- published: 07 Jun 2013
- views: 787738
Create your page here
-
remove the playlistMaurice Ravel
-
remove the playlistLive Recordings
-
remove the playlistMaurice Ravel Concerts
-
remove the playlistMaurice Ravel Interviews
- remove the playlistMaurice Ravel
- remove the playlistLive Recordings
- remove the playlistMaurice Ravel Concerts
- remove the playlistMaurice Ravel Interviews
back to playlist
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
1. Boléro, ballet for orchestra
2. La valse, poème choréographique for orchestra
3. Daphnis et Chloé, ballet for orchestra
4. Piano Concerto in G major- I. Allegramente
5. Piano Concerto in G major- II. Adagio assai
6. Piano Concerto in G major- III. Presto
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
- published: 04 Sep 2012
- views: 349027
Version complète du Bolero de Maurice Ravel (environ 15 minutes).
Pour plus de Musique Classique, abonnez-vous :)
- published: 19 Oct 2010
- views: 5554901
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
- published: 02 Dec 2011
- views: 799045
Bolero by Maurice Ravel
Choreography by Maurice Bejart.
Performed by Nicolas Le Riche.
- published: 26 Jul 2014
- views: 113130
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
- published: 15 Jan 2008
- views: 2519951
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan Kindler and Andreas Otto Grimminger, www.kuk-art.com
- published: 06 Aug 2010
- views: 94511
Maurice Ravel (1875 - 1937)
Daphnis et Chloé (1909 - 1912)
Ballet in three parts
Montreál Symphony Orchestra and Chorus
Charles Dutoit
Cover image: set design for the premiere of the ballet (1912), by Léon Bakst.
- published: 07 Oct 2012
- views: 382805
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28. Dedicated to his friend and teacher Gabriel Fauré, the work was introduced in Paris by the Heymann Quartet on March 5, 1904. The quartet follows a strict four movement classical structure: Moderato très doux begins as a sonata form allegro, the following Assez vif-Très rythmé functions as the quartet's scherzo, while Très lent acts as a contrasting foil. The last movement, Vif et agité, reintroduces themes from the earlier passages and ends with a striking finale.
History
The Quartet in F major was Ravel's final submission to the Prix de Rome and the Conservatoire de Paris. The composition was rejected by both institutions soon after its premier on March 5, 1904. The quartet received mixed reviews from the Parisian press and local academia. Gabriel Fauré, to whom the work is dedicated, described the last movement as "stunted, badly balanced, in fact a failure." Ravel himself commented on the work, "My Quartet in F major responds to a desire for musical construction, which undoubtedly is inadequately realized but which emerges much more clearly than in my preceding compositions." As a result of major criticism and rejection, a frustrated Ravel left the Conservatoire in 1905 following what was later called the Ravel Affair.
Ravel's loss during the 1904 Prix de Rome and rejection from the Conservatoire de Paris catapulted his career not backwards but forward: a sympathetic public rallied behind his compositions and musical style. In 1905, Claude Debussy wrote to Ravel: "In the name of the gods of music and in my own, do not touch a single note you have written in your Quartet." Ravel's string Quartet in F major stands as one of the most widely performed chamber music works in the classical repertoire, representing Ravel's early achievements and rise from obscurity. On CD, it is often coupled with Debussy's own string quartet.
Movements
1. Allegro moderato. Très doux
2. Assez vif. Très rythmé
3. Très lent
4. Vif et agité
Use in modern media
A rendering of the second movement of Ravel's Quartet in F Major by the Ysaÿe Quartet was used in Wes Anderson's film The Royal Tenenbaums and in the audio addition to the Madacy Entertainment distribution of Fritz Lang's film Metropolis. It has been used as well in one of the first scenes of William Friedkin's film Sorcerer, in which French actor Bruno Cremer eats at a restaurant. It was also used as the main theme for the British television drama The Camomile Lawn.
On Andrew Bird's album, Music of Hair, the song "Minor Beatrice" borrows directly from Ravel's piece.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Musicians from Marlboro (violinists Soovin Kim & Jessica Lee, violist Jonathan Vinocour, cellist Soo Bae)
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Painting: "Lake Albano, Sunset" by George Inness
Courtesy National Gallery of Art, Washington
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
- published: 16 Jun 2014
- views: 39001
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil.
Movements:
1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords.
2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change.
3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand.
Pianist: Jean-Efflam Bavouzet
- published: 01 Sep 2012
- views: 74998
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs, Le tombeau de Couperin and Gaspard de la nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation.
Ravel is perhaps known best for his orchestral work Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music".
According to SACEM, Ravel's estate earns more royalties than that of any other French composer. According to the law of most countries (including all members of the World Trade Organization), Ravel's works have been in the public domain since January 1, 2008, in most countries.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Maurice_Ravel
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
72:06The Best of Ravel
The Best of RavelThe Best of Ravel
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic Tracklist: 1. Boléro, ballet for orchestra 2. La valse, poème choréographique for orchestra 3. Daphnis et Chloé, ballet for orchestra 4. Piano Concerto in G major- I. Allegramente 5. Piano Concerto in G major- II. Adagio assai 6. Piano Concerto in G major- III. Presto Royal Philharmonic Orchestra For more: http://www.melhoresmusicasclassicas.blogspot.com -
28:38Maurice Ravel - Miroirs
Maurice Ravel - MiroirsMaurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906. Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other. Miroirs has five movements, each dedicated to a member of Les Apaches: 1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry. 2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning. 3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult. 4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies. 5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies. Pianist: Jean-Efflam Bavouzet -
15:29Maurice Ravel - Bolero
Maurice Ravel - BoleroMaurice Ravel - Bolero
Version complète du Bolero de Maurice Ravel (environ 15 minutes). Pour plus de Musique Classique, abonnez-vous :) -
14:50Bolero - Maurice Ravel
Bolero - Maurice RavelBolero - Maurice Ravel
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition. -
16:32Bolero - Maurice Ravel
Bolero - Maurice RavelBolero - Maurice Ravel
Bolero by Maurice Ravel Choreography by Maurice Bejart. Performed by Nicolas Le Riche. -
6:47Maurice Ravel - Pavane for Dead Princess
Maurice Ravel - Pavane for Dead PrincessMaurice Ravel - Pavane for Dead Princess
Painting - Lake George, 1869 Artist - John Frederick Kensett (1816--1872) -
6:06Maurice Ravel - Maurice Ravel: Jeux d'eau
Maurice Ravel - Maurice Ravel: Jeux d'eauMaurice Ravel - Maurice Ravel: Jeux d'eau
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan Kindler and Andreas Otto Grimminger, www.kuk-art.com -
17:23- Maurice Ravel BOLERO - Wiener Philharmonic
- Maurice Ravel BOLERO - Wiener Philharmonic- Maurice Ravel BOLERO - Wiener Philharmonic
Wiener Philharmonic : Gustavo Dudamel : Albena Danailova -
55:58Daphnis et Chloé - Ravel - Dutoit
Daphnis et Chloé - Ravel - DutoitDaphnis et Chloé - Ravel - Dutoit
Maurice Ravel (1875 - 1937) Daphnis et Chloé (1909 - 1912) Ballet in three parts Montreál Symphony Orchestra and Chorus Charles Dutoit Cover image: set design for the premiere of the ballet (1912), by Léon Bakst. -
27:40String Quartet in F Major - Maurice Ravel [HD]
String Quartet in F Major - Maurice Ravel [HD]String Quartet in F Major - Maurice Ravel [HD]
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28. Dedicated to his friend and teacher Gabriel Fauré, the work was introduced in Paris by the Heymann Quartet on March 5, 1904. The quartet follows a strict four movement classical structure: Moderato très doux begins as a sonata form allegro, the following Assez vif-Très rythmé functions as the quartet's scherzo, while Très lent acts as a contrasting foil. The last movement, Vif et agité, reintroduces themes from the earlier passages and ends with a striking finale. History The Quartet in F major was Ravel's final submission to the Prix de Rome and the Conservatoire de Paris. The composition was rejected by both institutions soon after its premier on March 5, 1904. The quartet received mixed reviews from the Parisian press and local academia. Gabriel Fauré, to whom the work is dedicated, described the last movement as "stunted, badly balanced, in fact a failure." Ravel himself commented on the work, "My Quartet in F major responds to a desire for musical construction, which undoubtedly is inadequately realized but which emerges much more clearly than in my preceding compositions." As a result of major criticism and rejection, a frustrated Ravel left the Conservatoire in 1905 following what was later called the Ravel Affair. Ravel's loss during the 1904 Prix de Rome and rejection from the Conservatoire de Paris catapulted his career not backwards but forward: a sympathetic public rallied behind his compositions and musical style. In 1905, Claude Debussy wrote to Ravel: "In the name of the gods of music and in my own, do not touch a single note you have written in your Quartet." Ravel's string Quartet in F major stands as one of the most widely performed chamber music works in the classical repertoire, representing Ravel's early achievements and rise from obscurity. On CD, it is often coupled with Debussy's own string quartet. Movements 1. Allegro moderato. Très doux 2. Assez vif. Très rythmé 3. Très lent 4. Vif et agité Use in modern media A rendering of the second movement of Ravel's Quartet in F Major by the Ysaÿe Quartet was used in Wes Anderson's film The Royal Tenenbaums and in the audio addition to the Madacy Entertainment distribution of Fritz Lang's film Metropolis. It has been used as well in one of the first scenes of William Friedkin's film Sorcerer, in which French actor Bruno Cremer eats at a restaurant. It was also used as the main theme for the British television drama The Camomile Lawn. On Andrew Bird's album, Music of Hair, the song "Minor Beatrice" borrows directly from Ravel's piece. ----------------------------------------------------- The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License. Classical music piece performed by: Musicians from Marlboro (violinists Soovin Kim & Jessica Lee, violist Jonathan Vinocour, cellist Soo Bae) Licensed by: Isabella Stewart Gardner Museum, Boston Music license: CC BY-NC-ND 2.0 Website: www.gardnermuseum.org Painting: "Lake Albano, Sunset" by George Inness Courtesy National Gallery of Art, Washington You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :) -
23:26Maurice Ravel - Gaspard de la nuit
Maurice Ravel - Gaspard de la nuitMaurice Ravel - Gaspard de la nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil. Movements: 1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords. 2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change. 3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand. Pianist: Jean-Efflam Bavouzet -
18:43MAURICE RAVEL: LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
MAURICE RAVEL: LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003 -
15:39Maurice Ravel - Rapsodie Espagnole
Maurice Ravel - Rapsodie EspagnoleMaurice Ravel - Rapsodie Espagnole
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie represents one of Ravel's first major works for orchestra. In its atmosphere, the Rapsodie reflects the profound influence of the Spanish musical heritage imparted to Ravel by his Basque mother. As a child, Ravel would listen to his mother sing him folk songs from her country. Later works by Ravel, such as Boléro and the opera L'heure espagnole, also claim similar sources of inspiration. Ravel composed his Rapsodie only a year before Claude Debussy appeared with his own evocations of Spain in Iberia. -
6:25Maurice Ravel - Daybreak (Daphnis et Chloé)
Maurice Ravel - Daybreak (Daphnis et Chloé)Maurice Ravel - Daybreak (Daphnis et Chloé)
Daphnis et Chloé is a ballet with music by Maurice Ravel. Ravel described it as a "symphonie choréographique" (choreographic symphony). The scenario was adapted by Michel Fokine from an eponymous romance by the Greek writer Longus thought to date from around the 2nd century AD. Scott Goddard published a contemporary commentary that discussed the changes to the story that Fokine made to prepare a workable ballet scenario.The story concerns the love between the goatherd Daphnis and the shepherdess Chloé. The ballet is in one act and three scenes. Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the Théâtre du Châtelet in Paris by his Ballets Russes on June 8, 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Michel Fokine, and Vaslav Nijinsky and Tamara Karsavina danced the parts of Daphnis and Chloe. Léon Bakst designed the original sets. The work is written for a large orchestra consisting of piccolo, 2 flutes (2nd flute also doubling piccolo), alto flute, 2 oboes, English horn, E-flat clarinet, 2 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones, tuba, timpani, tam-tam, wind machine, triangle, bass drum, field drum, castanets, tambourine, celesta, crotales, glockenspiel, 2 harps, wordless choir and strings in eight parts.When Diaghilev took the ballet to London in 1914, he omitted the chorus, which prompted Ravel to send an angry letter to The Times newspaper (see editions of June 9, 10 and 17). At almost an hour long, Daphnis et Chloé is Ravel's longest work. In spite of the ballet's time length, a small number of musical leitmotifs gives musical unity to the score.The music, some of the composer's most passionate, is widely regarded as some of Ravel's best, with extraordinarily lush harmonies typical of the impressionist movement in music. Even during the composer's lifetime, contemporary commentators described this ballet as his masterpiece for orchestra.He extracted music from the ballet to make two orchestral suites, which can be performed with or without the chorus. The second of the suites, which includes much of the last part of the ballet and concludes with the "Danse generale", is particularly popular. When the complete work is itself performed live, it is more often in concerts than in staged productions. Performed by:Philharmonia Orchestra Conductor:Geoffrey Simon Artwork :Remedios Varo "Revelation or The Clockmaker".
