Soderbergh, Steven Filmography

• Play in Full Screen The Knick

  2014, role: producer
• Play in Full Screen The Knick

  2014, role: director
• Play in Full Screen Behind the Candelabra

  2013, role: editor
• Play in Full Screen Behind the Candelabra

  2013, role: director
• Play in Full Screen Side Effects

  2013, role: editor
• Play in Full Screen Marvin Hamlisch: What He Did for Love

  2013, role: actor , character name: Himself
• Play in Full Screen 2013 Primetime Creative Arts Emmy Awards

  2013, role: actor , character name: Himself - Winner
• Play in Full Screen Side Effects

  2013, role: director
• Play in Full Screen The 65th Primetime Emmy Awards

  2013, role: actor , character name: Himself - Winner: Outstanding Directing for a Miniseries, Movie or a Dramatic Special
• Play in Full Screen Magic Mike

  2012, role: editor
• Play in Full Screen An Amazing Time: A Conversation About End of the Road

  2012, role: director
• Play in Full Screen Magic Mike

  2012, role: director
• Play in Full Screen Side by Side

  2012, role: actor , character name: Himself
• Play in Full Screen Stanley Kubrick in Focus

  2012, role: actor , character name: Himself
• Play in Full Screen Roman Polanski: Odd Man Out

  2012, role: producer
• Play in Full Screen We Need to Talk About Kevin

  2011, role: producer
• Play in Full Screen The Last Time I Saw Michael Gregg

  2011, role: actor
• Play in Full Screen Contagion

  2011, role: actor , character name: John Neal
• Play in Full Screen I Ain't Scared of You: A Tribute to Bernie Mac

  2011, role: actor , character name: Himself
• Play in Full Screen The Last Time I Saw Michael Gregg

  2011, role: director
• Play in Full Screen Haywire

  2011, role: director
• Play in Full Screen His Way

  2011, role: producer
• Play in Full Screen Contagion

  2011, role: director
• Play in Full Screen Haywire

  2011, role: editor
• Play in Full Screen And Everything Is Going Fine

  2010, role: director
• Play in Full Screen Rebecca H. (Return to the Dogs)

  2010, role: producer
• Play in Full Screen Night Train

  2010, role: producer
• Play in Full Screen Solitary Man

  2009, role: producer
• Play in Full Screen The Informant!

  2009, role: director
• Play in Full Screen The Girlfriend Experience

  2009, role: editor
• Play in Full Screen Cleanflix

  2009, role: actor , character name: Himself - Director, Traffic
• Play in Full Screen Playground

  2009, role: producer
• Play in Full Screen Porn: Business of Pleasure

  2009, role: actor , character name: Himself - Director, The Girlfriend Experience
• Play in Full Screen The Girlfriend Experience

  2009, role: director
• Play in Full Screen Che: Part Two

  2008, role: director
• Play in Full Screen Roman Polanski: Wanted and Desired

  2008, role: producer
• Play in Full Screen Che: Part One

  2008, role: director
• Play in Full Screen Erika Rabau: Puck of Berlin

  2008, role: actor , character name: Himself
• Play in Full Screen Garland Bunting Project

  2008, role: producer
• Play in Full Screen Life Interrupted

  2007, role: director
• Play in Full Screen Ocean's Thirteen

  2007, role: director
• Play in Full Screen Michael Clayton

  2007, role: producer
• Play in Full Screen Life Interrupted

  2007, role: producer
• Play in Full Screen I'm Not There.

  2007, role: producer
• Play in Full Screen Tishomingo Blues

  2007, role: producer
• Play in Full Screen Wind Chill

  2007, role: producer
• Play in Full Screen Bienvenue à Cannes

  2007, role: actor , character name: Himself
• Play in Full Screen A Scanner Darkly

  2006, role: producer
• Play in Full Screen The Half Life of Timofey Berezin

  2006, role: producer
• Play in Full Screen The 16th Annual Gotham Awards

  2006, role: actor , character name: Himself - Presenter

Famous quotes by Steven Soderbergh:

"[LOS ANGELES (Hollywood Reporter) - The movie business is] out of whack, ... The studio model has to be rethought."

"I'm just like Fassbinder, ... but without the drugs and the whores."

"I liked that he was prolific. I liked the subject matter. I envied his ability to really be a part of the worlds that he portrayed. He was in it in a way that I could never be. And, I don't know, just the bluntness of his movies or most of them, I really like. I was watching a lot of them and had some of them with me when I was in Ohio, not to ape anything in specific, just for the feeling."

"At the most basic level, it's a lot of free publicity."

"I know you are here to kill me. Shoot coward. You are only going to kill a man."

"We feel in many cases we're going to get a better response to some of our movies in Europe, or outside of the United States, than in the United States."

"I tried very hard not to disturb the cast. We designed the story to fit the town, ... incorporate much of their own lives into the story."

"They're forcing the issue onto characters, ... force these people to be humiliated."

"Lying is like alcoholism. You are always recovering."

"Reality shows are all the rage on TV at the moment ... but that's not reality, it's just another aesthetic form of fiction."

"I had more fun making Traffic than either of the Ocean's films."

"I guess I didn't feel confident enough to be searching in a big public way. I was very content at the time to toil in obscurity on things that I thought might point me in certain directions or teach me certain things - not knowing what that would be."

"Well, it's 15 years since Sex, Lies And Videotape, and if you hang around long enough you're having the same arguments with just a new set of people every few years and it gets boring."

"A movie that costs only $1.6 million doesn't have to be a cultural event to turn a profit."

"It's pretty clear to me that working as a director for hire agrees with me. I like it. The films that have come out of that, I personally like better than the ones that didn't."

"I'm sure some people will say, 'Why do this?' And my response is, 'Why wouldn't you?' The film business in general is using a model that is outdated and, worse than that, inefficient."

"The key is, if you're not monkeying around with the script, then everything usually goes pretty well."

"I think I'm good at amplifying an actor's strengths, and minimizing their weaknesses. And they all have strengths and weaknesses."

"I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it."

"When you're sent something and read it, either you can see it while you read it, or you can't."