)
Quality Control Videos in Punjabi recorded by Quality Control Cell of Punjab PWD (B&R;)
- published: 26 Mar 2011
- views: 715
- author: Rakesh Garg
1:25
Cylinder (High-Strength Concrete) - Slow Motion Compression Failure
A cylinder made of high-strength concrete undergoing compression failure. Produced with fu...
published: 31 Aug 2012
author: ExpeditionWorkshed
Cylinder (High-Strength Concrete) - Slow Motion Compression Failure
A cylinder made of high-strength concrete undergoing compression failure. Produced with funding from CONSTRUCT and filmed at Imperial College London. For mor...
- published: 31 Aug 2012
- views: 244
- author: ExpeditionWorkshed
2:45
tester, testing equipment, lab equipment, lab instrument, tensile strength tester, box compression strength tester
...
published: 09 Mar 2009
author: David Wei
tester, testing equipment, lab equipment, lab instrument, tensile strength tester, box compression strength tester
- published: 09 Mar 2009
- views: 315
- author: David Wei
Vimeo results:
1:06
The Great Camera Shootout 2011 ~ Trailer
Get ready! The Great Camera Shootout 2011 is about to begin! From the Emmy Award winning p...
published: 02 May 2011
author: Steve Weiss
The Great Camera Shootout 2011 ~ Trailer
Get ready! The Great Camera Shootout 2011 is about to begin! From the Emmy Award winning production house, Zacuto Films, the web series tackles a new breed of cameras in the most scientific camera comparison to date. The GCSO 2011 is a documentary about the Single Chip Camera Evaluation (SCCE) which encompasses large-scale, technical, camera evaluation tests administered by Robert Primes, ASC. The GCSO is not a contest to decide out who makes the "best" camera. Rather, it is a collection of tests aimed to evaluate the strengths and weaknesses of the industry’s newest cameras.
In this series, you will see side by side comparisons of the newest cameras manufactured by Sony, Canon, Panasonic, Phantom, Weisscam, Nikon, Arri, RED as well as the gold standard of 35mm film. The SCCE consists of fifteen tests comparing twelve different cameras on a multitude of levels. Cameras Tested: Arri Alexa, Sony F-35, Sony F3, Canon 5D Mark II, Canon 7D, Canon 1D Mark IV, Nikon D7000, Weisscam HS-2, Phantom Flex, Panasonic AG-AF100, RED ONE M-X and 35mm Kodak 5213 and 5219 film. Each camera faced in-depth analysis in regard to it’s sharpness, low light sensitivity, exposure latitude, highlight detail, shadow detail, color quality, flesh tone reproduction, compression losses and shutter artifacts
Robert Primes, ASC, brought in consultants, specialists and technicians from various areas of the motion picture industry. Including: Stephen Lighthill, ASC, Nancy Schreiber ASC, Matt Seigel, Michael Bravin, and Mike Curtis. For more information, visit http://www.zacuto.com/the-great-camera-shootout-2011. The first webisode premieres in June 2011. Come watch!
To watch the Emmy Award winning, "The Great Camera Shootout 2010," go to http://www.zacuto.com/shootout
1:09
Linear Slic Kable. Tested. Proven.
We are dedicated to improving our cable’s technical features, so we recently began selling...
published: 22 Dec 2011
author: Odyssey BMX
Linear Slic Kable. Tested. Proven.
We are dedicated to improving our cable’s technical features, so we recently began selling all of our Linear Slic Kable® with our new K-Shield™ housing. This new design greatly improves the housing’s compression strength. To illustrate the difference we performed a test. As you can see, all "linear" cables are not created equal. The Odyssey Linear Slic Kable® with K-Shield™ has a compression strength that is nearly 70% greater than its nearest competitor. What this means for you is longer cable life and improved reliability.
When it comes to cables, don’t fall for the same old sales pitch. They’re not all the same. We know that you’ll appreciate the long life of these cables as much as we do. K-Shield™ is included on every Linear Slic Kable® that we make.
Learn more about the history of our Linear Slic Kable:
http://www.odysseybmx.com/dailyword/2011/12/linear-slic-kable-tested-proven/
11:59
No Surrender (Dance Drama Film)
No Surrender
Starring Bernadette Walong
A Physical TV Company Production
in associati...
published: 22 Jul 2008
author: The Physical TV Company
No Surrender (Dance Drama Film)
No Surrender
Starring Bernadette Walong
A Physical TV Company Production
in association with the Australian Broadcasting Corporation
No Surrender
Starring Bernadette Walong
SYNOPSIS
No Surrender tells the story of a young Indigenous woman who is invaded, terrorised and physically attacked by an unseen intruder wielding a camera. As she nears the point of surrender, the woman’s spirit separates from her body and, through the language of dance and spiritual movement, she finds the strength to fight back and overcome her attacker.
No Surrender is a film about the struggle between invasion and resistance. It is about the incredible capacity of the human spirit to overcome insurmountable odds.
No Surrender previewed in October 2001 at Popcorn Taxi in Sydney, launched by Paul Clarke, Head of Entertainment and Music at ABC TV.
