- published: 12 Nov 2011
- views: 643306
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Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies.
In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections.
The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application.
Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us.
Arnold Schoenberg
- published: 12 Jul 2011
- views: 177542
"Behold the sun,
gay-coloured on the margin of the sky.
Morning-dreams greet her in the East!
Smiling she rises
out of the night-tides,
and from her radiant brow there streams
the splendour of her locks of light".-final chorus from Gurrelieder.
(Try here-http://www.signumrecords.com/products/booklets/SIGCD173booklet.pdf for notes on Gurrelieder and for German/English text).
Gurre-Lieder is a massive cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by Robert Franz Arnold). The title means 'Songs of Gurre', referring to Gurre Castle in Denmark, scene of the medieval love-tragedy (related in Jacobsen's poems) revolving around the Danish national legend of the love of the Danish king Valdemar Atterdag (Valdemar IV, 1320-1375, spelt Waldemar by Schoenberg) for his mistress Tove, and her subsequent murder by Valdemar's jealous Queen Helvig (a legend which is historically more likely connected with his ancestor Valdemar I).
Melanie Diener - soprano, Iris Vermillion - mezzo soprano, Thomas Moser - tenor, Philip Langridge - tenor, Ralf Lukas - baritone, Werner Hollweg - speaker. WDR Rundfunkchor Köln/ NDR Choir/ Czech Philharmonic Choir/ Beethoven Orchestra, Bonn/ Roman Kofman.
- published: 31 Dec 2013
- views: 94190
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sextet, Op. 4
Audrey Wright and Alexi Kenney, violins
Wenting Kang and Alice Weber, violas
Emileigh Vandiver and Andrew Larson, celli
- published: 09 May 2013
- views: 61387
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
- published: 01 Dec 2014
- views: 11848
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (recorded 1984). Score available at www.universaledition.com
- published: 14 Feb 2007
- views: 342550
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
- published: 03 Dec 2015
- views: 3732
Schoenberg's manuscript at this link:
https://sites.google.com/site/francescobellomi1960bis/download
or
http://www.schoenberg.at/
or
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=374&Itemid;=585⟨=de
Andy Lee web: http://andy-lee.com/Andy_Lee_Web_Portal.html
and also:
http://pianosociety.com/cms/index.php?section=1597
- published: 13 Oct 2009
- views: 46700
Norwegian Chamber Orchestra
Terje Tønnesen, leader
Bud Beyer, stage direction
Produced by GSOplay, Måns Pär Fogelberg, Josef Atlestam, Simon Dybeck and Per Göran
- published: 03 Feb 2014
- views: 37663
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F sharp minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).
String Quartet No. 2
This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg.
The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George.
"I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937)
The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord. Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on December 21, 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra.
1. Mäßig (Moderate), F sharp minor
2. Sehr rasch (Very brisk), D minor
3. "Litanei", langsam ("Litany", slow), E flat minor
4. "Entrückung", sehr langsam ("Rapture", very slow), No key
The latter two movements of the Second String Quartet are set to poems from Stefan George's collection Der siebente Ring (The Seventh Ring), which was published in 1907:
Litanei
Tief ist die trauer die mich umdüstert,
Ein tret ich wieder, Herr! in dein haus.
Lang war die reise, matt sind die glieder,
Leer sind die schreine, voll nur die qual.
Durstende zunge darbt nach dem weine.
Hart war gestritten, starr ist mein arm.
Gönne die ruhe schwankenden schritten,
Hungrigem gaume bröckle dein brot!
Schwach ist mein atem rufend dem traume,
Hohl sind die hände, fiebernd der mund.
Leih deine kühle, lösche der brände.
Tilge das hoffen, sende das licht!
Gluten im herzen lodern noch offen,
Innerst im grunde wacht noch ein schrei.
Töte das sehnen, schliesse die wunde!
Nimm mir die liebe, gib mir dein glück!
Entrückung
Ich fühle luft von anderem planeten.
Mir blassen durch das dunkel die gesichter
Die freundlich eben noch sich zu mir drehten.
Und bäum und wege die ich liebte fahlen
Dass ich sie kaum mehr kenne und du lichter
Geliebter schatten—rufer meiner qualen--
Bist nun erloschen ganz in tiefern gluten
Um nach dem taumel streitenden getobes
Mit einem frommen schauer anzumuten.
Ich löse mich in tönen, kreisend, webend,
Ungründigen danks und unbenamten lobes
Dem grossen atem wunschlos mich ergebend.
Mich überfährt ein ungestümes wehen
Im rausch der weihe wo inbrünstige schreie
In staub geworfner beterinnen flehen:
Dann seh ich wie sich duftige nebel lüpfen
In einer sonnerfüllten klaren freie
Die nur umfängt auf fernsten bergesschlüpfen.
Der boden schüffert weiss und weich wie molke.
Ich steige über schluchten ungeheuer.
Ich fühle wie ich über letzter wolke
In einem meer kristallnen glanzes schwimme--
Ich bin ein funke nur vom heiligen feuer
Ich bin ein dröhnen nur der heiligen stimme.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Mary Elizabeth Mackenzie, soprano; Musicians from Ravinia's Steans Institute
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Picture of Schoenberg used by courtesy of Arnold Schönberg Center
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
- published: 15 Jun 2014
- views: 23653
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School.
Wind Quintet, Op. 26 (1923-24)
1. Schwungvoll [Lively]
2. Anmutig und heiter—scherzando [Graceful and cheerful— scherzando]
3. Etwas langsam [Somewhat slowly]
4. Rondo
Vienna Quintet
The work is laid out in the four-movement pattern of Classical chamber-music forms, using the thematic contrast usual in them (Neighbour 2001). In this way, Schoenberg sought to restore the innate expressive qualities of the forms of tonal music, and so the Quintet, along with the Suite for piano, op. 25, the Suite for septet, op. 29, the Third String Quartet, op. 30, and the Variations for Orchestra, represent the most extreme point of his neoclassicism (Rosen 1996, 88).
The first movement follows standard sonata-allegro layout, and "is perhaps the most notorious example of a twelve-tone movement imitating a tonal form", with a repeated two-theme exposition, a development section, and a recapitulation in which the second theme is transposed up a perfect fourth, as if it were a tonal work with the second key area originally in the dominant (Mead 1987, 73). The mistaken impression is easily formed that this is "some sort of musical taxidermy—rondo and sonata-allegro skins stuffed and mounted with chromatic sawdust" but, despite superficial appearances, the structure is quite a different thing (Mead 1987, 67). The opening theme of the first movement, for example, is in two phrases. The first, antecedent phrase uses the first hexachord of the basic series; the second, consequent phrase uses the second hexachord (Schoenberg 1975, 228).
The opening melody of the scherzo movement starts with the fourth note of the basic series, the first three notes having already appeared in the accompaniment. Unlike some other passages in the Quintet, the accompaniment here uses the same tones as are found in the melody, but not at the same time. Later in the same movement, different forms of the row are combined in contrapuntal elaboration (e.g., the inversion and retrograde inversion in b. 88–94)—a procedure also featured later in the Rondo (Schoenberg 1975, 232).
The third, slow movement is in an extended ternary form, with coda. A substantial transition section in bars 53–81, with a change of meter and faster tempo, connects the central section to the return of the opening material (Mead 1985, 131).
The finale follows the expected pattern for a classical seven-part rondo, with motivically distinguished sections in a design that may be designated as A–B–A'–C–A"–B'–A–coda. These sections are also distinguished by the row forms used on the surface (Mead 1987, 82).
- published: 21 Dec 2015
- views: 1149
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet.
- published: 15 May 2011
- views: 23637
Arnold Schoenberg (help·info) (pronounced [ˈaːɐ̯nɔlt ˈʃøːnbɛɐ̯k]; 13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Schönberg until after his move to the United States in 1934 (Steinberg 1995, 463), whereupon he altered it to Schoenberg "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45).
Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th-century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking or, in some cases, passionately reacted against it. During the rise of the Nazi Party in Austria, his music was labeled, alongside jazz, as degenerate art[citation needed].
Schoenberg was widely known early in his career for his success in simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify pioneering innovations in atonality (although Schoenberg himself detested the term "atonality" as inaccurate in describing his intentions) that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Arnold_Schoenberg
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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29:26Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899) Pierre Boulez: Membres de L'Ensemble Intercontemporain Charles-André Linale: violin / violon Maryvonne Le Dizès-Richard: violin / violon Jean Sulem: viola / alto Garth Knox: viola / alto Philippe Muller: cello / violoncelle Pieter Strauch: cello / violoncelle -
42:26Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies. In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections. The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application. Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us. Arnold Schoenberg -
114:52Arnold Schoenberg,Gurrelieder.
Arnold Schoenberg,Gurrelieder.Arnold Schoenberg,Gurrelieder.
"Behold the sun, gay-coloured on the margin of the sky. Morning-dreams greet her in the East! Smiling she rises out of the night-tides, and from her radiant brow there streams the splendour of her locks of light".-final chorus from Gurrelieder. (Try here-http://www.signumrecords.com/products/booklets/SIGCD173booklet.pdf for notes on Gurrelieder and for German/English text). Gurre-Lieder is a massive cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by Robert Franz Arnold). The title means 'Songs of Gurre', referring to Gurre Castle in Denmark, scene of the medieval love-tragedy (related in Jacobsen's poems) revolving around the Danish national legend of the love of the Danish king Valdemar Atterdag (Valdemar IV, 1320-1375, spelt Waldemar by Schoenberg) for his mistress Tove, and her subsequent murder by Valdemar's jealous Queen Helvig (a legend which is historically more likely connected with his ancestor Valdemar I). Melanie Diener - soprano, Iris Vermillion - mezzo soprano, Thomas Moser - tenor, Philip Langridge - tenor, Ralf Lukas - baritone, Werner Hollweg - speaker. WDR Rundfunkchor Köln/ NDR Choir/ Czech Philharmonic Choir/ Beethoven Orchestra, Bonn/ Roman Kofman. -
32:14Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
NEC Contemporary Ensemble Concert directed by John Heiss Jordan Hall in Boston, MA Recorded on January 31, 2013 Schoenberg's Transfigured Night for String Sextet, Op. 4 Audrey Wright and Alexi Kenney, violins Wenting Kang and Alice Weber, violas Emileigh Vandiver and Andrew Larson, celli -
54:13Arnold Schoenberg /// Piano music
Arnold Schoenberg /// Piano musicArnold Schoenberg /// Piano music
01 - Three Piano Pieces, Op. 11 00:01 02 - Six Little Piano Pieces, Op. 19 16:07 03 - Piano Piece, Op. 33a - 01 Mässig 21:49 04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36 05 - Suite for Piano, Op. 25 38:29 -
7:30Arnold Schoenberg: Kammersymphonie op. 9
Arnold Schoenberg: Kammersymphonie op. 9Arnold Schoenberg: Kammersymphonie op. 9
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (recorded 1984). Score available at www.universaledition.com -
19:58Arnold Schoenberg - Piano Concerto, Op. 42
Arnold Schoenberg - Piano Concerto, Op. 42Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951) - Orchestra: The Cleveland Orchestra - Conductor: Pierre Boulez - Soloist: Mitsuko Uchida - Year of recording: 2000 Piano Concerto, Op. 42, written in 1942. 00:00 - I. Andante 04:34 - II. Molto allegro 07:05 - III. Adagio 13:39 - IV. Giocoso (Moderato) Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur). Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom. - The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings. - In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register. - The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano. - Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century. Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21. -
5:01Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
Schoenberg's manuscript at this link: https://sites.google.com/site/francescobellomi1960bis/download or http://www.schoenberg.at/ or http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=374&Itemid;=585⟨=de Andy Lee web: http://andy-lee.com/Andy_Lee_Web_Portal.html and also: http://pianosociety.com/cms/index.php?section=1597 -
31:01Arnold Schoenberg: Verklärte Nacht
Arnold Schoenberg: Verklärte NachtArnold Schoenberg: Verklärte Nacht
Norwegian Chamber Orchestra Terje Tønnesen, leader Bud Beyer, stage direction Produced by GSOplay, Måns Pär Fogelberg, Josef Atlestam, Simon Dybeck and Per Göran -
29:31String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F sharp minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936). String Quartet No. 2 This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg. The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George. "I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937) The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord. Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on December 21, 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra. 1. Mäßig (Moderate), F sharp minor 2. Sehr rasch (Very brisk), D minor 3. "Litanei", langsam ("Litany", slow), E flat minor 4. "Entrückung", sehr langsam ("Rapture", very slow), No key The latter two movements of the Second String Quartet are set to poems from Stefan George's collection Der siebente Ring (The Seventh Ring), which was published in 1907: Litanei Tief ist die trauer die mich umdüstert, Ein tret ich wieder, Herr! in dein haus. Lang war die reise, matt sind die glieder, Leer sind die schreine, voll nur die qual. Durstende zunge darbt nach dem weine. Hart war gestritten, starr ist mein arm. Gönne die ruhe schwankenden schritten, Hungrigem gaume bröckle dein brot! Schwach ist mein atem rufend dem traume, Hohl sind die hände, fiebernd der mund. Leih deine kühle, lösche der brände. Tilge das hoffen, sende das licht! Gluten im herzen lodern noch offen, Innerst im grunde wacht noch ein schrei. Töte das sehnen, schliesse die wunde! Nimm mir die liebe, gib mir dein glück! Entrückung Ich fühle luft von anderem planeten. Mir blassen durch das dunkel die gesichter Die freundlich eben noch sich zu mir drehten. Und bäum und wege die ich liebte fahlen Dass ich sie kaum mehr kenne und du lichter Geliebter schatten—rufer meiner qualen-- Bist nun erloschen ganz in tiefern gluten Um nach dem taumel streitenden getobes Mit einem frommen schauer anzumuten. Ich löse mich in tönen, kreisend, webend, Ungründigen danks und unbenamten lobes Dem grossen atem wunschlos mich ergebend. Mich überfährt ein ungestümes wehen Im rausch der weihe wo inbrünstige schreie In staub geworfner beterinnen flehen: Dann seh ich wie sich duftige nebel lüpfen In einer sonnerfüllten klaren freie Die nur umfängt auf fernsten bergesschlüpfen. Der boden schüffert weiss und weich wie molke. Ich steige über schluchten ungeheuer. Ich fühle wie ich über letzter wolke In einem meer kristallnen glanzes schwimme-- Ich bin ein funke nur vom heiligen feuer Ich bin ein dröhnen nur der heiligen stimme. ----------------------------------------------------- The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License. Classical music piece performed by: Mary Elizabeth Mackenzie, soprano; Musicians from Ravinia's Steans Institute Licensed by: Isabella Stewart Gardner Museum, Boston Music license: CC BY-NC-ND 2.0 Website: www.gardnermuseum.org Picture of Schoenberg used by courtesy of Arnold Schönberg Center You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :) -
40:18Arnold Schoenberg - Wind Quintet, Op. 26
Arnold Schoenberg - Wind Quintet, Op. 26Arnold Schoenberg - Wind Quintet, Op. 26
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. Wind Quintet, Op. 26 (1923-24) 1. Schwungvoll [Lively] 2. Anmutig und heiter—scherzando [Graceful and cheerful— scherzando] 3. Etwas langsam [Somewhat slowly] 4. Rondo Vienna Quintet The work is laid out in the four-movement pattern of Classical chamber-music forms, using the thematic contrast usual in them (Neighbour 2001). In this way, Schoenberg sought to restore the innate expressive qualities of the forms of tonal music, and so the Quintet, along with the Suite for piano, op. 25, the Suite for septet, op. 29, the Third String Quartet, op. 30, and the Variations for Orchestra, represent the most extreme point of his neoclassicism (Rosen 1996, 88). The first movement follows standard sonata-allegro layout, and "is perhaps the most notorious example of a twelve-tone movement imitating a tonal form", with a repeated two-theme exposition, a development section, and a recapitulation in which the second theme is transposed up a perfect fourth, as if it were a tonal work with the second key area originally in the dominant (Mead 1987, 73). The mistaken impression is easily formed that this is "some sort of musical taxidermy—rondo and sonata-allegro skins stuffed and mounted with chromatic sawdust" but, despite superficial appearances, the structure is quite a different thing (Mead 1987, 67). The opening theme of the first movement, for example, is in two phrases. The first, antecedent phrase uses the first hexachord of the basic series; the second, consequent phrase uses the second hexachord (Schoenberg 1975, 228). The opening melody of the scherzo movement starts with the fourth note of the basic series, the first three notes having already appeared in the accompaniment. Unlike some other passages in the Quintet, the accompaniment here uses the same tones as are found in the melody, but not at the same time. Later in the same movement, different forms of the row are combined in contrapuntal elaboration (e.g., the inversion and retrograde inversion in b. 88–94)—a procedure also featured later in the Rondo (Schoenberg 1975, 232). The third, slow movement is in an extended ternary form, with coda. A substantial transition section in bars 53–81, with a change of meter and faster tempo, connects the central section to the return of the opening material (Mead 1985, 131). The finale follows the expected pattern for a classical seven-part rondo, with motivically distinguished sections in a design that may be designated as A–B–A'–C–A"–B'–A–coda. These sections are also distinguished by the row forms used on the surface (Mead 1987, 82). -
29:37My War Years - Arnold Schoenberg [1 of 3]
My War Years - Arnold Schoenberg [1 of 3]My War Years - Arnold Schoenberg [1 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet. -
15:44Arnold Schoenberg: Suite per pianoforte op.25 (1921)
Arnold Schoenberg: Suite per pianoforte op.25 (1921)Arnold Schoenberg: Suite per pianoforte op.25 (1921)
Arnold Schoenberg (1874-1951): Suite per pianoforte op.25 (1921) -- Paul Jacobs, pianoforte -- I. Präludium. Rasch II. Gavotte. Etwas langsam III. Musette. Rascher IV. Intermezzo V. Menuett und Trio. Moderato VI. Gigue. Rasch painting by Franz Marc ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated. -
139:22Schoenberg - Complete String Quartets
Schoenberg - Complete String QuartetsSchoenberg - Complete String Quartets
All copyrights belong to their respective owners. no copyright infringement intended String Quartets Arnold Schoenberg (1874 - 1951) Ensemble: Arditti Quartet 00:00 Op. 7 - 1.Nicht zu rasch 13:18 Op. 7 - 2.Kräftig 26:30 Op. 7 - 3.Mäßig 38:24 Op. 7 - 4.Mäßig - heiter 46:13 Op. 10 - 1.Mässig 52:44 Op. 10 - 2.Sehr rasch 59:35 Op. 10 - 3.Litanei. Langsam 1:05:30 Op. 10 - 4.Entrückung. Sehr langsam 1:16:42 Op. 30 - 1.Moderato 1:25:18 Op. 30 - 2.Adagio 1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato 1:41:02 Op. 30 - 4.Rondo. Molto moderato 1:47:13 Op. 37 - 1.Allegro molto, energico 1:55:45 Op. 37 - 2.Comodo 2:02:59 Op. 37 - 3.Largo 2:10:52 Op. 37 - 4.Allegro
- Alban Berg
- Albert Bloch
- Albert Einstein
- Albert Giraud
- Alexander Scriabin
- Alexander Zemlinsky
- Alexej von Jawlensky
- Altenberg Lieder
- Anton Webern
- Arnold Schoenberg
- Artur Schnabel
- Astrologer
- Atonality
- August Macke
- Austria
- Avant-garde
- Bass clarinet
- Bourgeois
- Brahms
- Bratislava
- Carl Dahlhaus
- Charles Rosen
- Christianity
- Chromatic scale
- Chromaticism
- Clarinet
- Claude Debussy
- Combinatoriality
- Counterpoint
- Dane Rudhyar
- David Burliuk
- Degenerate art
- Der Blaue Reiter
- Derived row
- Developing variation
- Die Brücke
- Die Jakobsleiter
- Dika Newlin
- Earl Kim
- Eduard Steuermann
- Egon Wellesz
- Else Lasker-Schüler
- Erwartung
- Eugene Lehner
- Expressionism
- Expressionist
- Felix Galimir
- Ferruccio Busoni
- Flute
- Franz Marc
- Franz Schreker
- Franz Werfel
- Gabriele Münter
- George Gershwin
- George Tremblay
- German language
- German Romanticism
- Gertrude Schoenberg
- Ghetto
- Glenn Gould
- Gurre-Lieder
- Gustav Mahler
- H. Owen Reed
- Hanns Eisler
- Hans Eisler
- Hans Keller
- Harmony
- Heinrich Campendonk
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- Hexachord
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- Inversion (music)
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- Meter (music)
- Milton Babbitt
- Monarchist
- Moses und Aron
- Motif (music)
- Music theorist
- Natalia Goncharova
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- Skandalkonzert
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- Theodor Adorno
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- Triskaidekaphobia
- Verklärte Nacht
- Vienna, Austria
- Viola
- Von heute auf morgen
- Wagner
- Wassily Kandinsky
- Werner Reinhart
- Wikipedia Media help
- Wikipedia Persondata
- Wikiquote
- William Everdell
- Winfried Zillig
- Wozzeck
- WP IPA for German
- Zentralfriedhof
- Adolf Hitler
- Alban Berg
- Albert Bloch
- Albert Einstein
- Albert Giraud
- Alexander Scriabin
- Alexej von Jawlensky
- Anton Webern
- Arnold Schoenberg
- Artur Schnabel
- August Macke
- Austria
- Carl Dahlhaus
- Charles Rosen
- Claude Debussy
- Dane Rudhyar
- David Burliuk
- Dika Newlin
- Earl Kim
- Eduard Steuermann
- Egon Wellesz
- Eugene Lehner
- Felix Galimir
- Ferruccio Busoni
- Franz Marc
- Franz Schreker
- Franz Werfel
- Gabriele Münter
- George Gershwin
- George Tremblay
- Glenn Gould
- Gustav Mahler
- Hanns Eisler
- Hans Keller
- Heinrich Campendonk
- Herwarth Walden
- Humphrey Searle
- Igor Stravinsky
- James Huneker
- John Cage
- Josef Rufer
- Leon Kirchner
- Leonard Rosenman
- Lou Harrison
- Louis Krasner
- Luigi Nono
- Lyonel Feininger
- Martin Eybl
- Maurice Ravel
- Max Reger
- Milton Babbitt
- Natalia Goncharova
- Nikos Skalkottas
- Norman Lebrecht
- Paul Klee
- Pierre Boulez
- René Leibowitz
- Richard Gerstl
- Richard Strauss
- Robert Fuchs
- Roberto Gerhard
- Rudolf Kolisch
- Rudolf Serkin
- Stanley Sadie
- Stefan George
- Ton de Leeuw
- Wassily Kandinsky
- Werner Reinhart
- Wikipedia Persondata
- William Everdell
- Winfried Zillig
Chor, Arnold Schoenberg Filmography
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2013, role: actor , character name: Chor
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2009, role: actor , character name: Chorus
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2008, role: actor , character name: Chorus
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2003, role: actor , character name: Chor
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2001, role: actor , character name: Chouer
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1992, role: actor , character name: Chorus
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1990, role: actor , character name: Chorus
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1979, role: actor , character name: Chor
Arnold Schönberg
ALBUMS
- Schubert: String Quintet / Schoenberg: Verklärte nacht released: 2012
- The Complete String Quartets, Volume 2: The Original 1951-1952 Columbia Masterworks Recordings released: 2011
- The Complete String Quartets, Vol. 1 - The Original 1951-1952 Columbia Masterworks Recordings released: 2011
- Chamber Symphony No. 1, Op. 9 Suite, Op. 29 released: 2011
- The Secret Live Tapes released: 2010
- String Quartets Sibelius / Schönberg released: 2010
- String Quartets released: 2010
- String Quartets Nos. 3 and 4 / Phantasy for Violin with Piano Accompaniment (Fred Sherry String Quartet feat. Rolf Schulte, Violin; Christopher Oldfather, Piano) released: 2010
- Chamber Works released: 2009
- String Quartets released: 2009
- Arnold Schönberg: Das Klavierwerk (piano: Peter Serkin) released: 2009
- Gurrelieder released: 2009
- Berg / Schoenberg / Webern released: 2008
- Verklärte Nacht / Erwartung / Five Orchestral Pieces / Chamber Symphonies Nro. 1 & 2 released: 2008
- Violin Concertos released: 2008
- Schoenberg: Herzgewächse / Pierrot Lunaire / 4 Lieder / Kammersymphonie No. 1 (Philharmonia Orchestra of London feat. conductor: Robert Craft) released: 2007
- Early and Unknown String Works released: 2006
- Verklärte Nacht / Pelleas und Melisande (English Chamber Orchestra feat. conductor: Daniel Barenboim / New Philharmonia Orchestra feat. cunductor: Sir John Barbirolli) (disc 1) released: 2006
- The Music of Arnold Schönberg released: 2006
- Five Pieces for Orchestra / Cello Concerto / Piano Quartet (London Symphony Orchestra, Philharmonia Orchestra feat. conductor: Robert Craft) released: 2006
- Serenade / Variations, Op. 31 / Bach Orchestrations released: 2006
- Accentus - Ensemble Intercontemporain - Laurence Equilbey - Jonathan Nott released: 2005
- Schoenberg / Webern released: 2005
- Gurre-Lieder (Philharmonia Orchestra feat. conductor: Robert Craft) released: 2005
- Concerto for String Quartet / Lied der Waldtaube / The Book of the Hanging Gardens released: 2004
- Gurrelieder / Chamber Symphony No. 1 / Verklärte Nacht released: 2003
- Orchesterwerke (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle) released: 2003
- Gurrelieder released: 2002
- BBC Music, Volume 10, Number 6: Berg: Violin Concerto / Schoenberg: Verklärte Nacht (BBC Symphony Orchestra) released: 2002
- Arnold Schoenberg (25th Anniversary Edition) (Schoenberg Quartet) released: 2001
- Diedrich Diederichsen trifft: Arnold Schönberg released: 2001
- Schoenberg: Piano Concerto / Piano Pieces, Opp. 11 & 19 / Berg: Piano Sonata released: 2001
- Verklärte Nacht / Chamber Symphony No. 2 / Accompaniment to a Cinematographic Scene released: 2000
- Verklärte Nacht - Pelléas et Mélisande (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli) released: 2000
- Streichquartette I-IV (Arditti String Quartet) released: 2000
- Fünf Orchesterstücke op. 16 / Konzert für Violoncello und Orchester D-Dur / Moderner Psalm / Variationen für Orchester op. 31 released: 1999
- Klavierstucke released: 1999
- Piano Music released: 1999
- Pierrot Lunaire / Erwartung released: 1999
- String Quartets no. 2 & no. 4 released: 1999
- Schoenberg: Klavierkonzert, Violinkonzert / Berg: Violinkonzert (Symphonie-Orchester des Bayerischen Rundfunks feat. conductor: Rafael Kubelik) released: 1999
- Pelléas et Mélisande released: 1998
- Pelleas Und Melisande Op. 5, Variations Op. 31 released: 1998
- Sämtliche Werke für Klavier zu Zwei Händen released: 1997
- Schoenberg in Hollywood (Entartete Musik: music suppressed by the third reich) released: 1997
- Transfiguration released: 1996
- Gurrelieder released: 1996
- The Early Tonal Years (1894-1907) released: 1996
- Gurrelieder released: 1995
- The Glenn Gould Edition: Schönberg: Lieder released: 1995
- Choral Works (Südfunk-Chor Stuttgart feat. conductor: Rupert Huber) released: 1995
- Five Orchestra Pieces / Survivor from Warsaw (London Symphony Orchestra feat. conductor: Robert Craft, narrator: Simon Callow) released: 1995
- Moses und Aron (Rundfunk-Sinfonie-Orchester Leipzig, Rundfunkchor Leipzig feat. conductor Herbert Kegel) released: 1994
- Maderna Edition, Volume 10: Arnold Schönberg: Pelleas und Melisande / Verklärte Nacht / Kammersinfonie No. 2 / Konzert für Violine und Orchester / Variationen für Orchester (feat. conductor: Bruno Maderna) released: 1994
- Moses und Aron / Kammersymphonie Nr. 2 (BBC Symphony Orchestra, feat. conductor: Pierre Boulez, singers Reich, Cassilly, Palmer, Knight) released: 1993
- Erwartung; Brettl-Lieder (Metropolitan Opera Orchestra feat. soprano Jessye Norman) released: 1993
- Pierrot Lunaire released: 1993
- Suite / Verklärte Nacht / 3 Pieces (Members of the Ensemble InterContemperain feat. conductor: Pierre Boulez) released: 1993
- Glückliche Hand / Variations / Verklärte Nacht (Pierre Boulez) released: 1993
- Die Jakobsleiter, Kammersymphonie No. 1 (BBC Singers, BBC Symphony Orchestra, Ensemble InterContemporain feat. conductor: Pierre Boulez) released: 1993
- Verklärte Nacht, Op. 4 / Trio, Op. 45 released: 1993
- String Quartets Nos. 1-4 (Kolisch Quartet) released: 1992
- Ensemble Kaléidocollage : Pierrot Lunaire / La Vie en rouge released: 1991
- Schoenberg: Pierrot Lunaire / Webern: Concerto, op. 24 released: 1991
- Mahler: Symphony no. 10 / Schoenberg: Verklarte Nacht released: 1990
- Lieder released: 1990
- Pelléas et Mélisande released: 1990
- Kammersymphonie Op. 9 / Suite Op. 29 / Kaiserwalzer (Wiener Concert-Verein feat. conductor: Martin Sieghart) released: 1990
- Das Chorwerk (BBC Chorus, BBC Symphonia Orchestra feat. conductor: Pierre Boulez) released: 1990
- Gurrelieder released: 1990
- Schönberg: Piano music (Glenn Gould) released: 1989
- La Nuit Transfigurée released: 1989
- The Piano Music released: 1988
- Piano Music released: 1988
- Orchesterstücke released: 1987
- Zemlinsky, Trio Op. 3 / Schönberg, Verklärte Nacht Op. 4 (Clementi-Trio Köln) released: 1987
- Violin Concerto / Piano Concerto released: 1986
- Verklärte Nacht (Schönberg Ensemble) released: 1986
- Verklärte Nacht / Variationen für Orchester (Berliner Philharmoniker feat. conductor: Herbert von Karajan) released: 1985
- Verklärte nacht / Streichtrio (LaSalle Quartet feat. viola: Donald McInnes, cello: Jonathan Pegis) released: 1984
- Berg: Wozzeck / Schoenberg: Erwartung released: 1981
- 15 Poems from Das Buch der hängenden Gärten / Eight Songs, op. 6 released: 1979
- Pélleas et Mélisande released: 1974
- Moses und Aron (Chor und Sinfonieorchester des Österreichischen Rundfunks, feat. conductor: Michael Gielen, singers: Reich, Devos, Csapo, Obrowsky) released: 1974
- Schönberg: Pierrot Lunaire Op. 21 / Webern: Zwei Lieder Op. 8, Fünf Canons Op. 16 / Boulez: Improvisation sur Mallarmé I+II released: 1971
- Wagner: Siegfried-Idyll in E, WWV103 / Schoenberg: Verklarte Nacht, Op. 4 / Strauss: Metamorphosen released:
- Произведения для органа released:
- BBC Legends: Arrau released:
- Pierrot Lunaire / Melodrama, Op. 21 released:
- Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2 released:
- Berg: Kammerkonzert / Schoenberg: Kammersymphonie released:
- Arnold Schoenberg - Verklaerte Nacht, Piano & Orchestral Pieces Opp.11, 16, 19; Busoni (Arr.) Op.11 released:
- Pierrot Lunaire (Ensemble Modern feat. conductor: Peter Eötvös) released:
- Pierrot Lunaire Op.21, Herzgewächse Op.20, Ode to Napoleon Bounaparte Op. 41 (Ensemble Intercontemporain feat. conductor: Pierre Boulez, soprano: Christine Schäfer) released:
- Neue Wiener Schule (Kammerorchester der jungen deutschen Philharmonie feat. conductor: Peter Gülke, soprano: Eva Csapó) released:
- Gurrelieder / Suite for String Orchestra (János Ferencsik, Norman Del Mar) released:
- Piano Concerto, The Chamber Symphonies (SWF Sinfonieorchester Baden-Baden feat. conductor Michael Gielen, piano Alfred Brendel) released:
- Gurrelieder released:
- Strauss: Don Quixote / Schoenberg: Concerto released:
- Berg, Schönberg, Hindemith released:
Schubert: String Quintet / Schoenberg: Verklärte nacht
Released 2012- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: I. Sehr langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: II. Etwas bewegter
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: III. Schwer betont
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: IV. Sehr breit und langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: V. Sehr ruhig
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: I. Allegro ma non troppo
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: II. Adagio
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: III. Scherzo: Presto — Trio: Andante sostenuto
- add to main playlist Play in Full Screen String Quintet in C major, D. 956: IV. Allegretto
The Complete String Quartets, Volume 2: The Original 1951-1952 Columbia Masterworks Recordings
Released 2011- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: III. Intermezzo (Allegro moderato)
- add to main playlist Play in Full Screen String Quartet no. 3, op. 30: IV. Rondo (Molto moderato)
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: I. Allegro molto, energico
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: II. Comodo
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: III. Largo
- add to main playlist Play in Full Screen String Quartet no. 4, op. 37: IV. Allegro
The Complete String Quartets, Vol. 1 - The Original 1951-1952 Columbia Masterworks Recordings
Released 2011- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: II. Kräftig (nicht zu rasch)
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: III. Mäßig (langsame viertel)
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: IV. Mäßig (heiter)
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: I. Mäßig (moderate)
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: III. Litanei, langsam
- add to main playlist Play in Full Screen String Quartet no. 2 in F-sharp minor, op. 10: IV. Entrückung, sehr langsam
Chamber Symphony No. 1, Op. 9 Suite, Op. 29
Released 2011- add to main playlist Play in Full Screen I. Ouverture
- add to main playlist Play in Full Screen II. Tanzschritte
- add to main playlist Play in Full Screen III. Thema mit Variationen
- add to main playlist Play in Full Screen IV. Gigue
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9
The Secret Live Tapes
Released 2010- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 1 in D minor, BWV 1052: I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 1 in D minor, BWV 1052: II. Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 1 in D minor, BWV 1052: III. Allegro
- add to main playlist Play in Full Screen Applause
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco moto-attacca
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra op. 42
String Quartets Sibelius / Schönberg
Released 2010- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": I. Andante — Allegro molto moderato
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": II. Vivace
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": III. Adagio di molto
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": IV. Allegretto (ma pesante)
- add to main playlist Play in Full Screen String Quartet in D minor, op. 56 "Voces Intimae": V. Allegro
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: II. Viel langsamer
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: III. Kräftig (nicht zu rasch)
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: IV. Mäßig; langsame Viertel
String Quartets
Released 2010- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": I. Andante - Allegro Molto Moderato
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": II. Vivace
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": III. Adagio Di Molto
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": IV. Allegro Ma Pesante
- add to main playlist Play in Full Screen String Quartet In D minor, op. 56 "Voces Intimae": V. Allegro
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: I. Kopfsatz - Nicht Zu Rasch
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: II. Scherzo Mit Trio - Kräftig
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: III. Adagio - Mäßig
- add to main playlist Play in Full Screen String Quartet no. 1 in D minor, op. 7: IV. Rondo - Finale - Mäßig Heiter
String Quartets Nos. 3 and 4 / Phantasy for Violin with Piano Accompaniment (Fred Sherry String Quartet feat. Rolf Schulte, Violin; Christopher Oldfather, Piano)
Released 2010- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: III. Intermezzo
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: IV. Rondo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: I. Allegro molto; Energico
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: II. Comodo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: III. Largo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: IV. Allegro
- add to main playlist Play in Full Screen Phantasy for Violin with Piano Accompaniment, Op. 47
Chamber Works
Released 2009- add to main playlist Play in Full Screen Sonata for Flute and Piano: I. Allegro moderato
- add to main playlist Play in Full Screen Sonata for Flute and Piano: II. Scherzo. Allegro giocoso
- add to main playlist Play in Full Screen Sonata for Flute and Piano: III. Aria. Andante
- add to main playlist Play in Full Screen Sonata for Flute and Piano: IV. Rondo-Finale. Allegro molto gajo
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: I. Andante con moto – Subito più mosso – Tempo I
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: II. Furiant. Allegro furioso – Pesante
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: III. Andante – Più mosso – Tempo I
- add to main playlist Play in Full Screen Concertino for Flute, Viola and Double-bass: IV. Rondino. Allegro gaio
- add to main playlist Play in Full Screen Sonata: I. Schwungvoll
- add to main playlist Play in Full Screen Sonata: II. Anmutig und heiter; scherzando
- add to main playlist Play in Full Screen Sonata: III. Etwas langsam
- add to main playlist Play in Full Screen Sonata: IV. Rondo
String Quartets
Released 2009- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: II. Kräftig
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: III. Mäßig
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: IV. Mäßig – Heiter
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: I. Mäßig (Moderato)
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: II. Sehr rash
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: III. Litanei. Langsam
- add to main playlist Play in Full Screen String Quartet No. 2 in F Sharp Minor, Op. 10: IV. Entrückung. Sehr Langsam
Arnold Schönberg: Das Klavierwerk (piano: Peter Serkin)
Released 2009- add to main playlist Play in Full Screen Drei Klavierstücke, Op 11: I. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op 11: II. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op 11: III. Bewegt
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Klavierstücke, Op. 33 a & b: I. Mäßig
- add to main playlist Play in Full Screen Klavierstücke, Op. 33 a & b: II. Mäßig langsam
- add to main playlist Play in Full Screen Suite, Op. 25: I. Präludium
- add to main playlist Play in Full Screen Suite, Op. 25: II. Gavotte - III. Musette
- add to main playlist Play in Full Screen Suite, Op. 25: IV. Intermezzo
- add to main playlist Play in Full Screen Suite, Op. 25: V. Menuett. Trio
- add to main playlist Play in Full Screen Suite, Op. 25: VI. Gigue
Gurrelieder
Released 2009- add to main playlist Play in Full Screen Gurrelieder: Orchestral Prelude
- add to main playlist Play in Full Screen Gurrelieder: Nun dämpf die Dämmerung jeden Ton
- add to main playlist Play in Full Screen Gurrelieder: O, wenn des Mondes Strahlen leise gleiten
- add to main playlist Play in Full Screen Gurrelieder: Ross! Mein Ross! Was schleichst du so träg
- add to main playlist Play in Full Screen Gurrelieder: Stern jubeln, das Meer es leuchtet
- add to main playlist Play in Full Screen Gurrelieder: So tanzen die Engel vor Gottes Thron nicht
- add to main playlist Play in Full Screen Gurrelieder: Nun sag'ich dir zum ersten Mal
- add to main playlist Play in Full Screen Gurrelieder: Es ist Mitternachts Zeit
- add to main playlist Play in Full Screen Gurrelieder: Du sendest mir einen Liebesblick
- add to main playlist Play in Full Screen Gurrelieder: Du wunderliche Tove!
