- published: 09 Feb 2016
- views: 1
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The first in the Languages and Literatures lecture series, this lecture presents the history and development of Cuneiform; the oldest known style of writing. Explores Sumerian, Babylonian and Akkadian literature and civilizations. Presented at Peninsula College by Wesley Cecil, Ph.D.
For information on upcoming lectures, essays, and books by Wesley Cecil Ph.D. go to http://www.facebook.com/HumaneArts
- published: 04 Oct 2012
- views: 14440
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C.
Ancient Sumer was the land that lay between the two rivers, the Tigris and Euphrates, in Mesopotamia. The language that the Sumerians spoke was unrelated to the Semitic languages of their neighbors the Akkadians and Babylonians, and it was written in a syllabary (a kind of alphabet) called "cuneiform". By 2000 B.C., the language of Sumer had almost completely died out and was used only by scholars (like Latin is today). No one knows how it was pronounced because it has not been heard in 4000 years.
What you hear in this video are a few of the opening lines of part of the epic poem, accompanied only by a long-neck, three-string, Sumerian lute known as a "gish-gu-di". The instrument is tuned to G - G - D, and although it is similar to other long neck lutes still in use today (the tar, the setar, the saz, etc.) the modern instruments are low tension and strung with fine steel wire. The ancient long neck lutes (such as the Egyptian "nefer") were strung with gut and behaved slightly differently. The short-neck lute known as the "oud" is strung with gut/nylon, and its sound has much in common with the ancient long-neck lute although the oud is not a fretted instrument and its strings are much shorter (about 25 inches or 63 cm) as compared to 32 inches (82 cm) on a long-neck instrument.
For anyone interested in these lutes, I highly recommend THE ARCHAEOMUSICOLOGY OF THE ANCIENT NEAR EAST by Professor Richard Dumbrill.
The location for this performance is the courtyard of Nebuchadnezzar's palace in Babylon. The piece is four minutes long and is intended only as a taste of what the music of ancient Sumer might have sounded like.
- published: 09 Jun 2014
- views: 253882
Examples of visions of the afterlife in Mesopotamian literature.
If you find that I may have made a mistake or would like to add something please comment and contribute!
Corrections: The Anunnaki are under world judges.
the Igigi help bin the heavens and can be compared to the Eloheim.
Links on the material mentioned here:
Books Mentioned:
Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others
http://www.amazon.com/Myths-Mesopotamia-Creation-Gilgamesh-Classics/dp/0192835890
Ancient Near Eastern Texts Relating to the Old Testament with Supplement
http://www.amazon.com/Ancient-Eastern-Relating-Testament-Supplement/dp/0691035032
Gods , Demons and Symbols of Ancient Mesopotamia (Paperback)
http://www.amazon.com/Gods-Demons-Symbols-Ancient-Mesopotamia/dp/0714117056
Recommended:
Before The Muses: An Anthology Of Akkadian Literature
http://www.amazon.com/Before-Muses-Anthology-Akkadian-Literature/dp/1883053765
Texts mentioned:
The Vision of the Netherworld-
About: http://www.hell-on-line.org/TextsANE.html#The%20Vision%20of%20Kumma
Vision on Enkidu:
http://www.ancienttexts.org/library/mesopotamian/gilgamesh/tab7.htm
Erra and Ishum epic:
http://www.piney.com/Baberraishum.html
Daniel Chapter 7:
http://www.truthnet.org/Daniel/Chapter7/
Ezekiel visions:
Then a spirit lifted me up, and I heard behind me the voice of a great rushing: 'Blessed be the glory of the LORD from His place';
( JPS)
So a spirit lifted me up, and took me away; and I went in bitterness, in the heat of my spirit, and the hand of the LORD was strong upon me.
( JPS)
And the form of a hand was put forth, and I was taken by a lock of my head; and a spirit lifted me up between the earth and the heaven, and brought me in the visions of God to Jerusalem, to the door of the gate of the inner court that looketh toward the north; where was the seat of the image of jealousy, which provoketh to jealousy.
( JPS)
Then a spirit lifted me up, and brought me unto the east gate of the LORD'S house, which looketh eastward; and behold at the door of the gate five and twenty men; and I saw in the midst of them Jaazaniah the son of Azzur, and Pelatiah the son of Benaiah, princes of the people.
( JPS)
And a spirit lifted me up, and brought me in the vision by the spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from Me.
( JPS)
Eze_3:12; Eze_3:14; Eze_8:3; Eze_11:1; Eze_11:24;
Descent Of Inanna
http://www.piney.com/InanasDescNetherKram.html
Nergal and Ereshkigal
http://www.piney.com/BabMarNergal.html
Ishtar and Izdubar
http://www.beyondweird.com/Magick/ane/iai/index.htm
Epic of Gilgamesh
http://www.sacred-texts.com/ane/eog/index.htm
Adapa and the food of life:
http://www.sacred-texts.com/ane/adapa.htm
DESCENT OF THE GODDESS ISHTAR INTO THE LOWER WORLD
http://www.sacred-texts.com/ane/ishtar.htm
"Even so, however, I did not get them away without misadventure. We had with us a certain youth named Elpenor, not very remarkable for sense or courage, who had got drunk and was lying on the house-top away from the rest of the men, to sleep off his liquor in the cool. When he heard the noise of the men bustling about, he jumped up on a sudden and forgot all about coming down by the main staircase, so he tumbled right off the roof and broke his neck, and his soul went down to the house of Hades. -The Odyssey book 10
http://classics.mit.edu/Homer/odyssey.10.x.html
Essay on the demons:
http://www.deliriumsrealm.com/delirium/articleview.asp?Post=384
Extra Credit:
How is the underworld of today viewed as compared to that of Mesopotamia?
What were the Gates of Hell?
What was Christ doing in the underworld?
http://www.reformed.org/master/index.html?mainframe=/documents/Christ_in_hell/
What was Ishtar's threat about the release of the Dead and how is this compared to the release of the dead from Hell in the NT texts.
And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; And the graves were opened; and many bodies of the saints which slept arose, And came out of the graves after his resurrection, and went into the holy city, and appeared unto many.
How do funeral rites compare to that of the last supper in the NT?
What importance was it for the women to anoint Jesus head with oil in light of Mesopotamian theology?
Be sure to see:
Flat Earth Bible - EP 2 A word from the bible
http://www.youtube.com/watch?v=VEWC5gmBpu8
- published: 07 Mar 2009
- views: 3557
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir
, approximately "land of the civilized kings" or "native land"[note 1]) was an ancient civilization and historical region in southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and Early Bronze Age.
Although the earliest forms of writing in the region do not go back much further than c. 3500 BCE, modern historians have suggested that Sumer was first permanently settled between c. 5500 and 4000 BCE by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).[1][2][3][4]
These conjectured, prehistoric people are now called "proto-Euphrateans" or "Ubaidians",[5] and are theorized to have evolved from the Samarra culture of northern Mesopotamia (Assyria).[6][7][8][9] The Ubaidians were the first civilizing force in Sumer, draining the marshes for agriculture, developing trade, and establishing industries, including weaving, leatherwork, metalwork, masonry, and pottery.[5] However, some scholars such as Piotr Michalowski and Gerd Steiner, contest the idea of a Proto-Euphratean language or one substrate language.
