- published: 31 Mar 2014
- views: 28804
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An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen."
Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy.
The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and would die without art, Tuttle says. He was brought up by three women, his aunt and grandmother helped his mother, who wasn't able to take care of him on her own. His father didn't understand him. Most artists grown up without the understanding of their families, Tuttle says: "They try to make you like they are."
Tuttle also tells us how he learned never to trust teachers, and to always trust his own beliefs first of all. Most of us are conditioned by our surroundings as we grow up, the wisdom of society stamps out the inner life, as we learn how to operate in the world. But the artist's job is to explore the invisible world of nature and emotions.
Richard Dean Tuttle (b. 1941) is an American post minimalist artist who's works span a range of media, from sculpture, painting, drawing, printmaking, and artist's books to installation and furniture. Tuttle is often referred to as an "artist's artist" and, as such, his work has been influential to a generation of contemporary artists such as Kiki Smith, Jim Hodges, David Hammons, Michael Oman-Reagan, Tom Friedman, and Jessica Stockholder. He was a very close friend of minimalist painter Agnes Martin until her death in 2004.
Richard Tuttle was interviewed by Marc-Christoph Wagner at Galleri Nicolai Wallner, Copenhagen
Editing by Kamilla Bruus
Produced by Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014
Supported by Nordea-fonden
10/13/2015
Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity College in Hartford, Connecticut, and his first paintings exhibited in New York shortly after graduation. He has become known for his small, intimate works made from a broad range of materials, both conventional and unconventional — including paper, unstretched canvas, galvanized tin, wood scraps, wire, fabric, string, and tree branches — presented in the form of sculptures, drawings, collages, prints, posters, and watercolors, but has occasionally made large-form works, such as a 150-foot-high glass-and-ceramic mural in Miami Beach. Inspired by architecture, philosophy, literature, and music, as well as color, materiality, and other elements of visual art, he has brought a poetic sensibility to explorations as varied as the relativeness of reality and the tensions between two and three dimensions. He lives in Maine, New Mexico, and New York.
- published: 16 Oct 2015
- views: 609
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Schwarz | Videobericht Mélanie Moser 2016
- published: 03 Mar 2016
- views: 52
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney Museum of American Art, New York.
- published: 14 May 2009
- views: 23443
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts London; 9th December 2014
- published: 23 Jan 2015
- views: 1574
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle.
- published: 02 Jul 2009
- views: 16227
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttle at http://www.sfmoma.org/multimedia/interactive_features/29#
- published: 12 Oct 2010
- views: 18140
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
Thursday | December 6 | 2012
- published: 12 Dec 2012
- views: 11605
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles.
Richard Tuttle: I Don’t Know . The Weave of Textile Language
Tate Modern
14 October 2014 – 6 April 2015
http://www.tate.org.uk/whats-on/tate-modern/exhibition/richard-tuttle-i-dont-know-weave-textile-language
- published: 14 Oct 2014
- views: 7319
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It's a large white octagonal shape, cut from paper and glued against the white gallery wall. It feels like the antithesis of painting.
Richard Tuttle came to prominence in the 1960s as part of a generation of Post-Minimalist artists, including Bruce Nauman and Eve Hesse, who questioned dominant trends of Minimalism by embracing an improvisational approach to art-making using everyday, often ephemeral materials.
TateShots met Tuttle at the Getty in Los Angeles, where he is currently artist in residence to hear about his philosophy of art.
- published: 11 Jul 2013
- views: 7550
Richard Tuttle at Dieu Donné, Summer 2008
The Triumph of Night, 2009. Suite of 4, Edition of 10.
Richard Tuttle builds a small "sandcastles" out of brightly pigmented casting cotton -- and subsequently hits it repeatedly with a spatula.
Read about Weak Hydrogren Bond: Collaborations with Richard Tuttle at http://dieudonne.org/main.cfm?chID=2&inc;=press-detail&ID;=137
More Richard Tuttle at Dieu Donné: http://dieudonne.org/main.cfm?chID=1&inc;=artist-detail&ID;=127
Exhibition on view at Dieu Donné, 315 W. 36th St., NYC, until March 21st.
- published: 24 Feb 2009
- views: 6455
Richard Dean Tuttle (born 12 July 1941) is an American postminimalist artist known for his small, subtle, intimate works. His art makes use of scale and line. His works span a range of media.
Tuttle was born in Rahway, New Jersey. He studied at Trinity College in Hartford, Connecticut, and after moving to New York in 1963 he spent a semester at the Cooper Union and worked at the Betty Parsons Gallery. One year after taking a job as an assistant at Betty Parsons, she gave him his first show.
Tuttle's reputation as a master was secure in Europe from early on, though acceptance of his work in his home country was slower. His works on paper are considered seminal works in American art. Tuttle had a survey exhibition in 1975 at the Whitney Museum of American Art. The exhibit was controversial and the show's curator Marcia Tucker lost her job as a result, after a scathing review by Hilton Kramer. Kramer, then art critic for The New York Times wrote, referring to Ludwig Mies van der Rohe's dictum "less is more", "in Mr. Tuttle's work, less is unmistakably less...One is tempted to say, where art is concerned, less has never been as less than this." Tuttle's work, however, is in the collection of the Whitney today.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Richard_Tuttle
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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13:29Richard Tuttle: Artists are like clouds
Richard Tuttle: Artists are like cloudsRichard Tuttle: Artists are like clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen." Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy. The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and would die without art, Tuttle says. He was brought up by three women, his aunt and grandmother helped his mother, who wasn't able to take care of him on her own. His father didn't understand him. Most artists grown up without the understanding of their families, Tuttle says: "They try to make you like they are." Tuttle also tells us how he learned never to trust teachers, and to always trust his own beliefs first of all. Most of us are conditioned by our surroundings as we grow up, the wisdom of society stamps out the inner life, as we learn how to operate in the world. But the artist's job is to explore the invisible world of nature and emotions. Richard Dean Tuttle (b. 1941) is an American post minimalist artist who's works span a range of media, from sculpture, painting, drawing, printmaking, and artist's books to installation and furniture. Tuttle is often referred to as an "artist's artist" and, as such, his work has been influential to a generation of contemporary artists such as Kiki Smith, Jim Hodges, David Hammons, Michael Oman-Reagan, Tom Friedman, and Jessica Stockholder. He was a very close friend of minimalist painter Agnes Martin until her death in 2004. Richard Tuttle was interviewed by Marc-Christoph Wagner at Galleri Nicolai Wallner, Copenhagen Editing by Kamilla Bruus Produced by Marc-Christoph Wagner Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014 Supported by Nordea-fonden -
96:24Richard Tuttle
Richard TuttleRichard Tuttle
