In music, the term slapping or popping is often used to refer to two different playing techniques used on the double bass and on the (electric) bass guitar.

Double bass[link]

On double bass it refers to the technique that is a more vigorous version of pizzicato, where the string is plucked so hard that when released it bounces off the finger board, making a distinctive sound. A percussive sound is also made by smacking the strings with all four fingers on the right hand, usually in time with the snare drum.

The earliest players of this technique in American music include Steve Brown,^[1] Bill Johnson, Pops Foster,^[2] Wellman Braud, and Chester Zardis.

Slapping the bass is a technique used by many bands since at least the 1920s; it came into popular use in the 1940s. Slap bass provides a strong downbeat when the string is plucked and a strong back beat when it slaps back onto the fingerboard of the bass. It creates a very percussive sound and adds a lot of drive that is particularly good for dance music.^[3]

Yet another explanation is that snapping the strings against the wood of the instrument supplies a crisp, intense sound which can supply the foundation of a dance band.^[2]

Slap bass was used by Western Swing and Hillbilly Boogie musicians, and became an important component of an early form of rock and roll that combined blues and what was then called hillbilly music—a musical style now referred to as rockabilly. The technique inspired the George and Ira Gershwin song "Slap That Bass".

Bass guitar[link]

On bass guitar, "slap bass" usually refers to a percussive playing technique most commonly used in funk, disco, soul, jazz, Latin, pop, and many other genres. The style sounds much more percussive than regular fingering of notes with the plucking hand, and is also usually louder (although on an electric instrument, the volume can be adjusted with the volume knob or through compression) and more distinct than the sound of a bass guitar played with the usual plucking techniques. The slap sound comes from the combination of two elements: striking the string with the side of the bony joint in the middle of the thumb, a harder surface than the pads of the fingers (used in plucked fingering); and intentionally allowing the vibrating string to come into contact with the metal frets, producing a "toney" or buzzing sound that is normally avoided in plucked/fingered bass.

In the slap technique, the bassist replaces the usual plucking motion of the index and middle fingers with "slaps" and "pops". In the slap, the bassist uses the thumb to strike the strings (usually the lower E and A strings) near the base of the guitar's neck. In the pop, the bassist will use the index or middle finger of the plucking hand to snap the strings (usually the higher D and G strings) away from the body of the bass, causing them to bounce off the fretboard; this produces a prominent buzzing tone with a sharp attack and more high-frequency vibrations than present in plucked bass. The bassist can play many notes quickly by rotating the forearm, alternately slapping and popping: during the pop, the hand moves away from the fretboard, "winding up" or getting in position for the next slap. The slap and pop techniques are commonly used with pull-offs and hammer-ons with the fretting (usually left) hand, to further increase the rate at which notes may be played. Ghost notes, or notes played with the string damped, are also commonly played in slap bass to increase the percussive feel of the technique.

The invention of slap on electric bass guitar is generally credited to funk bassists Larry Graham and Louis Johnson.^[4] Graham has stated in several interviews that he was trying to emulate the sound of a drum set before his band had found its drummer. Graham himself refers to the technique as Thumpin' and Pluckin'.^[4]

Some prominent bass guitar players known for their use of slapping in their playing include Bootsy Collins (solo artist; Bootsy's Rubber Band, Funkadelic, Parliament, Praxis), Flea (Red Hot Chili Peppers), Larry Graham (Sly and the Family Stone, Graham Central Station), Marcus Miller (solo artist, Miles Davis, David Sanborn, Luther Vandross), Louis Johnson (The Brothers Johnson, Quincy Jones, Michael Jackson), Mark King (Level 42), Mike Gordon (Phish), Les Claypool (solo artist, Primus), Fieldy (Korn), Jayen Varma (solo artist), Tetsuya (L'Arc-en-Ciel).

For a longer list, see List of slap bass players (electric bass).

Variants[link]

There are numerous variants of the slapping technique.

Some bassists use other fingers of the strumming hand to achieve this sound, such as bassist Abraham Laboriel, Sr., who uses his thumb to pop the strings, and his other four fingers to slap the strings. Bassist Victor Wooten uses a double thump technique which is like a slap, but utilizes both sides of the thumb for all the strings, fast enough to produce the equivalent of a drumroll on the bass guitar. Funk fingers invented by progressive rock bass player Tony Levin create a similar sound by using a hard surface to strike the strings and intentionally cause string contact with the fretboard. Spank bass developed from the slap and pop style and treats the electric bass as a percussion instrument, striking the strings above the pickups with an open palmed hand.