It has been suggested by them and others, that the Sumerian language was originally that of the hunter and fisher peoples, who lived in the marshland and the Eastern Arabia littoral region, and were part of the Arabian bifacial culture.[10] Reliable historical records begin much later; there are none in Sumer of any kind that have been dated before Enmebaragesi (c. 26th century BC).
Professor Juris Zarins believes the Sumerians were settled along the coast of Eastern Arabia, today's Persian Gulf region, before it flooded at the end of the Ice Age.[11] Sumerian literature speaks of their homeland being Dilmun.
http://en.wikipedia.org/wiki/Sumer
The Phoenix Learning Group
1953,1976
- published: 29 May 2014
- views: 3188
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
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Facebook: https://www.facebook.com/groups/Ancie...
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_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 20 May 2015
- views: 9862
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 25 May 2015
- views: 7955
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 01 Jun 2015
- views: 5886
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 03 Jun 2015
- views: 4294
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 14 May 2015
- views: 8450
Akkadian literature
Akkadian literature is the ancient literature written in the Akkadian language (Assyrian and Babylonian dialects) written in Mesopotamia (Assyria and Babylonia) during the period spanning the Middle Bronze Age to the Iron Age (roughly the 23rd to 6th centuries BC).
Drawing on the traditions of Sumerian literature, the Babylonians compiled a substantial textual tradition of mythological narrative, legal texts, scientific works, letters and other literary forms.
Literature in Akkadian society
Most of what we have from the Babylonians was inscribed in cuneiform with a metal stylus on tablets of clay, called laterculae coctiles by Pliny the Elder; papyrus seems to have been also employed, but it has perished.
There were libraries in most towns and temples; an old Sumerian proverb averred that "he who would excel in the school of the scribes must rise with the dawn." Women as well as men learned to read and write, and in Semitic times, this involved a knowledge of the extinct Sumerian language, and a complicated and extensive syllabary. The Babylonians' very advanced systems of writing, science and mathematics contributed greatly to their literary output.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Akkadian_literature
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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0:36Before The Muses An Anthology Of Akkadian Literature
Before The Muses An Anthology Of Akkadian LiteratureBefore The Muses An Anthology Of Akkadian Literature
-
56:13Languages and Literatures: Cuneiform Civilizations
Languages and Literatures: Cuneiform CivilizationsLanguages and Literatures: Cuneiform Civilizations
The first in the Languages and Literatures lecture series, this lecture presents the history and development of Cuneiform; the oldest known style of writing. Explores Sumerian, Babylonian and Akkadian literature and civilizations. Presented at Peninsula College by Wesley Cecil, Ph.D. For information on upcoming lectures, essays, and books by Wesley Cecil Ph.D. go to http://www.facebook.com/HumaneArts -
3:56The Epic Of Gilgamesh In Sumerian
The Epic Of Gilgamesh In SumerianThe Epic Of Gilgamesh In Sumerian
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C. Ancient Sumer was the land that lay between the two rivers, the Tigris and Euphrates, in Mesopotamia. The language that the Sumerians spoke was unrelated to the Semitic languages of their neighbors the Akkadians and Babylonians, and it was written in a syllabary (a kind of alphabet) called "cuneiform". By 2000 B.C., the language of Sumer had almost completely died out and was used only by scholars (like Latin is today). No one knows how it was pronounced because it has not been heard in 4000 years. What you hear in this video are a few of the opening lines of part of the epic poem, accompanied only by a long-neck, three-string, Sumerian lute known as a "gish-gu-di". The instrument is tuned to G - G - D, and although it is similar to other long neck lutes still in use today (the tar, the setar, the saz, etc.) the modern instruments are low tension and strung with fine steel wire. The ancient long neck lutes (such as the Egyptian "nefer") were strung with gut and behaved slightly differently. The short-neck lute known as the "oud" is strung with gut/nylon, and its sound has much in common with the ancient long-neck lute although the oud is not a fretted instrument and its strings are much shorter (about 25 inches or 63 cm) as compared to 32 inches (82 cm) on a long-neck instrument. For anyone interested in these lutes, I highly recommend THE ARCHAEOMUSICOLOGY OF THE ANCIENT NEAR EAST by Professor Richard Dumbrill. The location for this performance is the courtyard of Nebuchadnezzar's palace in Babylon. The piece is four minutes long and is intended only as a taste of what the music of ancient Sumer might have sounded like. -
14:521.3 Hell: Views of the Underworld in Mesopotamia
1.3 Hell: Views of the Underworld in Mesopotamia1.3 Hell: Views of the Underworld in Mesopotamia
Examples of visions of the afterlife in Mesopotamian literature. If you find that I may have made a mistake or would like to add something please comment and contribute! Corrections: The Anunnaki are under world judges. the Igigi help bin the heavens and can be compared to the Eloheim. Links on the material mentioned here: Books Mentioned: Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others http://www.amazon.com/Myths-Mesopotamia-Creation-Gilgamesh-Classics/dp/0192835890 Ancient Near Eastern Texts Relating to the Old Testament with Supplement http://www.amazon.com/Ancient-Eastern-Relating-Testament-Supplement/dp/0691035032 Gods , Demons and Symbols of Ancient Mesopotamia (Paperback) http://www.amazon.com/Gods-Demons-Symbols-Ancient-Mesopotamia/dp/0714117056 Recommended: Before The Muses: An Anthology Of Akkadian Literature http://www.amazon.com/Before-Muses-Anthology-Akkadian-Literature/dp/1883053765 Texts mentioned: The Vision of the Netherworld- About: http://www.hell-on-line.org/TextsANE.html#The%20Vision%20of%20Kumma Vision on Enkidu: http://www.ancienttexts.org/library/mesopotamian/gilgamesh/tab7.htm Erra and Ishum epic: http://www.piney.com/Baberraishum.html Daniel Chapter 7: http://www.truthnet.org/Daniel/Chapter7/ Ezekiel visions: Then a spirit lifted me up, and I heard behind me the voice of a great rushing: 'Blessed be the glory of the LORD from His place'; ( JPS) So a spirit lifted me up, and took me away; and I went in bitterness, in the heat of my spirit, and the hand of the LORD was strong upon me. ( JPS) And the form of a hand was put forth, and I was taken by a lock of my head; and a spirit lifted me up between the earth and the heaven, and brought me in the visions of God to Jerusalem, to the door of the gate of the inner court that looketh toward the north; where was the seat of the image of jealousy, which provoketh to jealousy. ( JPS) Then a spirit lifted me up, and brought me unto the east gate of the LORD'S house, which looketh eastward; and behold at the door of the gate five and twenty men; and I saw in the midst of them Jaazaniah the son of Azzur, and Pelatiah the son of Benaiah, princes of the people. ( JPS) And a spirit lifted me up, and brought me in the vision by the spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from Me. ( JPS) Eze_3:12; Eze_3:14; Eze_8:3; Eze_11:1; Eze_11:24; Descent Of Inanna http://www.piney.com/InanasDescNetherKram.html Nergal and Ereshkigal http://www.piney.com/BabMarNergal.html Ishtar and Izdubar