- published: 10 May 2013
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Peter Schumann (born 1934) is the founder and director of the Bread & Puppet Theater. Born in Silesia, he was a sculptor and dancer in Germany before moving to the United States in 1961. In 1963 he founded Bread & Puppet in New York City, and in 1970 moved to the Northeast Kingdom of Vermont, eventually settling in Glover, Vermont where the company still performs. Schumann's best known work is the Domestic Resurrection Circus, performed annually by the Bread and Puppet Theater until 1998.
Schumann founded the Bread and Puppet Theater in 1963 in New York City. The theater is named for its combination of puppetry shows with free freshly baked bread, generally served with a dipping sauce. The company is known, according to The Buffalo News for "anarchic, noncommercial, participatory and politically charged approach to art." Among the notable Bread and Puppet Theater shows directed by Schumann are "Nativity 1992", described by The New York Times as "an exemplar of performance folk art", and "The Divine Reality Comedy". He also participated in the Angry Arts week in January 1967
Peter Schreier (born 29 July 1935) is a German tenor and conductor.
Schreier was born in Meissen, Saxony, and spent his first years in the small village of Gauernitz, near Meissen, where his father was a teacher, cantor and organist. In June 1945, when Schreier was almost ten years old, and just a few months after the destruction of Dresden, he entered the boarding school of the famous Dresden boys' choir, the Dresdner Kreuzchor (Choir of the Kreuzkirche or Church of the Cross). The choir had just been re-established. The young Peter and the few other choir members and teachers lived in a cellar in the outskirts of Dresden.
The conductor of the Kreuzchor, Rudolf Mauersberger, soon recognized Peter Schreier's great talent. He let him sing many solo alto parts and also created compositions that perfectly fitted Peter's boy voice. Solo recordings of Peter Schreier were made at the time (1948-1951) and are obtainable on compact disc even today.
Schreier was 16 years old when his voice broke, and he became a tenor, as he had passionately wished, because of the several Evangelists - all tenors - in J.S. Bach's Passions and in his Christmas Oratorio. After he had decided to become a professional singer he took lessons, at first privately, then later on at the Dresden Academy of Music. He had enough time to also study choral and orchestral conducting.