- add to main playlist Play in Full Screen Gurrelieder: Orchestral Prelude
- add to main playlist Play in Full Screen Gurrelieder: Tauben von Gurre! Sorge quält mich
Berg / Schoenberg / Webern
Released 2008- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Natur (Heinrich Hart)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Das Wappenschild (Des Knaben Wunderhorn)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Sehnschucht (Des Knaben Wunderhorn)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Nie Ward Ich, Herrin, Müd (Francesco Petrarca)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Voll Jener Süße (Francesco Petrarca)
- add to main playlist Play in Full Screen Six Orchestral Songs, Op. 8: Wenn Vöglen Klagen (Francesco Petrarca)
- add to main playlist Play in Full Screen Begleitungsmusik Zu Einer Lichtspielszene, Op. 34
- add to main playlist Play in Full Screen A Survivor From Warsaw, Op. 46
- add to main playlist Play in Full Screen Chamber Symphony No. 1 in E major, Op. 9
Verklärte Nacht / Erwartung / Five Orchestral Pieces / Chamber Symphonies Nro. 1 & 2
Released 2008- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: I. Langsam, Sehr rasch
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: II. Feurig, Hauptzeitmaß, ruhiger, Sehr rasch -
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: III. Viel langsamer, fließender, schwungvoll,Hauptzeitmaß
- add to main playlist Play in Full Screen Chamber Symphony No.1, Op.9: IV. Etwas ruhiger, steigernd, Hauptzeitmaß
- add to main playlist Play in Full Screen Chamber Symphony No.2, Op.38: I. Adagio
- add to main playlist Play in Full Screen Chamber Symphony No.2, Op.38: II. Con fuoco, Molto adagio
Violin Concertos
Released 2008- add to main playlist Play in Full Screen Concerto for violin and orchestra, op. 36: I. Poco allegro
- add to main playlist Play in Full Screen Concerto for violin and orchestra, op. 36: II. Andante grazioso
- add to main playlist Play in Full Screen Concerto for violin and orchestra, op. 36: III. Finale. Allegro
- add to main playlist Play in Full Screen Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato
- add to main playlist Play in Full Screen Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto
- add to main playlist Play in Full Screen Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto
Schoenberg: Herzgewächse / Pierrot Lunaire / 4 Lieder / Kammersymphonie No. 1 (Philharmonia Orchestra of London feat. conductor: Robert Craft)
Released 2007- add to main playlist Play in Full Screen Herzgewächse, Op. 20 (feat. soprano: Eileen Hulse, harp: Sioned Williams, celesta: Tim Carey, harmonium: John Alley)
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, I. Mondestrunken
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, II. Columbine
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, III. Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, IV. Eine Blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, V. Valse De Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, VI. Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part I, VII. Der Kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, VIII. Nacht (Passacaglia)
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, IX. Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, X. Raub
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XI. Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XII. Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XIII. Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part II, XIV. Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XV. Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XVI. Gemeinheit!
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XVII. Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XVIII. Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XIX. Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XX. Heimfahrt (Barcarolle)
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21 (feat. soprano: Anja Silja): Part III, XXI. O Alter Duft
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): I. Seraphita
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): II. Alle, Welche Dich Suchen
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): III. Mach Mich Zum Wächter Deiner Weiten
- add to main playlist Play in Full Screen 4 Lieder, Op. 22 (feat. mezzo-soprano: Catherine Wyn-Rogers): VI. Vorgefühle
- add to main playlist Play in Full Screen Kammersymphonie No. 1 E-dur, Op. 9
Early and Unknown String Works
Released 2006- add to main playlist Play in Full Screen Sunshine Polka U10
- add to main playlist Play in Full Screen "Alliance" Waltz U10
- add to main playlist Play in Full Screen Song Without Words in Bb major U10
- add to main playlist Play in Full Screen Idyllic Song Without Words in C major U10
- add to main playlist Play in Full Screen Song Without Words in A minor U10
- add to main playlist Play in Full Screen Birthday March [1 part] U10
- add to main playlist Play in Full Screen Romance in D minor [2 parts] U10
- add to main playlist Play in Full Screen String Quartet in F major [fragment] U119
- add to main playlist Play in Full Screen Gavotte and Musette [original version] U193
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: I. Kräftig U566
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: II. Nicht zu rasch U567
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: III. Etwas langsam U568
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: IV. Etwas rasch U569
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: V. Rasch U571
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: VI. U573
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: VII. Kräftig U582
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: VIII. Getragen U584
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: IX. Lebhaft U586
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: X. Nicht rasch U575
- add to main playlist Play in Full Screen 11 Waltzes for String Orchestra: XI. Allegro rasch [fragment] U578
- add to main playlist Play in Full Screen Toter Winkel [fragment] U167
- add to main playlist Play in Full Screen String Quartet in D minor: Nicht rasch [fragment] U121
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam sketch 1 [fragment] U129
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam sketch 2 [fragment] U129
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam sketch 3 [fragment] U130
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam double fugue 1 [fragment] U121
- add to main playlist Play in Full Screen String Quartet in D minor: Langsam double fugue 2 [fragment] U125
- add to main playlist Play in Full Screen String Quartet in C major [fragment] U142
- add to main playlist Play in Full Screen String Quintet in D major [fragment] Sk45
- add to main playlist Play in Full Screen String Septet [fragment] U175
- add to main playlist Play in Full Screen String Quartet Movement [fragment] U133
- add to main playlist Play in Full Screen String Quartet 1926: beginning 1 [fragment] U137
- add to main playlist Play in Full Screen String Quartet 1926: beginning 2 [fragment] U137
- add to main playlist Play in Full Screen String Quartet 1926: beginning 3 [fragment] U138
- add to main playlist Play in Full Screen String Quartet 1926: theme [fragment] U137
- add to main playlist Play in Full Screen String Quartet 1926: violin|cello theme [fragment] U139
- add to main playlist Play in Full Screen String Quartet 1926: violin theme [fragment] U141
- add to main playlist Play in Full Screen Untitled in D major [fragment] U549
- add to main playlist Play in Full Screen String Quartet in C major [fragment] U107
- add to main playlist Play in Full Screen Mirror Canon in A major XXXIII
- add to main playlist Play in Full Screen Fugue [fragment] Ms95
- add to main playlist Play in Full Screen String Quartet No. 5: I. [fragment] U143
- add to main playlist Play in Full Screen String Quartet No. 5: II. [fragment] U144
- add to main playlist Play in Full Screen String Quartet No. 5: III. [fragment] U145
- add to main playlist Play in Full Screen String Quartet No. 5: IV. [fragment] U147
Verklärte Nacht / Pelleas und Melisande (English Chamber Orchestra feat. conductor: Daniel Barenboim / New Philharmonia Orchestra feat. cunductor: Sir John Barbirolli) (disc 1)
Released 2006- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Langsam - Sehr rasch
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Feurig - Hauptzeitmaß - ruhiger - sehr rasch
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Viel langsamer - fließender - schwungvoll - Hautzeitmaß
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9: Etwas ruhiger - steigernd - Hauptzeitmaß
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: I. Allegro
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: II. Intermezzo. Allegro ma non troppo
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: III. Andante con moto
- add to main playlist Play in Full Screen Piano Quartet No. 1 in G minor, Op. 25: IV. Rondo alla zingarese. Presto
The Music of Arnold Schönberg
Released 2006- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: I. Allegro
- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: II. Intermezzo. Allegro, ma non tanto
- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: III. Andante con moto
- add to main playlist Play in Full Screen Piano Quartet in G Minor, Op. 25: IV. Presto. Rondo alla Zingarese
- add to main playlist Play in Full Screen Prelude and Fugue in E-flat Major, BWV 552 "St. Anne": I. Prelude
- add to main playlist Play in Full Screen Prelude and Fugue in E-flat Major, BWV 552 "St. Anne": II. Fugue
- add to main playlist Play in Full Screen Schmücke dich, O liebe Seele, BWV 654
- add to main playlist Play in Full Screen Komm, Gott, Schöpfer, Heilge Geist, BWV 631
- add to main playlist Play in Full Screen German Dances, D820
Five Pieces for Orchestra / Cello Concerto / Piano Quartet (London Symphony Orchestra, Philharmonia Orchestra feat. conductor: Robert Craft)
Released 2006- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: I. Premonitions
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: II. The Past
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: III. Chord-Colours
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: IV. Peripeteia
- add to main playlist Play in Full Screen Five Pieces for Orchestra, Op. 16: V. The Obbligato Recitative
- add to main playlist Play in Full Screen Cello Concerto: I. Allegro moderato
- add to main playlist Play in Full Screen Cello Concerto: II. Andante, alla marcia
- add to main playlist Play in Full Screen Cello Concerto: III. Tempo di minuetto
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): I. Allegro
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): II. Intermezzo: Allegro ma non troppo
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): III. Andante con moto
- add to main playlist Play in Full Screen Piano Quartet in G minor, Op. 25 (arr. Schoenberg): IV. Rondo alla zingarese: Presto
Serenade / Variations, Op. 31 / Bach Orchestrations
Released 2006- add to main playlist Play in Full Screen Serenade, op. 24: I. March
- add to main playlist Play in Full Screen Serenade, op. 24: II. Menuet
- add to main playlist Play in Full Screen Serenade, op. 24: III. Variations
- add to main playlist Play in Full Screen Serenade, op. 24: IV. Sonnet by Petrarch
- add to main playlist Play in Full Screen Serenade, op. 24: V. Dance Steps
- add to main playlist Play in Full Screen Serenade, op. 24: VI. Song Without Words
- add to main playlist Play in Full Screen Serenade, op. 24: VII. Finale
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: I. Introduction
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: II. Theme
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: III. Variation I
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: IV. Variation II
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: V. Variation III
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: VI. Variation IV
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: VII. Variation V
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: VIII. Variation VI
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: IX. Variation VII
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: X. Variation VIII
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: XI. Variation IX
- add to main playlist Play in Full Screen Variations for Orchestra, op. 31: XII. Finale
- add to main playlist Play in Full Screen Bach Orchestrations: I. Fuga (St. Anne)
- add to main playlist Play in Full Screen Bach Orchestrations: II. Schmücke Dich, O liebe Seele
- add to main playlist Play in Full Screen Bach Orchestrations: III. Komm, Gott Schöpfer, heiliger Geist
Accentus - Ensemble Intercontemporain - Laurence Equilbey - Jonathan Nott
Released 2005- add to main playlist Play in Full Screen Friede Auf Erden, opus 13
- add to main playlist Play in Full Screen Farben, opus 16 #3
- add to main playlist Play in Full Screen Drei Volksliedsätze : Schein Uns, Du Liebe Sonne
- add to main playlist Play in Full Screen Drei Volksliedsätze : Es Gingen Zwei Gespielen Gut
- add to main playlist Play in Full Screen Drei Volksliedsätze : Herzlieblich Lieb, Durch Scheiden
- add to main playlist Play in Full Screen Friede Auf Erden, opus 13
- add to main playlist Play in Full Screen Kammersymphonie Für 15 Solo-instrumente, opus 9
- add to main playlist Play in Full Screen Verbundenheit, opus 35 #6
- add to main playlist Play in Full Screen Dreimal Tausend Jahre, opus 50a
- add to main playlist Play in Full Screen De Profundis, opus 50b
Schoenberg / Webern
Released 2005- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: I. Sehr langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: II. Breiter
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: III. Schwer betont
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: IV. Sehr breit und langsam
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: V. Sehr ruhig
- add to main playlist Play in Full Screen Two Pieces for Cello and Piano: I. Langsam
- add to main playlist Play in Full Screen Two Pieces for Cello and Piano: II. Langsam
- add to main playlist Play in Full Screen Cello Sonata
- add to main playlist Play in Full Screen Three Little Pieces for Cello and Piano, op. 11: I. Mäßige ♪
- add to main playlist Play in Full Screen Three Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt
- add to main playlist Play in Full Screen Three Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig
- add to main playlist Play in Full Screen Sonata Movement (Rondo) for Piano
- add to main playlist Play in Full Screen Movement for Piano
- add to main playlist Play in Full Screen Variations for Piano, op. 27: I. Sehr mäßig
- add to main playlist Play in Full Screen Variations for Piano, op. 27: II. Sehr schnell
- add to main playlist Play in Full Screen Variations for Piano, op. 27: III. Ruhig fließend
- add to main playlist Play in Full Screen Piano Piece, op. posth.
- add to main playlist Play in Full Screen Children's Piece for Piano
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: I. Sehr langsam
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: II. Rasch
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: III. Sehr langsam
- add to main playlist Play in Full Screen Four Pieces for Violin and Piano, op. 7: IV. Bewegt
- add to main playlist Play in Full Screen Sonnet no. 217 by Petrarch
Gurre-Lieder (Philharmonia Orchestra feat. conductor: Robert Craft)
Released 2005- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Orchestral prelude
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Nun dämpft die Dämmrung jeden Ton"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "O, wenn des Mondes Strahlen leise gleiten"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Ross! Mein Ross! Was schleichst du so träg!"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "Sterne jubeln, das Meer, es leuchtet"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "So tanzen die Engel vor Gottes Thron nicht"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "Nun sag' ich dir zum ersten Mal"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Es ist Mitternachtzeit"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Tove: "Du sendest mir einem Liebesblick"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Waldemar: "Du wunderliche Tove!"
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Orchestral interlude
- add to main playlist Play in Full Screen Gurre-Lieder: Part I: Voice of the Wood Dove: "Tauben von Gurre! Sorge quält mich"
Concerto for String Quartet / Lied der Waldtaube / The Book of the Hanging Gardens
Released 2004- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: I. Largo - Allegro
- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: II. Largo
- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: III. Allegretto grazioso
- add to main playlist Play in Full Screen Concerto for String Quartet and Orchestra in B-flat: IV. Hornpipe
- add to main playlist Play in Full Screen Suite for Piano, op. 25: I. Präludium
- add to main playlist Play in Full Screen Suite for Piano, op. 25: II. Gavotte - Musette - Gavotte
- add to main playlist Play in Full Screen Suite for Piano, op. 25: III. Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, op. 25: IV. Menuett - Trio - Menuett da capo
- add to main playlist Play in Full Screen Suite for Piano, op. 25: V. Gigue
- add to main playlist Play in Full Screen Lied der Waldtaube from Gurre-Lieder
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: I
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: II
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: III
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: IV
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: V
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: VI
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: VII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: VIII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: IX
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: X
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XI
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XIII
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XIV
- add to main playlist Play in Full Screen The Book of Hanging Gardens, op. 15: XV
- add to main playlist Play in Full Screen A conversation with Arnold Schoenberg
Gurrelieder / Chamber Symphony No. 1 / Verklärte Nacht
Released 2003- add to main playlist Play in Full Screen Chamber Symphony no. 1 in E major, op. 9
- add to main playlist Play in Full Screen Gurrelieder: Part I. Vorspiel (Orchester)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Nun dämpft die Dämm'rung (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. O, wenn des Mondes Strahlen (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Roß! Mein Roß! (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Sterne jubeln (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. So tanzen die Engel vor Gottes Thron nicht (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Nun sag ich dir zum ersten Mal (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Es ist Mittenachtszeit (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Du sendest mir einen Liebesblick (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Du wunderliche Tove! (Waldesmar)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Zwischenspiel (Orchester)
- add to main playlist Play in Full Screen Gurrelieder: Part I. Tauben von Gurre! (Stimme der Waldtaube)
Orchesterwerke (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle)
Released 2003- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, I. Vorgefühle, sehr rasch
- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, II. Vergangenes, mässige Viertel
- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, III. Farben, mäßige Viertel
- add to main playlist Play in Full Screen 5 Orchesterstücke op.16, IV. Peripetie, sehr rasch
- add to main playlist Play in Full Screen 5 Orchesterstücke op. 16, V. Das obligate Rezitativ, bewegte Achtel
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, I. Langsam
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, II. Bewegt
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, III. Mäßig
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, IV. Sehr mäßig
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, V. Sehr langsam
- add to main playlist Play in Full Screen 6 Orchesterstücke op. 6, VI. Langsam
- add to main playlist Play in Full Screen Lulu-Suite: I. Rondo, Andante und Hymne
- add to main playlist Play in Full Screen Lulu-Suite: II. Ostinato, Allegro
- add to main playlist Play in Full Screen Lulu-Suite: III. Lied der Lulu, Comodo
- add to main playlist Play in Full Screen Lulu-Suite: IV. Variationen, Moderato
- add to main playlist Play in Full Screen Lulu-Suite: V. Adagio
Gurrelieder
Released 2002- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. Orchestervorspiel
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Nun dämpft die Daemm'rung" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "O, wenn des Mondes Strahlen" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Ross! Mein Ross!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Sterne jubeln" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Nun sag ich dir zum ersten Mal" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Es ist Mitternachtszeit" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Du sendest mir einen Liebesblick" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Du wunderlische Tove!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. Orchesterzwischenspiel
- add to main playlist Play in Full Screen Gurrelieder: Erster Teil. "Tauben von Gurre!" (Waldtaube)
BBC Music, Volume 10, Number 6: Berg: Violin Concerto / Schoenberg: Verklärte Nacht (BBC Symphony Orchestra)
Released 2002- add to main playlist Play in Full Screen Violin Concerto: I. Andante - Allegretto (feat. conductor: Andrew Davis, violin: Leonidas Kavakos)
- add to main playlist Play in Full Screen Violin Concerto: II. Allegro - Adagio - (Coda) (feat. conductor: Andrew Davis, violin: Leonidas Kavakos)
- add to main playlist Play in Full Screen Verklärte Nacht: I. Grave (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: II. A tempo (Grave) (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: III. Molto rallentando (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: IV. Grave (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: V. Adagio (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: VI. (Adagio) (feat. conductor: Donald Runnicles)
- add to main playlist Play in Full Screen Verklärte Nacht: VII. Adagio (feat. conductor: Donald Runnicles)
Arnold Schoenberg (25th Anniversary Edition) (Schoenberg Quartet)
Released 2001- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Nicht zu rasch -
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Kräftig (nicht zu rasch) -
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Mäßig, langsame Viertel -
- add to main playlist Play in Full Screen String Quartet No. 1 in D minor, Op. 7: Mäßig, heiter
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: III. Intermezzo. Allegro moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: IV. Rondo. Molto moderato
Diedrich Diederichsen trifft: Arnold Schönberg
Released 2001- add to main playlist Play in Full Screen Pierrot Lunaire: III. Der Dandy
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: III. Bewegt
- add to main playlist Play in Full Screen Pierrot Lunaire: XIII. Enthauptung
- add to main playlist Play in Full Screen Variationen für Orchester, op. 31
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: II. Mäßig
- add to main playlist Play in Full Screen Pierrot Lunaire: XVI. Gemeinheit!
- add to main playlist Play in Full Screen Pierrot Lunaire: XVII. Parodie
- add to main playlist Play in Full Screen II. Streichquartett, fis-moll, op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen III. Streichquartett, op. 30: I. Moderato
- add to main playlist Play in Full Screen III. Streichquartett, op. 30: IV. Rondo. Molto moderato
- add to main playlist Play in Full Screen Herzgewächse, op. 20
Schoenberg: Piano Concerto / Piano Pieces, Opp. 11 & 19 / Berg: Piano Sonata
Released 2001- add to main playlist Play in Full Screen Piano Concerto, Op. 42: I. Andante
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: II. Molto allegro
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: III. Adagio
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: IV. Giocoso
- add to main playlist Play in Full Screen Variations, Op. 27: I. Sehr mäßige
- add to main playlist Play in Full Screen Variations, Op. 27: II. Sehr schnell
- add to main playlist Play in Full Screen Variations, Op. 27: III. Ruhig fließend
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: II. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: I. Leicht, Zart
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs Kleine Klavierstücke, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Piano Sonata, Op. 1
Verklärte Nacht / Chamber Symphony No. 2 / Accompaniment to a Cinematographic Scene
Released 2000- add to main playlist Play in Full Screen Chamber Symphony No.2 Op. 38: I. Addagio
- add to main playlist Play in Full Screen Chamber Symphony No.2 Op. 38: II. Con fuoco, lento
- add to main playlist Play in Full Screen Accompaniment to a Cinematographic Scene, Op. 34
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: I. Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: II. Poco adagio
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: III. Adagio
- add to main playlist Play in Full Screen Verklärte Nacht, Op.4, arr. for string orchestra: IV. Adagio (molto tranquillo)
Verklärte Nacht - Pelléas et Mélisande (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli)
Released 2000- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Die Viertel ein wenig bewegt - zögernd
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Heftig
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Lebhaft
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Sehr rasch
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Ein wenig bewegt
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Langsam
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Ein wenig bewegter
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Sehr langsam
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Etwas bewegt
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: In gehender Bewegung
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 5: Breit
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Grave
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Molto rallentando
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Pesante
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Adagio
- add to main playlist Play in Full Screen Verklärte Nacht, op. 4: Adagio
Streichquartette I-IV (Arditti String Quartet)
Released 2000- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: I. Nicht zu rasch
- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: II. Kräftig
- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: III. Mäßig
- add to main playlist Play in Full Screen Quartett D Moll, Op. 7: IV. Mäßig
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: I. Mäßig
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: III. "Litanei" Langsam
- add to main playlist Play in Full Screen Streichquartett II Fis Moll, Op. 10: IV. "Entrückung" Sehr langsam
Fünf Orchesterstücke op. 16 / Konzert für Violoncello und Orchester D-Dur / Moderner Psalm / Variationen für Orchester op. 31
Released 1999- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: I. Vorgefühle
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: II. Vergangenes
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: III. Farben
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: IV. Peripetie
- add to main playlist Play in Full Screen Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ
- add to main playlist Play in Full Screen Konzert für Violoncello und Orchester D-Dur: I. Allegro moderato
- add to main playlist Play in Full Screen Konzert für Violoncello und Orchester D-Dur: II. Andante. Alla marcia
- add to main playlist Play in Full Screen Konzert für Violoncello und Orchester D-Dur: III. Tempo di Minuetto. Commodo
- add to main playlist Play in Full Screen Moderner Psalm für Sprecher, Chor und Orchester, op. 50c
- add to main playlist Play in Full Screen Variationen für Orchester, op. 31
Klavierstucke
Released 1999- add to main playlist Play in Full Screen Klavierstück Op 11 No.1: Mäßige Viertel
- add to main playlist Play in Full Screen Klavierstück es-Moll D 946 No.1: Allegro assai - Andante - Tempo I - Andantino - Tempo I
- add to main playlist Play in Full Screen Klavierstück Op 11 No.2: Sehr langsam
- add to main playlist Play in Full Screen Klavierstück D 946 No.2: Allegretto - L'istesso tempo
- add to main playlist Play in Full Screen Klavierstück D 946 No.3: Allegro
- add to main playlist Play in Full Screen Klavierstück Op 11 No.3: Bewegte Achtel
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.1: Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.2: Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.3: Sehr langsame Viertel
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.4: Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.5: Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstück Op 19 No.6: Sehr langsam
- add to main playlist Play in Full Screen Klavierstück Allegretto c-Moll D 915
Piano Music
Released 1999- add to main playlist Play in Full Screen Piano Sonata, op. 1
- add to main playlist Play in Full Screen 3 Piano Pieces, op. 11: I. Massig
- add to main playlist Play in Full Screen 3 Piano Pieces, op. 11: II. Massig
- add to main playlist Play in Full Screen 3 Piano Pieces, op. 11: III. Bewegt
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: II. Langsam
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen 6 Little Piano Pieces, op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: III. Langsam
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen 5 Piano Pieces, op. 23: V. Walzer
- add to main playlist Play in Full Screen Suite for Piano, op. 25: I. Praludium
- add to main playlist Play in Full Screen Suite for Piano, op. 25: II. Gavotte
- add to main playlist Play in Full Screen Suite for Piano, op. 25: III. Musette
- add to main playlist Play in Full Screen Suite for Piano, op. 25: IV. Gavotte
- add to main playlist Play in Full Screen Suite for Piano, op. 25: V. Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, op. 25: VI. Menuett
- add to main playlist Play in Full Screen Suite for Piano, op. 25: VII. Trio
- add to main playlist Play in Full Screen Suite for Piano, op. 25: VIII. Menuett
- add to main playlist Play in Full Screen Suite for Piano, op. 25: IX. Gigue
- add to main playlist Play in Full Screen Piano Piece, op. 33A
- add to main playlist Play in Full Screen Piano Piece, op. 33B
- add to main playlist Play in Full Screen Variations, op. 27: I. Sehr massig
- add to main playlist Play in Full Screen Variations, op. 27: II. Sehr schnell
- add to main playlist Play in Full Screen Variations, op. 27: III. Ruhig fliessend
Pierrot Lunaire / Erwartung
Released 1999- add to main playlist Play in Full Screen Part 1 - 1. Mondestrunken
- add to main playlist Play in Full Screen Part 1 - 2. Colombine
- add to main playlist Play in Full Screen Part 1 - 3. Der Dandy
- add to main playlist Play in Full Screen Part 1 - 4. Eine blasse Wäscherin
- add to main playlist Play in Full Screen Part 1 - 5. Valse de Chopin
- add to main playlist Play in Full Screen Part 1 - 6. Madonna
- add to main playlist Play in Full Screen Part 1 - 7. Der kranke Mond
- add to main playlist Play in Full Screen Part 2 - 1. Nacht
- add to main playlist Play in Full Screen Part 2 - 2. Gebet an Pierrot
- add to main playlist Play in Full Screen Part 2 - 3. Raub
- add to main playlist Play in Full Screen Part 2 - 4. Rote Messe
- add to main playlist Play in Full Screen Part 2 - 5. Galgenlied
- add to main playlist Play in Full Screen Part 2 - 6. Enthauptung
- add to main playlist Play in Full Screen Part 2 - 7. Die Kreuze
- add to main playlist Play in Full Screen Part 3 - 1. Heimweh
- add to main playlist Play in Full Screen Part 3 - 2. Gemeinheit!
- add to main playlist Play in Full Screen Part 3 - 3. Parodie
- add to main playlist Play in Full Screen Part 3 - 4. Der Mondfleck
- add to main playlist Play in Full Screen Part 3 - 5. Serenade
- add to main playlist Play in Full Screen Part 3 - 6. Heimfahrt
- add to main playlist Play in Full Screen Part 3 - 7. O alter Duft
- add to main playlist Play in Full Screen 1. Szene: 'Hier hinein... man sieht den Weg nicht...'
- add to main playlist Play in Full Screen 2. Szene: 'Ist das noch der weg... hier ist es eben...'
- add to main playlist Play in Full Screen 3. Szene: 'Da kommt ein Licht! Ach! Nur der Mond...'
- add to main playlist Play in Full Screen 4. Szene: 'Er ist auch nicht da...'
String Quartets no. 2 & no. 4
Released 1999- add to main playlist Play in Full Screen String quartet no. 2, op. 10: I. Mäßig
- add to main playlist Play in Full Screen String quartet no. 2, op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen String quartet no. 2, op. 10: III. Litanei. Langsam
- add to main playlist Play in Full Screen String quartet no. 2, op. 10: IV. Entrückung. Sehr langsam
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: I. Allegro molto; energico
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: II. Commodo
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: III. Largo
- add to main playlist Play in Full Screen String quartet no. 4, op. 37: IV. Allegro
Schoenberg: Klavierkonzert, Violinkonzert / Berg: Violinkonzert (Symphonie-Orchester des Bayerischen Rundfunks feat. conductor: Rafael Kubelik)
Released 1999- add to main playlist Play in Full Screen Violin Concerto: I. Andante - Allegretto (violin: Henryk Szeryng)
- add to main playlist Play in Full Screen Violin Concerto: II. Allegro, ma sempre rubato, frei wie eine Kadenz - Adagio (violin: Henryk Szeryng)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: I. Andante (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: II. Molto allegro (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: III. Adagio (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Piano Concerto, Op. 42: IV. Giocoso (Moderato) (piano: Alfred Brendel)
- add to main playlist Play in Full Screen Violin Concerto, Op. 36: I. Poco allegro (violin: Zvi Zeitlin)
- add to main playlist Play in Full Screen Violin Concerto, Op. 36: II. Andante grazioso (violin: Zvi Zeitlin)
- add to main playlist Play in Full Screen Violin Concerto, Op. 36: III. Allegro (violin: Zvi Zeitlin)
Pelléas et Mélisande
Released 1998- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: I. Am Schloßtor
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: II. Melisande
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: III. Am Meer
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: IV. Am Wunderborn Im Park
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: V. Die Drei Blinden Schwestern
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: VI. Dto. - Pastorale
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: VII. Melisande am Spinnrocken
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: VIII. Zwischenaktmusik
- add to main playlist Play in Full Screen Pélleas et Mélisande, op. 46: IX. Melisandes Tod
Pelleas Und Melisande Op. 5, Variations Op. 31
Released 1998- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: I. Introduction
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: II. Theme
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: III. Variation I
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: IV. Variation II
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: V. Variation III
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: VI. Variation IV
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: VII. Variation V
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: VIII. Variation VI
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: IX. Variation VII
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: X. Variation VIII
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: XI. Variation IX
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: XII. Finale
Sämtliche Werke für Klavier zu Zwei Händen
Released 1997- add to main playlist Play in Full Screen Drei Klavierstücke: Andantino
- add to main playlist Play in Full Screen Drei Klavierstücke: Andantino Grazioso
- add to main playlist Play in Full Screen Drei Klavierstücke: Presto
- add to main playlist Play in Full Screen Drei Klavierstücke: I. Fragment eines Scherzos für Klavier
- add to main playlist Play in Full Screen Drei Klavierstücke: II. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: III. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: IV. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: V. Zwei Fragmente eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke: VI. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: Mäßige Viertel
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: Mäßige Achtel
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: Bewegte Achtel
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: VII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: VIII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Leicht, Zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Sehr Langsam Viertel
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Rasch, Ober Leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Etwas Rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: Sehr Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: IX. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: X. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, op. 19: XI. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Sehr Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Sehr Rasch
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Schwungvoll
- add to main playlist Play in Full Screen Fünf Klavierstücke, op. 23: Walzer
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Präludium
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Gavotte
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Mussette
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Intermezzo
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Menuett mit Trio
- add to main playlist Play in Full Screen Suite für Klavier, op. 25: Gigue
- add to main playlist Play in Full Screen XII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33a
- add to main playlist Play in Full Screen Klavierstück, op. 33a: XIII. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33a: XIV. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33a: XV. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33b
- add to main playlist Play in Full Screen Klavierstück, op. 33b: XVI. Fragment eines Klavierstücks
- add to main playlist Play in Full Screen Klavierstück, op. 33b: XVII. Fragment eines Klavierstücks
Schoenberg in Hollywood (Entartete Musik: music suppressed by the third reich)
Released 1997- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): I. Ouverture
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): II. Adagio
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): III. Menuet and Trio
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): IV. Gavotte
- add to main playlist Play in Full Screen Suite for String Orchestra in G (1934): V. Gigue
- add to main playlist Play in Full Screen Chamber Symphony No. 2, Op. 38: I. Adagio
- add to main playlist Play in Full Screen Chamber Symphony No. 2, Op. 38: II. Con Fuoco
- add to main playlist Play in Full Screen Theme and Variations, Op. 43b
Transfiguration
Released 1996- add to main playlist Play in Full Screen Symphony no. 5: Adagietto
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): I. Allegro con brio
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): II. Allegretto, ma non troppo
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): III. Allegro assai vivace, ma serioso
- add to main playlist Play in Full Screen Quartetto serioso, F minor, op. 95 (arr. Mahler): IV. Larghetto espressivo - Allegro agitato
- add to main playlist Play in Full Screen Verklärte Nacht (Transfigured Night)
- add to main playlist Play in Full Screen Opening of Mahler’s Adagietto as recorded in 1926 by Willem Mengelberg and the Amsterdam Concertgebouw
- add to main playlist Play in Full Screen Opening of Mahler’s Adagietto as recorded 15 January 1938 by Bruno Walter and the Vienna Philharmonic
- add to main playlist Play in Full Screen Opening of Mahler’s Ich bin der Welt abhanden as recorded 24 May 1936 by Bruno Walter and the Vienna Philharmonic
- add to main playlist Play in Full Screen Schönberg’s 1950 program notes to Verklärte Nacht read in the original English by Richard Hoffmann, Schönberg’s secretary and assistance 1948 - 1951
Gurrelieder
Released 1996- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Orchester-Vorspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Nun dämpft die Dämm'rung jeden Ton"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "O, wenn des Mondes Strahlen milde gleiten"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Roß! Mein Roß! Was schleichst du so träg!"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "Sterne jubeln, das Meer, es leuchtet"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "So tanzen die Engel vor Gottes Thron nicht"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "Nun sag' ich dir zum ersten Mal"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Es ist Mitternachtzeit"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Tove: "Du sendest mir einem Liebesblick"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldemar: "Du wunderliche Tove!"