http://www.beyondweird.com/Magick/ane/iai/index.htm Epic of Gilgamesh http://www.sacred-texts.com/ane/eog/index.htm Adapa and the food of life: http://www.sacred-texts.com/ane/adapa.htm DESCENT OF THE GODDESS ISHTAR INTO THE LOWER WORLD http://www.sacred-texts.com/ane/ishtar.htm "Even so, however, I did not get them away without misadventure. We had with us a certain youth named Elpenor, not very remarkable for sense or courage, who had got drunk and was lying on the house-top away from the rest of the men, to sleep off his liquor in the cool. When he heard the noise of the men bustling about, he jumped up on a sudden and forgot all about coming down by the main staircase, so he tumbled right off the roof and broke his neck, and his soul went down to the house of Hades. -The Odyssey book 10 http://classics.mit.edu/Homer/odyssey.10.x.html Essay on the demons: http://www.deliriumsrealm.com/delirium/articleview.asp?Post=384 Extra Credit: How is the underworld of today viewed as compared to that of Mesopotamia? What were the Gates of Hell? What was Christ doing in the underworld? http://www.reformed.org/master/index.html?mainframe=/documents/Christ_in_hell/ What was Ishtar's threat about the release of the Dead and how is this compared to the release of the dead from Hell in the NT texts. And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; And the graves were opened; and many bodies of the saints which slept arose, And came out of the graves after his resurrection, and went into the holy city, and appeared unto many. How do funeral rites compare to that of the last supper in the NT? What importance was it for the women to anoint Jesus head with oil in light of Mesopotamian theology? Be sure to see: Flat Earth Bible - EP 2 A word from the bible http://www.youtube.com/watch?v=VEWC5gmBpu8 -
9:35Mesopotamia - The Sumerians
Mesopotamia - The SumeriansMesopotamia - The Sumerians
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir , approximately "land of the civilized kings" or "native land"[note 1]) was an ancient civilization and historical region in southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and Early Bronze Age. Although the earliest forms of writing in the region do not go back much further than c. 3500 BCE, modern historians have suggested that Sumer was first permanently settled between c. 5500 and 4000 BCE by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).[1][2][3][4] These conjectured, prehistoric people are now called "proto-Euphrateans" or "Ubaidians",[5] and are theorized to have evolved from the Samarra culture of northern Mesopotamia (Assyria).[6][7][8][9] The Ubaidians were the first civilizing force in Sumer, draining the marshes for agriculture, developing trade, and establishing industries, including weaving, leatherwork, metalwork, masonry, and pottery.[5] However, some scholars such as Piotr Michalowski and Gerd Steiner, contest the idea of a Proto-Euphratean language or one substrate language. It has been suggested by them and others, that the Sumerian language was originally that of the hunter and fisher peoples, who lived in the marshland and the Eastern Arabia littoral region, and were part of the Arabian bifacial culture.[10] Reliable historical records begin much later; there are none in Sumer of any kind that have been dated before Enmebaragesi (c. 26th century BC). Professor Juris Zarins believes the Sumerians were settled along the coast of Eastern Arabia, today's Persian Gulf region, before it flooded at the end of the Ice Age.[11] Sumerian literature speaks of their homeland being Dilmun. http://en.wikipedia.org/wiki/Sumer The Phoenix Learning Group 1953,1976 -
14:51The Lost Book of Enki Part 4 (Tablet 1)
The Lost Book of Enki Part 4 (Tablet 1)The Lost Book of Enki Part 4 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view." "For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus." We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks. _____________________________________________ You may be interested in our other platforms: Website: http://www.ancientastronautarchive.com YouTube: https://www.youtube.com/aaarguments Facebook: https://www.facebook.com/groups/Ancie... Twitter: https://twitter.com/ancientarchive Google+: https://plus.google.com/u/0/115135106... _____________________________________________ The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels. -
14:51The Lost Book of Enki Part 5 (Tablet 1)
The Lost Book of Enki Part 5 (Tablet 1)The Lost Book of Enki Part 5 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view." "For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus." We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks. _____________________________________________ You may be interested in our other platforms: Website: http://www.ancientastronautarchive.com YouTube: https://www.youtube.com/aaarguments Facebook: https://www.facebook.com/groups/Ancie... Twitter: https://twitter.com/ancientarchive Google+: https://plus.google.com/u/0/115135106... _____________________________________________ The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels. -
14:31The Lost Book of Enki Part 7 (Tablet 2)
The Lost Book of Enki Part 7 (Tablet 2)The Lost Book of Enki Part 7 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view." "For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus." We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks. _____________________________________________ You may be interested in our other platforms: Website: http://www.ancientastronautarchive.com YouTube: https://www.youtube.com/aaarguments Facebook: https://www.facebook.com/groups/Ancie... Twitter: https://twitter.com/ancientarchive Google+: https://plus.google.com/u/0/115135106... _____________________________________________ The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels. -
10:01The Lost Book of Enki Part 9 (Tablet 2)
The Lost Book of Enki Part 9 (Tablet 2)The Lost Book of Enki Part 9 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view." "For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus." We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks. _____________________________________________ You may be interested in our other platforms: Website: http://www.ancientastronautarchive.com YouTube: https://www.youtube.com/aaarguments Facebook: https://www.facebook.com/groups/Ancie... Twitter: https://twitter.com/ancientarchive Google+: https://plus.google.com/u/0/115135106... _____________________________________________ The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels. -
7:26The Lost Book of Enki Part 3 (Introduction)
The Lost Book of Enki Part 3 (Introduction)The Lost Book of Enki Part 3 (Introduction)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view." "For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus." We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks. _____________________________________________ You may be interested in our other platforms: Website: http://www.ancientastronautarchive.com YouTube: https://www.youtube.com/aaarguments Facebook: https://www.facebook.com/groups/Ancie... Twitter: https://twitter.com/ancientarchive Google+: https://plus.google.com/u/0/115135106... _____________________________________________ The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
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Before The Muses An Anthology Of Akkadian Literature
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Languages and Literatures: Cuneiform Civilizations
The first in the Languages and Literatures lecture series, this lecture presents the history and development of Cuneiform; the oldest known style of writing. Explores Sumerian, Babylonian and Akkadian literature and civilizations. Presented at Peninsula College by Wesley Cecil, Ph.D. For information on upcoming lectures, essays, and books by Wesley Cecil Ph.D. go to http://www.facebook.com/HumaneArts -