SCREENINGS (2002-2005)
St Kilda Film Festival in Melbourne;
TTV Performing Arts on Screen in Riccione, Italy;
the Commonwealth Film Festival in Manchester, England;
the Woods Hole Film Festival in Massachusetts, USA;
the International Festival of New Film in Split, Croatia;
the ReelDance International Dance on Screen Festival in Australia in Sydney, Adelaide, Perth, Melbourne and Lismore (touring thereafter to the University of Melbourne and to Argentina as part of Festival Buenos Aires Danza Contemporanea);
Short Trips @ The Melbourne Fringe 2002 Best Film Award;
the Manly ScreenWorks Short Film Festival;
Fano International Film Festival in Italy;
IMZ dance screen in Monte Carlo;
Anchorage Film Festival in Alaska;
The Kinesthetic Eye, An International Dance for Camera Screening,
in Minneapolis and in Wellington;
Constellation Change Screen Dance Festival in London;
Dance Moments at the Goethe-Institut in Krakow;
Canberra Short Film Festival;
Captured: A Videodance Series at Dance Theatre Workshop, in New York City;
Park City Film Music Festival in Utah (twice);
Festival Castel dei Mondi in Andria, Italy;
Noosa Film Society in regional NSW;
CineMoves: A Forum for the Exhibition of Dance and Movement on Film, in Sydney
Short Sited and Film Illawarra in Wollongong;
The Third Video Art and Artistic Video Review: Video Dia Loghi, in Turin, Italy;
Cockatoo Island Festival, Sydney;
Limmud Oz, Festival of Jewish Learning and Culture, Sydney.
BROADCASTS
No Surrender was broadcast nationally in Australia on ABC TV in May 2002 and showcased on TV Slovenia in June 2002. It is distributed to the non-theatrical market in Australia and New Zealand in 2003 by Marcom Projects and in the USA by Artworks Video. ScreenSound Australia has invested in a 35mm archival film print for its Australian Dance Collection. It has been acquired by the National Film and Video Lending, a screen studies collection owned by the National Library of Australia and managed by the Australian Centre for the Moving Image (ACMI).
AWARDS
No Surrender won Best Experimental Film at the 2002 Annual ATOM Awards for Film, Television, Radio & Multimedia in Melbourne, and Best Music for a Short Film in the 2002 APRA-Australian Guild of Screen Composers Screen Music Awards. In international competition for Awards for Best Impact of Music in Independent Film at the 2004 Park City Music Festival, Utah, No Surrender won the Gold Medal for Excellence: Audience Favorite in Short Films. It was Highly Commended by the Australian Cinematographers' Society and Shortlisted for Best Sound Design at the Australian Screen Sound Guild Awards - both in the Short Film category. It was Shortlisted for the 2002 ReelDance Awards and a Finalist for the Short Trips @ The Melbourne Fringe 2002 Best Film Award.
REVIEW
in
REALTIME/On Screen
June/July 02
by Keith Gallasch
“In a dramatic reversal of one of cinema’s favorite tropes, the pursuit of the terrified woman, the subject of No Surrender’s gaze, an Indigenous woman (dancer Bernadette Walong), wakes to find a camera (our point of view) prying between her thighs. A violent chase ensues, rich in night time colour, strange locations and hand-held urgency until the woman’s spirit is unleashed in an ecstatic dance. She turns on the camera with fists, kick-boxing knockouts and flame, the shattered lens flickering to faltering readouts. No Surrender exploits digital possibilities to the painterly max with slo-mo strokes, sudden zooms and deft super-impositions. In a cinema with wrap-around sound, as at the Popcorn Taxi Sydney premiere, music and sound design stunningly amplify the immersive quality of the cinematography. It’s a rare experience for the audience being cast as the baddy.”
REVIEW
in
THE SYDNEY MORNING HERALD
August 7, 2002
by Jill Sykes
Excerpt from “Diversity of dance on the big screen”, a review of the
ReelDance International Dance on Screen Festival at The Studio, Sydney Opera House.
“Australian and New Zealand contributions, shortlisted from the ReelDance awards, tended to look for the intense and dramatic more often than t
2:07
Q&A; | 08. { Canon + Technicolor: Cinestyle scene setting review }
Link to original blog post: http://bit.ly/jalRqr
I put a short video together that highli...
published: 13 May 2011
author: Casey Warren | MINDCASTLE
Q&A; | 08. { Canon + Technicolor: Cinestyle scene setting review }
Link to original blog post: http://bit.ly/jalRqr
I put a short video together that highlights some example video clip shot with this setting switched on and off. The main things I set out to test were dynamic range, highlight retention and color gradation + saturation.
A couple months ago Canon USA announced a new partnership with the long time color professionals at Technicolor. They developed a new scene setting for the 5d mark II ( that also works with other Canon HDSLRs ) This new setting essentially helps drive the most latitude out of the sensor possible. While it may look like the imagery comes out flatter, it actually helps preserve more of the information contained within the image -- capturing more vibrant colors, better gradation in the highlights, and also more information in the darker areas of the image. While this step forward isn't yet to the golden standard of a RAW video image, its a huge step forward in creating better imagery with your HDSLR.