- Adam Mickiewicz
- Adam Müller
- Adam Oehlenschläger
- Adolf Hitler
- Adolphe Adam
- Aeolian mode
- Aesthetics
- Age of Enlightenment
- Alessandro Manzoni
- Alexander Borodin
- Alexander Pushkin
- Alexandre Herculano
- Alexis Roland-Manuel
- Alfred de Musset
- Almeida Garrett
- Aloysius Bertrand
- André Gedalge
- Antoine Wiertz
- Anton Reicha
- Antoni Malczewski
- Aphasia
- Apocryphal
- Appoggiatura
- Apraxia
- Arnold Bax
- Arnold Schoenberg
- Arturo Toscanini
- Atonality
- Aviator
- Basque people
- Bedřich Smetana
- Bell (instrument)
- Benjamin Ivry
- Berlioz
- Bettina von Arnim
- Biarritz
- Bohemianism
- Bolero (1934 film)
- Boléro
- Brain tumor
- Brothel
- Brothers Grimm
- Camille Saint-Saëns
- Carl Loewe
- Carl Maria von Weber
- Carole Lombard
- Casino de Paris
- Celesta
- Chamber music
- Charles Baudelaire
- Charles Gounod
- Charles Lenepveu
- Choir
- Chopin
- Ciboure
- Circus
- Clara Schumann
- Classicism
- Claude Debussy
- Clemens Brentano
- Colette
- Counterpoint
- Crossway Books
- Cyprian Norwid
- Czardas
- César Franck
- Dandy
- Daniel Auber
- Danish Golden Age
- Daphnis et Chloé
- Darius Milhaud
- Debutante
- Domenico Scarlatti
- Don Quixote
- Dorian mode
- Duel
- Duke Ellington
- Dulcinea
- E. T. A. Hoffmann
- Edgar Allan Poe
- Edward Elgar
- Emanuel Leutze
- Emmanuel Chabrier
- English literature
- Erik Satie
- Estate (law)
- Eugène Delacroix
- Exoticism
- Expressionism
- Extended chord
- Fanny Mendelssohn
- Faust (opera)
- Fayard
- Felix Mendelssohn
- Feodor Chaliapin
- Find a Grave
- Folk songs
- Forlane
- Franc-Nohain
- France
- France Prešeren
- Francesco Hayez
- Francisco Goya
- Franz Berwald
- Franz Liszt
- Franz Schubert
- François Couperin
- French people
- Friedrich Hölderlin
- Friedrich Schiller
- Fromental Halévy
- Frédéric Chopin
- Fugue
- Félicien-César David
- Gabriel Fauré
- Gaetano Donizetti
- Gaspard de la nuit
- Gaspare Spontini
- Georg Wilhelm Pabst
- George Gershwin
- George Raft
- Germaine de Staël
- German romanticism
- Gesamtkunstwerk
- Giacomo Leopardi
- Giacomo Meyerbeer
- Gioachino Rossini
- Giuseppe Verdi
- Gonçalves Dias
- Gramophone record
- Granite
- Greek language
- Groupe Flammarion
- Grove Music Online
- Gustav Mahler
- Gustav Schwab
- Gérard de Nerval
- Habanera (music)
- Hans Gude
- Harlem
- Harmonic minor
- Harmony
- Harold C. Schonberg
- Haute-Savoie
- Hebraic
- Hector Berlioz
- Heinrich Heine
- Heinrich Marschner
- Heinrich von Kleist
- Henry Fuseli
- Henry Ghys
- Henry Prunières
- Henry Pruni�res
- Hudson River School
- Hungarian language
- Ignaz Moscheles
- Igor Stravinsky
- Impressionist
- Impressionist music
- Industrialist
- Infante
- Internal combustion
- J. M. W. Turner
- Jacques Ibert
- James Ward (artist)
- Jan Potocki
- Jan Václav Voříšek
- Jazz
- Jean Paul
- Jean-Philippe Rameau
- Jeux d'eau
- Jeux d'eau (Ravel)
- Johan Christian Dahl
- Johannes Brahms
- John Clare
- John Constable
- John Keats
- Joseph Haydn
- José de Espronceda
- José Zorrilla
- Juliusz Słowacki
- Karel Hynek Mácha
- Karl Bryullov
- Konrad Wallenrod
- L'heure espagnole
- L'Éventail de Jeanne
- La mer (Debussy)
- La valse
- La Valse
- Lamoureux Orchestra
- Larry Weinstein
- Le Matin
- Leading tone
- Les Apaches
- Les Six
- Levallois-Perret
- Libretto
- Liszt
- Loop-the-loop
- Lord Byron
- Louis Niedermeyer
- Louise Bertin
- Low Countries
- LP record
- Ludwig Feuerbach
- Ludwig Tieck
- Ludwig Uhland
- Ludwig van Beethoven
- Légion d'honneur
- Léon Bakst
- Ma mère l'oye
- Ma Mère l'Oye
- Macabre
- Madagascar
- Madrid
- Major scale
- Manoah Leide-Tedesco
- Manuel de Falla
- Manuel Rosenthal
- Marguerite Long
- Mary Shelley
- Maurice Delage
- Maurice Ravel
- Melodies
- Menuet antique
- Michel Fokine
- Middle Ages
- Miguel de Cervantes
- Mikhail Glinka
- Mikhail Lermontov
- Minuet
- Miroirs
- Misia Godebska
- Mixolydian mode
- Modernist
- Modest Mussorgsky
- Montfort-l'Amaury
- Mother Goose
- Mozart
- Music of Russia
- Musical development
- Musical mode
- Nathaniel Hawthorne
- Nationalistic
- Nazarene movement
- Neurasthenia
- New York Times
- Niccolò Paganini
- Nikolay Karamzin
- Nobel Prize
- Novalis
- Olin Downes
- Omnibus Press
- Orchestra
- Orchestral music
- Orchestration
- Orchestrator
- Oscar Loraine
- Ossian
- Paris
- Passacaglia
- Paul Wittgenstein
- Pavane
- Pedal harp
- Percy Bysshe Shelley
- Performer
- Phaidon Press
- Philipp Otto Runge
- Philipp Veit
- Phrygian mode
- Piano concerto
- Piano music
- Piano Trio (Ravel)
- Pierre Petit
- Piotr Michałowski
- Portal Ballet
- Prix Blumenthal
- Prix de Rome
- Public domain
- PubMed Identifier
- Ragtime
- Ralph Waldo Emerson
- Rapsodie espagnole
- Ravel scale
- Realism (arts)
- Rhapsody (music)
- Rhine
- Ricardo Viñes
- Richard Strauss
- Richard Wagner
- Rigaudon
- Robert Burns
- Robert Schumann
- Romani people
- Romantic music
- Romantic nationalism
- Romanticism
- Royalties
- Russia
- SACEM
- Samuel Palmer
- Sarrusophone
- Satanism
- Scotland
- Serenade
- Serge Koussevitzky
- Sergei Diaghilev
- Sergei Prokofiev
- Serous fluid
- Sexual orientation
- Shéhérazade
- Sigismond Thalberg
- Sonata form
- Sonatine (Ravel)
- Stendhal
- Stéphane Mallarmé
- Symbolism (arts)
- Sérénade grotesque
- Taras Shevchenko
- Template Romanticism
- Ternary form
- Texture (music)
- The Times
- Théodore Dubois
- Théodore Géricault
- Théophile Gautier
- Timbre
- Tombeau
- Transcendentalism
- Transition (music)
- Tristan Klingsor
- Trombone
- Tuba
- Tunisia
- Tzigane
- Ugo Foscolo
- Varda Kotler
- Vasily Zhukovsky
- Vaslav Nijinsky
- Vaughan Williams
- Verdun
- Victor Hugo
- Vincenzo Bellini
- Virgil Thomson
- Virtuoso
- Vlado Perlemuter
- Vocal music
- W.W. Norton
- Walter Gieseking
- Walter Scott
- Waltz
- Waltz (music)
- Washington Irving
- Wikipedia Media help
- Wikipedia Persondata
- Wikisource
- Wilhelm Hauff
- William Blake
- William Wordsworth
- WorldCat
- Xylophone
- Zazpiak Bat
- Zazpiak Bat (Ravel)
- Zondervan
- Zygmunt Krasiński
- Éditions du Seuil
- Émile Descombes
- Étienne Méhul
- Éva Gauthier
- Aaron Copland
- Adam Mickiewicz
- Adam Müller
- Adam Oehlenschläger
- Adolf Hitler
- Adolphe Adam
- Alessandro Manzoni
- Alexander Borodin
- Alexander Pushkin
- Alexandre Herculano
- Alfred de Musset
- Almeida Garrett
- Aloysius Bertrand
- André Gedalge
- Antoine Wiertz
- Anton Reicha
- Antoni Malczewski
- Arnold Bax
- Arnold Schoenberg
- Arturo Toscanini
- Basque people
- Bedřich Smetana
- Benjamin Ivry
- Bettina von Arnim
- Brothers Grimm
- Carl Loewe
- Carl Maria von Weber
- Carole Lombard
- Charles Baudelaire
- Charles Gounod
- Clara Schumann
- Claude Debussy
- Clemens Brentano
- Colette
- Cyprian Norwid
- César Franck
- Daniel Auber
- Darius Milhaud
- Domenico Scarlatti
- Don Quixote
- Duke Ellington
- Dulcinea
- Edgar Allan Poe
- Edward Elgar
- Emanuel Leutze
- Emmanuel Chabrier
- Erik Satie
- Eugène Delacroix
- Fanny Mendelssohn
- Felix Mendelssohn
- Feodor Chaliapin
- France Prešeren
- Francesco Hayez
- Francisco Goya
- Franz Berwald
- Franz Liszt
- Franz Schubert
- François Couperin
- French people
- Friedrich Hölderlin
- Friedrich Schiller
- Fromental Halévy
- Frédéric Chopin
- Gabriel Fauré
- Gaetano Donizetti
- Gaspare Spontini
- Georg Wilhelm Pabst
- George Gershwin
- George Raft
- Germaine de Staël
- Giacomo Leopardi
- Giacomo Meyerbeer
- Gioachino Rossini
- Giuseppe Verdi
- Gonçalves Dias
- Gustav Mahler
- Gustav Schwab
- Gérard de Nerval
- Hans Gude
- Hector Berlioz
- Heinrich Heine
- Heinrich Marschner
- Heinrich von Kleist
- Henry Fuseli
- Ignaz Moscheles
- Igor Stravinsky
- Jacques Ibert
- Jan Potocki
- Jan Václav Voříšek
- Jean Paul
- Johan Christian Dahl
- Johannes Brahms
- John Clare
- John Constable
- John Keats
- Joseph Haydn
- José de Espronceda
- José Zorrilla
- Juliusz Słowacki
- Karel Hynek Mácha
- Karl Bryullov
- Les Six
- Lord Byron
- Louis Niedermeyer
- Louise Bertin
- Ludwig Feuerbach
- Ludwig Tieck
- Ludwig Uhland
- Ludwig van Beethoven
- Léon Bakst
- Manuel de Falla
- Manuel Rosenthal
- Marguerite Long
- Mary Shelley
- Maurice Delage
- Maurice Ravel
- Michel Fokine
- Miguel de Cervantes
- Mikhail Glinka
- Mikhail Lermontov
- Modest Mussorgsky
- Nathaniel Hawthorne
- Niccolò Paganini
- Nikolay Karamzin
- Novalis
- Olin Downes
- Paul Wittgenstein
- Percy Bysshe Shelley
- Philipp Otto Runge
- Philipp Veit
- Pierre Petit
- Piotr Michałowski
- Ralph Waldo Emerson
- Ricardo Viñes
- Richard Strauss
- Richard Wagner
- Robert Burns
- Robert Schumann
- Romani people
- Samuel Palmer
- Serge Koussevitzky
- Sergei Diaghilev
- Sergei Prokofiev
- Sigismond Thalberg
- Stendhal
- Stéphane Mallarmé
- Taras Shevchenko
- Théodore Dubois
- Théodore Géricault
- Théophile Gautier
- Tristan Klingsor
- Ugo Foscolo
- Varda Kotler
- Vasily Zhukovsky
- Vaslav Nijinsky
- Victor Hugo
- Vincenzo Bellini
- Virgil Thomson
- Vlado Perlemuter
- Walter Gieseking
- Walter Scott
- Washington Irving
- Wikipedia Persondata
- Wilhelm Hauff
- William Blake
- William Wordsworth
- Zygmunt Krasiński
- Émile Descombes
- Étienne Méhul
- Éva Gauthier
'Maurice Ravel' is featured as a movie character in the following productions:
Ravel's Brain (2001)
Actors: Niv Fichman (producer), Larry Weinstein (director), Larry Weinstein (writer), Larry Weinstein (producer), David New (editor), Pierre-Olivier Bardet (producer), Morgane Maugran (actress), Richard Cowan (actor), Thierry Costa (actor), Jacques Dewitt (actor),
Genres: Biography, Documentary, Music,Nedovrsena simfonija (1998)
Actors: Tihomir Stanic (actor), Mira Cohadzic (costume designer), Zoran Milatovic (producer), Branimir Brstina (actor), Fedja Stojanovic (actor), Vladislava Milosavljevic (actress), Slobodan Radovic (director), Nebojsa Dugalic (actor), Varja Djukic (actress), Jelica Zupanc (writer), Branislav Godic (editor), Dusan Zaloznik (editor), Slobodan Ljubicic (actor), Slobodan Jovanovic (actor), Jovan Jovanovic (producer),
Genres: Drama,Rhapsody in Blue (1945)
Actors: Al Jolson (actor), Charles Halton (actor), Shep Houghton (actor), Jesse Graves (actor), Robert Alda (actor), Johnny Downs (actor), Darryl Hickman (actor), Jay Eaton (actor), Jack Chefe (actor), Charles Coburn (actor), Albert Bassermann (actor), Ernie Adams (actor), John Dilson (actor), Oliver Blake (actor), Bill Kennedy (actor),
Plot: Composer George Gershwin is driven by his need to succeed. Unfortunately his drive destroys his romantic relationships with singer Julie Adams, who is desperately in love with him, and aloof socialite Christine Gilbert.