The Epic Of Gilgamesh In Sumerian
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C. Ancient Sumer was the land that lay between the two rivers, the Tigris and Euphrates, in Mesopotamia. The language that the Sumerians spoke was unrelated to the Semitic languages of their neighbors the Akkadians and Babylonians, and it was written in a syllabary (a kind of alphabet) called "cuneiform". By 2000 B.C., the language of Sumer had almost completely died out and was used only by scholars (like Latin is today). No one knows how it was pronounced because it has not been heard in 4000 years. What you hear in this video are a few of the opening lines of part of the epic poem, accompanied only by a long-neck, three-string, Sumerian lute known ... -
1.3 Hell: Views of the Underworld in Mesopotamia
Examples of visions of the afterlife in Mesopotamian literature. If you find that I may have made a mistake or would like to add something please comment and contribute! Corrections: The Anunnaki are under world judges. the Igigi help bin the heavens and can be compared to the Eloheim. Links on the material mentioned here: Books Mentioned: Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others http://www.amazon.com/Myths-Mesopotamia-Creation-Gilgamesh-Classics/dp/0192835890 Ancient Near Eastern Texts Relating to the Old Testament with Supplement http://www.amazon.com/Ancient-Eastern-Relating-Testament-Supplement/dp/0691035032 Gods , Demons and Symbols of Ancient Mesopotamia (Paperback) http://www.amazon.com/Gods-Demons-Symbols-Ancient-Mesopotamia/dp/0... -
Mesopotamia - The Sumerians
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir , approximately "land of the civilized kings" or "native land"[note 1]) was an ancient civilization and historical region in southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and Early Bronze Age. Although the earliest forms of writing in the region do not go back much further than c. 3500 BCE, modern historians have suggested that Sumer was first permanently settled between c. 5500 and 4000 BCE by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).[1][2][3][4] These conjectured, prehistoric people are now called "proto-Euphrateans" or "Ubaidians",[5] and are theorized to have evolved from the Samarra culture of nort... -
The Lost Book of Enki Part 4 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incor... -
The Lost Book of Enki Part 5 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incor... -
The Lost Book of Enki Part 7 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incor... -
The Lost Book of Enki Part 9 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incor... -
The Lost Book of Enki Part 3 (Introduction)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1 "Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incor...
Before The Muses An Anthology Of Akkadian Literature
- Order: Reorder
- Duration: 0:36
- Updated: 09 Feb 2016
- views: 1
- published: 09 Feb 2016
- views: 1
Languages and Literatures: Cuneiform Civilizations
- Order: Reorder
- Duration: 56:13
- Updated: 04 Oct 2012
- views: 14440
The first in the Languages and Literatures lecture series, this lecture presents the history and development of Cuneiform; the oldest known style of writing. Ex...
The first in the Languages and Literatures lecture series, this lecture presents the history and development of Cuneiform; the oldest known style of writing. Explores Sumerian, Babylonian and Akkadian literature and civilizations. Presented at Peninsula College by Wesley Cecil, Ph.D.
For information on upcoming lectures, essays, and books by Wesley Cecil Ph.D. go to http://www.facebook.com/HumaneArts
wn.com/Languages And Literatures Cuneiform Civilizations
The first in the Languages and Literatures lecture series, this lecture presents the history and development of Cuneiform; the oldest known style of writing. Explores Sumerian, Babylonian and Akkadian literature and civilizations. Presented at Peninsula College by Wesley Cecil, Ph.D.
For information on upcoming lectures, essays, and books by Wesley Cecil Ph.D. go to http://www.facebook.com/HumaneArts
- published: 04 Oct 2012
- views: 14440
The Epic Of Gilgamesh In Sumerian
- Order: Reorder
- Duration: 3:56
- Updated: 09 Jun 2014
- views: 253882
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C.
Ancient Sumer was...
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C.
Ancient Sumer was the land that lay between the two rivers, the Tigris and Euphrates, in Mesopotamia. The language that the Sumerians spoke was unrelated to the Semitic languages of their neighbors the Akkadians and Babylonians, and it was written in a syllabary (a kind of alphabet) called "cuneiform". By 2000 B.C., the language of Sumer had almost completely died out and was used only by scholars (like Latin is today). No one knows how it was pronounced because it has not been heard in 4000 years.
What you hear in this video are a few of the opening lines of part of the epic poem, accompanied only by a long-neck, three-string, Sumerian lute known as a "gish-gu-di". The instrument is tuned to G - G - D, and although it is similar to other long neck lutes still in use today (the tar, the setar, the saz, etc.) the modern instruments are low tension and strung with fine steel wire. The ancient long neck lutes (such as the Egyptian "nefer") were strung with gut and behaved slightly differently. The short-neck lute known as the "oud" is strung with gut/nylon, and its sound has much in common with the ancient long-neck lute although the oud is not a fretted instrument and its strings are much shorter (about 25 inches or 63 cm) as compared to 32 inches (82 cm) on a long-neck instrument.
For anyone interested in these lutes, I highly recommend THE ARCHAEOMUSICOLOGY OF THE ANCIENT NEAR EAST by Professor Richard Dumbrill.
The location for this performance is the courtyard of Nebuchadnezzar's palace in Babylon. The piece is four minutes long and is intended only as a taste of what the music of ancient Sumer might have sounded like.
wn.com/The Epic Of Gilgamesh In Sumerian
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was first written down by the Sumerians around 2100 B.C.
Ancient Sumer was the land that lay between the two rivers, the Tigris and Euphrates, in Mesopotamia. The language that the Sumerians spoke was unrelated to the Semitic languages of their neighbors the Akkadians and Babylonians, and it was written in a syllabary (a kind of alphabet) called "cuneiform". By 2000 B.C., the language of Sumer had almost completely died out and was used only by scholars (like Latin is today). No one knows how it was pronounced because it has not been heard in 4000 years.
What you hear in this video are a few of the opening lines of part of the epic poem, accompanied only by a long-neck, three-string, Sumerian lute known as a "gish-gu-di". The instrument is tuned to G - G - D, and although it is similar to other long neck lutes still in use today (the tar, the setar, the saz, etc.) the modern instruments are low tension and strung with fine steel wire. The ancient long neck lutes (such as the Egyptian "nefer") were strung with gut and behaved slightly differently. The short-neck lute known as the "oud" is strung with gut/nylon, and its sound has much in common with the ancient long-neck lute although the oud is not a fretted instrument and its strings are much shorter (about 25 inches or 63 cm) as compared to 32 inches (82 cm) on a long-neck instrument.
For anyone interested in these lutes, I highly recommend THE ARCHAEOMUSICOLOGY OF THE ANCIENT NEAR EAST by Professor Richard Dumbrill.
The location for this performance is the courtyard of Nebuchadnezzar's palace in Babylon. The piece is four minutes long and is intended only as a taste of what the music of ancient Sumer might have sounded like.