The slap technique bears some resemblance to tambour, a percussive technique used in flamenco and classical guitar, although the tonal quality produced in this technique is quite different from that of a slapped electric bass.

Use in television and films[link]

• The theme song for the television sitcom Seinfeld utilizes slap bass keyboard samples. A sample was also played in between scenes in each episode, often punctuating a scene or highlighting a punchline.
• The slap bass technique is used for the instrumental for theme song of the Nickelodeon show Kenan and Kel
• The 2008 film Forgetting Sarah Marshall parodies Seinfeld's usage when the main character Peter (played by Jason Segel), who produces music for a TV series, inserts a goofy slap bass sample into a dramatic scene where "dark and ominous" music was needed.
• In television sitcom "Everybody hates Chris" a slap bass sample is used in between scenes in each episode, often punctuating a scene or highlighting a punchline.
• The theme song for the television sitcom ALF features a slap bass.
• In the popular British series The Mighty Boosh, the recurring character "The Hitcher" utilises his large thumb for playing slap bass.
• The 1990s sitcom Martin features slap bass riffs as well as many sitcoms of that period with soul, funk-oriented theme songs.
• A recurring joke in the 2009 film I Love You, Man is the main character's enthusiasm for slap bass.
• In the 2010 film "Scott Pilgrim vs the World" there is a scene where a short slap bass lick is used before the characters start talking, paroding Seinfeld's usage of slap samples.
• In the television show "Metalocalypse", band member William Murderface sometimes utilizes his penis to perform slap bass solos.

References[link]

External links[link]

Look up slapping in Wiktionary, the free dictionary.

• Slap Bass Audio & Video Samples from FunkyChops
• Free Examples with Audio and TAB from Slap It!
• Free Slap Bass Video Tutorial
• Slap Lessons from BerkleeShares
• Music Man Stingray audio and photo

This article is written like a personal reflection or essay rather than an encyclopedic description of the subject. Please help improve it by rewriting it in an encyclopedic style. (January 2010)

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (April 2010)

Marcus Miller
Miller in Ancienne Belgique, Brussels, Belgium, 2007
Background information
Birth name	William Henry Marcus Miller Jr.
Born	(1959-06-14) June 14, 1959 (age 53) Brooklyn, New York, United States
Genres	Jazz, jazz fusion, rhythm and blues, rock, funk
Occupations	Musician, composer, producer
Instruments	Bass, double bass, guitar, vocals, saxophone, clarinet, keyboards, recorder
Years active	1975–present
Associated acts	SMV, Miles Davis
Website	www.marcusmiller.com
Notable instruments
Fender Jazz Bass

Marcus Miller at Stockholm Jazz Fest 2009

Marcus Miller (born William Henry Marcus Miller Jr., June 14, 1959, Brooklyn, New York) is an American jazz composer, producer, and multi-instrumentalist. Miller is best known as a bassist, working with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonist David Sanborn, as well as maintaining a prolific solo career. Miller is classically trained as a clarinetist and also plays keyboards, saxophone and guitar.

Life and career[link]

Early life[link]

Miller was born in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flautist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a first call session musician, gracing well over 500 albums, a short list of which includes Michael Jackson, Herbie Hancock, Mariah Carey, Wayne Shorter, McCoy Tyner, Frank Sinatra, Dr. John, Aretha Franklin, Elton John, Grover Washington Jr., Donald Fagen, Bill Withers, Chaka Khan, LL Cool J, Me'shell Ndegé Ocello and Flavio Sala.

Professional career[link]

Miller at the Paradiso in Amsterdam, 2007

Miller spent approximately 15 years performing as a sideman or session musician, observing how band leaders operated. During that time he also did a lot of arranging and producing. He was a member of the Saturday Night Live band 1978-1979. He wrote the intro to Aretha Franklin's 'I Wanna Make It Up To You'. He has played bass on over 500 recordings including those of Luther Vandross, Grover Washington Jr., Roberta Flack, Carly Simon, McCoy Tyner, Bryan Ferry and Billy Idol. He won the "Most Valuable Player" award, (awarded by NARAS to recognize studio musicians) three years in a row and was subsequently awarded "player emeritus" status and retired from eligibility. In the nineties, Miller began to make his own records, putting a band together to take advantage of touring opportunities.