Keywords: 1920s, art-gallery, ballet, bird's-eye-shot, black-maid, blackface, brain-tumor, burlesque, composer, concertGenres: Biography, Drama, Musical, Romance,
Taglines: The jubilant story of George Gershwin.
Quotes:
George Gershwin: It's only with my music that I can prove my right to live. I must write!Oscar Levant: I've got a date with my insomnia.
George Gershwin: I don't want to be just a concert pianist. I want to use the piano as a stepping stone!
Oscar Levant: If I had your talent, I'd be a pretty obnoxious fella. What do you call yourself?::George Gershwin: George Gershwin, it's my real name.::Oscar Levant: Mine's Oscar Levant. I'm thinking of changing it.
Max Dreyfus: [referring to "Porgy and Bess", which has just opened] You've made opera entertaining.
Julie Adams: What if this show is a flop?::George Gershwin: We'll do others. I haven't got time for flops.
Oscar Levant: Tell me, if you had it to do all over again, would you still fall in love with yourself?
Christine Gilbert: You can make up songs, George, but you can't make up lif.
Max Dreyfus: George, you can give America a voice.
Dreyfus receptionist: You're fresh!::Oscar Levant: Unfortunately you're not.
Ravel, Maurice Filmography
-
2012, role: composer
-
2011, role: composer
-
2011, role: composer
-
2010, role: composer
-
2008, role: composer
-
2006, role: composer
-
2006, role: composer
-
2005, role: composer
-
1995, role: composer
-
1995, role: composer
-
1993, role: composer
-
1993, role: composer
-
1991, role: composer
-
1989, role: composer
-
1987, role: actor , character name: Himself
Famous quotes by Maurice Ravel:
"Another significant influence, other than Chabrier - is from Satie, who had a notable effect on Debussy, on myself, and, to tell the truth, on the majority of modern French composers."
"I did my work slowly, drop by drop. I tore it out of me by pieces."
"I am not one of the great composers. All the great have produced enormously. There is everything in their work - the best and the worst, but there is always quantity. But I have written relatively little."
"It is beautiful; it is beautiful after all; I have said nothing; I leave nothing. I have not said what I wanted to say. I have so much more to say."
"I look like a moor."
"I begin by considering an effect."
"Music, I feel, must be emotional first and intellectual second."
"We should always remember that sensitiveness and emotion constitute the real content of a work of art."
"You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel."
"The only love affair I have ever had was with music."
"For Debussy the musician and the man I have had profound admiration, but by nature I'm different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy."
"My intention here is to make it clear that not a single cell of my composition, here in regard to The Raven, is found by chance or intuition, that the composition moved towards perfection with the precision and inevitability of a mathematical equation."
"Remember that I wrote a pavane for a dead princess, and not a dead pavane for a princess!"
Maurice Ravel
ALBUMS
- Coleção Folha Mestres da música clássica, volume 12: Maurice Ravel released: 2014
- The Complete Edition released: 2012
- Great Piano Concertos released: 2012
- Rhapsody in Blue released: 2012
- The Complete Solo Piano Music released: 2011
- reVisions released: 2010
- BBC Music, Volume 19, Number 1: Debussy & Ravel - Piano Masterpieces released: 2010
- Transformation released: 2010
- Music for Two Pianos released: 2009
- Daphnis et Chloé / Boléro / Pavane released: 2009
- Grandes compositores da música clássica, Volume 7: Ravel released: 2009
- Piano Music released: 2009
- Daphnis et Chloé Suite No. 2 / Valses nobles et sentimentales / La valse / Ma mère l'Oye (Rotterdam Philharmonic Orchestra feat. conductor: Yannick Nézet-Séguin) released: 2009
- Songs by Ravel (baritone: Gerald Finley, piano: Julius Drake) released: 2009
- L'Enfant et les Sortilèges / Ma mère l'Oye (Berliner Philharmoniker feat. conductor: Sir Simon Rattle) released: 2009
- BBC Music, Volume 16, Number 13: Gershwin: Piano Concerto in F / Ravel: Piano Concerto in G released: 2008
- BBC Music, Volume 17, Number 4: An Enchanted Christmas released: 2008
- The Complete Works of Ravel, Volume 2 released: 2008
- The Complete Piano Works of Maurice Ravel, Volume 1 released: 2007
- Concertos pour Piano Bolero- La Valse released: 2006
- The Very Best of Ravel released: 2006
- Daphnis et Chloé (Orchestre Philharmonique de Radio France feat. conductor: Myung-Whun Chung) released: 2006
- Bolero Orchesterwerke (Berliner Sinfonie-Orchester feat. conductor: Gunther Herbig) released: 2006
- The Royal Philharmonic Orchestra: Mussorgsky / Ravel released: 2005
- Piano Pieces released: 2005
- Ravel: Boléro / Mussorgsky: Pictures at an Exhibition etc released: 2005
- BBC Music, Volume 12, Number 7: Songs Of Travel (BBC Symphony Orchestra feat. conductor: Thierry Fischer, baritone: Christopher Maltman) released: 2004
- Masters of the Piano Roll: Ravel Plays Ravel released: 2004
- The Sonatas for Violin and Piano released: 2004
- Daphnis et Chloé Suite no. 2 / Pavane pour une infante défunte / La valse / Ma mère l'oye / Boléro released: 2004
- Classic Collection: Maurice Ravel released: 2004
- Chill with Ravel released: 2004
- Bolero und andere Werke released: 2004
- Valses nobles et sentimentales / Rapsodie espagnole / Menuet antique / La Valse / Bolero (London Symphony Orchestra feat. conductor: Kent Nagano) released: 2004
- L'Œuvre pour piano released: 2003
- Best of Ravel released: 2001
- The Complete Works for Solo Piano played released: 2001
- Piano Concertos (Jean-Philippe Collard) released: 2001
- Fischer-Dieskau Edition : Debussy / Ravel / Ives released: 2000
- String Quartets released: 2000
- Eugene Ormandy: Maestro Brillante released: 2000
- Debussy, Ravel, Schumann: Piano Works released: 2000
- Pictures at an Exhibition / Bolero / La Valse released: 2000
- Orchestral Works released: 1999
- Debussy: String quartet in G minor / Ravel: String quartet in F major / Berg: String quartet released: 1999
- L'Enfant et les Sortilèges / Ma Mère l'Oye (London Symphony Orchestra feat. André Previn) released: 1999
- Piano Trios released: 1999
- Ravel: Bolero / Debussy: La Mer released: 1999
- Harfenkonzerte released: 1999
- Piano Works released: 1998
- Debussy / Ravel: Chamber Music released: 1998
- Debussy: La Mer / Ravel: Daphnis & Chloe Suite 2 (London Symphony Orchestra feat. conductor: Leopold Stokowski) released: 1997
- Die Klassiksammlung 110: Ravel: Orchestrale Virtuosität released: 1997
- Mussorgsky: Pictures at an Exhibition / Ravel: Boléro released: 1997
- Les Concertos pour piano released: 1996
- Daphnis et Chloé (Boston Symphony Orchestra feat. conductor: Bernard Haitink) released: 1996
- Music of Ravel (Minnesota Orchestra feat. conductor: Stanislaw Skrowaczewski) released: 1995
- Boléro / Daphnis et Chloé / Alborada del Gracioso (London Symphony Orchestra feat: conductor: Claudio Abbado) released: 1995
- Impressions released: 1995
- Debussy: La Mer / Prélude à l'après-midi d'un faune / Nocturnes / Ravel: Rapsodie espagnole released: 1995
- Boléro / Ma Mére l'oye / Pavane pour une infante défunte released: 1994
- Bolero / Daphnis et Cloe / La Valse / Rapsodie Espagnole (Halle Orchestra feat. conductor: John Barbirolli) released: 1994
- Ravel Orchestral Music (conductor: Bernard Haitink) released: 1994
- Piano Works, Volume 2: Valses nobles et sentimentales / La valse / Gaspard de la Nuit / Le Tombeau de Couperin released: 1994
- BOLERO, La Valse, Daphnis et Cloé released: 1993
- Complete Music for Piano Solo / Complete Piano Concertos (Monte Carlo National Opera Orchestra feat. conductor: Alceo Galliera, piano: Werner Haas) released: 1993
- Ernest Ansermet L'orchestre de la suisse romande released: 1992
- Bolero - Rapsodie Espagn (Philadelphia Orchestra) released: 1992
- Berühmte Werke, Volume II released: 1991
- Ravel: Bolero / Debussy: La Mer (Chicago Symphony Orchestra feat. conductor: Georg Solti) released: 1991
- Ravel (Czecho-Slovak Radio Symphony Orchestra feat. condutor Kenneth Jean) released: 1991
- Mussorgsky: Pictures at an Exhibition / Ravel: Rapsodie Espagnole / La Valse released: 1989
- Maurice Ravel - Intégrale de l'oeuvre pour piano (piano: Benoña Uriarte, Karl-Hermann Mrongovius) released: 1989
- Nojima Plays Ravel released: 1989
- Boléro / Daphnis et Chloé (Suite no. 1) / Ma mère l'oye / Valses nobles et sentimentales released: 1989
- The Two Piano Concertos, Tzigane (Orchestre de Paris feat. conductor: Jean Martinon, piano: Aldo Ciccolini, violin: Itzhak Perlman) (1988 Remaster) released: 1988
- Bolero / Rapsodie espagnole / Alborada del gracioso / La Valse / Valses nobles et sentimentales released: 1988
- Streichquartette released: 1986
- Orchestral Works (feat. conductor: Andre Previn, orchestra: Royal Philharmonic Orchestra) released: 1986
- Debussy: String Quartet in G minor / Ravel: String Quartet in F major released: 1986
- Thibaudet Ravel Recital released: 1985
- Gaspard de la nuit and other piano pieces released: 1985
- Mélodies released: 1984
- The Piano Concertos (Orchestre symphonique de Montréal feat. conductor: Charles Dutoit, piano: Pascal Rogé) released: 1983
- L'heure espagnole (BBC Symphony Orchestra feat. conductor: Bruno Maderna) released: 1960
- The Great Composers, Volume 26 - Ravel Orchestral Works released:
- A Ravel Weekend released:
- A Celebration 1955-1995 - Bonus CD released:
- Ravel Bolero released:
- Dukas: The Sorcerer's Apprentice / Mussorgsky: A Night on the Bare Mountain / Ravel: Boléro released:
- The Great Composers: 39 - Ravel Orchestral Works released:
- Respighi: Feste Romane / Ravel: Daphnis et Chloé Suite No. 2 / Dukas: L'Apprenti sorcier released:
- Ravel: Boléro / La Valse / Debussy: Prélude à l'Après-Midi d'un Faune / Nocturnes released:
- Classical Masterpieces: Ravel (Radio Symphony Orchestra) released:
- Boléro, la Valse, Pavane pour une Infante défunte, ma Mère l'Oye, Valses nobles et sentimentales released:
- Ravel - Daphnis et Chloé, Rapodie espagnole - Monteux released:
- Piano Concertos released:
- The Best of Ravel (Tbilisi Symphony Orchestra) released:
- The Best of Ravel released:
- Bolero / Ma Mère L'Oye / Concerto in Sol maggiore per pianoforte e orchestra released:
Coleção Folha Mestres da música clássica, volume 12: Maurice Ravel
Released 2014- add to main playlist Play in Full Screen Bolero: Tempo di Bolero moderato assai
- add to main playlist Play in Full Screen Rapsódia espanhola: I. Prélude à la nuit
- add to main playlist Play in Full Screen Rapsódia espanhola: II. Malagueña
- add to main playlist Play in Full Screen Rapsódia espanhola: III. Habanera
- add to main playlist Play in Full Screen Rapsódia espanhola: IV. Feria
- add to main playlist Play in Full Screen Ma mère l'oye: Prélude
- add to main playlist Play in Full Screen Ma mère l'oye: Danse du rouet et scène - Interlude
- add to main playlist Play in Full Screen Ma mère l'oye: Pavane de la Belle au bois dormant
- add to main playlist Play in Full Screen Ma mère l'oye: Les Entretiens de la Belle et de la Bête
- add to main playlist Play in Full Screen Ma mère l'oye: Petit Poucet
- add to main playlist Play in Full Screen Ma mère l'oye: Laideronnette, Impératrice des pagodes
- add to main playlist Play in Full Screen Ma mère l'oye: Apothéose: Le jardin féerique
- add to main playlist Play in Full Screen Pavana para uma princesa morta: Lent
The Complete Edition
Released 2012- add to main playlist Play in Full Screen Sérénade grotesque
- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Jeux d'eau
- add to main playlist Play in Full Screen Sonatine: I. Modéré
- add to main playlist Play in Full Screen Sonatine: II. Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine: III. Animé
- add to main playlist Play in Full Screen Menuet sur le nom de Haydn
- add to main playlist Play in Full Screen Prélude
- add to main playlist Play in Full Screen A la manière de Borodine
- add to main playlist Play in Full Screen A la manière de Chabrier
- add to main playlist Play in Full Screen Le Tombeau de Couperin: I. Prélude
- add to main playlist Play in Full Screen Le Tombeau de Couperin: II. Fugue
- add to main playlist Play in Full Screen Le Tombeau de Couperin: III. Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin: IV. Rigaudon
- add to main playlist Play in Full Screen Le Tombeau de Couperin: V. Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin: VI. Toccata
- add to main playlist Play in Full Screen La Parade
Great Piano Concertos
Released 2012- add to main playlist Play in Full Screen Piano Concerto no. 20 in D minor, K. 466: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto no. 20 in D minor, K. 466: II. Romance
- add to main playlist Play in Full Screen Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai
- add to main playlist Play in Full Screen Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso
- add to main playlist Play in Full Screen Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
- add to main playlist Play in Full Screen Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai
Rhapsody in Blue