- published: 09 Jun 2014
- views: 253882
1.3 Hell: Views of the Underworld in Mesopotamia
- Order: Reorder
- Duration: 14:52
- Updated: 07 Mar 2009
- views: 3557
Examples of visions of the afterlife in Mesopotamian literature.
If you find that I may have made a mistake or would like to add something please comment and...
Examples of visions of the afterlife in Mesopotamian literature.
If you find that I may have made a mistake or would like to add something please comment and contribute!
Corrections: The Anunnaki are under world judges.
the Igigi help bin the heavens and can be compared to the Eloheim.
Links on the material mentioned here:
Books Mentioned:
Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others
http://www.amazon.com/Myths-Mesopotamia-Creation-Gilgamesh-Classics/dp/0192835890
Ancient Near Eastern Texts Relating to the Old Testament with Supplement
http://www.amazon.com/Ancient-Eastern-Relating-Testament-Supplement/dp/0691035032
Gods , Demons and Symbols of Ancient Mesopotamia (Paperback)
http://www.amazon.com/Gods-Demons-Symbols-Ancient-Mesopotamia/dp/0714117056
Recommended:
Before The Muses: An Anthology Of Akkadian Literature
http://www.amazon.com/Before-Muses-Anthology-Akkadian-Literature/dp/1883053765
Texts mentioned:
The Vision of the Netherworld-
About: http://www.hell-on-line.org/TextsANE.html#The%20Vision%20of%20Kumma
Vision on Enkidu:
http://www.ancienttexts.org/library/mesopotamian/gilgamesh/tab7.htm
Erra and Ishum epic:
http://www.piney.com/Baberraishum.html
Daniel Chapter 7:
http://www.truthnet.org/Daniel/Chapter7/
Ezekiel visions:
Then a spirit lifted me up, and I heard behind me the voice of a great rushing: 'Blessed be the glory of the LORD from His place';
( JPS)
So a spirit lifted me up, and took me away; and I went in bitterness, in the heat of my spirit, and the hand of the LORD was strong upon me.
( JPS)
And the form of a hand was put forth, and I was taken by a lock of my head; and a spirit lifted me up between the earth and the heaven, and brought me in the visions of God to Jerusalem, to the door of the gate of the inner court that looketh toward the north; where was the seat of the image of jealousy, which provoketh to jealousy.
( JPS)
Then a spirit lifted me up, and brought me unto the east gate of the LORD'S house, which looketh eastward; and behold at the door of the gate five and twenty men; and I saw in the midst of them Jaazaniah the son of Azzur, and Pelatiah the son of Benaiah, princes of the people.
( JPS)
And a spirit lifted me up, and brought me in the vision by the spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from Me.
( JPS)
Eze_3:12; Eze_3:14; Eze_8:3; Eze_11:1; Eze_11:24;
Descent Of Inanna
http://www.piney.com/InanasDescNetherKram.html
Nergal and Ereshkigal
http://www.piney.com/BabMarNergal.html
Ishtar and Izdubar
http://www.beyondweird.com/Magick/ane/iai/index.htm
Epic of Gilgamesh
http://www.sacred-texts.com/ane/eog/index.htm
Adapa and the food of life:
http://www.sacred-texts.com/ane/adapa.htm
DESCENT OF THE GODDESS ISHTAR INTO THE LOWER WORLD
http://www.sacred-texts.com/ane/ishtar.htm
"Even so, however, I did not get them away without misadventure. We had with us a certain youth named Elpenor, not very remarkable for sense or courage, who had got drunk and was lying on the house-top away from the rest of the men, to sleep off his liquor in the cool. When he heard the noise of the men bustling about, he jumped up on a sudden and forgot all about coming down by the main staircase, so he tumbled right off the roof and broke his neck, and his soul went down to the house of Hades. -The Odyssey book 10
http://classics.mit.edu/Homer/odyssey.10.x.html
Essay on the demons:
http://www.deliriumsrealm.com/delirium/articleview.asp?Post=384
Extra Credit:
How is the underworld of today viewed as compared to that of Mesopotamia?
What were the Gates of Hell?
What was Christ doing in the underworld?
http://www.reformed.org/master/index.html?mainframe=/documents/Christ_in_hell/
What was Ishtar's threat about the release of the Dead and how is this compared to the release of the dead from Hell in the NT texts.
And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; And the graves were opened; and many bodies of the saints which slept arose, And came out of the graves after his resurrection, and went into the holy city, and appeared unto many.
How do funeral rites compare to that of the last supper in the NT?
What importance was it for the women to anoint Jesus head with oil in light of Mesopotamian theology?
Be sure to see:
Flat Earth Bible - EP 2 A word from the bible
http://www.youtube.com/watch?v=VEWC5gmBpu8
wn.com/1.3 Hell Views Of The Underworld In Mesopotamia
Examples of visions of the afterlife in Mesopotamian literature.
If you find that I may have made a mistake or would like to add something please comment and contribute!
Corrections: The Anunnaki are under world judges.
the Igigi help bin the heavens and can be compared to the Eloheim.
Links on the material mentioned here:
Books Mentioned:
Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others
http://www.amazon.com/Myths-Mesopotamia-Creation-Gilgamesh-Classics/dp/0192835890
Ancient Near Eastern Texts Relating to the Old Testament with Supplement
http://www.amazon.com/Ancient-Eastern-Relating-Testament-Supplement/dp/0691035032
Gods , Demons and Symbols of Ancient Mesopotamia (Paperback)
http://www.amazon.com/Gods-Demons-Symbols-Ancient-Mesopotamia/dp/0714117056
Recommended:
Before The Muses: An Anthology Of Akkadian Literature
http://www.amazon.com/Before-Muses-Anthology-Akkadian-Literature/dp/1883053765
Texts mentioned:
The Vision of the Netherworld-
About: http://www.hell-on-line.org/TextsANE.html#The%20Vision%20of%20Kumma
Vision on Enkidu:
http://www.ancienttexts.org/library/mesopotamian/gilgamesh/tab7.htm
Erra and Ishum epic:
http://www.piney.com/Baberraishum.html
Daniel Chapter 7:
http://www.truthnet.org/Daniel/Chapter7/
Ezekiel visions:
Then a spirit lifted me up, and I heard behind me the voice of a great rushing: 'Blessed be the glory of the LORD from His place';
( JPS)
So a spirit lifted me up, and took me away; and I went in bitterness, in the heat of my spirit, and the hand of the LORD was strong upon me.
( JPS)
And the form of a hand was put forth, and I was taken by a lock of my head; and a spirit lifted me up between the earth and the heaven, and brought me in the visions of God to Jerusalem, to the door of the gate of the inner court that looketh toward the north; where was the seat of the image of jealousy, which provoketh to jealousy.
( JPS)
Then a spirit lifted me up, and brought me unto the east gate of the LORD'S house, which looketh eastward; and behold at the door of the gate five and twenty men; and I saw in the midst of them Jaazaniah the son of Azzur, and Pelatiah the son of Benaiah, princes of the people.