10/13/2015 Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity College in Hartford, Connecticut, and his first paintings exhibited in New York shortly after graduation. He has become known for his small, intimate works made from a broad range of materials, both conventional and unconventional — including paper, unstretched canvas, galvanized tin, wood scraps, wire, fabric, string, and tree branches — presented in the form of sculptures, drawings, collages, prints, posters, and watercolors, but has occasionally made large-form works, such as a 150-foot-high glass-and-ceramic mural in Miami Beach. Inspired by architecture, philosophy, literature, and music, as well as color, materiality, and other elements of visual art, he has brought a poetic sensibility to explorations as varied as the relativeness of reality and the tensions between two and three dimensions. He lives in Maine, New Mexico, and New York. -
82:09Richard Tuttle
Richard TuttleRichard Tuttle
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4:01Richard Tuttle
Richard TuttleRichard Tuttle
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Schwarz | Videobericht Mélanie Moser 2016 -
4:13Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
Richard Tuttle: Reality & Illusion | Art21 "Exclusive"Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York. Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry. Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney Museum of American Art, New York. -
70:43Richard Tuttle at Chelsea College of Arts, London
Richard Tuttle at Chelsea College of Arts, LondonRichard Tuttle at Chelsea College of Arts, London
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts London; 9th December 2014 -
2:35Richard Tuttle: Art & Life | Art21 "Exclusive"
Richard Tuttle: Art & Life | Art21 "Exclusive"Richard Tuttle: Art & Life | Art21 "Exclusive"
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio. Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry. Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. -
1:52Richard Tuttle at work
Richard Tuttle at workRichard Tuttle at work
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttle at http://www.sfmoma.org/multimedia/interactive_features/29# -
80:21Conversations | Premiere | Artist Talk | Richard Tuttle
Conversations | Premiere | Artist Talk | Richard TuttleConversations | Premiere | Artist Talk | Richard Tuttle
Richard Tuttle, Artist, New York/New Mexico In conversation with Chris Dercon, Director of Tate Modern, London Thursday | December 6 | 2012 -
2:30TateShots: Richard Tuttle – I Don't Know
TateShots: Richard Tuttle – I Don't KnowTateShots: Richard Tuttle – I Don't Know
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern. The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles. Richard Tuttle: I Don’t Know . The Weave of Textile Language Tate Modern 14 October 2014 – 6 April 2015 http://www.tate.org.uk/whats-on/tate-modern/exhibition/richard-tuttle-i-dont-know-weave-textile-language -
3:20TateShots: Richard Tuttle
TateShots: Richard TuttleTateShots: Richard Tuttle
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It's a large white octagonal shape, cut from paper and glued against the white gallery wall. It feels like the antithesis of painting. Richard Tuttle came to prominence in the 1960s as part of a generation of Post-Minimalist artists, including Bruce Nauman and Eve Hesse, who questioned dominant trends of Minimalism by embracing an improvisational approach to art-making using everyday, often ephemeral materials. TateShots met Tuttle at the Getty in Los Angeles, where he is currently artist in residence to hear about his philosophy of art. -
2:43Richard Tuttle at Dieu Donné - Part 1
Richard Tuttle at Dieu Donné - Part 1Richard Tuttle at Dieu Donné - Part 1
Richard Tuttle at Dieu Donné, Summer 2008 The Triumph of Night, 2009. Suite of 4, Edition of 10. Richard Tuttle builds a small "sandcastles" out of brightly pigmented casting cotton -- and subsequently hits it repeatedly with a spatula. Read about Weak Hydrogren Bond: Collaborations with Richard Tuttle at http://dieudonne.org/main.cfm?chID=2&inc;=press-detail&ID;=137 More Richard Tuttle at Dieu Donné: http://dieudonne.org/main.cfm?chID=1&inc;=artist-detail&ID;=127 Exhibition on view at Dieu Donné, 315 W. 36th St., NYC, until March 21st. -
9:51Richard Tuttle "Memory Comes from Dark Extension" at SPERONE
Richard Tuttle "Memory Comes from Dark Extension" at SPERONERichard Tuttle "Memory Comes from Dark Extension" at SPERONE
James Kalm checks in for a viewing of Richard Tuttle's "Memory Comes from a Dark Extension". This selection of small wall mounted assemblages is typical of the artists practice and shows his ability to transform the mundane materials of wood, paper, wire, paint and glue into complex and rich compositions with transcendental implications. -
9:49Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
Conversations | Premiere | Artist Talk | Richard Tuttle (short version)Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
Richard Tuttle, Artist, New York/New Mexico In conversation with Chris Dercon, Director of Tate Modern, London
- Betty Parsons
- Charles Bernstein
- Cooper Union
- David Hammons
- Defamation
- Germany
- Hilton Kramer
- Installation art
- Jessica Stockholder
- Jim Hodges (artist)
- Kiki Smith
- Marcia Tucker
- Michael Oman-Reagan
- Minimalism
- Pace Gallery
- Painting
- Postminimalism
- Rahway, New Jersey
- Richard Tuttle
- Sculpture
- Skowhegan
- The New York Times
- Tom Friedman
- United States
- Wikipedia Persondata
Tuttle, Richard Filmography
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2013, role: actor , character name: Himself - Artist
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2008, role: actor , character name: Himself - Artist
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2007, role: actor , character name: Himself
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2005, role: actor , character name: Himself
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2002, role: actor
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Richard Tuttle: Artists are like clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen." Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy. The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and ... -
Richard Tuttle
10/13/2015 Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity College in Hartford, Connecticut, and his first paintings exhibited in New York shortly after graduation. He has become known for his small, intimate works made from a broad range of materials, both conventional and unconventional — including paper, unstretched canvas, galvanized tin, wood scraps, wire, fabric, string, and tree branches — presented in the form of sculptures, drawings, collages, prints, posters, and watercolors, but has occasionally made large-form works, such as a 150-foot-high glass-and-ceramic mural in Miami Beach. Inspired by architecture, philosophy, literature, and music, as well as color, materiality, and other elements of visual art, he has brought a poetic sensibility to exploration... -
Richard Tuttle
-
Richard Tuttle
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Schwarz | Videobericht Mélanie Moser 2016 -
Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York. Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry. Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney... -
Richard Tuttle at Chelsea College of Arts, London
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts London; 9th December 2014 -
Richard Tuttle: Art & Life | Art21 "Exclusive"
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio. Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry. Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. -
Richard Tuttle at work
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttle at http://www.sfmoma.org/multimedia/interactive_features/29# -
Conversations | Premiere | Artist Talk | Richard Tuttle
Richard Tuttle, Artist, New York/New Mexico In conversation with Chris Dercon, Director of Tate Modern, London Thursday | December 6 | 2012 -
TateShots: Richard Tuttle – I Don't Know
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern. The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles. Richard Tuttle: I Don’t Know . The Weave of Textile Language Tate Modern 14 October 2014 – 6 April 2... -