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Orchester-Zwischenspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil: Waldtaube: "Tauben von Gurre!"
The Early Tonal Years (1894-1907)
Released 1996- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: V
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op. 9
- add to main playlist Play in Full Screen Friede auf Erden, Op. 13
- add to main playlist Play in Full Screen Lied der Waldtaube
Gurrelieder
Released 1995- add to main playlist Play in Full Screen Gurrelieder: I. Teil Orchestervorspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Nun dämpft die Dämm'rung jeden Ton" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "O, wenn des Mondes Strahlen milde gleiten" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Roß! Mein Roß! Was schleichst du so träg!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Sterne jubeln, das Meer, es leuchtet" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Nun sag' ich dir zum ersten Mal" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Es ist Mitternachtzeit" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Du sendest mir einem Liebesblick" (Tove)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Du wunderliche Tove!" (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder: I. Teil Orchesterzwischenspiel
- add to main playlist Play in Full Screen Gurrelieder: I. Teil "Tauben von Gurre!" (Waldtaube)
The Glenn Gould Edition: Schönberg: Lieder
Released 1995- add to main playlist Play in Full Screen Zwei Gesänge, Op. 1 Nr. 1: Dank
- add to main playlist Play in Full Screen Zwei Gesänge, Op. 1 Nr. 2: Abschied
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 1: Erwartung
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 2: Schenk mir deinen goldenen Kamm
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 3: Erhebung
- add to main playlist Play in Full Screen Vier Lieder, Op. 2 Nr. 4: Waldsonne
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: I. Unterm schutz von dichten blättergründen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: II. Hain in diesen paradiesen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: III. Als neuling trat ich ein in dein gehege
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IV. Da meine lippen reglos sind und brennen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: V. Saget mir, auf welchem pfade
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VI. Jedem werke bin ich fürder tot
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VII. Angst und hoffen wechselnd mich beklemmen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VIII. Wenn ich heut nicht deinen leib berühre
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IX. Streng ist uns das glück und spröde
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: X. Das schöne beet betracht ich mir im harren
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XI. Als wir hinter dem beblümten tore
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XII. Wenn sich bei heilger ruh in tiefen matten
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIII. Du lehnest wider eine silberweide
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIV. Sprich nicht immer
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XV. Wir bevölkerten die abend-düstern lauben
Choral Works (Südfunk-Chor Stuttgart feat. conductor: Rupert Huber)
Released 1995- add to main playlist Play in Full Screen 3 Satiren für gemischten Chor, Op. 28: I. Am Scheideweg
- add to main playlist Play in Full Screen 3 Satiren für gemischten Chor, Op. 28: II. Vielseitigkeit
- add to main playlist Play in Full Screen 3 Satiren für gemischten Chor, Op. 28: III. Der neue Klassizismus
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: I. Unentrinnbar
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: II. Du sollst nicht, du musst
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: III. Mond und Menschen
- add to main playlist Play in Full Screen 4 Stücke für gemischten Chor, Op. 27: IV. Der Wunsch des Liebhabers
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: I. Hemmung
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: II. Das Gesetz
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: III. Ausdrucksweise
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: IV. Glück
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: V. Landsknechte
- add to main playlist Play in Full Screen 6 Stücke für Männerchor, Op. 35: VI. Verbundenheit
- add to main playlist Play in Full Screen 3 Volkslieder, Op. 49: I. Es gingen zwei Gespielen gut
- add to main playlist Play in Full Screen 3 Volkslieder, Op. 49: II. Der Mai tritt ein mit Freuden
- add to main playlist Play in Full Screen 3 Volkslieder, Op. 49: III. Mein Herz in steten Treuen
- add to main playlist Play in Full Screen Friede auf Erden, Op. 30
- add to main playlist Play in Full Screen Dreimal tausend Jahre, Op. 50a
- add to main playlist Play in Full Screen Psalm 130 "De profundis", Op. 50b
Five Orchestra Pieces / Survivor from Warsaw (London Symphony Orchestra feat. conductor: Robert Craft, narrator: Simon Callow)
Released 1995- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 1: Vorgefühle
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 2: Vergangenes
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 3: Farben
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 4: Peripetie
- add to main playlist Play in Full Screen Piece for Orchestra, Op. 16 No. 5: Das obligate Rezitativ
- add to main playlist Play in Full Screen A Survivor From Warsaw, Op. 46
- add to main playlist Play in Full Screen Accompaniment to a Cinamatographic Scene, Op. 34
- add to main playlist Play in Full Screen Herzgewächse, Op. 20
- add to main playlist Play in Full Screen Serenade, Op. 24: I. Marsch
- add to main playlist Play in Full Screen Serenade, Op. 24: II. Menuett
- add to main playlist Play in Full Screen Serenade, Op. 24: III. Variationen
- add to main playlist Play in Full Screen Serenade, Op. 24: IV. Sonett Nr. 217 con Petrarca
- add to main playlist Play in Full Screen Serenade, Op. 24: V. Tanzscene
- add to main playlist Play in Full Screen Serenade, Op. 24: VI. Lied (ohne Worte)
- add to main playlist Play in Full Screen Serenade, Op. 24: VII. Finale
Moses und Aron (Rundfunk-Sinfonie-Orchester Leipzig, Rundfunkchor Leipzig feat. conductor Herbert Kegel)
Released 1994- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene I. The Calling of Moses. "Einziger, ewiger, allgegenwärtiger"
- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene II. Moses meets Aron in the Wasteland. "Du Sohn meiner Väter"
- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene III. Moses and Aron bring God's Message to the People. "Ich hab' ihn gesehn"
- add to main playlist Play in Full Screen Moses und Aron: Act I, Scene IV. "Bringt ihr Erhörung" - "In der Wüste wird euch die Reinheit"
Maderna Edition, Volume 10: Arnold Schönberg: Pelleas und Melisande / Verklärte Nacht / Kammersinfonie No. 2 / Konzert für Violine und Orchester / Variationen für Orchester (feat. conductor: Bruno Maderna)
Released 1994- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: I. Anfang
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: II. Heftig
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: III. Lebhaft
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: IV. Sehr rasch
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: V. Ein wenig bewegt
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: VI. Langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: VII. Ein wenig bewegter
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: VIII. Sehr langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: IX. Etwas bewegt
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: X. In gehender Bewegung
- add to main playlist Play in Full Screen Pelleas und Melisande, Op. 5: XI. Breit
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I. Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II. Molto rallentando
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III. Pesante
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV. Adagio
Moses und Aron / Kammersymphonie Nr. 2 (BBC Symphony Orchestra, feat. conductor: Pierre Boulez, singers Reich, Cassilly, Palmer, Knight)
Released 1993- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene I Moses Berufung
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene II Moses begegnet Aaron in der Wüste
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene III Moses und Aaron verkünden dem Volk die Botschaft Gottes
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV Chor "Bringt ihr Erhörung"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV "Allmächtiger, meine Kraft ist zu Ende"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV Chor "Ein Wunder erfüllt uns mit Schrecken"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV "Erkennt euch darin"
- add to main playlist Play in Full Screen Moses und Aaron: I. Akt, Szene IV "Er hat uns auserwählt"
- add to main playlist Play in Full Screen Moses und Aaron: Zwischenspiel
Erwartung; Brettl-Lieder (Metropolitan Opera Orchestra feat. soprano Jessye Norman)
Released 1993- add to main playlist Play in Full Screen Erwartung, Op.17: 1. Szene "Hier hinein?"
- add to main playlist Play in Full Screen Erwartung, Op.17: 2. Szene "Ist das noch der Weg?"
- add to main playlist Play in Full Screen Erwartung, Op.17: 3. Szene "Da kommt ein Licht!"
- add to main playlist Play in Full Screen Erwartung, Op.17: 4. Szene "Er ist auch nicht da"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Das Mondlicht"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Aber so seltsam ist dein Auge"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Du siehst wieder dort hin!"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Für mich ist kein Platz da"
- add to main playlist Play in Full Screen Erwartung, Op.17: "Liebster, Liebster, der Morgen kommt"
- add to main playlist Play in Full Screen Brettl-Lieder: Galathea (Frank Wedekind)
- add to main playlist Play in Full Screen Brettl-Lieder: Gigerlette (Otto Julius Bierbaum)
- add to main playlist Play in Full Screen Brettl-Lieder: Der genügsame Liebhaber (Hugo Salus)
- add to main playlist Play in Full Screen Brettl-Lieder: Einfältiges Lied (Hugo Salus)
- add to main playlist Play in Full Screen Brettl-Lieder: Mahnung (Gustav Hochstetter)
- add to main playlist Play in Full Screen Brettl-Lieder: Jedem das Seine (Colly)
- add to main playlist Play in Full Screen Brettl-Lieder: Arie aus dem Spiegel von Arcadien (Emanuel Schikaneder)
- add to main playlist Play in Full Screen Brettl-Lieder: Nachtwandler (Gustav Falke)
Pierrot Lunaire
Released 1993- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, I. Mondestrunken
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, II. Columbine
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, III. Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, IV. Eine blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, V. Valse de Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, VI. Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part I, VII. Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, I. Die Nacht
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, II. Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, III. Raub
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, IV. Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, V. Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, VI. Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part II, VII. Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, I. Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, II. Gemeinheit
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, III. Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, IV. Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, V. Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, VI. Heimfahrt
- add to main playlist Play in Full Screen Pierrot Lunaire, Op. 21: Part III, VII. O alter Duft
- add to main playlist Play in Full Screen Chamber Symphony No. 1 in E major, Op. 9
Suite / Verklärte Nacht / 3 Pieces (Members of the Ensemble InterContemperain feat. conductor: Pierre Boulez)
Released 1993- add to main playlist Play in Full Screen Suite, Op. 29: I. Overtüre
- add to main playlist Play in Full Screen Suite, Op. 29: II. Tanzschritte
- add to main playlist Play in Full Screen Suite, Op. 29: III. Thema mit Variationen
- add to main playlist Play in Full Screen Suite, Op. 29: IV. Gigue
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4
- add to main playlist Play in Full Screen 3 Pieces for Chamber Orchestra: I. Rasche Viertel
- add to main playlist Play in Full Screen 3 Pieces for Chamber Orchestra: II. Mäßige Viertel
- add to main playlist Play in Full Screen 3 Pieces for Chamber Orchestra: III. Gehende Viertel
Glückliche Hand / Variations / Verklärte Nacht (Pierre Boulez)
Released 1993- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene I
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene II
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene III. Kräftig bewegt
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene III. Viel rascher
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene III. Mäßig bewegt
- add to main playlist Play in Full Screen Die glückliche Hand, Op. 18: Scene IV
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Introduction. Mässig, ruhig
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Thema. Molto moderato
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation I. Moderato
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation II. Langsam
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation III. Mässig
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation IV. Walzertempo
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation V. Bewegt
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation VI. Andante
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation VII. Langsam
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation VIII. Sehr rasch
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Variation IX. L'itesso tempo; aber etwas langsamer
- add to main playlist Play in Full Screen Variations for Orchestra, Op. 31: Finale. Mäßig schnell
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Molto rallentando [bar 100]
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Pesante [bar 201]
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Adagio [bar 229]
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: Adagio [bar 370]
Die Jakobsleiter, Kammersymphonie No. 1 (BBC Singers, BBC Symphony Orchestra, Ensemble InterContemporain feat. conductor: Pierre Boulez)
Released 1993- add to main playlist Play in Full Screen Die Jakobsleiter: "Ob rechts, ob links" (Gabriel, Chor)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Ohne zu fragen" (Chor, Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Gleichviel! Weiter!" (Gabriel, ein Berufener)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Du bist immerhin" (Gabriel, ein Aufrührerischer)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Dies Entweder und dies Oder" (Gabriel, ein Ringender)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Gegen seinen und euren Willen" (Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Ich sollte nicht näher" (Der Auserwählte, Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Herr, verzeih meine Überhebung" (Der Mönch, Gabriel)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Herr, mein ganzes Leben lang" (Der Sterbende)
- add to main playlist Play in Full Screen Die Jakobsleiter: "Nahst du wieder dem Licht" (Gabriel, Chor)
- add to main playlist Play in Full Screen Die Jakobsleiter: Großes symphonisches Zwischenspiel
- add to main playlist Play in Full Screen Chamber Symphony No. 1, Op 9
- add to main playlist Play in Full Screen Begleitmusik zu einer Lichtspielszene, Op 34
Verklärte Nacht, Op. 4 / Trio, Op. 45
Released 1993- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I. Sehr langsam (Bar 1)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II. Breiter (Bar 100)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III. Schwer betont (Bar 201)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV. Sehr breit und langsam (Bar 229)
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: V. Sehr ruhig (Bar 370)
- add to main playlist Play in Full Screen String Trio, Op. 45: Part 1 (Bar 1)
- add to main playlist Play in Full Screen String Trio, Op. 45: 1st Episode (Bar 52)
- add to main playlist Play in Full Screen String Trio, Op. 45: Part 2 (Bar 133)
- add to main playlist Play in Full Screen String Trio, Op. 45: 2nd Episode (Bar 180)
- add to main playlist Play in Full Screen String Trio, Op. 45: Part 3 (Bar 208)
String Quartets Nos. 1-4 (Kolisch Quartet)
Released 1992- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: I. Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: II. Adagio
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: III. Intermezzo, Allegro Moderato
- add to main playlist Play in Full Screen String Quartet No. 3, Op. 30: IV: Rondo. Molto Moderato
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: I. Allegro Molto. Energico
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: II. Comodo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: III. Largo
- add to main playlist Play in Full Screen String Quartet No. 4, Op. 37: IV. Allegro
- add to main playlist Play in Full Screen Arnold Schoenberg and the members of the Kolisch Quartet at the conclusion of String Quartet No. 1
- add to main playlist Play in Full Screen Arnold Schoenberg at the conclusion of the first movement of String Quartet No. 2
- add to main playlist Play in Full Screen Arnold Schoenberg at the conclusion of String Quartet No. 3
Schoenberg: Pierrot Lunaire / Webern: Concerto, op. 24
Released 1991- add to main playlist Play in Full Screen Pierrot Lunaire: Part I: 1. Mondestrunken - 2. Colombine - 3. Der Dandy - 4. Eine blasse Wäscherin - 5. Valse de Chopin - 6. Madonna - 7. Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire: Part II: 8. Nacht - 9. Gebet an Pierrot - 10. Raub - 11. Rote Messe - 12. Galgenlied - 13. Enthauptung - 14. Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire. Part III: 15. Heimweh - 16. Gemeinheit! - 17. Parodie - 18. Der Mondfleck - 19. Serenade - 20. Heimfart - 21. O alter Duft
- add to main playlist Play in Full Screen Concerto, op. 24: I. Etwas lebhaft
- add to main playlist Play in Full Screen Concerto, op. 24: II. Sehr langsam
- add to main playlist Play in Full Screen Concerto, op. 24: III. Sehr rasch
Lieder
Released 1990- add to main playlist Play in Full Screen Erwartung, Op. 2 No. 1
- add to main playlist Play in Full Screen Schenk mir deinen goldenen Kamm, Op. 2 No. 2
- add to main playlist Play in Full Screen Wie Georg von Frundsberg von sich selber sang, Op. 3 No. 1
- add to main playlist Play in Full Screen Die Aufgeregten, Op. 3 No. 2
- add to main playlist Play in Full Screen Warnung, Op. 3 No. 3
- add to main playlist Play in Full Screen Geübtes Herz, Op. 3 No. 5
- add to main playlist Play in Full Screen Deinem Blick mich zu bequemen
- add to main playlist Play in Full Screen Traumleben, Op. 6 No. 1
- add to main playlist Play in Full Screen Verlassen, Op. 6 No. 4
- add to main playlist Play in Full Screen Der Wanderer, Op. 6 No. 8
- add to main playlist Play in Full Screen Der verlorene Haufen, Op. 12 No. 2
- add to main playlist Play in Full Screen Ich darf nicht dankend..., Op. 14 No. 1
- add to main playlist Play in Full Screen Am Strande
- add to main playlist Play in Full Screen Sommermüd, Op. 48 No. 1
- add to main playlist Play in Full Screen Tot, Op. 48 No. 2
- add to main playlist Play in Full Screen Vielgeliebte schöne Frau, Op. 5 No. 1
- add to main playlist Play in Full Screen Geliebte Schöne, Op. 9 No. 2
- add to main playlist Play in Full Screen Schattenleben, Op. 9 No. 3
- add to main playlist Play in Full Screen Schlummerlose Nächte, Op. 11 No. 3
- add to main playlist Play in Full Screen Es wandelt, was wir schauen, Op. 12 No. 2
- add to main playlist Play in Full Screen Im Morgengrauen, Op. 13 No. 2
- add to main playlist Play in Full Screen Grabschrift, Op. 13 No. 3
- add to main playlist Play in Full Screen Erster Verlust, Op. 15 No. 2
- add to main playlist Play in Full Screen Er klaft, daß der Frühling so kortz blüht
- add to main playlist Play in Full Screen Über den Bergen
- add to main playlist Play in Full Screen Am Strande
- add to main playlist Play in Full Screen Sehnsucht II, Op. 5 No. 2
- add to main playlist Play in Full Screen Sehnsucht III, Op. 6 No. 1
- add to main playlist Play in Full Screen Ich liebe Dich, Op. 6 No. 2
- add to main playlist Play in Full Screen Ferne Leider, Op. 6 No. 3
- add to main playlist Play in Full Screen Regen
- add to main playlist Play in Full Screen Winter
- add to main playlist Play in Full Screen Traurigkeit
- add to main playlist Play in Full Screen Spaziergang
Pelléas et Mélisande
Released 1990- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Anfang
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Heftig
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Lebhaft
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr rasch
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr langsam, gedehnt
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Ein wenig bewegt
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Ein wenig bewegter
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Sehr langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Langsam
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: In gehender Bewegung
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 5: Breit
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act I, Scene I. Introduction, At The Castle Gate
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act I, Scene II. Introduction, Melisande
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act II, Scene I. A Fountain In The Park
- add to main playlist Play in Full Screen Pelleas und Melisande, op. 46: Act V, Scene II. The Death Of Mélisande
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato
- add to main playlist Play in Full Screen Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
Kammersymphonie Op. 9 / Suite Op. 29 / Kaiserwalzer (Wiener Concert-Verein feat. conductor: Martin Sieghart)
Released 1990- add to main playlist Play in Full Screen Suite Op. 29: I. Ouverture: Allegretto
- add to main playlist Play in Full Screen Suite Op. 29: II. Tanzschritte: Moderato
- add to main playlist Play in Full Screen Suite Op. 29: III. Thema mit Variationen
- add to main playlist Play in Full Screen Suite Op. 29: IV. Gigue
- add to main playlist Play in Full Screen Chamber Symphony No. 1 in E major, Op. 9
- add to main playlist Play in Full Screen Kaiserwalzer
Das Chorwerk (BBC Chorus, BBC Symphonia Orchestra feat. conductor: Pierre Boulez)
Released 1990- add to main playlist Play in Full Screen Friede auf Erden, op 13
- add to main playlist Play in Full Screen Kol Nidre, op 39
- add to main playlist Play in Full Screen Drei Volkslieder, op 49 - 1 Es gingen zwei Gespielen gut
- add to main playlist Play in Full Screen Drei Volkslieder, op 49 - 2 Der Mai tritt ein mit Freuden
- add to main playlist Play in Full Screen Drei Volkslieder, op 49 - 3 Mein Herz in steten Treuen
- add to main playlist Play in Full Screen Zwei Kanons nach Goethe - Wenn der schwer Gedrueckte klagt
- add to main playlist Play in Full Screen Zwei Kanons nach Goethe - O dass der Sinnen doch so viele sind
- add to main playlist Play in Full Screen Drei deutsche Volkslieder - 1 Es gingen zwei Gespielen gut
- add to main playlist Play in Full Screen Drei deutsche Volkslieder - 2 Herzlieblich Lieb, durch Scheiden
- add to main playlist Play in Full Screen Drei deutsche Volkslieder - 3 Schein uns, du liebe Sonne
Gurrelieder
Released 1990- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Orchestervorspiel
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Nun dämpft die Dämm'rung
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. O, wenn des Mondes Strahlen
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Roß! - Mein Roß!
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Sterne jubeln
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. So tanzen die Engel vor Gottes Thron nicht
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Nun sag ich dir zum ersten Mal
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Es ist Mitternachtszeit
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Du sendest mir einen Liebesblick
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Du wunderliche Tove!
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Orchesterzwischenspiel
- add to main playlist Play in Full Screen Gurre-Lieder: Erster Teil. Tauben von Gurre!
Schönberg: Piano music (Glenn Gould)
Released 1989- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: II. Sehr langsam
- add to main playlist Play in Full Screen Drei Klavierstücke, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Fünf Klavierstücke, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Sechs kleine Klavierstücke, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: I. Prelude
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: II. Gavotte; Musette
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: III. Intermezzo
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: IV. Menuet & Trio
- add to main playlist Play in Full Screen Suite für Klavier, Op. 25: V. Gigue
- add to main playlist Play in Full Screen Klavierstück, Op. 33a: I. Mäßig
- add to main playlist Play in Full Screen Klavierstück, Op. 33b: II. Mäßig - Langsam
La Nuit Transfigurée
Released 1989- add to main playlist Play in Full Screen La Nuit Transfigurée, Op. 4
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: I. Allegro moderato
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: II. Dumka (Élégie). Poco allegretto
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: III. Furiant. Presto
- add to main playlist Play in Full Screen Sextuor à cordes en La majeur, Op. 48 B 80: IV. Finale. Tema con variazioni. Allegretto grazioso quasi andantino
The Piano Music
Released 1988- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: II. Mäßige Achtel
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: III. Sehr langsame Viertel
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Präludium. Rasch
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Gavotte. Etwas langsam, nicht hastig (attacca)
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Musette. Rascher
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Gavotte (da capo)
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Minuett. Moderato – Trio
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: Gigue. Rasch
- add to main playlist Play in Full Screen Piano Piece, Op. 33a: Mäßig
- add to main playlist Play in Full Screen Piano Piece, Op. 33b: Mäßig langsam
Piano Music
Released 1988- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: I. Mäßig
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: II. Sehr langsam
- add to main playlist Play in Full Screen Three Piano Pieces, Op. 11: III. Bewegt
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: I. Leicht, zart
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: II. Langsam
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: III. Sehr langsam
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: IV. Rasch, aber leicht
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: V. Etwas rasch
- add to main playlist Play in Full Screen Six Little Piano Pieces, Op. 19: VI. Sehr langsam
- add to main playlist Play in Full Screen Piano Piece, Op. 33a: I. Mäßig
- add to main playlist Play in Full Screen Piano Piece, Op. 33b: II. Mäßig langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: I. Sehr langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: II. Sehr rasch
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: III. Langsam
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: IV. Schwungvoll
- add to main playlist Play in Full Screen Five Piano Pieces, Op. 23: V. Walzer
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: I. Präludium: Rasch
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: II. Gavotte: Etwas langsam, nicht hastig
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: III. Musette: Rascher
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: IV. Intermezzo
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: V. Menuett & Trio: Moderato
- add to main playlist Play in Full Screen Suite for Piano, Op. 25: VI. Gigue: Rasch
Orchesterstücke
Released 1987- add to main playlist Play in Full Screen Three Orchestral Pieces, op. 6: I. Präludium. Langsam
- add to main playlist Play in Full Screen Three Orchestral Pieces, op. 6: II. Reigen. Anfangs etwas zögernd - Leicht beschwingt
- add to main playlist Play in Full Screen Three Orchestral Pieces, op. 6: III. Marsch. Mässiges Marschtempo
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: II. Bewegt
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: III. Zart bewegt
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: IV. Langsam
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: V. Sehr langsam
- add to main playlist Play in Full Screen Six Pieces for Orchestra, op. 6: VI. Zart bewegt
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: I. Vorgefühle. Sehr rasch
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: II. Vergangenes. Mässige Viertel
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: III. Farben. Mässige Viertel
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: IV. Peripetie. Sehr rasch
- add to main playlist Play in Full Screen Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ. Bewegte Achtel
Violin Concerto / Piano Concerto
Released 1986- add to main playlist Play in Full Screen Violin Concerto Op. 36: I. Poco allegro - Vivace
- add to main playlist Play in Full Screen Violin Concerto Op. 36: II: Andante grazioso
- add to main playlist Play in Full Screen Violin Concerto Op. 36: III. Finale: Allegro
- add to main playlist Play in Full Screen Piano Concerto Op. 42: Andante - Molto allegro - Giocoso (Moderato) - Commodo grazioso - Stretto
Verklärte Nacht / Variationen für Orchester (Berliner Philharmoniker feat. conductor: Herbert von Karajan)
Released 1985- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: I. Grave
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: II. Molto rallentando
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: III. Pesante
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: IV. Adagio
- add to main playlist Play in Full Screen Verklärte Nacht, Op. 4: V. Adagio
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Introduktion: Mäßig, ruhig
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Thema: Molto moderato
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation I: Moderato
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation II: Langsam
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation III: Mäßig
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation IV: Walzertempo
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation V: Bewegt
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation VI: Andante
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Varation VII: Langsam
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation VIII: Sehr rasch
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Variation IX: L'istesso tempo; aber etwas langsamer
- add to main playlist Play in Full Screen Variationen für Orchester, Op. 31: Finale: Mäßig schnell
Verklärte nacht / Streichtrio (LaSalle Quartet feat. viola: Donald McInnes, cello: Jonathan Pegis)
Released 1984- add to main playlist Play in Full Screen Verklärte nacht: Sehr langsam
- add to main playlist Play in Full Screen Verklärte nacht: Breiter
- add to main playlist Play in Full Screen Verklärte nacht: Schwer betont
- add to main playlist Play in Full Screen Verklärte nacht: Sehr breit ung langsam
- add to main playlist Play in Full Screen Verklärte nacht: Sehr ruhig
- add to main playlist Play in Full Screen Streichtrio: Part 1
- add to main playlist Play in Full Screen Streichtrio: 1st Episode
- add to main playlist Play in Full Screen Streichtrio: Part 2
- add to main playlist Play in Full Screen Streichtrio: 2nd Episode
- add to main playlist Play in Full Screen Streichtrio: Part 3
Berg: Wozzeck / Schoenberg: Erwartung
Released 1981- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 1, Langsam, Wozzeck, langsam!
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 1, Wir arme Leut! Sehn Sie, Herr Hauptmann, Geld, Geld!
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 2; 'Du, der Platz ist verflucht!'
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 3, Tschin Bum, Tschin Bum, Bum, Bum, Bum!
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 3, Wer da?
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 4, Was erleb' ich, Wozzeck?
- add to main playlist Play in Full Screen Wozzeck: Act 1, Scene 5, Geh' einmal vor Dich hin!
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 1, Was die Steine glänzen?
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 1, Was hast da¿
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 2, Wohin so eilig, geehrtester Herr Sargnagel?
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 2, He Wozzeck! Was hetzt Er sich so uns vorbei?
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 3, Guten Tag, Franz
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 4, Ich hab' ein Hemdlein an, das is nicht mein..
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 4, Er! Sie! Teufel!
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 4, Jedoch, wenn ein Wanderer, der gelehnt steht an dem Strom der Zeit
- add to main playlist Play in Full Screen Wozzeck: Act 2, Scene 5, Andres! Andres! Ich kann nicht schlafen
15 Poems from Das Buch der hängenden Gärten / Eight Songs, op. 6
Released 1979- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 1: Traumleben
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 2: Alles
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 3: Mädchenlied
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 4: Verlassen
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 5: Ghasel
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 6: Am Wegrand
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 7: Lockung
- add to main playlist Play in Full Screen Acht Lieder, Op. 6 Nr. 8: Der Wanderer
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: I. Unterm schutz von dichten blättergründen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: II. Hain in diesen paradiesen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: III. Als neuling trat ich ein in dein gehege
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IV. Da meine lippen reglos sind und brennen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: IX. Streng ist uns das glück und spröde
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: V. Saget mir, auf welchem pfade
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VI. Jedem werke bin ich fürder tot
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VII. Angst und hoffen wechselnd mich beklemmen
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: VIII. Wenn ich heut nicht deinen leib berühre
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: X. Das schöne beet betracht ich mir im harren
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XI. Als wir hinter dem beblümten tore
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XII. Wenn sich bei heilger ruh in tiefen matten
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIII. Du lehnest wider eine silberweide
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XIV. Sprich nicht immer
- add to main playlist Play in Full Screen Das Buch der hängenden Gärten, Op. 15: XV. Wir bevölkerten die abend-düstern lauben
Pélleas et Mélisande
Released 1974- add to main playlist Play in Full Screen Pelleas Und Melisande, op. 5 - Symphonische Dichtung Für Orchester Nach Dem Drama Von Maurice Maeterlinck: 1. Teil
- add to main playlist Play in Full Screen Pelleas Und Melisande, Op. 5 - Symphonische Dichtung Für Orchester Nach Dem Drama Von Maurice Maeterlinck: 2. Teil
Moses und Aron (Chor und Sinfonieorchester des Österreichischen Rundfunks, feat. conductor: Michael Gielen, singers: Reich, Devos, Csapo, Obrowsky)
Released 1974- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Einziger, Ewiger, Allgegenwärtiger"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Du Sohn meiner Väter"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Ich hab' ihn gesehn"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Lästre nicht!"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Bringt ihr Erhörung"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Der Einzige, Ewige, Allmächtige"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Der Gerechte sieht ihn"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Dieser Stab führt euch"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Ein Wunder erfüllt uns mit Schrecken"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Dein Stab zwingt uns"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "Alles für die Freiheit!"
- add to main playlist Play in Full Screen Moses und Aron: I. Akt "In der Wüste wird euch die Reinheit"
Schönberg: Pierrot Lunaire Op. 21 / Webern: Zwei Lieder Op. 8, Fünf Canons Op. 16 / Boulez: Improvisation sur Mallarmé I+II
Released 1971- add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: I. Mondestrunken / Colombine / Der Dandy / Eine blasse Wäscherin / Valse de Chopin / Madonna / Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: II. Die Nacht / Gebet an Pierrot / Raub / Rote Messe / Galgenlied / Enthauptung / Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire, Melodrames Op. 21, dreimal sieben Gedichte: III. Heimweh / Gemeinheit / Parodie / Der Mondfleck / Serenade / Heimfahrt/ O alter Duft
- add to main playlist Play in Full Screen Zwei Lieder Op. 8: Du, der ich's nicht sage / Du machst mich allein
- add to main playlist Play in Full Screen Fünf Canons Op. 16: Christus factus est pro nobis / Dormi Jesu-Crux fidelis / Asperges me / Crucem tuam adoramus
- add to main playlist Play in Full Screen Improvisation sur Mallarmé: I. Le vierge, le vivace et le bel aujourd'hui
- add to main playlist Play in Full Screen Improvisation sur Mallarmé: II. Une dentelle s'abolit
Wagner: Siegfried-Idyll in E, WWV103 / Schoenberg: Verklarte Nacht, Op. 4 / Strauss: Metamorphosen
- add to main playlist Play in Full Screen Siegfried Idyll, for small orchestra in E major, WWV 103
- add to main playlist Play in Full Screen Verklärte Nacht, for string orchestra (arr. from String Sextet, Op.4)
- add to main playlist Play in Full Screen Metamorphosen, study for 23 solo strings, o.Op. 142 (TrV 290, AV 142)
Произведения для органа
- add to main playlist Play in Full Screen Прелюдия и фуга ре минор, BWV539
- add to main playlist Play in Full Screen Фантазия и фуга на хорал "Ad nos, ad salutarem undam"
- add to main playlist Play in Full Screen Симфоническая канцона ми-бемоль минор, op. 81,1
- add to main playlist Play in Full Screen Вариации на речитатив, op. 40
- add to main playlist Play in Full Screen Фантазия II из "Воскресной музыки"
BBC Legends: Arrau
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione
- add to main playlist Play in Full Screen Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace
- add to main playlist Play in Full Screen Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton
- add to main playlist Play in Full Screen Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter
- add to main playlist Play in Full Screen Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten-Etwas bewegter
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: I. Mäßige ♩
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: II. Mäßige ♪
- add to main playlist Play in Full Screen Drei Klavierstücke, op. 11: III. Bewegte ♪
Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Andante
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Molto allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, Op 42: Giocoso [Moderato]
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Adagio sostenuto assai - Allegro agitato assai
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Allegro moderato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Allegro deciso - Marziale un poco meno Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 2 in A major: Allegro animato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Allegro maestoso
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Quasi Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Allegretto vivace - Allegro animato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra No. 1 in A-flat major: Allegretto marziale animato
Berg: Kammerkonzert / Schoenberg: Kammersymphonie
- add to main playlist Play in Full Screen Kammerkonzert : I. Thema Scherzoso Con Variazioni
- add to main playlist Play in Full Screen Kammerkonzert : II. Adagio
- add to main playlist Play in Full Screen Kammerkonzert : III. Rondo Ritmico Con Introduzione ('Kadenz')
- add to main playlist Play in Full Screen Kammersymphonie Op. 9 für 15 solo instruments
Arnold Schoenberg - Verklaerte Nacht, Piano & Orchestral Pieces Opp.11, 16, 19; Busoni (Arr.) Op.11
- add to main playlist Play in Full Screen "Verklärte Nacht" - Grave
- add to main playlist Play in Full Screen Molto Rallentando
- add to main playlist Play in Full Screen A Tempo
- add to main playlist Play in Full Screen Adagio
- add to main playlist Play in Full Screen Adagio, Molto Tranquillo
- add to main playlist Play in Full Screen "Three Piano Pieces", Op. 11 - Mäßige Viertel
- add to main playlist Play in Full Screen Mäßige Achtel
- add to main playlist Play in Full Screen Bewegte Achtel
- add to main playlist Play in Full Screen "Five Orchestral Pieces," Op. 16 - Vorgefühle
- add to main playlist Play in Full Screen Vergangenes
- add to main playlist Play in Full Screen Farben
- add to main playlist Play in Full Screen Peripetie
- add to main playlist Play in Full Screen Das Obligate Rezitativ
- add to main playlist Play in Full Screen "Six Little Piano Pieces," Op. 19 - Leicht, Zart
- add to main playlist Play in Full Screen Langsam
- add to main playlist Play in Full Screen Sehr Langsame Viertel
- add to main playlist Play in Full Screen Rasch, Aber Leicht
- add to main playlist Play in Full Screen Etwas Rasch
- add to main playlist Play in Full Screen Sehr Langsam
- add to main playlist Play in Full Screen "Piano Piece," Op. 11, No.2 - Konzertmäßige Interpretation
Pierrot Lunaire (Ensemble Modern feat. conductor: Peter Eötvös)
- add to main playlist Play in Full Screen Pierrot Lunaire: Mondotrinken
- add to main playlist Play in Full Screen Pierrot Lunaire: Colombine
- add to main playlist Play in Full Screen Pierrot Lunaire: Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire: Eine blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire: Valse de Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire: Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire: Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire: Die Nacht
- add to main playlist Play in Full Screen Pierrot Lunaire: Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire: Raub
- add to main playlist Play in Full Screen Pierrot Lunaire: Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire: Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire: Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire: Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire: Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire: Gemeinheit
- add to main playlist Play in Full Screen Pierrot Lunaire: Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire: Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire: Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire: Heimfahrt
- add to main playlist Play in Full Screen Pierrot Lunaire: O alter Duft
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: I. Langsam
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: II. Sehr rasch
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: III. Viel langsamer, doch fließend
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: IV. Viel langsamer
- add to main playlist Play in Full Screen Kammersymphonie No. 1, Op. 9: V. Etwas bewegter
Pierrot Lunaire Op.21, Herzgewächse Op.20, Ode to Napoleon Bounaparte Op. 41 (Ensemble Intercontemporain feat. conductor: Pierre Boulez, soprano: Christine Schäfer)
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Mondestrunken
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Colombine
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Der Dandy
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Eine blasse Wäscherin
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Valse de Chopin
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Madonna
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Der kranke Mond
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Nacht
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Gebet an Pierrot
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Raub
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Rote Messe
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Galgenlied
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Enthauptung
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Die Kreuze
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Heimweh
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Gemeinheit!