Released 2012- add to main playlist Play in Full Screen Piano Concerto no. 2 in G minor, op. 22: 1. Andante sostenuto
- add to main playlist Play in Full Screen Piano Concerto no. 2 in G minor, op. 22: 2. Allegro scherzando
- add to main playlist Play in Full Screen Piano Concerto no. 2 in G minor, op. 22: 3. Presto
- add to main playlist Play in Full Screen The Carnival of the Animals: The Swan (Arr. Godowsky)
- add to main playlist Play in Full Screen Piano Concerto in G: 1. Allegramente
- add to main playlist Play in Full Screen Piano Concerto in G: 2. Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G: 3. Presto
- add to main playlist Play in Full Screen Prelude In A minor
- add to main playlist Play in Full Screen Rhapsody In Blue
- add to main playlist Play in Full Screen Love Walked In
The Complete Solo Piano Music
Released 2011- add to main playlist Play in Full Screen Gaspard de la nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la nuit: II. Le gibet
- add to main playlist Play in Full Screen Gaspard de la nuit: III. Scarbo
- add to main playlist Play in Full Screen Sonatine: I. Modéré
- add to main playlist Play in Full Screen Sonatine: II. Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine: III. Animé
- add to main playlist Play in Full Screen Miroirs: I. Noctuelles
- add to main playlist Play in Full Screen Miroirs: II. Oiseaux tristes
- add to main playlist Play in Full Screen Miroirs: III. Une barque sur l'océan
- add to main playlist Play in Full Screen Miroirs: IV. Alborada del gracioso
- add to main playlist Play in Full Screen Miroirs: V. La vallée des cloches
- add to main playlist Play in Full Screen La valse
reVisions
Released 2010- add to main playlist Play in Full Screen Suite pour violoncelle et orchestre: I. Prélude (Intermezzo)
- add to main playlist Play in Full Screen Suite pour violoncelle et orchestre: II. Rêverie
- add to main playlist Play in Full Screen Suite pour violoncelle et orchestre: III. Scherzo
- add to main playlist Play in Full Screen Suite pour violoncelle et orchestre: IV. Nocturne
- add to main playlist Play in Full Screen Suite pour violoncelle et orchestre: V. Danse bohémienne
- add to main playlist Play in Full Screen Deux mélodies hébraïques: I. Kaddisch
- add to main playlist Play in Full Screen Deux mélodies hébraïques: II. L'éngime éternelle
- add to main playlist Play in Full Screen Concertino for Violoncello and Orchestra: I. Andante mosso
- add to main playlist Play in Full Screen Concertino for Violoncello and Orchestra: II. Andante
- add to main playlist Play in Full Screen Concertino for Violoncello and Orchestra: III. Allegretto
- add to main playlist Play in Full Screen From Jewish Life: Jewish Song
- add to main playlist Play in Full Screen From Jewish Life: Supplication
- add to main playlist Play in Full Screen From Jewish Life: Prayer
BBC Music, Volume 19, Number 1: Debussy & Ravel - Piano Masterpieces
Released 2010- add to main playlist Play in Full Screen Sonatine: Modéré
- add to main playlist Play in Full Screen Sonatine: Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine: Animé
- add to main playlist Play in Full Screen Forlane (from Le tombeau de Couperin)
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Hommage à Haydn
- add to main playlist Play in Full Screen Menuet sur le nom d'Haydn
- add to main playlist Play in Full Screen D'un cahier d'esquisses
- add to main playlist Play in Full Screen Images oubliées: Lent (Mélancolique et Doux)
- add to main playlist Play in Full Screen Images oubliées: Souvenir du Louvre
- add to main playlist Play in Full Screen Images oubliées: Quelques aspects de nous n'irons plus au bois' parce qu'll fait un temps insupportable
- add to main playlist Play in Full Screen Etude retrouvée
- add to main playlist Play in Full Screen Nocturne
- add to main playlist Play in Full Screen À la manière de... Chabrier
- add to main playlist Play in Full Screen Ballade
Transformation
Released 2010- add to main playlist Play in Full Screen 3 Movements from Petrushka transcribed for piano: Danse russe. Allegro giusto
- add to main playlist Play in Full Screen 3 Movements from Petrushka transcribed for piano: Chez Pétrouchka
- add to main playlist Play in Full Screen 3 Movements from Petrushka transcribed for piano: La Semaine grasse. Con moto - Allegretto - Tempo giusto - Agitato
- add to main playlist Play in Full Screen Sonata for keyboard in E major, K. 380 "Cortège"
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Thema. Non troppo presto
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 1
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 2
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 3
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 4
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 5
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 6
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 7
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 8
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 9
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 10
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 11
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 12
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 1
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 2
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 5
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 6
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 7
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 8
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 10
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 11
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 12
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 13
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 3
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 2. Variation 4
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 13
- add to main playlist Play in Full Screen Variations on a Theme by Paganini, for piano, in A minor, Op. 35: Book 1. Variation 14
- add to main playlist Play in Full Screen Sonata for keyboard in F minor, K. 466
- add to main playlist Play in Full Screen La Valse
Music for Two Pianos
Released 2009- add to main playlist Play in Full Screen En blanc et noir, for 2 pianos, L. 134: I. Avec Emportement
- add to main playlist Play in Full Screen En blanc et noir, for 2 pianos, L. 134: II. Lent. Sombre
- add to main playlist Play in Full Screen En blanc et noir, for 2 pianos, L. 134: III. Scherzando
- add to main playlist Play in Full Screen Jeux, ballet, L. 126 (arr. Bavouzet)
- add to main playlist Play in Full Screen Lindaraja, for 2 pianos, L. 97
- add to main playlist Play in Full Screen Entre cloches
- add to main playlist Play in Full Screen Rapsodie espagnole: I. Prélude à la nuit
- add to main playlist Play in Full Screen Rapsodie espagnole: II. Malagueña
- add to main playlist Play in Full Screen Rapsodie espagnole: III. Habanera
- add to main playlist Play in Full Screen Rapsodie espagnole: IV. Feria
- add to main playlist Play in Full Screen La valse
Daphnis et Chloé / Boléro / Pavane
Released 2009- add to main playlist Play in Full Screen Daphnis et Chloé: Introduction et danse religieuse
- add to main playlist Play in Full Screen Daphnis et Chloé: Les jeunes filles attirent Daphnis - Danse générale
- add to main playlist Play in Full Screen Daphnis et Chloé: Danse grotesque de Dorcon
- add to main playlist Play in Full Screen Daphnis et Chloé: Danse légère et gracieuse de Daphnis
- add to main playlist Play in Full Screen Daphnis et Chloé: Une lumiere irréelle enveloppe le paysage
- add to main playlist Play in Full Screen Daphnis et Chloé: Daphnis se prosterne suppliant
- add to main playlist Play in Full Screen Daphnis et Chloé: Danse suppliante de Chloé
- add to main playlist Play in Full Screen Daphnis et Chloé: Lever du jour
- add to main playlist Play in Full Screen Daphnis et Chloé: Chloé reapparait
- add to main playlist Play in Full Screen Daphnis et Chloé: Anime - Danse générale
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Boléro
Grandes compositores da música clássica, Volume 7: Ravel
Released 2009- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Daphnis et Chloé, Suite No. 2: Lever du jour / Pantomime / Danse générale
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Ma mère l'oye: I. Pavane de la belle au bois dormant
- add to main playlist Play in Full Screen Ma mère l'oye: II. Petit Poucet
- add to main playlist Play in Full Screen Ma mère l'oye: III. Laideronnette, impératrice des pagodes
- add to main playlist Play in Full Screen Ma mère l'oye: IV. Les entretiens de la belle et de la bête
- add to main playlist Play in Full Screen Ma mère l'oye: V. Le jardin féerique
- add to main playlist Play in Full Screen Tzigane
Piano Music
Released 2009- add to main playlist Play in Full Screen Le Tombeau de Couperin: I. Prélude
- add to main playlist Play in Full Screen Le Tombeau de Couperin: II. Fugue
- add to main playlist Play in Full Screen Le Tombeau de Couperin: III. Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin: IV. Rigaudon
- add to main playlist Play in Full Screen Le Tombeau de Couperin: V. Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin: VI. Toccata
- add to main playlist Play in Full Screen Jeux d'eau
- add to main playlist Play in Full Screen Sonatine: I. Modéré
- add to main playlist Play in Full Screen Sonatine: II. Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine: III. Animé
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Gaspard de la nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la nuit: II. Le Gibet
- add to main playlist Play in Full Screen Gaspard de la nuit: III. Scarbo
Daphnis et Chloé Suite No. 2 / Valses nobles et sentimentales / La valse / Ma mère l'Oye (Rotterdam Philharmonic Orchestra feat. conductor: Yannick Nézet-Séguin)
Released 2009- add to main playlist Play in Full Screen Daphnis et Chloé Suite No. 2: I. Lever du jour
- add to main playlist Play in Full Screen Daphnis et Chloé Suite No. 2: II. Pantomime
- add to main playlist Play in Full Screen Daphnis et Chloé Suite No. 2: III. Danse générale
- add to main playlist Play in Full Screen Valses nobles et sentimentales: I. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: II. Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: III. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: IV. Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales: V. Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VI. Vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VII. Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VIII. Épilogue. Lent
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Ma mère l'Oye: I. Pavane de la Belle au bois dormant
- add to main playlist Play in Full Screen Ma mère l'Oye: II. Les entretiens de la Belle et de la Bête
- add to main playlist Play in Full Screen Ma mère l'Oye: III. Petit Poucet
- add to main playlist Play in Full Screen Ma mère l'Oye: IV. Laideronnette, Impératrice des Pagodes
- add to main playlist Play in Full Screen Ma mère l'Oye: V. Apothéose. Le Jardin féerique
Songs by Ravel (baritone: Gerald Finley, piano: Julius Drake)
Released 2009- add to main playlist Play in Full Screen Histoires naturelles, No. 1: Le paon
- add to main playlist Play in Full Screen Histoires naturelles, No. 2: Le grillon
- add to main playlist Play in Full Screen Histoires naturelles, No. 3: Le cygne
- add to main playlist Play in Full Screen Histoires naturelles, No. 4: Le martin-pêcheur
- add to main playlist Play in Full Screen Histoires naturelles, No. 5: La pintade
- add to main playlist Play in Full Screen Ronsard à son âme
- add to main playlist Play in Full Screen Don Quichotte à Dulcinée, No. 1: Chanson romanesque
- add to main playlist Play in Full Screen Don Quichotte à Dulcinée, No. 2: Chanson épique
- add to main playlist Play in Full Screen Don Quichotte à Dulcinée, No. 3: Chanson à boire
- add to main playlist Play in Full Screen Un grand sommeil noir
- add to main playlist Play in Full Screen Les grands vents venus d’outremer
- add to main playlist Play in Full Screen Sur l’herbe
- add to main playlist Play in Full Screen Chants populaires, No. 2: Chanson française
- add to main playlist Play in Full Screen Chants populaires, No. 3: Chanson italienne
- add to main playlist Play in Full Screen Chants populaires, No. 4: Chanson hébraïque
- add to main playlist Play in Full Screen Chants populaires, No. 5: Chanson écossaise
- add to main playlist Play in Full Screen Noël des jouets
- add to main playlist Play in Full Screen Deux épigrammes de Clément Marot, No. 1: D’Anne qui m’a jecta de la neig
- add to main playlist Play in Full Screen Deux épigrammes de Clément Marot, No. 2: D’Anne jouant de l’espinette
- add to main playlist Play in Full Screen Cinq mélodies populaires grecques, No. 1: Le réveil de la mariée
- add to main playlist Play in Full Screen Cinq mélodies populaires grecques, No. 2: Là-bas, vers l’église
- add to main playlist Play in Full Screen Cinq mélodies populaires grecques, No. 3: Quel galant m’est comparable ?