TateShots: Richard Tuttle
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It's a large white octagonal shape, cut from paper and glued against the white gallery wall. It feels like the antithesis of painting. Richard Tuttle came to prominence in the 1960s as part of a generation of Post-Minimalist artists, including Bruce Nauman and Eve Hesse, who questioned dominant trends of Minimalism by embracing an improvisational approach to art-making using everyday, often ephemeral materials. TateShots met Tuttle at the Getty in Los Angeles, where he is currently artist in residence to hear about his philosophy of art. -
Richard Tuttle at Dieu Donné - Part 1
Richard Tuttle at Dieu Donné, Summer 2008 The Triumph of Night, 2009. Suite of 4, Edition of 10. Richard Tuttle builds a small "sandcastles" out of brightly pigmented casting cotton -- and subsequently hits it repeatedly with a spatula. Read about Weak Hydrogren Bond: Collaborations with Richard Tuttle at http://dieudonne.org/main.cfm?chID=2&inc;=press-detail&ID;=137 More Richard Tuttle at Dieu Donné: http://dieudonne.org/main.cfm?chID=1&inc;=artist-detail&ID;=127 Exhibition on view at Dieu Donné, 315 W. 36th St., NYC, until March 21st. -
Richard Tuttle "Memory Comes from Dark Extension" at SPERONE
James Kalm checks in for a viewing of Richard Tuttle's "Memory Comes from a Dark Extension". This selection of small wall mounted assemblages is typical of the artists practice and shows his ability to transform the mundane materials of wood, paper, wire, paint and glue into complex and rich compositions with transcendental implications. -
Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
Richard Tuttle, Artist, New York/New Mexico In conversation with Chris Dercon, Director of Tate Modern, London -
Richard Tuttle | Art21 | Preview from Season 3 of "Art in the Twenty-First Century" (2005)
Richard Tuttle commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his practice. He subverts the conventions of modernist sculptural practice and instead creates small, eccentrically playful objects in decidedly humble materials such as paper, rope, twigs, and bubble wrap. Tuttle also manipulates the space in which his objects exist, forcing viewers to reconsider and renegotiate the white-cube gallery space in relation to their own bodies. Richard Tuttle is featured in the Season 3 episode "Structures" of the Art21 series "Art in the Twenty-First Century". Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle © 2005-2007 Art21, Inc. All Rights Reserved. -
Richard Tuttle at Whitechapel Gallery, London
The Whitechapel Gallery in London currently presents a major survey exhibition dedicated to the American artist Richard Tuttle, which spans five decades of the artist's career. The retrospective is titled I Don't Know, Or The Weave of Textile Language. In this video we have a look at the show on the occasion of the press preview. The exhibition is part of a collaboration between the Whitechapel Gallery and Tate Modern that celebrates the American sculptor and poet Richard Tuttle. In addition to the exhibition at the Whitechapel Gallery, the Tate Modern commissioned Richard Tuttle to create a work for its Turbine Hall. Tuttle conceived a large-scale sculptural installation that is principally constructed of fabric. It's the largest work ever created by the artist. For the respective video,... -
Richard Tuttle Installation at Turbine Hall, Tate Modern, London
Richard Tuttle: I Don't Know. The Weave of Textile Language. Installation at Tate Modern Turbine Hall, London (UK). Press Preview, October 13, 2014. More info: http://vernissage.tv/2014/10/17/richard-tuttle-i-dont-know-or-the-weave-of-textile-language-tate-modern-turbine-hall/ More videos on contemporary art, design, architecture: http://vernissage.tv Connect: http://www.facebook.com/vernissagetv http://twitter.com/vernissagetv Browse our Archive: http://vernissage.tv/archive/posts/ Find Artists, Designers, Architects: http://vernissage.tv/archive/artists/ Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends open... -
Curator's Introduction to: Richard Tuttle: I Don't Know. The Weave of Textile Language
Curator At Large, Magnus Af Petersens meets with Richard Tuttle to discuss the artist's use of textiles and the themes of the exhibition. -
Richard Tuttle at Crown Point Press
8 etching projects done in the Crown Point Press studio between 1998 and 2005 -
Richard Tuttle v Preet Somaiya
Gloved bout between Richard Tuttle and Preet Somaiya at Raging Bull Battle Ground 3 -
Art City: Simplicity
Art City: Simplicity, documenting the art world that existed in the early 90s. Artists include Agnes Martin, Richard Tuttle, Joan Snyder, Amy Adler, Robert Williams, John Baldessari, Carolyn Martin, Mike Bidlo, Dave Hickey, and more. -
ICA Speaks: Richard Tuttle at ICA Miami
On November 6, 2015, the Institute of Contemporary Art presented its second ICA Speaks event featuring artist Richard Tuttle, who since the mid-1960s has created an extraordinarily varied body of work that eludes historical or stylistic categorization. ICA Speaks is focused on promoting the exchange of art and ideas. For the inaugural season, ICA Speaks features artists from the museum’s permanent collection, and highlights the strength of our holdings through original scholarship. ICA Speaks is made possible by the Lampert Family Foundation. -
Richard Tuttle Clip13
From www.howl-larious.com art classes collection
Richard Tuttle: Artists are like clouds
- Order: Reorder
- Duration: 13:29
- Updated: 31 Mar 2014
- views: 28804
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out ...
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen."
Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy.
The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and would die without art, Tuttle says. He was brought up by three women, his aunt and grandmother helped his mother, who wasn't able to take care of him on her own. His father didn't understand him. Most artists grown up without the understanding of their families, Tuttle says: "They try to make you like they are."
Tuttle also tells us how he learned never to trust teachers, and to always trust his own beliefs first of all. Most of us are conditioned by our surroundings as we grow up, the wisdom of society stamps out the inner life, as we learn how to operate in the world. But the artist's job is to explore the invisible world of nature and emotions.
Richard Dean Tuttle (b. 1941) is an American post minimalist artist who's works span a range of media, from sculpture, painting, drawing, printmaking, and artist's books to installation and furniture. Tuttle is often referred to as an "artist's artist" and, as such, his work has been influential to a generation of contemporary artists such as Kiki Smith, Jim Hodges, David Hammons, Michael Oman-Reagan, Tom Friedman, and Jessica Stockholder. He was a very close friend of minimalist painter Agnes Martin until her death in 2004.
Richard Tuttle was interviewed by Marc-Christoph Wagner at Galleri Nicolai Wallner, Copenhagen
Editing by Kamilla Bruus
Produced by Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014
Supported by Nordea-fonden
wn.com/Richard Tuttle Artists Are Like Clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen."
Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy.
The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and would die without art, Tuttle says. He was brought up by three women, his aunt and grandmother helped his mother, who wasn't able to take care of him on her own. His father didn't understand him. Most artists grown up without the understanding of their families, Tuttle says: "They try to make you like they are."
Tuttle also tells us how he learned never to trust teachers, and to always trust his own beliefs first of all. Most of us are conditioned by our surroundings as we grow up, the wisdom of society stamps out the inner life, as we learn how to operate in the world. But the artist's job is to explore the invisible world of nature and emotions.
