- published: 10 Nov 2015
- views: 1098036
-
remove the playlistKill Your Own Army Joshua
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About On Killing: Season 1:
We asked people to describe the act of killing someone. These are their stories.
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About this video:
We asked veterans to talk about what it was like killing someone. This is Josh's story.
Main Episode: https://youtu.be/BsfbO9oz0GI
If you would like to volunteer or donate to the U.S. Department of Veterans Affairs, please follow this link:
http://www.volunteer.va.gov/apps/VolunteerNow/default.asp
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
https://www.youtube.com/watch?v=uAXCQZhtzEs
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Villain Quotes:
"People of Ryme City! I've finally discovered a cure! Not just for me, but for all of humanity! Pokemon can evolve into better versions of themselves! And now, so can you! Humans and Pokemon... merged into ONE!" -Howard Clifford
"ROAR" -The Big One
"I killed in America, Afghanistan, Iraq. I took life from my own brothers and sisters right here on this continent. And all this death, just so I could kill you." -Erik Killmonger
“Look at me. I'm Black Superman!” -Brixton Lore
"I don't seek to rule this world. No, I seek to end it" -Kaecilius
"You've come to die! Your world is now my world, like all worlds!" -Dormammu
"Die well, assassin." -Memnon
"Everything I've done, I've done for you. I move the stars for no one." -Jareth the Goblin King
"I'm no errand boy. And I'm not in this war for Dooku's politics. I am the leader of the most powerful droid army the galaxy has ever seen!" -General Grievous
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(I own nothing. No copyright infringement intended.)
- published: 31 Dec 2019
- views: 217
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge.
In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider.
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Director: Larry G. Spangler (as Larry Spangler)
Writer: Fred Williamson (story and screenplay)
Stars: Fred Williamson, Cal Bartlett, Brenda Venus
Runtime: 1h 30min
A low budget and lower aspirations do in this underplotted 1976 western, in which Fred Williamson does a passable imitation of Clint Eastwood, managing about 40 words of dialogue in the whole film. Larry Spangler directed, with more mismatched shots than are forgivable, even in these liberal times. PG, 75 min.
Synopsis: Back from fighting for the Union in the Civil War, a black soldier becomes a bounty hunter to exact revenge on the white thugs who killed his mother.
DAVID F. WALKER: Some evil racists make the mistake of killing Civil War veteran Joshua’s (Fred “the Hammer” Williamson) momma. In the process of killin’ Momma Hammer, they also kidnap the wife of the white man that she worked for. Now, I don’t need to tell you Joshua ain’t givin’ a rusty shit ‘bout the wife of no white man; but as anyone who’s seen ORIGINAL GANGSTAS knows, Fred ain’t havin’ that abuse of his momma. And quicker than you can say, “Don’t be messin’ wif my momma”, our main man sets out on a trail-o-revenge. Joshua tracks them no good varmints across the open prairie; and one by one he makes sure they all contract a serious case of the deaths. One sucka gets took out with a rattlesnake, one gets spear chucked, others get filled fulla lead, and one gets blown to smithereens. It all sounds pretty exciting…but it isn’t.
Like director Jack Arnold’s BOSS NIGGER (which also starred Williamson), JOSHUA draws much of its inspiration from the European-produced spaghetti westerns, which had been popular in the 1960s, but by the 1970s had become increasingly dependent on comedy to keep the genre going. While BOSS NIGGER is a technically poor film, it is fun to watch, coming across like a blaxploitation version of Enzo Barboni’s TRINITY films. JOSHUA, on the other hand is reminiscent of spaghetti westerns from the mid-to-late 1960s, playing like a Franco Nero or John Garko film – something along the lines of MASSACRE TIME or VENGEANCE IS MINE, neither of which are all that good in their own right. But even by the standards of mediocre-to-crappy spaghetti westerns, JOSHUA isn’t all it’s cracked up to be, lacking the visual flare that fueled even some of the more craptacular Eurowesterns. While not being brain-melting terrible, JOSHUA ain’t exactly good either.
The Hammer is the only saving grace to the film, but he doesn’t keep the film moving the way Charles Bronson propels the similar CHATO’S LAND. And pretty much all the moving this film does is at a turtle’s pace, thanks in part to Larry Spangler’s flat, uninspired direction. Spangler also produced Williamson’s first western, THE LEGEND ON NIGGER CHARLEY, and he wrote, produced, and directed the sequel THE SOUL OF NIGGER CHARLEY (neither of which comfortably rest in the realm of what might be considered “decent” films). But beyond Spangler’s lifeless direction, we also have Williamson’s script, which takes no chances and gives no dimension to the hero. And while a dimensionless hero may be somewhat acceptable, flat and stale villains can really weigh a movie down, which is just another part of this sorry state of affairs.
#freemovies #moviesonline #fullwesterns
COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info@amogo.de
- published: 27 Oct 2018
- views: 413798
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following scene, Joshua inherits the Sacred Twins of Jehanna, and subsequently passes it on to Eirika so the army can use it. What if he died instead?
In the same vein as my What If Virion Dies video, I had Joshua killed at the last possible second, by his own mentor, Carlyle. I used tool-assisted random number manipulation to ensure both characters not only hit, but also crit in the same turn. Seeing Joshua go from critting and having the advantage to being critted and dying from full HP... that is the kind of theatrics I strive for in my videos. I expect this to be a true gut punch to the viewer.
I find it really fascinating how the subsequent scenes change, not only the one with Ismaire. In the original version, Joshua and the other nobles discuss how they are allies now. So to have that part of the game simply gone is another gut punch on top of what I already did.
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- published: 01 Oct 2017
- views: 14027
Trying to take out a tank with a mortar and a plane gets in the way - so good
- published: 13 Jun 2017
- views: 22
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indonesia of the 1960's and the ongoing unchecked abuses of power by government "thugs," has achieved international recognition. One of the most haunting films of the year, we discuss the filming, political and cultural factors of the genocide, impact and making of the film (featuring footage) with director Joshua Oppenheimer on this full length BYOD interview.
GUEST BIO:
Joshua Oppenheimer has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. Educated at Harvard and Central St Martins, London, his award-winning films include THE GLOBALIZATION TAPES (2003, co-directed with Christine Cynn), THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE (1998, Gold Hugo, Chicago Film Festival, Telluride Film Festival), THESE PLACES WE'VE LEARNED TO CALL HOME (1996, Gold Spire, San Francisco Film Festival) and numerous shorts. Oppenheimer is Senior Researcher on the UK Arts and Humanities Research Council's Genocide and Genre project and has published widely on these themes.
ADD'L LINKS:
http://theactofkilling.com
EPISODE BREAKDOWN:
00:01 Welcome to BYOD.
00:14 Introducing The Act Of Killing, by Joshua Oppenheimer.
02:45 The shooting of the film and origin of the film.
08:44 The Act Of Killing, Trailer.
11:00 Anwar and the film within a film.
14:10 The Act Of Killing, clip: Anwar showing how he killed.
16:25 Denial and refusal of guilt during filming.
20:00 American movies importance in Indonesia.
21:40 Super criminals and thugs running for office.
23:00 About today through the ghosts of 1965.
24:20 The Act Of Killing, clip: Old Photos.
25:20 The gangsters motivations for killing, and ongoing ethnic extortion.
29:05 The reaction from the people in the film.
34:45 The victim's response to the perpetrators that are still in power.
37:51 The Act Of Killing, clip: The winner writes history.
39:00 Parallels between the US and Indonesia-then and now.
44:40 The Act Of Killing, Clip: Cruelty and the image.
46:50 A huge breakthrough moment on the film.
51:20 The changing lives of the 'thugs."
56:25 The Act Of Killing, clip.
Category
Documentary
Entertainment
News
Starring:
Ondi Timoner
David Minick
Directed by:
Kevin Hamedani
Produced by:
Ondi Timoner
David Minick
Michael Lustig
Written by:
Ondi Timoner
David Minick
Australian National University Professor of Asian history and politics Robert Cribb stated that the film lacks historical context.[21] In reply, Oppenheimer said that "the film is essentially not about what happened in 1965, but rather about a regime in which genocide has, paradoxically, been effaced [yet] celebrated -- in order to keep the survivors terrified, the public brainwashed, and the perpetrators able to live with themselves...It never pretends to be an exhaustive account of the events of 1965. It seeks to understand the impact of the killing and terror today, on individuals and institutions."[22]
Bradley Simpson, historian at the University of Connecticut and director of the Indonesia/East Timor Documentation Project at the National Security Archive, states the "brilliant Oscar-nominated film" has prompted vigorous debate among Indonesians about the crimes and the need to hold responsible parties accountable, and suggests that it could have a similar effect in the United States, whose own role in the killings "has never officially been acknowledged, much less accounted for, though some of the relevant documents have been made available to the public."[23]
An Indonesian academic, Soe Tjen Marching, analyzed the film in relation to Hannah Arendt's theory of the banality of evil.[24]
The primary subjects in the film, Anwar Congo and Herman Koto, have seen the film and neither feels deceived, according to Oppenheimer. Oppenheimer says that upon watching the film Anwar Congo "started to cry...Tearfully, he told me: 'This is the film I expected. It's an honest film, a true film.' He said he was profoundly moved and will always remain loyal to it."[25] A subsequent interview on Al Jazeera's program "101 East" revealed that Anwar had misgivings about the film and the negative reaction to it in Indonesia, which was causing problems for him. He confided these concerns directly to Oppenheimer in an apparent Skype conversation displayed within the program.
."Continue to be Next Page..Thank you.(hadik.adventurer@gmail.com)
SC America'Indo(Southern California Americaindo)SC America Indonesia,HD2KYO,HadiK5 (hadik.adventurer@facebook.Com).AdventurerHadik@Twitter.com.
- published: 15 May 2014
- views: 876
New details in the Joshua Young trial have sparked some questions about the role Josh Gouker, Young's father, played in Trey Zwicker's murder. Gouker, Zwicker's stepfather, initially blamed the murder on his son, but later pleaded guilty to killing Zwicker and now claims Young had no involvement. For more information please visit http://www.hlntv.com/
- published: 08 Aug 2013
- views: 1574
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965, Anwar Congo and his friends were promoted from illegal traders of movie theatre tickets on the black market to death squad leaders. They helped the army kill at least hundreds of thousands of alleged communists, and committed extortion of ethnic Chinese, killing those who refused. As the executioner for the most notorious death squad in his city Medan in North Sumatra, Anwar himself killed hundreds of people with his own hands.
Today, Anwar is revered as a founding father of the right-wing paramilitary organization Pemuda Pancasila that grew out of the death squads. The organization is so powerful that its leaders include government ministers, and they are happy to boast about everything from corruption and election rigging to genocide. A regime was founded on crimes against humanity, yet has never been held accountable.
Anwar and his friends agreed to make a fictional movie incorporating killings such as they committed in the past. Also there was filming behind the scenes, and interviews by Oppenheimer. Oppenheimer reserved the right to edit the material as he wished, and in fact used the material for this documentary, including only short scenes of the supposed fiction film Arsan dan Aminah (Arsan and Aminah).
With the script changing a few times, their experience of the killings was adapted to their favorite film genres: gangster, western, and musical. They wrote the scripts and played themselves and their victims.
Their fiction filmmaking process provides the film's dramatic arc, and on the film sets the filmmaker could safely challenge them about what they did, without fear of being arrested or beaten up, while for the protagonists they were seemingly safe spaces to explore their deepest memories and feelings (as well as their blackest humor). Some of Anwar's friends realize that the killings were wrong. Others worry about the consequence of the story on their public image. Younger members of Pemuda Pancasila argue that they should boast about the horror of the massacres, because their terrifying and threatening force is the basis of their power today. As opinions diverge, the atmosphere on set grows tense. The edifice of genocide as a "patriotic struggle", with Anwar and his friends as its heroes, begins to sway and crack.
After Anwar plays a victim he says that it was a horrible experience, like the victims must have undergone. The filmmaker points out that it was much worse for the victims, because that was real, and this is only acting. Thus the filmmaking process catalyzes an unexpected emotional journey for Anwar, from arrogance to regret as he confronts, for the first time in his life, the full implications of what he's done.