ART 01/dynamic range: The beginning of the video starts with a simple comparison of the dynamic range of the image. I was in my garage and happened to dig up some old color transparencies that have been passed down through my family over the years -- most of them happened to be processed by technicolor :) Anywho, since film inherently has more dynamic range than the image coming out of the 5d, I thought this test would be perfect for looking at how much more range the CINESTYLE setting brings out in both the highlights and the dark areas of the film images.
PART 02/color: The second part of the test focuses on what a properly graded image can look like when using the cinestyle setting -- it's important to note that the cinestyle setting isn't your typical shoot to edit setting. It required a few more steps in the color grading process to bring the most out of it, so if you are planning to use it, make sure you have planned a bit more time in the color grading pipeline so that you can make the most out of the imagery. If you look closely you can see that the colors form the cinestyle setting are slightly more vibrant and have better overall fidelity than when on the standard setting.
PART 03/contrast & color rendition: In this section I shot a light house that had white paneling. You can see that a greater amount of detail is held within the whites in the cinestyle graded footage, as well as the cinestyle straight from the camera.
PART 04/shawdow details: I think one of the greatest strengths of cinestyle is the ability the setting has to bring out the details in the shadows. You can clearly see that even when the light is turned on behind the slides, there are details still preserved in the image... the red color of the football uniform as well as the shadows hitting the house and door behind him. If I were to shoot anything at night, I would definitely turn cinestyle on just for the couple stops of light it preserves in the shadows.
THOUGHTS...
I am glad that Canon is working on building relationships with companies like Technicolor. I think that they created one of the most successful DSLR cameras in the world with the 5d --- its gotten into a ton of peoples hands and the freedom to tell stories in a more cinematic way has definitely been expanded by these products. Hopefully more advances like this will come in the near future from Canon.
I drew up a list of pros, cons, and tips from having used the cinestyle setting for the last week or so on all the projects we've been working on...
PROS:
• As you can see, the cinestyle scene setting helps make imagery out of the 5d look flatter and more evenly toned. From a grading point of view this is very good, because you have more data in the image to work with. The end result, is that your going to get smoother gradated color tones as well as overall luminosity when you apply your final color grades in an app like Color, FCP, AE, or Premier.
• At this point, Cinestyle (FREE) a 5d ($2600) and Final Cut Pro ($599) are as close as you can get to having the most filmic image without using film or a RED camera ($17,500 for the body)
• Canon is listening.... Im hoping that the future is bright and that they can give filmmakers a video image that looks as good as the still image that their cameras can produce. Compared to film, the image is 65% there...it just needs 3-4 more stops of dynamic range and 3-4 times the resolution -- then it would be a digital cinema camera that could content with much of whats seen on the big screen today.
• you don't lose anything by using this setting, you only gain. While it takes time to get the image looking good -- you gain a lot in the process with the increased fidelity of the image with higher quality colors + overall image gradation.
CONS:
• Although the benefits are there, the cinestyle setting doesn't offer the tremendous benefits that you would get by being able to shoot RAW images in video mode. The next step to take in getting the
Youtube results:
1:11
Construction 101: Clay Brick Strength Test (Compression Test)
Compression test for clay brick. Conduct this test to test strength of clay brick. Bricks ...
published: 18 Jun 2012
author: Nizam Hajizan
Construction 101: Clay Brick Strength Test (Compression Test)
Compression test for clay brick. Conduct this test to test strength of clay brick. Bricks were randomly selected and marked. Before the test bricks must be s...
- published: 18 Jun 2012
- views: 378
- author: Nizam Hajizan
1:20
Cement Cylinder Compression Test: High-Strength Cement
This film shows the behaviour of a high-strength cement cylinder in compression. This cyli...
published: 04 Mar 2013
author: ExpeditionWorkshed
Cement Cylinder Compression Test: High-Strength Cement
This film shows the behaviour of a high-strength cement cylinder in compression. This cylinder is made using grade 52.5 cement. For more info, including down...
- published: 04 Mar 2013
- author: ExpeditionWorkshed
1:37
CFOAM Carbon Foam Compressive Strength Test
ASTM C365 Compression Test of CFOAM Carbon Foam at Touchstone Research Laboratory in Triad...
published: 11 Jun 2009
author: CFOAM1
CFOAM Carbon Foam Compressive Strength Test
ASTM C365 Compression Test of CFOAM Carbon Foam at Touchstone Research Laboratory in Triadelphia, WV.
- published: 11 Jun 2009
- views: 2228
- author: CFOAM1
2:02
Explosion of concrete cube in slow motion
Concrete cube explosion during compression test. It was recorded in slow motion by high sp...
published: 05 Jun 2012
author: Zrombales
Explosion of concrete cube in slow motion
Concrete cube explosion during compression test. It was recorded in slow motion by high speed video camera 8000 frames per second. Ultimate compression stren...
- published: 05 Jun 2012
- views: 459
- author: Zrombales