Richard Dean Tuttle (b. 1941) is an American post minimalist artist who's works span a range of media, from sculpture, painting, drawing, printmaking, and artist's books to installation and furniture. Tuttle is often referred to as an "artist's artist" and, as such, his work has been influential to a generation of contemporary artists such as Kiki Smith, Jim Hodges, David Hammons, Michael Oman-Reagan, Tom Friedman, and Jessica Stockholder. He was a very close friend of minimalist painter Agnes Martin until her death in 2004.
Richard Tuttle was interviewed by Marc-Christoph Wagner at Galleri Nicolai Wallner, Copenhagen
Editing by Kamilla Bruus
Produced by Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014
Supported by Nordea-fonden
- published: 31 Mar 2014
- views: 28804
Richard Tuttle
- Order: Reorder
- Duration: 96:24
- Updated: 16 Oct 2015
- views: 609
10/13/2015
Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity College in Hartford, Connecticut, and his first paintings exhibited in New Y...
10/13/2015
Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity College in Hartford, Connecticut, and his first paintings exhibited in New York shortly after graduation. He has become known for his small, intimate works made from a broad range of materials, both conventional and unconventional — including paper, unstretched canvas, galvanized tin, wood scraps, wire, fabric, string, and tree branches — presented in the form of sculptures, drawings, collages, prints, posters, and watercolors, but has occasionally made large-form works, such as a 150-foot-high glass-and-ceramic mural in Miami Beach. Inspired by architecture, philosophy, literature, and music, as well as color, materiality, and other elements of visual art, he has brought a poetic sensibility to explorations as varied as the relativeness of reality and the tensions between two and three dimensions. He lives in Maine, New Mexico, and New York.
wn.com/Richard Tuttle
10/13/2015
Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity College in Hartford, Connecticut, and his first paintings exhibited in New York shortly after graduation. He has become known for his small, intimate works made from a broad range of materials, both conventional and unconventional — including paper, unstretched canvas, galvanized tin, wood scraps, wire, fabric, string, and tree branches — presented in the form of sculptures, drawings, collages, prints, posters, and watercolors, but has occasionally made large-form works, such as a 150-foot-high glass-and-ceramic mural in Miami Beach. Inspired by architecture, philosophy, literature, and music, as well as color, materiality, and other elements of visual art, he has brought a poetic sensibility to explorations as varied as the relativeness of reality and the tensions between two and three dimensions. He lives in Maine, New Mexico, and New York.
- published: 16 Oct 2015
- views: 609
Richard Tuttle
- Order: Reorder
- Duration: 82:09
- Updated: 17 Oct 2014
- views: 3649
- published: 17 Oct 2014
- views: 3649
Richard Tuttle
- Order: Reorder
- Duration: 4:01
- Updated: 03 Mar 2016
- views: 52
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Schwarz | Videobericht Mélanie Moser 2016
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Schwarz | Videobericht Mélanie Moser 2016
wn.com/Richard Tuttle
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Schwarz | Videobericht Mélanie Moser 2016
- published: 03 Mar 2016
- views: 52
Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
- Order: Reorder
- Duration: 4:13
- Updated: 14 May 2009
- views: 23443
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard...
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney Museum of American Art, New York.
wn.com/Richard Tuttle Reality Illusion | Art21 Exclusive
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney Museum of American Art, New York.
- published: 14 May 2009
- views: 23443
Richard Tuttle at Chelsea College of Arts, London
- Order: Reorder
- Duration: 70:43
- Updated: 23 Jan 2015
- views: 1574
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts London; 9th December 2014
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts London; 9th December 2014
wn.com/Richard Tuttle At Chelsea College Of Arts, London
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts London; 9th December 2014
- published: 23 Jan 2015
- views: 1574
Richard Tuttle: Art & Life | Art21 "Exclusive"
- Order: Reorder
- Duration: 2:35
- Updated: 02 Jul 2009
- views: 16227
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as ...
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle.
wn.com/Richard Tuttle Art Life | Art21 Exclusive
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle.
- published: 02 Jul 2009
- views: 16227
Richard Tuttle at work
- Order: Reorder
- Duration: 1:52
- Updated: 12 Oct 2010
- views: 18140
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttle at http://www.sfmoma.org/multimedia/interactive_features/29#
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttle at http://www.sfmoma.org/multimedia/interactive_features/29#
wn.com/Richard Tuttle At Work
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttle at http://www.sfmoma.org/multimedia/interactive_features/29#
- published: 12 Oct 2010
- views: 18140
Conversations | Premiere | Artist Talk | Richard Tuttle
- Order: Reorder
- Duration: 80:21
- Updated: 12 Dec 2012
- views: 11605
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
Thursday | December 6 | 2012
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
Thursday | December 6 | 2012
wn.com/Conversations | Premiere | Artist Talk | Richard Tuttle
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
Thursday | December 6 | 2012
- published: 12 Dec 2012
- views: 11605
TateShots: Richard Tuttle – I Don't Know
- Order: Reorder
- Duration: 2:30
- Updated: 14 Oct 2014
- views: 7319
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever cr...
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles.
Richard Tuttle: I Don’t Know . The Weave of Textile Language
Tate Modern
14 October 2014 – 6 April 2015
http://www.tate.org.uk/whats-on/tate-modern/exhibition/richard-tuttle-i-dont-know-weave-textile-language
wn.com/Tateshots Richard Tuttle – I Don't Know
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles.
Richard Tuttle: I Don’t Know . The Weave of Textile Language
Tate Modern
14 October 2014 – 6 April 2015
http://www.tate.org.uk/whats-on/tate-modern/exhibition/richard-tuttle-i-dont-know-weave-textile-language
- published: 14 Oct 2014
- views: 7319
TateShots: Richard Tuttle
- Order: Reorder
- Duration: 3:20
- Updated: 11 Jul 2013
- views: 7550
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It's a large white octagonal shape, cut from paper and glued against the...
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It's a large white octagonal shape, cut from paper and glued against the white gallery wall. It feels like the antithesis of painting.
Richard Tuttle came to prominence in the 1960s as part of a generation of Post-Minimalist artists, including Bruce Nauman and Eve Hesse, who questioned dominant trends of Minimalism by embracing an improvisational approach to art-making using everyday, often ephemeral materials.
TateShots met Tuttle at the Getty in Los Angeles, where he is currently artist in residence to hear about his philosophy of art.
wn.com/Tateshots Richard Tuttle
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It's a large white octagonal shape, cut from paper and glued against the white gallery wall. It feels like the antithesis of painting.
Richard Tuttle came to prominence in the 1960s as part of a generation of Post-Minimalist artists, including Bruce Nauman and Eve Hesse, who questioned dominant trends of Minimalism by embracing an improvisational approach to art-making using everyday, often ephemeral materials.
TateShots met Tuttle at the Getty in Los Angeles, where he is currently artist in residence to hear about his philosophy of art.
- published: 11 Jul 2013
- views: 7550
Richard Tuttle at Dieu Donné - Part 1
- Order: Reorder
- Duration: 2:43
- Updated: 24 Feb 2009
- views: 6455
Richard Tuttle at Dieu Donné, Summer 2008
The Triumph of Night, 2009. Suite of 4, Edition of 10.