- published: 26 May 2013
- views: 2761
Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding the devoted things. Achan, son of Karmi, the son of Zerah, of the tribe of Judah, took some of them. The Lord’s anger burned against Israel. Joshua sent men from Jericho to Ai, which is near Beth Aven to the east of Bethel, and told them, ‘Go up and spy out the region.’ So the men went up and spied out, Ai. When they returned to Joshua, they said, ‘Not all the army will have to go up against Ai. Send two or three thousand men to take it and do not weary the whole army, for only a few people live there.’. They chased the Israelites from the city gate as far as the stone quarries and struck them down on the slopes. At this, the hearts of the people melted in fear and became like water. The elders of Israel did the same and sprinkled dust on their heads. Joshua said, ‘Alas, Sovereign Lord, why did you ever bring these people across the Jordan to deliver us into the hands of the Amorites to destroy us? If only we had been content to stay on the other side of the Jordan! Pardon your servant, Lord. What can I say, now that Israel has been routed by its enemies? The Canaanites and the other people in the country will hear about this, and they will surround us and wipe out our name from the earth. What then will you do for your own great name?’ The Lord said to Joshua, ‘Stand up! What are you doing down on your face? Israel has sinned; they have violated my covenant, which I commanded them to keep. They have taken some of the devoted things; they have stolen, they have lied, they have put them with their own possessions. That is why the Israelites cannot stand against their enemies; they turn their backs and run because they have been made liable to destruction. I will not be with you anymore unless you destroy whatever among you is devoted to destruction. Go, consecrate the people. Tell them, “Consecrate yourselves in preparation for tomorrow; for this is what the Lord, the God of Israel, says: there are devoted things among you, Israel. You cannot stand against your enemies until you remove them. “In the morning, present yourselves tribe by tribe. The tribe that the Lord chooses shall come forward clan by clan; the clan that the Lord chooses shall come forward family by family, and the family that the Lord chooses shall come forward man by man. Whoever is caught with the devoted things shall be destroyed by fire, along with all that belongs to him. He has violated the covenant of the Lord and has done an outrageous thing in Israel!” ’ Achan replied, ‘It is true! I have sinned against the Lord, the God of Israel. They took the things from the tent, brought them to Joshua and all the Israelites, and spread them out before the Lord. Joshua said, ‘Why have you brought this trouble on us? The Lord will bring trouble on you today.’
The Lord said to Joshua, ‘Do not be afraid; do not be discouraged. Take the whole army with you, and go up and attack Ai. For I have delivered into your hands, the king of Ai, his people, his city, and his land. You shall do to Ai and its king as you did to Jericho and its king, except that you may carry off their plunder and livestock for yourselves. Set an ambush behind the city.’ Joshua and the whole army moved out to attack Ai. He chose 30 thousand of his best fighting men and sent them out at night. Joshua had taken about 5 thousand men and set them in ambush between Bethel and Ai, to the west of the city. Not a man remained in Ai or Bethel who did not go after Israel. They left the city open and went in pursuit of Israel. Joshua burned Ai and made it a permanent heap of ruins, a desolate place to this day. Joshua built on Mount Ebal, an altar to the Lord, the God of Israel, as Moses, the servant of the Lord, had commanded the Israelites.
However, when the people of Gibeon heard what Joshua had done to Jericho and Ai, 4they resorted to a ruse: They went as a delegation whose donkeys were loaded. they went to Joshua in the camp at Gilgal and said to him and the Israelites, ‘We have come from a distant country; make a treaty with us.’ Our elders and all those living in our country said to us, “Take provisions for your journey; go and meet them and say to them, ‘We are your servants; make a treaty with us.’ The Israelites sampled their provisions but did not enquire of the Lord. Joshua made a treaty of peace with them to let them live, and the leaders of the assembly ratified it by oath. Joshua saved them from the Israelites, and they did not kill them. Th at the day he made the Gibeonites woodcutters and water-carriers for the assembly, to provide for the needs of the altar of the Lord at the place the Lord would choose. And that is what they are to this day.
- published: 20 Oct 2019
- views: 22
Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a liquor store Prophet and a friend evade the local Sheriff and stop at the ranch of Mark Hand, a decorated war veteran. Feeling suspicious, Mark tells Prophet he can help himself to water at a pump behind the house but covers him with a rifle. Prophet's friend overpowers Mark from behind, ties him up and beats him prior to robbing Mark's house. Attracted by the mass amount of firearms in Mark's cabinet, they are distracted by Mark's daughter Mary who Prophet's friend attempts to rape. Mary wounds him with a knife and escapes in the desert coming across the car returning home driven by Mrs Hand and Mary's brother Olie who has returned from the Vietnam War with decorations and mental illnesses. Prophet and his friend make their escape with Mark puzzled that Olie doesn't want to hunt the criminals, preferring to let the sheriff handle the matter.
Though glad to be home, Olie grows more sullen and uncommunicative. Two of Olie's war buddies visit the Hand ranch and reveal that Olie was their legendary commander of a 6-man long-range reconnaissance patrol of United States Army Rangers, with one patrol taking them to Haiphong where they escaped in a Russian ship. Despite the supporting presence of his comrades in arms and loving family Olie grows more withdrawn and prone to flashbacks to the war where he nearly kills one of his friends when the two engage in good-natured sparring.
Meanwhile, Prophet and his friends plan more criminal acts where they steal a large recreational vehicle that they plan to sell across the border in Mexico, but the gang murders the family who own it. Some members of Prophet's gang stop off at a gas station where they abuse the attendant until they are beaten up by Olie and his army buddies. Enraged, the Prophet plans revenge and a big criminal score where they will attack the Hand ranch, steal Hand's mass arsenal, recruit a motorcycle gang led by Pillbox to distract the sheriff, and rob the town's bank where they will split the proceeds with Pillbox and make their escape to Mexico that lies across open rangeland adjoining the Hand ranch. Olie bids his army buddies farewell then further descends into a self-pitying alcoholic stupor.
Cast
Steve Sandor ... Olie Hand
Rockne Tarkington ... Prophet
Richard X. Slattery ... Mark Hand
Heidi Vaughn ... Mary Hand
Mike Lane ... Big Jack
Sid Haig ... Pillbox
Ron Thompson ... John Dunn
David Booth ... Beetle
Daniel Oaks ... Cpl. Lyle Talbot
Tom Scott ... Parrish
Michael Prichard ... Bruce Bennett
Peg Stewart ... Mrs. Hand
Richard Collier ... Joshua White
Darlene Feasel ... Dora Adams
Russell Morrell ... Sheriff Harris
- published: 19 Mar 2019
- views: 35
developed with YouTube
Joshua
Joshua /ˈdʒɒʃuə/ or Jehoshua (Hebrew: יְהוֹשֻׁעַ Yĕhôshúʿa or Hebrew: יֵשׁוּעַ Yĕshúʿa; Aramaic: ܝܫܘܥ Isho; Greek: Ἰησοῦς, Arabic: يوشع بن نون Yūshaʿ ibn Nūn; Latin: Iosue, Turkish: Yuşa), is a figure in the Torah, being one of the spies for Israel (Num 13–14) and identified in several passages as Moses' assistant. He is the central figure in the Hebrew Bible's Book of Joshua. According to the books of Exodus, Numbers and Joshua, he became the leader of the Israelite tribes after the death of Moses. His name was Hoshe'a (הוֹשֵׁעַ) the son of Nun, of the tribe of Ephraim, but Moses called him Yehoshu'a (יְהוֹשֻעַ; Joshua in English) (Numbers 13:16) the name by which he is commonly known. The name is shortened to Yeshua in Nehemiah (Nehemiah 8:17). According to the Bible he was born in Egypt prior to the Exodus.
He was one of the twelve spies of Israel sent by Moses to explore the land of Canaan. (Numbers 13:1-16) After the death of Moses, he led the Israelite tribes in the conquest of Canaan, and allocated the land to the tribes. According to Biblical chronology, Joshua lived between 1355-1245 BCE, or sometime in the late Bronze Age. According to Joshua 24:29, Joshua died at the age of 110.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Joshua
Joseph F. Girzone
Joseph Francis Girzone (May 15, 1930 – November 29, 2015), sometimes known as the "Joshua Priest", was an American Catholic priest and writer, most notably as the author of the Joshua series of novels.
Life
Early life
Girzone was born in Albany, New York, to Peter, a butcher, and Margaret Girzone, the oldest of their twelve children. It was a struggling family, which experienced the shame of eviction during his childhood.<ref name=TU2 /
Girzone entered the Carmelite Order as a young man and was ordained as a priest in 1955. A few years later he chose to leave the order in favor of life as a secular priest and was accepted by the Roman Catholic Diocese of Albany. He then served at various parishes of the diocese, in the course of which he became active in advocating for the elderly. He was a driving force in the formation of the Office for the Aging of Montgomery County.<ref name=TU /
In 1981, however, Girzone was diagnosed with a heart condition which was judged to be fatal, leading him to retire from active ministry.<ref name=girzone-site / He accepted the forfeiture of any pension or medical benefits from the diocese as part of an agreement for his early retirement.<ref name=NCR /
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Joseph_F._Girzone
Joshua (name)
Joshua is a Biblical given name derived from the Hebrew Yehoshua (יהושע). The name was a common alternative form of the name יֵשׁוּעַ – yēšūă which corresponds to the Greek spelling Iesous, from which, through the Latin Iesus, comes the English spelling Jesus.
As a result of the origin of the name, a majority of people before the 17th century who have this name are Jewish. A variant, truncated form of the name, Josh, gained popularity in the United States in the 1970s.
Popularity
Joshua
Information from the United Kingdom's Office for National Statistics from 2003 to 2007 shows "Joshua" among the top-five given names for newborn males. In Scotland, the popularity of "Joshua" has been substantially lower than in the rest of the United Kingdom, appearing at rank 35 in 2000 and rising to rank 22 in 2006.
Instances of use
Following is a short annotated list of persons, real and fictional, sharing "Joshua" or "Josh" or very rarely "Yehoshua" as a given name, representative of the breadth in geography and time of the names' use.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Joshua_(name)
Joshua
ALBUMS
- It's Progressive, Volume 02 released: 1999
- Club Traxx 15 released: 1998
- Clubtraxx 14 released: 1998
- Adrenalin Rush 3 released: 1998
- Ministry of Sound: Dance Nation 4 released: 1997
Ministry of Sound: Dance Nation 4
Released 1997- Magic Carpet Ride (Fatboy Slim Latin Ska Acid mix)
- Free (Mood II Swing mix)
- White Powder Dreams
- The Player (Classic Vocal mix)
- Moment of My Life (feat. Michelle Weeks)
- Rip Groove
- The Beat (Scratcher's Groove)
- The Mighty High (The Bomb mix)
- It's Like That (Jason's Battle Blaster mix)
- Beach Ball
- Airscape
- Your Face
Joshua
ALBUMS
- Animals Will Save the World released: 2008
- Music And Chocolates released: 2007
- L'homme à la tête de chien released: 2005
- Alligator Music released:
Joshua
ALBUMS
- Hours and Hours: a Tribute to Seaweed released: 2008
Joshua
ALBUMS
- Singing to Your Subconscious released: 2002
- A Whole New Theory released: 1999
Joshua
ALBUMS
- Prohibited Love released: 2006
- Sombre Harmonie released: 2003
Joshua
ALBUMS
- GOGO Music Gold Collection, Volume 1 released: 2009
- Never Forget released: 2009
GOGO Music Gold Collection, Volume 1
Released 2009- Uyangichomela (Ralf GUM Classic mix)
- The Light (main mix)
- Kissing Strangers (Feliciano vocal mix)
- You Were Singing (Ralf GUM & Christian P Interpretation)
- Soulful Things (Original_mix)
- Try Me (Ralf Gum & Benny Pecoraio original)
- All This Love for You (Ralf GUM original mix)
- Keep on Shining (vocal dub)
- Nobody Can Touch Me (Ralf GUM and Christian P's original Touch)
- Brother Like No Other (Benny Pecoraio remix)
- Pa' el bembé (Ralf GUM & Crisp mix)
- Beautiful (Raw Artistic Soul remix)
- Oya o (Alix Alvarez Sole Channel mix)
Never Forget
Released 2009- Never Forget (classic vocal mix)
- Never Forget (Ralf GUM dub)
- Never Forget (Ralf GUM vocal)
- Never Forget (Jay-J's Shifted Up mix)
- Never Forget (Jay-J's Shifted Up dub)
- Never Forget (Jay-J's Shifted Up instrumental)
- Never Forget (Dalminjo vocal remix)
- Never Forget (Dalminjo Subdubstrumental)
- Never Forget (Dalminjo Subdub mix)
Joshua
ALBUMS
- Bargrooves: Deeper released: 2011
- Bargrooves: Magenta released: 2006
- NRK Remasters - The Collection released: 2005
- Family Duals released: 2005
- Bad Acid released: 2004
- EPILEPTIK5YEARS The Hardcore Home released: 2003
- NRK Singles Collection, Volume 4 released: 2002
- The State of E-Motion, Volume 9 released: 2002
- Mushroom Jazz 4 released: 2002
- Connect released: 2002
- Watch Da Bass released: 2001
- San Francisco Calling released: 2001
- Global Underground: Nubreed 005 released: 2001
