In Hinduism and Buddhism, the Sanskrit term बीज bīja (Jp. 種子 shuji), literally seed, is used as a metaphor for the origin or cause of things and cognate with bindu.

The metaphor is considerably extended in the Consciousness-only teachings of the Yogacara school of Buddhism. According to this theory, all experiences and actions produce bīja as impressions, stored in the alaya (storehouse) consciousness. The external world is produced when the seeds "perfume" this consciousness. This view of bīja has been equated to memes, with the theory itself positing an extreme form of memetics (i.e. reality and existence consist purely of memes).

In Vajrayana Buddhism and Hinduism, the term bīja is used for mystical "seed syllables" contained within mantras. These seeds do not have precise meanings, but are thought to carry connections to spiritual principles. The best-known bīja syllable is Om, first found in the Hindu scriptures the Upanishads.

Khanna (2003: p. 21) links mantras and yantras to thoughtforms:

Jai Uttal (Hindi: जय उत्तल) is an American musician and singer-songwriter born in New York City. Often performing with his "Pagan Love Orchestra," Jai's music is influenced by his R&B roots of the 1960s and '70s and by traditional Indian music, which he first became familiar with at age 19.

When he was 19, Jai moved to California to become a student of sarod player Ali Akbar Khan for traditional voice training and to learn the sarod, a 25-stringed Indian instrument. Later he traveled to India where he studied yoga under Neem Karoli Baba. He was also deeply inspired by the Bauls, the wandering street musicians of Bengal. Jai settled among them, communicating only through music, which ultimately helped establish his unique style¹.

While some of Jai's music is used in the practice of yoga², it is not all meditative; his 1990s records also used elements of jazz, reggae and rock and often featured powerful horn arrangements by Peter Apfelbaum. In addition to Baul influences (particularly in the lyrical realm), elements of his music are strongly influenced by kirtan, and bhajan.