Miller's proficiency on his main instrument, the bass guitar, is generally well-regarded. Not only has Miller been involved in the continuing development of the technique known as "slapping", particularly his "thumb" technique, but his fretless bass technique has also served as an inspiration to many, and he has taken the fretless bass into musical contexts and genres previously unexplored. The influences of some of the previous generation of electric bass players, such as Larry Graham, Stanley Clarke, and Jaco Pastorius, are audible in Miller's playing. Early in his career, Miller was accused of being simply imitative of Pastorius, but has since more fully integrated the latter's methodology into his own sound.

Miller has an extensive discography, and tours frequently and widely in Europe and Japan.

Between 1988 and 1990 he appeared in the first season and again toward the end as both the musical director and also as the house band bass player in the Sunday Night Band during the two seasons of the acclaimed music performance program Sunday Night on NBC late-night television.^[1]

As a composer, Miller wrote "Tutu" for Miles Davis, a piece that defined Davis's career in the late 1980s, and was the title track of Davis's album Tutu, upon which Miller wrote all the songs with only two exceptions, and one of those was co-written with Davis. He also composed "Chicago Song" for David Sanborn and co-wrote "'Til My Baby Comes Home", "It's Over Now", "For You to Love", and "Power of Love" for Luther Vandross. Miller also wrote "Da Butt", which was featured in Spike Lee's School Daze.

Personal life[link]

Miller has a wife and four children: two daughters and two sons, one of whom, Jon, recently graduated from Columbia University and now works for radio and television host Glenn Beck.

Grammy Awards[link]

Miller has won numerous Grammy Awards as a producer for Miles Davis, Luther Vandross, David Sanborn, Bob James, Chaka Khan and Wayne Shorter. He won a Grammy Award for Best R&B Song in 1992, for Luther Vandross' "Power of Love" and in 2001 he won for Best Contemporary Jazz Album for his fourth solo instrumental album, M2.

Miller currently has his own band. In 1997 he played bass and bass clarinet in a band called Legends, featuring Eric Clapton (guitars and vocals), Joe Sample (piano), David Sanborn (alto sax) and Steve Gadd (drums). It was an 11-date tour of major jazz festivals in Europe.

In addition to his recording and performance career, Miller has established a parallel career as a film score composer. He has written numerous scores for films featuring Eddie Murphy, L.L. Cool J, Chris Rock, Matthew Perry, Samuel L. Jackson and others. He composed the musical score for the Chris Rock-created sit-com, Everybody Hates Chris, now in syndication on Nick-At Nite.^[2]

Instruments and gear[link]

He plays a 1977 Fender Jazz Bass that was modified by Roger Sadowsky with the addition of a Bartolini preamp so he could control his sound in the studio. Fender currently produces a Marcus Miller signature Fender Jazz Bass in four- (made in Japan) and five-string (made in U.S) versions.^[3]

Discography[link]

Solo period (1982–present)

• 1983: Suddenly
• 1984: Marcus Miller
• 1993: The Sun Don't Lie
• 1995: Tales
• 1998: Live & More
• 2000: Best of '82-'96
• 2001: M² (2002 Grammy Award for Best Contemporary Jazz Album)
• 2002: The Ozell Tapes - Live 2001
• 2005: Silver Rain
• 2007: Free
• 2008: Marcus^[4]
• 2008: Thunder (as SMV, with Stanley Clarke and Victor Wooten)
• 2010: A Night in Monte Carlo - Live 2009
• 2011: Tutu Revisited - Live 2010
• 2012: Renaissance

Luther Vandross period

• 1983: "Busy Body"
• 1985: "The Night I Fell In Love"
• 1985: "'Til My Baby Comes Home"
• 1985: "It's Over Now"
• 1986: "I Really Didn't Mean It"
• 1986: "Never Too Much"
• 1986: "She Won't Talk To Me"
• 1986: "Give Me the Reason"
• 1987: "Stop to Love"
• 1987: "See Me"
• 1988: "Luther In Love - Megamix"
• 1988: "Any Love"
• 1989: "The Best of Love"
• 1989: "Come Back"
• 1991: "The Rush"
• 1991: "Power of Love / Love Power (Uno Clio & Colin and Carl Remix)"
• 1991: "Power of Love / Love Power"
• 1991: "Power of Love"
• 1993: "Never Let Me Go"
• 1993: "Heaven Knows"
• 1995: "This Is Christmas"
• 1995: "Power of Love / Love Power (The Frankie Knuckles Mixes)"
• 1996: "Your Secret Love"
• 1996: "I Can Make It Better"
• 1998: "I Know"
• 2001: "Luther Vandross"
• 2003: "Dance With My Father"
• 2007: "Love, Luther"