- AnotherLateNight: Rae & Christian released: 2001
- Café del Mar: ChillHouse Mix 2 released: 2001
- Emotion Electrique released: 2001
- Watch the Bass EP released: 2000
- Dubwise released: 2000
- Inter-Stellar Express released: 1999
- Remix Magazine DJ Mix released: 1999
- Sounds of OM - House Compilation 01 released: 1998
- Planet Stereo, Year 3, Volume 2 released: 1998
- Sounds Of OM released: 1998
- House Masters released: 1996
- Jazz in the House 2 released: 1995
- Chill House Mix 2 released:
Bargrooves: Deeper
Released 2011- Falling (original extended mix)
- World Go Round
- The L Word (12" version) (feat. Jada)
- 4 You (Maya Jane Coles remix)
- Love Saves the Day (Soul Clap remix) (feat. Kathy Diamond)
- Conscious (Henrik Schwarz remix)
- Idiosyncracy
- Proof (Wolf + Lamb remix) (feat. David a. Tobin)
- Q
- Les Shonkettes
- Cicadas (TM Liquatech mix)
- The Most Fantastic Thing (original mix) (feat. Danny Krivit)
- All That I Know (Andreas Bender remix) (feat. Blak Beat Niks)
- Too Late (Rasmus Faber remix) (feat. Angela Johnson)
- I'm Touched (Essential mix) (feat. Inaya Day)
- Walk Away (Vox mix) (feat. Shaun Antony)
- Come Join In (QB's Starry Nights in Sunnyside remix) (feat. Brian Temba)
- Our Time (Tiger Sripes remix) (feat. Lizz Fields)
- New Day (Quentin Harris remix)
- Missing You (original mix)
- Sunrises (original mix)
- Time for Change
- 1988
- Last Rhythm Revisited (Ashley Beedle dub)
- Love the Way (Crazy P remix)
- Bargrooves Deeper (bonus mix by Andy Daniell)
The State of E-Motion, Volume 9
Released 2002- Pure & Easy
- Get It Done
- Jah Rule
- The Only Redeemer (Flag Finger mix)
- Fuse Again
- New World
- Romeo's Fate (feat. Mark Bell)
- It's Complete
- Four Flavours
- Hoping (Herbert mix)
- I Understand You (Wamdue remix)
- Milleniums Riddle Song (Late Night mix)
- Whatch Da Bass (Joshua's original mix)
- Zabumba No Mar (United Grooves Collective mix)
- Breakbeat Etiquette (London Steppers remix)
- Vai Vai
- Morning Glory
- Kaffee & Kuchen
- Schlagabtausch
Mushroom Jazz 4
Released 2002- A Little Soul (Petestrumentals)
- Hot Banana’s (instrumental)
- Suite for Beaver, Part 1
- Truth in Position (instrumental)
- Chicago Babe
- Wiggle and Giggle
- Shoplif (Instrumentals)
- Keep Your Head Up
- Original Beats
- No
- Mellow Soul Fruit
- Listen
- Phone Tap
- Irreconcilable (instrumental)
- Seems to Know
- Find Yourself
- 7 Dayz (DJ Spinna instrumental remix)
- Big Fish
- Bath Music
AnotherLateNight: Rae & Christian
Released 2001- Heavy Worker
- Copenhagen Claimin' Respect (feat. Raka Iriscience, Maylay Sparks & The Last Emperor)
- Come On
- Put That on My Momma
- Introlude
- 100 Million Ways
- Straight No Filter (Only Child remix)
- Take Ya Time
- Four (4x3) (Mr. Scruff remix)
- I Pink I'm Going Squezy
- Roll Call
- Got to Be Me (Timezone dub)
- Strudel Strut (feat. Romanowski & Devious Doze)
- Samba (Rae & Christian remix)
- Flashlight
- Mary Jane
- California Dreamin'
Emotion Electrique
Released 2001- You Are Love (Petalpusher dub)
- Poolside Hypnosis
- Horny Hustle
- Soul Satisfaction (Buck's remix)
- Body Move
- Discoacidfunkh (Tony's Late Night dub remix)
- Water (Kenny Hawkes & Joshua remix)
- The Operator (Rocket remix)
- Marvin's Ghost
- Discofied
- Watch the Bass
- Free at Last (instrumental mix)
- Here Today, Gone Tomorrow
- Do It Now
- People (Jeno's Stormy Weather remix)
Sounds of OM - House Compilation 01
Released 1998- It's Love (6th Sense dub)
- Inside (Naked Lover's dub)
- If I Fall (Jay's Naked Spirits mix)
- If I Fall (Dubtronic mix)
- Questions & Answers
- It's Love (Joshua's Mo Musique mix)
- Diskomystik (Space Cadet mix)
- If I Fall (Simmonds dub)
- Fresh Start ('All Hail the New Ugly' Re-dub)
- Fascinated (Monkey Drum mix)
- Midnight Calling (Red Nail club mix)
- Fresh Start (IZ House dub)
- If I Fall (Deluxe Soul dub)
- It's Love (Hernan's Dub Revolution)
- Midnight Calling (King Britt remix)
Planet Stereo, Year 3, Volume 2
Released 1998- Planet Stereo Intro
- Yankaw (Bassino Dub mix)
- Tokyo Nights
- After
- Make it Funky (Michelob remix)
- Get Away
- Hey You
- Pistolero
- Finished Symphony
- The Man With the Red Face
- Morgana
- Universe
- Enda En Gang
- R-Da (Badmarsh & Shri remix)
- Sleepless (John Johnson remix)
- Karma Girl
- Bent
- Autanmide
- Planet Stereo Outro
Chill House Mix 2
- Tracey In My Room
- [unknown]
- Sensacao (feat. Rose Max) (Harley and Muscle Deep mix)
- Do It Now (DJ River edit)
- Give Me Your Soul (DJ River edit)
- [unknown]
- Watch the Bass
- Love and Tears
- Who Keeps Changing Your Mind (Full Intention mix)
- By Your Side (Ben Watt's Lazy Dog club mix)
- Sunday Session (feat. Zoe Johnston) (vocal mix + DJ River edit)
- Brand New Day
- [unknown]
- My Vision (feat. Seal) (Layo & Bushwacka dub mix promo)
- Free (Deep House mix)
Joshua
ALBUMS
Joshua
ALBUMS
- Intense Defense released: 1988
- Surrender released: 1985
- The Hand Is Quicker Than the Eye released: 1983
Joshua
ALBUMS
- The Context released: 2014
Joshua
ALBUMS
- Kram Jul released: 1998
Kram Jul
Released 1998- My Gift to You
- Cherish
- Mary's Boy Child
- Another Day
- I'll Be Missing You
- I Still Believe in Santa Claus
- I Care 'Bout You
- 4 Seasons of Loneliness
- Silent Night
- Sugar Honey Ice Tea
- Nobody
- Please Come Home for Christmas
- Angel of Mine
- Jingle Bells
- My Love Is the Shhh!
- The Christmas Song (Chestnuts)
- Got 'til It's Gone
- Have Yourself a Merry Little Christmas
- Life
- Happy Christmas (War Is Over)
조수아
ALBUMS
- I Will Praise You released:
Joshua
ALBUMS
-
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
Sponsor this series: http://www.cut.com/sponsorship Fear Pong is now a game! Get it here: http://www.fearponggame.com » SUBSCRIBE: http://bit.ly/CutSubscribe Watch more On Killing: Season 1: https://www.youtube.com/playlist?list=PLJic7bfGlo3q7fEOIf1tYENBpaQZzbKJ2 About On Killing: Season 1: We asked people to describe the act of killing someone. These are their stories. Don't forget to subscribe and follow us! Official Site: https://www.cut.com/ Facebook: http://cut.com/facebook Twitter: https://twitter.com/Cut Instagram: http://cut.com/instagram Snapchat: @watchcut Cut Swag: http://cut.com/shop About Cut: Small questions have powerful effects when they go viral. Cut spreads stories for fun, for serious, and for real– bringing the internet together one awkward moment at a time. Pro...
published: 10 Nov 2015 -
Defeats of My Favorite Movie Villains part 8 (New Years Special)
Villain Quotes: "People of Ryme City! I've finally discovered a cure! Not just for me, but for all of humanity! Pokemon can evolve into better versions of themselves! And now, so can you! Humans and Pokemon... merged into ONE!" -Howard Clifford "ROAR" -The Big One "I killed in America, Afghanistan, Iraq. I took life from my own brothers and sisters right here on this continent. And all this death, just so I could kill you." -Erik Killmonger “Look at me. I'm Black Superman!” -Brixton Lore "I don't seek to rule this world. No, I seek to end it" -Kaecilius "You've come to die! Your world is now my world, like all worlds!" -Dormammu "Die well, assassin." -Memnon "Everything I've done, I've done for you. I move the stars for no one." -Jareth the Goblin King "I'm no errand boy. And I'm not in t...
published: 31 Dec 2019 -
REVENGE (aka JOSHUA) Free Full Blaxploitation Western Movie, English, Classic Feature Film
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge. In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider. A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother. Director: Larry G. Spangler (as Larry Spangler) Writer: Fred Williamson (story and screenplay) Stars: Fred Williamson, Cal Bartlett, Brenda Venus Runtime: 1...
published: 27 Oct 2018 -
What If Joshua Dies?
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following scene, Joshua inherits the Sacred Twins of Jehanna, and subsequently passes it on to Eirika so the army can use it. What if he died instead? In the same vein as my What If Virion Dies video, I had Joshua killed at the last possible second, by his own mentor, Carlyle. I used tool-assisted random number manipulation to ensure both characters not only hit, but also crit in the same turn. Seeing Joshua go from critting and having the advantage to being critted and dying from full HP... that is the kind of theatrics I strive for in my videos. I expect this to be a true gut punch to the viewer. I find it really fascinating how the subsequent scenes change, not only the one with Ismaire. In the original ver...
published: 01 Oct 2017 -
Epic Mortar Kill
Trying to take out a tank with a mortar and a plane gets in the way - so good
published: 13 Jun 2017 -
THE ACT OF KILLING, Documentary with Filmmaker Joshua Oppenheimer
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indonesia of the 1960's and the ongoing unchecked abuses of power by government "thugs," has achieved international recognition. One of the most haunting films of the year, we discuss the filming, political and cultural factors of the genocide, impact and making of the film (featuring footage) with director Joshua Oppenheimer on this full length BYOD interview. GUEST BIO: Joshua Oppenheimer has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. Educated at Harvard and Central St Martins, London, his award-winning films include THE GLOBALIZATION TAPES (2003, co-directed with Christine Cynn), THE ENTIRE H...
published: 15 May 2014 -
Smoking gun: Did Big Josh lie for his son?
New details in the Joshua Young trial have sparked some questions about the role Josh Gouker, Young's father, played in Trey Zwicker's murder. Gouker, Zwicker's stepfather, initially blamed the murder on his son, but later pleaded guilty to killing Zwicker and now claims Young had no involvement. For more information please visit http://www.hlntv.com/
published: 08 Aug 2013 -
The Act of Killing - trailer HD
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965, Anwar Congo and his friends were promoted from illegal traders of movie theatre tickets on the black market to death squad leaders. They helped the army kill at least hundreds of thousands of alleged communists, and committed extortion of ethnic Chinese, killing those who refused. As the executioner for the most notorious death squad in his city Medan in North Sumatra, Anwar himself killed hundreds of people with his own hands. Today, Anwar is revered as a founding father of the right-wing paramilitary organization Pemuda Pancasila that grew out of the death squads. The organization is so powerful that its leaders include government ministers, and they are happy to boast about everything from corrupt...
published: 26 May 2013 -
Dérapage d'acan , victoire sur Ai, et ruse des gabaonites
Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding the devoted things. Achan, son of Karmi, the son of Zerah, of the tribe of Judah, took some of them. The Lord’s anger burned against Israel. Joshua sent men from Jericho to Ai, which is near Beth Aven to the east of Bethel, and told them, ‘Go up and spy out the region.’ So the men went up and spied out, Ai. When they returned to Joshua, they said, ‘Not all the army will have to go up against Ai. Send two or three thousand men to take it and do not weary the whole army, for only a few people live there.’. They chased the Israelites from the city gate as far as the stone quarries and struck them down on the slopes. At this, the hearts of the people melted in fear and became like water. The elders of Isr...
published: 20 Oct 2019 -
Trained to Kill USA l Action/Drama (1973)
Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a liquor store Prophet and a friend evade the local Sheriff and stop at the ranch of Mark Hand, a decorated war veteran. Feeling suspicious, Mark tells Prophet he can help himself to water at a pump behind the house but covers him with a rifle. Prophet's friend overpowers Mark from behind, ties him up and beats him prior to robbing Mark's house. Attracted by the mass amount of firearms in Mark's cabinet, they are distracted by Mark's daughter Mary who Prophet's friend attempts to rape. Mary wounds him with a knife and escapes in the desert coming across the car returning home driven by Mrs Hand and Mary's brother Olie who has returned from the Vietnam War with decorations and mental illnesses. Prophet and...
published: 19 Mar 2019
developed with YouTube
4:38
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
- Order: Reorder
- Duration: 4:38
- Uploaded Date: 10 Nov 2015
- views: 1098036
Sponsor this series: http://www.cut.com/sponsorship
Fear Pong is now a game! Get it here: http://www.fearponggame.com
» SUBSCRIBE: http://bit.ly/CutSubscribe
Wa...
Sponsor this series: http://www.cut.com/sponsorship
Fear Pong is now a game! Get it here: http://www.fearponggame.com
» SUBSCRIBE: http://bit.ly/CutSubscribe
Watch more On Killing: Season 1: https://www.youtube.com/playlist?list=PLJic7bfGlo3q7fEOIf1tYENBpaQZzbKJ2
About On Killing: Season 1:
We asked people to describe the act of killing someone. These are their stories.
Don't forget to subscribe and follow us!
Official Site: https://www.cut.com/
Facebook: http://cut.com/facebook
Twitter: https://twitter.com/Cut
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About Cut:
Small questions have powerful effects when they go viral. Cut spreads stories for fun, for serious, and for real– bringing the internet together one awkward moment at a time.
Produced, directed, and edited by https://cut.com
Want to work with us? http://cut.com/hiring
Want to be in a video? http://cut.com/casting
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For licensing inquiries: http://cut.com/licensing
About this video:
We asked veterans to talk about what it was like killing someone. This is Josh's story.
