Kalić

Kalić is a village in Croatia. It is connected by the D8 highway.

Coordinates: 45°30′35″N 14°44′03″E / 45.5097536800°N 14.7340883100°E / 45.5097536800; 14.7340883100

Kali (poem)

"Kali" is a popular award winning poem by the eminent Indian writer, linguist and literary critic Rukmini Bhaya Nair. The poem won First Prize in the Second All India Poetry Competition conducted by The Poetry Society (India) in 1990. The poem has been widely cited and anthologised in reputed journals and scholalry volumes on contemporary Indian poetry.

Excerpts from the poem

Comments and criticism

The poem has received rave reviews since its first publication in 1990 in the anthology on Indian Poetry Emerging Voices. The poem has been frequently quoted in scholarly analysis of contemporary Indian English Poetry. The poem is regarded by critics as a jewel in contemporary Indian poetry.

Although outwardly the poem describes the Hindu Goddess Kali, her tantrums and her equation with her son Ganesha and consort Shiva, the poem has a clear existentialist message for the Indian woman and her many socio-psychological trappings. In her writings, Rukmini brings about this interplay between the esoteric and the mundane in systematic subjugation of Indian woman over the centuries. The poem has been widely discussed at various literary festivals.

Kali (painter)

Kali (Hanna Weynerowska, born Hanna Gordziałkowska; 18 December 1918 – 20 June 1998) was a Polish-born American painter known for her stylized portraits. She has been described as one of the most important Polish female painters. She was a World War II veteran of the Polish Resistance Movement after Nazi Germany occupied Poland, when she used the nom de guerre Kali. After emigrating and marrying, she used many variants of name, including "Hanna Kali Weynerowski", "Hanna Weynerowski-Kali", "Hanna Gordziałkowski-Weynerowski", "Hanka Weynerowska", and "Hanna Gordziałkowski", but she signed her paintings Kali.

Work

The figures in her art resemble Old Masters in subject and positioning, but are painted in a simplified, flattened and more graphic manner. The paintings are brightly colored, often portraying the subject shown sitting at bust-length, with an elongated face, flattened body, a patterned element such as part of the clothing, and with the subject's hands positioned in a classical pose. Her work has been likened to a combination of Neo-mannerist and Surrealist.

Id, ego and super-ego

Id, ego, and super-ego are the three parts of the psychic apparatus defined in Sigmund Freud's structural model of the psyche; they are the three theoretical constructs in terms of whose activity and interaction our mental life is described. According to this model of the psyche, the id is the set of uncoordinated instinctual trends; the super-ego plays the critical and moralizing role; and the ego is the organized, realistic part that mediates between the desires of the id and the super-ego. The super-ego can stop one from doing certain things that one's id may want to do.

Although the model is structural and makes reference to an apparatus, the id, ego and super-ego are purely psychological concepts and do not correspond to (somatic) structures of the brain such as the kind dealt with by neuroscience. The super-ego is observable in how someone can view themself as guilty, bad, pathetic, shameful, weak, and feel compelled to do certain things. Freud (1923) in The Ego and the Id discusses "the general character of harshness and cruelty exhibited by the [ego] ideal – its dictatorial 'Thou shalt.'"