An equestrian statue is a statue of a rider mounted on a horse, from the Latin "eques", meaning "knight", deriving from "equus", meaning "horse". A statue of a riderless horse is strictly an "equine statue". A full-size equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, more recently, military commanders.

Equestrian statuary in the West goes back at least as far as Archaic Greece. Found on the Athenian acropolis, the sixth century BC statue known as the Rampin Rider depicts a kouros mounted on horseback.

A number of ancient Egyptian, Assyrian and Persian reliefs show mounted figures, usually rulers, though no free standing statues are known. The Chinese Terracotta Army has no mounted riders, though cavalrymen stand beside their mounts, but smaller Tang Dynasty pottery tomb Qua figures often include them, at a relatively small scale. No Chinese portrait equestrian statues were made until modern times; statues of rulers are not part of traditional Chinese art, and indeed even painted portraits were only shown to high officials on special occasions until the 11th century.

Marcus Aurelius (Latin: Marcus Aurelius Antoninus Augustus; 26 April 121 – 17 March 180 AD), was Roman Emperor from 161 to 180 AD. He ruled with Lucius Verus as co-emperor from 161 until Verus' death in 169. He was the last of the "Five Good Emperors", and is also considered one of the most important Stoic philosophers. During his reign, the Empire defeated a revitalized Parthian Empire; Aurelius' general Avidius Cassius sacked the capital Ctesiphon in 164. Aurelius fought the Marcomanni, Quadi, and Sarmatians with success during the Marcomannic Wars, but the threat of the Germanic tribes began to represent a troubling reality for the Empire. A revolt in the East led by Avidius Cassius failed to gain momentum and was suppressed immediately.

Marcus Aurelius' Stoic tome Meditations, written in Greek while on campaign between 170 and 180, is still revered as a literary monument to a philosophy of service and duty, describing how to find and preserve equanimity in the midst of conflict by following nature as a source of guidance and inspiration.

Joanna Lamond Lumley, OBE, FRGS (born 1 May 1946) is a British actress, voice-over artist, former-model and author, best known for her roles in British television series Absolutely Fabulous portraying Edina Monsoon's best friend, Patsy Stone, as well as parts in The New Avengers, Sapphire & Steel, and Sensitive Skin. Her distinctive voice has been supplied for animated characters, film narration, and AOL's "You have email" notification in the UK. She has spoken out as a human rights activist for Survival International and the Gurkha Justice Campaign, and is now considered a "national treasure" of Nepal because of her support. She is an advocate for a number of charities and animal welfare groups such as CIWF and Viva! She has won three BAFTA awards and a British Comedy Award.

Joanna Lamond Lumley was born on 1 May 1946 in Srinagar, in the princely state of Kashmir and Jammu, which was then part of British India. Her parents were Major James Rutherford Lumley, who served in the 6th Gurkha Rifles, a regiment of the British Indian Army, and Beatrice Rose Weir. They married in 1941. After the independence of India in 1947, the Lumleys relocated back to their home country of England^{[citation needed]}; county Kent. The family also spent time in Malaya (now Malaysia). Lumley was educated at St Mary's Convent School in St Leonards-on-Sea, East Sussex, England, and afterwards attended the Lucie Clayton finishing school, after being turned down by the Royal Academy of Dramatic Art at the age of 16.

Sir John Hawkwood (died 1394) was an English mercenary or condottiero who was active in 14th century Italy. The French chronicler Jean Froissart knew him as Jean Haccoude and Italians as Giovanni Acuto. Hawkwood served first the Pope and then various factions in Italy for over 30 years.

Hawkwood's youth is shrouded in tales and legends and it is not exactly clear how he became a soldier. According to the most accepted tales, he was a second son of a tanner in Sible Hedingham in Essex and was apprenticed in London. Other tales also claim that he was a tailor before he became a soldier.

Hawkwood served in the English army in France in the first stages of the Hundred Years' War under Edward III. According to different traditions Hawkwood fought in the battles of Crécy and/or Poitiers but there is no direct evidence of either. Different traditions maintain that the King or Edward, the Black Prince knighted him. It has also been speculated that he assumed the title with the support of his soldiers. His service ended after the Treaty of Brétigny in 1360.

Paolo Uccello (1397 – 10 December 1475), born Paolo di Dono, was an Italian painter and a mathematician who was notable for his pioneering work on visual perspective in art. Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. He used perspective in order to create a feeling of depth in his paintings and not, as his contemporaries, to narrate different or succeeding stories. His best known works are the three paintings representing the battle of San Romano (for a long time these were wrongly entitled the "Battle of Sant' Egidio of 1416").

Paolo worked in the Late Gothic tradition, and emphasized colour and pageantry rather than the Classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers. He has had some influence on twentieth century art (including the New Zealand painter Melvin Day) and literary criticism (e.g., in the "Vies imaginaires" by Marcel Schwob, "Uccello le poil" by Antonin Artaud and "O Mundo Como Ideia" by Bruno Tolentino).