( JPS)
And a spirit lifted me up, and brought me in the vision by the spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from Me.
( JPS)
Eze_3:12; Eze_3:14; Eze_8:3; Eze_11:1; Eze_11:24;
Descent Of Inanna
http://www.piney.com/InanasDescNetherKram.html
Nergal and Ereshkigal
http://www.piney.com/BabMarNergal.html
Ishtar and Izdubar
http://www.beyondweird.com/Magick/ane/iai/index.htm
Epic of Gilgamesh
http://www.sacred-texts.com/ane/eog/index.htm
Adapa and the food of life:
http://www.sacred-texts.com/ane/adapa.htm
DESCENT OF THE GODDESS ISHTAR INTO THE LOWER WORLD
http://www.sacred-texts.com/ane/ishtar.htm
"Even so, however, I did not get them away without misadventure. We had with us a certain youth named Elpenor, not very remarkable for sense or courage, who had got drunk and was lying on the house-top away from the rest of the men, to sleep off his liquor in the cool. When he heard the noise of the men bustling about, he jumped up on a sudden and forgot all about coming down by the main staircase, so he tumbled right off the roof and broke his neck, and his soul went down to the house of Hades. -The Odyssey book 10
http://classics.mit.edu/Homer/odyssey.10.x.html
Essay on the demons:
http://www.deliriumsrealm.com/delirium/articleview.asp?Post=384
Extra Credit:
How is the underworld of today viewed as compared to that of Mesopotamia?
What were the Gates of Hell?
What was Christ doing in the underworld?
http://www.reformed.org/master/index.html?mainframe=/documents/Christ_in_hell/
What was Ishtar's threat about the release of the Dead and how is this compared to the release of the dead from Hell in the NT texts.
And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; And the graves were opened; and many bodies of the saints which slept arose, And came out of the graves after his resurrection, and went into the holy city, and appeared unto many.
How do funeral rites compare to that of the last supper in the NT?
What importance was it for the women to anoint Jesus head with oil in light of Mesopotamian theology?
Be sure to see:
Flat Earth Bible - EP 2 A word from the bible
http://www.youtube.com/watch?v=VEWC5gmBpu8
- published: 07 Mar 2009
- views: 3557
Mesopotamia - The Sumerians
- Order: Reorder
- Duration: 9:35
- Updated: 29 May 2014
- views: 3188
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir
, approximately "land of the civilized kings" or "native land"[note 1]) was an ancient civilization and historic...
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir
, approximately "land of the civilized kings" or "native land"[note 1]) was an ancient civilization and historical region in southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and Early Bronze Age.
Although the earliest forms of writing in the region do not go back much further than c. 3500 BCE, modern historians have suggested that Sumer was first permanently settled between c. 5500 and 4000 BCE by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).[1][2][3][4]
These conjectured, prehistoric people are now called "proto-Euphrateans" or "Ubaidians",[5] and are theorized to have evolved from the Samarra culture of northern Mesopotamia (Assyria).[6][7][8][9] The Ubaidians were the first civilizing force in Sumer, draining the marshes for agriculture, developing trade, and establishing industries, including weaving, leatherwork, metalwork, masonry, and pottery.[5] However, some scholars such as Piotr Michalowski and Gerd Steiner, contest the idea of a Proto-Euphratean language or one substrate language.
It has been suggested by them and others, that the Sumerian language was originally that of the hunter and fisher peoples, who lived in the marshland and the Eastern Arabia littoral region, and were part of the Arabian bifacial culture.[10] Reliable historical records begin much later; there are none in Sumer of any kind that have been dated before Enmebaragesi (c. 26th century BC).
Professor Juris Zarins believes the Sumerians were settled along the coast of Eastern Arabia, today's Persian Gulf region, before it flooded at the end of the Ice Age.[11] Sumerian literature speaks of their homeland being Dilmun.
http://en.wikipedia.org/wiki/Sumer
The Phoenix Learning Group
1953,1976
wn.com/Mesopotamia The Sumerians
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir
, approximately "land of the civilized kings" or "native land"[note 1]) was an ancient civilization and historical region in southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and Early Bronze Age.
Although the earliest forms of writing in the region do not go back much further than c. 3500 BCE, modern historians have suggested that Sumer was first permanently settled between c. 5500 and 4000 BCE by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).[1][2][3][4]
These conjectured, prehistoric people are now called "proto-Euphrateans" or "Ubaidians",[5] and are theorized to have evolved from the Samarra culture of northern Mesopotamia (Assyria).[6][7][8][9] The Ubaidians were the first civilizing force in Sumer, draining the marshes for agriculture, developing trade, and establishing industries, including weaving, leatherwork, metalwork, masonry, and pottery.[5] However, some scholars such as Piotr Michalowski and Gerd Steiner, contest the idea of a Proto-Euphratean language or one substrate language.
It has been suggested by them and others, that the Sumerian language was originally that of the hunter and fisher peoples, who lived in the marshland and the Eastern Arabia littoral region, and were part of the Arabian bifacial culture.[10] Reliable historical records begin much later; there are none in Sumer of any kind that have been dated before Enmebaragesi (c. 26th century BC).
Professor Juris Zarins believes the Sumerians were settled along the coast of Eastern Arabia, today's Persian Gulf region, before it flooded at the end of the Ice Age.[11] Sumerian literature speaks of their homeland being Dilmun.
http://en.wikipedia.org/wiki/Sumer
The Phoenix Learning Group
1953,1976
- published: 29 May 2014
- views: 3188
The Lost Book of Enki Part 4 (Tablet 1)
- Order: Reorder
- Duration: 14:51
- Updated: 20 May 2015
- views: 9862
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vi...
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
wn.com/The Lost Book Of Enki Part 4 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 20 May 2015
- views: 9862
The Lost Book of Enki Part 5 (Tablet 1)
- Order: Reorder
- Duration: 14:51
- Updated: 25 May 2015
- views: 7955
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vi...
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
wn.com/The Lost Book Of Enki Part 5 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 25 May 2015
- views: 7955
The Lost Book of Enki Part 7 (Tablet 2)
- Order: Reorder
- Duration: 14:31
- Updated: 01 Jun 2015
- views: 5886
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vi...
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
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_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
wn.com/The Lost Book Of Enki Part 7 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 01 Jun 2015
- views: 5886
The Lost Book of Enki Part 9 (Tablet 2)
- Order: Reorder
- Duration: 10:01
- Updated: 03 Jun 2015
- views: 4294
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vi...
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
wn.com/The Lost Book Of Enki Part 9 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 03 Jun 2015
- views: 4294
The Lost Book of Enki Part 3 (Introduction)
- Order: Reorder
- Duration: 7:26
- Updated: 14 May 2015
- views: 8450
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vi...