- add to main playlist Play in Full Screen Cinq mélodies populaires grecques, No. 4: Chanson des cueilleuses de lentisques
- add to main playlist Play in Full Screen Cinq mélodies populaires grecques, No. 5: Tout gai !
- add to main playlist Play in Full Screen Deux mélodies hébraïques, No. 1: Kaddisch
- add to main playlist Play in Full Screen Deux mélodies hébraïques, No. 2: L’énigme éternelle
L'Enfant et les Sortilèges / Ma mère l'Oye (Berliner Philharmoniker feat. conductor: Sir Simon Rattle)
Released 2009- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Introduction
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Votre serviteur humble, Bergère
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: How's Your Mug
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Oui, c'est elle, ta princess enchantée
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Deux robinets coulent dans un réservoir
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ah ! Quelle joie de te retrouver, Jardin !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Sauve-toi, sotte ! Et la cage ? La Cage ?
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ah ! C'est l'enfant au couteau !
- add to main playlist Play in Full Screen Ma mère l'Oye: Prélude
- add to main playlist Play in Full Screen Ma mère l'Oye: I. Danse de rouet et scéne: Allegro - Un peu moins animé
- add to main playlist Play in Full Screen Ma mère l'Oye: II. Pavane de la Belle au bois dormant: Lent - Allegro - Mouvements de valse modéré
- add to main playlist Play in Full Screen Ma mère l'Oye: III. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré - Lent
- add to main playlist Play in Full Screen Ma mère l'Oye: IV. Petit Poucet: Tres modéré - Lent
- add to main playlist Play in Full Screen Ma mère l'Oye: V. Laideronnette, Impératrice des pagodes: Mouvement de marche - Allegro - Trés modéré
- add to main playlist Play in Full Screen Ma mère l'Oye: VI. (Apothéose:) Le Jardin féerique: Lent et grave
BBC Music, Volume 16, Number 13: Gershwin: Piano Concerto in F / Ravel: Piano Concerto in G
Released 2008- add to main playlist Play in Full Screen Piano Concerto in F major: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto in F major: II. Adagio - Andante con moto
- add to main playlist Play in Full Screen Piano Concerto in F major: III. Allegro agitato
- add to main playlist Play in Full Screen Piano Concerto in G major: I. Allegramente
- add to main playlist Play in Full Screen Piano Concerto in G major: II. Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G major: III. Presto
BBC Music, Volume 17, Number 4: An Enchanted Christmas
Released 2008- add to main playlist Play in Full Screen Pohádka, Op. 16: I. The True Love of Radúz and Mahulena
- add to main playlist Play in Full Screen Pohádka, Op. 16: II. Playing Swans and Peacocks
- add to main playlist Play in Full Screen Pohádka, Op. 16: III. Funeral Music
- add to main playlist Play in Full Screen Pohádka, Op. 16: IV. Love Lifts the Runa's Curse
- add to main playlist Play in Full Screen The Love for Three Oranges Suite, Op. 33bis: I. Ridiculous Fellows
- add to main playlist Play in Full Screen The Love for Three Oranges Suite, Op. 33bis: II. Magician Celio and Fata Morgan play cards
- add to main playlist Play in Full Screen The Love for Three Oranges Suite, Op. 33bis: III. March
- add to main playlist Play in Full Screen The Love for Three Oranges Suite, Op. 33bis: IV. Scherzo
- add to main playlist Play in Full Screen The Love for Three Oranges Suite, Op. 33bis: V. The Prince and the Princess
- add to main playlist Play in Full Screen The Love for Three Oranges Suite, Op. 33bis: VI. Flight
- add to main playlist Play in Full Screen Ma mère l'oye, Op. 62: I. Pavane of the Sleeping Beauty
- add to main playlist Play in Full Screen Ma mère l'oye, Op. 62: II. Tom Thumb
- add to main playlist Play in Full Screen Ma mère l'oye, Op. 62: III. Laideronnette, Empress of the Pagodas
- add to main playlist Play in Full Screen Ma mère l'oye, Op. 62: IV. Conversation of Beauty and the Beast
- add to main playlist Play in Full Screen Ma mère l'oye, Op. 62: V. The Fairy Garden
The Complete Works of Ravel, Volume 2
Released 2008- add to main playlist Play in Full Screen Prelude
- add to main playlist Play in Full Screen Menuet sur le nom de Haydn
- add to main playlist Play in Full Screen Sonatine I. Modere
- add to main playlist Play in Full Screen Sonatine II. Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine III. Anime
- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen Valses nobles et sentimentales: I. Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales: II. Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: III. Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales: IV. Assez anime
- add to main playlist Play in Full Screen Valses nobles et sentimentales: V. Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VI. Vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VII. Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VIII. Epilogue. Lent
- add to main playlist Play in Full Screen A la maniere de Borodine
- add to main playlist Play in Full Screen A la maniere de Chabrier
- add to main playlist Play in Full Screen Pavane pour une infante defunte
- add to main playlist Play in Full Screen Le tombeau de Couperin I. Prelude
- add to main playlist Play in Full Screen Le tombeau de Couperin II. Fugue
- add to main playlist Play in Full Screen Le tombeau de Couperin III. Forlane
- add to main playlist Play in Full Screen Le tombeau de Couperin IV. Rigaudon
- add to main playlist Play in Full Screen Le tombeau de Couperin V. Menuet
- add to main playlist Play in Full Screen Le tombeau de Couperin VI. Toccata
The Complete Piano Works of Maurice Ravel, Volume 1
Released 2007- add to main playlist Play in Full Screen Jeux d'eau
- add to main playlist Play in Full Screen Gaspard de la nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la nuit: II. Le Gibet
- add to main playlist Play in Full Screen Gaspard de la nuit: III. Scarbo
- add to main playlist Play in Full Screen Sérénade grotesque
- add to main playlist Play in Full Screen Miroirs: I. Noctuelles
- add to main playlist Play in Full Screen Miroirs: II. Oiseaux tristes
- add to main playlist Play in Full Screen Miroirs: III. Une barque sur l'océan
- add to main playlist Play in Full Screen Miroirs: IV. Alborada del gracioso
- add to main playlist Play in Full Screen Miroirs: V. La vallée des cloches
- add to main playlist Play in Full Screen La Valse
Concertos pour Piano Bolero- La Valse
Released 2006- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en sol majeur i allegramente
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en sol majeur II adagio assai
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en sol majeur III presto
- add to main playlist Play in Full Screen La valse, poème choréographique
- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en ré majeur "Pour la main gauche" i lento
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en ré majeur "Pour la main gauche" II allegro
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en ré majeur "Pour la main gauche" III tempo i
The Very Best of Ravel
Released 2006- add to main playlist Play in Full Screen Daphnis et Chloé, Suite No. 2
- add to main playlist Play in Full Screen Jeux d'eau
- add to main playlist Play in Full Screen String Quartet in F major: II. Assez vif
- add to main playlist Play in Full Screen Gaspard de la nuit: I. Ondine
- add to main playlist Play in Full Screen Tzigane
- add to main playlist Play in Full Screen Le tombeau de Couperin: V. Menuet
- add to main playlist Play in Full Screen Don Quichotte à Dulcinée: I. Chanson romanesque
- add to main playlist Play in Full Screen Ma mère l'oye: V. Le jardin féerique
- add to main playlist Play in Full Screen Piano Concerto in G major: II. Adagio assai
- add to main playlist Play in Full Screen Boléro
Daphnis et Chloé (Orchestre Philharmonique de Radio France feat. conductor: Myung-Whun Chung)
Released 2006- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Introduction. Lent - Très modéré / Religious Dance. Modéré - Un peu plus lent
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Religious Dance. Vif
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Religious Dance. Vif (cont.) / General Dance. Beaucoup moins vif
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Vif - Plus modéré
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Dorcon's grotesque danse. Trés modéré - Pesant
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. The light and graceful dance of Daphnis. Assez lent - Animé - Vif
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Lent - Moins lent
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Très libre - Très modéré
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Modérément animé - Très animé - Lent - Très agité
- add to main playlist Play in Full Screen Daphnis et Chloé: Part I. Modéré - Plus lent - Lent et très souple de mesure
- add to main playlist Play in Full Screen Daphnis et Chloé: Part II. Même mouvement
- add to main playlist Play in Full Screen Daphnis et Chloé: Part II. War dance. Animé et très rude
- add to main playlist Play in Full Screen Daphnis et Chloé: Part II. Très rude
- add to main playlist Play in Full Screen Daphnis et Chloé: Part II. Chloé's dance of supplication. Modéré - Animé - Assez lent - Animé - Lent - Assez animé
- add to main playlist Play in Full Screen Daphnis et Chloé: Part II. Lent - Modéré - Plus animé
- add to main playlist Play in Full Screen Daphnis et Chloé: Part III. Lent
- add to main playlist Play in Full Screen Daphnis et Chloé: Part III. Lent
- add to main playlist Play in Full Screen Daphnis et Chloé: Part III. Très lent - Vif
- add to main playlist Play in Full Screen Daphnis et Chloé: Part III. Moins animé - Lent
- add to main playlist Play in Full Screen Daphnis et Chloé: Part III. Animé - Lent - Animé / General dance / Dance of Daphnis and Chloé / Dance of Dorcon / Final dance: Bacchanal
Bolero Orchesterwerke (Berliner Sinfonie-Orchester feat. conductor: Gunther Herbig)
Released 2006- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Ma Mère l' Oye: I. Pavane de la Belle au bois dormant. Lent.
- add to main playlist Play in Full Screen Ma Mére l' Oye: II. Petit poucet. Très modéré.
- add to main playlist Play in Full Screen Ma Mére l' Oye: III. Laideronette, impératrice des Pagodes. Mouvement de marche.
- add to main playlist Play in Full Screen Ma Mére l' Oye: IV. Les entretiens de la belle et de la Bete. Mouvement de valse très modéré
- add to main playlist Play in Full Screen Ma Mére l' Oye: V. Le jardin Féerique. Lent et grave.