Grover Washington jr period

• 1984: Inside Moves

David Sanborn period (1975–2000)

• 1977: Lovesongs
• 1980: Hideaway
• 1981: Voyeur
• 1981: As We Speak
• 1982: Backstreet
• 1984: Straight to the Heart
• 1987: Change of Heart
• 1988: Close-Up
• 1991: Another Hand
• 1992: Upfront
• 1994: Hearsay
• 1995: Pearls
• 1996: Songs from the Night Before
• 1999: Inside

Miles Davis period (1980–1990)

• 1981: The Man with the Horn
• 1982: We Want Miles
• 1983: Star People
• 1986: Tutu
• 1987: Music From Siesta
• 1989: Amandla
• 2002: The Complete Miles Davis at Montreux

The Jamaica Boys period (1986–1990)

• 1987: The Jamaica Boys
• 1989: The Jamaica Boys II: J. Boys

Film scores

• 1990: "House Party" (featuring Kid & Play)
• 1992: "Boomerang" (featuring Eddie Murphy)
• 1994: "Above the Rim" (featuring Tupac Shakur)
• 1994: "A Low Down Dirty Shame" (featuring Keenan Ivory Wayans)
• 1996: "The Great White Hype" (featuring Samuel L. Jackson)
• 1997: "The Sixth Man" (featuring Marlon Wayans)
• 1999: "An American Love Story"
• 2000: "The Ladies Man" (featuring Tim Meadows)
• 2001: "The Trumpet of the Swan" (featuring Reese Witherspoon)
• 2001: "The Brothers" (featuring Morris Chestnut)
• 2001: "Two Can Play That Game" (featuring Vivaca Fox)
• 2002: "Serving Sara" (featuring Matthew Perry)
• 2003: "Deliver Us from Eva" (featuring L.L. Cool J)
• 2003: "Head of State" (featuring Chris Rock)
• 2004: "Breakin' All the Rules" (featuring Jamie Foxx)
• 2005: "King's Ransom" (featuring Anthony Anderson)
• 2006: "Save the Last Dance 2" (featuring Izabella Miko)
• 2007: "I Think I Love My Wife" (featuring Chris Rock)
• 2007: "This Christmas" (featuring Idris Elba)
• 2008: "Thunder" (featuring Stanley Clark and Victor Wooten)
• 2009: "Good Hair" (featuring Chris Rock as SMV)
• 2009: "Obsessed" (featuring Beyoncé Knowles)

With Dizzy Gillespie

• Closer to the Source (Atlantic, 1984)

References[link]

External links[link]

Wikimedia Commons has media related to: Marcus Miller

• Official website
• HoneySoul interview
• Jazzitalia interview
• Jazz USA interview
• The Dude Pit interview
• NPR interview
• Podcast featuring GRP Records and Marcus Miller

Will Smith
Smith in 2011
Born	Willard Christopher Smith, Jr. (1968-09-25) September 25, 1968 (age 43) Philadelphia, Pennsylvania, United States
Other names	The Fresh Prince
Occupation	Actor, producer, rapper
Years active	1985–1993, 1997–2005 (rapping), 1990–present (acting)
Spouse	Sheree Zampino (m. 1992–1995) «start: (1992)–end+1: (1996)»"Marriage: Sheree Zampino to Will Smith" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Will_Smith) Jada Pinkett Smith (m. 1997) «start: (1997)»"Marriage: Jada Pinkett Smith to Will Smith" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Will_Smith)
Children	Trey Smith Jaden Smith Willow Smith
Website
www.willsmith.com

Willard Christopher "Will" Smith, Jr. (born September 25, 1968),^[1] also known by his stage name The Fresh Prince, is an American actor, producer, and rapper. He has enjoyed success in television, film and music. In April 2007, Newsweek called him the most powerful actor in Hollywood.^[2] Smith has been nominated for four Golden Globe Awards, two Academy Awards, and has won multiple Grammy Awards.