Richard Tuttle builds a small "sandcastles" out of brightly pi...
Richard Tuttle at Dieu Donné, Summer 2008
The Triumph of Night, 2009. Suite of 4, Edition of 10.
Richard Tuttle builds a small "sandcastles" out of brightly pigmented casting cotton -- and subsequently hits it repeatedly with a spatula.
Read about Weak Hydrogren Bond: Collaborations with Richard Tuttle at http://dieudonne.org/main.cfm?chID=2&inc;=press-detail&ID;=137
More Richard Tuttle at Dieu Donné: http://dieudonne.org/main.cfm?chID=1&inc;=artist-detail&ID;=127
Exhibition on view at Dieu Donné, 315 W. 36th St., NYC, until March 21st.
wn.com/Richard Tuttle At Dieu Donné Part 1
Richard Tuttle at Dieu Donné, Summer 2008
The Triumph of Night, 2009. Suite of 4, Edition of 10.
Richard Tuttle builds a small "sandcastles" out of brightly pigmented casting cotton -- and subsequently hits it repeatedly with a spatula.
Read about Weak Hydrogren Bond: Collaborations with Richard Tuttle at http://dieudonne.org/main.cfm?chID=2&inc;=press-detail&ID;=137
More Richard Tuttle at Dieu Donné: http://dieudonne.org/main.cfm?chID=1&inc;=artist-detail&ID;=127
Exhibition on view at Dieu Donné, 315 W. 36th St., NYC, until March 21st.
- published: 24 Feb 2009
- views: 6455
Richard Tuttle "Memory Comes from Dark Extension" at SPERONE
- Order: Reorder
- Duration: 9:51
- Updated: 10 May 2007
- views: 9380
James Kalm checks in for a viewing of Richard Tuttle's "Memory Comes from a Dark Extension". This selection of small wall mounted assemblages is typical of the...
James Kalm checks in for a viewing of Richard Tuttle's "Memory Comes from a Dark Extension". This selection of small wall mounted assemblages is typical of the artists practice and shows his ability to transform the mundane materials of wood, paper, wire, paint and glue into complex and rich compositions with transcendental implications.
wn.com/Richard Tuttle Memory Comes From Dark Extension At Sperone
James Kalm checks in for a viewing of Richard Tuttle's "Memory Comes from a Dark Extension". This selection of small wall mounted assemblages is typical of the artists practice and shows his ability to transform the mundane materials of wood, paper, wire, paint and glue into complex and rich compositions with transcendental implications.
- published: 10 May 2007
- views: 9380
Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
- Order: Reorder
- Duration: 9:49
- Updated: 22 Feb 2013
- views: 647
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
wn.com/Conversations | Premiere | Artist Talk | Richard Tuttle (Short Version)
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director of Tate Modern, London
- published: 22 Feb 2013
- views: 647
Richard Tuttle | Art21 | Preview from Season 3 of "Art in the Twenty-First Century" (2005)
- Order: Reorder
- Duration: 1:28
- Updated: 14 Oct 2008
- views: 18510
Richard Tuttle commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his practice. He subverts...
Richard Tuttle commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his practice. He subverts the conventions of modernist sculptural practice and instead creates small, eccentrically playful objects in decidedly humble materials such as paper, rope, twigs, and bubble wrap. Tuttle also manipulates the space in which his objects exist, forcing viewers to reconsider and renegotiate the white-cube gallery space in relation to their own bodies.
Richard Tuttle is featured in the Season 3 episode "Structures" of the Art21 series "Art in the Twenty-First Century".
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
© 2005-2007 Art21, Inc. All Rights Reserved.
wn.com/Richard Tuttle | Art21 | Preview From Season 3 Of Art In The Twenty First Century (2005)
Richard Tuttle commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his practice. He subverts the conventions of modernist sculptural practice and instead creates small, eccentrically playful objects in decidedly humble materials such as paper, rope, twigs, and bubble wrap. Tuttle also manipulates the space in which his objects exist, forcing viewers to reconsider and renegotiate the white-cube gallery space in relation to their own bodies.
Richard Tuttle is featured in the Season 3 episode "Structures" of the Art21 series "Art in the Twenty-First Century".
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
© 2005-2007 Art21, Inc. All Rights Reserved.
- published: 14 Oct 2008
- views: 18510
Richard Tuttle at Whitechapel Gallery, London
- Order: Reorder
- Duration: 4:50
- Updated: 18 Oct 2014
- views: 2677
The Whitechapel Gallery in London currently presents a major survey exhibition dedicated to the American artist Richard Tuttle, which spans five decades of the ...
The Whitechapel Gallery in London currently presents a major survey exhibition dedicated to the American artist Richard Tuttle, which spans five decades of the artist's career. The retrospective is titled I Don't Know, Or The Weave of Textile Language. In this video we have a look at the show on the occasion of the press preview.
The exhibition is part of a collaboration between the Whitechapel Gallery and Tate Modern that celebrates the American sculptor and poet Richard Tuttle. In addition to the exhibition at the Whitechapel Gallery, the Tate Modern commissioned Richard Tuttle to create a work for its Turbine Hall. Tuttle conceived a large-scale sculptural installation that is principally constructed of fabric. It's the largest work ever created by the artist. For the respective video, click here: http://vernissage.tv/2014/10/17/richard-tuttle-i-dont-know-or-the-weave-of-textile-language-tate-modern-turbine-hall/
The joint project has been specially devised by the artist. It focuses on the particular importance of textiles in his work. The exhibition at the Whitechapel Gallery centers on his use of fibre, thread and textile. The show includes Looking for the Map 8, (2013-14), a new work shown in the UK for the first time, works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself (1972), as well as international loans from museums and private collections. Richard Tuttle positioned the works not chronologically, but in a formal relationship to each other and in direct response to the architectural framework of Whitechapel Gallery’s historic exhibition spaces. The exhibition features works ranging in scale from the intricate series of Section, Extension wall pieces to the 3-metre long floor-based sculpture Systems VI (2011).
Richard Tuttle: I Don't Know, Or The Weave of Textile Languageat Whitechapel Gallery, London. Press preview, October 13, 2014.
More videos on contemporary art, design, architecture:
http://vernissage.tv
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Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
wn.com/Richard Tuttle At Whitechapel Gallery, London
The Whitechapel Gallery in London currently presents a major survey exhibition dedicated to the American artist Richard Tuttle, which spans five decades of the artist's career. The retrospective is titled I Don't Know, Or The Weave of Textile Language. In this video we have a look at the show on the occasion of the press preview.