Main Episode: https://youtu.be/BsfbO9oz0GI
If you would like to volunteer or donate to the U.S. Department of Veterans Affairs, please follow this link:
http://www.volunteer.va.gov/apps/VolunteerNow/default.asp
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
https://www.youtube.com/watch?v=uAXCQZhtzEs
Cut
https://www.youtube.com/watchcut
https://wn.com/Josh_On_Killing_Do_You_Miss_War_|_On_Killing_Season_1_|_Cut
Sponsor this series: http://www.cut.com/sponsorship
Fear Pong is now a game! Get it here: http://www.fearponggame.com
» SUBSCRIBE: http://bit.ly/CutSubscribe
Watch more On Killing: Season 1: https://www.youtube.com/playlist?list=PLJic7bfGlo3q7fEOIf1tYENBpaQZzbKJ2
About On Killing: Season 1:
We asked people to describe the act of killing someone. These are their stories.
Don't forget to subscribe and follow us!
Official Site: https://www.cut.com/
Facebook: http://cut.com/facebook
Twitter: https://twitter.com/Cut
Instagram: http://cut.com/instagram
Snapchat: @watchcut
Cut Swag: http://cut.com/shop
About Cut:
Small questions have powerful effects when they go viral. Cut spreads stories for fun, for serious, and for real– bringing the internet together one awkward moment at a time.
Produced, directed, and edited by https://cut.com
Want to work with us? http://cut.com/hiring
Want to be in a video? http://cut.com/casting
Want to sponsor a video? http://cut.com/sponsorships
For licensing inquiries: http://cut.com/licensing
About this video:
We asked veterans to talk about what it was like killing someone. This is Josh's story.
Main Episode: https://youtu.be/BsfbO9oz0GI
If you would like to volunteer or donate to the U.S. Department of Veterans Affairs, please follow this link:
http://www.volunteer.va.gov/apps/VolunteerNow/default.asp
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
https://www.youtube.com/watch?v=uAXCQZhtzEs
Cut
https://www.youtube.com/watchcut
- published: 10 Nov 2015
- views: 1098036
3:36
Defeats of My Favorite Movie Villains part 8 (New Years Special)
- Order: Reorder
- Duration: 3:36
- Uploaded Date: 31 Dec 2019
- views: 217
Villain Quotes:
"People of Ryme City! I've finally discovered a cure! Not just for me, but for all of humanity! Pokemon can evolve into better versions of them...
Villain Quotes:
"People of Ryme City! I've finally discovered a cure! Not just for me, but for all of humanity! Pokemon can evolve into better versions of themselves! And now, so can you! Humans and Pokemon... merged into ONE!" -Howard Clifford
"ROAR" -The Big One
"I killed in America, Afghanistan, Iraq. I took life from my own brothers and sisters right here on this continent. And all this death, just so I could kill you." -Erik Killmonger
“Look at me. I'm Black Superman!” -Brixton Lore
"I don't seek to rule this world. No, I seek to end it" -Kaecilius
"You've come to die! Your world is now my world, like all worlds!" -Dormammu
"Die well, assassin." -Memnon
"Everything I've done, I've done for you. I move the stars for no one." -Jareth the Goblin King
"I'm no errand boy. And I'm not in this war for Dooku's politics. I am the leader of the most powerful droid army the galaxy has ever seen!" -General Grievous
Please comment, rate, and subscribe
(I own nothing. No copyright infringement intended.)
https://wn.com/Defeats_Of_My_Favorite_Movie_Villains_Part_8_(New_Years_Special)
Villain Quotes:
"People of Ryme City! I've finally discovered a cure! Not just for me, but for all of humanity! Pokemon can evolve into better versions of themselves! And now, so can you! Humans and Pokemon... merged into ONE!" -Howard Clifford
"ROAR" -The Big One
"I killed in America, Afghanistan, Iraq. I took life from my own brothers and sisters right here on this continent. And all this death, just so I could kill you." -Erik Killmonger
“Look at me. I'm Black Superman!” -Brixton Lore
"I don't seek to rule this world. No, I seek to end it" -Kaecilius
"You've come to die! Your world is now my world, like all worlds!" -Dormammu
"Die well, assassin." -Memnon
"Everything I've done, I've done for you. I move the stars for no one." -Jareth the Goblin King
"I'm no errand boy. And I'm not in this war for Dooku's politics. I am the leader of the most powerful droid army the galaxy has ever seen!" -General Grievous
Please comment, rate, and subscribe
(I own nothing. No copyright infringement intended.)
- published: 31 Dec 2019
- views: 217
1:23:08
REVENGE (aka JOSHUA) Free Full Blaxploitation Western Movie, English, Classic Feature Film
- Order: Reorder
- Duration: 1:23:08
- Uploaded Date: 27 Oct 2018
- views: 413798
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed ...
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge.
In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider.
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Director: Larry G. Spangler (as Larry Spangler)
Writer: Fred Williamson (story and screenplay)
Stars: Fred Williamson, Cal Bartlett, Brenda Venus
Runtime: 1h 30min
A low budget and lower aspirations do in this underplotted 1976 western, in which Fred Williamson does a passable imitation of Clint Eastwood, managing about 40 words of dialogue in the whole film. Larry Spangler directed, with more mismatched shots than are forgivable, even in these liberal times. PG, 75 min.
Synopsis: Back from fighting for the Union in the Civil War, a black soldier becomes a bounty hunter to exact revenge on the white thugs who killed his mother.
DAVID F. WALKER: Some evil racists make the mistake of killing Civil War veteran Joshua’s (Fred “the Hammer” Williamson) momma. In the process of killin’ Momma Hammer, they also kidnap the wife of the white man that she worked for. Now, I don’t need to tell you Joshua ain’t givin’ a rusty shit ‘bout the wife of no white man; but as anyone who’s seen ORIGINAL GANGSTAS knows, Fred ain’t havin’ that abuse of his momma. And quicker than you can say, “Don’t be messin’ wif my momma”, our main man sets out on a trail-o-revenge. Joshua tracks them no good varmints across the open prairie; and one by one he makes sure they all contract a serious case of the deaths. One sucka gets took out with a rattlesnake, one gets spear chucked, others get filled fulla lead, and one gets blown to smithereens. It all sounds pretty exciting…but it isn’t.
Like director Jack Arnold’s BOSS NIGGER (which also starred Williamson), JOSHUA draws much of its inspiration from the European-produced spaghetti westerns, which had been popular in the 1960s, but by the 1970s had become increasingly dependent on comedy to keep the genre going. While BOSS NIGGER is a technically poor film, it is fun to watch, coming across like a blaxploitation version of Enzo Barboni’s TRINITY films. JOSHUA, on the other hand is reminiscent of spaghetti westerns from the mid-to-late 1960s, playing like a Franco Nero or John Garko film – something along the lines of MASSACRE TIME or VENGEANCE IS MINE, neither of which are all that good in their own right. But even by the standards of mediocre-to-crappy spaghetti westerns, JOSHUA isn’t all it’s cracked up to be, lacking the visual flare that fueled even some of the more craptacular Eurowesterns. While not being brain-melting terrible, JOSHUA ain’t exactly good either.
The Hammer is the only saving grace to the film, but he doesn’t keep the film moving the way Charles Bronson propels the similar CHATO’S LAND. And pretty much all the moving this film does is at a turtle’s pace, thanks in part to Larry Spangler’s flat, uninspired direction. Spangler also produced Williamson’s first western, THE LEGEND ON NIGGER CHARLEY, and he wrote, produced, and directed the sequel THE SOUL OF NIGGER CHARLEY (neither of which comfortably rest in the realm of what might be considered “decent” films). But beyond Spangler’s lifeless direction, we also have Williamson’s script, which takes no chances and gives no dimension to the hero. And while a dimensionless hero may be somewhat acceptable, flat and stale villains can really weigh a movie down, which is just another part of this sorry state of affairs.
#freemovies #moviesonline #fullwesterns
COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info@amogo.de
https://wn.com/Revenge_(Aka_Joshua)_Free_Full_Blaxploitation_Western_Movie,_English,_Classic_Feature_Film
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge.
In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider.
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Director: Larry G. Spangler (as Larry Spangler)
Writer: Fred Williamson (story and screenplay)
Stars: Fred Williamson, Cal Bartlett, Brenda Venus
Runtime: 1h 30min
A low budget and lower aspirations do in this underplotted 1976 western, in which Fred Williamson does a passable imitation of Clint Eastwood, managing about 40 words of dialogue in the whole film. Larry Spangler directed, with more mismatched shots than are forgivable, even in these liberal times. PG, 75 min.
Synopsis: Back from fighting for the Union in the Civil War, a black soldier becomes a bounty hunter to exact revenge on the white thugs who killed his mother.
DAVID F. WALKER: Some evil racists make the mistake of killing Civil War veteran Joshua’s (Fred “the Hammer” Williamson) momma. In the process of killin’ Momma Hammer, they also kidnap the wife of the white man that she worked for. Now, I don’t need to tell you Joshua ain’t givin’ a rusty shit ‘bout the wife of no white man; but as anyone who’s seen ORIGINAL GANGSTAS knows, Fred ain’t havin’ that abuse of his momma. And quicker than you can say, “Don’t be messin’ wif my momma”, our main man sets out on a trail-o-revenge. Joshua tracks them no good varmints across the open prairie; and one by one he makes sure they all contract a serious case of the deaths. One sucka gets took out with a rattlesnake, one gets spear chucked, others get filled fulla lead, and one gets blown to smithereens. It all sounds pretty exciting…but it isn’t.
Like director Jack Arnold’s BOSS NIGGER (which also starred Williamson), JOSHUA draws much of its inspiration from the European-produced spaghetti westerns, which had been popular in the 1960s, but by the 1970s had become increasingly dependent on comedy to keep the genre going. While BOSS NIGGER is a technically poor film, it is fun to watch, coming across like a blaxploitation version of Enzo Barboni’s TRINITY films. JOSHUA, on the other hand is reminiscent of spaghetti westerns from the mid-to-late 1960s, playing like a Franco Nero or John Garko film – something along the lines of MASSACRE TIME or VENGEANCE IS MINE, neither of which are all that good in their own right. But even by the standards of mediocre-to-crappy spaghetti westerns, JOSHUA isn’t all it’s cracked up to be, lacking the visual flare that fueled even some of the more craptacular Eurowesterns. While not being brain-melting terrible, JOSHUA ain’t exactly good either.
The Hammer is the only saving grace to the film, but he doesn’t keep the film moving the way Charles Bronson propels the similar CHATO’S LAND. And pretty much all the moving this film does is at a turtle’s pace, thanks in part to Larry Spangler’s flat, uninspired direction. Spangler also produced Williamson’s first western, THE LEGEND ON NIGGER CHARLEY, and he wrote, produced, and directed the sequel THE SOUL OF NIGGER CHARLEY (neither of which comfortably rest in the realm of what might be considered “decent” films). But beyond Spangler’s lifeless direction, we also have Williamson’s script, which takes no chances and gives no dimension to the hero. And while a dimensionless hero may be somewhat acceptable, flat and stale villains can really weigh a movie down, which is just another part of this sorry state of affairs.
#freemovies #moviesonline #fullwesterns
COPYRIGHT: All of the films published by us are legally licensed. We have acquired the rights (at least for specific territories) from the rightholders by contract. If you have questions please send an email to: info@amogo.de
- published: 27 Oct 2018
- views: 413798
3:46
What If Joshua Dies?
- Order: Reorder
- Duration: 3:46
- Uploaded Date: 01 Oct 2017
- views: 14027
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following scene, Joshua inherits the Sacred Twins of Jehanna, and subsequently pa...
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following scene, Joshua inherits the Sacred Twins of Jehanna, and subsequently passes it on to Eirika so the army can use it. What if he died instead?
In the same vein as my What If Virion Dies video, I had Joshua killed at the last possible second, by his own mentor, Carlyle. I used tool-assisted random number manipulation to ensure both characters not only hit, but also crit in the same turn. Seeing Joshua go from critting and having the advantage to being critted and dying from full HP... that is the kind of theatrics I strive for in my videos. I expect this to be a true gut punch to the viewer.
I find it really fascinating how the subsequent scenes change, not only the one with Ismaire. In the original version, Joshua and the other nobles discuss how they are allies now. So to have that part of the game simply gone is another gut punch on top of what I already did.
We have a Discord server for this Youtube channel now! Feel free to stop by!
https://discord.gg/SXBeevz
https://goo.gl/1CrnNg
If you are able and willing to donate money, please consider using Ko-fi to do so. What is notable about this service is that it does not have a surcharge like Patreon does. Other than the Paypal processing fees, I get all of the money you give me.
I have recently listed all of the equipment I use to make my videos on Kit. If you would like to support this channel while buying stuff for yourself, please visit the following link.
https://kit.com/CollectorTogami/youtubing-kit
https://wn.com/What_If_Joshua_Dies
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following scene, Joshua inherits the Sacred Twins of Jehanna, and subsequently passes it on to Eirika so the army can use it. What if he died instead?
In the same vein as my What If Virion Dies video, I had Joshua killed at the last possible second, by his own mentor, Carlyle. I used tool-assisted random number manipulation to ensure both characters not only hit, but also crit in the same turn. Seeing Joshua go from critting and having the advantage to being critted and dying from full HP... that is the kind of theatrics I strive for in my videos. I expect this to be a true gut punch to the viewer.
