- published: 15 Oct 2010
- views: 229933
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking countries and territories of the Americas and the Caribbean south of the United States. Latin American music also incorporates African music from slaves who were transported to the Americas by European settlers as well as music from the indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as son, rumba, salsa, merengue, tango, samba and bossa nova. During the 20th century many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz and reggaeton.
Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America, but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses Latin American styles that have originated in the United States such as salsa and Tejano. The origins of Latin American music can be traced back to the Spanish and Portuguese conquest of the Americas in the 16th century, when the European settlers brought their music from overseas. Latin American music is performed in Spanish, Portuguese, and to a lesser extent, French.
Latin (i/ˈlætᵻn/; Latin: lingua latīna, IPA: [ˈlɪŋɡʷa laˈtiːna]) is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets.
Latin was originally spoken in Latium, Italy. Through the power of the Roman Republic, it became the dominant language, initially in Italy and subsequently throughout the Roman Empire. Vulgar Latin developed into the Romance languages, such as French, Italian, Portuguese, Spanish, and Romanian. Latin and French have contributed many words to the English language. Latin – along with Greek – roots are used in theology, biology, and medicine.
By the late Roman Republic (75 BC), Old Latin had been standardized into Classical Latin. Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence.Late Latin is the written language beginning in the 3rd century AD and Medieval Latin the language used from the ninth century until the Renaissance which used Renaissance Latin. Later, Early Modern Latin and Modern Latin evolved. Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the official language of the Holy See and the Roman Rite of the Catholic Church.
Cha-Cha, Cha Cha, ChaCha or Chacha may refer to:
01 - Blues In The Night 02 - Days Of Wine And Roses 03 - Latin Dance No1 04 - Lady Byrd 05 - One Note Samba 06 - The Peanut Vendor 07 - Quizas Quizas Quizas 08 - Everytime I Hear This Song 09 - Love 10 - Twilight In Acapulco Bass – Keith Mitchell* Drums – Stan Levey Guitar – Alton Hendrickson*, Barney Kessel, Bill Pitman Marimba – Emil Richards Percussion – Edward Talamantes*, Francisco Aguabelle*, Franck Capp* Saxophone, Flute – Paul Horn Trumpet – Conte Candoli Vibraphone – Victor Feldman
Musicality - How to differentiate Latin rhythms (Salsa, Guajira, Son Montuno, Cha Cha Cha salsa mambo
Classical guitarist, Anthony Ybarra, explores the influence of African rhythms in Latin American music before a live studio audience at UC Santa Barbara. [12/2000] [Arts and Music] [Show ID: 5410]
http://www.chicagosalsabachata.com
Drum Solo: Afro-Latin Rhythms on Three Congas @ Unity of Dance Festival 2015 Professional, freelance percussionist performs a three-drum, Afro-Latin conga solo, the opening act of a 90-minute production. The production incorporated various dance pieces of the Latin genre, to include salsa, bachata, cha-cha, as well as ballroom, bellydance, hip hop, lyrical, modern and even ballet, at the Unity of Dance Festival, in Orlando, FL. The solo opens with a 4/4 bolero pattern over the narration, followed by a columbia pattern building in tempo (Afro-Cuban rumba) in 6/8. The third and final leg of the performance was unstructured free play, which was more or less showing off hand speed and dexterity. Narration was performed by actor/musician, Veryl Jones. https://www.youtube.com/watch?v=it...