Oscar (opera)

Oscar is an American opera in two acts, with music by composer Theodore Morrison and a libretto by Morrison and English opera director John Cox. The opera, Morrison's first, is based on the life of Oscar Wilde, focused on his trial and imprisonment in Reading Gaol. It was a co-commission and co-production between The Santa Fe Opera and Opera Philadelphia (formerly the Opera Company of Philadelphia). This work received its world premiere at The Santa Fe Opera on 27 July 2013. Opera Philadelphia first presented the revised version of the opera on 6 February 2015.

The genesis of the opera resulted from a 2004 meeting in London between Morrison and Cox, after the premiere of Morrison's James Joyce song cycle, Chamber Music, which he wrote for countertenor David Daniels, a former student of his. Upon learning that Morrison had never composed an opera, but wished to write one for Daniels, Cox encouraged that idea. This led to correspondence between Cox and Morrison, and an agreement to collaborate on an opera based on the subject of Oscar Wilde. Cox and Morrison had each read the biography of Wilde by Richard Ellmann, and settled on a plan for co-authorship of an opera libretto based on the writings of Oscar Wilde and his contemporaries, with Walt Whitman serving as a chorus speaking from the realm of immortality. The opera used Wilde's poem "The Ballad of Reading Gaol", documents, letters, conversations and remarks by Wilde's contemporaries as source material for the libretto. Cox also consulted Merlin Holland, the grandson of Oscar Wilde and a scholar on Oscar Wilde.

Oscar (1967 film)

Oscar is a French comedy of errors directed by Édouard Molinaro and starring Louis de Funès. In the movie, Louis de Funès plays an industrialist named Bertrand Barnier who discovers over the course of a single day that his daughter is pregnant, he has been robbed by an employee, and various other calamities have befallen his household and his business.

An English-language version of the movie was made in 1991, by John Landis, under the same name and starring Sylvester Stallone.

Plot

Christian Martin, a modest accountant in a large firm owned by Bertrand Barnier, surprises his boss by asking him for a 100% increase in his wages. Martin is on the point of proposing to a girl and doesn't want to ask for her hand in marriage while making a lowly accountant's salary.

After Barnier refuses to give him the raise, Martin tells him that he's stolen more than sixty million francs from him by falsifying the firm's accounting records. When Barnier threatens to report this to the police, Martin points out that as a consequence of the fraud Barnier has now submitted false income statements to the tax office, a serious crime. Barnier has no choice but to give in to blackmail and he agrees to give Martin the raise and name him vice-president of the firm.

Nakajima Ki-43

The Nakajima Ki-43 Hayabusa (隼, "Peregrine Falcon") was a single-engine land-based tactical fighter used by the Imperial Japanese Army Air Force in World War II. The Army designation was "Army Type 1 Fighter" (一式戦闘機); the Allied reporting name was "Oscar", but it was often called the "Army Zero" by American pilots for its side-view resemblance to the Mitsubishi A6M Zero that was flown by the Japanese Navy, using essentially the same radial engine as the Army's Oscar, and with the Oscar having much less framing for its all-around vision canopy than the Zero used.

Like the Mitsubishi-produced A6M Zero, the radial-engined Ki-43 was light and easy to fly and became legendary for its combat performance in East Asia in the early years of the war. It could outmaneuver any opponent, but did not have armor or self-sealing tanks, and its armament was poor until its final version, which was produced as late as 1945. Allied pilots often reported that the nimble Ki-43s were difficult targets but burned easily or broke apart with few hits. In spite of its drawbacks, the Ki-43 shot down more Allied aircraft than any other Japanese fighter and almost all the JAAF's aces achieved most of their kills in it.

Dogū

Dogū (土偶)(meaning "clay figures") are small humanoid and animal figurines made during the late Jōmon period (14,000–400 BC) of prehistoric Japan. Dogū come exclusively from the Jōmon period. By the Yayoi period, which followed the Jōmon period, Dogū were no longer made. There are various styles of Dogū, depending on exhumation area and time period. According to the National Museum of Japanese History, the total number found throughout Japan is approximately 15,000. Dogū were made across all of Japan, except Okinawa. Most of the Dogū have been found in eastern Japan and it is rare to find one in western Japan. The purpose of the Dogū remains unknown and should not be confused with the clay haniwa funerary objects of the Kofun period (250 – 538).

Origins

Some scholars theorize the Dogū acted as effigies of people, that manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogū, then destroyed, clearing the illness, or any other misfortune.

Dog meat

Dog meat refers to the flesh and other edible parts derived from dogs. Historically, human consumption of dog meat has been recorded in many parts of the world, including East and Southeast Asia, West Africa, Europe, Oceania and the Americas.

In the 21st century, dog meat is consumed in many parts of China,Korea and Vietnam, parts of Switzerland, as well as parts of Europe, Americas, the African continent, such as Cameroon, Ghana and Liberia.

Today, a number of cultures view the consumption of dog meat to be a part of their traditional and day-to-day cuisine, while others - such as Western culture - consider consumption of dog to be a taboo, although they have been consumed in times of war and/or other hardships. It was estimated in 2014 that worldwide, 25 million dogs are eaten each year by humans.

Dog breeds used for meat

Nureongi

The Nureongi (Korean: 누렁이) is a yellowish landrace from Korea. Similar to other native Korean dog breeds, such as the Jindo, nureongi are medium-sized spitz-type dogs, but are larger with greater musculature and a distinctive coat pattern. They are quite uniform in appearance, yellow hair and melanistic masks. Nureongi are most often used as a livestock dog, raised for its meat, and not commonly kept as pets.

D0g

D0g is a fictional character in the Half-Life series of video games, first introduced in Half-Life 2 in 2004. D0g is a hulking robot belonging to Alyx Vance, which was built by Alyx's father Eli to both provide companionship and protect his daughter; Alyx subsequently upgraded the robot into its current form. His character provides comic relief during the series; his battle sequences are often comically exaggerated, such as taking on small enemy squads by throwing cars and trucks at them. His appearance as the first character seen in Half-Life 2: Episode One was influenced by positive fan reception.

Character design

Half-Life 2: Raising the Bar states that D0g's design underwent "relatively few changes" from his very first concept sketch; Valve artists were inspired by "classic movie robots," citing Robby the Robot from Forbidden Planet.

In video games

D0g's role in Half-Life 2 is to aid the player in tutorials—in particular, training in the use of the gravity gun—and lifting heavy objects the player cannot manipulate without the gravity gun.

Arnold (band)

Arnold were a three piece alternative rock band from London, England, formed in 1996, who released two albums on Creation Records.

History

The band comprised Phil Morris (lead vocals, drums), Mark Saxby (guitar, vocals) and Phil Payne (bass, vocals) and played guitar-based music influenced by the likes of Big Star, Crosby, Stills, Nash and Young and The Who. Originally members of the band Patio, they became Arnold after the former band's singer died, the new band named after Payne's dog.

They signed for Alan McGee's Creation Records in 1997, at a time when the label was riding high on the Britpop-fuelled success of Oasis, and stayed until the label's demise in 1999, releasing two albums, the first (The Barn Tapes) originally recorded in a barn in Kent as demos for the label, and the second (Hillside) much lauded by critics. They toured the United States in 1998 before returning to the UK to tour with Neil Finn followed by dates supporting Bernard Butler. They subsequently signed for McGee's next label, Poptones and were joined by Rob Arriss (guitar and keyboards) and Dave Hill (drums) before releasing the album Bahama in 2001.