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Parodie
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Der Mondfleck
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Serenade
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: Heimfahrt
- add to main playlist Play in Full Screen Pierrot Lunaire op.21: O alter Duft
- add to main playlist Play in Full Screen Herzgewächse op. 20
- add to main playlist Play in Full Screen Ode to Napoleon Buonaparte op. 41
Neue Wiener Schule (Kammerorchester der jungen deutschen Philharmonie feat. conductor: Peter Gülke, soprano: Eva Csapó)
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: I. Kräftig bewegt
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: II. Sehr langsam
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: III. Sehr bewegt
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: IV. Sehr langsam
- add to main playlist Play in Full Screen Fünf Stücke für Streichorchester, Op. 5: V. In zarter Bewegung
- add to main playlist Play in Full Screen Drei Stücke aus der Lyrischen Suite für Streichorchester: Allegretto gioviale. Allegretto gioviale
- add to main playlist Play in Full Screen Drei Stücke aus der Lyrischen Suite für Streichorchester: Presto delirando (Tenebroso)
- add to main playlist Play in Full Screen Drei Stücke aus der Lyrischen Suite für Streichorchester: Largo desolato
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: I. Mäßig
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: II. Sehr rasch
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: III. Litanei
- add to main playlist Play in Full Screen 2. Streichquartett Fis-moll, Op. 10: IV. Entrückung
Gurrelieder / Suite for String Orchestra (János Ferencsik, Norman Del Mar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Erwacht, Kõnig Waldemar's Men wert! (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Deckel Gurrelieder, Des Sarges klappert und klappt (Peasant & Chorus)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Gegrüßt, o Kõnig, an Gurresees Strand! (Waldemar's Men)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Mit Toves Stimme flüstert der Wald (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Ein selstsamer Vogel ist so'n Aal (Klaus the Fool)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Du strenger Richter droben (Waldemar)
- add to main playlist Play in Full Screen Gurrelieder, Part III: Der Hahn erhebt den Kopf zur Kraht (Waldemar's Men)
- add to main playlist Play in Full Screen Gurrelieder, The Wild Hunt of the Summer Wind (Melodrama): Orchestral Prelude
- add to main playlist Play in Full Screen Gurrelieder, The Wild Hunt of the Summer Wind (Melodrama): Herr Gänsefuß, Frau Gänsekraut (Speaker)
- add to main playlist Play in Full Screen Gurrelieder, The Wild Hunt of the Summer Wind (Melodrama): Seht die Sonne (Chorus)
- add to main playlist Play in Full Screen Suite for String Orchestra: I. Overture
- add to main playlist Play in Full Screen Suite for String Orchestra: II. Adagio
- add to main playlist Play in Full Screen Suite for String Orchestra: III. Menuet & Trio
- add to main playlist Play in Full Screen Suite for String Orchestra: IV. Gavotte
- add to main playlist Play in Full Screen Suite for String Orchestra: V. Gigue
Piano Concerto, The Chamber Symphonies (SWF Sinfonieorchester Baden-Baden feat. conductor Michael Gielen, piano Alfred Brendel)
- add to main playlist Play in Full Screen Kammersymphonie Nr. 1 in E-Dur, op. 9b
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, I. Andante
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, II. Molto Allegro
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, III. Adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra, op. 42, IV. Giocoso (moderato)
- add to main playlist Play in Full Screen Kammersymphonie Nr. 2 in es-Moll, op. 38, I. Adagio
- add to main playlist Play in Full Screen Kammersymphonie Nr. 2 in es-Moll, op. 38, II. Con fuoco
Gurrelieder
- add to main playlist Play in Full Screen Gurrelieder: Part I. Vorspiel
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Nun dämpft die Dämm'rung"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "O, wenn des Mondes Strahlen"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Roß! Mein Roß!"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Sterne jubeln"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "So tanzen die Engel"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Nun sag ich dir zum ersten Mal"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Es ist Mitternachtszeit"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Du sendest mir einen Liebesblick"
- add to main playlist Play in Full Screen Gurrelieder: Part I. "Du wunderliche Tove!"
- add to main playlist Play in Full Screen Gurrelieder: Part I. Voice of the Wood-dove
Strauss: Don Quixote / Schoenberg: Concerto
- add to main playlist Play in Full Screen Don Quixote, Op. 35
- add to main playlist Play in Full Screen Concerto for Cello & Orchestra: I. Allegro moderato
- add to main playlist Play in Full Screen Concerto for Cello & Orchestra: II. Andante, alla marcia
- add to main playlist Play in Full Screen Concerto for Cello & Orchestra: III. Tempo di Minuetto
Berg, Schönberg, Hindemith
- add to main playlist Play in Full Screen Lulu Suite (Nurenberg Symphoniker & Maga)
- add to main playlist Play in Full Screen Chamber Symphony 2: Adagio (Philharmonia Slavonica & Adolphe)
- add to main playlist Play in Full Screen Chamber Symphony 2: Con Fuoco (Philharmonia Slavonica & Adolphe)
- add to main playlist Play in Full Screen Sonata for Violin & Piano in E: Ruhig Bewegt (Zwicker & Goldmann)
- add to main playlist Play in Full Screen Sonata for Violin & Piano in E: Langsam-Schnell (Zwicker & Goldmann)
Born: 1874-09-13
Died: 1951-07-13
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Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899) Pierre Boulez: Membres de L'Ensemble Intercontemporain Charles-André Linale: violin / violon Maryvonne Le Dizès-Richard: violin / violon Jean Sulem: viola / alto Garth Knox: viola / alto Philippe Muller: cello / violoncelle Pieter Strauch: cello / violoncelle -
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies. In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of ... -
Arnold Schoenberg,Gurrelieder.
"Behold the sun, gay-coloured on the margin of the sky. Morning-dreams greet her in the East! Smiling she rises out of the night-tides, and from her radiant brow there streams the splendour of her locks of light".-final chorus from Gurrelieder. (Try here-http://www.signumrecords.com/products/booklets/SIGCD173booklet.pdf for notes on Gurrelieder and for German/English text). Gurre-Lieder is a massive cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by Robert Franz Arnold). The title means 'Songs of Gurre', referring to Gurre Castle in Denmark, scene of the medieval love-tragedy (related in Jacobsen's poems) revolving around the Danish national legend o... -
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
NEC Contemporary Ensemble Concert directed by John Heiss Jordan Hall in Boston, MA Recorded on January 31, 2013 Schoenberg's Transfigured Night for String Sextet, Op. 4 Audrey Wright and Alexi Kenney, violins Wenting Kang and Alice Weber, violas Emileigh Vandiver and Andrew Larson, celli -
Arnold Schoenberg /// Piano music
01 - Three Piano Pieces, Op. 11 00:01 02 - Six Little Piano Pieces, Op. 19 16:07 03 - Piano Piece, Op. 33a - 01 Mässig 21:49 04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36 05 - Suite for Piano, Op. 25 38:29 -
Arnold Schoenberg: Kammersymphonie op. 9
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (recorded 1984). Score available at www.universaledition.com -
Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951) - Orchestra: The Cleveland Orchestra - Conductor: Pierre Boulez - Soloist: Mitsuko Uchida - Year of recording: 2000 Piano Concerto, Op. 42, written in 1942. 00:00 - I. Andante 04:34 - II. Molto allegro 07:05 - III. Adagio 13:39 - IV. Giocoso (Moderato) Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a rel... -
Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
Schoenberg's manuscript at this link: https://sites.google.com/site/francescobellomi1960bis/download or http://www.schoenberg.at/ or http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=374&Itemid;=585⟨=de Andy Lee web: http://andy-lee.com/Andy_Lee_Web_Portal.html and also: http://pianosociety.com/cms/index.php?section=1597 -
Arnold Schoenberg: Verklärte Nacht
Norwegian Chamber Orchestra Terje Tønnesen, leader Bud Beyer, stage direction Produced by GSOplay, Måns Pär Fogelberg, Josef Atlestam, Simon Dybeck and Per Göran -
String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F sharp minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936). String Quartet No. 2 This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg. The third and fourth movements ... -
Arnold Schoenberg - Wind Quintet, Op. 26
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. Wind Quintet, Op. 26 (1923-24) 1. Schwungvoll [Lively] 2. Anmutig und heiter—scherzando [Graceful and cheerful— scherzando] 3. Etwas langsam [Somewhat slowly] 4. Rondo Vienna Quintet The work is laid out in the four-movement pattern of Classical chamber-music forms, using the thematic contrast usual in them (Neighbour 2001). In this way, Schoenberg sought to restore the innate expressive qualities of the forms of tonal music, and so the Quintet, along with the Suite for piano, op. 25, the Suite for septet, op. 29, the Third String Quartet, op. 30, and the Variations for Orc... -
My War Years - Arnold Schoenberg [1 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet. -
Arnold Schoenberg: Suite per pianoforte op.25 (1921)
Arnold Schoenberg (1874-1951): Suite per pianoforte op.25 (1921) -- Paul Jacobs, pianoforte -- I. Präludium. Rasch II. Gavotte. Etwas langsam III. Musette. Rascher IV. Intermezzo V. Menuett und Trio. Moderato VI. Gigue. Rasch painting by Franz Marc ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciat... -
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners. no copyright infringement intended String Quartets Arnold Schoenberg (1874 - 1951) Ensemble: Arditti Quartet 00:00 Op. 7 - 1.Nicht zu rasch 13:18 Op. 7 - 2.Kräftig 26:30 Op. 7 - 3.Mäßig 38:24 Op. 7 - 4.Mäßig - heiter 46:13 Op. 10 - 1.Mässig 52:44 Op. 10 - 2.Sehr rasch 59:35 Op. 10 - 3.Litanei. Langsam 1:05:30 Op. 10 - 4.Entrückung. Sehr langsam 1:16:42 Op. 30 - 1.Moderato 1:25:18 Op. 30 - 2.Adagio 1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato 1:41:02 Op. 30 - 4.Rondo. Molto moderato 1:47:13 Op. 37 - 1.Allegro molto, energico 1:55:45 Op. 37 - 2.Comodo 2:02:59 Op. 37 - 3.Largo 2:10:52 Op. 37 - 4.Allegro -
Schoenberg Variations for Orchestra, Op. 31
Introduction, Theme with Nine Variations, and Finale This set of variations was the first large scale twelve-tone work that Schoenberg wrote. As expected, the audience did not accept it well. While the work can be considered neoclassical in its form, the label should not confuse the listener into thinking it shares the same kind of - dare I say - pomposity and gaudiness of some neoclassical works by some contemporaries, say Stravinsky of Poulenc. Rather, these are atonal, almost alien and incomprehensible musical shapes. Almost, being the key word, for following a theme that can't easily be whistled through as it metamorphosizes throughout the score, one cannot help but feel as if they are being taken through a surreal dream of shapes, colors, and figures, that may signify nothing, or s... -
Interview with Arnold Schoenberg
The Austrian composer discusses art, music, etc. -
ARNOLD SCHOENBERG.- Noche transfigurada Op. 4
ARNOLD SCHOENBERG.- Noche transfigurada Op. 4 Solistas de la Orquesta Radio Baviera Noche transfigurada, Op. 4 (título original: Verklärte Nacht) es un sexteto de cuerdas en un movimiento del compositor austríaco Arnold Schönberg de 1899, considerado como su primera obra importante. Fue inspirado por el poema homónimo de Richard Dehmel - además de la gran inspiración que le proporcionó el conocer a la hermana de su profesor (Alexander von Zemlinsky), Mathilde von Zemlinsky, con quien más adelante contraería nupcias.). Schönberg compuso este complejo y apasionado sexteto tan solo tres semanas después de conocer a Mathilde. La música Schönberg, uno de los líderes del movimiento musical que llevaría al descubrimiento del atonalismo y, asimismo, padre del dodecafonismo, es tal vez más co... -
Arnold Schoenberg: Father of Modern Music
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch. -
Peripetie - Arnold Schoenberg
A GCSE music presentation on the expressionist piece 'Peripetie', by Arnold Schoenberg. -
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com. -
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899) A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-1951), his first true masterpiece, which is perhaps his most enduring composition. Composed in a highly harmonically advanced post-Romantic idiom, this work demonstrates that the young Schoenberg, aged 25, had already surpassed all his contemporaries in their style; it is little wonder that he would go on to search for new modes of composition and musical expression, pioneering atonal, expressionist and twelve-tone music. Even in this early work, the extensive use of chromaticism, modulation, dissonance and unorthodox harmonies made it very controversial when it premiered in 1902. In particular, Schoenberg used a certain "nonexistent" ... -
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg -- S. James Gates
Theoretical physicist James Gates gives an eloquent talk on the relationship between mathematics and physics for the general audience at the Perimeter Institute for Theoretical Physics. S. James Gates Jr. June 04, 2014 Perimeter Institute for Theoretical Physics ------- http://www.perimeterinstitute.ca/ http://pirsa.org/ http://en.wikipedia.org/wiki/Sylvester_James_Gates ------- -
Arnold Schoenberg — String Trio Op.45 [w/ score]
String Trio Op.45 by Arnold Schoenberg http://www.schoenberg.at/ Performed by the Los Angeles String Trio LP released on Desmar Records (DSM 1020G), 1978. This video was uploaded with permission from BELMONT MUSIC PUBLISHERS http://www.schoenbergmusic.com/ NOTE that the displayed score comes from its first print, Bomart Music Publications, New York 1950. To purchase the current print [Bel-1045], visit Belmont's site above. NON-COMMERCIAL USE posted for divulgation and educational purposes only. Please email incipitsifyq [at] gmail [dot] com if you have a copyright concern regarding the audio or score.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
- Order: Reorder
- Duration: 29:26
- Updated: 12 Nov 2011
- views: 643306
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
...
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
wn.com/Schoenberg Verklärte Nacht, Op.4 Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée), Op.4 (1899)
Pierre Boulez: Membres de L'Ensemble Intercontemporain
Charles-André Linale: violin / violon
Maryvonne Le Dizès-Richard: violin / violon
Jean Sulem: viola / alto
Garth Knox: viola / alto
Philippe Muller: cello / violoncelle
Pieter Strauch: cello / violoncelle
- published: 12 Nov 2011
- views: 643306
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
- Order: Reorder
- Duration: 42:26
- Updated: 12 Jul 2011
- views: 177542
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I ...
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies.
In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections.
The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application.
Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us.
Arnold Schoenberg
wn.com/Arnold Schoenberg, String Quartet No. 1 In D Minor, Op. 7
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies.
In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections.
The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application.
Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us.
Arnold Schoenberg
- published: 12 Jul 2011
- views: 177542
Arnold Schoenberg,Gurrelieder.
- Order: Reorder
- Duration: 114:52
- Updated: 31 Dec 2013
- views: 94190
"Behold the sun,
gay-coloured on the margin of the sky.
Morning-dreams greet her in the East!
Smiling she rises
out of the night-tides,
and from her radiant bro...
"Behold the sun,
gay-coloured on the margin of the sky.
Morning-dreams greet her in the East!
Smiling she rises
out of the night-tides,
and from her radiant brow there streams
the splendour of her locks of light".-final chorus from Gurrelieder.
(Try here-http://www.signumrecords.com/products/booklets/SIGCD173booklet.pdf for notes on Gurrelieder and for German/English text).
Gurre-Lieder is a massive cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by Robert Franz Arnold). The title means 'Songs of Gurre', referring to Gurre Castle in Denmark, scene of the medieval love-tragedy (related in Jacobsen's poems) revolving around the Danish national legend of the love of the Danish king Valdemar Atterdag (Valdemar IV, 1320-1375, spelt Waldemar by Schoenberg) for his mistress Tove, and her subsequent murder by Valdemar's jealous Queen Helvig (a legend which is historically more likely connected with his ancestor Valdemar I).
Melanie Diener - soprano, Iris Vermillion - mezzo soprano, Thomas Moser - tenor, Philip Langridge - tenor, Ralf Lukas - baritone, Werner Hollweg - speaker. WDR Rundfunkchor Köln/ NDR Choir/ Czech Philharmonic Choir/ Beethoven Orchestra, Bonn/ Roman Kofman.
wn.com/Arnold Schoenberg,Gurrelieder.
"Behold the sun,
gay-coloured on the margin of the sky.
Morning-dreams greet her in the East!
Smiling she rises
out of the night-tides,
and from her radiant brow there streams
the splendour of her locks of light".-final chorus from Gurrelieder.
(Try here-http://www.signumrecords.com/products/booklets/SIGCD173booklet.pdf for notes on Gurrelieder and for German/English text).
Gurre-Lieder is a massive cantata for five vocal soloists, narrator, chorus and large orchestra, composed by Arnold Schoenberg, on poems by the Danish novelist Jens Peter Jacobsen (translated from Danish to German by Robert Franz Arnold). The title means 'Songs of Gurre', referring to Gurre Castle in Denmark, scene of the medieval love-tragedy (related in Jacobsen's poems) revolving around the Danish national legend of the love of the Danish king Valdemar Atterdag (Valdemar IV, 1320-1375, spelt Waldemar by Schoenberg) for his mistress Tove, and her subsequent murder by Valdemar's jealous Queen Helvig (a legend which is historically more likely connected with his ancestor Valdemar I).
Melanie Diener - soprano, Iris Vermillion - mezzo soprano, Thomas Moser - tenor, Philip Langridge - tenor, Ralf Lukas - baritone, Werner Hollweg - speaker. WDR Rundfunkchor Köln/ NDR Choir/ Czech Philharmonic Choir/ Beethoven Orchestra, Bonn/ Roman Kofman.
- published: 31 Dec 2013
- views: 94190
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
- Order: Reorder
- Duration: 32:14
- Updated: 09 May 2013
- views: 61387
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sext...
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sextet, Op. 4
Audrey Wright and Alexi Kenney, violins
Wenting Kang and Alice Weber, violas
Emileigh Vandiver and Andrew Larson, celli
wn.com/Arnold Schoenberg Transfigured Night For String Sextet, Op. 4
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorded on January 31, 2013
Schoenberg's Transfigured Night for String Sextet, Op. 4
Audrey Wright and Alexi Kenney, violins
Wenting Kang and Alice Weber, violas
Emileigh Vandiver and Andrew Larson, celli
- published: 09 May 2013
- views: 61387
Arnold Schoenberg /// Piano music
- Order: Reorder
- Duration: 54:13
- Updated: 01 Dec 2014
- views: 11848
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01...
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
wn.com/Arnold Schoenberg Piano Music
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Piano Piece, Op. 33a - 01 Mässig 21:49
04 - Five Piano Pieces, Op. 23 - 01 Sehr langsam 27:36
05 - Suite for Piano, Op. 25 38:29
- published: 01 Dec 2014
- views: 11848
Arnold Schoenberg: Kammersymphonie op. 9
- Order: Reorder
- Duration: 7:30
- Updated: 14 Feb 2007
- views: 342550
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (recorded 1984). Score available at www.universaledition.com
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (recorded 1984). Score available at www.universaledition.com
wn.com/Arnold Schoenberg Kammersymphonie Op. 9
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (recorded 1984). Score available at www.universaledition.com
- published: 14 Feb 2007
- views: 342550
Arnold Schoenberg - Piano Concerto, Op. 42
- Order: Reorder
- Duration: 19:58
- Updated: 03 Dec 2015
- views: 3732
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- So...
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
wn.com/Arnold Schoenberg Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Orchestra: The Cleveland Orchestra
- Conductor: Pierre Boulez
- Soloist: Mitsuko Uchida
- Year of recording: 2000
Piano Concerto, Op. 42, written in 1942.
00:00 - I. Andante
04:34 - II. Molto allegro
07:05 - III. Adagio
13:39 - IV. Giocoso (Moderato)
Arnold Schoenberg's Piano Concerto, Op. 42, was the composer's first work since the Violin Concerto, Op. 36 to employ his "method of composing with 12 tones that are related only to one another." Four of his previous works -- Kol nidre, Op. 39, the Second Chamber Symphony, Op. 38, the Variations on a Recitative for Organ, Op. 40, and Ode to Napoleon Buonaparte, Op. 41 (all completed between 1938 and 1942) -- retain serial principles in a relaxed form or dispense with them completely. For the first time in four years, Schoenberg would base a work on a single, ordered, 12-note series. This series appears in the opening theme of the concerto, both in the linear right hand of the piano part and in combination with the left hand (some pitch repetition does occur).
Although it is written in one movement, the concerto falls into four sections, marked Andante, Molto allegro, Adagio, and Giocoso. The division is symphonic in nature, and the rondo-like aspects of the finale reinforce this impression. The richness of the piano part is evocative of Brahms' music, as is the distribution of material between the solo and orchestra parts. Schoenberg partitions his row into two hexachords (six-note groups), each of which he tends to subdivide into trichords (three-note groups). Unlike the row Schoenberg designed for his Ode to Napoleon Buonaparte, Op. 41, various combinations of pitches do not result in traditional triads. However, Schoenberg's permutations of the row are sometimes very free, even from the beginning of the piece, resulting in occasional quasi-tonal passages. This freedom in the use of the row enables Schoenberg to write the thick, fourth-based chords at the end of the Molto allegro and the Adagio. At such moments the work seems to be moving away from the 12-tone idiom.
- The clear triple meter of the first section is eerily reminiscent of the Viennese waltz in both the melody and accompaniment. Entering hesitantly at first, the orchestra gradually becomes an equal participant in the proceedings.
- In the Molto allegro, Schoenberg employs a device he had used in his Op. 11 piano pieces -- a chord in harmonics created by silently depressing four keys, then causing the strings to vibrate by striking the same notes in a lower register.
- The orchestra alone opens the tense, tragic Adagio, thereafter alternating with the piano's solo passages. Separation between the two forces is created in this section, in which a potential climax is averted by a moment of silence and a genuine cadenza for the piano.
- Oddly, the very beginning of the Giocoso returns to an F sharp far more often than would be possible in a strictly worked out 12-tone composition, reflecting Schoenberg's relaxed approach to his own method in this piece. A recurrent rhythmic motive permeates the entire section, which, in its contrasting moments and sweeping gestures, sounds at times as if it were composed in the late nineteenth century.
Sketches for the concerto suggest Schoenberg put down his first ideas on 27 June 1942; his date at the end of the finished score is 10 December 1942. The premiere of the Piano Concerto was given at the NBC Studios in New York with Eduard Steuermann at the piano and Leopold Stokowski conducting. Steuermann had also participated in the first performances of Ode to Napoleon Buonaparte, Op. 41, and Pierrot lunaire, Op. 21.
- published: 03 Dec 2015
- views: 3732
Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
- Order: Reorder
- Duration: 5:01
- Updated: 13 Oct 2009
- views: 46700
Schoenberg's manuscript at this link:
https://sites.google.com/site/francescobellomi1960bis/download
or
http://www.schoenberg.at/
or
http://www.schoenberg.at...
Schoenberg's manuscript at this link:
https://sites.google.com/site/francescobellomi1960bis/download
or
http://www.schoenberg.at/
or
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=374&Itemid;=585⟨=de
Andy Lee web: http://andy-lee.com/Andy_Lee_Web_Portal.html
and also:
http://pianosociety.com/cms/index.php?section=1597
wn.com/Arnold Schoenberg's Manuscript Six Little Piano Pieces Op. 19 (Andy Lee Piano)
Schoenberg's manuscript at this link:
https://sites.google.com/site/francescobellomi1960bis/download
or
http://www.schoenberg.at/
or
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=374&Itemid;=585⟨=de
Andy Lee web: http://andy-lee.com/Andy_Lee_Web_Portal.html
and also:
http://pianosociety.com/cms/index.php?section=1597
- published: 13 Oct 2009
- views: 46700
Arnold Schoenberg: Verklärte Nacht
- Order: Reorder
- Duration: 31:01
- Updated: 03 Feb 2014
- views: 37663
Norwegian Chamber Orchestra
Terje Tønnesen, leader
Bud Beyer, stage direction
Produced by GSOplay, Måns Pär Fogelberg, Josef Atlestam, Simon Dybeck and Per Gö...
Norwegian Chamber Orchestra
Terje Tønnesen, leader
Bud Beyer, stage direction
Produced by GSOplay, Måns Pär Fogelberg, Josef Atlestam, Simon Dybeck and Per Göran
wn.com/Arnold Schoenberg VerkläRte Nacht
Norwegian Chamber Orchestra
Terje Tønnesen, leader
Bud Beyer, stage direction
Produced by GSOplay, Måns Pär Fogelberg, Josef Atlestam, Simon Dybeck and Per Göran
- published: 03 Feb 2014
- views: 37663
String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
- Order: Reorder
- Duration: 29:31
- Updated: 15 Jun 2014
- views: 23653
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (19...
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F sharp minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).
String Quartet No. 2
This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg.
The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George.
"I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937)
The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord. Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on December 21, 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra.
1. Mäßig (Moderate), F sharp minor
2. Sehr rasch (Very brisk), D minor
3. "Litanei", langsam ("Litany", slow), E flat minor
4. "Entrückung", sehr langsam ("Rapture", very slow), No key
The latter two movements of the Second String Quartet are set to poems from Stefan George's collection Der siebente Ring (The Seventh Ring), which was published in 1907:
Litanei
Tief ist die trauer die mich umdüstert,
Ein tret ich wieder, Herr! in dein haus.
Lang war die reise, matt sind die glieder,
Leer sind die schreine, voll nur die qual.
Durstende zunge darbt nach dem weine.
Hart war gestritten, starr ist mein arm.
Gönne die ruhe schwankenden schritten,
Hungrigem gaume bröckle dein brot!
Schwach ist mein atem rufend dem traume,
Hohl sind die hände, fiebernd der mund.
Leih deine kühle, lösche der brände.
Tilge das hoffen, sende das licht!
Gluten im herzen lodern noch offen,
Innerst im grunde wacht noch ein schrei.
Töte das sehnen, schliesse die wunde!
Nimm mir die liebe, gib mir dein glück!
Entrückung
Ich fühle luft von anderem planeten.
Mir blassen durch das dunkel die gesichter
Die freundlich eben noch sich zu mir drehten.
Und bäum und wege die ich liebte fahlen
Dass ich sie kaum mehr kenne und du lichter
Geliebter schatten—rufer meiner qualen--
Bist nun erloschen ganz in tiefern gluten
Um nach dem taumel streitenden getobes
Mit einem frommen schauer anzumuten.
Ich löse mich in tönen, kreisend, webend,
Ungründigen danks und unbenamten lobes
Dem grossen atem wunschlos mich ergebend.
Mich überfährt ein ungestümes wehen
Im rausch der weihe wo inbrünstige schreie
In staub geworfner beterinnen flehen:
Dann seh ich wie sich duftige nebel lüpfen
In einer sonnerfüllten klaren freie
Die nur umfängt auf fernsten bergesschlüpfen.
Der boden schüffert weiss und weich wie molke.
Ich steige über schluchten ungeheuer.
Ich fühle wie ich über letzter wolke
In einem meer kristallnen glanzes schwimme--
Ich bin ein funke nur vom heiligen feuer
Ich bin ein dröhnen nur der heiligen stimme.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Mary Elizabeth Mackenzie, soprano; Musicians from Ravinia's Steans Institute
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Picture of Schoenberg used by courtesy of Arnold Schönberg Center
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
wn.com/String Quartet No. 2, Op. 10 Arnold Schoenberg Hd
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime. These were the String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F sharp minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).
String Quartet No. 2
This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg.
The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George.
"I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937)
The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord. Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on December 21, 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra.
1. Mäßig (Moderate), F sharp minor
2. Sehr rasch (Very brisk), D minor
3. "Litanei", langsam ("Litany", slow), E flat minor
4. "Entrückung", sehr langsam ("Rapture", very slow), No key
The latter two movements of the Second String Quartet are set to poems from Stefan George's collection Der siebente Ring (The Seventh Ring), which was published in 1907:
Litanei
Tief ist die trauer die mich umdüstert,
Ein tret ich wieder, Herr! in dein haus.
Lang war die reise, matt sind die glieder,
Leer sind die schreine, voll nur die qual.
Durstende zunge darbt nach dem weine.
Hart war gestritten, starr ist mein arm.
Gönne die ruhe schwankenden schritten,
Hungrigem gaume bröckle dein brot!
Schwach ist mein atem rufend dem traume,
Hohl sind die hände, fiebernd der mund.
Leih deine kühle, lösche der brände.
Tilge das hoffen, sende das licht!
Gluten im herzen lodern noch offen,
Innerst im grunde wacht noch ein schrei.
Töte das sehnen, schliesse die wunde!
Nimm mir die liebe, gib mir dein glück!
Entrückung
Ich fühle luft von anderem planeten.
Mir blassen durch das dunkel die gesichter
Die freundlich eben noch sich zu mir drehten.
Und bäum und wege die ich liebte fahlen
Dass ich sie kaum mehr kenne und du lichter
Geliebter schatten—rufer meiner qualen--
Bist nun erloschen ganz in tiefern gluten
Um nach dem taumel streitenden getobes
Mit einem frommen schauer anzumuten.
Ich löse mich in tönen, kreisend, webend,
Ungründigen danks und unbenamten lobes
Dem grossen atem wunschlos mich ergebend.
Mich überfährt ein ungestümes wehen
Im rausch der weihe wo inbrünstige schreie
In staub geworfner beterinnen flehen:
Dann seh ich wie sich duftige nebel lüpfen
In einer sonnerfüllten klaren freie
Die nur umfängt auf fernsten bergesschlüpfen.
Der boden schüffert weiss und weich wie molke.
Ich steige über schluchten ungeheuer.
Ich fühle wie ich über letzter wolke
In einem meer kristallnen glanzes schwimme--
Ich bin ein funke nur vom heiligen feuer
Ich bin ein dröhnen nur der heiligen stimme.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Mary Elizabeth Mackenzie, soprano; Musicians from Ravinia's Steans Institute
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Picture of Schoenberg used by courtesy of Arnold Schönberg Center
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
- published: 15 Jun 2014
- views: 23653
Arnold Schoenberg - Wind Quintet, Op. 26
- Order: Reorder
- Duration: 40:18
- Updated: 21 Dec 2015
- views: 1149
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poe...
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School.
Wind Quintet, Op. 26 (1923-24)
1. Schwungvoll [Lively]
2. Anmutig und heiter—scherzando [Graceful and cheerful— scherzando]
3. Etwas langsam [Somewhat slowly]
4. Rondo
Vienna Quintet
The work is laid out in the four-movement pattern of Classical chamber-music forms, using the thematic contrast usual in them (Neighbour 2001). In this way, Schoenberg sought to restore the innate expressive qualities of the forms of tonal music, and so the Quintet, along with the Suite for piano, op. 25, the Suite for septet, op. 29, the Third String Quartet, op. 30, and the Variations for Orchestra, represent the most extreme point of his neoclassicism (Rosen 1996, 88).
The first movement follows standard sonata-allegro layout, and "is perhaps the most notorious example of a twelve-tone movement imitating a tonal form", with a repeated two-theme exposition, a development section, and a recapitulation in which the second theme is transposed up a perfect fourth, as if it were a tonal work with the second key area originally in the dominant (Mead 1987, 73). The mistaken impression is easily formed that this is "some sort of musical taxidermy—rondo and sonata-allegro skins stuffed and mounted with chromatic sawdust" but, despite superficial appearances, the structure is quite a different thing (Mead 1987, 67). The opening theme of the first movement, for example, is in two phrases. The first, antecedent phrase uses the first hexachord of the basic series; the second, consequent phrase uses the second hexachord (Schoenberg 1975, 228).
The opening melody of the scherzo movement starts with the fourth note of the basic series, the first three notes having already appeared in the accompaniment. Unlike some other passages in the Quintet, the accompaniment here uses the same tones as are found in the melody, but not at the same time. Later in the same movement, different forms of the row are combined in contrapuntal elaboration (e.g., the inversion and retrograde inversion in b. 88–94)—a procedure also featured later in the Rondo (Schoenberg 1975, 232).
The third, slow movement is in an extended ternary form, with coda. A substantial transition section in bars 53–81, with a change of meter and faster tempo, connects the central section to the return of the opening material (Mead 1985, 131).
The finale follows the expected pattern for a classical seven-part rondo, with motivically distinguished sections in a design that may be designated as A–B–A'–C–A"–B'–A–coda. These sections are also distinguished by the row forms used on the surface (Mead 1987, 82).
wn.com/Arnold Schoenberg Wind Quintet, Op. 26
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School.