- add to main playlist Play in Full Screen Pavane pour une Infante défunte
- add to main playlist Play in Full Screen Bolero
The Royal Philharmonic Orchestra: Mussorgsky / Ravel
Released 2005- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Gnome
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Old Castle
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Tuileries Gardens
- add to main playlist Play in Full Screen Pictures at an Exhibition: Bydlo
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: Ballet of the Unhatched Chicks
- add to main playlist Play in Full Screen Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
- add to main playlist Play in Full Screen Pictures at an Exhibition: Limoges: The Market Place
- add to main playlist Play in Full Screen Pictures at an Exhibition: Catacombae
- add to main playlist Play in Full Screen Pictures at an Exhibition: Cum mortuis in lingua morta
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Hut on Fowl's Legs
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Great Gate of Kiev
- add to main playlist Play in Full Screen Daphnis Et Chloé: Suite No. 2
- add to main playlist Play in Full Screen La Valse
Piano Pieces
Released 2005- add to main playlist Play in Full Screen Gaspard de la Nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la Nuit: II. Le Gibet
- add to main playlist Play in Full Screen Gaspard de la Nuit: III. Scarbo
- add to main playlist Play in Full Screen Pavane Pour une Infante Défunte
- add to main playlist Play in Full Screen Valses Nobles et Sentimentales
- add to main playlist Play in Full Screen Jeux d'Eau
- add to main playlist Play in Full Screen Miroirs: I. Noctuelles
- add to main playlist Play in Full Screen Miroirs: II. Oiseaux Tristes
- add to main playlist Play in Full Screen Miroirs: III. Une Barque Sur l'Ocean
- add to main playlist Play in Full Screen Miroirs: IV. Alborado del Gracioso
- add to main playlist Play in Full Screen Miroirs: V. La Vallée des Clothes
Ravel: Boléro / Mussorgsky: Pictures at an Exhibition etc
Released 2005- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen Sarabande
- add to main playlist Play in Full Screen Danse
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade - Gnomus
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade - Il vecchio castello
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade - Tuileries
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade - Bydlo
- add to main playlist Play in Full Screen Pictures at an Exhibition: Ballet of the Unhatched Chicks
- add to main playlist Play in Full Screen Pictures at an Exhibition: Samuel Goldenberg & Schmuyle
- add to main playlist Play in Full Screen Pictures at an Exhibition: Limoges - le marché
- add to main playlist Play in Full Screen Pictures at an Exhibition: Catacombae - Cum mortuis in lingua mortua
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Hut on Hen's Legs (Baba Yaga)
- add to main playlist Play in Full Screen Pictures at an Exhibition: The Great Gate of Kiev
BBC Music, Volume 12, Number 7: Songs Of Travel (BBC Symphony Orchestra feat. conductor: Thierry Fischer, baritone: Christopher Maltman)
Released 2004- add to main playlist Play in Full Screen Don Quichotte à Dulcinée: I. Chanson romanesque
- add to main playlist Play in Full Screen Don Quichotte à Dulcinée: II. Chanson épique
- add to main playlist Play in Full Screen Don Quichotte à Dulcinée: III. Chanson à boire
- add to main playlist Play in Full Screen Le Livre de Baudelaire: I. Le Balcon
- add to main playlist Play in Full Screen Le Livre de Baudelaire: II. Harmonie du soir
- add to main playlist Play in Full Screen Le Livre de Baudelaire: III. Le Jet d'eau
- add to main playlist Play in Full Screen Le Livre de Baudelaire: IV. Recueillement
- add to main playlist Play in Full Screen Songs of Travel: I. The Vagabond
- add to main playlist Play in Full Screen Songs of Travel: II. Let Beauty Awake
- add to main playlist Play in Full Screen Songs of Travel: III. The Roadside Fire
- add to main playlist Play in Full Screen Songs of Travel: IV. Youth and Love
- add to main playlist Play in Full Screen Songs of Travel: V. In Dreams
- add to main playlist Play in Full Screen Songs of Travel: VI. The Infinite Shining Heavens
- add to main playlist Play in Full Screen Songs of Travel: VII. Whither Must I Wander?
- add to main playlist Play in Full Screen Songs of Travel: VIII. Bright Is the Ring of Words
- add to main playlist Play in Full Screen Songs of Travel: IX. I. Have Trod the Upward and the Downward Slope
- add to main playlist Play in Full Screen Valses nobles et sentimentales: I. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentementales: II. Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: III. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: IV. Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales: V. Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VI. Assez vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VII. Moins vif
- add to main playlist Play in Full Screen Valse nobles et sentimentales: VIII. Épilogue: Lent
Masters of the Piano Roll: Ravel Plays Ravel
Released 2004- add to main playlist Play in Full Screen Le Tombeau de Couperin: VI. Toccata
- add to main playlist Play in Full Screen Miroirs: II. Oiseaux Tristes
- add to main playlist Play in Full Screen Pavane pour une Infante Défunte
- add to main playlist Play in Full Screen Sonatine: I. Modéré
- add to main playlist Play in Full Screen Sonatine: II. Mouvement de Menuet
- add to main playlist Play in Full Screen Ma mère l'oye: III. Laideronnette, impératrice des pagodes / IV. Les entretiens de la belle et de la bête (feat. piano: Walter Damrosch & Polly Damrosch)
- add to main playlist Play in Full Screen Jeux d'Eau (feat. piano: Robert Schmitz)
- add to main playlist Play in Full Screen Miroirs: V. La Vallée des Cloches
- add to main playlist Play in Full Screen Gaspard de la Nuit: II. Le Gibet
- add to main playlist Play in Full Screen Gaspard de la Nuit: I. Ondine (feat. piano: Katherine Bacon)
- add to main playlist Play in Full Screen Valses Nobles et Sentimentales
- add to main playlist Play in Full Screen Boléro (feat. piano: Rudolph Ganz)
The Sonatas for Violin and Piano
Released 2004- add to main playlist Play in Full Screen Sonate posthume pour violon et piano: Allegro moderato (très doux)
- add to main playlist Play in Full Screen Pièce en forme de habanera, transcription pour violon et piano
- add to main playlist Play in Full Screen Sonate pour violon et violoncelle: I. Allegro
- add to main playlist Play in Full Screen Sonate pour violon et violoncelle: II. Très vif
- add to main playlist Play in Full Screen Sonate pour violon et violoncelle: III. Lent
- add to main playlist Play in Full Screen Sonate pour violon et violoncelle: IV. Vif, avec entrain
- add to main playlist Play in Full Screen Sonate pour violon et piano: I. Allegretto
- add to main playlist Play in Full Screen Sonate pour violon et piano: II. Blues
- add to main playlist Play in Full Screen Sonate pour violon et piano: III. Perpetuum mobile
- add to main playlist Play in Full Screen Tzigane, rhapsodie de concert pour violon et piano: Lento - Moderato - Allegro
Daphnis et Chloé Suite no. 2 / Pavane pour une infante défunte / La valse / Ma mère l'oye / Boléro
Released 2004- add to main playlist Play in Full Screen Daphnis et Chloé Suite No. 2: I. Lever du jour
- add to main playlist Play in Full Screen Daphnis et Chloé Suite No. 2: II. Pantomime
- add to main playlist Play in Full Screen Daphnis et Chloé Suite No. 2: III. Danse générale
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen La valse
- add to main playlist Play in Full Screen Ma mère l'oye: I. Pavane de la Belle au bois dormant
- add to main playlist Play in Full Screen Ma mère l'oye: II. Petit Poucet
- add to main playlist Play in Full Screen Ma mère l'oye: III. Laideronnette, Impératice des Pagodes
- add to main playlist Play in Full Screen Ma mère l'oye: IV. Les entretiens de la Belle et de la Bête
- add to main playlist Play in Full Screen Ma mère l'oye: V. Le jardin féerique
- add to main playlist Play in Full Screen Boléro
Classic Collection: Maurice Ravel
Released 2004- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Trois poèmes pour Chant et Orchestre "Shéhérezade": I. Asie
- add to main playlist Play in Full Screen Trois poèmes pour Chant et Orchestre "Shéhérezade": II. La Flûte enchantée
- add to main playlist Play in Full Screen Trois poèmes pour Chant et Orchestre "Shéhérezade": III. L'Indifferént
- add to main playlist Play in Full Screen Daphnis et Chloé (Suite No. 11): I. Nocturne
- add to main playlist Play in Full Screen Daphnis et Chloé (Suite No. 11): II. Interlude
- add to main playlist Play in Full Screen Daphnis et Chloé (Suite No. 11): III. Danse guerrière
- add to main playlist Play in Full Screen Rhapsodie espagnole: I. Prélude à la nuit
- add to main playlist Play in Full Screen Rhapsodie espagnole: II. Malaguena
- add to main playlist Play in Full Screen Rhapsodie espagnole: III. Habanera
- add to main playlist Play in Full Screen Rhapsodie espagnole: IV. Feria
- add to main playlist Play in Full Screen Boléro
Chill with Ravel
Released 2004- add to main playlist Play in Full Screen Pavane pour une enfante défunte
- add to main playlist Play in Full Screen Me mère l'oye: Pavane of the Sleeping Beauty
- add to main playlist Play in Full Screen Me mère l'oye: Hop o' my Thumb
- add to main playlist Play in Full Screen Me mère l'oye: The conversations of Beauty and the Beast
- add to main playlist Play in Full Screen Miroirs: Une barque sur l'océan
- add to main playlist Play in Full Screen Vocalise - étude en forme d'habanera
- add to main playlist Play in Full Screen Jeux d'eau
- add to main playlist Play in Full Screen Menuet sur le nom d'Haydn
- add to main playlist Play in Full Screen String Quartet: Trés lent
- add to main playlist Play in Full Screen Sonatine - Mouvement de Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Menuet
- add to main playlist Play in Full Screen Daphnis et Chloé: Sunrise
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Piano Concerto: Adagio assai
Valses nobles et sentimentales / Rapsodie espagnole / Menuet antique / La Valse / Bolero (London Symphony Orchestra feat. conductor: Kent Nagano)
Released 2004- add to main playlist Play in Full Screen Rapsodie espagnole: I. Prélude à la nuit. Très modéré
- add to main playlist Play in Full Screen Rapsodie espagnole: II. Malagueña, Assez vif
- add to main playlist Play in Full Screen Rapsodie espagnole: III. Habanera. Assez lent et d'un rythme las
- add to main playlist Play in Full Screen Rapsodie espagnole: IV. Feria. Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales: I. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: II. Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: III. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: IV. Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales: V. Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VI. Assez vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VII. Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VIII. Epilogue. Lent
- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen La Valse: Mouvement de valse viennoise - 18
- add to main playlist Play in Full Screen La Valse: 18 - 26
- add to main playlist Play in Full Screen La Valse: 26 - 41
- add to main playlist Play in Full Screen La Valse: 41 - 46
- add to main playlist Play in Full Screen La Valse: 46 - 50
- add to main playlist Play in Full Screen La Valse: 50 - 76
- add to main playlist Play in Full Screen La Valse: 76 - fin
- add to main playlist Play in Full Screen Boléro
L'Œuvre pour piano
Released 2003- add to main playlist Play in Full Screen A la manière de Chabrier
- add to main playlist Play in Full Screen Gaspard de la nuit: Ondine
- add to main playlist Play in Full Screen Gaspard de la nuit: Le gibet
- add to main playlist Play in Full Screen Gaspard de la nuit: Scarbo
- add to main playlist Play in Full Screen Prélude
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Modéré - Très franc
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Assez lent - Avec une expression intense
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Presque lent-dans un sentiment intime
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Epilogue - Lent
- add to main playlist Play in Full Screen Sonatine: Modéré
- add to main playlist Play in Full Screen Sonatine: Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine: Animé
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen La parade
Best of Ravel
Released 2001- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Rapsodie espagnole - Prelude a la nuit
- add to main playlist Play in Full Screen Rapsodie espagnole - Malaguena / Habanera
- add to main playlist Play in Full Screen Rapsodie Espagnole - Feria
- add to main playlist Play in Full Screen Valses Nobles et Sentimentals
- add to main playlist Play in Full Screen Adagio assai
The Complete Works for Solo Piano played
Released 2001- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Jeux d'eau
- add to main playlist Play in Full Screen Sonatine - I Modéré
- add to main playlist Play in Full Screen Sonatine - II. Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine - III Animé
- add to main playlist Play in Full Screen Miroirs - I- Noctuelles (Très léger)
- add to main playlist Play in Full Screen Miroirs - II- Oiseaux tristes (Très lent)
- add to main playlist Play in Full Screen Miroirs - III- Une barque sur l'océan (D'un rythme souple)
- add to main playlist Play in Full Screen Miroirs - IV- Alborada Del Gracioso (Assez vif)
- add to main playlist Play in Full Screen Miroirs - V- La Vallée Des Cloches (Très lent)
Piano Concertos (Jean-Philippe Collard)
Released 2001- add to main playlist Play in Full Screen Piano Concerto in G major: I. Allegremente
- add to main playlist Play in Full Screen Piano Concerto in G major: II. Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G major: III. Presto
- add to main playlist Play in Full Screen Piano Concerto for the Left Hand: Lento - Più lento - Allegro
- add to main playlist Play in Full Screen Pavane pour une Infante défunte
- add to main playlist Play in Full Screen Jeux d'eaux
- add to main playlist Play in Full Screen La Valse
Fischer-Dieskau Edition : Debussy / Ravel / Ives
Released 2000- add to main playlist Play in Full Screen Ballade de Villon à s'amye
- add to main playlist Play in Full Screen Ballade que Villon feit à la requeste de sa mère pour prier Nostre Dame
- add to main playlist Play in Full Screen Ballade des femmes de Paris
- add to main playlist Play in Full Screen Nahandove
- add to main playlist Play in Full Screen Aoua
- add to main playlist Play in Full Screen Il est doux
- add to main playlist Play in Full Screen Chanson de la mariée
- add to main playlist Play in Full Screen Là-bas, vers l'église
- add to main playlist Play in Full Screen Quel galant m'est comparable
- add to main playlist Play in Full Screen Chanson des cueilleuses de lentisques
- add to main playlist Play in Full Screen Tout gai!
