Sources (
Poetic Edda): Harbardsljod (
The Song of
Long Beard) was discussed in the previous video, where
Thor was refused entry to
Odin´s lands, the divine realms, and told to seek his mother
Earth for guidance.Trymskvida (The Song of the
Drummer) where Thor looses his hammer,
symbol of his power, and has to assume the role of a maiden bride in order to retreave it. Hymiskvida (The Song of
Hymn) where Thor, in the shape of a young boy, has to find a cauldron that is big enough to contain all the mead of
Aegir at the
Island of
Immortality so that the gods may party in the immortal realms. With the help of his mother Earth, he succeeds in tricking the frost giant (death) and return to the party at the Island of Immortality with a "cauldron" that covers his entire body.
Prose Edda:Thor´s journey to Utgardsloki, where he learns of cosmic forces greater than himself - and also that the world is illusion. Thor´s journey to Geirrödr (Red-Spear=death) where he has to go unprotected, without his hammer, power belt and iron gloves. He seeks the aid of the giantess Gridr, who represents a witch and Earth herself, and who is the mother of Vidar the
Silent (
Expansion in
Silence = expansion of the mind or spirit through silence, the son of Odin =
Spirit). She teaches him how to defeat Red
Spear and lends him her power wand, her power belt and her iron gloves so that he may succeed with his task.
Outside Inspirational sources to my understanding:
Carlos Castaneda´s books about his apprenticeship to a
Mexican Yaqui sorcerer.
Jet Li`s movie "
Fearless".
The Karate Kid movies. Taoism`s teachings of the Yin power.
Siberian and
Native American shaman traditions employing gender-bending as a means to transform the mind, archaeologist
Brit Solli was the first
Norwegian archaeologist to systematize and openly
point out the fact that numerous Scandinavian burials show that gender-bending as a lifestyle existed as an integral part of the
Norse culture, apparently in connection with ritual and magic, something which is reflected in the
Norse literature, and is also reflected in numerous deities, especially the gods Odin,
Loki and
Skadi.
Examples of transgender behavior in the Poetic Edda:
Thor`s bridal journey (Trymskvida)
The warrior hero Helgi Hundinsbani lives for a while disguised as a servant maiden before his initiation (Helgakvida Hundingsbani).
The shaman Sinfiötli openly argues with his male ex-lover Gudmundr about who had been the "man" in their homosexual relationship. Sinfiötli is accused of having been castrated by giant maidens in the past, something he does not deny but disregards, as he asserts that he still possesses virile power. (Helgakvida Hundinsbani)The shaman Atli is accused of having been castrated, and like Sinfiötli he assures his opponent that he still has masculine powers although he does not deny the castration (
Helgakvida Hjörvardssonar) Odin reveals that one of his many names is Ialk - the Castrate (Grimnismál) Odin and Loki accuse each other of severly "unmanly" behavior in the past, and Frigg tells them "what you two gods did together in the past ought not to be mentioned" (Lokasenna) After having talked about how impossible it is to trust women, Odin declares that he "can speak truly" because he has "known both", and that men are just as traitorous towards women (Hávamál)
Gudrun, a woman, dresses in armor and fights alongside her brothers, and when all male candidates of her family are dead, she assumes the male responsibility of taking vengeance. She is hailed as "the last bride in armor". Prose Edda: Loki transforms into a woman in order to reach the halls of Frigg. Loki transforms into an old woman in order to deny weeping for Balder. Skadi assumes the masculine warrior role and attacks the Aesir wearing armor and weapons. She divorces her husband and returns to the mountains where she sustains herself hunting with bow and arrow, skiing.
Saxo Grammaticus (
Gesta Danorum): Odin changed into the shape of an old woman in order to trick a maiden.
Saxo also explains that in the pagan past, many women chose to become warriors and live unmarried, warrior lives. We do not know if he is just basing himself on the memory of mythical creatures such as valkyrias, or if there is a reality behind it. In fact, one third of female burials from the
Viking Age contain a weapon. The most usual weapon for women was the bow and arrow, but many were also buried with spear or sword. It would seem that one third of women at least learned to master one type of battle skill. However, male graves usually contained a complete set of weapons, including spear, sword, long knife, axe, shield, armor, so there was a marked
difference between male and female burials even when the female had owned, and probably used, a weapon. Some male graves, however, contained almost purely female objects and he was buried wearing a dress, all honored shown to him, it seems that he was acknowledged as transgendered.
- published: 15 Jan 2011
- views: 8238