In the late 1980s, Smith achieved modest fame as a rapper under the name The Fresh Prince. In 1990, his popularity increased dramatically when he starred in the popular television series The Fresh Prince of Bel-Air. The show ran for nearly six years (1990–1996) on NBC and has been syndicated consistently on various networks since then. In the mid-1990s, Smith moved from television to film, and ultimately starred in numerous blockbuster films. He is the only actor to have eight consecutive films gross over $100 million in the domestic box office and the only one to have eight consecutive films in which he starred open at #1 spot in the domestic box office tally.^[3]

Fourteen of the nineteen fiction films he has acted in have accumulated worldwide gross earnings of over $100 million, and four took in over $500 million in global box office receipts. As of 2011, his films have grossed $5.7 billion in global box office.^[4] His most financially successful films have been Bad Boys, Bad Boys II, Independence Day, Men in Black, Men in Black II, I, Robot, I Am Legend, Hancock, Wild Wild West, Enemy of the State, Shark Tale, Hitch and Seven Pounds. He also earned critical praise for his performances in Six Degrees of Separation, Ali and The Pursuit of Happyness, receiving Best Actor Oscar nominations for the latter two.

Family and early life[link]

Born and raised in the Wynnefield section of West Philadelphia, Smith also lived in Germantown in Northwest Philadelphia. His mother, Caroline (née Bright), was a school administrator who worked for the Philadelphia school board, and his father, Willard Christopher Smith, Sr., was a refrigeration engineer.^[5][6] He was raised Baptist.^[7] His parents separated when he was thirteen,^[8] and did not actually divorce until around 2000.^[9]

It is untrue, though widely reported, that Smith turned down a scholarship to attend the Massachusetts Institute of Technology (MIT); he never applied to the school,^[10] although he was admitted to a "pre-engineering program" there.^[9] According to Smith, "My mother, who worked for the School Board of Philadelphia, had a friend who was the admissions officer at MIT. I had pretty high SAT scores and they needed black kids, so I probably could have gotten in. But I had no intention of going to college."^[11]

Recording and acting career[link]

Smith at the Emmy Awards in 1993

Early work (1985–1995)[link]

Smith started as the MC of the hip-hop duo DJ Jazzy Jeff & The Fresh Prince, with his childhood friend Jeffrey "DJ Jazzy Jeff" Townes as turntablist and producer,^[12] as well as Ready Rock C (Clarence Holmes) as the human beat box. The trio was known for performing humorous, radio-friendly songs, most notably "Parents Just Don't Understand" and "Summertime".^[12] They gained critical acclaim and won the first Grammy awarded in the Rap category (1988).^[12]

Smith had a line in "Voices That Care", a 1991 Persian Gulf War song by a celebrity group. Smith spent money freely during his early career and underpaid his income taxes.^[12] The Internal Revenue Service eventually assessed a $2.8 million tax debt against Smith, took many of his possessions, and garnished his income.^[13] Smith was nearly bankrupt in 1990, when the NBC television network signed him to a contract and built a sitcom, The Fresh Prince of Bel-Air, around him.^[12]

The show was successful and began his acting career. Smith set for himself the goal of becoming "the biggest movie star in the world," studying box office successes' common characteristics.^[8] His first major roles were in the drama Six Degrees of Separation (1993) and the action film Bad Boys (1995) which he starred opposite of Martin Lawrence.

Breakthrough (1996–2000)[link]

In 1996, Smith starred as part of an ensemble cast in Roland Emmerich's Independence Day. The film was a massive blockbuster, becoming the second highest grossing film in history at the time and establishing Smith as a prime box office draw.^[14] He later struck gold again in the summer of 1997 alongside Tommy Lee Jones in the summer hit Men in Black playing Agent J. In 1998, Smith starred with Gene Hackman in Enemy of the State.^[12]

He turned down the role of Neo in The Matrix in favor of Wild Wild West (1999). Despite the disappointment of Wild Wild West, Smith has said that he harbors no regrets about his decision, asserting that Keanu Reeves's performance as Neo was superior to what Smith himself would have achieved.^[15] Though in interviews subsequent to the release of Wild Wild West he stated that he "made a mistake on Wild Wild West. That could have been better."^[16]

2001–present[link]

Smith in September 2009

In 2005, Smith was entered into the Guinness Book of World Records for attending a record breaking three premieres in a 24-hour time span.^[17]

He has planned to star in a feature film remake of the television series It Takes a Thief.^[18]

