Paris

Paris (UK: /ˈpærɪs/ PARR-iss; US: ⁱ/ˈpɛərɪs/ PAIR-iss; French: [paʁi]) is the capital and most populous city of France. Situated on the Seine River, in the north of the country, it is in the centre of the Île-de-France region, also known as the région parisienne, "Paris Region". The City of Paris has an area of 105 km² (41 mi²) and a population of 2,241,346 (2014 estimate) within its administrative borders essentially unchanged since 1860.

Since the 19th century, the built-up area of Paris has grown far beyond its administrative borders; together with its suburbs, the whole agglomeration has a population of 10,550,350 (Jan. 2012 census).Paris' metropolitan area spans most of the Paris region and has a population of 12,341,418 (Jan. 2012 census), or one-fifth of the population of France. The administrative region covers 12,012 km² (4,638 mi²), with approximately 12 million inhabitants as of 2014, and has its own regional council and president.

Paris was founded in the 3rd century BC by a Celtic people called the Parisii, who gave the city its name. By the 12th century, Paris was the largest city in the western world, a prosperous trading centre, and the home of the University of Paris, one of the first in Europe. In the 18th century, it was the centre stage for the French Revolution, and became an important centre of finance, commerce, fashion, science, and the arts, a position it still retains today.

New Morning

New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, released on October 19, 1970 by Columbia Records.

Coming only four months after the controversial Self Portrait, the more concise and immediate New Morning won a much warmer reception from fans and critics. Most welcome was the return of Dylan's familiar, nasal singing voice. While he has a slightly nasal tone to his voice on "Alberta #1" from Self Portrait this was the first full album with his familiar voice since John Wesley Harding in 1967: he had taken on a country croon since then. In retrospect, the album has come to be viewed as one of the artist's lesser successes, especially following the release of Blood on the Tracks in 1975, often seen as a fuller return-to-form.

It reached #7 in the US, quickly going gold, and gave Dylan his sixth and last UK number 1 album until Together Through Life in 2009. The album's most successful song from a commercial perspective is probably "If Not for You", which also was recorded by George Harrison, who had played guitar on a version of the song not released until 1991's Bootleg Series Volume 2, and was also an international hit for Olivia Newton-John in 1971. Bryan Ferry also included the song on Dylanesque.

Arlene Francis

Arlene Francis (born Arline Francis Kazanjian; October 20, 1907 – May 31, 2001) was an American actress, radio talk show host, and game show panelist. She is known for her long-standing role as a panelist on the television game show What's My Line?, on which she regularly appeared for 25 years, from 1950 through the mid-1970s, on both the network and syndicated versions of the show.

Early life

Francis was born on October 20, 1907, in Boston, Massachusetts, the daughter of Leah (née Davis) and Aram Kazanjian. Her Armenian father was studying art in Paris at the age of 16 when he learned that both his parents had died in one of the Hamidian massacres perpetrated by the Ottoman Empire in Anatolia between 1894 and 1896. He emigrated to the United States and became a portrait photographer, opening his own studio in Boston in the early 20th century. Later in life, Kazanjian painted canvases of dogwoods, "rabbits in flight", and other nature scenes, selling them at auction in New York.

Paris Concert

Paris Concert may refer to:

Vincenzo Bellini

Vincenzo Salvatore Carmelo Francesco Bellini (Italian: [vinˈtʃɛntso salvaˈtoːre karˈmɛːlo franˈtʃesko belˈliːni]; 3 November 1801 – 23 September 1835) was an Italian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before' "

A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances.

Bellini was the quintessential composer of the Italian bel canto era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: