A dragon is a legendary creature, typically with serpentine or reptilian traits, that features in the myths of many cultures. There are two distinct cultural traditions of dragons: the European dragon, derived from European folk traditions and which is ultimately related to Greek and Middle Eastern mythologies, and the Chinese dragon, with counterparts in Japan, Korea and other East Asian countries.

The two traditions may have evolved separately, but have influenced each to a certain extent, particularly with the cross-cultural contact of recent centuries. The English word "dragon" derives from Greek δράκων (drákōn), "dragon, serpent of huge size, water-snake", which probably comes from the verb δρακεῖν (drakeîn) "to see clearly".

The word dragon entered the English language in the early 13th century from Old French dragon, which in turn comes from Latin draconem (nominative draco) meaning "huge serpent, dragon," from the Greek word δράκων, drakon (genitive drakontos, δράκοντος) "serpent, giant seafish", which is believed to have come from an earlier stem drak-, a stem of derkesthai, "to see clearly," from Proto-Indo-European derk- "to see" or "the one with the (deadly) glance." The Greek and Latin term referred to any great serpent, not necessarily mythological, and this usage was also current in English up to the 18th century.

For other meanings of the word, see tattoo (disambiguation).

A tattoo is a form of body modification, made by inserting indelible ink into the dermis layer of the skin to change the pigment. The first written reference to the word, "tattoo" (or Samoan "Tatau") appears in the journal of Joseph Banks, the naturalist aboard Captain Cook's ship the HMS Endeavour: "I shall now mention the way they mark themselves indelibly, each of them is so marked by their humor or disposition".

Tattooing has been practiced for centuries in many cultures spread throughout the world. The Ainu, an indigenous people of Japan, traditionally had facial tattoos. Today, one can find Berbers of Tamazgha (North Africa), Māori of New Zealand, Hausa people of Northern Nigeria, Arabic people in East-Turkey and Atayal of Taiwan with facial tattoos. Tattooing was widespread among Polynesians and among certain tribal groups in Taiwan, Philippines, Borneo, Mentawai Islands, Africa, North America, South America, Mesoamerica, Europe, Japan, Cambodia, New Zealand and Micronesia. Indeed, the island of Great Britain takes its name from tattooing, with Britons translating as 'people of the designs' and the Picts, who originally inhabited the northern part of Britain, which literally means 'the painted people'.British people remain the most tattooed in Europe. Despite some taboos surrounding tattooing, the art continues to be popular in many parts of the world.

David Andrew Leo Fincher (born August 28, 1962) is an American film and music video director who is known for his dark and stylish thrillers, such as Seven (1995), The Game (1997), Fight Club (1999), Panic Room (2002), and Zodiac (2007). Fincher received Academy Award nominations for Best Director for his 2008 film The Curious Case of Benjamin Button and his 2010 film The Social Network, which also won him the Golden Globe and the BAFTA for Best Director. His most recent film is 2011's The Girl with the Dragon Tattoo, an English-language adaptation of Stieg Larsson's novel of the same name.

Fincher was born on August 28, 1962 in Denver, Colorado, the son of Claire Mae (née Boettcher), a mental health nurse who worked in drug addiction programs, and Howard Kelly Fincher, who worked as a bureau chief for Life under the name Jack Fincher. When Fincher was two years old, the family moved to San Anselmo in Marin County, California. Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. Inspired by Butch Cassidy and the Sundance Kid, Fincher began making movies at age eight with an 8 mm camera. Fincher eschewed the film school route, getting a job loading cameras and doing other hands-on work for John Korty’s Korty Films. He was later hired by Industrial Light & Magic in 1983, where he worked on productions for Twice Upon a Time, Star Wars: Episode VI – Return of the Jedi, and Indiana Jones and the Temple of Doom. In 1984, he left ILM to direct a commercial for the American Cancer Society, that would show a fetus smoking a cigarette. This quickly brought Fincher to the attention of producers in Los Angeles and he was given the chance to direct the documentary The Beat of the Live Drum featuring Rick Springfield in 1985. Though he would continue to direct spots for companies like Revlon, Converse, Nike, Pepsi, Sony, and Levi's, Fincher soon discovered music videos and went on to direct many promos.