Wind Quintet, Op. 26 (1923-24)
1. Schwungvoll [Lively]
2. Anmutig und heiter—scherzando [Graceful and cheerful— scherzando]
3. Etwas langsam [Somewhat slowly]
4. Rondo
Vienna Quintet
The work is laid out in the four-movement pattern of Classical chamber-music forms, using the thematic contrast usual in them (Neighbour 2001). In this way, Schoenberg sought to restore the innate expressive qualities of the forms of tonal music, and so the Quintet, along with the Suite for piano, op. 25, the Suite for septet, op. 29, the Third String Quartet, op. 30, and the Variations for Orchestra, represent the most extreme point of his neoclassicism (Rosen 1996, 88).
The first movement follows standard sonata-allegro layout, and "is perhaps the most notorious example of a twelve-tone movement imitating a tonal form", with a repeated two-theme exposition, a development section, and a recapitulation in which the second theme is transposed up a perfect fourth, as if it were a tonal work with the second key area originally in the dominant (Mead 1987, 73). The mistaken impression is easily formed that this is "some sort of musical taxidermy—rondo and sonata-allegro skins stuffed and mounted with chromatic sawdust" but, despite superficial appearances, the structure is quite a different thing (Mead 1987, 67). The opening theme of the first movement, for example, is in two phrases. The first, antecedent phrase uses the first hexachord of the basic series; the second, consequent phrase uses the second hexachord (Schoenberg 1975, 228).
The opening melody of the scherzo movement starts with the fourth note of the basic series, the first three notes having already appeared in the accompaniment. Unlike some other passages in the Quintet, the accompaniment here uses the same tones as are found in the melody, but not at the same time. Later in the same movement, different forms of the row are combined in contrapuntal elaboration (e.g., the inversion and retrograde inversion in b. 88–94)—a procedure also featured later in the Rondo (Schoenberg 1975, 232).
The third, slow movement is in an extended ternary form, with coda. A substantial transition section in bars 53–81, with a change of meter and faster tempo, connects the central section to the return of the opening material (Mead 1985, 131).
The finale follows the expected pattern for a classical seven-part rondo, with motivically distinguished sections in a design that may be designated as A–B–A'–C–A"–B'–A–coda. These sections are also distinguished by the row forms used on the surface (Mead 1987, 82).
- published: 21 Dec 2015
- views: 1149
My War Years - Arnold Schoenberg [1 of 3]
- Order: Reorder
- Duration: 29:37
- Updated: 15 May 2011
- views: 23637
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily...
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet.
wn.com/My War Years Arnold Schoenberg 1 Of 3
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky and Hanns Eisler) tell the story of the composer's life in their own words. This first segment takes us through late 1908. Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain, the Schoenberg Quartet, Oliver Knussen and Michael Tilson Thomas. Featured works include Verklärte Nacht, the Gurre-Lieder and the second string quartet.
- published: 15 May 2011
- views: 23637
Arnold Schoenberg: Suite per pianoforte op.25 (1921)
- Order: Reorder
- Duration: 15:44
- Updated: 28 Jun 2011
- views: 86285
Arnold Schoenberg (1874-1951): Suite per pianoforte op.25 (1921) -- Paul Jacobs, pianoforte --
I. Präludium. Rasch
II. Gavotte. Etwas langsam
III. Musette....
Arnold Schoenberg (1874-1951): Suite per pianoforte op.25 (1921) -- Paul Jacobs, pianoforte --
I. Präludium. Rasch
II. Gavotte. Etwas langsam
III. Musette. Rascher
IV. Intermezzo
V. Menuett und Trio. Moderato
VI. Gigue. Rasch
painting by Franz Marc
----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Arnold Schoenberg Suite Per Pianoforte Op.25 (1921)
Arnold Schoenberg (1874-1951): Suite per pianoforte op.25 (1921) -- Paul Jacobs, pianoforte --
I. Präludium. Rasch
II. Gavotte. Etwas langsam
III. Musette. Rascher
IV. Intermezzo
V. Menuett und Trio. Moderato
VI. Gigue. Rasch
painting by Franz Marc
----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 28 Jun 2011
- views: 86285
Schoenberg - Complete String Quartets
- Order: Reorder
- Duration: 139:22
- Updated: 31 Jan 2013
- views: 123778
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
...
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
wn.com/Schoenberg Complete String Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
String Quartets
Arnold Schoenberg (1874 - 1951)
Ensemble: Arditti Quartet
00:00 Op. 7 - 1.Nicht zu rasch
13:18 Op. 7 - 2.Kräftig
26:30 Op. 7 - 3.Mäßig
38:24 Op. 7 - 4.Mäßig - heiter
46:13 Op. 10 - 1.Mässig
52:44 Op. 10 - 2.Sehr rasch
59:35 Op. 10 - 3.Litanei. Langsam
1:05:30 Op. 10 - 4.Entrückung. Sehr langsam
1:16:42 Op. 30 - 1.Moderato
1:25:18 Op. 30 - 2.Adagio
1:34:09 Op. 30 - 3.Intermezzo. Allegro moderato
1:41:02 Op. 30 - 4.Rondo. Molto moderato
1:47:13 Op. 37 - 1.Allegro molto, energico
1:55:45 Op. 37 - 2.Comodo
2:02:59 Op. 37 - 3.Largo
2:10:52 Op. 37 - 4.Allegro
- published: 31 Jan 2013
- views: 123778
Schoenberg Variations for Orchestra, Op. 31
- Order: Reorder
- Duration: 20:12
- Updated: 29 Apr 2014
- views: 9725
Introduction, Theme with Nine Variations, and Finale
This set of variations was the first large scale twelve-tone work that Schoenberg wrote. As expected, the ...
Introduction, Theme with Nine Variations, and Finale
This set of variations was the first large scale twelve-tone work that Schoenberg wrote. As expected, the audience did not accept it well. While the work can be considered neoclassical in its form, the label should not confuse the listener into thinking it shares the same kind of - dare I say - pomposity and gaudiness of some neoclassical works by some contemporaries, say Stravinsky of Poulenc. Rather, these are atonal, almost alien and incomprehensible musical shapes.
Almost, being the key word, for following a theme that can't easily be whistled through as it metamorphosizes throughout the score, one cannot help but feel as if they are being taken through a surreal dream of shapes, colors, and figures, that may signify nothing, or signify more than you can expect.
Played by: Pierre Boulez and the Chicago Symphony Orchestra
wn.com/Schoenberg Variations For Orchestra, Op. 31
Introduction, Theme with Nine Variations, and Finale
This set of variations was the first large scale twelve-tone work that Schoenberg wrote. As expected, the audience did not accept it well. While the work can be considered neoclassical in its form, the label should not confuse the listener into thinking it shares the same kind of - dare I say - pomposity and gaudiness of some neoclassical works by some contemporaries, say Stravinsky of Poulenc. Rather, these are atonal, almost alien and incomprehensible musical shapes.
Almost, being the key word, for following a theme that can't easily be whistled through as it metamorphosizes throughout the score, one cannot help but feel as if they are being taken through a surreal dream of shapes, colors, and figures, that may signify nothing, or signify more than you can expect.
Played by: Pierre Boulez and the Chicago Symphony Orchestra
- published: 29 Apr 2014
- views: 9725
Interview with Arnold Schoenberg
- Order: Reorder
- Duration: 7:07
- Updated: 08 Jul 2007
- views: 84125
The Austrian composer discusses art, music, etc.
The Austrian composer discusses art, music, etc.
wn.com/Interview With Arnold Schoenberg
ARNOLD SCHOENBERG.- Noche transfigurada Op. 4
- Order: Reorder
- Duration: 27:51
- Updated: 02 Aug 2014
- views: 10989
ARNOLD SCHOENBERG.-
Noche transfigurada Op. 4
Solistas de la Orquesta Radio Baviera
Noche transfigurada, Op. 4 (título original: Verklärte Nacht) es un sex...
ARNOLD SCHOENBERG.-
Noche transfigurada Op. 4
Solistas de la Orquesta Radio Baviera
Noche transfigurada, Op. 4 (título original: Verklärte Nacht) es un sexteto de cuerdas en un movimiento del compositor austríaco Arnold Schönberg de 1899, considerado como su primera obra importante. Fue inspirado por el poema homónimo de Richard Dehmel - además de la gran inspiración que le proporcionó el conocer a la hermana de su profesor (Alexander von Zemlinsky), Mathilde von Zemlinsky, con quien más adelante contraería nupcias.). Schönberg compuso este complejo y apasionado sexteto tan solo tres semanas después de conocer a Mathilde.
La música
Schönberg, uno de los líderes del movimiento musical que llevaría al descubrimiento del atonalismo y, asimismo, padre del dodecafonismo, es tal vez más conocido por "Noche Transfigurada" que por otras de sus obras. Esta obra es descendiente directa de un linaje de obras del postromanticismo alemán, donde es notoria una gran influencia de las complejas armonías cromáticas de Wagner y Strauss que llevan a la tonalidad a su límite, y rozan al atonalismo. Schönberg, sin embargo, mantiene un gran lirismo y musicalidad a lo largo de toda la obra, más que en cualquiera de sus obras posteriores.
El único movimiento del sexteto consiste en 5 secciones que corresponden con la estructura del poema en el cual está basado, y los temas de cada sección constituyen una verdadera metamorfosis musical de la narrativa y el discurso del poema. Como tal, esta obra es una de los primeros ejemplos de música programática escritos para un conjunto de cámara.
La partitura original fue concebida para 2 violínes, dos violas y dos violoncellos. En 1917, Schönberg arregló la obra para orquesta de cuerdas (lo cual era bastante común entre los compositores de la época), arreglo que fue posteriormente revisado en 1943. También existe una versión para Trío de Piano escrita por Eduard Steuermann. La versión para orquesta de cuerdas es la más popular de todas, y ha sido frecuentemente interpretada y grabada. Noche Transfigurada ha servido también como base de varios ballets.
Recepción
Verklärte Nacht generó polémicas cuando fue estrenada en 1902. Esto puede haberse debido ya sea al sonido modernístico que le imprimía el uso tan saturado de armonías cromáticas jugando al límite con la atonalidad, así también como las explícitas referencias a temáticas sexuales por parte del poema de Dehmel. Esta obra posee la peculiaridad de que, aunque es una obra en la que prevalece la armonía tradicional basada en acordes por terceras, no existe un centro tonal estable. Además, el uso de un "inexistente" acorde de novena invertido ("inexistente" por el hecho de no haber sido categorizado previamente, y por lo tanto prohibido) causó controversia y resultó en el rechazo de la obra por parte de la Sociedad de Música de Viena. Schönberg resaltó "y así (la obra) no puede ser interpretada, ya que no se puede interpretar lo que no existe".
Estreno
La obra fue estrenada el 18 de marzo de 1902 en la Sociedad Musical Vienesa (Vienna Musikverein) por el Cuarteto Rosé, junto a los músicos invitados Franz Jelinek y Franz Schmidt. Arnold Rosé y Albert Bachrich tocaron los violines, Anton Ruzitska y Franz Jelinek las violas, y Friedrich Buxbaum y Franz Schmidt los cellos.
wn.com/Arnold Schoenberg. Noche Transfigurada Op. 4
ARNOLD SCHOENBERG.-
Noche transfigurada Op. 4
Solistas de la Orquesta Radio Baviera
Noche transfigurada, Op. 4 (título original: Verklärte Nacht) es un sexteto de cuerdas en un movimiento del compositor austríaco Arnold Schönberg de 1899, considerado como su primera obra importante. Fue inspirado por el poema homónimo de Richard Dehmel - además de la gran inspiración que le proporcionó el conocer a la hermana de su profesor (Alexander von Zemlinsky), Mathilde von Zemlinsky, con quien más adelante contraería nupcias.). Schönberg compuso este complejo y apasionado sexteto tan solo tres semanas después de conocer a Mathilde.
La música
Schönberg, uno de los líderes del movimiento musical que llevaría al descubrimiento del atonalismo y, asimismo, padre del dodecafonismo, es tal vez más conocido por "Noche Transfigurada" que por otras de sus obras. Esta obra es descendiente directa de un linaje de obras del postromanticismo alemán, donde es notoria una gran influencia de las complejas armonías cromáticas de Wagner y Strauss que llevan a la tonalidad a su límite, y rozan al atonalismo. Schönberg, sin embargo, mantiene un gran lirismo y musicalidad a lo largo de toda la obra, más que en cualquiera de sus obras posteriores.
El único movimiento del sexteto consiste en 5 secciones que corresponden con la estructura del poema en el cual está basado, y los temas de cada sección constituyen una verdadera metamorfosis musical de la narrativa y el discurso del poema. Como tal, esta obra es una de los primeros ejemplos de música programática escritos para un conjunto de cámara.
La partitura original fue concebida para 2 violínes, dos violas y dos violoncellos. En 1917, Schönberg arregló la obra para orquesta de cuerdas (lo cual era bastante común entre los compositores de la época), arreglo que fue posteriormente revisado en 1943. También existe una versión para Trío de Piano escrita por Eduard Steuermann. La versión para orquesta de cuerdas es la más popular de todas, y ha sido frecuentemente interpretada y grabada. Noche Transfigurada ha servido también como base de varios ballets.
Recepción
Verklärte Nacht generó polémicas cuando fue estrenada en 1902. Esto puede haberse debido ya sea al sonido modernístico que le imprimía el uso tan saturado de armonías cromáticas jugando al límite con la atonalidad, así también como las explícitas referencias a temáticas sexuales por parte del poema de Dehmel. Esta obra posee la peculiaridad de que, aunque es una obra en la que prevalece la armonía tradicional basada en acordes por terceras, no existe un centro tonal estable. Además, el uso de un "inexistente" acorde de novena invertido ("inexistente" por el hecho de no haber sido categorizado previamente, y por lo tanto prohibido) causó controversia y resultó en el rechazo de la obra por parte de la Sociedad de Música de Viena. Schönberg resaltó "y así (la obra) no puede ser interpretada, ya que no se puede interpretar lo que no existe".
Estreno
La obra fue estrenada el 18 de marzo de 1902 en la Sociedad Musical Vienesa (Vienna Musikverein) por el Cuarteto Rosé, junto a los músicos invitados Franz Jelinek y Franz Schmidt. Arnold Rosé y Albert Bachrich tocaron los violines, Anton Ruzitska y Franz Jelinek las violas, y Friedrich Buxbaum y Franz Schmidt los cellos.
- published: 02 Aug 2014
- views: 10989
Arnold Schoenberg: Father of Modern Music
- Order: Reorder
- Duration: 9:20
- Updated: 17 Jan 2007
- views: 58281
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
wn.com/Arnold Schoenberg Father Of Modern Music
Truman Fisher introduces the works and innovations of composer Arnold Schoenberg, including interviews with Gertrud and Lawrence Schoenberg and Rudolf Kolisch.
- published: 17 Jan 2007
- views: 58281
Peripetie - Arnold Schoenberg
- Order: Reorder
- Duration: 2:10
- Updated: 26 Jan 2010
- views: 147850
A GCSE music presentation on the expressionist piece 'Peripetie', by Arnold Schoenberg.
A GCSE music presentation on the expressionist piece 'Peripetie', by Arnold Schoenberg.
wn.com/Peripetie Arnold Schoenberg
A GCSE music presentation on the expressionist piece 'Peripetie', by Arnold Schoenberg.
- published: 26 Jan 2010
- views: 147850
Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)
- Order: Reorder
- Duration: 5:46
- Updated: 20 Feb 2007
- views: 374872
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
wn.com/Arnold Schoenberg Piano Concerto Op. 42 (Excerpt)
Mitsuko Uchida, soloist. Rotterdams Philharmonisch Orkest, conducted by Jeffrey Tate. Score available at www.schoenbergmusic.com.
- published: 20 Feb 2007
- views: 374872
Schoenberg - Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
- Order: Reorder
- Duration: 28:49
- Updated: 20 May 2012
- views: 145690
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-195...
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-1951), his first true masterpiece, which is perhaps his most enduring composition. Composed in a highly harmonically advanced post-Romantic idiom, this work demonstrates that the young Schoenberg, aged 25, had already surpassed all his contemporaries in their style; it is little wonder that he would go on to search for new modes of composition and musical expression, pioneering atonal, expressionist and twelve-tone music. Even in this early work, the extensive use of chromaticism, modulation, dissonance and unorthodox harmonies made it very controversial when it premiered in 1902. In particular, Schoenberg used a certain "nonexistent" inverted ninth chord (it was nonexistent because it was uncategorized, and hence forbidden by convention), and this led the Vienna Musical Society to reject the composition.
"Verklärte Nacht" takes as its subject a poem by Richard Dehmel that describes a man and a woman walking through a dark forest at night. She confesses a secret to him: She is pregnant with the child of another man. He reflects on this revelation in silence, and eventually comes to accept and forgive the woman. Schoenberg was inspired by his feelings for Mathilde von Zemlinsky, the daughter of his teacher Alexander von Zemlinsky and his future wife.
This classic performance by the Hollywood String Quartet dates from 1955.
English translation of Dehmel's poem:
Two people are walking through a bare, cold wood;
the moon keeps pace with them and draws their gaze.
The moon moves along above tall oak trees,
there is no wisp of cloud to obscure the radiance
to which the black, jagged tips reach up.
A woman's voice speaks:
"I am carrying a child, and not by you.
I am walking here with you in a state of sin.
I have offended grievously against myself.
I despaired of happiness,
and yet I still felt a grievous longing
for life's fullness, for a mother's joys
"and duties; and so I sinned,
and so I yielded, shuddering, my sex
to the embrace of a stranger,
and even thought myself blessed.
Now life has taken its revenge,
and I have met you, met you."
She walks on, stumbling.
She looks up; the moon keeps pace.
Her dark gaze drowns in light.
A man's voice speaks:
"Do not let the child you have conceived
be a burden on your soul.
Look, how brightly the universe shines!
Splendour falls on everything around,
you are voyaging with me on a cold sea,
but there is the glow of an inner warmth
from you in me, from me in you.
That warmth will transfigure the stranger's child,
and you bear it me, begot by me.
You have transfused me with splendour,
you have made a child of me."
He puts an arm about her strong hips.
Their breath embraces in the air.
Two people walk on through the high, bright night.
Hollywood String Quartet: Felix Slatkin, Paul Shure (violins), Paul Robyn (viola), Eleanor Aller Slatkin (cello)
with Alvin Dinkin (viola) and Kurt Reher (cello)
wn.com/Schoenberg Verklärte Nacht (Transfigured Night), Op. 4, For String Sextet (1899)
Verklärte Nacht (Transfigured Night), Op. 4, for string sextet (1899)
A work in one movement for string sextet by Austrian composer Arnold Schoenberg (1874-1951), his first true masterpiece, which is perhaps his most enduring composition. Composed in a highly harmonically advanced post-Romantic idiom, this work demonstrates that the young Schoenberg, aged 25, had already surpassed all his contemporaries in their style; it is little wonder that he would go on to search for new modes of composition and musical expression, pioneering atonal, expressionist and twelve-tone music. Even in this early work, the extensive use of chromaticism, modulation, dissonance and unorthodox harmonies made it very controversial when it premiered in 1902. In particular, Schoenberg used a certain "nonexistent" inverted ninth chord (it was nonexistent because it was uncategorized, and hence forbidden by convention), and this led the Vienna Musical Society to reject the composition.
"Verklärte Nacht" takes as its subject a poem by Richard Dehmel that describes a man and a woman walking through a dark forest at night. She confesses a secret to him: She is pregnant with the child of another man. He reflects on this revelation in silence, and eventually comes to accept and forgive the woman. Schoenberg was inspired by his feelings for Mathilde von Zemlinsky, the daughter of his teacher Alexander von Zemlinsky and his future wife.
This classic performance by the Hollywood String Quartet dates from 1955.
English translation of Dehmel's poem:
Two people are walking through a bare, cold wood;
the moon keeps pace with them and draws their gaze.
The moon moves along above tall oak trees,
there is no wisp of cloud to obscure the radiance
to which the black, jagged tips reach up.
A woman's voice speaks:
"I am carrying a child, and not by you.
I am walking here with you in a state of sin.
I have offended grievously against myself.
I despaired of happiness,
and yet I still felt a grievous longing
for life's fullness, for a mother's joys
"and duties; and so I sinned,
and so I yielded, shuddering, my sex
to the embrace of a stranger,
and even thought myself blessed.
Now life has taken its revenge,
and I have met you, met you."
She walks on, stumbling.
She looks up; the moon keeps pace.
Her dark gaze drowns in light.
A man's voice speaks:
"Do not let the child you have conceived
be a burden on your soul.
Look, how brightly the universe shines!
Splendour falls on everything around,
you are voyaging with me on a cold sea,
but there is the glow of an inner warmth
from you in me, from me in you.
That warmth will transfigure the stranger's child,
and you bear it me, begot by me.
You have transfused me with splendour,
you have made a child of me."
He puts an arm about her strong hips.
Their breath embraces in the air.
Two people walk on through the high, bright night.
Hollywood String Quartet: Felix Slatkin, Paul Shure (violins), Paul Robyn (viola), Eleanor Aller Slatkin (cello)
with Alvin Dinkin (viola) and Kurt Reher (cello)
- published: 20 May 2012
- views: 145690
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg -- S. James Gates
- Order: Reorder
- Duration: 66:27
- Updated: 06 Feb 2015
- views: 30573
Theoretical physicist James Gates gives an eloquent talk on the relationship between mathematics and physics for the general audience at the Perimeter Institute...
Theoretical physicist James Gates gives an eloquent talk on the relationship between mathematics and physics for the general audience at the Perimeter Institute for Theoretical Physics.
S. James Gates Jr.
June 04, 2014
Perimeter Institute for Theoretical Physics
-------
http://www.perimeterinstitute.ca/
http://pirsa.org/
http://en.wikipedia.org/wiki/Sylvester_James_Gates
-------
wn.com/From The Mathematics Of Supersymmetry To The Music Of Arnold Schoenberg S. James Gates
Theoretical physicist James Gates gives an eloquent talk on the relationship between mathematics and physics for the general audience at the Perimeter Institute for Theoretical Physics.
S. James Gates Jr.
June 04, 2014
Perimeter Institute for Theoretical Physics
-------
http://www.perimeterinstitute.ca/
http://pirsa.org/
http://en.wikipedia.org/wiki/Sylvester_James_Gates
-------
- published: 06 Feb 2015
- views: 30573
Arnold Schoenberg — String Trio Op.45 [w/ score]
- Order: Reorder
- Duration: 20:13
- Updated: 10 Jun 2015
- views: 5043
String Trio Op.45 by Arnold Schoenberg
http://www.schoenberg.at/
Performed by the Los Angeles String Trio
LP released on Desmar Records (DSM 1020G), 1978.
Thi...
String Trio Op.45 by Arnold Schoenberg
http://www.schoenberg.at/
Performed by the Los Angeles String Trio
LP released on Desmar Records (DSM 1020G), 1978.
This video was uploaded with permission from BELMONT MUSIC PUBLISHERS
http://www.schoenbergmusic.com/
NOTE that the displayed score comes from its first print, Bomart Music Publications, New York 1950. To purchase the current print [Bel-1045], visit Belmont's site above.
NON-COMMERCIAL USE posted for divulgation and educational purposes only. Please email incipitsifyq [at] gmail [dot] com if you have a copyright concern regarding the audio or score.
wn.com/Arnold Schoenberg — String Trio Op.45 W Score
String Trio Op.45 by Arnold Schoenberg
http://www.schoenberg.at/
Performed by the Los Angeles String Trio
LP released on Desmar Records (DSM 1020G), 1978.
This video was uploaded with permission from BELMONT MUSIC PUBLISHERS
http://www.schoenbergmusic.com/
NOTE that the displayed score comes from its first print, Bomart Music Publications, New York 1950. To purchase the current print [Bel-1045], visit Belmont's site above.
NON-COMMERCIAL USE posted for divulgation and educational purposes only. Please email incipitsifyq [at] gmail [dot] com if you have a copyright concern regarding the audio or score.
- published: 10 Jun 2015
- views: 5043
-
Heritage Hausmusik - Trio by Arnold Schoenberg (live @WYCE)
Songs From the Second Floor is a collection of the ephemeral performances that occur live on the air, in one take, on 88.1fm WYCE in Grand Rapids, Michigan. This video series is produced by GRTV in collaboration with WYCE and The Rapidian in order to capture and archive these rare moments. A service of the Grand Rapids Community Media Center www.therapidian.org/songs www.wyce.org www.grtv.org -
Verklärte Nacht by Arnold Schoenberg (complete) - RNCM String Orchestra live performance
Full length performance of the Schoenberg masterpiece, Verklärte Nacht, performed by 76 RNCM string players, conducted by Henk Guittart -
Schoenberg "Gurre-Lieder" BBCSO/Runnicles 2002 Proms
Arnold Schoenberg "Gurre-Lieder", complete BBC Symphony Orchestra conducted by Donald Runnicles Recorded live at the 2002 Proms -
Arnold Schoenberg : "La Nuit transfigurée" I le Live de la matinale
En direct dans la matinale, Li-Kung Kuo (violon), Anastasia Karizna (violon), Manuel Vioque-Judde (alto), Tanguy Parisot (alto), Jérémie Billet (violoncelle) et Adrien Bellom (violoncelle) interprètent un extrait de "La Nuit transfigurée" d'Arnold Schoenberg. -
Arnold Schoenberg par le Duo Solot |Le live de la Matinale
Le Duo Solot interprète l'ouverture (extrait) du Barbier de Séville de Rossini (transcription pour piano 4 mains par A. Schoenberg) extrait de leur premier disque dans la matinale culturelle de France Musique, le 11 décembre 2015 :http://urlz.fr/1HIu -
My War Years - Arnold Schoenberg [3 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky. Hanns Eisler, Egon Wellesz and Oskar Kokoschka) tell the story of the composer's life in their own words. This third segment covers Schoenberg's, Berg's and Webern's enlistment to fight in the First World War, and concludes with Schoenberg's disclosure to his students of his new "Method of Composing with Twelve Tones Which are Related Only with One Another." Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain with Marianne Pousseur. Featured works include excerpts from Pierrot Lunaire, the first Chamber Symphony, and the Suite for ... -
Arnold Schoenberg - Transfigured Night, Op 4 - Live
The Rutherford Chamber Consort performs at the Biltmore United Methodist Church in Asheville, NC. Live May 24th, 2015. Sharon Lawrence, Violin I Tara Fensom, Violin II Kara Poorbaugh, Viola I Jessica Ronnevik, Viola II Marlene Ballena, Cello I Kathleen Foster, Cello II -
Complete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org -
Arnold Schoenberg: Erwartung op. 17 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com. -
SCHOENBERG, 'Verklärte Nacht' (Transfigured Night) H. von Karajan . LIVE
- Arnold Schoenberg or Schönberg [1874 † 1951] https://en.wikipedia.org/wiki/Arnold_Schoenberg Symphonic Poem: Verklärte Nacht, for String Orchestra (arr. from String Sextet, Op.4) https://en.wikipedia.org/wiki/Verklärte_Nacht [Poem by Richard Dehmel (Richard Fedor Leopold Dehmel (18 November 1863 † 8 February 1920) was a German poet and writer.) https://en.wikipedia.org/wiki/Richard_Dehmel] [String Orchestra Arr. from String Sextet, Op.4] 1. Grave 2. Molto rallentando 3. Pesante - Grave 4. Adagio 5. Adagio (Molto tranquillo) Berlin Philharmonic Orchestra Direction: Herbert von Karajan "Verklärte Nacht ('Transfigured Night') was inspired by a mystical Poem by Richard Dehmel. In cold, moonlit woods, a woman confesses to her lover that she carries the child of another man she nev... -
Susanne Kessel, Klavierstück op. 11 Nr. 1 - Arnold Schoenberg
Susanne Kessel plays "Klavierstück op. 11 Nr. 1" by Arnold Schoenberg / live at Villa Aurora, Los Angeles -
Schoenberg - Peripetie at 3 minutes 45
AoS 2 SW 4 -
Arnold Schoenberg: Three Piano Pieces, Op 11 -- Matthew Edwards
Recorded live in concert 18 June, 1989 at San Francisco's Old First Church, pianist Matthew Edwards performs Arnold Schoenberg's early groundbreaking expressionist masterpiece, Three Piano Pieces, Op. 11., written in 1909. Drei Klavierstücke, Op. 11 (Three Piano Pieces) I Mässig (at a moderate speed) 0:00 II Mässig (at a moderate speed) 4:33 III Bewegt (with motion) 12:40 -
Arnold Schoenberg: Die glueckliche Hand op. 18 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com. -
Mondestrunken (Moondrunk) from Pierrot Lunaire by Arnold Schoenberg
Video by Yu Nakajima, Retsu Motoyoshi, Seung Woo, Sydney Chun / Edited by Yu Nakajima The first movement of Arnold Schoenberg's 'Pierrot Lunaire.' Live recording. 'Sweet Lost Pierrot' on December 7, 2012 at Gallery Korea. The Nouveau Classical Project: Amanda Gregory, soprano / Amelia Lukas, flute / Marina Kifferstein, violin / Rose Bellini, cello / Sugar Vendil, piano Special Guests: Kyle Ritenauer, conductor / Mara Mayer, clarinets -
Schoenberg Chamber Symphony No.1, Op.9 (Arranged by Anton Webern)
www.israelichamberproject.org www.facebook.com/israeli.chamber.project Assaff Weisman, Piano | David McCarroll, Violin | Yonah Zur, Violin | Tibi Cziger, Clarinet | Michal Korman, Cello From a live performance at Einav Cultural Center, Tel Aviv, Israel March, 2012 -
Arnold Schoenberg: Von heute auf morgen op. 32 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). -
The Emerson Quartet: Schoenberg Complete Verklarte Nacht
http://www.TheGreeneSpace.org Over the course of its 35-year career, the Emerson Quartet has forged an unparalleled path, making over 40 recordings and collecting an unprecedented nine Grammy Awards along the way. This spring marks the release of the group's latest CD, Journeys, and the departure of its long-time cellist, David Finckel. Join the Emerson Quartet in The Greene Space, in their final public New York City appearance with cellist David Finckel, as they discuss their legacy and plans for the future. The quartet will perform music of Schubert, Schoenberg and Tchaikovsky, including an excerpt from Tchaikovsky's beloved Souvenir de Florence featuring guest artists Paul Neubauer on viola and Colin Carr on cello. WQXR's Jeff Spurgeon hosts. WATCH THE FULL SHOW HERE: http://bit.ly/11... -
mdi ensemble - Trio d'archi op.45 (1946), Arnold schoenberg - Part II
Lorenzo Gentili-Tedeschi, violino Paolo Fumagalli, viola Giorgio Casati, violoncello Live @ teatro cavallerizza - Reggio Emilia Festival Aperto 2012 "The Schoenberg Experience" -
George F. Handel - Messiah - Staged version [complete]
THEATER AN DER WIEN Messiah by George Frideric Handel Jean-Christophe Spinosi conductor Ensamble Matheus Arnold Schoenberg Chor Susan Gritton Cornelia Horak Richard Croft Bejun Metha Florian Boesch Staged by Claus Guth Thank you Hanne H (http://www.youtube.com/user/TheAnnehartory) for this: Part I 1. Sinfony (instrumental) 00:01:00 2. Comfort ye my people (tenor) 00:04:10 3. Ev'ry valley shall be exalted (tenor) 00:07:05 4. And the glory of the Lord (chorus) 00:10:32 5. Thus saith the Lord of hosts (bass) 00:12:59 6. But who may abide the day of His coming (alto) 00:14:30 7. And he shall purify the sons of Levi (chorus) 00:19:02 8. Behold, a virgin shall conceive (alto) 00:21:45 9. O thou that tellest good tidings to Zion (alto and chorus) 00:22:10 10. For behold, darkness shall cove...
Heritage Hausmusik - Trio by Arnold Schoenberg (live @WYCE)
- Order: Reorder
- Duration: 3:12
- Updated: 10 Feb 2015
- views: 33
Songs From the Second Floor is a collection of the ephemeral performances that occur live on the air, in one take, on 88.1fm WYCE in Grand Rapids, Michigan. Thi...
Songs From the Second Floor is a collection of the ephemeral performances that occur live on the air, in one take, on 88.1fm WYCE in Grand Rapids, Michigan. This video series is produced by GRTV in collaboration with WYCE and The Rapidian in order to capture and archive these rare moments. A service of the Grand Rapids Community Media Center
www.therapidian.org/songs
www.wyce.org
www.grtv.org
wn.com/Heritage Hausmusik Trio By Arnold Schoenberg (Live Wyce)
Songs From the Second Floor is a collection of the ephemeral performances that occur live on the air, in one take, on 88.1fm WYCE in Grand Rapids, Michigan. This video series is produced by GRTV in collaboration with WYCE and The Rapidian in order to capture and archive these rare moments. A service of the Grand Rapids Community Media Center
www.therapidian.org/songs
www.wyce.org
www.grtv.org
- published: 10 Feb 2015
- views: 33
Verklärte Nacht by Arnold Schoenberg (complete) - RNCM String Orchestra live performance
- Order: Reorder
- Duration: 32:31
- Updated: 12 Jun 2015
- views: 3038
Full length performance of the Schoenberg masterpiece, Verklärte Nacht, performed by 76 RNCM string players, conducted by Henk Guittart
Full length performance of the Schoenberg masterpiece, Verklärte Nacht, performed by 76 RNCM string players, conducted by Henk Guittart
wn.com/Verklärte Nacht By Arnold Schoenberg (Complete) Rncm String Orchestra Live Performance
Full length performance of the Schoenberg masterpiece, Verklärte Nacht, performed by 76 RNCM string players, conducted by Henk Guittart
- published: 12 Jun 2015
- views: 3038
Schoenberg "Gurre-Lieder" BBCSO/Runnicles 2002 Proms
- Order: Reorder
- Duration: 121:59
- Updated: 16 Jan 2015
- views: 10338
Arnold Schoenberg "Gurre-Lieder", complete
BBC Symphony Orchestra conducted by Donald Runnicles
Recorded live at the 2002 Proms
Arnold Schoenberg "Gurre-Lieder", complete
BBC Symphony Orchestra conducted by Donald Runnicles
Recorded live at the 2002 Proms
wn.com/Schoenberg Gurre Lieder Bbcso Runnicles 2002 Proms
Arnold Schoenberg "Gurre-Lieder", complete
BBC Symphony Orchestra conducted by Donald Runnicles
Recorded live at the 2002 Proms
- published: 16 Jan 2015
- views: 10338
Arnold Schoenberg : "La Nuit transfigurée" I le Live de la matinale
- Order: Reorder
- Duration: 12:21
- Updated: 12 Jan 2016
- views: 66
En direct dans la matinale, Li-Kung Kuo (violon), Anastasia Karizna (violon), Manuel Vioque-Judde (alto), Tanguy Parisot (alto), Jérémie Billet (violoncelle) et...