I find it really fascinating how the subsequent scenes change, not only the one with Ismaire. In the original version, Joshua and the other nobles discuss how they are allies now. So to have that part of the game simply gone is another gut punch on top of what I already did.
We have a Discord server for this Youtube channel now! Feel free to stop by!
https://discord.gg/SXBeevz
https://goo.gl/1CrnNg
If you are able and willing to donate money, please consider using Ko-fi to do so. What is notable about this service is that it does not have a surcharge like Patreon does. Other than the Paypal processing fees, I get all of the money you give me.
I have recently listed all of the equipment I use to make my videos on Kit. If you would like to support this channel while buying stuff for yourself, please visit the following link.
https://kit.com/CollectorTogami/youtubing-kit
- published: 01 Oct 2017
- views: 14027
0:33
Epic Mortar Kill
- Order: Reorder
- Duration: 0:33
- Uploaded Date: 13 Jun 2017
- views: 22
Trying to take out a tank with a mortar and a plane gets in the way - so good
Trying to take out a tank with a mortar and a plane gets in the way - so good
https://wn.com/Epic_Mortar_Kill
Trying to take out a tank with a mortar and a plane gets in the way - so good
- published: 13 Jun 2017
- views: 22
57:38
THE ACT OF KILLING, Documentary with Filmmaker Joshua Oppenheimer
- Order: Reorder
- Duration: 57:38
- Uploaded Date: 15 May 2014
- views: 876
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indonesia of the 1960's and the ongoing unchecked abuses of power by gover...
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indonesia of the 1960's and the ongoing unchecked abuses of power by government "thugs," has achieved international recognition. One of the most haunting films of the year, we discuss the filming, political and cultural factors of the genocide, impact and making of the film (featuring footage) with director Joshua Oppenheimer on this full length BYOD interview.
GUEST BIO:
Joshua Oppenheimer has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. Educated at Harvard and Central St Martins, London, his award-winning films include THE GLOBALIZATION TAPES (2003, co-directed with Christine Cynn), THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE (1998, Gold Hugo, Chicago Film Festival, Telluride Film Festival), THESE PLACES WE'VE LEARNED TO CALL HOME (1996, Gold Spire, San Francisco Film Festival) and numerous shorts. Oppenheimer is Senior Researcher on the UK Arts and Humanities Research Council's Genocide and Genre project and has published widely on these themes.
ADD'L LINKS:
http://theactofkilling.com
EPISODE BREAKDOWN:
00:01 Welcome to BYOD.
00:14 Introducing The Act Of Killing, by Joshua Oppenheimer.
02:45 The shooting of the film and origin of the film.
08:44 The Act Of Killing, Trailer.
11:00 Anwar and the film within a film.
14:10 The Act Of Killing, clip: Anwar showing how he killed.
16:25 Denial and refusal of guilt during filming.
20:00 American movies importance in Indonesia.
21:40 Super criminals and thugs running for office.
23:00 About today through the ghosts of 1965.
24:20 The Act Of Killing, clip: Old Photos.
25:20 The gangsters motivations for killing, and ongoing ethnic extortion.
29:05 The reaction from the people in the film.
34:45 The victim's response to the perpetrators that are still in power.
37:51 The Act Of Killing, clip: The winner writes history.
39:00 Parallels between the US and Indonesia-then and now.
44:40 The Act Of Killing, Clip: Cruelty and the image.
46:50 A huge breakthrough moment on the film.
51:20 The changing lives of the 'thugs."
56:25 The Act Of Killing, clip.
Category
Documentary
Entertainment
News
Starring:
Ondi Timoner
David Minick
Directed by:
Kevin Hamedani
Produced by:
Ondi Timoner
David Minick
Michael Lustig
Written by:
Ondi Timoner
David Minick
Australian National University Professor of Asian history and politics Robert Cribb stated that the film lacks historical context.[21] In reply, Oppenheimer said that "the film is essentially not about what happened in 1965, but rather about a regime in which genocide has, paradoxically, been effaced [yet] celebrated -- in order to keep the survivors terrified, the public brainwashed, and the perpetrators able to live with themselves...It never pretends to be an exhaustive account of the events of 1965. It seeks to understand the impact of the killing and terror today, on individuals and institutions."[22]
Bradley Simpson, historian at the University of Connecticut and director of the Indonesia/East Timor Documentation Project at the National Security Archive, states the "brilliant Oscar-nominated film" has prompted vigorous debate among Indonesians about the crimes and the need to hold responsible parties accountable, and suggests that it could have a similar effect in the United States, whose own role in the killings "has never officially been acknowledged, much less accounted for, though some of the relevant documents have been made available to the public."[23]
An Indonesian academic, Soe Tjen Marching, analyzed the film in relation to Hannah Arendt's theory of the banality of evil.[24]
The primary subjects in the film, Anwar Congo and Herman Koto, have seen the film and neither feels deceived, according to Oppenheimer. Oppenheimer says that upon watching the film Anwar Congo "started to cry...Tearfully, he told me: 'This is the film I expected. It's an honest film, a true film.' He said he was profoundly moved and will always remain loyal to it."[25] A subsequent interview on Al Jazeera's program "101 East" revealed that Anwar had misgivings about the film and the negative reaction to it in Indonesia, which was causing problems for him. He confided these concerns directly to Oppenheimer in an apparent Skype conversation displayed within the program.
."Continue to be Next Page..Thank you.(hadik.adventurer@gmail.com)
SC America'Indo(Southern California Americaindo)SC America Indonesia,HD2KYO,HadiK5 (hadik.adventurer@facebook.Com).AdventurerHadik@Twitter.com.
https://wn.com/The_Act_Of_Killing,_Documentary_With_Filmmaker_Joshua_Oppenheimer
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indonesia of the 1960's and the ongoing unchecked abuses of power by government "thugs," has achieved international recognition. One of the most haunting films of the year, we discuss the filming, political and cultural factors of the genocide, impact and making of the film (featuring footage) with director Joshua Oppenheimer on this full length BYOD interview.
GUEST BIO:
Joshua Oppenheimer has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. Educated at Harvard and Central St Martins, London, his award-winning films include THE GLOBALIZATION TAPES (2003, co-directed with Christine Cynn), THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE (1998, Gold Hugo, Chicago Film Festival, Telluride Film Festival), THESE PLACES WE'VE LEARNED TO CALL HOME (1996, Gold Spire, San Francisco Film Festival) and numerous shorts. Oppenheimer is Senior Researcher on the UK Arts and Humanities Research Council's Genocide and Genre project and has published widely on these themes.
ADD'L LINKS:
http://theactofkilling.com
EPISODE BREAKDOWN:
00:01 Welcome to BYOD.
00:14 Introducing The Act Of Killing, by Joshua Oppenheimer.
02:45 The shooting of the film and origin of the film.
08:44 The Act Of Killing, Trailer.
11:00 Anwar and the film within a film.
14:10 The Act Of Killing, clip: Anwar showing how he killed.
16:25 Denial and refusal of guilt during filming.
20:00 American movies importance in Indonesia.
21:40 Super criminals and thugs running for office.
23:00 About today through the ghosts of 1965.
24:20 The Act Of Killing, clip: Old Photos.
25:20 The gangsters motivations for killing, and ongoing ethnic extortion.
29:05 The reaction from the people in the film.
34:45 The victim's response to the perpetrators that are still in power.
37:51 The Act Of Killing, clip: The winner writes history.
39:00 Parallels between the US and Indonesia-then and now.
44:40 The Act Of Killing, Clip: Cruelty and the image.
46:50 A huge breakthrough moment on the film.
51:20 The changing lives of the 'thugs."
56:25 The Act Of Killing, clip.
Category
Documentary
Entertainment
News
Starring:
Ondi Timoner
David Minick
Directed by:
Kevin Hamedani
Produced by:
Ondi Timoner
David Minick
Michael Lustig
Written by:
Ondi Timoner
David Minick
Australian National University Professor of Asian history and politics Robert Cribb stated that the film lacks historical context.[21] In reply, Oppenheimer said that "the film is essentially not about what happened in 1965, but rather about a regime in which genocide has, paradoxically, been effaced [yet] celebrated -- in order to keep the survivors terrified, the public brainwashed, and the perpetrators able to live with themselves...It never pretends to be an exhaustive account of the events of 1965. It seeks to understand the impact of the killing and terror today, on individuals and institutions."[22]
Bradley Simpson, historian at the University of Connecticut and director of the Indonesia/East Timor Documentation Project at the National Security Archive, states the "brilliant Oscar-nominated film" has prompted vigorous debate among Indonesians about the crimes and the need to hold responsible parties accountable, and suggests that it could have a similar effect in the United States, whose own role in the killings "has never officially been acknowledged, much less accounted for, though some of the relevant documents have been made available to the public."[23]
An Indonesian academic, Soe Tjen Marching, analyzed the film in relation to Hannah Arendt's theory of the banality of evil.[24]
The primary subjects in the film, Anwar Congo and Herman Koto, have seen the film and neither feels deceived, according to Oppenheimer. Oppenheimer says that upon watching the film Anwar Congo "started to cry...Tearfully, he told me: 'This is the film I expected. It's an honest film, a true film.' He said he was profoundly moved and will always remain loyal to it."[25] A subsequent interview on Al Jazeera's program "101 East" revealed that Anwar had misgivings about the film and the negative reaction to it in Indonesia, which was causing problems for him. He confided these concerns directly to Oppenheimer in an apparent Skype conversation displayed within the program.
."Continue to be Next Page..Thank you.(hadik.adventurer@gmail.com)
SC America'Indo(Southern California Americaindo)SC America Indonesia,HD2KYO,HadiK5 (hadik.adventurer@facebook.Com).AdventurerHadik@Twitter.com.
- published: 15 May 2014
- views: 876
2:56
Smoking gun: Did Big Josh lie for his son?
- Order: Reorder
- Duration: 2:56
- Uploaded Date: 08 Aug 2013
- views: 1574
New details in the Joshua Young trial have sparked some questions about the role Josh Gouker, Young's father, played in Trey Zwicker's murder. Gouker, Zwicker's...
New details in the Joshua Young trial have sparked some questions about the role Josh Gouker, Young's father, played in Trey Zwicker's murder. Gouker, Zwicker's stepfather, initially blamed the murder on his son, but later pleaded guilty to killing Zwicker and now claims Young had no involvement. For more information please visit http://www.hlntv.com/
https://wn.com/Smoking_Gun_Did_Big_Josh_Lie_For_His_Son
New details in the Joshua Young trial have sparked some questions about the role Josh Gouker, Young's father, played in Trey Zwicker's murder. Gouker, Zwicker's stepfather, initially blamed the murder on his son, but later pleaded guilty to killing Zwicker and now claims Young had no involvement. For more information please visit http://www.hlntv.com/
- published: 08 Aug 2013
- views: 1574
2:13
The Act of Killing - trailer HD
- Order: Reorder
- Duration: 2:13
- Uploaded Date: 26 May 2013
- views: 2761
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965, Anwar Congo and his friends were promoted from illegal traders of mov...
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965, Anwar Congo and his friends were promoted from illegal traders of movie theatre tickets on the black market to death squad leaders. They helped the army kill at least hundreds of thousands of alleged communists, and committed extortion of ethnic Chinese, killing those who refused. As the executioner for the most notorious death squad in his city Medan in North Sumatra, Anwar himself killed hundreds of people with his own hands.
Today, Anwar is revered as a founding father of the right-wing paramilitary organization Pemuda Pancasila that grew out of the death squads. The organization is so powerful that its leaders include government ministers, and they are happy to boast about everything from corruption and election rigging to genocide. A regime was founded on crimes against humanity, yet has never been held accountable.
Anwar and his friends agreed to make a fictional movie incorporating killings such as they committed in the past. Also there was filming behind the scenes, and interviews by Oppenheimer. Oppenheimer reserved the right to edit the material as he wished, and in fact used the material for this documentary, including only short scenes of the supposed fiction film Arsan dan Aminah (Arsan and Aminah).
With the script changing a few times, their experience of the killings was adapted to their favorite film genres: gangster, western, and musical. They wrote the scripts and played themselves and their victims.
Their fiction filmmaking process provides the film's dramatic arc, and on the film sets the filmmaker could safely challenge them about what they did, without fear of being arrested or beaten up, while for the protagonists they were seemingly safe spaces to explore their deepest memories and feelings (as well as their blackest humor). Some of Anwar's friends realize that the killings were wrong. Others worry about the consequence of the story on their public image. Younger members of Pemuda Pancasila argue that they should boast about the horror of the massacres, because their terrifying and threatening force is the basis of their power today. As opinions diverge, the atmosphere on set grows tense. The edifice of genocide as a "patriotic struggle", with Anwar and his friends as its heroes, begins to sway and crack.