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
wn.com/The Lost Book Of Enki Part 3 (Introduction)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHcQy3fneR65EWpy2K1
"Within these pages Sitchin gives us his complete vision of our past. ‘The Lost Book of Enki’ is a work of literature, written in the style of an Akkadian epic poem, and provides us with Sitchin’s version of the original ‘sourcebook’ for the Mesopotamian/Egyptian mythologies. He has set the book out in the form of 14 tablets, written out by the master Akkadian scribe Endubsar. In the text, Endubsar claims that the tablets were dictated to him by the god Enki himself. The impression is given that the reader has in front of him actual historical material, and it’s easy to see why many readers have taken this book at face value. But this book is in reality an historical novel, incorporating Sitchin’s world-view."
"For his part, he openly offers this book as a possible blueprint for the original source-book upon which all Mesopotamian mythology was once based. It stands as a literary work, rather than a theoretical study. He has brought together many stories, from epics and fragments alike, and made a cohesive whole from them based upon his theory about extra-terrestrial gods. The sheer scale of his vision is breathtaking. Perhaps Sitchin felt that he needed to give this vision an appropriate form in one book, his Magnum Opus."
We appreciate your participation! Please like and comment. Please be aware that if you post links to other videos or any other type of spam, it will not see the light of day and you will be banned from commenting on the entire channel. Also, refrain from obscene language and personal attacks.
_____________________________________________
You may be interested in our other platforms:
Website: http://www.ancientastronautarchive.com
YouTube: https://www.youtube.com/aaarguments
Facebook: https://www.facebook.com/groups/Ancie...
Twitter: https://twitter.com/ancientarchive
Google+: https://plus.google.com/u/0/115135106...
_____________________________________________
The Ancient Astronaut Archive [AAA] uses a number of social media services to complement its traditional public outreach activities. These services include Twitter, YouTube, Facebook and social bookmarking and sharing buttons on AAA’s websites. The number and nature of social media services used by AAA will change over time. The following disclaimer applies to all social media services in use by AAA at any given time, regardless of whether they are listed on this page. Any content, views, opinions and/or responses to questions uploaded, expressed or submitted by the creators, sponsors, advertisers or users of social media services utilized by AAA, other than the content provided by AAA, are solely the views, opinions and responsibility of the person submitting them and do not necessarily reflect the opinions of AAA. AAA is not responsible for content that third parties publish, post, upload, distribute, disseminate or otherwise transmit via social media services. While AAA will endeavor to maintain the currency and accuracy of information published via social media services, AAA does not warrant the accuracy, completeness or usefulness of the information available on its social media channels.
- published: 14 May 2015
- views: 8450
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0:36
Before The Muses An Anthology Of Akkadian Literature
published: 09 Feb 2016
Before The Muses An Anthology Of Akkadian Literature
Before The Muses An Anthology Of Akkadian Literature
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- published: 09 Feb 2016
- views: 1
56:13
Languages and Literatures: Cuneiform Civilizations
The first in the Languages and Literatures lecture series, this lecture presents the histo...
published: 04 Oct 2012
Languages and Literatures: Cuneiform Civilizations
Languages and Literatures: Cuneiform Civilizations
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- published: 04 Oct 2012
- views: 14440
3:56
The Epic Of Gilgamesh In Sumerian
The EPIC OF GILGAMESH is the earliest great work of literature that we know of, and was fi...
published: 09 Jun 2014
The Epic Of Gilgamesh In Sumerian
The Epic Of Gilgamesh In Sumerian
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- published: 09 Jun 2014
- views: 253882
14:52
1.3 Hell: Views of the Underworld in Mesopotamia
Examples of visions of the afterlife in Mesopotamian literature.
If you find that I may...
published: 07 Mar 2009
1.3 Hell: Views of the Underworld in Mesopotamia
1.3 Hell: Views of the Underworld in Mesopotamia
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- published: 07 Mar 2009
- views: 3557
9:35
Mesopotamia - The Sumerians
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir
, approximately "land of the civilized kin...
published: 29 May 2014
Mesopotamia - The Sumerians
Mesopotamia - The Sumerians
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- published: 29 May 2014
- views: 3188
14:51
The Lost Book of Enki Part 4 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHc...
published: 20 May 2015
The Lost Book of Enki Part 4 (Tablet 1)
The Lost Book of Enki Part 4 (Tablet 1)
- Report rights infringement
- published: 20 May 2015
- views: 9862
14:51
The Lost Book of Enki Part 5 (Tablet 1)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHc...
published: 25 May 2015
The Lost Book of Enki Part 5 (Tablet 1)
The Lost Book of Enki Part 5 (Tablet 1)
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- published: 25 May 2015
- views: 7955
14:31
The Lost Book of Enki Part 7 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHc...
published: 01 Jun 2015
The Lost Book of Enki Part 7 (Tablet 2)
The Lost Book of Enki Part 7 (Tablet 2)
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- published: 01 Jun 2015
- views: 5886
10:01
The Lost Book of Enki Part 9 (Tablet 2)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHc...
published: 03 Jun 2015
The Lost Book of Enki Part 9 (Tablet 2)
The Lost Book of Enki Part 9 (Tablet 2)
- Report rights infringement
- published: 03 Jun 2015
- views: 4294
7:26
The Lost Book of Enki Part 3 (Introduction)
Check out the entire series here: https://www.youtube.com/playlist?list=PLKre86s7f9XR5bHHc...
published: 14 May 2015
The Lost Book of Enki Part 3 (Introduction)
The Lost Book of Enki Part 3 (Introduction)
- Report rights infringement
- published: 14 May 2015
- views: 8450
Before The Muses An Anthology Of Akkadian Literatu...
Languages and Literatures: Cuneiform Civilizations...
The Epic Of Gilgamesh In Sumerian...
1.3 Hell: Views of the Underworld in Mesopotamia...
Mesopotamia - The Sumerians...
The Lost Book of Enki Part 4 (Tablet 1)...
The Lost Book of Enki Part 5 (Tablet 1)...
The Lost Book of Enki Part 7 (Tablet 2)...
The Lost Book of Enki Part 9 (Tablet 2)...
