- published: 23 Jun 2014
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Anna Mouglalis (born April 26, 1978) is a French actress.
Anna Mouglalis was born in Nantes, Loire-Atlantique, to her Greek father and French mother. She spent her youth in the Var département, before moving back to Nantes with her family. Her father is a doctor and her mother is a masseuse. Until 2001 she studied at the Conservatoire National Supérieur d'Art Dramatique de Paris (CNSAD) under the direction of Daniel Mesguich. In addition to her native French, she speaks fluent English, Italian, Spanish, and understands Greek to a limited extent.
In 1997, she had begun an acting career in La Nuit du Titanic, played in Paris. In the same year she was chosen by Francis Girod for the film Terminal. In 2000 she co-starred with Isabelle Huppert in Claude Chabrol's Merci pour le chocolat. After appearing in Novo (2002) by Jean Pierre Limosin, she was called up by Roberto Andò for the thriller Sotto falso nome. In 2003, she played in La Maladie de la mort which previewed at the Venice Film Festival, a film in black and white by first-time director Asa Mader. In this very same year, she also co-starred at a Greek film, called "Real Life "("Alithini Zoi"), directed by Panos Koutras. In 2005 she took part in two Italian movies: Romanzo criminale, directed by Michele Placido, and Mare buio, where she featured alongside Luigi Lo Cascio. And she made a huge public and critical triumph with her co-star Lorànt Deutsch completely embodying the characters of the existentialists Simone de Beauvoir and Jean-Paul Sartre to the point that some critics said that they thought something mystical was happening before their eyes, in a TV movie called Les Amants du Flore showing their romance and the birth of their careers directed by Ilan Duran Cohen.
Paz Campos Trigo (born 2 January 1976), better known as Paz Vega, is a Spanish actress.
Vega was born in Seville, Andalusia, Spain to a homemaker mother and a retired bullfighter father. Vega's younger sister has performed as a flamenco dancer. Vega has described her family as "traditional" and Catholic. She took her stage name from her grandmother. After attending a performance of Federico García Lorca's La casa de Bernarda Alba at the age of 15 she was convinced that she wanted to become an actress. After completing compulsory education at 16, she was accepted at the prestigious Centro Andaluz de Teatro stage school. After two years at the stage school and two more years studying journalism, Vega moved to Madrid.
Vega made her television debut in the Spanish TV series, Menudo es mi padre, which starred rumba singer El Fary. After appearing in two other series in 1997 - Mas que amigos and teen drama Compañeros - she went on to grace the silver screen in 1999 in Zapping. The same year she also had a minor role in the David Menkes movie I Will Survive (Sobreviviré) alongside Emma Suárez, Juan Diego Botto and a cameo from Boy George.
Igor Fyodorovich Stravinsky (sometimes spelled Strawinsky or Stravinskii; Russian: Игорь Фёдорович Стравинский, transliterated: Igorʹ Fëdorovič Stravinskij; Russian pronunciation: [ˌiɡərʲ ˌfʲjodɐrɐvʲɪtɕ strɐˈvʲinskʲɪj]; 17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian, and later French and American composer, pianist and conductor. He is acknowledged by many as one of the most important and influential composers of the 20th century.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913). The Rite of Spring, which provoked a riot during its premiere, transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His so-called Russian phase was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue and symphony). They frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form, of instrumentation and of utterance.