Lisbon (/ˈlɪzbən/; Portuguese: Lisboa, IPA: [liʒˈβoɐ]) is the capital city and largest city of Portugal with a population of 547,631 within its administrative limits on a land area of 84.8 km² (33 sq mi). The urban area of Lisbon extends beyond the administrative city limits with a population of 3 million on an area of 958 km² (370 sq mi), making it the 9th most populous urban area in the European Union. About 2,831,000 people live in the Lisbon Metropolitan Area (which represents approximately 27% of the population of the country). Lisbon is the westernmost large city located in Europe, as well as its westernmost capital city and the only one along the Atlantic coast. It lies in the western Iberian Peninsula on the Atlantic Ocean and the Tagus River.

Carlos do Carmo, ComIH (born Carlos Manuel de Ascenção de Almeida in Lisbon, Mouraria, on 21 December 1939) is a Portuguese fado singer, one of the finest in the "Lisbon Song". He is the son of another fado singer and fado house owner, Lucília do Carmo (Lucília Nunes de Ascenção do Carmo, born in Portalegre on 4 November 1920 and died in 1999, daughter of Francisco).

In 1976 he won the Portuguese Song Contest, with "Uma flor de verde pinho". The song finished 12th in the Eurovision Song Contest 1976.

His most famous songs are Lágrimas de Orvalho, Lisboa Menina e Moça and Canoas do Tejo. He sang many songs written by songwriters like Ary dos Santos. He helped to open Lisbon fado to other musical influences, like jazz and French music.

He has established his own reputation as a passionate singer of Portuguese folk songs, as well as one of the most distinctive voices in the world. Unfortunately obscured by the international fame of Amália Rodrigues, he remained a national, rather than international, star. He first left Lisbon in his youth, to study hotel management in Switzerland but, with the death of his father Alfredo de Almeida in 1962, do Carmo soon joined his mother to help her run their fado house, the Faia. In 1964 he married Maria Judite de Sousa Leal. Encouraged by his friends' response to his singing, do Carmo soon began to perform at the fado house. While fado remains at the core of his music, do Carmo has used Frank Sinatra-style and French-style pop balladry and Brazilian bossa nova to give his music its distinct flavor. His uniqueness, apart from the special timbre of his voice, is in his ability to bring composers from other styles such as jazz. This is mainly seen in his success Um Homem na Cidade, which although now known as a fado classic, has an obvious jazz chord progression.