After Anwar plays a victim he says that it was a horrible experience, like the victims must have undergone. The filmmaker points out that it was much worse for the victims, because that was real, and this is only acting. Thus the filmmaking process catalyzes an unexpected emotional journey for Anwar, from arrogance to regret as he confronts, for the first time in his life, the full implications of what he's done.
https://wn.com/The_Act_Of_Killing_Trailer_Hd
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965, Anwar Congo and his friends were promoted from illegal traders of movie theatre tickets on the black market to death squad leaders. They helped the army kill at least hundreds of thousands of alleged communists, and committed extortion of ethnic Chinese, killing those who refused. As the executioner for the most notorious death squad in his city Medan in North Sumatra, Anwar himself killed hundreds of people with his own hands.
Today, Anwar is revered as a founding father of the right-wing paramilitary organization Pemuda Pancasila that grew out of the death squads. The organization is so powerful that its leaders include government ministers, and they are happy to boast about everything from corruption and election rigging to genocide. A regime was founded on crimes against humanity, yet has never been held accountable.
Anwar and his friends agreed to make a fictional movie incorporating killings such as they committed in the past. Also there was filming behind the scenes, and interviews by Oppenheimer. Oppenheimer reserved the right to edit the material as he wished, and in fact used the material for this documentary, including only short scenes of the supposed fiction film Arsan dan Aminah (Arsan and Aminah).
With the script changing a few times, their experience of the killings was adapted to their favorite film genres: gangster, western, and musical. They wrote the scripts and played themselves and their victims.
Their fiction filmmaking process provides the film's dramatic arc, and on the film sets the filmmaker could safely challenge them about what they did, without fear of being arrested or beaten up, while for the protagonists they were seemingly safe spaces to explore their deepest memories and feelings (as well as their blackest humor). Some of Anwar's friends realize that the killings were wrong. Others worry about the consequence of the story on their public image. Younger members of Pemuda Pancasila argue that they should boast about the horror of the massacres, because their terrifying and threatening force is the basis of their power today. As opinions diverge, the atmosphere on set grows tense. The edifice of genocide as a "patriotic struggle", with Anwar and his friends as its heroes, begins to sway and crack.
After Anwar plays a victim he says that it was a horrible experience, like the victims must have undergone. The filmmaker points out that it was much worse for the victims, because that was real, and this is only acting. Thus the filmmaking process catalyzes an unexpected emotional journey for Anwar, from arrogance to regret as he confronts, for the first time in his life, the full implications of what he's done.
- published: 26 May 2013
- views: 2761
42:02
Dérapage d'acan , victoire sur Ai, et ruse des gabaonites
- Order: Reorder
- Duration: 42:02
- Uploaded Date: 20 Oct 2019
- views: 22
Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding the devoted things. Achan, son of Karmi, the son of Zerah, of the trib...
Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding the devoted things. Achan, son of Karmi, the son of Zerah, of the tribe of Judah, took some of them. The Lord’s anger burned against Israel. Joshua sent men from Jericho to Ai, which is near Beth Aven to the east of Bethel, and told them, ‘Go up and spy out the region.’ So the men went up and spied out, Ai. When they returned to Joshua, they said, ‘Not all the army will have to go up against Ai. Send two or three thousand men to take it and do not weary the whole army, for only a few people live there.’. They chased the Israelites from the city gate as far as the stone quarries and struck them down on the slopes. At this, the hearts of the people melted in fear and became like water. The elders of Israel did the same and sprinkled dust on their heads. Joshua said, ‘Alas, Sovereign Lord, why did you ever bring these people across the Jordan to deliver us into the hands of the Amorites to destroy us? If only we had been content to stay on the other side of the Jordan! Pardon your servant, Lord. What can I say, now that Israel has been routed by its enemies? The Canaanites and the other people in the country will hear about this, and they will surround us and wipe out our name from the earth. What then will you do for your own great name?’ The Lord said to Joshua, ‘Stand up! What are you doing down on your face? Israel has sinned; they have violated my covenant, which I commanded them to keep. They have taken some of the devoted things; they have stolen, they have lied, they have put them with their own possessions. That is why the Israelites cannot stand against their enemies; they turn their backs and run because they have been made liable to destruction. I will not be with you anymore unless you destroy whatever among you is devoted to destruction. Go, consecrate the people. Tell them, “Consecrate yourselves in preparation for tomorrow; for this is what the Lord, the God of Israel, says: there are devoted things among you, Israel. You cannot stand against your enemies until you remove them. “In the morning, present yourselves tribe by tribe. The tribe that the Lord chooses shall come forward clan by clan; the clan that the Lord chooses shall come forward family by family, and the family that the Lord chooses shall come forward man by man. Whoever is caught with the devoted things shall be destroyed by fire, along with all that belongs to him. He has violated the covenant of the Lord and has done an outrageous thing in Israel!” ’ Achan replied, ‘It is true! I have sinned against the Lord, the God of Israel. They took the things from the tent, brought them to Joshua and all the Israelites, and spread them out before the Lord. Joshua said, ‘Why have you brought this trouble on us? The Lord will bring trouble on you today.’
The Lord said to Joshua, ‘Do not be afraid; do not be discouraged. Take the whole army with you, and go up and attack Ai. For I have delivered into your hands, the king of Ai, his people, his city, and his land. You shall do to Ai and its king as you did to Jericho and its king, except that you may carry off their plunder and livestock for yourselves. Set an ambush behind the city.’ Joshua and the whole army moved out to attack Ai. He chose 30 thousand of his best fighting men and sent them out at night. Joshua had taken about 5 thousand men and set them in ambush between Bethel and Ai, to the west of the city. Not a man remained in Ai or Bethel who did not go after Israel. They left the city open and went in pursuit of Israel. Joshua burned Ai and made it a permanent heap of ruins, a desolate place to this day. Joshua built on Mount Ebal, an altar to the Lord, the God of Israel, as Moses, the servant of the Lord, had commanded the Israelites.
However, when the people of Gibeon heard what Joshua had done to Jericho and Ai, 4they resorted to a ruse: They went as a delegation whose donkeys were loaded. they went to Joshua in the camp at Gilgal and said to him and the Israelites, ‘We have come from a distant country; make a treaty with us.’ Our elders and all those living in our country said to us, “Take provisions for your journey; go and meet them and say to them, ‘We are your servants; make a treaty with us.’ The Israelites sampled their provisions but did not enquire of the Lord. Joshua made a treaty of peace with them to let them live, and the leaders of the assembly ratified it by oath. Joshua saved them from the Israelites, and they did not kill them. Th at the day he made the Gibeonites woodcutters and water-carriers for the assembly, to provide for the needs of the altar of the Lord at the place the Lord would choose. And that is what they are to this day.
https://wn.com/Dérapage_D'Acan_,_Victoire_Sur_Ai,_Et_Ruse_Des_Gabaonites
Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding the devoted things. Achan, son of Karmi, the son of Zerah, of the tribe of Judah, took some of them. The Lord’s anger burned against Israel. Joshua sent men from Jericho to Ai, which is near Beth Aven to the east of Bethel, and told them, ‘Go up and spy out the region.’ So the men went up and spied out, Ai. When they returned to Joshua, they said, ‘Not all the army will have to go up against Ai. Send two or three thousand men to take it and do not weary the whole army, for only a few people live there.’. They chased the Israelites from the city gate as far as the stone quarries and struck them down on the slopes. At this, the hearts of the people melted in fear and became like water. The elders of Israel did the same and sprinkled dust on their heads. Joshua said, ‘Alas, Sovereign Lord, why did you ever bring these people across the Jordan to deliver us into the hands of the Amorites to destroy us? If only we had been content to stay on the other side of the Jordan! Pardon your servant, Lord. What can I say, now that Israel has been routed by its enemies? The Canaanites and the other people in the country will hear about this, and they will surround us and wipe out our name from the earth. What then will you do for your own great name?’ The Lord said to Joshua, ‘Stand up! What are you doing down on your face? Israel has sinned; they have violated my covenant, which I commanded them to keep. They have taken some of the devoted things; they have stolen, they have lied, they have put them with their own possessions. That is why the Israelites cannot stand against their enemies; they turn their backs and run because they have been made liable to destruction. I will not be with you anymore unless you destroy whatever among you is devoted to destruction. Go, consecrate the people. Tell them, “Consecrate yourselves in preparation for tomorrow; for this is what the Lord, the God of Israel, says: there are devoted things among you, Israel. You cannot stand against your enemies until you remove them. “In the morning, present yourselves tribe by tribe. The tribe that the Lord chooses shall come forward clan by clan; the clan that the Lord chooses shall come forward family by family, and the family that the Lord chooses shall come forward man by man. Whoever is caught with the devoted things shall be destroyed by fire, along with all that belongs to him. He has violated the covenant of the Lord and has done an outrageous thing in Israel!” ’ Achan replied, ‘It is true! I have sinned against the Lord, the God of Israel. They took the things from the tent, brought them to Joshua and all the Israelites, and spread them out before the Lord. Joshua said, ‘Why have you brought this trouble on us? The Lord will bring trouble on you today.’
The Lord said to Joshua, ‘Do not be afraid; do not be discouraged. Take the whole army with you, and go up and attack Ai. For I have delivered into your hands, the king of Ai, his people, his city, and his land. You shall do to Ai and its king as you did to Jericho and its king, except that you may carry off their plunder and livestock for yourselves. Set an ambush behind the city.’ Joshua and the whole army moved out to attack Ai. He chose 30 thousand of his best fighting men and sent them out at night. Joshua had taken about 5 thousand men and set them in ambush between Bethel and Ai, to the west of the city. Not a man remained in Ai or Bethel who did not go after Israel. They left the city open and went in pursuit of Israel. Joshua burned Ai and made it a permanent heap of ruins, a desolate place to this day. Joshua built on Mount Ebal, an altar to the Lord, the God of Israel, as Moses, the servant of the Lord, had commanded the Israelites.
However, when the people of Gibeon heard what Joshua had done to Jericho and Ai, 4they resorted to a ruse: They went as a delegation whose donkeys were loaded. they went to Joshua in the camp at Gilgal and said to him and the Israelites, ‘We have come from a distant country; make a treaty with us.’ Our elders and all those living in our country said to us, “Take provisions for your journey; go and meet them and say to them, ‘We are your servants; make a treaty with us.’ The Israelites sampled their provisions but did not enquire of the Lord. Joshua made a treaty of peace with them to let them live, and the leaders of the assembly ratified it by oath. Joshua saved them from the Israelites, and they did not kill them. Th at the day he made the Gibeonites woodcutters and water-carriers for the assembly, to provide for the needs of the altar of the Lord at the place the Lord would choose. And that is what they are to this day.
- published: 20 Oct 2019
- views: 22
15:57
Trained to Kill USA l Action/Drama (1973)
- Order: Reorder
- Duration: 15:57
- Uploaded Date: 19 Mar 2019
- views: 35
Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a liquor store Prophet and a friend evade the local Sheriff and stop at th...
Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a liquor store Prophet and a friend evade the local Sheriff and stop at the ranch of Mark Hand, a decorated war veteran. Feeling suspicious, Mark tells Prophet he can help himself to water at a pump behind the house but covers him with a rifle. Prophet's friend overpowers Mark from behind, ties him up and beats him prior to robbing Mark's house. Attracted by the mass amount of firearms in Mark's cabinet, they are distracted by Mark's daughter Mary who Prophet's friend attempts to rape. Mary wounds him with a knife and escapes in the desert coming across the car returning home driven by Mrs Hand and Mary's brother Olie who has returned from the Vietnam War with decorations and mental illnesses. Prophet and his friend make their escape with Mark puzzled that Olie doesn't want to hunt the criminals, preferring to let the sheriff handle the matter.
Though glad to be home, Olie grows more sullen and uncommunicative. Two of Olie's war buddies visit the Hand ranch and reveal that Olie was their legendary commander of a 6-man long-range reconnaissance patrol of United States Army Rangers, with one patrol taking them to Haiphong where they escaped in a Russian ship. Despite the supporting presence of his comrades in arms and loving family Olie grows more withdrawn and prone to flashbacks to the war where he nearly kills one of his friends when the two engage in good-natured sparring.
Meanwhile, Prophet and his friends plan more criminal acts where they steal a large recreational vehicle that they plan to sell across the border in Mexico, but the gang murders the family who own it. Some members of Prophet's gang stop off at a gas station where they abuse the attendant until they are beaten up by Olie and his army buddies. Enraged, the Prophet plans revenge and a big criminal score where they will attack the Hand ranch, steal Hand's mass arsenal, recruit a motorcycle gang led by Pillbox to distract the sheriff, and rob the town's bank where they will split the proceeds with Pillbox and make their escape to Mexico that lies across open rangeland adjoining the Hand ranch. Olie bids his army buddies farewell then further descends into a self-pitying alcoholic stupor.
Cast
Steve Sandor ... Olie Hand
Rockne Tarkington ... Prophet
Richard X. Slattery ... Mark Hand
Heidi Vaughn ... Mary Hand
Mike Lane ... Big Jack
Sid Haig ... Pillbox
Ron Thompson ... John Dunn
David Booth ... Beetle
Daniel Oaks ... Cpl. Lyle Talbot
Tom Scott ... Parrish
Michael Prichard ... Bruce Bennett
Peg Stewart ... Mrs. Hand
Richard Collier ... Joshua White
Darlene Feasel ... Dora Adams
Russell Morrell ... Sheriff Harris
https://wn.com/Trained_To_Kill_USA_L_Action_Drama_(1973)
Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a liquor store Prophet and a friend evade the local Sheriff and stop at the ranch of Mark Hand, a decorated war veteran. Feeling suspicious, Mark tells Prophet he can help himself to water at a pump behind the house but covers him with a rifle. Prophet's friend overpowers Mark from behind, ties him up and beats him prior to robbing Mark's house. Attracted by the mass amount of firearms in Mark's cabinet, they are distracted by Mark's daughter Mary who Prophet's friend attempts to rape. Mary wounds him with a knife and escapes in the desert coming across the car returning home driven by Mrs Hand and Mary's brother Olie who has returned from the Vietnam War with decorations and mental illnesses. Prophet and his friend make their escape with Mark puzzled that Olie doesn't want to hunt the criminals, preferring to let the sheriff handle the matter.