On December 10, 2007, Smith was recognized at Grauman's Chinese Theatre on Hollywood Boulevard. Smith left an imprint of his hands and feet outside the world renowned theater in front of many fans.^[19] Later that month, Smith starred in the film I Am Legend, released December 14, 2007. Despite marginally positive reviews,^[20] its opening was the largest ever for a film released in the United States during December. Smith himself has said that he considers the film to be "aggressively unique".^[21] A reviewer said that the film's commercial success "cemented [Smith's] standing as the number one box office draw in Hollywood."^[22] On December 1, 2008, TV Guide reported that Smith has been selected as one of America’s top ten most fascinating people of 2008 for a Barbara Walters ABC special that aired on December 4, 2008.^[23]

Smith is currently developing a film entitled The Last Pharaoh, in which he will star as Taharqa.^[24]

President Barack Obama has stated that if a film were to ever be made about his life, he would have Smith play his part, because "he has the ears". Obama stated that the two have discussed a possibility of a film based on the 2008 election, but this may not happen until the end of the Obama presidency.^[25]

Men in Black III opened on May 25, 2012. In it, Smith will play Agent J for the third time, being one of his more popular earlier roles coincides with the fact that it will be his first major starring role in four years.

On August 19, 2011, it was announced^[26] that Smith had returned to the studio with producer La Mar Edwards to make a new album. Edwards has worked with artists such as T.I., Chris Brown, and Game.

Smith and his son, Jaden, are currently filming After Earth, which is set for a 2013 release.

Personal life[link]

Nobel Peace Prize Concert December 11, 2009, in Oslo, Norway: Smith with wife Jada and children Jaden and Willow

Smith was raised by his parents in West Philadelphia. Smith credits his father's dedication when discussing his involvement in the lives of his own children: "I look at my father and how he was able to keep four kids fed and clothed and still managed to find time to spend with us."^[27] Smith married Sheree Zampino in 1992. They had a son, Willard Christopher Smith III, also known as "Trey", but divorced in 1995. Trey appeared in his father's music video for the 1998 single "Just the Two of Us".

Smith married actress Jada Pinkett in 1997. Together they have had two children: Jaden Christopher Syre (born 1998), his co-star in The Pursuit of Happyness, and Willow Camille Reign (born 2000), who appeared as his daughter in I Am Legend. Along with his brother, Harry Smith, he owns Treyball Development Inc.,^[28] a Beverly Hills-based company named after his first son. Smith and his family reside on Star Island in Miami Beach, Florida and in Los Angeles, Stockholm, Sweden^[29] and Philadelphia.

Smith was consistently listed in Fortune Magazine's "Richest 40" list of the forty wealthiest Americans under the age of 40. He donated $4,600 to the presidential campaign of Democrat Barack Obama.^[30] On December 11, 2009, Smith and his wife hosted the Nobel Peace Prize Concert in Oslo, Norway, when Obama had won the prize.^[31]

Smith has said he has studied multiple religions, including Scientology, and he has said many complimentary things about Scientology and other faiths. Despite his praise of Scientology, Smith said "I just think a lot of the ideas in Scientology are brilliant and revolutionary and non-religious"^[32][33] and "Ninety-eight percent of the principles in Scientology are identical to the principles of the Bible.... I don't think that because the word someone uses for spirit is 'thetan' that the definition becomes any different."^[34] He has denied having joined the Church of Scientology, saying "I am a Christian. I am a student of all religions, and I respect all people and all paths."^[35]

Smith gave $1.3 million to charities in 2007, of which $450,000 went to two Christian ministries, and $122,500 went to three Scientology organizations; the remaining beneficiaries included "a Los Angeles mosque, other Christian-based schools and churches, and [...] the Yitzhak Rabin Memorial Center in Israel".^[36] Smith and his wife have also founded a private elementary school in Calabasas, California, the New Village Leadership Academy, which uses Study Technology, a teaching methodology developed by L. Ron Hubbard, the founder of Scientology.^[37] Federal tax filing showed that Will Smith donated $1.2 million to the school in 2010.^[38]

In 2012 he expressed support for the legalizing of same-sex marriage, in an endorsement of president Barack Obama's declaration to adopt this stance on the issue.^[39]

Discography[link]

With DJ Jazzy Jeff[link]

• Rock the House (1987)
• He's the DJ, I'm the Rapper (1988)
• And in This Corner... (1989)
• Homebase (1991)
• Code Red (1993)

Solo[link]

• Big Willie Style (1997)
• Willennium (1999)
• Born to Reign (2002)
• Lost and Found (2005)

Filmography[link]

Television[link]

Film[link]

Box office grosses[link]

References[link]

Further reading[link]

• Iannucci, Lisa (2009). Will Smith: A Biography. Greenwood. ISBN 0-313-37610-7. 

