"Hell" is the first single by American rock band Disturbed from their first b-sides compilation album, The Lost Children.
The song was originally released as a b-side from their single "Stricken", off their third album Ten Thousand Fists. "Hell" was also released as a bonus track on the UK version of Ten Thousand Fists in 2005.
As a single in its own right, the song hit radio stations on October 11, 2011. Disturbed's frontman David Draiman stated on his Twitter page that there is no video shoot for the single. An audio-only recording is available on YouTube.
All songs written and composed by Disturbed.
This is an alphabetized list of notable .onion hidden services accessible through the Tor anonymity network. Most are considered dark web services. Defunct services are marked.
Naraka (Sanskrit: नरक) is the name given to the realm of existence in Jain cosmology characterized by great suffering. Naraka is usually translated into English as "hell" or "purgatory". However, Naraka differs from the hells of Abrahamic religions as souls are not sent to Naraka as the result of a divine judgment and punishment. Furthermore, the length of a being's stay in a Naraka is not eternal, though it is usually very long—measured in billions of years. A soul is born into a Naraka as a direct result of his or her previous karma (actions of body, speech and mind), and resides there for a finite length of time until his karma has achieved its full result. After his karma is used up, he may be reborn in one of the higher worlds as the result of an earlier karma that had not yet ripened.
The hells are situated in the seven grounds at the lower part of the universe. The seven grounds are:
Hallelujah is a Hebrew word meaning "Praise ye Jehovah".
Hallelujah may also refer to:
Hallelujah! is a 1929 American Pre-Code Metro-Goldwyn-Mayer musical directed by King Vidor, and starring Daniel L. Haynes and Nina Mae McKinney.
Filmed in Tennessee and Arkansas and chronicling the troubled quest of a sharecropper, Zeke Johnson (Haynes), and his relationship with the seductive Chick (McKinney), Hallelujah was one of the first all-black films by a major studio. It was intended for a general audience and was considered so risky a venture by MGM that they required King Vidor to invest his own salary in the production. Vidor expressed an interest in "showing the Southern Negro as he is" and attempted to present a relatively non-stereotyped view of African-American life.
Hallelujah! was King Vidor's first sound film, and combined sound recorded on location and sound recorded post-production in Hollywood. King Vidor was nominated for a Best Director Oscar for the film.
In 2008, Hallelujah! was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
"Hallelujah" is a promotional single from former Frankie Goes to Hollywood singer Holly Johnson, from his 1999 album Soulstream. The single was released as two different 12" vinyl releases, where the first was subtitled "The First Cut Is the Deepest..." and the second subtitled "The Second Cut is the Neatest...". Both releases featured the same artwork. Additionally, the song's title is sometimes written with an exclamation mark to read "Hallelujah!".
It reached the top ten in the Record Mirror Club chart and top fifteen in their Pop Tip chart.
The song was written by Holly Johnson (lyrics and music) and Nick Bagnall (music).
So you’re having one of those days, when it feels like,
real life,
Snuck right up behind you, to remind you, that it ain’t
always easy.
And somewhere along the way, you found out,
All about those fairweather friends, and that lonely
wind,
That chills you to the bone, but I want you to know
You could be chasing a hurricane, riding a freight
train off the tracks.
You could be on top of the world so high, the stars are
in your grasp.
Come hell or hallelujah, I’ll be with you down that
road,
You don’t have to be, you don’t have to be alone.
Cuz I’ve had a day or two when my demons, were
screaming,
Right at me, and they had me as low as I could go,
But you never left me, no, you stood by my side,
When I was down for the count, you were reaching out,
And you gave me hope, so I want you to know
You could be chasing a hurricane, riding a freight
train off the tracks.
You could be on top of the world so high, the stars are
in your grasp.
Come hell or hallelujah, I’ll be with you down that
road,
You don’t have to be, you don’t have to be alone.
(You don’t have to be, you don’t have to be alone,
You don’t have to be, you don’t have to be alone)
You could be chasing a hurricane, riding a freight
train off the tracks.
You could be on top of the world so high, the stars are
in your grasp.
Come hell or hallelujah, I’ll be with you down that
road,
You don’t have to be, you don’t have to be alone.
You don’t have to be alone.
You know you don’t have to be,