Though glad to be home, Olie grows more sullen and uncommunicative. Two of Olie's war buddies visit the Hand ranch and reveal that Olie was their legendary commander of a 6-man long-range reconnaissance patrol of United States Army Rangers, with one patrol taking them to Haiphong where they escaped in a Russian ship. Despite the supporting presence of his comrades in arms and loving family Olie grows more withdrawn and prone to flashbacks to the war where he nearly kills one of his friends when the two engage in good-natured sparring.
Meanwhile, Prophet and his friends plan more criminal acts where they steal a large recreational vehicle that they plan to sell across the border in Mexico, but the gang murders the family who own it. Some members of Prophet's gang stop off at a gas station where they abuse the attendant until they are beaten up by Olie and his army buddies. Enraged, the Prophet plans revenge and a big criminal score where they will attack the Hand ranch, steal Hand's mass arsenal, recruit a motorcycle gang led by Pillbox to distract the sheriff, and rob the town's bank where they will split the proceeds with Pillbox and make their escape to Mexico that lies across open rangeland adjoining the Hand ranch. Olie bids his army buddies farewell then further descends into a self-pitying alcoholic stupor.
Cast
Steve Sandor ... Olie Hand
Rockne Tarkington ... Prophet
Richard X. Slattery ... Mark Hand
Heidi Vaughn ... Mary Hand
Mike Lane ... Big Jack
Sid Haig ... Pillbox
Ron Thompson ... John Dunn
David Booth ... Beetle
Daniel Oaks ... Cpl. Lyle Talbot
Tom Scott ... Parrish
Michael Prichard ... Bruce Bennett
Peg Stewart ... Mrs. Hand
Richard Collier ... Joshua White
Darlene Feasel ... Dora Adams
Russell Morrell ... Sheriff Harris
- published: 19 Mar 2019
- views: 35
4:38
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
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published: 10 Nov 2015
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
Josh on Killing: Do You Miss War? | On Killing: Season 1 | Cut
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- published: 10 Nov 2015
- views: 1098036
Sponsor this series: http://www.cut.com/sponsorship
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About On Killing: Season 1:
We asked people to describe the act of killing someone. These are their stories.
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About this video:
We asked veterans to talk about what it was like killing someone. This is Josh's story.
Main Episode: https://youtu.be/BsfbO9oz0GI
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3:36
Defeats of My Favorite Movie Villains part 8 (New Years Special)
Villain Quotes:
"People of Ryme City! I've finally discovered a cure! Not just for me, bu...
published: 31 Dec 2019
Defeats of My Favorite Movie Villains part 8 (New Years Special)
Defeats of My Favorite Movie Villains part 8 (New Years Special)
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- published: 31 Dec 2019
- views: 217
Villain Quotes:
"People of Ryme City! I've finally discovered a cure! Not just for me, but for all of humanity! Pokemon can evolve into better versions of themselves! And now, so can you! Humans and Pokemon... merged into ONE!" -Howard Clifford
"ROAR" -The Big One
"I killed in America, Afghanistan, Iraq. I took life from my own brothers and sisters right here on this continent. And all this death, just so I could kill you." -Erik Killmonger
“Look at me. I'm Black Superman!” -Brixton Lore
"I don't seek to rule this world. No, I seek to end it" -Kaecilius
"You've come to die! Your world is now my world, like all worlds!" -Dormammu
"Die well, assassin." -Memnon
"Everything I've done, I've done for you. I move the stars for no one." -Jareth the Goblin King
"I'm no errand boy. And I'm not in this war for Dooku's politics. I am the leader of the most powerful droid army the galaxy has ever seen!" -General Grievous
Please comment, rate, and subscribe
(I own nothing. No copyright infringement intended.)
1:23:08
REVENGE (aka JOSHUA) Free Full Blaxploitation Western Movie, English, Classic Feature Film
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, E...
published: 27 Oct 2018
REVENGE (aka JOSHUA) Free Full Blaxploitation Western Movie, English, Classic Feature Film
REVENGE (aka JOSHUA) Free Full Blaxploitation Western Movie, English, Classic Feature Film
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- published: 27 Oct 2018
- views: 413798
Joshua The Black Rider: Full Free Blaxploitation Western Movie, Full Length Cowboy Film, English: Joshua (1976), Drama. Joshua is a 1976 American film directed by Larry G. Spangler. The film is also known as Black Rider, Joshua the Black Rider or Revenge.
In this post-Civil War Western, Fred Williamson stars as a vigilante on the hunt for the men who killed his mother. First titled The Black Rider.
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Director: Larry G. Spangler (as Larry Spangler)
Writer: Fred Williamson (story and screenplay)
Stars: Fred Williamson, Cal Bartlett, Brenda Venus
Runtime: 1h 30min
A low budget and lower aspirations do in this underplotted 1976 western, in which Fred Williamson does a passable imitation of Clint Eastwood, managing about 40 words of dialogue in the whole film. Larry Spangler directed, with more mismatched shots than are forgivable, even in these liberal times. PG, 75 min.
Synopsis: Back from fighting for the Union in the Civil War, a black soldier becomes a bounty hunter to exact revenge on the white thugs who killed his mother.
DAVID F. WALKER: Some evil racists make the mistake of killing Civil War veteran Joshua’s (Fred “the Hammer” Williamson) momma. In the process of killin’ Momma Hammer, they also kidnap the wife of the white man that she worked for. Now, I don’t need to tell you Joshua ain’t givin’ a rusty shit ‘bout the wife of no white man; but as anyone who’s seen ORIGINAL GANGSTAS knows, Fred ain’t havin’ that abuse of his momma. And quicker than you can say, “Don’t be messin’ wif my momma”, our main man sets out on a trail-o-revenge. Joshua tracks them no good varmints across the open prairie; and one by one he makes sure they all contract a serious case of the deaths. One sucka gets took out with a rattlesnake, one gets spear chucked, others get filled fulla lead, and one gets blown to smithereens. It all sounds pretty exciting…but it isn’t.
Like director Jack Arnold’s BOSS NIGGER (which also starred Williamson), JOSHUA draws much of its inspiration from the European-produced spaghetti westerns, which had been popular in the 1960s, but by the 1970s had become increasingly dependent on comedy to keep the genre going. While BOSS NIGGER is a technically poor film, it is fun to watch, coming across like a blaxploitation version of Enzo Barboni’s TRINITY films. JOSHUA, on the other hand is reminiscent of spaghetti westerns from the mid-to-late 1960s, playing like a Franco Nero or John Garko film – something along the lines of MASSACRE TIME or VENGEANCE IS MINE, neither of which are all that good in their own right. But even by the standards of mediocre-to-crappy spaghetti westerns, JOSHUA isn’t all it’s cracked up to be, lacking the visual flare that fueled even some of the more craptacular Eurowesterns. While not being brain-melting terrible, JOSHUA ain’t exactly good either.
The Hammer is the only saving grace to the film, but he doesn’t keep the film moving the way Charles Bronson propels the similar CHATO’S LAND. And pretty much all the moving this film does is at a turtle’s pace, thanks in part to Larry Spangler’s flat, uninspired direction. Spangler also produced Williamson’s first western, THE LEGEND ON NIGGER CHARLEY, and he wrote, produced, and directed the sequel THE SOUL OF NIGGER CHARLEY (neither of which comfortably rest in the realm of what might be considered “decent” films). But beyond Spangler’s lifeless direction, we also have Williamson’s script, which takes no chances and gives no dimension to the hero. And while a dimensionless hero may be somewhat acceptable, flat and stale villains can really weigh a movie down, which is just another part of this sorry state of affairs.
#freemovies #moviesonline #fullwesterns
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3:46
What If Joshua Dies?
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following s...
published: 01 Oct 2017
What If Joshua Dies?
What If Joshua Dies?
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- published: 01 Oct 2017
- views: 14027
Ismaire, the Queen of White Dunes, is killed in cold blood by Caellach. In the following scene, Joshua inherits the Sacred Twins of Jehanna, and subsequently passes it on to Eirika so the army can use it. What if he died instead?
In the same vein as my What If Virion Dies video, I had Joshua killed at the last possible second, by his own mentor, Carlyle. I used tool-assisted random number manipulation to ensure both characters not only hit, but also crit in the same turn. Seeing Joshua go from critting and having the advantage to being critted and dying from full HP... that is the kind of theatrics I strive for in my videos. I expect this to be a true gut punch to the viewer.
I find it really fascinating how the subsequent scenes change, not only the one with Ismaire. In the original version, Joshua and the other nobles discuss how they are allies now. So to have that part of the game simply gone is another gut punch on top of what I already did.
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0:33
Epic Mortar Kill
Trying to take out a tank with a mortar and a plane gets in the way - so good
published: 13 Jun 2017
Epic Mortar Kill
Epic Mortar Kill
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- published: 13 Jun 2017
- views: 22
Trying to take out a tank with a mortar and a plane gets in the way - so good
57:38
THE ACT OF KILLING, Documentary with Filmmaker Joshua Oppenheimer
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indo...
published: 15 May 2014
THE ACT OF KILLING, Documentary with Filmmaker Joshua Oppenheimer
THE ACT OF KILLING, Documentary with Filmmaker Joshua Oppenheimer
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- published: 15 May 2014
- views: 876
THE ACT OF KILLING, the 2013 documentary about the political and criminal genocide in Indonesia of the 1960's and the ongoing unchecked abuses of power by government "thugs," has achieved international recognition. One of the most haunting films of the year, we discuss the filming, political and cultural factors of the genocide, impact and making of the film (featuring footage) with director Joshua Oppenheimer on this full length BYOD interview.
GUEST BIO:
Joshua Oppenheimer has worked for over a decade with militias, death squads and their victims to explore the relationship between political violence and the public imagination. Educated at Harvard and Central St Martins, London, his award-winning films include THE GLOBALIZATION TAPES (2003, co-directed with Christine Cynn), THE ENTIRE HISTORY OF THE LOUISIANA PURCHASE (1998, Gold Hugo, Chicago Film Festival, Telluride Film Festival), THESE PLACES WE'VE LEARNED TO CALL HOME (1996, Gold Spire, San Francisco Film Festival) and numerous shorts. Oppenheimer is Senior Researcher on the UK Arts and Humanities Research Council's Genocide and Genre project and has published widely on these themes.
ADD'L LINKS:
http://theactofkilling.com
EPISODE BREAKDOWN:
00:01 Welcome to BYOD.
00:14 Introducing The Act Of Killing, by Joshua Oppenheimer.
02:45 The shooting of the film and origin of the film.
08:44 The Act Of Killing, Trailer.
11:00 Anwar and the film within a film.
14:10 The Act Of Killing, clip: Anwar showing how he killed.
16:25 Denial and refusal of guilt during filming.
20:00 American movies importance in Indonesia.
21:40 Super criminals and thugs running for office.
23:00 About today through the ghosts of 1965.
24:20 The Act Of Killing, clip: Old Photos.
25:20 The gangsters motivations for killing, and ongoing ethnic extortion.
29:05 The reaction from the people in the film.
34:45 The victim's response to the perpetrators that are still in power.
37:51 The Act Of Killing, clip: The winner writes history.
39:00 Parallels between the US and Indonesia-then and now.
44:40 The Act Of Killing, Clip: Cruelty and the image.
46:50 A huge breakthrough moment on the film.
51:20 The changing lives of the 'thugs."
56:25 The Act Of Killing, clip.
Category
Documentary
Entertainment
News
Starring:
Ondi Timoner
David Minick
Directed by:
Kevin Hamedani
Produced by:
Ondi Timoner
David Minick
Michael Lustig
Written by:
Ondi Timoner
David Minick
Australian National University Professor of Asian history and politics Robert Cribb stated that the film lacks historical context.[21] In reply, Oppenheimer said that "the film is essentially not about what happened in 1965, but rather about a regime in which genocide has, paradoxically, been effaced [yet] celebrated -- in order to keep the survivors terrified, the public brainwashed, and the perpetrators able to live with themselves...It never pretends to be an exhaustive account of the events of 1965. It seeks to understand the impact of the killing and terror today, on individuals and institutions."[22]
Bradley Simpson, historian at the University of Connecticut and director of the Indonesia/East Timor Documentation Project at the National Security Archive, states the "brilliant Oscar-nominated film" has prompted vigorous debate among Indonesians about the crimes and the need to hold responsible parties accountable, and suggests that it could have a similar effect in the United States, whose own role in the killings "has never officially been acknowledged, much less accounted for, though some of the relevant documents have been made available to the public."[23]
An Indonesian academic, Soe Tjen Marching, analyzed the film in relation to Hannah Arendt's theory of the banality of evil.[24]
The primary subjects in the film, Anwar Congo and Herman Koto, have seen the film and neither feels deceived, according to Oppenheimer. Oppenheimer says that upon watching the film Anwar Congo "started to cry...Tearfully, he told me: 'This is the film I expected. It's an honest film, a true film.' He said he was profoundly moved and will always remain loyal to it."[25] A subsequent interview on Al Jazeera's program "101 East" revealed that Anwar had misgivings about the film and the negative reaction to it in Indonesia, which was causing problems for him. He confided these concerns directly to Oppenheimer in an apparent Skype conversation displayed within the program.
