"WORK 2S" KIMYONGGEOL DANCE THEATER 5TH KOREA BALLET FESTIVAL OPENNING PERFOMANCE. CHOREGRAPHY,MIS EN SCENE AND DANCE ETC,,, yong-geol KIM 6, june 2014, seoul art center in KOREA MUSIC, 1,Prelude, Cantata of BACH 2,Barre 2 lines avec image, FLOW MY TEARS OF STING 3,Teaching et variation“wondering” DANCER, da-woon KIM 4,Metamorphosis PHILIPPE GLASS. 5,Pas de 2 “conscience” alessandro marcello "oboe concerto in D minor 2,adagio" dancers, ji-youn CHUNG,HUNGARY NATIONAL BALLET je-yong AHN,MONTE-CARLO BALLET PIANO,kyung-hee KIM OBOE,woo-joong KIM 6,Vivaldi 4 season , winter 7,Variation“Black swan: avec violin fritz kreisler "preludium and allegro" DANCER, jae-eun JUNG,FINLAND NATIONAL BALLET PIANO,kyung-hee KIM VIOLIN,jun-young LEE 8,Pas de 2 “flow my tears” COUNTER TENOR, hee-sang LEE GUITAR,jung-sil SEO 9,“Sofa“ "irreversible" in the film france 10,variation “Swan“ "BACH" concerto in F minor BWV 1056-2 LARGO DANCER, hee-sun KIM, korea national ballet 11,Primitife JHON CAGE. 12,ENCORE "WE WERE ROCK YOU" of QUEEN. Total 1h 20m. STEFF, LIGHT DISIGNER, kyung-won SEO ,UNIVERSAL BALLET CONPANY LIGHT OPERATER, nak-cheon KANG, UNIVERSAL BALLET CONPANY STAGE DIRECTOR, young-gil CHOI. FILM AND IMAGE, Sebastian SIMON COUSTUM, INSTAGE. ORGANISATION ETC, kyung-man MOON. Description of "Work 2 S" Silver “Barres” are breaking the silence as they slowly elevating and naturally clashing. Under the “Barres”, dancers sublimate into the fascinating movements through escaped movements from the strict basics in classical ballet. And, dancers control the extension of movements and the rhythm of music through their agile muscular and breathing hearts. Lighting and stage are designed as a new way to show the fascinating movements from the dancers’ breathing hearts. For Kim Yong Geol Dance Theatre, every single attempt is a “work” to show the other way of performance and to enjoy itself as well. Synopsis of "Work 2 S" Before starting the series of "Work", as a choreographer, there were lots of questions that roaming my mind; “What would be the scope of movements which contemporary ballet has been doing now and will be broad further? And, where would be the limit which the movements formulate in classical ballet? And for dancers, what is the meaning of those movements? Is it possible to represent something else not with emotional and dramatic story in the classical ballet but with only a movement of body? And, why are we trying the movements and why should we do?” Since it has been under the elegant costume, gorgeous ornaments, and strictly basic movements, a ballet movement is hard to represent its own face. I’ve been believed that dancers who learned classical ballet and movement have a power to make more than before. Thus, I’ve been deleted the ‘Swan’ which shows off its beauty in my dream. Everyone has never changing but wandering between the boundaries of familiarity… Am I, too, trying to make a work as a way to escape the boundary of classical ballet that I never occupied… This shows killing the classical ballet… But, I hope a new possibility by destroying itself.

• published: 06 Feb 2016
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