The exhibition is part of a collaboration between the Whitechapel Gallery and Tate Modern that celebrates the American sculptor and poet Richard Tuttle. In addition to the exhibition at the Whitechapel Gallery, the Tate Modern commissioned Richard Tuttle to create a work for its Turbine Hall. Tuttle conceived a large-scale sculptural installation that is principally constructed of fabric. It's the largest work ever created by the artist. For the respective video, click here: http://vernissage.tv/2014/10/17/richard-tuttle-i-dont-know-or-the-weave-of-textile-language-tate-modern-turbine-hall/
The joint project has been specially devised by the artist. It focuses on the particular importance of textiles in his work. The exhibition at the Whitechapel Gallery centers on his use of fibre, thread and textile. The show includes Looking for the Map 8, (2013-14), a new work shown in the UK for the first time, works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself (1972), as well as international loans from museums and private collections. Richard Tuttle positioned the works not chronologically, but in a formal relationship to each other and in direct response to the architectural framework of Whitechapel Gallery’s historic exhibition spaces. The exhibition features works ranging in scale from the intricate series of Section, Extension wall pieces to the 3-metre long floor-based sculpture Systems VI (2011).
Richard Tuttle: I Don't Know, Or The Weave of Textile Languageat Whitechapel Gallery, London. Press preview, October 13, 2014.
More videos on contemporary art, design, architecture:
http://vernissage.tv
Connect:
http://www.facebook.com/vernissagetv
http://twitter.com/vernissagetv
Browse our Archive:
http://vernissage.tv/archive/posts/
Find Artists, Designers, Architects:
http://vernissage.tv/archive/artists/
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
- published: 18 Oct 2014
- views: 2677
Richard Tuttle Installation at Turbine Hall, Tate Modern, London
- Order: Reorder
- Duration: 2:29
- Updated: 16 Oct 2014
- views: 2062
Richard Tuttle: I Don't Know. The Weave of Textile Language. Installation at Tate Modern Turbine Hall, London (UK). Press Preview, October 13, 2014.
More info:...
Richard Tuttle: I Don't Know. The Weave of Textile Language. Installation at Tate Modern Turbine Hall, London (UK). Press Preview, October 13, 2014.
More info: http://vernissage.tv/2014/10/17/richard-tuttle-i-dont-know-or-the-weave-of-textile-language-tate-modern-turbine-hall/
More videos on contemporary art, design, architecture:
http://vernissage.tv
Connect:
http://www.facebook.com/vernissagetv
http://twitter.com/vernissagetv
Browse our Archive:
http://vernissage.tv/archive/posts/
Find Artists, Designers, Architects:
http://vernissage.tv/archive/artists/
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
wn.com/Richard Tuttle Installation At Turbine Hall, Tate Modern, London
Richard Tuttle: I Don't Know. The Weave of Textile Language. Installation at Tate Modern Turbine Hall, London (UK). Press Preview, October 13, 2014.
More info: http://vernissage.tv/2014/10/17/richard-tuttle-i-dont-know-or-the-weave-of-textile-language-tate-modern-turbine-hall/
More videos on contemporary art, design, architecture:
http://vernissage.tv
Connect:
http://www.facebook.com/vernissagetv
http://twitter.com/vernissagetv
Browse our Archive:
http://vernissage.tv/archive/posts/
Find Artists, Designers, Architects:
http://vernissage.tv/archive/artists/
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
- published: 16 Oct 2014
- views: 2062
Curator's Introduction to: Richard Tuttle: I Don't Know. The Weave of Textile Language
- Order: Reorder
- Duration: 7:57
- Updated: 07 Nov 2014
- views: 802
Curator At Large, Magnus Af Petersens meets with Richard Tuttle to discuss the artist's use of textiles and the themes of the exhibition.
Curator At Large, Magnus Af Petersens meets with Richard Tuttle to discuss the artist's use of textiles and the themes of the exhibition.
wn.com/Curator's Introduction To Richard Tuttle I Don't Know. The Weave Of Textile Language
Curator At Large, Magnus Af Petersens meets with Richard Tuttle to discuss the artist's use of textiles and the themes of the exhibition.
- published: 07 Nov 2014
- views: 802
Richard Tuttle at Crown Point Press
- Order: Reorder
- Duration: 19:22
- Updated: 26 Jun 2014
- views: 1958
8 etching projects done in the Crown Point Press studio between 1998 and 2005
- published: 26 Jun 2014
- views: 1958
Richard Tuttle v Preet Somaiya
- Order: Reorder
- Duration: 9:08
- Updated: 11 Nov 2015
- views: 556
Gloved bout between Richard Tuttle and Preet Somaiya at Raging Bull Battle Ground 3
- published: 11 Nov 2015
- views: 556
Art City: Simplicity
- Order: Reorder
- Duration: 58:54
- Updated: 16 Sep 2012
- views: 10183
Art City: Simplicity, documenting the art world that existed in the early 90s. Artists include Agnes Martin, Richard Tuttle, Joan Snyder, Amy Adler, Robert Will...
Art City: Simplicity, documenting the art world that existed in the early 90s. Artists include Agnes Martin, Richard Tuttle, Joan Snyder, Amy Adler, Robert Williams, John Baldessari, Carolyn Martin, Mike Bidlo, Dave Hickey, and more.
wn.com/Art City Simplicity
Art City: Simplicity, documenting the art world that existed in the early 90s. Artists include Agnes Martin, Richard Tuttle, Joan Snyder, Amy Adler, Robert Williams, John Baldessari, Carolyn Martin, Mike Bidlo, Dave Hickey, and more.
- published: 16 Sep 2012
- views: 10183
ICA Speaks: Richard Tuttle at ICA Miami
- Order: Reorder
- Duration: 63:37
- Updated: 19 Feb 2016
- views: 17
On November 6, 2015, the Institute of Contemporary Art presented its second ICA Speaks event featuring artist Richard Tuttle, who since the mid-1960s has create...
On November 6, 2015, the Institute of Contemporary Art presented its second ICA Speaks event featuring artist Richard Tuttle, who since the mid-1960s has created an extraordinarily varied body of work that eludes historical or stylistic categorization.
ICA Speaks is focused on promoting the exchange of art and ideas. For the inaugural season, ICA Speaks features artists from the museum’s permanent collection, and highlights the strength of our holdings through original scholarship. ICA Speaks is made possible by the Lampert Family Foundation.
wn.com/Ica Speaks Richard Tuttle At Ica Miami
On November 6, 2015, the Institute of Contemporary Art presented its second ICA Speaks event featuring artist Richard Tuttle, who since the mid-1960s has created an extraordinarily varied body of work that eludes historical or stylistic categorization.
ICA Speaks is focused on promoting the exchange of art and ideas. For the inaugural season, ICA Speaks features artists from the museum’s permanent collection, and highlights the strength of our holdings through original scholarship. ICA Speaks is made possible by the Lampert Family Foundation.