External links[link]

Wikimedia Commons has media related to: Will Smith

Wikiquote has a collection of quotations related to: Will Smith

• Official website
• Will Smith at the Internet Movie Database
• Will Smith at Yahoo! Movies
• Will Smith on Charlie Rose in 2002
• Will Smith at People.com
• Will Smith discography at MusicBrainz

Yup'ik shaman exorcising evil spirits from a sick boy. Nushagak, Alaska, 1890s.^[1]

"Medicine man" or "medicine woman" are English terms used to describe traditional healers and spiritual leaders among Native American and other indigenous or aboriginal peoples. Anthropologists tend to prefer the term "shaman," a specific term for a spiritual mediator from the Tungusic peoples of Siberia.^[2]

The medicine man and woman in North America[link]

Role in native society[link]

The primary function of these "medicine elders" (who are not always male) is to secure the help of the spirit world, including the Great Spirit (Wakan Tanka in the language of the Lakota Sioux), for the benefit of the entire community.

Sometimes the help sought may be for the sake of healing disease, sometimes it may be for the sake of healing the psyche, sometimes the goal is to promote harmony between human groups or between humans & nature. So the term "medicine man/woman" is not entirely inappropriate, but it greatly oversimplifies and also skews the depiction of the people whose role in society complements that of the chief. These people are not the Native American equivalent of the Chinese "barefoot doctors", herbalists, nor of the emergency medical technicians who ride rescue vehicles.

To be recognized as the one who performs this function of bridging between the natural world and the spiritual world for the benefit of the community, an individual must be validated in his role by that community. Medicine men and women study through a medicine society or from a single teacher.

Cultural context[link]

An Ojibwa medicine man preparing an herbal remedy.

The term "medicine people" is commonly used in Native American communities, for example, when Arwen Nuttall (Cherokee) of the National Museum of the American Indian writes, "The knowledge possessed by medicine people is privileged, and it often remains in particular families."^[3]

Native Americans tend to be quite reluctant to discuss issues about medicine or medicine people with non-Indians. In some cultures, the people will not even discuss these matters with Indians from other tribes. In most tribes medicine elders are not expected to advertise or introduce themselves as such. As Nuttall writes, "An inquiry to a Native person about religious beliefs or ceremonies is often viewed with suspicion.^[3] One example of this was the Apache medicine cord or Izze-kloth, whose purpose and use by Apache medicine elders was a mystery to nineteenth century ethnologists because "the Apache look upon these cords as so sacred that strangers are not allowed to see them, much less handle them or talk about them."^[4]

The 1954 version of Webster's New World Dictionary of the American Language, reflects the poorly grounded perceptions of the people whose use of the term effectively defined it for the people of that time: "a man supposed to have supernatural powers of curing disease and controlling spirits." In effect, such definitions were not explanations of what these "medicine people" were to their own communities, but instead reported on the consensus of socially and psychologically remote observers when they tried to categorize these individuals.^{[citation needed]} The term "medicine man/woman," like the term "shaman", has been criticized by Native Americans, as well as other specialists in the fields of religion and anthropology.

The term "medicine man/woman" was also frequently used by Europeans to refer to African traditional healers, also known as "witch doctors" or "fetish men/women".

See also[link]

References[link]

v t e Traditional medicine East Asian Traditional Chinese Japanese Kampo Traditional Korean Traditional Mongolian Traditional Tibetan South & Southeast Asian Ayurveda Traditional Sri Lankan Jamu Siddha Traditional Thai Unani Mediterranean & Near Eastern Byzantine Ancient Egyptian Ancient Greek Medieval Islamic Ancient Iranian Ancient Roman African Inyanga Muti Nganga Sangoma Yoruba Iboga Americas Ayahuasca Aztec Traditional Brazilian Maya Australasia & Oceania Bush medicine General Alternative History of alternative medicine Health care Herbalism Naturopathy Prehistoric Western Medieval Medicinal plant conservation