- published: 01 Jul 2023
- views: 139267232
Ass may refer to:
ASS may stand for:
SubStation Alpha (or Sub Station Alpha), abbreviated SSA, is a subtitle file format created by CS Low (also known as Kotus) that allows for more advanced subtitles than the conventional SRT and similar formats. This format can be rendered with VSFilter in conjunction with a DirectShow-aware video player (on Microsoft Windows), or MPlayer with the SSA/ASS library. It is also the name of the popular, now discontinued tool used to edit subtitles.
This subtitle format is frequently used in anime fansubs, either to overlay subtitles onto video while it is being encoded (hardsubbing), or to store subtitle data alongside video data in a Matroska (MKV) container (softsubbing). Hardsubbing is irreversible but does not require VSFilter or other special resources for playback. Softsubbing allows the end user to choose whether subtitles will be displayed, and makes it possible to include multiple subtitle streams in the same video file.
The current version of SSA is v4.00.
There are many freeware and open source subtitling applications that support the SSA format.
Taylor Mead's Ass (1964) is a film by Andy Warhol featuring Taylor Mead, consisting entirely of a shot of Mead's buttocks, and filmed at The Factory.
According to Watson's Factory Made: Warhol and the Sixties, Taylor Mead had achieved a degree of fame that "inspired a backlash." One example was a letter to the editors at The Village Voice in August 1964 which complained about "films focusing on Taylor Mead's ass for two hours." Mead replied in a letter to the publication that no such film was found in the archives, but "we are rectifying this undersight." Two days later, Warhol shot the "sixty-minute opus that consisted entirely of Taylor Mead's Ass," during which Mead first exhibits a variety of movement, then appears to "shove a variety of objects up his ass." The film was Mead's last for Warhol "for more than three years", at the end of 1964, "Mead felt betrayed by Warhol for not showing the film."
The film was described as "seventy-six seriocomic minutes of this poet/actor's buttocks absorbing light, attention, debris" by Wayne Koestenbaum, in Art Forum. In his book, Andy Warhol, Koestenbaum writes "Staring at his cleft moon for 76 minutes, I begin to understand its abstractions: high-contrast lighting conscripts the ass into being a figure for whiteness itself, particularly when the ass merges with the blank leader at each reel's end. The buttocks, seen in isolation, seem explicitly double: two cheeks, divided in the centre by a dark line. The bottom's double structure recalls Andy's two-paneled paintings . . . "
Lovers is an album by David Murray released on the Japanese DIW label. It was released in 1988 and features six quartet performances by Murray with Fred Hopkins, Dave Burrell and Ralph Peterson Jr..
Lovers is a 1967 play written by Northern Irish playwright Brian Friel. Lovers is a play broken into two parts, "Winners" and "Losers."
The first section of Lovers, titled "Winners" follows the story of two teenaged lovers, Joseph Michael Brennan & Margaret Mary Enright - more commonly known as Joe and Mag respectively - who are expecting a baby. However, the pregnancy occurs out of wedlock which, at the time of Lovers being written, was a major issue. Due to Mag falling pregnant with Joe's baby they are both asked to leave their schools out of disgrace for what they have done. In the play we find out that Joe's mother pleaded with the school to let Joe sit his exams, this is a very important theme as Joe - being the man - is expected to go, find work and provide for his family
The play is set atop hill with the simple premise of Mag and Joe revising for their exams. However, throughout the play they become distracted and talk on different subjects (much to Joe's annoyance) and through this we hear the further back story behind the characters.
Lovers is an album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1975, featuring the last recorded performances by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira with a posthumous track featuring Flora Purim, Nat Adderley, Jr. and Ron Carter.
The Allmusic review by Scott Yanow awarded the album 1½ stars and states: "This particular LP was already more than half completed with Adderley taking his last solos on three of the selections... but unfortunately none of the music is all that memorable.... After Cannonball's death 'Lovers' (which had been planned for the album) was recorded as a memorial.... The intentions were honorable but the music is pretty forgettable."
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Ass may refer to:
ASS may stand for: