The Art of Édouard Vuillard - Claude Debussy Arabesque No. 1 - Franz Schubert Impromptu No. 3
Beautiful artworks by the wonderful
French painter
Édouard Vuillard.
Music:
Claude Debussy,
Arabesque No. 1.
Franz Schubert,
Impromptu No. 3.
Jean-Édouard
Vuillard, the son of a retired captain, spent his youth at
Cuiseaux (Saône-et-Loire); in 1878 his family moved to
Paris in modest circumstances. After his father's death in 1884, Vuillard received a scholarship to continue his education.
In 1885, Vuillard left the
Lycée Condorcet. On the advice of his closest friend, Roussel, he refused a military career and joined Roussel at the studio of painter
Diogène Maillart. There, Roussel and Vuillard received the rudiments of artistic training. In 1887, Vuillard passed the entrance examination for the
École des Beaux-Arts. Vuillard kept a private journal from 1888--1905 and later from 1907 to
1940.
By 1890, the year in which Vuillard met
Pierre Bonnard and
Paul Sérusier, he had joined the
Nabis, a group of art students inspired by the synthetism of
Gauguin.[3] He contributed to their exhibitions at the
Gallery of
Le Barc de Boutteville, and later shared a studio with fellow Nabis Bonnard and
Maurice Denis. In the early
1890s he worked for the
Théâtre de l'Œuvre of Lugné-Poe, designing settings and programs.
In 1898 Vuillard visited
Venice and
Florence.
The following year he made a trip to
London.
Later he went to
Milan, Venice and
Spain. Vuillard also traveled in
Brittany and
Normandy.
Vuillard first exhibited at the
Salon des Indépendants of
1901 and at the
Salon d'Automne in 1903. In the 1890s Vuillard met the brothers
Alexandre and Thadée Natanson, the founders of
La Revue Blanche, a cultural review. Vuillardʹs graphics appeared in the journal, together with Pierre Bonnard,
Henri de Toulouse-Lautrec,
Félix Vallotton and others.
In 1892, on the advice of the Natanson brothers, Vuillard painted his first decorations ("apartment frescoes") for the house of Mme Desmarais. Subsequently he fulfilled many other commissions of this kind: in 1894 for Alexandre Natanson, in 1898 for
Claude Anet, in
1908 for Bernstein, and in 1913 for Bernheim and for the
Théâtre des Champs-Élysées.
In his paintings and decorative pieces Vuillard depicted mostly interiors, towns and gardens. They are often made in the delicate range of blurred colors characteristic of his art. Vuillard was very familiar with interior and domestic spaces. Much of his art reflected this influence, often depicting very intricate patterns and being softly romantic.
Edouard Vuillard died in
La Baule in 1940.