- add to main playlist Play in Full Screen Chanson Romanesque
- add to main playlist Play in Full Screen Chanson épique
- add to main playlist Play in Full Screen Chanson à boire
- add to main playlist Play in Full Screen At The River
- add to main playlist Play in Full Screen Elégie
- add to main playlist Play in Full Screen Ann Street
- add to main playlist Play in Full Screen A Christmas Caro
- add to main playlist Play in Full Screen from "The Swimmers"
- add to main playlist Play in Full Screen West London (A sonnet)
- add to main playlist Play in Full Screen A Farewell to Land
- add to main playlist Play in Full Screen Abide With Me
- add to main playlist Play in Full Screen Where the Eagle
- add to main playlist Play in Full Screen Disclosure
- add to main playlist Play in Full Screen The White Gulls
- add to main playlist Play in Full Screen The Children's Hour
- add to main playlist Play in Full Screen Two Little Flowers (and dedicated to them)
- add to main playlist Play in Full Screen Autumn
- add to main playlist Play in Full Screen Tom Sails Away
- add to main playlist Play in Full Screen Ich grolle nicht
- add to main playlist Play in Full Screen Feldeinsamkeit
- add to main playlist Play in Full Screen Weil' auf mir
- add to main playlist Play in Full Screen In Flanders Fields
String Quartets
Released 2000- add to main playlist Play in Full Screen String Quartet in F major: I. Allegro moderato
- add to main playlist Play in Full Screen String Quartet in F major: II. Assez vif
- add to main playlist Play in Full Screen String Quartet in F major: III. Très lent
- add to main playlist Play in Full Screen String Quartet in F major: IV. Vif et agité
- add to main playlist Play in Full Screen String Quartet in E minor, op. 121: I. Allegro moderato
- add to main playlist Play in Full Screen String Quartet in E minor, op. 121: II. Andante
- add to main playlist Play in Full Screen String Quartet in E minor, op. 121: III. Allegro
Eugene Ormandy: Maestro Brillante
Released 2000- add to main playlist Play in Full Screen Symphony no. 7 in E major: I. Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E major: II. Adagio. Sehr feierlich und langsam
- add to main playlist Play in Full Screen Symphony no. 7 in E major: III. Scherzo. Sehr schnell
- add to main playlist Play in Full Screen Symphony no. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell
Debussy, Ravel, Schumann: Piano Works
Released 2000- add to main playlist Play in Full Screen Suite Bergamasque: I. Prélude. Moderato (tempo rubato)
- add to main playlist Play in Full Screen Suite Bergamasque: II. Menuet. Andantino
- add to main playlist Play in Full Screen Suite Bergamasque: III. Clair de lune. Andante très expressif
- add to main playlist Play in Full Screen Suite Bergamasque: IV. Passepied. Allegretto ma non troppo
- add to main playlist Play in Full Screen Estampes: Pagodes. Modérément animé
- add to main playlist Play in Full Screen Estampes: La Soirée dans Grenade. Mouvement de Habanera
- add to main playlist Play in Full Screen Images: Reflets dans l'eau. Andantino molto
- add to main playlist Play in Full Screen L'Isle joyeuse
- add to main playlist Play in Full Screen Sonatine: I. Modéré
- add to main playlist Play in Full Screen Sonatine: II. Mouvement de menuet
- add to main playlist Play in Full Screen Sonatine: III. Animé
- add to main playlist Play in Full Screen Miroirs: La Vallée des cloches. Très lent
- add to main playlist Play in Full Screen Kreisleriana Op. 16: I. Äußerst bewegt
- add to main playlist Play in Full Screen Kreisleriana Op. 16: II. Sehr innig und nicht zu rasch
- add to main playlist Play in Full Screen Kreisleriana Op. 16: III. Sehr aufgeregt
- add to main playlist Play in Full Screen Kreisleriana Op. 16: IV. Sehr langsam
- add to main playlist Play in Full Screen Kreisleriana Op. 16: V. Sehr lebhaft
- add to main playlist Play in Full Screen Kreisleriana Op. 16: VI. Sehr langsam
- add to main playlist Play in Full Screen Kreisleriana Op. 16: VII. Sehr rasch
- add to main playlist Play in Full Screen Kreisleriana Op. 16: VIII. Schnell und spielend
Pictures at an Exhibition / Bolero / La Valse
Released 2000- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: I. Gnomus
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: II. The Old Castle
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhinition: III. Tuileries
- add to main playlist Play in Full Screen Pictures at an Exhibition: IV. Bydlo
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: V. Ballet of the Chicks in Their Shells
- add to main playlist Play in Full Screen Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle
- add to main playlist Play in Full Screen Pictures at an Exhibition: VII. Limoges, The Market Square
- add to main playlist Play in Full Screen Pictures at an Exhibition: VIII. Catacombae, Sepulchrum Romanum
- add to main playlist Play in Full Screen Pictures at an Exhibition: Cum Mortus in Lingua Mortua
- add to main playlist Play in Full Screen Pictures at an Exhibition: IX. The hut on Fowl's Legs
- add to main playlist Play in Full Screen Pictures at an Exhibition: X. The Great Gate of Kiev
- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen La Valse, Poème choréographique
- add to main playlist Play in Full Screen Alborada del gracioso (for orchestra)
Orchestral Works
Released 1999- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen Rapsodie Espagnole: Prélude À La Nuit
- add to main playlist Play in Full Screen Rapsodie Espagnole: Malagueña
- add to main playlist Play in Full Screen Rapsodie Espagnole: Habanera
- add to main playlist Play in Full Screen Rapsodie Espagnole: Feria
- add to main playlist Play in Full Screen Pavane Pour Une Infante Défunte
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Modéré
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Assez Lent
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Modéré
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Assez Animé
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Presque Lent
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Assez Vif
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Moins Vif
- add to main playlist Play in Full Screen Valses Nobles Et Sentimentales: Epilogue: Lent
- add to main playlist Play in Full Screen Daphnis Et Chloé, Suite No. 2
Debussy: String quartet in G minor / Ravel: String quartet in F major / Berg: String quartet
Released 1999- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: I. Animé et très décidé
- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: II. Assez vif et bien rythmé
- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: III. Andantino, doucement expressif
- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: IV. Très modéré - Très mouvementé et avec passion
- add to main playlist Play in Full Screen String Quartet in F major: I. Allegro moderato
- add to main playlist Play in Full Screen String Quartet in F major: II. Assez vif - Trés rythmé
- add to main playlist Play in Full Screen String Quartet in F major: III. Très lent
- add to main playlist Play in Full Screen String Quartet in F major: IV. Vif et agité
- add to main playlist Play in Full Screen String Quartet, Op. 3: I. Langsam
- add to main playlist Play in Full Screen String Quartet, Op. 3: II. Mässige Viertel
L'Enfant et les Sortilèges / Ma Mère l'Oye (London Symphony Orchestra feat. André Previn)
Released 1999- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: J'ai pas envie de faire ma page
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Bébé a été sage ?
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ça m'est égal !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Votre serviteur humble, Bergère
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ding, ding, ding, ding
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: How's Your Mug?
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Keng-ca-fou, Mah-jong
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Oh ! Ma belle tasse chinoise !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Arrière ! Je réchauffe les bons
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Adieu, pastourelles !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ah ! C'est Elle ! C'est Elle !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Toi, le coeur de la rose
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Deux robinets coulent dans un réservoir !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Oh ! ma tête !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Duo miaulé
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Musique d'insectes, de rainettes, etc.
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ah ! Quelle joie de te retrouver, Jardin !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Où es-tu ? Je te cherche...
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: (Ronde des chauves-souris) Rends-la moi !... Tsk, tsk...
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Danse des rainettes
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Sauve-toi, sotte ! Et la cage ? La cage ?
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: La cage, c'était pour mieux voir ta prestesse
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Ah ! C'est l'Enfant au couteau !
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Il a pansé la plaie...
- add to main playlist Play in Full Screen L'Enfant et les Sortilèges: Il est bon, l'Enfant, il est sage
- add to main playlist Play in Full Screen Ma Mère l'Oye: Prelude: Très lent
- add to main playlist Play in Full Screen Ma Mère l'Oye: I. Danse du rouet et Scène: Allegro
- add to main playlist Play in Full Screen Ma Mère l'Oye: II. Pavane de la Belle au bois dormant: Lent - Allegro - Mouvement de valse modéré
- add to main playlist Play in Full Screen Ma Mère l'Oye: III. Les Entretiens de la Belle et de la Bete: Mouvement de valse modéré
- add to main playlist Play in Full Screen Ma Mère l'Oye: IV. Petit Poucet: Très modéré
- add to main playlist Play in Full Screen Ma Mère l'Oye: V. Laideronnette, Impératrice des pagodes: Mouvement de marche - Allegro - Tres modéré
- add to main playlist Play in Full Screen Ma Mère l'Oye: VI. Apotheose - Le Jardin féerique: Lent et grave
Piano Trios
Released 1999- add to main playlist Play in Full Screen Piano Trio in D minor, Op. 120: I. Allegro, ma non troppo
- add to main playlist Play in Full Screen Piano Trio in D minor, Op. 120: II. Andantino
- add to main playlist Play in Full Screen Piano Trio in D minor, Op. 120: III. Allegro vivo
- add to main playlist Play in Full Screen Piano Trio in G major: I. Andantino con moto allegro
- add to main playlist Play in Full Screen Piano Trio in G major: II. Scherzo - Intermezzo. Moderato con allegro
- add to main playlist Play in Full Screen Piano Trio in G major: III. Andante espressivo
- add to main playlist Play in Full Screen Piano Trio in G major: IV. Finale. Appassionato
- add to main playlist Play in Full Screen Piano Trio: I. Modéré
- add to main playlist Play in Full Screen Piano Trio: II. Pantoum. Assez vif
- add to main playlist Play in Full Screen Piano Trio: III. Passacaille. Très large
- add to main playlist Play in Full Screen Piano Trio: IV. Final. Animé
Ravel: Bolero / Debussy: La Mer
Released 1999- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen La Mer: I. De l'aube à midi sur la mer. Très lent
- add to main playlist Play in Full Screen La Mer: II. Jeux de vagues. Allegro
- add to main playlist Play in Full Screen La Mer: III. Dialogue du vent et de la mer. Animé et tumultueux
- add to main playlist Play in Full Screen Daphnis et Chloé: Fragments symphoniques. 2eme série
- add to main playlist Play in Full Screen Prélude à l'après-midi d'une faune: Très modéré
Harfenkonzerte
Released 1999- add to main playlist Play in Full Screen Harfenkonzert C-dur: I. Allegro brillante
- add to main playlist Play in Full Screen Harfenkonzert C-dur: II. Andante - Lento
- add to main playlist Play in Full Screen Harfenkonzert C-dur: III. Rondeau - Allegro agitato
- add to main playlist Play in Full Screen Morceau de concert, Op. 154: I. Allegro non troppo - Allegro moderato
- add to main playlist Play in Full Screen Morceau de concert, Op. 154: II. Andante sostenuto
- add to main playlist Play in Full Screen Morceau de concert, Op. 154: III. Molto allegro quasi presto
- add to main playlist Play in Full Screen Morceau de concert, Op. 154: IV. Allegro non troppo - Animato - Molto Allegro
- add to main playlist Play in Full Screen Concertino: I. Allegretto
- add to main playlist Play in Full Screen Concertino: II. Lento
- add to main playlist Play in Full Screen Concertino: III. Rondo
- add to main playlist Play in Full Screen Introduction und Allegro
Piano Works
Released 1998- add to main playlist Play in Full Screen Le Tombeau de Couperin - Prélude
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Fugue
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Rigaudon
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Toccata
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen Miroirs - Noctuelles
- add to main playlist Play in Full Screen Miroirs - Oiseaux tristes
- add to main playlist Play in Full Screen Miroirs - Une barque sur l'Océan
- add to main playlist Play in Full Screen Miroirs - Alborada del gracioso
- add to main playlist Play in Full Screen Miroirs - La vallée des cloches
Debussy / Ravel: Chamber Music
Released 1998- add to main playlist Play in Full Screen Sonata for violin and piano: I. Allegro vivo
- add to main playlist Play in Full Screen Sonata for violin and piano: II. Intermède. Fantasque et léger
- add to main playlist Play in Full Screen Sonata for violin and piano: III. Finale. Très animé
- add to main playlist Play in Full Screen Sonata for flute, viola and harp: I. Pastorale. Lento, dolce rubato