- published: 19 Feb 2016
- views: 17
Richard Tuttle Clip13
- Order: Reorder
- Duration: 0:53
- Updated: 12 May 2014
- views: 129
From www.howl-larious.com art classes collection
From www.howl-larious.com art classes collection
wn.com/Richard Tuttle Clip13
From www.howl-larious.com art classes collection
- published: 12 May 2014
- views: 129
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13:29
Richard Tuttle: Artists are like clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for hi...
published: 31 Mar 2014
Richard Tuttle: Artists are like clouds
Richard Tuttle: Artists are like clouds
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- published: 31 Mar 2014
- views: 28804
96:24
Richard Tuttle
10/13/2015
Richard Tuttle was born in Rahway, New Jersey in 1941, attended Trinity Colleg...
published: 16 Oct 2015
Richard Tuttle
Richard Tuttle
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- published: 16 Oct 2015
- views: 609
82:09
Richard Tuttle
published: 17 Oct 2014
Richard Tuttle
Richard Tuttle
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- published: 17 Oct 2014
- views: 3649
4:01
Richard Tuttle
Kunstmuseum Winterthur | Richard Tuttle | kallirroos | schön-fliessend | Kurator Dieter Sc...
published: 03 Mar 2016
Richard Tuttle
Richard Tuttle
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- published: 03 Mar 2016
- views: 52
4:13
Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itse...
published: 14 May 2009
Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
Richard Tuttle: Reality & Illusion | Art21 "Exclusive"
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- published: 14 May 2009
- views: 23443
70:43
Richard Tuttle at Chelsea College of Arts, London
Richard Tuttle discussing his work at Chelsea College of Arts, University of the Arts Lond...
published: 23 Jan 2015
Richard Tuttle at Chelsea College of Arts, London
Richard Tuttle at Chelsea College of Arts, London
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- published: 23 Jan 2015
- views: 1574
2:35
Richard Tuttle: Art & Life | Art21 "Exclusive"
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in h...
published: 02 Jul 2009
Richard Tuttle: Art & Life | Art21 "Exclusive"
Richard Tuttle: Art & Life | Art21 "Exclusive"
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- published: 02 Jul 2009
- views: 16227
1:52
Richard Tuttle at work
Artist Richard Tuttle creates a wire drawing in SFMOMA's galleries. Learn more about Tuttl...
published: 12 Oct 2010
Richard Tuttle at work
Richard Tuttle at work
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- published: 12 Oct 2010
- views: 18140
80:21
Conversations | Premiere | Artist Talk | Richard Tuttle
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director o...
published: 12 Dec 2012
Conversations | Premiere | Artist Talk | Richard Tuttle
Conversations | Premiere | Artist Talk | Richard Tuttle
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- published: 12 Dec 2012
- views: 11605
2:30
TateShots: Richard Tuttle – I Don't Know
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast...
published: 14 Oct 2014
TateShots: Richard Tuttle – I Don't Know
TateShots: Richard Tuttle – I Don't Know
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- published: 14 Oct 2014
- views: 7319
3:20
TateShots: Richard Tuttle
On display at Tate Modern, Richard Tuttle's artwork almost disappears before your eyes. It...
published: 11 Jul 2013
TateShots: Richard Tuttle
TateShots: Richard Tuttle
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- published: 11 Jul 2013
- views: 7550
2:43
Richard Tuttle at Dieu Donné - Part 1
Richard Tuttle at Dieu Donné, Summer 2008
The Triumph of Night, 2009. Suite of 4, Edition ...
published: 24 Feb 2009
Richard Tuttle at Dieu Donné - Part 1
Richard Tuttle at Dieu Donné - Part 1
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- published: 24 Feb 2009
- views: 6455
9:51
Richard Tuttle "Memory Comes from Dark Extension" at SPERONE
James Kalm checks in for a viewing of Richard Tuttle's "Memory Comes from a Dark Extension...
published: 10 May 2007
Richard Tuttle "Memory Comes from Dark Extension" at SPERONE
Richard Tuttle "Memory Comes from Dark Extension" at SPERONE
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- published: 10 May 2007
- views: 9380
9:49
Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
Richard Tuttle, Artist, New York/New Mexico
In conversation with Chris Dercon, Director o...
published: 22 Feb 2013
Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
Conversations | Premiere | Artist Talk | Richard Tuttle (short version)
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- published: 22 Feb 2013
- views: 647
Richard Tuttle: Artists are like clouds...
Richard Tuttle...
Richard Tuttle...
Richard Tuttle...
Richard Tuttle: Reality & Illusion | Art21 "Exclus...
Richard Tuttle at Chelsea College of Arts, London...
Richard Tuttle: Art & Life | Art21 "Exclusive"...
Richard Tuttle at work...
Conversations | Premiere | Artist Talk | Richard T...
TateShots: Richard Tuttle – I Don't Know...
TateShots: Richard Tuttle...
Richard Tuttle at Dieu Donné - Part 1...
Richard Tuttle "Memory Comes from Dark Extension" ...
Conversations | Premiere | Artist Talk | Richard T...
Richard Tuttle | Art21 | Preview from Season 3 of ...
Richard Tuttle at Whitechapel Gallery, London...
Richard Tuttle Installation at Turbine Hall, Tate ...
Curator's Introduction to: Richard Tuttle: I Don't...
Richard Tuttle at Crown Point Press...
Richard Tuttle v Preet Somaiya...
Art City: Simplicity...
ICA Speaks: Richard Tuttle at ICA Miami...
Richard Tuttle Clip13...
photo: WN / Jack Durschlag
Police Summoned When Texas Eighth-Grader Tries To Buy Lunch With $2 Bill
Edit WorldNews.com 05 May 2016
The money was confiscated and school officials accused the girl of using counterfeit money. The girl says police told her she was in “big trouble” after responding to the counterfeit money claims and began questioning the student. The grandmother, Sharon Kay Joseph, says she was contacted by the school about the $2 bill and she said she had received the bill from a local convenience store ... The story, however, doesn’t end there ... The U.S....
photo: Via YouTube
US magazine names British star in media gag over 'sex with prostitute'
Edit Belfast Telegraph 05 May 2016
A famous British actor who won an injunction to prevent claims that he slept with a prostitute from being published has been named in the US. The married star allegedly paid for sex with Helen Wood, the former escort who once claimed she had an affair with England footballer Wayne Rooney while his wife Coleen was pregnant with their first child. Share Go To ... The actor's name was also circulated on social media ... He said ... " ... ....
photo: creative commons photo /
Expert: Advances In Driverless Cars Will Cause Increase In Sex While Driving
Edit WorldNews.com 04 May 2016
Technology keeps marching on and with new advances – such as the Google/Fiat partnership to bring the driverless car to the mass market – Canadian officials are worried driverless cars will lead to a greater increase in sex while in those cars, according to experts at the Canadian Automated Vehicles Centre of Excellence (CAVCE) and reported by Raw Story....
photo: AP / Tsvangirayi Mukwazhi
Zimbabwe To Print Own Version Of US Dollar
Edit Peace FM Online 05 May 2016
Zimbabwe is set to print its own version of the US dollar in order to ease a cash shortage in the country. Central bank governor John Mangudya said the cash, known as bond notes, will be backed by $200m (£140m) support from the Africa Export-Import Bank ... ... ....
