Apr 082016
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Bowie

I felt I had to let some time pass and perspective broaden before posting this. The temptation had been to rush it out whilst reactions were still raw, the media awash with memories of an icon, but I stalled, maybe waiting for his death to all have been a big mistake, a stunt even. But it wasn’t, nor were the steady stream of deaths that have followed in his wake, 2016 seeming an end of the line for so many of my musical heroes.

I was a mere decade behind Bowie in age; he had been a constant in my life from ’69 and he still is, not necessarily at the forefront but always capable of wrenching away the limelight from whichsoever johnny-come-latelys were making my day. Not an uber fan; indeed, swathes of his prodigious output meant nothing to me at the time, only catching up well late in the game – I didn’t “get” the Berlin Trilogy until five years after the fact, and Diamond Dogs/Young Americans took four times longer. (Never did get Tin Machine, but hey, who did?) But even as recently as last summer, a driving holiday in Cornwall was nourished by Bowie, a playlist culled from the 102 tracks of his on my iPod. Paltry by some standards, yes, but several hours of enjoyment by me. With much in-car singing.

I remember the time when suddenly everybody first got Bowie, the days of Ziggy Stardust and the Spiders from Mars, early ’70s, but my dalliance had begun earlier. I recall hearing “Changes,” or should I say, “Ch-ch-ch-changes,” on the radio at home, sounding all awkwardness and angst, immediately marking my card. Inevitably when Ziggy came along, all those of my age and place on the autism spectrum disorder “preferred” Hunky Dory. And I did too, swiftly selling my copy of Ziggy as it was “too commercial.” Hey, give me a break – I was 15, and today, aeons later, I regret that. But I still prefer Hunky Dory, even the dodgy tracks everyone skips.
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Apr 062016
 
GazCoombes

There have been no shortage of new David Bowie covers since the Thin White Duke’s sudden passing, and the latest comes from Gaz Coombes, former frontman of Supergrass (also, according to the first paragraph of his Wikipedia entry, “noticeable for his large sideburns during the 1990s”). It was first played on a British podcast last week and an eagle-eyed listener sent it our way (thanks David!). Continue reading »

Apr 012016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

BillW

There’s talk that “Use Me,” from Bill Withers’ second album Still Bill, is about his relationship with his future wife (and, a year later, ex-wife), Hollywood actress Denise Nicholas. Withers denies this, saying he got the idea for the song before his first album, while he was still making toilets for $3 an hour. Most listeners didn’t care about its origin – they were too busy digging that funky clavinet, nodding along to lyrics that brush against masochistic tendencies while defiantly stating that one could be willing to take the bad with the good, because that good was so good. It sure felt good, especially the Live at Carnegie Hall version, so deep in the pocket that the clapping-along audience doesn’t want it to end, demanding (and getting) an immediate encore.
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Mar 302016
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Guns-N-Roses

Guns N’ Roses’s “November Rain” is a huge song. Its size doesn’t just come from its length (it’s almost nine minutes long, making it the longest single ever in the Billboard Top 10). It’s not its long gestational period, either (Tracii Guns says that Axl Rose already had a working version of it in 1983, back when he was still with the L.A. Guns). Nor is it only the cryptic video (Axl lost somebody, for sure, but otherwise who knows was was going on exactly?). “November Rain” is an epic because in addition to all these elements, it takes the listener on a journey, and it’s one we’ve all been on before.

When the song begins, we’re dropped into a relationship on the edge. It’s been on-again, off-again, and both parties are unsure of where they stand. Slash’s first two solos during this part of the song soar, making you feel like everything is going to work out for these two. The last verse reinforces this feeling. When Axl sings “Never mind the darkness, we still can find a way. And nothing lasts forever, even cold November rain”, we feel like this couple has turned the corner and is on the right path.

And then comes the apocalyptic coda. Instead of tenderness, we get intensity. Between the thunder of the piano and the snarl of the third guitar solo, it’s clear that we ended up getting two songs for the price of one. This is the story of a relationship on the rocks, surviving through its ups and downs; and then the bloody aftermath, when nothing is left but loneliness and the need to rage.

Because of all the territory the original spans, any cover of “November Rain” has fertile ground for interpretation. An artist could focus on any part of the myriad emotions crammed into the original and explore further. Here are three covers that did a particularly good job with this power ballad.
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Mar 292016
 
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So that’s how you spell “Jai Guru Deva, Om.”

That’s Candace Leca singing this classic Beatles cut with the lyrics written on 100 different balloons. The video was created by Leca and her husband, Mike Paglia, who plays guitar and piano on this cover of a song they both love and have always wanted to cover.
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Mar 282016
 

desperate timesIs it bad form to promote your own tribute? It almost makes you think about the crass sort of person who, say, slaps his last name on every building, golf course, airline, casino, steak, or bottle of wine or water that he has anything to do with. Now, what about if it is an employee who instigates a tribute to his employer? That seems pretty cool, especially since so many employees would probably be more likely to spit on something that glorifies their bosses than to work, unpaid, to create a monument to them.

So, let’s give kudos to Jeff “Jefe” Neely, the “website guy” for Old 97’s, who decided that it would be a good idea to get other musicians to cover Old 97’s songs and to use the project as a fundraiser for charity: water, whose mission is to “bring clean and safe drinking water to every person in the world.” The charity was founded in 2006 by Scott Harrison, a former nightclub and fashion promoter after a life changing trip to Liberia.

The band got behind the project, which became known as Desperate Times, and helped to get artists to contribute covers to the project, which was funded through a Pledge Music campaign. In fact, many of the artists had toured with Old 97’s at some point in the band’s two-decade-plus career, and a significant number are from Texas, where Old 97’s formed. Not surprisingly, therefore, most of them inhabit a similar Americana/country/rock space as the band they are covering. The contributors, all well-respected artists if not chart-toppers, seem to have embraced the challenge. For the most part, although the covers don’t generally stray too far from the originals, each is distinctive and all are of exceptional quality.
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