Love Streams marks a subtle shift in Tim Hecker's habitual style, a pivot away from his hazy trademark.
Interview 2016, another strange between-album release from Death Grips, is an intense instrumental EP that showcases the production chops of Zach Hill and Andy Morin.
After eight albums of solid if predictable psych-folk, Woods shake up their pastoral sound a bit, introducing notes of reggae and African jazz.
Twenty88 is the chosen name of the duo of rapper Big Sean and R&B singer Jhené Aiko. As a pair, they complement each other well, and the battle-of-the-sexes theme manages to work on the strength of their chemistry.
Bristol's Flying Saucer Attack were a murky and beloved cult band that mixed shoegaze guitars with the drifting throb of krautrock to create extreme feelings of isolation and alienation. These albums, now reissued on vinyl by Drag City, find them at the moment in the mid-'90s when their sound hit its stride.
After providing an explosive soundtrack for dancers in Brooklyn’s flex scene for years, the riddims and beats of flex tunes are now primed to take over the rest of the world.
A peek into the life of Frankie Cosmos’ Greta Kline, whose music pinpoints minute details that can conjure monumental rushes of memory and emotion.
Claire Boucher's early experimentations were a far cry from the music she makes today. Halfaxa, 15 ethereal tracks in which her vocals approached pure glossolalia, is Grimes at her most mystical.
Tehran-via-London artist Ashkan Kooshanejad works by breaking down samples into unrecognizable blips of sound, and then layering them up into thickets of melody and rhythm.
Andrew Bird's latest release is his third album of pop originals since getting married and having a son, and a happy domesticity informs it.
Teen Suicide is the old band of Sam Ray, whose other projects include Ricky Eat Acid and Julia Brown. He resurrected the band for a 26-track blowout of an album that is constantly absorbing and equal parts astonishing and frustrating.