En direct dans la matinale, Li-Kung Kuo (violon), Anastasia Karizna (violon), Manuel Vioque-Judde (alto), Tanguy Parisot (alto), Jérémie Billet (violoncelle) et Adrien Bellom (violoncelle) interprètent un extrait de "La Nuit transfigurée" d'Arnold Schoenberg.
wn.com/Arnold Schoenberg La Nuit Transfigurée I Le Live De La Matinale
Arnold Schoenberg par le Duo Solot |Le live de la Matinale
- Order: Reorder
- Duration: 5:22
- Updated: 20 Jan 2016
- views: 79
Le Duo Solot interprète l'ouverture (extrait) du Barbier de Séville de Rossini (transcription pour piano 4 mains par A. Schoenberg) extrait de leur premier disq...
Le Duo Solot interprète l'ouverture (extrait) du Barbier de Séville de Rossini (transcription pour piano 4 mains par A. Schoenberg) extrait de leur premier disque dans la matinale culturelle de France Musique, le 11 décembre 2015 :http://urlz.fr/1HIu
wn.com/Arnold Schoenberg Par Le Duo Solot |Le Live De La Matinale
Le Duo Solot interprète l'ouverture (extrait) du Barbier de Séville de Rossini (transcription pour piano 4 mains par A. Schoenberg) extrait de leur premier disque dans la matinale culturelle de France Musique, le 11 décembre 2015 :http://urlz.fr/1HIu
- published: 20 Jan 2016
- views: 79
My War Years - Arnold Schoenberg [3 of 3]
- Order: Reorder
- Duration: 23:14
- Updated: 19 May 2011
- views: 8015
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily...
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky. Hanns Eisler, Egon Wellesz and Oskar Kokoschka) tell the story of the composer's life in their own words. This third segment covers Schoenberg's, Berg's and Webern's enlistment to fight in the First World War, and concludes with Schoenberg's disclosure to his students of his new "Method of Composing with Twelve Tones Which are Related Only with One Another." Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain with Marianne Pousseur. Featured works include excerpts from Pierrot Lunaire, the first Chamber Symphony, and the Suite for Piano, Op. 25.
wn.com/My War Years Arnold Schoenberg 3 Of 3
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexander von Zemlinsky, Alma Mahler, Erwin Stein, Roberto Gerhard, Wassily Kandinsky. Hanns Eisler, Egon Wellesz and Oskar Kokoschka) tell the story of the composer's life in their own words. This third segment covers Schoenberg's, Berg's and Webern's enlistment to fight in the First World War, and concludes with Schoenberg's disclosure to his students of his new "Method of Composing with Twelve Tones Which are Related Only with One Another." Excerpts from live performances of Schoenberg's works are included, with artists including Pierre Boulez and the Ensemble Intercontemporain with Marianne Pousseur. Featured works include excerpts from Pierrot Lunaire, the first Chamber Symphony, and the Suite for Piano, Op. 25.
- published: 19 May 2011
- views: 8015
Arnold Schoenberg - Transfigured Night, Op 4 - Live
- Order: Reorder
- Duration: 30:09
- Updated: 14 Jul 2015
- views: 102
The Rutherford Chamber Consort performs at the Biltmore United Methodist Church in Asheville, NC. Live May 24th, 2015.
Sharon Lawrence, Violin I
Tara Fensom, V...
The Rutherford Chamber Consort performs at the Biltmore United Methodist Church in Asheville, NC. Live May 24th, 2015.
Sharon Lawrence, Violin I
Tara Fensom, Violin II
Kara Poorbaugh, Viola I
Jessica Ronnevik, Viola II
Marlene Ballena, Cello I
Kathleen Foster, Cello II
wn.com/Arnold Schoenberg Transfigured Night, Op 4 Live
The Rutherford Chamber Consort performs at the Biltmore United Methodist Church in Asheville, NC. Live May 24th, 2015.
Sharon Lawrence, Violin I
Tara Fensom, Violin II
Kara Poorbaugh, Viola I
Jessica Ronnevik, Viola II
Marlene Ballena, Cello I
Kathleen Foster, Cello II
- published: 14 Jul 2015
- views: 102
Complete performance: Schoenberg's Pierrot lunaire
- Order: Reorder
- Duration: 38:15
- Updated: 01 Apr 2014
- views: 76103
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org...
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
wn.com/Complete Performance Schoenberg's Pierrot Lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoenberg Beyond the Score production. Learn more at www.beyondthescore.org
- published: 01 Apr 2014
- views: 76103
Arnold Schoenberg: Erwartung op. 17 (Excerpts)
- Order: Reorder
- Duration: 8:17
- Updated: 14 Dec 2006
- views: 91639
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at ww...
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com.
wn.com/Arnold Schoenberg Erwartung Op. 17 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com.
- published: 14 Dec 2006
- views: 91639
SCHOENBERG, 'Verklärte Nacht' (Transfigured Night) H. von Karajan . LIVE
- Order: Reorder
- Duration: 30:01
- Updated: 02 Jul 2015
- views: 543
-
Arnold Schoenberg or Schönberg [1874 † 1951]
https://en.wikipedia.org/wiki/Arnold_Schoenberg
Symphonic Poem:
Verklärte Nacht, for String Orchestra (arr. from ...
-
Arnold Schoenberg or Schönberg [1874 † 1951]
https://en.wikipedia.org/wiki/Arnold_Schoenberg
Symphonic Poem:
Verklärte Nacht, for String Orchestra (arr. from String Sextet, Op.4)
https://en.wikipedia.org/wiki/Verklärte_Nacht
[Poem by Richard Dehmel (Richard Fedor Leopold Dehmel (18 November 1863 † 8 February 1920) was a German poet and writer.)
https://en.wikipedia.org/wiki/Richard_Dehmel]
[String Orchestra Arr. from String Sextet, Op.4]
1. Grave
2. Molto rallentando
3. Pesante - Grave
4. Adagio
5. Adagio (Molto tranquillo)
Berlin Philharmonic Orchestra
Direction: Herbert von Karajan
"Verklärte Nacht ('Transfigured Night') was inspired by a mystical Poem by Richard Dehmel. In cold, moonlit woods, a woman confesses to her lover that she carries the child of another man she never loved but to whom she yielded for fulfillment. After a long pause of brooding meditation, he resolves that their love will make the child their own. They embrace and walk on, the formerly barren night transformed by hope and devotion. Such cloying sentimentality is rather hard to take seriously nowadays, and indeed Schoenberg later called the poem "repulsive" and urged appreciation of his work as pure Music, portraying nature and expressing human emotion rather than depicting the specific action of the text."
Rejected by the "cultural gatekeepers" of the time for its bold harmonies and "forbidden chords," Verklärte Nacht sounds far more comfortable and comforting to modern ears. Structured as a long arch from the cold despair of D minor to the resolve of D major, it's colored by intense chromaticism, full of accidentals and often traveling the long way around the circle of fifths (once switching abruptly from six sharps to five flats).
Schoenberg was especially proud of an extreme transition (at measures 225-230) from E-flat minor to D major, linked only by a sustained B-flat. Its first performance came in 1903 by Arnold Rosé, leader of the Vienna Philharmonic, whose rehearsals attracted the admiration of its conductor Gustav Mahler, who, to his credit, championed Schoenberg in his few remaining years, even though he admitted that he didn't fully understand the music. (Schoenberg, in turn, admired Mahler for baring his soul in his Art.)
In one sense, though, Verklärte Nacht clearly was innovative, as it is generally credited as the first programmatic chamber music, extending Liszt and Strauss's orchestral tone poems into a more intimate realm. (There had been isolated instances of extra-textual allusions, such as Beethoven's inscription of "Must it be? It must be" in his probing Final Quartet, or the depiction of sudden deafness in the finale of Smetana's Quartet, but never before had a complete chamber work sought to tell a story.)
The full depth and majesty of the orchestration is revealed in the 30-minute recording by Herbert von Karajan and the Berlin Philharmonic . Yet, despite the frequent markings in the score urging "warmth," feeling seems wholly absent, leaving an overall impression of cold beauty, an aura perhaps appropriate to the objectivity of Dehmel's Poem."
ARTWORK: Unknown
-
wn.com/Schoenberg, 'Verklärte Nacht' (Transfigured Night) H. Von Karajan . Live
-
Arnold Schoenberg or Schönberg [1874 † 1951]
https://en.wikipedia.org/wiki/Arnold_Schoenberg
Symphonic Poem:
Verklärte Nacht, for String Orchestra (arr. from String Sextet, Op.4)
https://en.wikipedia.org/wiki/Verklärte_Nacht
[Poem by Richard Dehmel (Richard Fedor Leopold Dehmel (18 November 1863 † 8 February 1920) was a German poet and writer.)
https://en.wikipedia.org/wiki/Richard_Dehmel]
[String Orchestra Arr. from String Sextet, Op.4]
1. Grave
2. Molto rallentando
3. Pesante - Grave
4. Adagio
5. Adagio (Molto tranquillo)
Berlin Philharmonic Orchestra
Direction: Herbert von Karajan
"Verklärte Nacht ('Transfigured Night') was inspired by a mystical Poem by Richard Dehmel. In cold, moonlit woods, a woman confesses to her lover that she carries the child of another man she never loved but to whom she yielded for fulfillment. After a long pause of brooding meditation, he resolves that their love will make the child their own. They embrace and walk on, the formerly barren night transformed by hope and devotion. Such cloying sentimentality is rather hard to take seriously nowadays, and indeed Schoenberg later called the poem "repulsive" and urged appreciation of his work as pure Music, portraying nature and expressing human emotion rather than depicting the specific action of the text."
Rejected by the "cultural gatekeepers" of the time for its bold harmonies and "forbidden chords," Verklärte Nacht sounds far more comfortable and comforting to modern ears. Structured as a long arch from the cold despair of D minor to the resolve of D major, it's colored by intense chromaticism, full of accidentals and often traveling the long way around the circle of fifths (once switching abruptly from six sharps to five flats).
Schoenberg was especially proud of an extreme transition (at measures 225-230) from E-flat minor to D major, linked only by a sustained B-flat. Its first performance came in 1903 by Arnold Rosé, leader of the Vienna Philharmonic, whose rehearsals attracted the admiration of its conductor Gustav Mahler, who, to his credit, championed Schoenberg in his few remaining years, even though he admitted that he didn't fully understand the music. (Schoenberg, in turn, admired Mahler for baring his soul in his Art.)
In one sense, though, Verklärte Nacht clearly was innovative, as it is generally credited as the first programmatic chamber music, extending Liszt and Strauss's orchestral tone poems into a more intimate realm. (There had been isolated instances of extra-textual allusions, such as Beethoven's inscription of "Must it be? It must be" in his probing Final Quartet, or the depiction of sudden deafness in the finale of Smetana's Quartet, but never before had a complete chamber work sought to tell a story.)
The full depth and majesty of the orchestration is revealed in the 30-minute recording by Herbert von Karajan and the Berlin Philharmonic . Yet, despite the frequent markings in the score urging "warmth," feeling seems wholly absent, leaving an overall impression of cold beauty, an aura perhaps appropriate to the objectivity of Dehmel's Poem."
ARTWORK: Unknown
-
- published: 02 Jul 2015
- views: 543
Susanne Kessel, Klavierstück op. 11 Nr. 1 - Arnold Schoenberg
- Order: Reorder
- Duration: 4:03
- Updated: 31 Aug 2009
- views: 1423
Susanne Kessel plays "Klavierstück op. 11 Nr. 1" by Arnold Schoenberg / live at Villa Aurora, Los Angeles
Susanne Kessel plays "Klavierstück op. 11 Nr. 1" by Arnold Schoenberg / live at Villa Aurora, Los Angeles
wn.com/Susanne Kessel, Klavierstück Op. 11 Nr. 1 Arnold Schoenberg
Susanne Kessel plays "Klavierstück op. 11 Nr. 1" by Arnold Schoenberg / live at Villa Aurora, Los Angeles
- published: 31 Aug 2009
- views: 1423
Schoenberg - Peripetie at 3 minutes 45
- Order: Reorder
- Duration: 10:43
- Updated: 14 Jan 2013
- views: 3146
AoS 2 SW 4
AoS 2 SW 4
wn.com/Schoenberg Peripetie At 3 Minutes 45
AoS 2 SW 4
- published: 14 Jan 2013
- views: 3146
Arnold Schoenberg: Three Piano Pieces, Op 11 -- Matthew Edwards
- Order: Reorder
- Duration: 14:47
- Updated: 11 Jun 2015
- views: 3307
Recorded live in concert 18 June, 1989 at San Francisco's Old First Church, pianist Matthew Edwards performs Arnold Schoenberg's early groundbreaking expression...
Recorded live in concert 18 June, 1989 at San Francisco's Old First Church, pianist Matthew Edwards performs Arnold Schoenberg's early groundbreaking expressionist masterpiece, Three Piano Pieces, Op. 11., written in 1909.
Drei Klavierstücke, Op. 11 (Three Piano Pieces)
I Mässig (at a moderate speed) 0:00
II Mässig (at a moderate speed) 4:33
III Bewegt (with motion) 12:40
wn.com/Arnold Schoenberg Three Piano Pieces, Op 11 Matthew Edwards
Recorded live in concert 18 June, 1989 at San Francisco's Old First Church, pianist Matthew Edwards performs Arnold Schoenberg's early groundbreaking expressionist masterpiece, Three Piano Pieces, Op. 11., written in 1909.
Drei Klavierstücke, Op. 11 (Three Piano Pieces)
I Mässig (at a moderate speed) 0:00
II Mässig (at a moderate speed) 4:33
III Bewegt (with motion) 12:40
- published: 11 Jun 2015
- views: 3307
Arnold Schoenberg: Die glueckliche Hand op. 18 (Excerpts)
- Order: Reorder
- Duration: 7:25
- Updated: 14 Dec 2006
- views: 18394
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at ww...
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com.
wn.com/Arnold Schoenberg Die Glueckliche Hand Op. 18 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005). Score available at www.universaledition.com.
- published: 14 Dec 2006
- views: 18394
Mondestrunken (Moondrunk) from Pierrot Lunaire by Arnold Schoenberg
- Order: Reorder
- Duration: 1:47
- Updated: 21 Mar 2013
- views: 5939
Video by Yu Nakajima, Retsu Motoyoshi, Seung Woo, Sydney Chun / Edited by Yu Nakajima
The first movement of Arnold Schoenberg's 'Pierrot Lunaire.' Live recordi...
Video by Yu Nakajima, Retsu Motoyoshi, Seung Woo, Sydney Chun / Edited by Yu Nakajima
The first movement of Arnold Schoenberg's 'Pierrot Lunaire.' Live recording. 'Sweet Lost Pierrot' on December 7, 2012 at Gallery Korea.
The Nouveau Classical Project: Amanda Gregory, soprano / Amelia Lukas, flute / Marina Kifferstein, violin / Rose Bellini, cello / Sugar Vendil, piano
Special Guests: Kyle Ritenauer, conductor / Mara Mayer, clarinets
wn.com/Mondestrunken (Moondrunk) From Pierrot Lunaire By Arnold Schoenberg
Video by Yu Nakajima, Retsu Motoyoshi, Seung Woo, Sydney Chun / Edited by Yu Nakajima
The first movement of Arnold Schoenberg's 'Pierrot Lunaire.' Live recording. 'Sweet Lost Pierrot' on December 7, 2012 at Gallery Korea.
The Nouveau Classical Project: Amanda Gregory, soprano / Amelia Lukas, flute / Marina Kifferstein, violin / Rose Bellini, cello / Sugar Vendil, piano
Special Guests: Kyle Ritenauer, conductor / Mara Mayer, clarinets
- published: 21 Mar 2013
- views: 5939
Schoenberg Chamber Symphony No.1, Op.9 (Arranged by Anton Webern)
- Order: Reorder
- Duration: 21:21
- Updated: 30 Jan 2014
- views: 4865
www.israelichamberproject.org
www.facebook.com/israeli.chamber.project
Assaff Weisman, Piano | David McCarroll, Violin | Yonah Zur, Violin | Tibi Cziger, Clarin...
www.israelichamberproject.org
www.facebook.com/israeli.chamber.project
Assaff Weisman, Piano | David McCarroll, Violin | Yonah Zur, Violin | Tibi Cziger, Clarinet | Michal Korman, Cello
From a live performance at Einav Cultural Center, Tel Aviv, Israel
March, 2012
wn.com/Schoenberg Chamber Symphony No.1, Op.9 (Arranged By Anton Webern)
www.israelichamberproject.org
www.facebook.com/israeli.chamber.project
Assaff Weisman, Piano | David McCarroll, Violin | Yonah Zur, Violin | Tibi Cziger, Clarinet | Michal Korman, Cello
From a live performance at Einav Cultural Center, Tel Aviv, Israel
March, 2012
- published: 30 Jan 2014
- views: 4865
Arnold Schoenberg: Von heute auf morgen op. 32 (Excerpts)
- Order: Reorder
- Duration: 8:50
- Updated: 14 Dec 2006
- views: 11980
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005).
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005).
wn.com/Arnold Schoenberg Von Heute Auf Morgen Op. 32 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre Audi, concept: Iannis Kounellis (Amsterdam 2005).
- published: 14 Dec 2006
- views: 11980
The Emerson Quartet: Schoenberg Complete Verklarte Nacht
- Order: Reorder
- Duration: 27:52
- Updated: 07 May 2013
- views: 18213
http://www.TheGreeneSpace.org
Over the course of its 35-year career, the Emerson Quartet has forged an unparalleled path, making over 40 recordings and collect...
http://www.TheGreeneSpace.org
Over the course of its 35-year career, the Emerson Quartet has forged an unparalleled path, making over 40 recordings and collecting an unprecedented nine Grammy Awards along the way. This spring marks the release of the group's latest CD, Journeys, and the departure of its long-time cellist, David Finckel.
Join the Emerson Quartet in The Greene Space, in their final public New York City appearance with cellist David Finckel, as they discuss their legacy and plans for the future. The quartet will perform music of Schubert, Schoenberg and Tchaikovsky, including an excerpt from Tchaikovsky's beloved Souvenir de Florence featuring guest artists Paul Neubauer on viola and Colin Carr on cello. WQXR's Jeff Spurgeon hosts.
WATCH THE FULL SHOW HERE: http://bit.ly/11v9Hqa
Executive Producer: Indira Etwaroo
Video Producer: David Mc Lean
Production Manager: Ricardo Fernandez - Nikki Johnson
Live Event Producer: Jennifer Sendrow
Audio Engineer: Chase Culpon - Gaines Legare
wn.com/The Emerson Quartet Schoenberg Complete Verklarte Nacht
http://www.TheGreeneSpace.org
Over the course of its 35-year career, the Emerson Quartet has forged an unparalleled path, making over 40 recordings and collecting an unprecedented nine Grammy Awards along the way. This spring marks the release of the group's latest CD, Journeys, and the departure of its long-time cellist, David Finckel.
Join the Emerson Quartet in The Greene Space, in their final public New York City appearance with cellist David Finckel, as they discuss their legacy and plans for the future. The quartet will perform music of Schubert, Schoenberg and Tchaikovsky, including an excerpt from Tchaikovsky's beloved Souvenir de Florence featuring guest artists Paul Neubauer on viola and Colin Carr on cello. WQXR's Jeff Spurgeon hosts.
WATCH THE FULL SHOW HERE: http://bit.ly/11v9Hqa
Executive Producer: Indira Etwaroo
Video Producer: David Mc Lean
Production Manager: Ricardo Fernandez - Nikki Johnson
Live Event Producer: Jennifer Sendrow
Audio Engineer: Chase Culpon - Gaines Legare
- published: 07 May 2013
- views: 18213
mdi ensemble - Trio d'archi op.45 (1946), Arnold schoenberg - Part II
- Order: Reorder
- Duration: 8:37
- Updated: 06 Dec 2012
- views: 339
Lorenzo Gentili-Tedeschi, violino
Paolo Fumagalli, viola
Giorgio Casati, violoncello
Live @ teatro cavallerizza - Reggio Emilia
Festival Aperto 2012
"The Schoe...
Lorenzo Gentili-Tedeschi, violino
Paolo Fumagalli, viola
Giorgio Casati, violoncello
Live @ teatro cavallerizza - Reggio Emilia
Festival Aperto 2012
"The Schoenberg Experience"
wn.com/Mdi Ensemble Trio D'Archi Op.45 (1946), Arnold Schoenberg Part Ii
Lorenzo Gentili-Tedeschi, violino
Paolo Fumagalli, viola
Giorgio Casati, violoncello
Live @ teatro cavallerizza - Reggio Emilia
Festival Aperto 2012
"The Schoenberg Experience"
- published: 06 Dec 2012
- views: 339
George F. Handel - Messiah - Staged version [complete]
- Order: Reorder
- Duration: 154:17
- Updated: 30 Sep 2013
- views: 146303
THEATER AN DER WIEN
Messiah by George Frideric Handel
Jean-Christophe Spinosi conductor
Ensamble Matheus
Arnold Schoenberg Chor
Susan Gritton
Cornelia Horak
...
THEATER AN DER WIEN
Messiah by George Frideric Handel
Jean-Christophe Spinosi conductor
Ensamble Matheus
Arnold Schoenberg Chor
Susan Gritton
Cornelia Horak
Richard Croft
Bejun Metha
Florian Boesch
Staged by Claus Guth
Thank you Hanne H (http://www.youtube.com/user/TheAnnehartory) for this:
Part I
1. Sinfony (instrumental) 00:01:00
2. Comfort ye my people (tenor) 00:04:10
3. Ev'ry valley shall be exalted (tenor) 00:07:05
4. And the glory of the Lord (chorus) 00:10:32
5. Thus saith the Lord of hosts (bass) 00:12:59
6. But who may abide the day of His coming (alto) 00:14:30
7. And he shall purify the sons of Levi (chorus) 00:19:02
8. Behold, a virgin shall conceive (alto) 00:21:45
9. O thou that tellest good tidings to Zion (alto and chorus) 00:22:10
10. For behold, darkness shall cover the earth (bass) 00:27:17
11. The people that walked in darkness have seen a great light (bass) 00:29:25
12. For unto us a child is born (chorus) 00:34:20
13. Pifa (instrumental) 00:38:45
14a. There were shepherds abiding in the fields (soprano) 00:42:04
14b. And lo, the angel of the Lord (soprano) 00:42:20
15. And the angel said unto them (soprano) 00:43:00
16. And suddenly there was with the angel (soprano) 00:43:20
17. Glory to God in the highest (chorus) 00:43:36
18. Rejoice greatly, O daughter of Zion (soprano) 00:45:44
19. Then shall the eyes of the blind be opened (soprano) 00:50:37
20. He shall feed his flock like a shepherd (alto and soprano) 00:51:19
21. His yoke is easy (chorus) 00:58:10
Part II
22. Behold the Lamb of God (chorus) 1:01:16
23. He was despised and rejected of men (alto) 1:04:03
24. Surely he has borne our griefs and carried our sorrows (chorus) 1:16:57
25. And with his stripes we are healed (chorus) 1:18:58
26. All we like sheep have gone astray (chorus) 1:20:44
27. All they that see him laugh him to scorn (tenor) 1:24:27
28. He trusted in God that he would deliver him (chorus) 1:25:10
29. Thy rebuke hath broken his heart (soprano) 1:27:30
30. Behold and see if there be any sorrow (soprano) 1:29:30
31. He was cut off (tenor) 1:31:30
32. But thou didst not leave his soul in hell (tenor) 1:31:58
33. Lift up your heads, O ye gates (chorus) 1:34:15
34. Unto which of the angels (tenor) [omitted]
35. Let all the angels of God worship Him (chorus) [omitted]
36. Thou art gone up on high (soprano) 1:37:20
37. The Lord gave the word (chorus) 1:40:27
38. How beautiful are the feet (soprano) 1:41:40
39. Their sound is gone out (chorus) 1:44:14
40. Why do the nations so furiously rage together (bass) 1:44:38
41. Let us break their bonds asunder (chorus) 1:48:14
42. He that dwelleth in heaven (tenor) 1:49:54
43. Thou shalt break them with a rod of iron (tenor) 1:50:20
44. Hallelujah (chorus) 1:52:00
Part III
45. I know that my Redeemer liveth (soprano) 1:55:44
46. Since by man came death (chorus) 2:02:05
47. Behold, I tell you a mystery (bass) 2:04:10
48. The trumpet shall sound (bass) 2:05:10
49. Then shall be brought to pass (alto) 2:13:49
50. O death, where is thy sting (alto and tenor) 2:14:16
51. But thanks be to God (chorus) 2:15:15
52. If God be for us, who can be against us (soprano) 2:17:29
53. Worthy is the Lamb (chorus) 2:23:23
Amen (chorus)
Some parts might be off by a second or two- here or there! Just a general guide.
wn.com/George F. Handel Messiah Staged Version Complete
THEATER AN DER WIEN
Messiah by George Frideric Handel
Jean-Christophe Spinosi conductor
Ensamble Matheus
Arnold Schoenberg Chor
Susan Gritton
Cornelia Horak
Richard Croft
Bejun Metha
Florian Boesch
Staged by Claus Guth
Thank you Hanne H (http://www.youtube.com/user/TheAnnehartory) for this:
Part I
1. Sinfony (instrumental) 00:01:00
2. Comfort ye my people (tenor) 00:04:10
3. Ev'ry valley shall be exalted (tenor) 00:07:05
4. And the glory of the Lord (chorus) 00:10:32
5. Thus saith the Lord of hosts (bass) 00:12:59
6. But who may abide the day of His coming (alto) 00:14:30
7. And he shall purify the sons of Levi (chorus) 00:19:02
8. Behold, a virgin shall conceive (alto) 00:21:45
9. O thou that tellest good tidings to Zion (alto and chorus) 00:22:10
10. For behold, darkness shall cover the earth (bass) 00:27:17
11. The people that walked in darkness have seen a great light (bass) 00:29:25
12. For unto us a child is born (chorus) 00:34:20
13. Pifa (instrumental) 00:38:45
14a. There were shepherds abiding in the fields (soprano) 00:42:04
14b. And lo, the angel of the Lord (soprano) 00:42:20
15. And the angel said unto them (soprano) 00:43:00
16. And suddenly there was with the angel (soprano) 00:43:20
17. Glory to God in the highest (chorus) 00:43:36
18. Rejoice greatly, O daughter of Zion (soprano) 00:45:44
19. Then shall the eyes of the blind be opened (soprano) 00:50:37
20. He shall feed his flock like a shepherd (alto and soprano) 00:51:19
21. His yoke is easy (chorus) 00:58:10
Part II
22. Behold the Lamb of God (chorus) 1:01:16
23. He was despised and rejected of men (alto) 1:04:03
24. Surely he has borne our griefs and carried our sorrows (chorus) 1:16:57
25. And with his stripes we are healed (chorus) 1:18:58
26. All we like sheep have gone astray (chorus) 1:20:44
27. All they that see him laugh him to scorn (tenor) 1:24:27
28. He trusted in God that he would deliver him (chorus) 1:25:10
29. Thy rebuke hath broken his heart (soprano) 1:27:30
30. Behold and see if there be any sorrow (soprano) 1:29:30
31. He was cut off (tenor) 1:31:30
32. But thou didst not leave his soul in hell (tenor) 1:31:58
33. Lift up your heads, O ye gates (chorus) 1:34:15
34. Unto which of the angels (tenor) [omitted]
35. Let all the angels of God worship Him (chorus) [omitted]
36. Thou art gone up on high (soprano) 1:37:20
37. The Lord gave the word (chorus) 1:40:27
38. How beautiful are the feet (soprano) 1:41:40
39. Their sound is gone out (chorus) 1:44:14
40. Why do the nations so furiously rage together (bass) 1:44:38
41. Let us break their bonds asunder (chorus) 1:48:14
42. He that dwelleth in heaven (tenor) 1:49:54
43. Thou shalt break them with a rod of iron (tenor) 1:50:20
44. Hallelujah (chorus) 1:52:00
Part III
45. I know that my Redeemer liveth (soprano) 1:55:44
46. Since by man came death (chorus) 2:02:05
47. Behold, I tell you a mystery (bass) 2:04:10
48. The trumpet shall sound (bass) 2:05:10
49. Then shall be brought to pass (alto) 2:13:49
50. O death, where is thy sting (alto and tenor) 2:14:16
51. But thanks be to God (chorus) 2:15:15
52. If God be for us, who can be against us (soprano) 2:17:29
53. Worthy is the Lamb (chorus) 2:23:23
Amen (chorus)
Some parts might be off by a second or two- here or there! Just a general guide.
- published: 30 Sep 2013
- views: 146303
-
Arnold Schoenberg /// Serenade Op 24
Arnold Schoenberg was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934. Schoenberg's approach, both in terms of harmony and development, has been one of the most influential of 20th-century musical thought. Many European and American composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name wou... -
Arnold Schoenberg: Serenade op.24 (1921/1923)
Arnold Schoenberg (1874-1951): Serenade per baritono e 7 strumenti , testo di Francesco Petrarca Sonetto 217, op.24 (1921/1923) -- John Carol Case, baritono -- Melos Ensemble of London diretto da Bruno Maderna I. Marsch II. Menuett III. Variationen IV. Sonett V. Tanzszene VI. Lied (ohne worte) VII. Finale ---- The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the v... -
Arnold Schönberg, Pierrot lunaire (Full)
Arnold Schönberg (1874-1951) Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud) Plus Jazz Interludes by Maria Baptist: 1 Mondestrunken 2 Colombine 3 Der Dandy 4 Eine blasse Wäscherin 5 Valse de Chopin 6 Madonna 7 Der kranke Mond 8 Jazz Interlude 1 9 Nacht 10 Gebet an Pierrot 11 Raub 12 Rote Messe 13 Galgenlied 14 Enthauptung 15 Die Kreuze 16 Jazz Interlude 2 17 Heimweh 18 Gemeinheit! 19 Parodie 20 Der Mondfleck 21 Serenade 22 Heimfahrt 23 O alter Duft Stella Doufexis, speaking voice/mezzosoprano Maria Baptist, Piano opus21musikplus Ensamble Conductor: Konstantia Gourzi -
Arnold Schoenberg - Maurizio Pollini - The Piano Music · L'Œuvre Pianistique - Webern: Variations ·
Maurizio Pollini Edition - CD 11 Three Piano Pieces Op. 11 · Drei Klavierstücke Op. 11 · Trois Pièces Pour Piano, Op. 11 · Tre Pezzi Per Pianoforte Op. 11 1. Mässig 2. Mässige Achtel 3. Bewegt Six Little Piano Pieces Op. 19 · Sechs Kleine Klavierstücke Op. 19 · Six Petites Pièces Pour Piano, Op. 19 · Sei Piccoli Pezzi Per Pianoforte Op. 19 1. Leicht, Zart 2. Langsam 3. Sehr Langsame Viertel 4. Rasch, Aber Leicht 5. Etwas Rasch 6. Sehr Langsam Five Piano Pieces Op. 23 · Fünf Klavierstücke Op. 23 1. Sehr Langsam 2. Sehr Rasch 3. Langsam 4. Schwungvoll 5. Walzer Suite For Piano Op. 25 · Suite Für Klavier Op. 25 1. Präludium. Rasch 2. Gavotte. Etwas Langsam, Nicht Hastig Musette. Rascher Gavotte 3. Intermezzo 4. Menu... -
Arnold Schoenberg - Chamber Symphony No. 1, Op. 9
Omega Ensemble Ensemble in Residence City Recital Hall Angel Place Sydney, Australia www.omegaensemble.com.au www.cityrecitalhall.com www.anam.com.au Enlightened - 7th June 7:30pm 2014 Omega Ensemble Australian National Academy of Music Paul Meyer (conductor) Videographer - Bruce Terry Recording - Peter Bell Fine Music 102.5FM / www.finemusicfm.com -
Moses und Aron / Arnold Schoenberg
»Moses und Aron« (1930-1932), eine unvollendete Oper auf ein Libretto des Komponisten. Franz Mazura - Moses Philip Langridge - Aron Aage Haugland - Priester Barbara Bonney - Mädchen Mira Zakai - Eine Kranke Daniel Harper - Junger Mann Thomas Dymit - Der nackte Jüngling Herbert Wittges - Ein Mann / Der Ephraimit Kurt Link - Andrer Mann Chicago Symphony Chorus & Orchestra Georg Solti, 1984 - - - - - The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated. -
Arnold Schönberg - String Quartet No. 2
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951) - Performers: New Vienna String Quartet, Evelyn Lear (Soprano) - Year of recording: 1967 String Quartet No. 2 for Soprano & String Quartet in F sharp minor, Op. 10, written in 1908. 00:00 - I. Mäßig (Moderate), F sharp minor 07:09 - II. Sehr rasch (Very brisk), D minor 14:18 - III. "Litanei", langsam ("Litany", slow), E flat minor 19:50 - IV. "Entrückung", sehr langsam ("Rapture", very slow), No key This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been eithe...
Arnold Schoenberg /// Serenade Op 24
- Order: Reorder
- Duration: 33:54
- Updated: 06 Jan 2015
- views: 1364
Arnold Schoenberg was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese S...
Arnold Schoenberg was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
Schoenberg's approach, both in terms of harmony and development, has been one of the most influential of 20th-century musical thought. Many European and American composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it.
Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify innovations in atonality (although Schoenberg himself detested that term) that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the twelve-tone technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea.
Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, Egon Wellesz, and later John Cage, Lou Harrison, Earl Kim, Leon Kirchner, and other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many significant 20th-century musicologists and critics, including Theodor W. Adorno, Charles Rosen and Carl Dahlhaus, as well as the pianists Artur Schnabel, Rudolf Serkin, Eduard Steuermann and Glenn Gould.
wn.com/Arnold Schoenberg Serenade Op 24
Arnold Schoenberg was an Austrian composer and painter, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, by 1938 Schoenberg's works were labelled as degenerate music because he was Jewish (Anon. 1997–2013); he moved to the United States in 1934.
Schoenberg's approach, both in terms of harmony and development, has been one of the most influential of 20th-century musical thought. Many European and American composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it.
Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify innovations in atonality (although Schoenberg himself detested that term) that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the twelve-tone technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea.
Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, Egon Wellesz, and later John Cage, Lou Harrison, Earl Kim, Leon Kirchner, and other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many significant 20th-century musicologists and critics, including Theodor W. Adorno, Charles Rosen and Carl Dahlhaus, as well as the pianists Artur Schnabel, Rudolf Serkin, Eduard Steuermann and Glenn Gould.
- published: 06 Jan 2015
- views: 1364
Arnold Schoenberg: Serenade op.24 (1921/1923)
- Order: Reorder
- Duration: 37:59
- Updated: 28 May 2011
- views: 40099
Arnold Schoenberg (1874-1951): Serenade per baritono e 7 strumenti , testo di Francesco Petrarca Sonetto 217, op.24 (1921/1923) -- John Carol Case, baritono -- ...
