- published: 28 Apr 2015
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The apostrophe ( ’ although often rendered as ' ) is a punctuation mark, and sometimes a diacritic mark, in languages that use the Latin alphabet or certain other alphabets. In English, it serves three purposes:
According to the Oxford English Dictionary (OED), the word comes ultimately from Greek ἡ ἀπόστροφος [προσῳδία] (hē apóstrophos [prosōidía], "[the accent of] 'turning away', or elision"), through Latin and French.
The apostrophe usually looks the same as a closing single quotation mark, although they have different meanings. The apostrophe also looks similar to the prime symbol ( ′ ), which is used to indicate measurement in feet or arcminutes, as well as for various mathematical purposes, and the ʻokina ( ʻ ), which represents a glottal stop in Polynesian languages.
The apostrophe was introduced into English in the 16th century in imitation of French practice.
Introduced by Geoffroy Tory (1530), the apostrophe was used in place of a vowel letter to indicate elision (as in l'heure in place of la heure). It was frequently used in place of letter e when no actual vowel sound was elided (as in un' heure). Modern French orthography has restored the spelling une heure.
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, recording engineer, record producer and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, orchestral and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band The Mothers of Invention and as a solo artist. While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands; he later switched to electric guitar.
He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with The Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. His lyrics—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship.