Confirmation is a rite of initiation in Christian churches,(although in the Church of England and similar denominations it can be simply viewed as a reinstating of one's beliefs) normally carried out through anointing and/or the laying on of hands and prayer for the purpose of bestowing the Gift of the Holy Spirit.

There is an analogous ceremony also called confirmation in Reform Judaism, the most theologically liberal denomination within Judaism.

Within Christianity, confirmation is seen as the sealing of the covenant made in Holy Baptism. In some denominations, confirmation also bestows full membership in a local congregation upon the recipient. In others, such as the Roman Catholic Church, confirmation "renders the bond with the Church more perfect", because a baptized person is already a full member.

Roman Catholics, Eastern Orthodox, Oriental Orthodox Churches, and many Anglicans view Confirmation as a sacrament. In the East it is conferred immediately after baptism. In the West, this practice is followed when adults are baptized, but in the case of infants not in danger of death it is administered, ordinarily by a bishop, only when the child reaches the age of reason or early adolescence. Among those Catholics who practice teen-aged confirmation, the practice may be perceived, secondarily, as a "coming of age" rite.

Charles Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.

Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise."

Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapidly passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, combining jazz with other musical genres, including blues, Latin, and classical.

Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer.

John Birks "Dizzy" Gillespie ( /ɡɨˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer and, occasionally, singer.

Allmusic's Scott Yanow wrote, "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated . . . Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time."

Gillespie was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.

In the 1940s Gillespie, together with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.