The Lost Book of Enki Part 3 (Introduction)...
photo: AP / Andrew Harnik
Dark Horse For Trump Vice President? Ivanka Trump
Edit WorldNews.com 07 Jul 2016
A new, under-the-radar vice-presidential candidate emerged for presumptive Republican presidential candidate Donald Trump and it’s someone he knows quite well and wouldn’t need much vetting – Trump’s daughter Ivanka.According to a Raw Story account Thursday, Ivanka’s brother, Eric, feels Ivanka would make a good candidate and made sure to emphasize her looks. His best running mate, by the way, would be Ivanka.” – Tennessee Sen ... ... ....
photo: AP / Tsvangirayi Mukwazhi
UN Secretary-General Ban Ki-Moon Urges Peaceful Negotiation To End Waterway Standoff
Edit WorldNews.com 07 Jul 2016
– United Nations Secretary-General Ban Ki-moon Following talks with both Foreign Minister Wang Yi and President Xi Jinping at the Diaoyutai State Guesthouse, Wang said China agreed a peaceful resolution was necessary, but is opposed to “any effort to reject dialogue, or to unilaterally initiate arbitration without the consent of the other party”.“This approach will not help bring out a peaceful resolution of the disputes,” Wang said....
photo: AP / Gerald Herbert
New US police shooting in Minnesota as protests continue in Baton Rouge
Edit BBC News 07 Jul 2016
A black man has been shot dead by police in the US state of Minnesota as protests continued over the police killing of a black man in Louisiana. Philando Castile was shot in his car as he reached for his driving licence, his girlfriend said in a Facebook Live video taken during the aftermath. It follows the death of Alton Sterling, who was shot dead by police during an incident in Baton Rouge on Tuesday ... Getty Images. ....
photo: UN / UN
Chilcot's blind spot: Iraq War report buries oil evidence, fails to address motive
Edit Open Democracy 07 Jul 2016
The long-awaited Chilcot Report was finally released today, examining the UK’s involvement in the Iraq War and occupation. Unfortunately, on the most important question, the report’s conclusions are all but silent. why did the UK go to war? ... He shows a remarkable lack of curiosity about the political factors behind the move to war, especially given the weakness (even at the time) of the WMD case ... Most important of these is oil....
photo: AP / Matt Dunham
Theresa May, Andrea Leadsom To Contest For Tory Leadership, Prime Minister
Edit WorldNews.com 07 Jul 2016
Not since Margaret Thatcher has Britain been led by a woman prime minister, but now that Michael Gove has been eliminated in the second round of the Conservative leadership contest, a woman will once again take on that role, The Independent reported Thursday.Home Secretary Theresa May or Energy Minister Andrea Leadsom will step forward as the country’s newest prime minister in nine weeks’ time....
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A Case of Sudden Death in Decameron IV.6: Aortic Dissection or Atrial Myxoma? [Beyond Science]
Edit Topix 08 Jul 2016
From the University of Siena, Post-Graduate School of Public Health, Siena, Italy ; College of the Holy Cross, Modern Languages and Literatures, Worcester, MA ; University of Massachusetts Amherst, Languages Literatures and Cultures, Amherst ; and University of Zurich, Institute of Evolutionary Medicine, Winterthurerstrasse, Zurich, Switzerland . Correspondence to Francesco M ... ....
Beethoven's Symphony No 6 with 'Living Programme Note'
Edit Skiddle 08 Jul 2016
Peckham Rye Multistorey Car Park in London. Saturday 9th - Sunday 10th July 2016. 7.00pm til 9.00pm. Minimum Age. 1 ... Event Info. Venue. ... \n. n\n ... n\n ... Bold Tendencies has transformed its disused multi-storey car park home through an annual commissioning programme of visual art, music, theatre and literature and pioneering architectural commissions including Frank’s Cafe, the Hay Bale Auditorium and immersive public spaces ... n\n ... n\n ... ....
Is inspiration contagious? (College of William and Mary)
Edit Public Technologies 08 Jul 2016
(Source. College of William and Mary). A quick Google search for the word 'contagious' yields a collection of not-so-pleasant news headlines ... inspiration ... 'But my data indicate that it is consequential ... An inspired endeavor ... The science of contagion ... Using a panel of advanced English and American literature students, Thrash had each student's poem evaluated on qualities such as originality, pleasantness, rhythm, insightfulness and clarity....
Brazil today: What’s really going on (CPUSA - Communist Party USA)
Edit Public Technologies 08 Jul 2016
(Source. CPUSA - Communist Party USA) ... You can watch it here. The Communist Party of Brazil is a major player in country's political life and participant in the Worker's Party-led government ... Ana Maria Prestes ... There is a short way to go ... Question ... I think that in the last few years the market for children's and juvenile literature has broken a number of stereotypes and has diversified itself in accordance with the diversity of our society....
Labor union targets Pa. with pro-Clinton direct mail piece
Edit Business Journal 07 Jul 2016
Hillary Clinton’s presence will be felt in battleground states as the AFL-CIO is sending out literature to union members in Pennsylvania, Florida, Nevada, Ohio and Wisconsin. “How you vote is a personal decision ... Big corporation and right-wing interests continue to chip away at a worker’s right to organize,” the literature states. The literature also does a side-by-side comparison of Hillary Clinton’s stance… ... ....
Literature reflects the threats of future societies (University of Tampere)
Edit Public Technologies 07 Jul 2016
Saija Isomaa, who is a professor of Finnish literature at the University of Tampere, is on the right ... Saija Isomaa, who is a professor of Finnish literature at the University of Tampere, is currently working as the leader of a research project on dystopian fiction ... 'The depictions of negative images of the future in literature are an intellectually interesting phenomenon....
Goldsmiths poets win 2016 Authors’ Awards (Goldsmiths, University of London)
Edit Public Technologies 07 Jul 2016
After studying English Literature at Goldsmiths, Sam recently joined the University of York to write his PhD on contemporary poetry ... Jack Underwood, Lecturer in Creative Writing in the Department of English and Comparative Literature, received a Somerset Maugham Award and £2,000 for his debut poetry collection Happiness (Faber)....
New tarantula species named after Garcia Marquez
Edit Arabnews 07 Jul 2016
1467829441525624300 ... A new species of tarantula has been identified near the home town of Gabriel Garcia Marquez and in an unusual posthumous honor, the spider has been named for the late Nobel literature laureate, officials said Tuesday ... Hailed for helping put Latin America on the literary map, he won the Nobel Prize for Literature in 1982 ... ....
‘Perumal Murugan should not be under fear. He should be able to write…’
Edit Indian Express 07 Jul 2016
A large part of ancient literature written at different periods of time where such sexual mores have been discussed liberally have been referred to by the learned counsel for the author, only to substantiate that something unknown had not been written by the author, but that a small group of people with a narrow vision and without any appreciation of ancient Indian literature, has gone up in arms against the novel....
Government should not proceed with state-wide tender for library stock – Warfield (Sinn Féin)
Edit Public Technologies 07 Jul 2016
(Source. Sinn Féin). 7 July, 2016 - by Fintan Warfield ... Speaking in the Seanad this afternoon, Senator Warfield said. ... 'Government are currently planning a blanket, state-wide tender for the supply of literature and stock to public libraries ... Those standards face potential erosion should one national or international supplier win the tender for state-wide supply of literature and stock to our libraries.' ... (noodl. 34447486) ....
City extends condolences to the family and friends of beloved South African poet, Adam Small (City of Cape Town)
Edit Public Technologies 07 Jul 2016
(Source. City of Cape Town). MEDIA RELEASE. 25 JUNE 2016. MEDIA STATEMENT BY EXECUTIVE MAYOR PATRICIA DE LILLE ... Many years after he had written those pieces, his words and the emotions were still so vivid and touching. In 2011, the City of Cape Town conferred the Civic Honours on Adam Small for his everlasting contribution towards Afrikaans literature ... We will always remember you for your great contribution to literature and the struggle....
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