Pete Hamill (born June 24, 1935) is an
American journalist, novelist, essayist, editor and educator. Widely traveled and having written on a broad range of topics, he is perhaps best known for his career as a
New York City journalist, as "the author of columns that sought to capture the particular flavors of New York City's politics and sports and the particular pathos of its crime."
Hamill was a columnist and editor for the
New York Post and
The New York Daily News.
The eldest of seven children of
Catholic immigrants from
Belfast, Northern Ireland, Pete Hamill was born in the
Park Slope section of
Brooklyn. His father,
Billy Hamill, lost a leg as the result of an injury in a semi-pro soccer game in Brooklyn. Hamill's mother,
Anne Devlin, a high school graduate in
Belfast, arrived in
New York on the day the stock market crashed in 1929. Billy Hamill met Anne Devlin in 1933 and they married the following year. Billy Hamill had jobs as a grocery clerk, in a war plant, and later in a factory producing lighting fixtures.
Anne Hamill was employed in Wanamaker's department store, and also worked as a domestic, a nurses' aide, and a cashier in the
RKO movie chain.[6]
Hamill attended
Holy Name of Jesus grammar school[7] and delivered the
Brooklyn Daily Eagle when he was 11.[8] In 1949, Hamill attended the prestigious
Regis High School in
Manhattan, but left school when he was 15 to work as an apprentice sheet metal worker in the
Brooklyn Navy Yard; 59 years later, in June
2010,
Regis awarded him an honorary diploma.[9]
Inspired especially by the work of
Milton Caniff, he was set on becoming a comic book artist.[10] Hamill attended night classes at the
School of Visual Arts (then called the
Cartoonists and Illustrators School),[11] with the goal of becoming a painter.[12] In the fall of
1952, he enlisted in the
U.S. Navy. After his discharge, in 1956-57, he was a student at
Mexico City College on the
G.I. Bill.[13] Hamill has also lived in
Spain,
Ireland,
San Juan, Puerto Rico,
Rome,
Los Angeles, and
Santa Fe, New Mexico.
A friend of
Robert F. Kennedy, Hamill helped persuade the senator to run for the
United States presidency, then worked for the campaign and covered it as a journalist. He was one of four men who disarmed
Sirhan Sirhan of his gun in the aftermath of the
Robert F. Kennedy assassination.[14]
Hamill began to work as a reporter for the New York Post in 1960.[15] The 1962--63 New York City newspaper strike led Hamill to start writing magazine articles. By the fall of
1963 he was a correspondent for the
Saturday Evening Post, stationed in
Europe.[16] Hamill spent six months in
Barcelona and five months in
Dublin, and traveled Europe interviewing actors, movie directors, and authors, as well as ordinary citizens. In
August 1964 he returned to New York, reported on the
Democratic Convention in
Atlantic City, and was briefly employed as a feature writer at the
New York Herald Tribune. He began writing a column for the New York Post in late
1965, and by the end of that year was reporting from
Vietnam.[17]
Over the course of nearly forty years Hamill worked at the
Post, the
New York Daily News, the
Village Voice, and
New York Newsday. He served briefly as editor of the Post, and later as editor-in-chief-of the
Daily News. His resignation from the latter position after eight months prompted a letter of protest signed by more than a hundred of the paper's writers.[18] Hamill's more extensive journalistic pieces have been published in New York,
The New Yorker,
Esquire,
Playboy,
Rolling Stone, and other periodicals. He has written about wars in Vietnam,
Nicaragua,
Lebanon and
Northern Ireland,[19] and reported on
America's urban riots of the
1960s. Hamill wrote about the New York underclass and racial division, most notably in an essay for
Esquire magazine entitled
Breaking the Silence.[20] He also wrote about boxing, baseball, art, and contemporary music, winning a
Grammy Award in 1975 for the liner notes to
Bob Dylan's
Blood on the Tracks.[21]
Two collections of his selected journalism have been published: Irrational Ravings and
Piecework (
1996). For the
Library of America he edited two volumes of the journalism of
A.J. Liebling. In
1998, he published an extended essay on contemporary journalism titled
News is a Verb: Journalism at the End of the
Twentieth Century.
Hamill's
1994 memoir, A Drinking
Life, chronicled his journey from childhood into his thirties, his embrace of drinking and the decision to abandon it
.[22] According to Hamill,
Frank McCourt was inspired by the book to complete his own memoir,
Angela's Ashes.[23] Hamill's memoir
Downtown: My Manhattan includes his reporting for the New York Daily News on the destruction of the
World Trade Center on
September 11, 2001, at which he was present.
- published: 01 May 2014
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