."Continue to be Next Page..Thank you.(hadik.adventurer@gmail.com)
SC America'Indo(Southern California Americaindo)SC America Indonesia,HD2KYO,HadiK5 (hadik.adventurer@facebook.Com).AdventurerHadik@Twitter.com.
2:56
Smoking gun: Did Big Josh lie for his son?
New details in the Joshua Young trial have sparked some questions about the role Josh Gouk...
published: 08 Aug 2013
Smoking gun: Did Big Josh lie for his son?
Smoking gun: Did Big Josh lie for his son?
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- published: 08 Aug 2013
- views: 1574
New details in the Joshua Young trial have sparked some questions about the role Josh Gouker, Young's father, played in Trey Zwicker's murder. Gouker, Zwicker's stepfather, initially blamed the murder on his son, but later pleaded guilty to killing Zwicker and now claims Young had no involvement. For more information please visit http://www.hlntv.com/
2:13
The Act of Killing - trailer HD
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965,...
published: 26 May 2013
The Act of Killing - trailer HD
The Act of Killing - trailer HD
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- published: 26 May 2013
- views: 2761
When Sukarno was overthrown by Suharto following the tragic 30 September Movement in 1965, Anwar Congo and his friends were promoted from illegal traders of movie theatre tickets on the black market to death squad leaders. They helped the army kill at least hundreds of thousands of alleged communists, and committed extortion of ethnic Chinese, killing those who refused. As the executioner for the most notorious death squad in his city Medan in North Sumatra, Anwar himself killed hundreds of people with his own hands.
Today, Anwar is revered as a founding father of the right-wing paramilitary organization Pemuda Pancasila that grew out of the death squads. The organization is so powerful that its leaders include government ministers, and they are happy to boast about everything from corruption and election rigging to genocide. A regime was founded on crimes against humanity, yet has never been held accountable.
Anwar and his friends agreed to make a fictional movie incorporating killings such as they committed in the past. Also there was filming behind the scenes, and interviews by Oppenheimer. Oppenheimer reserved the right to edit the material as he wished, and in fact used the material for this documentary, including only short scenes of the supposed fiction film Arsan dan Aminah (Arsan and Aminah).
With the script changing a few times, their experience of the killings was adapted to their favorite film genres: gangster, western, and musical. They wrote the scripts and played themselves and their victims.
Their fiction filmmaking process provides the film's dramatic arc, and on the film sets the filmmaker could safely challenge them about what they did, without fear of being arrested or beaten up, while for the protagonists they were seemingly safe spaces to explore their deepest memories and feelings (as well as their blackest humor). Some of Anwar's friends realize that the killings were wrong. Others worry about the consequence of the story on their public image. Younger members of Pemuda Pancasila argue that they should boast about the horror of the massacres, because their terrifying and threatening force is the basis of their power today. As opinions diverge, the atmosphere on set grows tense. The edifice of genocide as a "patriotic struggle", with Anwar and his friends as its heroes, begins to sway and crack.
After Anwar plays a victim he says that it was a horrible experience, like the victims must have undergone. The filmmaker points out that it was much worse for the victims, because that was real, and this is only acting. Thus the filmmaking process catalyzes an unexpected emotional journey for Anwar, from arrogance to regret as he confronts, for the first time in his life, the full implications of what he's done.
42:02
Dérapage d'acan , victoire sur Ai, et ruse des gabaonites
Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding ...
published: 20 Oct 2019
Dérapage d'acan , victoire sur Ai, et ruse des gabaonites
Dérapage d'acan , victoire sur Ai, et ruse des gabaonites
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Today we will be discussing Joshua chapters 7-9. The Israelites were unfaithful regarding the devoted things. Achan, son of Karmi, the son of Zerah, of the tribe of Judah, took some of them. The Lord’s anger burned against Israel. Joshua sent men from Jericho to Ai, which is near Beth Aven to the east of Bethel, and told them, ‘Go up and spy out the region.’ So the men went up and spied out, Ai. When they returned to Joshua, they said, ‘Not all the army will have to go up against Ai. Send two or three thousand men to take it and do not weary the whole army, for only a few people live there.’. They chased the Israelites from the city gate as far as the stone quarries and struck them down on the slopes. At this, the hearts of the people melted in fear and became like water. The elders of Israel did the same and sprinkled dust on their heads. Joshua said, ‘Alas, Sovereign Lord, why did you ever bring these people across the Jordan to deliver us into the hands of the Amorites to destroy us? If only we had been content to stay on the other side of the Jordan! Pardon your servant, Lord. What can I say, now that Israel has been routed by its enemies? The Canaanites and the other people in the country will hear about this, and they will surround us and wipe out our name from the earth. What then will you do for your own great name?’ The Lord said to Joshua, ‘Stand up! What are you doing down on your face? Israel has sinned; they have violated my covenant, which I commanded them to keep. They have taken some of the devoted things; they have stolen, they have lied, they have put them with their own possessions. That is why the Israelites cannot stand against their enemies; they turn their backs and run because they have been made liable to destruction. I will not be with you anymore unless you destroy whatever among you is devoted to destruction. Go, consecrate the people. Tell them, “Consecrate yourselves in preparation for tomorrow; for this is what the Lord, the God of Israel, says: there are devoted things among you, Israel. You cannot stand against your enemies until you remove them. “In the morning, present yourselves tribe by tribe. The tribe that the Lord chooses shall come forward clan by clan; the clan that the Lord chooses shall come forward family by family, and the family that the Lord chooses shall come forward man by man. Whoever is caught with the devoted things shall be destroyed by fire, along with all that belongs to him. He has violated the covenant of the Lord and has done an outrageous thing in Israel!” ’ Achan replied, ‘It is true! I have sinned against the Lord, the God of Israel. They took the things from the tent, brought them to Joshua and all the Israelites, and spread them out before the Lord. Joshua said, ‘Why have you brought this trouble on us? The Lord will bring trouble on you today.’
The Lord said to Joshua, ‘Do not be afraid; do not be discouraged. Take the whole army with you, and go up and attack Ai. For I have delivered into your hands, the king of Ai, his people, his city, and his land. You shall do to Ai and its king as you did to Jericho and its king, except that you may carry off their plunder and livestock for yourselves. Set an ambush behind the city.’ Joshua and the whole army moved out to attack Ai. He chose 30 thousand of his best fighting men and sent them out at night. Joshua had taken about 5 thousand men and set them in ambush between Bethel and Ai, to the west of the city. Not a man remained in Ai or Bethel who did not go after Israel. They left the city open and went in pursuit of Israel. Joshua burned Ai and made it a permanent heap of ruins, a desolate place to this day. Joshua built on Mount Ebal, an altar to the Lord, the God of Israel, as Moses, the servant of the Lord, had commanded the Israelites.
However, when the people of Gibeon heard what Joshua had done to Jericho and Ai, 4they resorted to a ruse: They went as a delegation whose donkeys were loaded. they went to Joshua in the camp at Gilgal and said to him and the Israelites, ‘We have come from a distant country; make a treaty with us.’ Our elders and all those living in our country said to us, “Take provisions for your journey; go and meet them and say to them, ‘We are your servants; make a treaty with us.’ The Israelites sampled their provisions but did not enquire of the Lord. Joshua made a treaty of peace with them to let them live, and the leaders of the assembly ratified it by oath. Joshua saved them from the Israelites, and they did not kill them. Th at the day he made the Gibeonites woodcutters and water-carriers for the assembly, to provide for the needs of the altar of the Lord at the place the Lord would choose. And that is what they are to this day.
15:57
Trained to Kill USA l Action/Drama (1973)
Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a li...
published: 19 Mar 2019
Trained to Kill USA l Action/Drama (1973)
Trained to Kill USA l Action/Drama (1973)
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- published: 19 Mar 2019
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Prophet and his friends are carnies and itinerant criminals in Arizona. After robbing a liquor store Prophet and a friend evade the local Sheriff and stop at the ranch of Mark Hand, a decorated war veteran. Feeling suspicious, Mark tells Prophet he can help himself to water at a pump behind the house but covers him with a rifle. Prophet's friend overpowers Mark from behind, ties him up and beats him prior to robbing Mark's house. Attracted by the mass amount of firearms in Mark's cabinet, they are distracted by Mark's daughter Mary who Prophet's friend attempts to rape. Mary wounds him with a knife and escapes in the desert coming across the car returning home driven by Mrs Hand and Mary's brother Olie who has returned from the Vietnam War with decorations and mental illnesses. Prophet and his friend make their escape with Mark puzzled that Olie doesn't want to hunt the criminals, preferring to let the sheriff handle the matter.
Though glad to be home, Olie grows more sullen and uncommunicative. Two of Olie's war buddies visit the Hand ranch and reveal that Olie was their legendary commander of a 6-man long-range reconnaissance patrol of United States Army Rangers, with one patrol taking them to Haiphong where they escaped in a Russian ship. Despite the supporting presence of his comrades in arms and loving family Olie grows more withdrawn and prone to flashbacks to the war where he nearly kills one of his friends when the two engage in good-natured sparring.
Meanwhile, Prophet and his friends plan more criminal acts where they steal a large recreational vehicle that they plan to sell across the border in Mexico, but the gang murders the family who own it. Some members of Prophet's gang stop off at a gas station where they abuse the attendant until they are beaten up by Olie and his army buddies. Enraged, the Prophet plans revenge and a big criminal score where they will attack the Hand ranch, steal Hand's mass arsenal, recruit a motorcycle gang led by Pillbox to distract the sheriff, and rob the town's bank where they will split the proceeds with Pillbox and make their escape to Mexico that lies across open rangeland adjoining the Hand ranch. Olie bids his army buddies farewell then further descends into a self-pitying alcoholic stupor.
Cast
Steve Sandor ... Olie Hand
Rockne Tarkington ... Prophet
Richard X. Slattery ... Mark Hand
Heidi Vaughn ... Mary Hand
Mike Lane ... Big Jack
Sid Haig ... Pillbox
Ron Thompson ... John Dunn
David Booth ... Beetle
Daniel Oaks ... Cpl. Lyle Talbot
Tom Scott ... Parrish
Michael Prichard ... Bruce Bennett
Peg Stewart ... Mrs. Hand
Richard Collier ... Joshua White
Darlene Feasel ... Dora Adams
Russell Morrell ... Sheriff Harris
Joshua
Joshua /ˈdʒɒʃuə/ or Jehoshua (Hebrew: יְהוֹשֻׁעַ Yĕhôshúʿa or Hebrew: יֵשׁוּעַ Yĕshúʿa; Aramaic: ܝܫܘܥ Isho; Greek: Ἰησοῦς, Arabic: يوشع بن نون Yūshaʿ ibn Nūn; Latin: Iosue, Turkish: Yuşa), is a figure in the Torah, being one of the spies for Israel (Num 13–14) and identified in several passages as Moses' assistant. He is the central figure in the Hebrew Bible's Book of Joshua. According to the books of Exodus, Numbers and Joshua, he became the leader of the Israelite tribes after the death of Moses. His name was Hoshe'a (הוֹשֵׁעַ) the son of Nun, of the tribe of Ephraim, but Moses called him Yehoshu'a (יְהוֹשֻעַ; Joshua in English) (Numbers 13:16) the name by which he is commonly known. The name is shortened to Yeshua in Nehemiah (Nehemiah 8:17). According to the Bible he was born in Egypt prior to the Exodus.
He was one of the twelve spies of Israel sent by Moses to explore the land of Canaan. (Numbers 13:1-16) After the death of Moses, he led the Israelite tribes in the conquest of Canaan, and allocated the land to the tribes. According to Biblical chronology, Joshua lived between 1355-1245 BCE, or sometime in the late Bronze Age. According to Joshua 24:29, Joshua died at the age of 110.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Joshua
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Kill Your Own
Hate... is what brings the light of day
Pain... is what I hope you gain
Cruelty is given, blood shed you sustain
Racial suppression, you point the blame
I'll give you no sympathy for the murdered souls
Through the streets you kill your own
THESE ATROCITIES ARE NOT ON MY SKIN
THESE ATROCITIES ARE NOT ON MY SKIN
YOU KILL YOUR OWN
YOU KILL YOUR OWN
Carnage left by sadism, I see the hate
Nothing but conditioning as the racism unfold
I'll give you no sympathy for the murdered souls
Through the streets you kill your own
THESE ATROCITIES ARE NOT ON MY SKIN
THESE ATROCITIES ARE NOT ON MY SKIN
YOU KILL YOUR OWN
YOU KILL YOUR OWN
Your blood is soon to flow!!!
Abhorrence is your defeat
THESE ATROCITIES ARE NOT ON MY SKIN
THESE ATROCITIES ARE NOT ON MY SKIN