Saturday 13 November 2010 Presented by Rachel Pimm Following on from Episode Two's Art Shopping Channel, Rachel Pimm returns this week to present the final episode of 'From LuckyPDF TV this is Auto Italia LIVE'. Rachel produces work commenting on lifestyles and aspirations in both the public and domestic realms, using existing networks for collaboration. Her presenting for this project combines recognisable styles including variety, catwalk and chat shows, amongst others. One of the founding members of Auto Italia, Rachel Pimm graduated from BA Fine Art at Central Saint Martins, and has exhibited at FormContent, JTG, Paradise Row and SPACE. She has since worked on projects including Household's Poundshop, and the Dissent season at the ICA. Rachel is currently programming a centenary season at the Ritzy Cinema in Brixton, and later this year commences work in the design team for the Ideal Home Show. Open Music Archive Through re-enactment and lip-synching, Open Music Archive present a series of musical vignettes structured around public domain recordings; from 1920s blues and jazz to 1960s soul via 1930s dance band crooners. Al Bowlly's 1936 newsreel appearance is scrambled ('You've Got What Gets Me' reversed and flipped as 'Me Gets What Got You've'), Leroy Carr's 1920s blues performance 'Six Cold Feet in the Ground' is transformed by a future 1970s TV performance by Lou Rawls, and Vaughn De Leath's 1927 crooning of 'Are You Lonesome Tonight?' is melodically de-saturated and retroactively mutated by a 1960s monotone female Elvis. Eileen Simpson and Ben White work at the intersection of art, music and information networks, and seek to challenge conventional mechanisms for the authorship, ownership and distribution of culture. Their ongoing project Open Music Archive is an initiative to source, digitise and distribute out-of-copyright sound recordings, and is a vehicle for collaborative projects exploring the material's potential for reuse. They have previously exhibited at Mexico's Ambulante Documentary film festival (2010); 17th Biennale of Sydney (2010); Gasworks, London (2010); ICA, London (2008) and Cornerhouse, Manchester (2007). The Enlightenment Gallery, in conversation with Alan Kane and Giorgio Sadotti with special guest appearances from Lœcia Prancha and Sara Nunes Fernandes, aka Negociatas. The Enlightenment Gallery is a newly established cooperative consortium with the aim of commissioning and supporting artists in the development of significant new projects and exhibitions. The focus of the organisation will be artists whose practice imbues its context and relationship to an audience as part of the material of the work. The organisation will operate from a physical space but the location, timescale and form of each project commissioned will be open to question and driven by the artists and their practice. Alan Kane was born in Nottingham, and lives and works in London. He has had numerous solo exhibitions, including; Life Class: Today's Nude, for Artangel and Channel 4 Television; The Stratford Hoard at Stratford Station as part of TfL's Art on the Underground series (2008); Steam Powered Internet Machine in collaboration with Jeremy Deller at Turner Contemporary, Margate (2006) and Folk Archive in collaboration with Jeremy Deller at New Art Gallery, Walsall. His group exhibitions include Rude Britannia, Tate Britain, London (2010); On Portraits, On Publications, On Performance, On Public Art, The Modern Institute, Glasgow (2010); The Future Demands Your Participation, Minsheng Art Museum, Shanghai (2010); Insiders, CAPC Musee D'Art Contemporain, Bordeaux (2009); Amateurs, CCA Wattis, San Francisco (2008). For more information on Giorgio Sadotti, please see The Guide, The Guardian, July 10, 2010. p. 38 Lucia Prancha and Sara Nunes Fernandes (both b.1985, PT) met in Lisbon in the early 2000s and have been collaborating since early 2010. Sara currently lives in London and Lœcia in S‹o Paulo, where they met in July this year and began working collaboratively for three months, calling it a residency. The project resulted in a solo show, "Uma exposicao de Lœcia Prancha and Sara Nunes Fernandes" [An exhibition by Lœcia Prancha and Sara Nunes Fernandes], at Sopro gallery, Lisbon which runs until the 27th November, and a publication. The book "Desaparecemos de repente juntas" [The two of us girls disappeared all of a sudden together], published by The River People Publications, will be launched mid-November in Lisbon and will feature at CNEAI book fair at Galeria Vermelho, Sao Paulo, later in the month. They are in the process of finalising a new video, made in collaboration with Bruno Moreira, which will be screened at the Terreiros film programme for the 29th Sao Paulo Biennale. Kelly Large, The End of the Whole Mess Kelly produces brief, uneasy texts referring to a series of fragmented events, which operate as interruptions to the main broadcast. Kelly Large is plagued with anxie

• published: 22 Jun 2011
• views: 7059