Arnold Schoenberg (1874-1951): Serenade per baritono e 7 strumenti , testo di Francesco Petrarca Sonetto 217, op.24 (1921/1923) -- John Carol Case, baritono -- Melos Ensemble of London diretto da Bruno Maderna
I. Marsch
II. Menuett
III. Variationen
IV. Sonett
V. Tanzszene
VI. Lied (ohne worte)
VII. Finale
----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Arnold Schoenberg Serenade Op.24 (1921 1923)
Arnold Schoenberg (1874-1951): Serenade per baritono e 7 strumenti , testo di Francesco Petrarca Sonetto 217, op.24 (1921/1923) -- John Carol Case, baritono -- Melos Ensemble of London diretto da Bruno Maderna
I. Marsch
II. Menuett
III. Variationen
IV. Sonett
V. Tanzszene
VI. Lied (ohne worte)
VII. Finale
----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 28 May 2011
- views: 40099
Arnold Schönberg, Pierrot lunaire (Full)
- Order: Reorder
- Duration: 45:36
- Updated: 19 Jan 2012
- views: 463003
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
Plus Jazz Interludes by Maria Baptist:
1 Mondestrunken
2 Colombine...
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
Plus Jazz Interludes by Maria Baptist:
1 Mondestrunken
2 Colombine
3 Der Dandy
4 Eine blasse Wäscherin
5 Valse de Chopin
6 Madonna
7 Der kranke Mond
8 Jazz Interlude 1
9 Nacht
10 Gebet an Pierrot
11 Raub
12 Rote Messe
13 Galgenlied
14 Enthauptung
15 Die Kreuze
16 Jazz Interlude 2
17 Heimweh
18 Gemeinheit!
19 Parodie
20 Der Mondfleck
21 Serenade
22 Heimfahrt
23 O alter Duft
Stella Doufexis, speaking voice/mezzosoprano
Maria Baptist, Piano
opus21musikplus Ensamble
Conductor: Konstantia Gourzi
wn.com/Arnold Schönberg, Pierrot Lunaire (Full)
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
Plus Jazz Interludes by Maria Baptist:
1 Mondestrunken
2 Colombine
3 Der Dandy
4 Eine blasse Wäscherin
5 Valse de Chopin
6 Madonna
7 Der kranke Mond
8 Jazz Interlude 1
9 Nacht
10 Gebet an Pierrot
11 Raub
12 Rote Messe
13 Galgenlied
14 Enthauptung
15 Die Kreuze
16 Jazz Interlude 2
17 Heimweh
18 Gemeinheit!
19 Parodie
20 Der Mondfleck
21 Serenade
22 Heimfahrt
23 O alter Duft
Stella Doufexis, speaking voice/mezzosoprano
Maria Baptist, Piano
opus21musikplus Ensamble
Conductor: Konstantia Gourzi
- published: 19 Jan 2012
- views: 463003
Arnold Schoenberg - Maurizio Pollini - The Piano Music · L'Œuvre Pianistique - Webern: Variations ·
- Order: Reorder
- Duration: 75:04
- Updated: 05 Jun 2015
- views: 4718
Maurizio Pollini Edition - CD 11
Three Piano Pieces Op. 11 · Drei Klavierstücke Op. 11 · Trois Pièces Pour Piano, Op. 11 · Tre Pezzi Per Pianoforte Op. 11
1....
Maurizio Pollini Edition - CD 11
Three Piano Pieces Op. 11 · Drei Klavierstücke Op. 11 · Trois Pièces Pour Piano, Op. 11 · Tre Pezzi Per Pianoforte Op. 11
1. Mässig
2. Mässige Achtel
3. Bewegt
Six Little Piano Pieces Op. 19 · Sechs Kleine Klavierstücke Op. 19 · Six Petites Pièces Pour Piano, Op. 19 · Sei Piccoli Pezzi Per Pianoforte Op. 19
1. Leicht, Zart
2. Langsam
3. Sehr Langsame Viertel
4. Rasch, Aber Leicht
5. Etwas Rasch
6. Sehr Langsam
Five Piano Pieces Op. 23 · Fünf Klavierstücke Op. 23
1. Sehr Langsam
2. Sehr Rasch
3. Langsam
4. Schwungvoll
5. Walzer
Suite For Piano Op. 25 · Suite Für Klavier Op. 25
1. Präludium. Rasch
2. Gavotte. Etwas Langsam, Nicht Hastig
Musette. Rascher
Gavotte
3. Intermezzo
4. Menuett. Moderato - Trio
5. Gigue. Rasch
Piano Piece Op. 33a · Klavierstück Op. 33a · Pièce Pour Piano, Op. 33a · Pezzo Per Pianoforte Op. 33a
Mässig
Piano Piece Op. 33b · Klavierstück Op. 33b · Pièce Pour Piano, Op. 33b · Pezzo Per Pianoforte Op. 33b
Mässig Langsam
Piano – Maurizio Pollini
Concerto for Piano and Orchestra, Op.42
1Andante
2Molto allegro
3Adagio
4Giocoso (moderato)
Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado
Recording date:September 1988
Anton Webern (1883 - 1945)
Piano Variations, Op.27
1. Sehr mässig
2. Sehr schnell
3. Ruhig, fliessend
Piano – Maurizio Pollini
wn.com/Arnold Schoenberg Maurizio Pollini The Piano Music · L'Œuvre Pianistique Webern Variations ·
Maurizio Pollini Edition - CD 11
Three Piano Pieces Op. 11 · Drei Klavierstücke Op. 11 · Trois Pièces Pour Piano, Op. 11 · Tre Pezzi Per Pianoforte Op. 11
1. Mässig
2. Mässige Achtel
3. Bewegt
Six Little Piano Pieces Op. 19 · Sechs Kleine Klavierstücke Op. 19 · Six Petites Pièces Pour Piano, Op. 19 · Sei Piccoli Pezzi Per Pianoforte Op. 19
1. Leicht, Zart
2. Langsam
3. Sehr Langsame Viertel
4. Rasch, Aber Leicht
5. Etwas Rasch
6. Sehr Langsam
Five Piano Pieces Op. 23 · Fünf Klavierstücke Op. 23
1. Sehr Langsam
2. Sehr Rasch
3. Langsam
4. Schwungvoll
5. Walzer
Suite For Piano Op. 25 · Suite Für Klavier Op. 25
1. Präludium. Rasch
2. Gavotte. Etwas Langsam, Nicht Hastig
Musette. Rascher
Gavotte
3. Intermezzo
4. Menuett. Moderato - Trio
5. Gigue. Rasch
Piano Piece Op. 33a · Klavierstück Op. 33a · Pièce Pour Piano, Op. 33a · Pezzo Per Pianoforte Op. 33a
Mässig
Piano Piece Op. 33b · Klavierstück Op. 33b · Pièce Pour Piano, Op. 33b · Pezzo Per Pianoforte Op. 33b
Mässig Langsam
Piano – Maurizio Pollini
Concerto for Piano and Orchestra, Op.42
1Andante
2Molto allegro
3Adagio
4Giocoso (moderato)
Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado
Recording date:September 1988
Anton Webern (1883 - 1945)
Piano Variations, Op.27
1. Sehr mässig
2. Sehr schnell
3. Ruhig, fliessend
Piano – Maurizio Pollini
- published: 05 Jun 2015
- views: 4718
Arnold Schoenberg - Chamber Symphony No. 1, Op. 9
- Order: Reorder
- Duration: 21:41
- Updated: 14 Jul 2014
- views: 12531
Omega Ensemble
Ensemble in Residence
City Recital Hall Angel Place
Sydney, Australia
www.omegaensemble.com.au
www.cityrecitalhall.com
www.anam.com.au
Enligh...
Omega Ensemble
Ensemble in Residence
City Recital Hall Angel Place
Sydney, Australia
www.omegaensemble.com.au
www.cityrecitalhall.com
www.anam.com.au
Enlightened - 7th June 7:30pm 2014
Omega Ensemble
Australian National Academy of Music
Paul Meyer (conductor)
Videographer - Bruce Terry
Recording - Peter Bell
Fine Music 102.5FM / www.finemusicfm.com
wn.com/Arnold Schoenberg Chamber Symphony No. 1, Op. 9
Omega Ensemble
Ensemble in Residence
City Recital Hall Angel Place
Sydney, Australia
www.omegaensemble.com.au
www.cityrecitalhall.com
www.anam.com.au
Enlightened - 7th June 7:30pm 2014
Omega Ensemble
Australian National Academy of Music
Paul Meyer (conductor)
Videographer - Bruce Terry
Recording - Peter Bell
Fine Music 102.5FM / www.finemusicfm.com
- published: 14 Jul 2014
- views: 12531
Moses und Aron / Arnold Schoenberg
- Order: Reorder
- Duration: 96:41
- Updated: 01 Jun 2015
- views: 8732
»Moses und Aron« (1930-1932), eine unvollendete Oper auf ein Libretto des Komponisten.
Franz Mazura - Moses
Philip Langridge - Aron
Aage Haugland - Priester
Ba...
»Moses und Aron« (1930-1932), eine unvollendete Oper auf ein Libretto des Komponisten.
Franz Mazura - Moses
Philip Langridge - Aron
Aage Haugland - Priester
Barbara Bonney - Mädchen
Mira Zakai - Eine Kranke
Daniel Harper - Junger Mann
Thomas Dymit - Der nackte Jüngling
Herbert Wittges - Ein Mann / Der Ephraimit
Kurt Link - Andrer Mann
Chicago Symphony Chorus & Orchestra
Georg Solti, 1984
- - - - -
The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
wn.com/Moses Und Aron Arnold Schoenberg
»Moses und Aron« (1930-1932), eine unvollendete Oper auf ein Libretto des Komponisten.
Franz Mazura - Moses
Philip Langridge - Aron
Aage Haugland - Priester
Barbara Bonney - Mädchen
Mira Zakai - Eine Kranke
Daniel Harper - Junger Mann
Thomas Dymit - Der nackte Jüngling
Herbert Wittges - Ein Mann / Der Ephraimit
Kurt Link - Andrer Mann
Chicago Symphony Chorus & Orchestra
Georg Solti, 1984
- - - - -
The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.
- published: 01 Jun 2015
- views: 8732
Arnold Schönberg - String Quartet No. 2
- Order: Reorder
- Duration: 30:35
- Updated: 02 Dec 2015
- views: 1360
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Performers: New Vienna String Quartet, Evelyn Lear (Soprano)
- Year o...
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Performers: New Vienna String Quartet, Evelyn Lear (Soprano)
- Year of recording: 1967
String Quartet No. 2 for Soprano & String Quartet in F sharp minor, Op. 10, written in 1908.
00:00 - I. Mäßig (Moderate), F sharp minor
07:09 - II. Sehr rasch (Very brisk), D minor
14:18 - III. "Litanei", langsam ("Litany", slow), E flat minor
19:50 - IV. "Entrückung", sehr langsam ("Rapture", very slow), No key
This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg.
The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George from the collection "Der siebente Ring" (The Seventh Ring), which was published in 1907.
"I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937)
The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord.
Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on 21 December 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra.
wn.com/Arnold Schönberg String Quartet No. 2
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
- Performers: New Vienna String Quartet, Evelyn Lear (Soprano)
- Year of recording: 1967
String Quartet No. 2 for Soprano & String Quartet in F sharp minor, Op. 10, written in 1908.
00:00 - I. Mäßig (Moderate), F sharp minor
07:09 - II. Sehr rasch (Very brisk), D minor
14:18 - III. "Litanei", langsam ("Litany", slow), E flat minor
19:50 - IV. "Entrückung", sehr langsam ("Rapture", very slow), No key
This work in four movements was written during a very emotional time in Schoenberg's life. Though it bears the dedication "to my wife", it was written during Mathilde Schoenberg's affair with their friend and neighbour, artist Richard Gerstl, in 1908. Previous dedicatees are guessed at to have been either Arnold Rosé, the founder of the Rosé Quartet (who performed Schoenberg's string quartets) or Gustav Mahler, a good friend of Schoenberg.
The third and fourth movements are quite unusual for a string quartet, as they also include a soprano singer, Marie Gutheil-Schoder, using poetry written by Stefan George from the collection "Der siebente Ring" (The Seventh Ring), which was published in 1907.
"I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before." - Arnold Schoenberg (1937)
The first three movements are tonal, though as in his First String Quartet this is the very extended tonality of the late Romantic period. The first movement is in a compressed sonata form. The second movement, the scherzo, quotes a Viennese street-song, 'Oh du lieber Augustin' (Oh, dear Augustin). The fourth movement has no key signature, and may be considered Arnold Schoenberg's first experiment in atonality, making use of the entire chromatic gamut, though its adventurous harmony comes to a close on a haunting F sharp major chord.
Its first performance was given by the Rosé Quartet and Marie Gutheil-Schoder in Vienna on 21 December 1908. The work was later revised in 1921; Schoenberg also made a version for full string orchestra.
- published: 02 Dec 2015
- views: 1360
-
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens. Find more Voice Recordings, additional information and transcriptions here: http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=976:vr01&Itemid;=716⟨=en -
-
Rare Interview with Arnold Schoenberg (1910)
is that 128 bpm -
Arnold Schoenberg House
Arnold Schoenberg's House in Mödling, including an interview with Richard Hoffmann (Schoenberg's pupil and assistant in Los Angeles) and Christian Meyer (director of the Arnold Schoenberg Center in Vienna). -
DER BLAUE REITER Arnold Schönberg :: DVD Trailer (deutsch)
INTERVIEW MIT NURIA SCHOENBERG NONO :: Venedig 9.1.2012 :: jetzt in der Dokumentation auf DVD von klang:BILDER :: 100 Jahre Blauer Reiter TRAILER :: Video- und Fotoaufnahmen: Ludger F. J. Schneider http://www.ludgerschneider.de :: Interview und Schnitt: Donatella Chiancone-Schneider http://www.donatella.chiancone.eu LINKS :: http://www.klangbilder.kulturserver.de :: http://www.kunstco.de/blauer-reiter.html -
Mitsuko Uchida on Schoenberg's Piano Concerto
Mitsuko Uchida talking about her experience with Arnold Schoenberg's piano music. Including a rehearsal of the Piano Concerto op. 42 (conducted by Jeffrey Tate). -
Robert Wiesner interviews E. Randol Schoenberg
This is an interview of my by Robert Wiesner that aired in February 2006 in Vienna. It concerns a recording of my grandfather Eric Zeisl's piano concerto, the Arnold Schönberg Center, and the Klimt painting case. -
ARNOLD SCHOENBERG'S YOUNGEST SON, LAWRENCE, TURNS 70
A collage of family photos and brief interviews, including Jim Svejda, Hilary Hahn and Esa-Pekka Salonen. -
Composers Perspectives: Ian Krouse (and Arnold Schoenberg's blackboard)
http://www.iankrouse.com ~~~~~~~~~~ Subscribe: http://www.youtube.com/subscription_center?add_user=kangyiflute https://www.facebook.com/singaporebangs Interview with Ian Krouse 01:03 What made you decide to be a composer? When did you start composing? 03:48 What is your composition style? Where do you draw your topics and materials? 11:10 Where and when do you get inspired the most? 15:05 Do you feel the need to compromise artistic taste to make your music accessible to all audience? 16:47 How can we get the audience to be interested in the music of living composers? 19:33 What advice would you give to fresh graduates as they embark on their composition journey? -
Barenboim throws Beethoven and Schoenberg together
Six decades after his concert career began, legendary pianist and conductor Daniel Barenboim is on tour with a programme mixing the five Beethoven piano concertos with works by 20th century icon Arnold Schoenberg. Adventurous? Maybe, but in an exclusive interview with AFPTV in Paris Barenboim says both groundbreakers belong in the same league. Duration: 01:07 -
Lauren Stafford Performs Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
Every year, Professor Robert Hiller, a KU grad who is a vocal coach at the State University of Music and Performing Arts in Stuttgart, Germany, comes to KU for three weeks to work with students of voice with Genaro Méndez, Associate Professor of Voice at KU. Thursday, March 13, 2014, 19 voice students will be presenting an evening of German Lieder at the Lawrence Arts Center. Robert and Genaro came to KPR's Live Performance Studio with four student singers and gave us a very entertaining preview of Thursday night's concert. Featuring sopranos Emily Bennett and Lauren Stafford; Mezzo-soprano Ashley Puenner and tenor Gabriel de la Llave singing German Lieder from the KPR studios! Video Set List: Lauren Stafford & Robert Hiller, piano Perform Arnold Schoenberg's "Arie aus dem Spiegel von Ar... -
Simon Curtis Interview: Director of "Woman in Gold"
Bonnie Laufer Krebs - Click here to subscribe https://www.youtube.com/user/moviegalz... Simon Curtis has only directed two feature films — 2011’s “My Week With Marilyn” and now “Woman in Gold” but he certainly knows his way around a true story. Woman in Gold stars Helen Mirren as plays Maria Altmann, a woman from an aristocratic Jewish family in Vienna — forced to flee Austria after the country was taken over by the Nazis in 1938. Her family owned an incredible collection of artwork, notably an iconic painting known as “The Woman in Gold” — actually a portrait of her aunt, Adele Bloch-Bauer, painted by famed artist Gustav Klimt. That painting, along with all of the Altmann’s other works of art were confiscated by the Nazis. The film relates Altmann’s long and often frustrating journey to r... -
« Moses und Aron » vu par Philippe Jordan
Entretien avec Phillipe Jordan, directeur musical de l'Opéra national de Paris sur « Moses und Aron » d'Arnold Schönberg. Informations et réservations : https://www.operadeparis.fr/saison-15-16/opera/moses-und-aron Interview with Philippe Jordan, musical director of the Paris Opera about « Moses und Aron » by Arnold Schönberg. Informations and booking : https://www.operadeparis.fr/en/season-15-16/opera/moses-und-aron -
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg
https://perimeterinstitute.ca/videos/mathematics-supersymmetry-music-arnold-schoenberg The concept of supersymmetry, though never observed in nature, has driven a great deal of research in theoretical physics over the past several decades. Much has been learned through this research, but many unresolved questions remain. This presentation will describe how these questions can lead one down a surprising path: toward the dodecaphony of Austrian composer Arnold Schoenberg. Speaker(s): S. James Gates Jr. Collection/Series: Perimeter Institute Public Lecture Series -
Arnold Schoenberg: A Survivor from Warsaw
Arnold Schoenberg's cantata performed by Bamberger Symphoniker, conducted by Horst Stein, Hermann Prey (narrator. Score published by Bomart Music Publications and Belmont Music Publications. -
Bruce Labruce, a portrait in video CHAPTER THREE:To represent the unrepresentable, Pierrot Lunaire
Interview with Bruce Labruce in NYC Chapter Three, To represent the unrepresentable Bruce Labruce canadian director, actor, photographer and writer is an internationally acclaimed queer cinema icon. Here diveded in chapters his portrait in video made in April 2015 in New York City. In March 2011, LaBruce directed a performance of Arnold Schoenberg's opera Pierrot Lunaire at the Hebbel am Ufer Theatre in Berlin. This iteration of the opera included gender diversity, castration scenes and dildos, as well as a female to male transgender Pierrot. He subsequently also filmed this adaptation as the 2014 theatrical film Pierrot Lunaire. ABOUT PIERROT LUNAIRE Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire'"), common... -
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) - Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), Per Billman (bass clarinet), Per Billman (clarinet), Lars Paulsson (clarinet), Peter Rydström (piccolo), Peter Rydström (flute), Andreas Alin (flute), Bengt Forsberg (piano), Mats Lindström (cello) - Soloist: Anne Sofie von Otter (mezzo soprano) - Year of recording: 1994 Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano), written in 1913. 00:00 - I. Soupir [à Igor Stravinsky] 04:22 - II. Placet futile [à Florent Schmitt] 08:55 - III. Surgi de la croupe et du bond [à Erik Satie] In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magici...
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
- Order: Reorder
- Duration: 10:32
- Updated: 21 Mar 2012
- views: 3627
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Find more Voice Recordings, additional information and transcriptions her...
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Find more Voice Recordings, additional information and transcriptions here:
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=976:vr01&Itemid;=716⟨=en
wn.com/Arnold Schönberg Voice Recordings Museum Talk (Vr41)
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Find more Voice Recordings, additional information and transcriptions here:
http://www.schoenberg.at/index.php?option=com_content&view;=article&id;=976:vr01&Itemid;=716⟨=en
- published: 21 Mar 2012
- views: 3627
Arnold Schoenberg and Mozart
- Order: Reorder
- Duration: 9:30
- Updated: 31 Jan 2007
- views: 25761
Rare Interview with Arnold Schoenberg (1910)
- Order: Reorder
- Duration: 0:18
- Updated: 11 Jul 2015
- views: 135
is that 128 bpm
is that 128 bpm
wn.com/Rare Interview With Arnold Schoenberg (1910)
is that 128 bpm
- published: 11 Jul 2015
- views: 135
Arnold Schoenberg House
- Order: Reorder
- Duration: 3:16
- Updated: 26 Jan 2007
- views: 8174
Arnold Schoenberg's House in Mödling, including an interview with Richard Hoffmann (Schoenberg's pupil and assistant in Los Angeles) and Christian Meyer (direct...
Arnold Schoenberg's House in Mödling, including an interview with Richard Hoffmann (Schoenberg's pupil and assistant in Los Angeles) and Christian Meyer (director of the Arnold Schoenberg Center in Vienna).
wn.com/Arnold Schoenberg House
Arnold Schoenberg's House in Mödling, including an interview with Richard Hoffmann (Schoenberg's pupil and assistant in Los Angeles) and Christian Meyer (director of the Arnold Schoenberg Center in Vienna).
- published: 26 Jan 2007
- views: 8174
DER BLAUE REITER Arnold Schönberg :: DVD Trailer (deutsch)
- Order: Reorder
- Duration: 2:05
- Updated: 28 Sep 2012
- views: 396
INTERVIEW MIT NURIA SCHOENBERG NONO :: Venedig 9.1.2012 :: jetzt in der Dokumentation auf DVD von klang:BILDER :: 100 Jahre Blauer Reiter
TRAILER
:: Video- und...
INTERVIEW MIT NURIA SCHOENBERG NONO :: Venedig 9.1.2012 :: jetzt in der Dokumentation auf DVD von klang:BILDER :: 100 Jahre Blauer Reiter
TRAILER
:: Video- und Fotoaufnahmen: Ludger F. J. Schneider http://www.ludgerschneider.de
:: Interview und Schnitt: Donatella Chiancone-Schneider http://www.donatella.chiancone.eu
LINKS
:: http://www.klangbilder.kulturserver.de
:: http://www.kunstco.de/blauer-reiter.html
wn.com/Der Blaue Reiter Arnold Schönberg Dvd Trailer (Deutsch)
INTERVIEW MIT NURIA SCHOENBERG NONO :: Venedig 9.1.2012 :: jetzt in der Dokumentation auf DVD von klang:BILDER :: 100 Jahre Blauer Reiter
TRAILER
:: Video- und Fotoaufnahmen: Ludger F. J. Schneider http://www.ludgerschneider.de
:: Interview und Schnitt: Donatella Chiancone-Schneider http://www.donatella.chiancone.eu
LINKS
:: http://www.klangbilder.kulturserver.de
:: http://www.kunstco.de/blauer-reiter.html
- published: 28 Sep 2012
- views: 396
Mitsuko Uchida on Schoenberg's Piano Concerto
- Order: Reorder
- Duration: 8:37
- Updated: 07 Feb 2007
- views: 133059
Mitsuko Uchida talking about her experience with Arnold Schoenberg's piano music. Including a rehearsal of the Piano Concerto op. 42 (conducted by Jeffrey Tate)...
Mitsuko Uchida talking about her experience with Arnold Schoenberg's piano music. Including a rehearsal of the Piano Concerto op. 42 (conducted by Jeffrey Tate).
wn.com/Mitsuko Uchida On Schoenberg's Piano Concerto
Mitsuko Uchida talking about her experience with Arnold Schoenberg's piano music. Including a rehearsal of the Piano Concerto op. 42 (conducted by Jeffrey Tate).
- published: 07 Feb 2007
- views: 133059
Robert Wiesner interviews E. Randol Schoenberg
- Order: Reorder
- Duration: 7:01
- Updated: 21 Dec 2013
- views: 1130
This is an interview of my by Robert Wiesner that aired in February 2006 in Vienna. It concerns a recording of my grandfather Eric Zeisl's piano concerto, the ...
This is an interview of my by Robert Wiesner that aired in February 2006 in Vienna. It concerns a recording of my grandfather Eric Zeisl's piano concerto, the Arnold Schönberg Center, and the Klimt painting case.
wn.com/Robert Wiesner Interviews E. Randol Schoenberg
This is an interview of my by Robert Wiesner that aired in February 2006 in Vienna. It concerns a recording of my grandfather Eric Zeisl's piano concerto, the Arnold Schönberg Center, and the Klimt painting case.
- published: 21 Dec 2013
- views: 1130
ARNOLD SCHOENBERG'S YOUNGEST SON, LAWRENCE, TURNS 70
- Order: Reorder
- Duration: 23:31
- Updated: 27 Jan 2011
- views: 691
A collage of family photos and brief interviews, including Jim Svejda, Hilary Hahn and Esa-Pekka Salonen.
A collage of family photos and brief interviews, including Jim Svejda, Hilary Hahn and Esa-Pekka Salonen.
wn.com/Arnold Schoenberg'S Youngest Son, Lawrence, Turns 70
A collage of family photos and brief interviews, including Jim Svejda, Hilary Hahn and Esa-Pekka Salonen.
- published: 27 Jan 2011
- views: 691
Composers Perspectives: Ian Krouse (and Arnold Schoenberg's blackboard)
- Order: Reorder
- Duration: 22:25
- Updated: 10 Feb 2016
- views: 23
http://www.iankrouse.com
~~~~~~~~~~
Subscribe:
http://www.youtube.com/subscription_center?add_user=kangyiflute
https://www.facebook.com/singaporebangs
Intervie...
http://www.iankrouse.com
~~~~~~~~~~
Subscribe:
http://www.youtube.com/subscription_center?add_user=kangyiflute
https://www.facebook.com/singaporebangs
Interview with Ian Krouse
01:03 What made you decide to be a composer? When did you start composing?
03:48 What is your composition style? Where do you draw your topics and materials?
11:10 Where and when do you get inspired the most?
15:05 Do you feel the need to compromise artistic taste to make your music accessible to all audience?
16:47 How can we get the audience to be interested in the music of living composers?
19:33 What advice would you give to fresh graduates as they embark on their composition journey?
wn.com/Composers Perspectives Ian Krouse (And Arnold Schoenberg's Blackboard)
http://www.iankrouse.com
~~~~~~~~~~
Subscribe:
http://www.youtube.com/subscription_center?add_user=kangyiflute
https://www.facebook.com/singaporebangs
Interview with Ian Krouse
01:03 What made you decide to be a composer? When did you start composing?
03:48 What is your composition style? Where do you draw your topics and materials?
11:10 Where and when do you get inspired the most?
15:05 Do you feel the need to compromise artistic taste to make your music accessible to all audience?
16:47 How can we get the audience to be interested in the music of living composers?
19:33 What advice would you give to fresh graduates as they embark on their composition journey?
- published: 10 Feb 2016
- views: 23
Barenboim throws Beethoven and Schoenberg together
- Order: Reorder
- Duration: 1:07
- Updated: 06 Feb 2010
- views: 4898
Six decades after his concert career began, legendary pianist and conductor Daniel Barenboim is on tour with a programme mixing the five Beethoven piano concert...
Six decades after his concert career began, legendary pianist and conductor Daniel Barenboim is on tour with a programme mixing the five Beethoven piano concertos with works by 20th century icon Arnold Schoenberg. Adventurous? Maybe, but in an exclusive interview with AFPTV in Paris Barenboim says both groundbreakers belong in the same league. Duration: 01:07
wn.com/Barenboim Throws Beethoven And Schoenberg Together
Six decades after his concert career began, legendary pianist and conductor Daniel Barenboim is on tour with a programme mixing the five Beethoven piano concertos with works by 20th century icon Arnold Schoenberg. Adventurous? Maybe, but in an exclusive interview with AFPTV in Paris Barenboim says both groundbreakers belong in the same league. Duration: 01:07
- published: 06 Feb 2010
- views: 4898
Lauren Stafford Performs Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
- Order: Reorder
- Duration: 4:22
- Updated: 12 Mar 2014
- views: 322
Every year, Professor Robert Hiller, a KU grad who is a vocal coach at the State University of Music and Performing Arts in Stuttgart, Germany, comes to KU for ...
Every year, Professor Robert Hiller, a KU grad who is a vocal coach at the State University of Music and Performing Arts in Stuttgart, Germany, comes to KU for three weeks to work with students of voice with Genaro Méndez, Associate Professor of Voice at KU. Thursday, March 13, 2014, 19 voice students will be presenting an evening of German Lieder at the Lawrence Arts Center. Robert and Genaro came to KPR's Live Performance Studio with four student singers and gave us a very entertaining preview of Thursday night's concert. Featuring sopranos Emily Bennett and Lauren Stafford; Mezzo-soprano Ashley Puenner and tenor Gabriel de la Llave singing German Lieder from the KPR studios!
Video Set List: Lauren Stafford & Robert Hiller, piano Perform Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
To listen to the entire recording and interview with Mark Edwards, visit: http://bit.ly/1glkeNs
CREDITS
Series Producer: Mark Edwards
Audio Production: Jason Slote, Chubby Smith
Videographer: Joanna Fewins
Editor: Chubby Smith
wn.com/Lauren Stafford Performs Arnold Schoenberg's Arie Aus Dem Spiegel Von Arcadia
Every year, Professor Robert Hiller, a KU grad who is a vocal coach at the State University of Music and Performing Arts in Stuttgart, Germany, comes to KU for three weeks to work with students of voice with Genaro Méndez, Associate Professor of Voice at KU. Thursday, March 13, 2014, 19 voice students will be presenting an evening of German Lieder at the Lawrence Arts Center. Robert and Genaro came to KPR's Live Performance Studio with four student singers and gave us a very entertaining preview of Thursday night's concert. Featuring sopranos Emily Bennett and Lauren Stafford; Mezzo-soprano Ashley Puenner and tenor Gabriel de la Llave singing German Lieder from the KPR studios!
Video Set List: Lauren Stafford & Robert Hiller, piano Perform Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
To listen to the entire recording and interview with Mark Edwards, visit: http://bit.ly/1glkeNs
CREDITS
Series Producer: Mark Edwards
Audio Production: Jason Slote, Chubby Smith
Videographer: Joanna Fewins
Editor: Chubby Smith
- published: 12 Mar 2014
- views: 322
Simon Curtis Interview: Director of "Woman in Gold"
- Order: Reorder
- Duration: 12:48
- Updated: 27 Mar 2015
- views: 425
Bonnie Laufer Krebs - Click here to subscribe https://www.youtube.com/user/moviegalz...
Simon Curtis has only directed two feature films — 2011’s “My Week With ...
Bonnie Laufer Krebs - Click here to subscribe https://www.youtube.com/user/moviegalz...
Simon Curtis has only directed two feature films — 2011’s “My Week With Marilyn” and now “Woman in Gold” but he certainly knows his way around a true story. Woman in Gold stars Helen Mirren as plays Maria Altmann, a woman from an aristocratic Jewish family in Vienna — forced to flee Austria after the country was taken over by the Nazis in 1938. Her family owned an incredible collection of artwork, notably an iconic painting known as “The Woman in Gold” — actually a portrait of her aunt, Adele Bloch-Bauer, painted by famed artist Gustav Klimt. That painting, along with all of the Altmann’s other works of art were confiscated by the Nazis. The film relates Altmann’s long and often frustrating journey to reclaim the paintings — especially the portrait of her aunt — in recent years.
Altmann and her husband had immigrated to the U.S. during World War II and eventually settled in Los Angeles. Ryan Reynolds plays Randol Schoenberg, the young lawyer who helped her in the long legal struggle to regain the artwork — who himself was the grandson of famed Austrian composer Arnold Schoenberg. Bonnie Laufer (@movi_boni) spoke with Simon Curtis during a stop in Toronto to discuss the film, shooting in Austria, his use of our talented Canadian acting pool ( Ryan Reynolds and Tatiana Maslany) his famous wife Elizabeth McGovern ( Cora on Downton Abbey) and much more!
wn.com/Simon Curtis Interview Director Of Woman In Gold
Bonnie Laufer Krebs - Click here to subscribe https://www.youtube.com/user/moviegalz...
Simon Curtis has only directed two feature films — 2011’s “My Week With Marilyn” and now “Woman in Gold” but he certainly knows his way around a true story. Woman in Gold stars Helen Mirren as plays Maria Altmann, a woman from an aristocratic Jewish family in Vienna — forced to flee Austria after the country was taken over by the Nazis in 1938. Her family owned an incredible collection of artwork, notably an iconic painting known as “The Woman in Gold” — actually a portrait of her aunt, Adele Bloch-Bauer, painted by famed artist Gustav Klimt. That painting, along with all of the Altmann’s other works of art were confiscated by the Nazis. The film relates Altmann’s long and often frustrating journey to reclaim the paintings — especially the portrait of her aunt — in recent years.
Altmann and her husband had immigrated to the U.S. during World War II and eventually settled in Los Angeles. Ryan Reynolds plays Randol Schoenberg, the young lawyer who helped her in the long legal struggle to regain the artwork — who himself was the grandson of famed Austrian composer Arnold Schoenberg. Bonnie Laufer (@movi_boni) spoke with Simon Curtis during a stop in Toronto to discuss the film, shooting in Austria, his use of our talented Canadian acting pool ( Ryan Reynolds and Tatiana Maslany) his famous wife Elizabeth McGovern ( Cora on Downton Abbey) and much more!
- published: 27 Mar 2015
- views: 425
« Moses und Aron » vu par Philippe Jordan
- Order: Reorder
- Duration: 3:09
- Updated: 28 Oct 2015
- views: 759
Entretien avec Phillipe Jordan, directeur musical de l'Opéra national de Paris sur « Moses und Aron » d'Arnold Schönberg.
Informations et réservations : https:...
Entretien avec Phillipe Jordan, directeur musical de l'Opéra national de Paris sur « Moses und Aron » d'Arnold Schönberg.
Informations et réservations : https://www.operadeparis.fr/saison-15-16/opera/moses-und-aron
Interview with Philippe Jordan, musical director of the Paris Opera about « Moses und Aron » by Arnold Schönberg.
Informations and booking : https://www.operadeparis.fr/en/season-15-16/opera/moses-und-aron
wn.com/« Moses Und Aron » Vu Par Philippe Jordan
Entretien avec Phillipe Jordan, directeur musical de l'Opéra national de Paris sur « Moses und Aron » d'Arnold Schönberg.
Informations et réservations : https://www.operadeparis.fr/saison-15-16/opera/moses-und-aron
Interview with Philippe Jordan, musical director of the Paris Opera about « Moses und Aron » by Arnold Schönberg.
Informations and booking : https://www.operadeparis.fr/en/season-15-16/opera/moses-und-aron
- published: 28 Oct 2015
- views: 759
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg
- Order: Reorder
- Duration: 67:04
- Updated: 28 Jun 2014
- views: 3344
https://perimeterinstitute.ca/videos/mathematics-supersymmetry-music-arnold-schoenberg
The concept of supersymmetry, though never observed in nature, has drive...
https://perimeterinstitute.ca/videos/mathematics-supersymmetry-music-arnold-schoenberg
The concept of supersymmetry, though never observed in nature, has driven a great deal of research in theoretical physics over the past several decades. Much has been learned through this research, but many unresolved questions remain. This presentation will describe how these questions can lead one down a surprising path: toward the dodecaphony of Austrian composer Arnold Schoenberg.
