Miss

Miss (pronounced /ˈmɪs/) is an English language honorific traditionally used only for an unmarried woman (not using another title such as "Doctor" or "Dame"). Originating in the 17th century, it is a contraction of mistress, which was used for all women. A period is not used to signify the contraction. Its counterparts are Mrs., usually used only for married women, and Ms., which can be used for married or unmarried women.

The plural Misses may be used, such as in The Misses Doe. The traditional French "Mesdemoiselles" (abbreviation "Mlles") may also be used as the plural in English language conversation or correspondence.

Use as a title (honorific) in the United States

The usage of "Miss" as a title in the United States is most frequently seen when referring to girls under eighteen–. Though Miss is less commonly used as a title by unmarried adult women in the United States than in the past, some still prefer to be referred to as such. Twenty-first century etiquette honors an adult woman's personal preference of title. However, if the preference is not known, "Ms." is used. "Ms." is the preferred choice as the female title in business. It is the equivalent to the male title "Mr." as neither is marital status specific.

Ann

Ann is a variant of Anne a female given name

Ann may also refer to:

Places

People

Music

See also

Miss Ann

Miss Ann is an expression used inside the African-American community, to refer to a white woman (or sometimes a black woman) who is arrogant and condescending in her attitude.

The characteristics associated with someone called a "Miss Ann" include being considered "uppity", or in the case of a black woman, "acting white".

Like the male counterpart term, Mister Charlie, the term Miss Ann was once common among many African-Americans. It was a pejorative way of commenting on imperious behaviour from white women, particularly when it came with racist undertones. It is seldom used among young African-Americans today.

In popular culture

Miss Anne: “A White Woman” —Zora Neale Hurston, Glossary of Harlem Slang

Ann; Miss Ann: Coded term for any white female. [i.e.] “His mama washes clothes on Wednesday for Miss Ann.” —Clarence Major, From Juba to Jive: A Dictionary of African-American Slang

Ann: (1) A derisive term for a white woman. . . . Also “Miss Ann.” —Geneva Smitherman, Black Talk

Miss Ann and Mister Eddie: Emancipated bluebloods. —Taylor Gordon, Born to Be

Eric Dolphy

Eric Allan Dolphy, Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, flautist, and bass clarinetist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the 1960s. He was one of the first important bass clarinet soloists in jazz, extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.

His improvisational style was characterized by the use of wide intervals, in addition to using an array of extended techniques to reproduce human- and animal-like effects which almost literally made his instruments speak. Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) tonal bebop harmony and melodic lines that suggest the influences of modern classical composers Béla Bartók and Igor Stravinsky.

Biography

Early life

Dolphy was born in Los Angeles to Eric Allan Dolphy, Sr. and Sadie Dolphy, who immigrated to the United States from Panama. He picked up the clarinet at the age of six, and in less than a month was playing in the school's orchestra. He also learned the oboe in junior high school, though he never recorded on the instrument. Hearing Fats Waller, Duke Ellington and Coleman Hawkins led him towards jazz and he picked up the saxophone and flute while in high school. His father built a studio for Eric in their backyard, and Eric often had friends come by to jam; recordings with Clifford Brown from this studio document this early time.

Little Richard

Richard Wayne Penniman (born December 5, 1932), known by his stage name, Little Richard, is an American musician, singer and songwriter.

An influential figure in popular music and culture for more than six decades, Little Richard's most celebrated work dates from the mid-1950s, when his dynamic music and charismatic showmanship laid the foundation for rock and roll. His music also played a key role in the formation of other popular music genres, including soul and funk. Little Richard influenced numerous singers and musicians across musical genres from rock to hip-hop; his music helped shape rhythm and blues for generations to come, and his performances and headline-making thrust his career right into the mix of American popular music.

Little Richard has been honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He is the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. Little Richard's "Tutti Frutti" (1955) was included in the National Recording Registry of the Library of Congress in 2010, which stated that his "unique vocalizing over the irresistible beat announced a new era in music." In 2015, the National Museum of African American History and Culture honored Little Richard for his pivotal role in the formation of popular music genres and in helping to shatter the color line on the music charts, changing American culture significantly.