- published: 04 Apr 2014
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The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites á Violoncello Solo senza Basso (Suites for cello solo without bass).
These suites for unaccompanied cello are remarkable in that they achieve the effect of implied three- to four-voice contrapuntal and polyphonic music in a single musical line. As usual in a Baroque musical suite, each movement is based around a baroque dance type; the cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. The Bach cello suites are considered to be among the most profound of all classical music works.Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God."
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
Bach was born in Eisenach, in the duchy of Saxe-Eisenach, into a great musical family. His father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father probably taught him to play the violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music. Apparently at his own initiative, Bach attended St. Michael's School in Lüneburg for two years. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, and as Thomaskantor in Leipzig, a position of music director at the main Lutheran churches and educator at the Thomasschule. He received the title of "Royal Court Composer" from Augustus III in 1736. Bach's health and vision declined in 1749, and he died on 28 July 1750.
There are over 1000 known compositions by Johann Sebastian Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
5 (five /ˈfaɪv/) is a number, numeral, and glyph. It is the natural number following 4 and preceding 6.
Five is the third prime number. Because it can be written as 221 + 1, five is classified as a Fermat prime; therefore a regular polygon with 5 sides (a regular pentagon) is constructible with compass and unmarked straightedge. 5 is the third Sophie Germain prime, the first safe prime, the third Catalan number, and the third Mersenne prime exponent. Five is the first Wilson prime and the third factorial prime, also an alternating factorial. Five is the first good prime. It is an Eisenstein prime with no imaginary part and real part of the form 3n − 1. It is also the only number that is part of more than one pair of twin primes. Five is a congruent number.
Five is conjectured to be the only odd untouchable number and if this is the case then five will be the only odd prime number that is not the base of an aliquot tree.
The number 5 is the fifth Fibonacci number, being 2 plus 3. 5 is also a Pell number and a Markov number, appearing in solutions to the Markov Diophantine equation: (1, 2, 5), (1, 5, 13), (2, 5, 29), (5, 13, 194), (5, 29, 433), ... ( A030452 lists Markov numbers that appear in solutions where one of the other two terms is 5). Whereas 5 is unique in the Fibonacci sequence, in the Perrin sequence 5 is both the fifth and sixth Perrin numbers.
00:00 - Prélude 06:08 - Allemande 11:16 - Courante 14:18 - Sarabande 17:24 - Gavotte I & II 22:54 - Gigue Nikolaus Harnoncourt, cello
Bass Guitar- Ewa Owczarek Sound/video- Adam Fulara
(Versión para viola da gamba) Bajo el título El Discurso Musical, Carles Magraner presenta un programa a solo con la viola da gamba. Se expone, a modo de disertación, una propuesta musical estructurada en cuatro partes: exordium, narratio, argumentatio y peroratio. Desde esta propuesta, que emula la retórica clásica, se interpreta una historia musical de la viola da gamba. En primer lugar en sus orígenes medievales con repertorios de Alfonso el Sabio, estampidas y Cancionero de Palacio. Le sigue el Renacimiento inglés con Tobías Hume y Dowland para llegar al siglo XVII en Alemania con August Kühnel. Bach y Abel se presentan en un tercer bloque que preludia el esplendor del instrumento en el barroco francés de la mano de Marin Marais y François Couperin. El programa lo acompaña c...
Gavottes I & II from Johann Sebastian Bach's Suite V solo violoncello, arranged for guitar and performed by Steven Hancoff, accompanied by an animated graphical score. FAQ Q: The video seems jerky ... is there anything I can do? A: Yes: use the Google Chrome browser, and watch it at HD 720 (60 fps). Q: Where can I learn more about the Steven Hancoff? A: Here: http://www.ameinu.net/author/hancoffs/ Q: Could you please do a video of ______? A: Please read this: http://www.musanim.com/requests/
Transcription for guitar of Bach's lute version BWV 995: Valter Dešpalj - Prelude - Allemande - Courante - Sarabande - Gavotte I-II - Gigue
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