Speaker(s):
S. James Gates Jr.
Collection/Series:
Perimeter Institute Public Lecture Series
wn.com/From The Mathematics Of Supersymmetry To The Music Of Arnold Schoenberg
https://perimeterinstitute.ca/videos/mathematics-supersymmetry-music-arnold-schoenberg
The concept of supersymmetry, though never observed in nature, has driven a great deal of research in theoretical physics over the past several decades. Much has been learned through this research, but many unresolved questions remain. This presentation will describe how these questions can lead one down a surprising path: toward the dodecaphony of Austrian composer Arnold Schoenberg.
Speaker(s):
S. James Gates Jr.
Collection/Series:
Perimeter Institute Public Lecture Series
- published: 28 Jun 2014
- views: 3344
Arnold Schoenberg: A Survivor from Warsaw
- Order: Reorder
- Duration: 8:22
- Updated: 07 Feb 2007
- views: 315075
Arnold Schoenberg's cantata performed by Bamberger Symphoniker, conducted by Horst Stein, Hermann Prey (narrator. Score published by Bomart Music Publications a...
Arnold Schoenberg's cantata performed by Bamberger Symphoniker, conducted by Horst Stein, Hermann Prey (narrator. Score published by Bomart Music Publications and Belmont Music Publications.
wn.com/Arnold Schoenberg A Survivor From Warsaw
Arnold Schoenberg's cantata performed by Bamberger Symphoniker, conducted by Horst Stein, Hermann Prey (narrator. Score published by Bomart Music Publications and Belmont Music Publications.
- published: 07 Feb 2007
- views: 315075
Bruce Labruce, a portrait in video CHAPTER THREE:To represent the unrepresentable, Pierrot Lunaire
- Order: Reorder
- Duration: 11:43
- Updated: 05 May 2015
- views: 194
Interview with Bruce Labruce in NYC Chapter Three, To represent the unrepresentable
Bruce Labruce canadian director, actor, photographer and writer is an int...
Interview with Bruce Labruce in NYC Chapter Three, To represent the unrepresentable
Bruce Labruce canadian director, actor, photographer and writer is an internationally acclaimed queer cinema icon.
Here diveded in chapters his portrait in video made in April 2015 in New York City.
In March 2011, LaBruce directed a performance of Arnold Schoenberg's opera Pierrot Lunaire at the Hebbel am Ufer Theatre in Berlin. This iteration of the opera included gender diversity, castration scenes and dildos, as well as a female to male transgender Pierrot. He subsequently also filmed this adaptation as the 2014 theatrical film Pierrot Lunaire.
ABOUT PIERROT LUNAIRE
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire'"), commonly known simply as Pierrot Lunaire, Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Otto Erich Hartleben's German translation of Albert Giraud's cycle of French poems of the same name. The première of the work, which is between 35 and 40 minutes in length, was at the Berlin Choralion-Saal on October 16, 1912, with Albertine Zehme as the vocalist. The narrator (voice-type unspecified in the score, but traditionally performed by a soprano) delivers the poems in the Sprechstimme style. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, and it was a genre much in vogue at the end of the nineteenth century.The work is atonal but does not use the twelve-tone technique that Schoenberg would devise eight years later.
The work originated in a commission by Zehme for a cycle for voice and piano, setting a series of poems by the Belgian writer Albert Giraud. The verses had been first published in 1884, and later translated into German by Otto Erich Hartleben. Schoenberg began on March 12 and completed the work on July 9, 1912, having expanded the forces to an ensemble consisting of flute (doubling on a piccolo), clarinet (doubling on bass clarinet), violin (doubling on viola), cello, and piano. After forty rehearsals, Schoenberg and Zehme (in Columbine dress) gave the premiere at the Berlin Choralion-Saal on October 16, 1912. Reaction was mixed. According to Anton Webern, some in the audience were whistling and laughing, but in the end "it was an unqualified success".There was some criticism of blasphemy in the texts, to which Schoenberg responded, "If they were musical, not a single one would give a damn about the words. Instead, they would go away whistling the tunes". The show took to the road throughout Germany and Austria later in 1912. It was performed for the first time in the western hemisphere at the Klaw Theatre in New York City on February 4, 1923, with George Gershwin and Carl Ruggles in attendance.
wn.com/Bruce Labruce, A Portrait In Video Chapter Three To Represent The Unrepresentable, Pierrot Lunaire
Interview with Bruce Labruce in NYC Chapter Three, To represent the unrepresentable
Bruce Labruce canadian director, actor, photographer and writer is an internationally acclaimed queer cinema icon.
Here diveded in chapters his portrait in video made in April 2015 in New York City.
In March 2011, LaBruce directed a performance of Arnold Schoenberg's opera Pierrot Lunaire at the Hebbel am Ufer Theatre in Berlin. This iteration of the opera included gender diversity, castration scenes and dildos, as well as a female to male transgender Pierrot. He subsequently also filmed this adaptation as the 2014 theatrical film Pierrot Lunaire.
ABOUT PIERROT LUNAIRE
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire'"), commonly known simply as Pierrot Lunaire, Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Otto Erich Hartleben's German translation of Albert Giraud's cycle of French poems of the same name. The première of the work, which is between 35 and 40 minutes in length, was at the Berlin Choralion-Saal on October 16, 1912, with Albertine Zehme as the vocalist. The narrator (voice-type unspecified in the score, but traditionally performed by a soprano) delivers the poems in the Sprechstimme style. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, and it was a genre much in vogue at the end of the nineteenth century.The work is atonal but does not use the twelve-tone technique that Schoenberg would devise eight years later.
The work originated in a commission by Zehme for a cycle for voice and piano, setting a series of poems by the Belgian writer Albert Giraud. The verses had been first published in 1884, and later translated into German by Otto Erich Hartleben. Schoenberg began on March 12 and completed the work on July 9, 1912, having expanded the forces to an ensemble consisting of flute (doubling on a piccolo), clarinet (doubling on bass clarinet), violin (doubling on viola), cello, and piano. After forty rehearsals, Schoenberg and Zehme (in Columbine dress) gave the premiere at the Berlin Choralion-Saal on October 16, 1912. Reaction was mixed. According to Anton Webern, some in the audience were whistling and laughing, but in the end "it was an unqualified success".There was some criticism of blasphemy in the texts, to which Schoenberg responded, "If they were musical, not a single one would give a damn about the words. Instead, they would go away whistling the tunes". The show took to the road throughout Germany and Austria later in 1912. It was performed for the first time in the western hemisphere at the Klaw Theatre in New York City on February 4, 1923, with George Gershwin and Carl Ruggles in attendance.
- published: 05 May 2015
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Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
- Order: Reorder
- Duration: 12:26
- Updated: 05 Jan 2016
- views: 953
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), P...
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), Per Billman (bass clarinet), Per Billman (clarinet), Lars Paulsson (clarinet), Peter Rydström (piccolo), Peter Rydström (flute), Andreas Alin (flute), Bengt Forsberg (piano), Mats Lindström (cello)
- Soloist: Anne Sofie von Otter (mezzo soprano)
- Year of recording: 1994
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano), written in 1913.
00:00 - I. Soupir [à Igor Stravinsky]
04:22 - II. Placet futile [à Florent Schmitt]
08:55 - III. Surgi de la croupe et du bond [à Erik Satie]
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on 14 January 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes more a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine."
wn.com/Maurice Ravel 3 Poèmes De Stéphane Mallarmé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), Per Billman (bass clarinet), Per Billman (clarinet), Lars Paulsson (clarinet), Peter Rydström (piccolo), Peter Rydström (flute), Andreas Alin (flute), Bengt Forsberg (piano), Mats Lindström (cello)
- Soloist: Anne Sofie von Otter (mezzo soprano)
- Year of recording: 1994
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano), written in 1913.
00:00 - I. Soupir [à Igor Stravinsky]
04:22 - II. Placet futile [à Florent Schmitt]
08:55 - III. Surgi de la croupe et du bond [à Erik Satie]
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on 14 January 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes more a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine."
- published: 05 Jan 2016
- views: 953
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29:26
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Arnold Schoenberg (1874-1951): Verklärte Nacht (Transfigured Night / La Nuit transfigurée)...
published: 12 Nov 2011
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
Schoenberg: Verklärte Nacht, Op.4 - Boulez.
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- published: 12 Nov 2011
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42:26
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
...I abandoned program music and turned in the direction that was much more my own than al...
published: 12 Jul 2011
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
Arnold Schoenberg, String Quartet No. 1 in d minor, op. 7
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114:52
Arnold Schoenberg,Gurrelieder.
"Behold the sun,
gay-coloured on the margin of the sky.
Morning-dreams greet her in the Ea...
published: 31 Dec 2013
Arnold Schoenberg,Gurrelieder.
Arnold Schoenberg,Gurrelieder.
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32:14
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
NEC Contemporary Ensemble Concert directed by John Heiss
Jordan Hall in Boston, MA
Recorde...
published: 09 May 2013
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
Arnold Schoenberg - Transfigured Night for String Sextet, Op. 4
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- published: 09 May 2013
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54:13
Arnold Schoenberg /// Piano music
01 - Three Piano Pieces, Op. 11 00:01
02 - Six Little Piano Pieces, Op. 19 16:07
03 - Pian...
published: 01 Dec 2014
Arnold Schoenberg /// Piano music
Arnold Schoenberg /// Piano music
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7:30
Arnold Schoenberg: Kammersymphonie op. 9
Chamber Symphony op. 9; Sinfonieorchester des Südwestfunks, conducted by Erich Leinsdorf (...
published: 14 Feb 2007
Arnold Schoenberg: Kammersymphonie op. 9
Arnold Schoenberg: Kammersymphonie op. 9
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19:58
Arnold Schoenberg - Piano Concerto, Op. 42
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
...
published: 03 Dec 2015
Arnold Schoenberg - Piano Concerto, Op. 42
Arnold Schoenberg - Piano Concerto, Op. 42
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5:01
Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
Schoenberg's manuscript at this link:
https://sites.google.com/site/francescobellomi1960bi...
published: 13 Oct 2009
Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
Arnold Schoenberg's manuscript - Six Little Piano Pieces op. 19 (Andy Lee - piano)
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- published: 13 Oct 2009
- views: 46700
31:01
Arnold Schoenberg: Verklärte Nacht
Norwegian Chamber Orchestra
Terje Tønnesen, leader
Bud Beyer, stage direction
Produced b...
published: 03 Feb 2014
Arnold Schoenberg: Verklärte Nacht
Arnold Schoenberg: Verklärte Nacht
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29:31
String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
The Austrian composer Arnold Schoenberg published four string quartets, distributed over h...
published: 15 Jun 2014
String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
String Quartet No. 2, Op. 10 - Arnold Schoenberg [HD]
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40:18
Arnold Schoenberg - Wind Quintet, Op. 26
Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian composer...
published: 21 Dec 2015
Arnold Schoenberg - Wind Quintet, Op. 26
Arnold Schoenberg - Wind Quintet, Op. 26
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29:37
My War Years - Arnold Schoenberg [1 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexa...
published: 15 May 2011
My War Years - Arnold Schoenberg [1 of 3]
My War Years - Arnold Schoenberg [1 of 3]
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15:44
Arnold Schoenberg: Suite per pianoforte op.25 (1921)
Arnold Schoenberg (1874-1951): Suite per pianoforte op.25 (1921) -- Paul Jacobs, pianofort...
published: 28 Jun 2011
Arnold Schoenberg: Suite per pianoforte op.25 (1921)
Arnold Schoenberg: Suite per pianoforte op.25 (1921)
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139:22
Schoenberg - Complete String Quartets
All copyrights belong to their respective owners.
no copyright infringement intended
Strin...
published: 31 Jan 2013
Schoenberg - Complete String Quartets
Schoenberg - Complete String Quartets
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3:12
Heritage Hausmusik - Trio by Arnold Schoenberg (live @WYCE)
Songs From the Second Floor is a collection of the ephemeral performances that occur live ...
published: 10 Feb 2015
Heritage Hausmusik - Trio by Arnold Schoenberg (live @WYCE)
Heritage Hausmusik - Trio by Arnold Schoenberg (live @WYCE)
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- published: 10 Feb 2015
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32:31
Verklärte Nacht by Arnold Schoenberg (complete) - RNCM String Orchestra live performance
Full length performance of the Schoenberg masterpiece, Verklärte Nacht, performed by 76 RN...
published: 12 Jun 2015
Verklärte Nacht by Arnold Schoenberg (complete) - RNCM String Orchestra live performance
Verklärte Nacht by Arnold Schoenberg (complete) - RNCM String Orchestra live performance
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- published: 12 Jun 2015
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121:59
Schoenberg "Gurre-Lieder" BBCSO/Runnicles 2002 Proms
Arnold Schoenberg "Gurre-Lieder", complete
BBC Symphony Orchestra conducted by Donald Runn...
published: 16 Jan 2015
Schoenberg "Gurre-Lieder" BBCSO/Runnicles 2002 Proms
Schoenberg "Gurre-Lieder" BBCSO/Runnicles 2002 Proms
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- views: 10338
12:21
Arnold Schoenberg : "La Nuit transfigurée" I le Live de la matinale
En direct dans la matinale, Li-Kung Kuo (violon), Anastasia Karizna (violon), Manuel Vioqu...
published: 12 Jan 2016
Arnold Schoenberg : "La Nuit transfigurée" I le Live de la matinale
Arnold Schoenberg : "La Nuit transfigurée" I le Live de la matinale
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5:22
Arnold Schoenberg par le Duo Solot |Le live de la Matinale
Le Duo Solot interprète l'ouverture (extrait) du Barbier de Séville de Rossini (transcript...
published: 20 Jan 2016
Arnold Schoenberg par le Duo Solot |Le live de la Matinale
Arnold Schoenberg par le Duo Solot |Le live de la Matinale
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23:14
My War Years - Arnold Schoenberg [3 of 3]
Arnold Schoenberg and his friends and students (including Alban Berg, Anton Webern, Alexa...
published: 19 May 2011
My War Years - Arnold Schoenberg [3 of 3]
My War Years - Arnold Schoenberg [3 of 3]
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- published: 19 May 2011
- views: 8015
30:09
Arnold Schoenberg - Transfigured Night, Op 4 - Live
The Rutherford Chamber Consort performs at the Biltmore United Methodist Church in Ashevil...
published: 14 Jul 2015
Arnold Schoenberg - Transfigured Night, Op 4 - Live
Arnold Schoenberg - Transfigured Night, Op 4 - Live
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38:15
Complete performance: Schoenberg's Pierrot lunaire
This complete performance of Pierrot lunaire comprised the second half of the CSO's Schoen...
published: 01 Apr 2014
Complete performance: Schoenberg's Pierrot lunaire
Complete performance: Schoenberg's Pierrot lunaire
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8:17
Arnold Schoenberg: Erwartung op. 17 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre A...
published: 14 Dec 2006
Arnold Schoenberg: Erwartung op. 17 (Excerpts)
Arnold Schoenberg: Erwartung op. 17 (Excerpts)
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30:01
SCHOENBERG, 'Verklärte Nacht' (Transfigured Night) H. von Karajan . LIVE
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Arnold Schoenberg or Schönberg [1874 † 1951]
https://en.wikipedia.org/wiki/Arnold_Schoen...
published: 02 Jul 2015
SCHOENBERG, 'Verklärte Nacht' (Transfigured Night) H. von Karajan . LIVE
SCHOENBERG, 'Verklärte Nacht' (Transfigured Night) H. von Karajan . LIVE
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4:03
Susanne Kessel, Klavierstück op. 11 Nr. 1 - Arnold Schoenberg
Susanne Kessel plays "Klavierstück op. 11 Nr. 1" by Arnold Schoenberg / live at Villa Aur...
published: 31 Aug 2009
Susanne Kessel, Klavierstück op. 11 Nr. 1 - Arnold Schoenberg
Susanne Kessel, Klavierstück op. 11 Nr. 1 - Arnold Schoenberg
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10:43
Schoenberg - Peripetie at 3 minutes 45
AoS 2 SW 4
published: 14 Jan 2013
Schoenberg - Peripetie at 3 minutes 45
Schoenberg - Peripetie at 3 minutes 45
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14:47
Arnold Schoenberg: Three Piano Pieces, Op 11 -- Matthew Edwards
Recorded live in concert 18 June, 1989 at San Francisco's Old First Church, pianist Matthe...
published: 11 Jun 2015
Arnold Schoenberg: Three Piano Pieces, Op 11 -- Matthew Edwards
Arnold Schoenberg: Three Piano Pieces, Op 11 -- Matthew Edwards
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- published: 11 Jun 2015
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7:25
Arnold Schoenberg: Die glueckliche Hand op. 18 (Excerpts)
De Nederlandse Opera (live recording). Conductor: Oliver Knussen, stage director: Pierre A...
published: 14 Dec 2006
Arnold Schoenberg: Die glueckliche Hand op. 18 (Excerpts)
Arnold Schoenberg: Die glueckliche Hand op. 18 (Excerpts)
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33:54
Arnold Schoenberg /// Serenade Op 24
Arnold Schoenberg was an Austrian composer and painter, associated with the expressionist ...
published: 06 Jan 2015
Arnold Schoenberg /// Serenade Op 24
Arnold Schoenberg /// Serenade Op 24
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- published: 06 Jan 2015
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37:59
Arnold Schoenberg: Serenade op.24 (1921/1923)
Arnold Schoenberg (1874-1951): Serenade per baritono e 7 strumenti , testo di Francesco Pe...
published: 28 May 2011
Arnold Schoenberg: Serenade op.24 (1921/1923)
Arnold Schoenberg: Serenade op.24 (1921/1923)
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- published: 28 May 2011
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45:36
Arnold Schönberg, Pierrot lunaire (Full)
Arnold Schönberg (1874-1951)
Pierrot lunaire op. 21 (nach Gedichten von Albert Giraud)
P...
published: 19 Jan 2012
Arnold Schönberg, Pierrot lunaire (Full)
Arnold Schönberg, Pierrot lunaire (Full)
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75:04
Arnold Schoenberg - Maurizio Pollini - The Piano Music · L'Œuvre Pianistique - Webern: Variations ·
Maurizio Pollini Edition - CD 11
Three Piano Pieces Op. 11 · Drei Klavierstücke Op. 11 · ...
published: 05 Jun 2015
Arnold Schoenberg - Maurizio Pollini - The Piano Music · L'Œuvre Pianistique - Webern: Variations ·
Arnold Schoenberg - Maurizio Pollini - The Piano Music · L'Œuvre Pianistique - Webern: Variations ·
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- published: 05 Jun 2015
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21:41
Arnold Schoenberg - Chamber Symphony No. 1, Op. 9
Omega Ensemble
Ensemble in Residence
City Recital Hall Angel Place
Sydney, Australia
ww...
published: 14 Jul 2014
Arnold Schoenberg - Chamber Symphony No. 1, Op. 9
Arnold Schoenberg - Chamber Symphony No. 1, Op. 9
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- published: 14 Jul 2014
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96:41
Moses und Aron / Arnold Schoenberg
»Moses und Aron« (1930-1932), eine unvollendete Oper auf ein Libretto des Komponisten.
Fr...
published: 01 Jun 2015
Moses und Aron / Arnold Schoenberg
Moses und Aron / Arnold Schoenberg
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30:35
Arnold Schönberg - String Quartet No. 2
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 -- 13 July 1951)
-...
published: 02 Dec 2015
Arnold Schönberg - String Quartet No. 2
Arnold Schönberg - String Quartet No. 2
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10:32
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
This is a visualized version of an Interview with Arnold Schönberg by Halsey Stevens.
Fin...
published: 21 Mar 2012
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
Arnold Schönberg - Voice Recordings: Museum Talk (VR41)
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- published: 21 Mar 2012
- views: 3627
9:30
Arnold Schoenberg and Mozart
Shows the influence of Mozart on Arnold Schoenberg's composing.
published: 31 Jan 2007
Arnold Schoenberg and Mozart
Arnold Schoenberg and Mozart
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- published: 31 Jan 2007
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0:18
Rare Interview with Arnold Schoenberg (1910)
is that 128 bpm
published: 11 Jul 2015
Rare Interview with Arnold Schoenberg (1910)
Rare Interview with Arnold Schoenberg (1910)
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- views: 135
3:16
Arnold Schoenberg House
Arnold Schoenberg's House in Mödling, including an interview with Richard Hoffmann (Schoen...
published: 26 Jan 2007
Arnold Schoenberg House
Arnold Schoenberg House
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2:05
DER BLAUE REITER Arnold Schönberg :: DVD Trailer (deutsch)
INTERVIEW MIT NURIA SCHOENBERG NONO :: Venedig 9.1.2012 :: jetzt in der Dokumentation auf ...
published: 28 Sep 2012
DER BLAUE REITER Arnold Schönberg :: DVD Trailer (deutsch)
DER BLAUE REITER Arnold Schönberg :: DVD Trailer (deutsch)
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- published: 28 Sep 2012
- views: 396
8:37
Mitsuko Uchida on Schoenberg's Piano Concerto
Mitsuko Uchida talking about her experience with Arnold Schoenberg's piano music. Includin...
published: 07 Feb 2007
Mitsuko Uchida on Schoenberg's Piano Concerto
Mitsuko Uchida on Schoenberg's Piano Concerto
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- published: 07 Feb 2007
- views: 133059
7:01
Robert Wiesner interviews E. Randol Schoenberg
This is an interview of my by Robert Wiesner that aired in February 2006 in Vienna. It co...
published: 21 Dec 2013
Robert Wiesner interviews E. Randol Schoenberg
Robert Wiesner interviews E. Randol Schoenberg
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- published: 21 Dec 2013
- views: 1130
23:31
ARNOLD SCHOENBERG'S YOUNGEST SON, LAWRENCE, TURNS 70
A collage of family photos and brief interviews, including Jim Svejda, Hilary Hahn and Esa...
published: 27 Jan 2011
ARNOLD SCHOENBERG'S YOUNGEST SON, LAWRENCE, TURNS 70
ARNOLD SCHOENBERG'S YOUNGEST SON, LAWRENCE, TURNS 70
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- published: 27 Jan 2011
- views: 691
22:25
Composers Perspectives: Ian Krouse (and Arnold Schoenberg's blackboard)
http://www.iankrouse.com
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published: 10 Feb 2016
Composers Perspectives: Ian Krouse (and Arnold Schoenberg's blackboard)
Composers Perspectives: Ian Krouse (and Arnold Schoenberg's blackboard)
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- published: 10 Feb 2016
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1:07
Barenboim throws Beethoven and Schoenberg together
Six decades after his concert career began, legendary pianist and conductor Daniel Barenbo...
published: 06 Feb 2010
Barenboim throws Beethoven and Schoenberg together
Barenboim throws Beethoven and Schoenberg together
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- published: 06 Feb 2010
- views: 4898
4:22
Lauren Stafford Performs Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
Every year, Professor Robert Hiller, a KU grad who is a vocal coach at the State Universit...
published: 12 Mar 2014
Lauren Stafford Performs Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
Lauren Stafford Performs Arnold Schoenberg's "Arie aus dem Spiegel von Arcadia"
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- published: 12 Mar 2014
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12:48
Simon Curtis Interview: Director of "Woman in Gold"
Bonnie Laufer Krebs - Click here to subscribe https://www.youtube.com/user/moviegalz...
Si...
published: 27 Mar 2015
Simon Curtis Interview: Director of "Woman in Gold"
Simon Curtis Interview: Director of "Woman in Gold"
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- published: 27 Mar 2015
- views: 425
3:09
« Moses und Aron » vu par Philippe Jordan
Entretien avec Phillipe Jordan, directeur musical de l'Opéra national de Paris sur « Moses...
published: 28 Oct 2015
« Moses und Aron » vu par Philippe Jordan
« Moses und Aron » vu par Philippe Jordan
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- published: 28 Oct 2015
- views: 759
67:04
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg
https://perimeterinstitute.ca/videos/mathematics-supersymmetry-music-arnold-schoenberg
Th...
published: 28 Jun 2014
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg
From the Mathematics of Supersymmetry to the Music of Arnold Schoenberg
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- published: 28 Jun 2014
- views: 3344
Arnold Schönberg - Voice Recordings: Museum Talk (...
Arnold Schoenberg and Mozart...
Rare Interview with Arnold Schoenberg (1910)...
Arnold Schoenberg House...
DER BLAUE REITER Arnold Schönberg :: DVD Trailer (...
Mitsuko Uchida on Schoenberg's Piano Concerto...
Robert Wiesner interviews E. Randol Schoenberg...
ARNOLD SCHOENBERG'S YOUNGEST SON, LAWRENCE, TURNS ...
Composers Perspectives: Ian Krouse (and Arnold Sch...
Barenboim throws Beethoven and Schoenberg together...
Lauren Stafford Performs Arnold Schoenberg's "Arie...
Simon Curtis Interview: Director of "Woman in Gold...
« Moses und Aron » vu par Philippe Jordan...
From the Mathematics of Supersymmetry to the Music...
Arnold Schoenberg: A Survivor from Warsaw...
Bruce Labruce, a portrait in video CHAPTER THREE:T...
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé...
photo: GFDL / Nevit Dilmen
T-Rex Fossil Skull 'Discovery' on Mars Excites UFO Community On Earth
Edit WorldNews.com 09 Mar 2016
The UFO community is in a self-proclaimed state of gleeful commotion with the bizarre announcement by UFO blogger Scott C. Waring of a Tyrannosaurus Rex-type dinosaur discovered in an image of the Martian surface snapped by NASA’s Curiously rover, an Inquisitr report said Wednesday ... Waring announced the “discovery” of the fossilized skull of a T. Rex-type dinosaur in a Feb. 11 blog post ... – WN.com, Jack Durschlag....
photo: AP / Shakh Aivazov
Pentagon Silent Over Report Questioning If Air Strike Killed Top Islamic State Commander
Edit WorldNews.com 10 Mar 2016
A recent U.S. Defense Department claim an air strike “likely” killed a top Islamic State commander is untrue, a Reuters report on Inquistr said Thursday. The U.S ... The report is a direct contradiction with the U.S. Defense Department’s statement the group’s “minister of war” was “likely” killed when the attack occurred....
photo: AP / Gerry Broome
The question Trump can't dodge in Florida
Edit CNN 10 Mar 2016
(CNN)On Thursday night, the remaining Republican presidential candidates -- led, of course, by Donald Trump -- will gather in the Miami area for yet another debate. South Florida, whether or not it's stated, is a crucial front line for climate change. And my hope is that the candidates, particularly Trump, won't be able to keep dismissing questions about this issue. For Trump, it's not only rhetoric and votes that are at stake ... Replay ... ....
photo: WN / Geeta
HC quashes law on vehicles registered outside Karnataka State of India
Edit The Hindu 10 Mar 2016photo: AP / Mahmoud Tawil
Sanders Secret Michigan Primary Victory Weapon? Muslim Community's Support
Edit WorldNews.com 09 Mar 2016
If the Detroit Free Press is correct, Democratic presidential hopeful Bernie Sanders can thank one group in particular for his upset win over frontrunner Hillary Clinton in Michigan, according to a Breitbart report Wednesday ... “He’s for people like us, people like me. “I got thousands of dollars of college debt, and he talks about making college affordable, giving me a fair shot ... – WN.com, Jack Durschlag....
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PRINCIPAL GUEST CONDUCTOR THOMAS DAUSGAARD'S CONTRACT EXTENDED THROUGH 2019-2020 SEASON (Seattle Symphony Orchestra)
Edit Public Technologies 08 Mar 2016
(Source. Seattle Symphony Orchestra). Dausgaard Leads Masterworks Season Concerts Featuring Schoenberg's 'Transfigured Night' March 10, 12 and 13. Also includes Pianist Boris Giltburg Performing Mozart's Piano Concerto No. 23 in A major ... Thomas Dausgaard will return to Seattle next week to lead performances of Arnold Schoenberg's Verklärte Nacht ('Transfigured Night'), Op ... 23 ... ARNOLD SCHOENBERG Verklärte Nacht ('Transfigured Night'), Op....
Music Academy of the West Presents Benjamin Dickerson & Alden Gatt – Winners of Marilyn Horne Song Competition – in Recital at NYC’s Greene Space (March 11) (21c Media Group Inc)
Edit Public Technologies 04 Mar 2016
(Source. 21c Media Group Inc). February 26, 2016 ... The nation's premier song recital competition, the Marilyn Horne Song Competition is a showcase for Music Academy singers and vocal pianists ... The Academy's distinguished faculty roster has included famed soprano Lotte Lehmann, composers Darius Milhaud and Arnold Schoenberg, cellist Gregor Piatigorsky, pianist Jeremy Denk, and current Voice Program Director Marilyn Horne ... March 11 ... BRAHMS.....
As you dance it: Brian Eno and Anne Teresa de Keersmaeker do Shakespeare
Edit The Guardian 03 Mar 2016
In the show Golden Hours, featuring tracks from Eno’s Another Green World and choreography by De Keersmaeker, the playwright’s lines are danced rather than spoken. The duo talk about stretching time, the power of pop songs and searching for answers in the studio. @ChrisWiegand ... I remember going to school one morning ... Reich features in her later works too, as does music by Bartók, Bach, Gérard Grisey, Arnold Schoenberg and John Coltrane ... ....
Starkland releases a CD of ICE surveying two emerging composers
Edit The Examiner 29 Feb 2016
At the end of last week, Starkland released their latest CD. Entitled On The Nature of Thingness, the album presents a survey of seven works by two emerging composers, Phyllis Chen and Nathan Davis ... It was not holy, it was not based in Rome, and it was hardly an empire. ICE is certainly an ensemble ... Ah, well, Gustav Mahler once told his wife, when she complained about the music of Arnold Schoenberg, that “the young are always right.” ... S ... ....
Music Academy of the West Presents Benjamin Dickerson & Alden Gatt – Winners of Marilyn ...
Edit Public Technologies 29 Feb 2016
(Source. 21c Media Group Inc). February 29, 2016 ... The nation's premier song recital competition, the Marilyn Horne Song Competition is a showcase for Music Academy singers and vocal pianists ... The Academy's distinguished faculty roster has included famed soprano Lotte Lehmann, composers Darius Milhaud and Arnold Schoenberg, cellist Gregor Piatigorsky, pianist Jeremy Denk, and current Voice Program Director Marilyn Horne ... March 11 ... BRAHMS.....
SFCA will present a program of ancient and modern Jewish texts
Edit The Examiner 28 Feb 2016
Songs of Lamentation and Jubilation ... Other composer to be included will be Felix Mendelssohn (“Jauchzet dem Herrn”), Paul Ben-Haim (“Yo m’enamori d'un aire”), Stephen Glass (an arrangement of “Eili, Eili”), Joshua Jacobson (“BeTset Y’israel”), David Nowakowsky (a setting of the “Hashkivenu” prayer), Arnold Schoenberg (“Schein uns du liebe Sonne”), Malcolm Singer (a setting of Psalm 117), and Karen Tarlow (“Tsaddik” and “Vay’chulu”) ... ....
Observer/Anthony Burgess prize-winning essay 2015: Alternative Sibelius
Edit The Guardian 28 Feb 2016
Jean Sibelius occupies a conflicted position in music history. Born in 1865, he was of a generation defined by the radical new sounds of Arnold Schoenberg and Igor Stravinsky ... Twitter ... It may not be the type of modernity that Schoenberg and Stravinsky represented, but Sibelius’s theatre music places him at the centre of an artistic avant garde ... He did not adopt a conservative stance in the face of Schoenberg and others ... ....
Mahler’s symphony reveals new dimensions in Klaus Simon’s chamber version
Edit The Examiner 27 Feb 2016
One of Arnold Schoenberg’s more interesting contributions to musical life in Vienna in the early twentieth century was his founding, with colleagues, of the Society for Private Music Performances (Verein für musicalische Privataufführungen) in 1918 ... While the resources for these concerts were for chamber music, both Schoenberg and his colleagues contributed “chamber versions” of orchestral music....
Scott Yoo, new Artistic Director of the Mexico City Philharmonic, leads 46th Annual Summer Festival in Scenic San Luis Obispo County Elite orchestra, chamber music and crossover artists gather and perform in intimate settings in small-town atmosphere surrounded by wine country and coastal destinations
Edit PR Newswire 26 Feb 2016
SAN LUIS OBISPO, Calif., Feb. 25, 2016 /PRNewswire-USNewswire/ -- Founded in 1971, each summer FESTIVAL MOZAIC transforms the Central Coast of California into a hotbed of classical music ... Scott Yoo, conductor and violinist, was recently appointed Artistic Director of the Mexico City Philharmonic ... Composers explored. Arnold Schoenberg, Prokofiev, Schubert & Carl Nielsen ... Visit (Mahler Symphony No ... 24 in C minor, K ... ... ....
HKUST Presents Internationally-Acclaimed Exploration of Creativity Featuring Hong Kong Philharmonic Orchestra in Celebration of Its ...
Edit Public Technologies 26 Feb 2016
(Source. The Hong Kong University of Science and Technology) ... The Intimacy of Creativity(IC) continues to explore the creative process as selected composers present and revise their chamber music compositions after in-depth discussions between composers and performers ... The program also includes the string orchestra version of Arnold Schoenberg's heart-wrenching work, Verklärte Nacht (Transfigured Night), conducted by Mr Sheng ... (noodl....
Telegraph Quartet brings engaging Kirchner to the salon setting at Hotel Rex
Edit The Examiner 25 Feb 2016
Instead he studied with Arnold Schoenberg at the University of California at Los Angeles. Through Schoenberg Kirchner came to appreciate the rhetorical power of “emancipating” dissonance; but Schoenberg also taught the significance of drawing upon the past for structural orientation ... Furthermore, if Kirchner had learned from Schoenberg about the need ......
How Randy Newman and His Family Have Shaped Movie Music for Generations
Edit Vanity Fair 18 Feb 2016
Newman further has a knack for writing songs that, while not quite Daily Show-topical, are so attuned to what’s going on in the U.S. that they become predictive, articulating uncomfortable thoughts that are in the air but had theretofore gone unarticulated ... It screwed me up—it still does ... that’s Fox.” ... I am of the neoclassical school, which prefers the logical dissonances of Rachmaninoff to the brilliant creations of Arnold Schoenberg.”....
Ojai Music Festival updates plans for Music Directors through 75th season
Edit The Examiner 15 Feb 2016
Thomas W. Morris, Artistic Director of the Ojai Music Festival, has said that “Ojai prides itself on the wide-ranging breadth and depth of its music directors.” One source of that pride is Morris’ own ability to line up commitments extending several years into the future ... 73rd Festival, June 6–9, 2019 ... She received this honor in 2001 for the recording of Arnold Schoenberg’s piano concerto that she made with conductor Pierre Boulez. ....
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