Topper (film)

Topper (1937) is an American comedy film starring Constance Bennett and Cary Grant and featuring Roland Young, which tells the story of a stuffy, stuck-in-his-ways man, Cosmo Topper (Roland Young) who is haunted by the ghosts of a fun-loving married couple.

The film was adapted by Eric Hatch, Jack Jevne and Eddie Moran from the novel by Thorne Smith. The movie was directed by Norman Z. McLeod, produced by Hal Roach, and distributed by Metro-Goldwyn-Mayer. The supporting cast includes Billie Burke and Eugene Pallette. Topper was a huge hit with film audiences in the summer of 1937; since Cary Grant had a percentage deal on the film, he made quite a bit of money on the film's success.

In 1985, Topper was one of the first black-and-white films to be re-released in a colorized version, produced by Hal Roach Studios and Colorization Inc.

Plot

George (Cary Grant) and Marion (Constance Bennett) Kerby are as rich as they are irresponsible. When George wrecks their classy sports car, they wake up from the accident as ghosts. Realizing they aren’t in heaven or hell because they’ve never been responsible enough to do good deeds or bad ones, they decide that freeing their old friend Cosmo Topper (Roland Young) from his regimented lifestyle will be their ticket into heaven.

Topper

Topper or Toppers may refer to:

Geography

Objects

People

In entertainment

Film

A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.

The process of filmmaking is both an art and an industry.