Bury the Dead (1936) is an expressionist anti-war drama by the American playwright Irwin Shaw. It dramatizes the refusal of six dead soldiers during an unspecified war—who represent a cross-section of American society—to be buried. Each rises from a mass nameless grave to express his anguish, the futility of war, and his refusal to become part of the "glorious past". First the Captain and the Generals tell them it is their duty to be buried, but they refuse. Even a Priest and a Rabbi try to convince them to no avail. Newspapers refuse to print the story in fear it will hurt the war effort. Finally they bring in the women who have survived them, wives, sister and even mother. None succeed in the end. It was first staged in New York in 1936 to great acclaim.
The Factions are fictional philosophically based power groups in the Planescape campaign setting for the Dungeons & Dragons fantasy role-playing game.
While the Lady of Pain is considered the ultimate ruler of the planar metropolis called Sigil, "the City of Doors", the Factions perform virtually all the actual administrative and practical functions of the city. They are the ones the people look to for authority; the Lady only gives edicts or appears personally under rare circumstances. Each of the Factions is based around one particular belief system; many of the Factions' beliefs make them enemies where their other goals and actions might have made them allies. All Factions hold many secrets from non-members and even their own members, for the fewer know a secret the more secret it is (and these are secrets of power, either wielded or potentially gained by the Faction's adversaries).
There are fifteen Factions in total, per decree of the Lady of Pain; any additional factions emerging would be subject to her wrath (unless they destroy one of the current 15). At one point there were many more Factions, but after a war referred to as the Great Upheaval amongst the factions, the Lady of Pain decreed that they had two weeks to get the number down to 15 or she would kill them all. Interestingly the Free League membership swelled to over a million, compared to the 20,000 or so members present day.
The Dead is a 1987 feature film directed by John Huston, starring his daughter Anjelica Huston. The Dead was the last film that Huston directed, and it was released posthumously.
It was adapted from the short story "The Dead" by James Joyce (from his short works collection Dubliners), and nominated for an Academy Award for Writing Adapted Screenplay. It was also nominated for an Academy Award for Costume Design.
The film takes place in Dublin in 1904 at an Epiphany party held by two elderly sisters. The story focuses attention on the academic Gabriel Conroy (Donal McCann) and his discovery of his wife Gretta's (Anjelica Huston) memory of a deceased lover.
This film adaptation by John Huston's son Tony Huston can be considered a close adaptation of Joyce's short story, with some alterations made to the dialogue to aid the narrative for cinema audiences.
The most significant change to the story was the inclusion of a new character, a Mr Grace, who recites an eighth-century Middle Irish poem, "Donal Óg". The effect of this is to act as catalyst for the "Distant Music" that provokes the memories Gretta and Gabriel discuss at the end of the film.
James Joyce's The Dead is a Broadway musical by Richard Nelson and Shaun Davey based upon James Joyce's short story "The Dead".
The musical was originally presented Off-Broadway at Playwrights Horizons, starting on October 1, 1999. The opening night cast included Blair Brown, Paddy Croft, Brian Davies, Daisy Eagan, Dashiell Eaves, Sally Ann Howes, John Kelly, Brooke Sunny Moriber, Marni Nixon, Alice Ripley, Emily Skinner, Stephen Spinella and Christopher Walken. Musical direction was by Charles Prince, with music co-ordination and percussion by Tom Partington. It transferred to the Belasco Theatre on Broadway on January 11, 2000, where it completed a run of 120 performances before closing on April 16, 2000.
The musical ran at the Kennedy Center (Washington, D.C.), from October 14, 2000 to November 12, 2000, with Faith Prince and Stephen Bogardus as Greta and Gabriel Conroy. The musical had played an earlier engagement at the Ahmanson Theatre in Los Angeles from July 11, 2000 to September 3, 2000.
Coordinates: 53°35′35″N 2°17′53″W / 53.593°N 2.298°W / 53.593; -2.298
Bury (/ˈbɛri/, locally also /ˈbʊrɪ/) is a town in Greater Manchester, England, on the River Irwell, 5.5 miles (8.9 km) east of Bolton, 5.9 miles (9.5 km) west-southwest of Rochdale, and 7.9 miles (12.7 km) north-northwest of Manchester. Bury is the largest settlement and administrative centre of the Metropolitan Borough of Bury and in 2011 had a population of 55,856.
Historically part of Lancashire, Bury emerged in the Industrial Revolution as a mill town manufacturing textiles.
Bury is known for the open-air Bury Market and the local traditional dish, black pudding. The Manchester Metrolink tram system terminates in the town.
Bury resident Sir Robert Peel was Prime Minister of the United Kingdom and founded the Metropolitan Police Service and Conservative Party. The Peel Memorial is outside Bury parish church and the Peel Monument stands on Holcombe Hill overlooking Ramsbottom.
The name Bury, (also earlier known as "Buri" and "Byri") comes from an Old English word, meaning "castle", "stronghold" or "fort", an early form of modern English borough.
A burh (Old English pronunciation: [ˈburx]) or burg was an Old English fortification or fortified settlement. In the 9th century, raids and invasions by Vikings prompted Alfred the Great to develop a network of burhs and roads to use against such attackers. Some were new constructions; others were situated at the site of Iron Age hillforts or Roman forts and employed materials from the original fortifications. As at Lundenburh (medieval London), many were also situated on rivers: this facilitated internal lines of supply while aiming to restrict access to the interior of the kingdom for attackers in shallow-draught vessels such as longships.
Burhs also had a secondary role as commercial and sometimes administrative centres. Their fortifications were used to protect England's various royal mints.
Burh and burg were Old English developments of the Proto-Germanic word reconstructed as *burg-s, cognate with the verb *berg-an ("to shut in for protection"). They are cognate with German Burg and Scandinavian borg and, in English, developed variously as "borough", "burg", and (particularly in the East Anglian region of England and Scotland) "burgh".
Bury is an electoral ward of Chichester District, West Sussex, England and returns one member to sit on Chichester District Council.
Is it wise to come to me
To guide you spiritually
Dead eyes stare back from the void
Reflecting what I see
I am the key that locks the door
The link between the worlds
Take my hand
Dare to walk with fire
Let the dead rest in peace
Step aside leave them be
Let the dead rest in peace
Sacrilege, final sleep
I am here to satisfy
Your curiosity
If you think it's worth the risk
To be stuck with me
There are things you cannot see
That's why you come to me
Take my hand
Dare to walk with fire
Let the dead rest in peace
Step aside leave them be
Let the dead rest in peace
Sacrilege, final sleep
Was it wise to come to me
To guide you spiritually
Your dead eyes stare back from the void
Now you're stuck with me
Let the dead rest in peace
Step aside leave them be
Let the dead rest in peace
Sacrilege, final sleep
Let the dead rest in peace
Step aside leave them be
Let the dead rest in peace
Bury the Dead (1936) is an expressionist anti-war drama by the American playwright Irwin Shaw. It dramatizes the refusal of six dead soldiers during an unspecified war—who represent a cross-section of American society—to be buried. Each rises from a mass nameless grave to express his anguish, the futility of war, and his refusal to become part of the "glorious past". First the Captain and the Generals tell them it is their duty to be buried, but they refuse. Even a Priest and a Rabbi try to convince them to no avail. Newspapers refuse to print the story in fear it will hurt the war effort. Finally they bring in the women who have survived them, wives, sister and even mother. None succeed in the end. It was first staged in New York in 1936 to great acclaim.
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