Set piece (filmmaking)

In film production, a set piece is a scene or sequence of scenes whose execution requires serious logistical planning and considerable expenditure of money. The term set piece is often used more broadly to describe any important dramatic or comedic highpoint in a film or story, particularly those that provide some kind of dramatic payoff, resolution, or transition. Thus the term is often used to describe any scenes that are so essential to a film that they cannot be edited out or skipped in the shooting schedule without seriously damaging the integrity of the finished product. Often, screenplays are written around a list of such set pieces, particularly in high-budget "event movies".

Set pieces are very often planned meticulously using storyboards, screentests, and rehearsals, in contrast to smaller scenes where the director and actors may be more improvisational. Each action requires the combined efforts of different departments: set builders, physical effects, and special visual effects. On most films, different groups of people will work on different set pieces individually since they can take a long time to prepare before shooting. For example, the car chase in The Matrix Reloaded took months to prepare and cost $30 million, including $5 million to build the freeway set.

Set Piece (novel)

Set Piece is an original novel written by Kate Orman and based on the long-running British science fiction television series Doctor Who. It features the Seventh Doctor, Ace, Bernice and Kadiatu Lethbridge-Stewart. It is the last New Adventure to feature Ace as a regular character, although she appeared sporadically throughout the rest of the series. A prelude to the novel, also penned by Orman, appeared in Doctor Who Magazine #222.

Plot

Ms Cohen is travelling on a starliner, when the ship falls through a time rift and is boarded by giant mechanical ants. She wakes up on board a vessel known as The Ship, where the ants and human prisoners they use as slaves are slowly processing the captured humans and storing their minds inside Ship's systems. The human guards, however, have a problem. One prisoner, whom they have christened the "Gingerbread Man", keeps escaping from cold storage and despite their best efforts they are unable to prevent him escaping again. Ms Cohen witnesses several of these escapes and watches the guards brutally beat him to the point where he seems to be suffering a heart attack. As Ms. Cohen tries to start him breathing again, she realises he has two hearts. Eventually she realises that the "Gingerbread Man's" escapes always go to a different part of Ship, therefore he is looking for someone. In his next escape, he reaches the freezers, where Ace is trapped. Having finally found her, he is able to summon Bernice to rescue them. But the attempt fails and the Doctor, Ace and Bernice are thrown out into the rift. Ms Cohen is trapped on Ship and eventually processed like the others.

Set (music)

A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.

A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.

Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.

Set (darts)

A set in darts consists of a sequence of legs (games) played, ending when the count of legs won meets certain criteria. Throwing first is considered an advantage in a leg, so players alternate who throws first in each leg during the set.

Generally, a set will consist of the best of five legs (first player to win three) - although there are some exceptions. The most notable being the Winmau World Masters, where a set is the best of three legs (first to two).

Example

During the final of the 2007 PDC World Darts Championship, Raymond van Barneveld defeated Phil Taylor by seven sets to six in one of the most dramatic darts matches of all-time. The breakdown of how each set went is shown here.

Taylor won the first two sets by three legs to nil, then added the third set before van Barneveld took the next two. The match continued and went to six sets all. Neither player managed to gain a two-leg advantage in the final set "tiebreak" so the deciding leg was played when the score reached 5-5. Before the final leg, the players threw for the bullseye with the nearest given the advantage of throwing first.

Set construction

Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.

Yui Aragaki

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Yui Aragaki (新垣 結衣, Aragaki Yui, born June 11, 1988) is a Japanese actress, model, singer and occasional radio show host.

She is particularly recognized for her beauty and her movie projects.

Career

Aragaki won the Film prize at the 45th Golden Arrow Awards in 2008. Her tremendous number of movie shoots as well as the preparation for her debut album resulted in her suffering from work-related stress in 2007.

Outside acting she also released her first album, Sora, and the single "Heavenly Days", a song from Koizora. "Memories", the theme song for Tokyo Serendipity, was included in her debut album. She also performed at Budokan.

She was also the co-hosts for popular radio program Girls Locks in 2010-2012.

Filmography

Films

Television dramas

Voice acting

Discography

Singles

Albums

See also

Awards and nominations

Commercials

Musical composition

Musical composition can refer to an original piece of music, the structure of a musical piece, or the process of creating a new piece of music. People who practice composition are called composers.

Although today composition is considered to consist of the manipulation of each aspect of music (harmony, melody, form, rhythm, and timbre), according to Jean-Benjamin de Laborde (1780, 2:12):

Musical compositions

A piece of music exists in the form of a composition in musical notation or as a single acoustic event (a live performance or recorded track). If composed before being performed, music can be performed from memory, through written musical notation, or through a combination of both. Compositions comprise musical elements, which vary widely from person to person and between cultures. Improvisation is the act of composing musical elements spontaneously during the performance.

Piece is a "general, non-technical term [that began to be] applied mainly to instrumental compositions from the 17th century onwards....other than when they are taken individually 'piece' and its equivalents are rarely used of movements in sonatas or symphonies....composers have used all these terms [in their different languages] frequently in compound forms [e.g. Klavierstück]....In vocal music...the term is most frequently used for operatic ensembles..."