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Hanging Installation by Beatriz Milhazes Created for the Jewish Museum’s Lobby (Jewish Museum)
Edit Public Technologies 26 Apr 2016
(Source. Jewish Museum) ... Milhazes's work intertwines visual references to Brazilian popular and folk traditions, as well as its modern artistic movements such as Constructivism and Tropicália ... The series builds on the Museum's 1970s program called Using Walls, which featured the works of up-and-coming global artists of the time, such as Richard Artschwager, Sol LeWitt, Richard Tuttle, and others ... About Beatriz Milhazes ... Support ... (noodl....
Gego, Nasreen Mohamedi, Ruth Hardinger and Kara Rooney.
Edit Huffington Post 05 Apr 2016
Eva Hesse, Robert Smithson, Richard Tuttle, Bruce Nauman, Richard Serra, Barry La Va, Alan Saret, Keith Sonnier, Lynda Benglis, Joel Shapiro and Gordon Matta-Clark ... The date is significant because the Reticul�reas predate the illusory small scale sculptures that Richard Tuttle exhibited at The Whitney Museum in 1975 ... Richard Tuttle, 10th Wire Piece, 1972, florist wire, nails, and graphite, installation dimensions variable....
The Bowdoin College Museum of Art Beyond Brunswick (Bowdoin College)
Edit Public Technologies 28 Mar 2016
(Source. Bowdoin College) ... Collection of the Bowdoin College Museum of Art ... The Art of Dorothea Rockburne and Richard Tuttle ... The Richard Tuttle show, the first in-depth look at Tuttle's printmaking process, will be on view at the Oklahoma State University Museum of Art until May 7. Curator Joachim Homann recently visited Oklahoma to give a guest lecture about the exhibition and the Museum's collaboration with Richard Tuttle ... (noodl....
Cosmic Art
Edit Indian Express 04 Mar 2016
FRENCH poet, Franck Andre Jamme, once observed of tantric art found in India, “So strange it is to find in a land so baroque as to almost be overflowing with images, images that are so concise as to almost be dry.” Jamme’s observation is part of his 50-point explanation, printed in the catalogue Field of Color ... She recalls, “They were exhibited at the same time as a solo show by the American post-minimalist Richard Tuttle....
OSU Museum of Art introduces Richard Tuttle: A Print Retrospective (Oklahoma State University)
Edit Public Technologies 21 Jan 2016
The Oklahoma State University Museum of Art is pleased to introduce Richard Tuttle ... Richard Tuttle, whose work can be found in major collections such as the Whitney Museum of American Art and the Metropolitan Museum of Art, is perhaps best known for his printmaking - a technique that involves creating an original work of art by transferring a design onto a surface through the use of a plate, block, stone or screen. Richard Tuttle....
Using Walls, Floors, and Ceilings: Valeska Soares, Time Has No Shadows on View in Jewish ...
Edit Public Technologies 23 Oct 2015
(Source. Jewish Museum) ... Soares's artworks are often assembled from antiques and used materials, like those included in this work ... The series builds on the Museum's 1970s program called Using Walls, which featured the work of 14 up-and-coming international artists of the time such as Richard Artschwager, Sol LeWitt, Richard Tuttle, and others both within and beyond the gallery space of the Warburg Mansion ... About Valeska Soares ... Support....
Museum and gallery events
Edit Philadelphia Daily News 26 Jun 2015
Art Museums & Institutions. African American Heritage Museum 661 Jackson Rd., Newtonville; 609-704-5495. www.aahmsnj.org. Tue.-Fri. 10 am-3 pm. The Barnes Foundation, Philadelphia 2025 Benjamin Franklin Pkwy.; 215-278-7000. www.barnesfoundation.org. Permanent Collection. Wed.-Mon. 10 am-5 pm. Closed Tue. Open 6-9 pm every. First Friday and select Fri. evenings ... 1 & Rte ... www.brandywinemuseum.org ... Richard Tuttle. Both/And Richard Tuttle Print & Cloth ... ....
Collecting with a vision
Edit DNA India 14 Jun 2015
Built primarily around minimalist and conceptual artists such as Robert and Sylvia Mangold, Donald Judd, Richard Tuttle, Sol LeWitt, ......
Art: Richard Tuttle: Look, look again, look more
Edit Philadelphia Daily News 31 May 2015
The work of the artist Richard Tuttle can look like nothing much ... "Both/And Richard Tuttle Print and Cloth," a sprawling and immensely rewarding show at the Fabric Workshop & Museum, offers plenty to look at and think about ... "Richard Tuttle. I Don't Know," organized by London's Whitechapel Gallery and curated by Magnus af Petersens; and "Richard Tuttle ... It is total Tuttle ... TOTAL TUTTLE ... Richard Tuttle Print and Cloth....
By the Work of Her Hands (The Fabric Workshop and Museum)
Edit noodls 26 May 2015
(Source ... Both/And Richard Tuttle Print and Cloth ... This unique, multifaceted installation of over five decades of work-from the mid-1960s to present-was conceived by Richard Tuttle, offering one of the most comprehensive experiences ever of this influential, contemporary American artist, who has a long history of collaboration with FWM, beginning in 1978 shortly after the Museum was founded by Artistic Director Marion Boulton Stroud....
4 reasons why Frieze is the perfect weekend adventure (even if art isn't your thing)
Edit Mashable 14 May 2015
There are only so many ways art galleries can generate hype ... Frieze New York, one of the biggest of these, opens tomorrow May 13 to VIPs and the hoi polloi on Thursday the 14th ... SEE ALSO ... Water taxi ... The art ... Highlights include New York-based Pace gallery's booth, which will be devoted to the colorful paintings/collages by the artist Richard Tuttle, all of which were completed in 2014 when the artist was in Maine (priced at $35,000 each)....
Why Frieze Is the Perfect Weekend Adventure (Even if You’re Not in It for the Art)
Edit Bloomberg 12 May 2015
There are only so many ways art galleries can generate hype ... It runs through Sunday, May 17 ... Source ... An East River water taxi ... Highlights include New York-based Pace gallery's booth, which will be devoted to the colorful paintings/collages by the artist Richard Tuttle, all of which were completed in 2014 when the artist was in Maine (priced at $35,000 each) ... Richard Tuttle, Aspect II, 2015; Marcia Hafif, Broken Color Painting ... ....
The Office of Art in Embassies Announces American Artist Lecture by Glenn Ligon (US Department of State)
Edit noodls 06 May 2015
(Source. US Department of State). On May 11, the Department of State's Office of Art in Embassies (AIE) American Artist Lecture Series will feature noted artist Glenn Ligon in conversation with London-based designer and curator Duro Olowu at the Tate Modern in London ... Embassy London and the Tate Modern, has featured artists Brice Marden, Maya Lin, Richard Tuttle, Spencer Finch, and Julie Mehretu ... distributed by ... (noodl. 28108201) ....
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