- add to main playlist Play in Full Screen Sonata for flute, viola and harp: II. Interlude. Tempo di minuetto
- add to main playlist Play in Full Screen Sonata for flute, viola and harp: III. Finale. Allegro moderato ma risoluto
- add to main playlist Play in Full Screen Syrinx for solo flute
- add to main playlist Play in Full Screen Sonata for cello and piano: I. Prologue. Lent
- add to main playlist Play in Full Screen Sonata for cello and piano: II. Sérénade. Moderato animé
- add to main playlist Play in Full Screen Sonata for cello and piano: III. Finale. Animé (léger et nerveux)
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 1. Chant pastoral
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 2. Les Comparaisons
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 3. Les Contes
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 4. Chanson
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 5. La Partie d'osselets
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 6. Bilitis
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 7. Le Tombeau sans nom
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 8. Les Courtisanes égyptiennes
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 9. L'Eau pure du bassin
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 10. La Danseuse aux crotales
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 11. Le Souvenir de Mnasidika
- add to main playlist Play in Full Screen Les Chansons de Bilitis: No. 12. La Pluie au matin
Debussy: La Mer / Ravel: Daphnis & Chloe Suite 2 (London Symphony Orchestra feat. conductor: Leopold Stokowski)
Released 1997- add to main playlist Play in Full Screen La Mer - From Dawn Till Noon on the Sea
- add to main playlist Play in Full Screen La Mer - Play of the Waves
- add to main playlist Play in Full Screen La Mer - Dialog of The Wind and Sea
- add to main playlist Play in Full Screen Prelude to the Afternoon of a Faun
- add to main playlist Play in Full Screen The Engulfed Cathedral
- add to main playlist Play in Full Screen Daphnis & Chloé Suite No.2 - Lever du Jour
- add to main playlist Play in Full Screen Daphnis & Chloé Suite No.2 - Pantomime
- add to main playlist Play in Full Screen Daphnis & Chloé Suite No.2 - Danse Générale
Die Klassiksammlung 110: Ravel: Orchestrale Virtuosität
Released 1997- add to main playlist Play in Full Screen Boléro (Radiosymphonieorchester Ljubljana feat. conductor: Anton Nanut)
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Modéré - Très franc (ORG-Symphonieorchester feat. conductor: Milan Horvat)
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Assez lent - avec une expression intense (ORG-Symphonieorchester feat. conductor: Milan Horvat)
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Modéré / Assez animé / Presque lent - dans un sentiment intime / Assez vif (ORG-Symphonieorchester feat. conductor: Milan Horvat)
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Moins vif (ORG-Symphonieorchester feat. conductor: Milan Horvat)
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Epilogue (ORG-Symphonieorchester feat. conductor: Milan Horvat)
- add to main playlist Play in Full Screen Pavane pour une infante defunte (feat. violin: Oliver Colbentson, piano: Erich Appel)
- add to main playlist Play in Full Screen Klavierkonzert in G-Dur: Allegramente (Radiosymphonieorchester Ljubljana feat. conductor: Anton Nanut, piano: Mee Chou Lee)
- add to main playlist Play in Full Screen Klavierkonzert in G-Dur: Adagio assai (Radiosymphonieorchester Ljubljana feat. conductor: Anton Nanut, piano: Mee Chou Lee)
- add to main playlist Play in Full Screen Klavierkonzert in G-Dur: Presto (Radiosymphonieorchester Ljubljana feat. conductor: Anton Nanut, piano: Mee Chou Lee)
- add to main playlist Play in Full Screen Tzigane (Symphonieorchester Baden-Baden feat. conductor: Rolf Reinhardt, violin: Aaron Rosand)
Mussorgsky: Pictures at an Exhibition / Ravel: Boléro
Released 1997- add to main playlist Play in Full Screen Applause
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: I. Gnomus
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: II. Il vecchio castello
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: III. Tuileries
- add to main playlist Play in Full Screen Pictures at an Exhibition: IV. Bydlo
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: V. Ballet des petits poussins dans leurs coques
- add to main playlist Play in Full Screen Pictures at an Exhibition: VI. Samuel Goldberg und Schmuyle
- add to main playlist Play in Full Screen Pictures at an Exhibition: VII. Limoges - Le Marché
- add to main playlist Play in Full Screen Pictures at an Exhibition: VIIIa. Catacombae: Sepulchrum Romanum
- add to main playlist Play in Full Screen Pictures at an Exhibition: VIIIb. Cum mortuis in lingua mortua
- add to main playlist Play in Full Screen Pictures at an Exhibition: IX. La cabane de Baba-Yaga sur des pattes de poule
- add to main playlist Play in Full Screen Pictures at an Exhibition: X. La grande porte de Kiev
- add to main playlist Play in Full Screen Applause
- add to main playlist Play in Full Screen Applause
- add to main playlist Play in Full Screen Boléro: Tempo di Boléro, moderato assai
- add to main playlist Play in Full Screen Applause
Les Concertos pour piano
Released 1996- add to main playlist Play in Full Screen Concerto for the left hand: 1. Lento
- add to main playlist Play in Full Screen Concerto for the left hand: 2. Allegro
- add to main playlist Play in Full Screen Concertino: Allegro molto moderato, Larghetto sostenuto - Allegro
- add to main playlist Play in Full Screen Concertino: 1. Presto leggiero
- add to main playlist Play in Full Screen Concertino: 2. Lent
- add to main playlist Play in Full Screen Concertino: 3. Allegro & Trio
- add to main playlist Play in Full Screen Concertino: 4. Rondeau
- add to main playlist Play in Full Screen Concerto in G major: 1. Allegramente
- add to main playlist Play in Full Screen Concerto in G major: 2. Adagio assai
- add to main playlist Play in Full Screen Concerto in G major: 3. Presto
Daphnis et Chloé (Boston Symphony Orchestra feat. conductor: Bernard Haitink)
Released 1996- add to main playlist Play in Full Screen Daphnis et Chloé: 1. Introduction et danse religieuse - Danse des jeunes
- add to main playlist Play in Full Screen Daphnis et Chloé: (1) Danse générale
- add to main playlist Play in Full Screen Daphnis et Chloé: (1) Danse grotesque - Danse de Daphnis - Danse de Lycénion
- add to main playlist Play in Full Screen Daphnis et Chloé: (1) Nocturne
- add to main playlist Play in Full Screen Daphnis et Chloé: (1) Interlude - 2. Danse guerrière
- add to main playlist Play in Full Screen Daphnis et Chloé: 3. Lever du jour
- add to main playlist Play in Full Screen Daphnis et Chloé: (3) Pantomime
- add to main playlist Play in Full Screen Daphnis et Chloé: (3) Danse générale
Boléro / Daphnis et Chloé / Alborada del Gracioso (London Symphony Orchestra feat: conductor: Claudio Abbado)
Released 1995- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Introduction. Lent - (chiffre 3) Entrent des jeunes gens - (chiffre 4) Très modéré
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Danse religieuse. Modéré
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - (chiffre 10) Tout au fond - (3 en avant chiffre 11) Chloé le rejoint - Un peu plus lent - (2 en avant chiffre 16) Emotion douse
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Vif (chiffre 17) - Les jeunes filles attirent Daphnis
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - (chiffre 21) A ce moment, elle est entraînée dans la danse des jeunes gens.
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Danse générale - Beaucoup moins vif
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Vif - Plus modéré - Très modéré - Pesant - qui termine
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Assez lent - (chiffre 51) Tous invitent Daphnis - Vif
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Lent - Moins lent - Très libre
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Très modéré - Plus lent - 1er Mouvement
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Modérément animé - (chiffre 63)Au second plan - Un peu plus animé (chiffre 66)Elle se jette - Très animé - Lent - Très agitè
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Modéré - La 2e Nymphe - La 3me Nymphe - Plus lent
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Première partie - Lent et très souple de mesure - (chiffre 78)1er Mouve- ment - Plus lent - (chiffre 80)1er Mouvement - (ch.81) Peu à peu - (ch.82)
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Deuxième partie - Même mesure - (chiffre 88) Des appels de trompes - Une lueur sourde
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Deuxième partie - Animé et très rude (chiffre 92) -(Au camp des pirates)
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Deuxième partie - Un peu moins animé
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Deuxième partie - Très rude - (chiffre 132)Bryaxis lui ordonne - Modéré - Animé - Assez lent - Animé - Lent
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Deuxième partie - Assez animé - (2 en chiffre 143) Le chef l'emporte
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Deuxième partie - Lent-Modére - (2 en anvant chiffre 146) Par endroits - (1 en avant chiffre 147) Cà et là -(chiffre 149) Les chèvres-pieds - (2 en
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Troisième partie - Lent - (chiffre 156)Peu à peu - (chiffre 160)Un autre berger - (3 en avant chiffre 163)Entre un groupe - (1 en avant chiffre 165)
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Troisième partie - (chiffre 179)Le vieux berger - Lent - (chiffre 173) Daphnis: Pan apparaît - Au Mouvement - (chiffre 175) Désepéré, il arrache
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Troisième partie - Très lent - En animant toujours
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Troisième partie - Lent - Animé - Lent - Animé
- add to main playlist Play in Full Screen Daphnis et Chloé - Ballet en 3 parties (complete): Troisième partie - (chiffre 199)Danse générale - (2 en chiffre 204) Danse de Daphnis et Chloé - (chiffre 206) Danse de Dorcon
- add to main playlist Play in Full Screen Alborada del gracioso: Assez vif
- add to main playlist Play in Full Screen Boléro: Tempo di Boléro, moderato assai (feat: bassoon: Martin Gatt)
Impressions
Released 1995- add to main playlist Play in Full Screen String Quartet in F major: I. Allegro moderato
- add to main playlist Play in Full Screen String Quartet in F major: II. Assez vif, très rhythmé
- add to main playlist Play in Full Screen String Quartet in F major: III. Très lent
- add to main playlist Play in Full Screen String Quartet in F major: IV. Vif et agité
- add to main playlist Play in Full Screen String Quartet in G minor, op. 10: I. Animé et très décidé
- add to main playlist Play in Full Screen String Quartet in G minor, op. 10: II. Assez vif et bien rhythmé
- add to main playlist Play in Full Screen String Quartet in G minor, op. 10: III. Andantino doussement expressif
- add to main playlist Play in Full Screen String Quartet in G minor, op. 10: IV. Très modéré
- add to main playlist Play in Full Screen Introduction and Allegro
Debussy: La Mer / Prélude à l'après-midi d'un faune / Nocturnes / Ravel: Rapsodie espagnole
Released 1995- add to main playlist Play in Full Screen Prélude à l'après-midi d'un faune
- add to main playlist Play in Full Screen Nocturnes: I. Nuages
- add to main playlist Play in Full Screen Nocturnes: II. Fêtes
- add to main playlist Play in Full Screen Nocturnes: III. Sirènes
- add to main playlist Play in Full Screen La Mer: I. De l'aube à midi sur la mer
- add to main playlist Play in Full Screen La Mer: II. Jeux de vagues
- add to main playlist Play in Full Screen La Mer: III. Dialogue du vent et de la mer
- add to main playlist Play in Full Screen Rapsodie Espagnol: I. Prélude à la nuit
- add to main playlist Play in Full Screen Rapsodie Espagnol: II. Malagueña
- add to main playlist Play in Full Screen Rapsodie Espagnol: III. Habanera
- add to main playlist Play in Full Screen Rapsodie Espagnol: IV. Feria
Boléro / Ma Mére l'oye / Pavane pour une infante défunte
Released 1994- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen Tzigane. Rhapsodie de concert
- add to main playlist Play in Full Screen Pavane de la belle au bois dormant
- add to main playlist Play in Full Screen Petit poucet
- add to main playlist Play in Full Screen Laideronnette, Imp´ratrice des pagodes
- add to main playlist Play in Full Screen Les entretiens de la belle et de la bête
- add to main playlist Play in Full Screen Le jardin féerique
- add to main playlist Play in Full Screen Lento - Andante - Allegro - Tempo I
- add to main playlist Play in Full Screen Ondine
- add to main playlist Play in Full Screen Le gibet
- add to main playlist Play in Full Screen Scarbo
Bolero / Daphnis et Cloe / La Valse / Rapsodie Espagnole (Halle Orchestra feat. conductor: John Barbirolli)
Released 1994Ravel Orchestral Music (conductor: Bernard Haitink)
Released 1994- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Alborada del gracioso
- add to main playlist Play in Full Screen Rhapsodie Espagnole - Prelude a la nuit
- add to main playlist Play in Full Screen Rhapsodie espagnole - Malaguena
- add to main playlist Play in Full Screen Rhapsodie espagnole: Habanera
- add to main playlist Play in Full Screen Rhapsodie Espagnole - Feria
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Pavane pour une infante defunte
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Assez anime
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: Vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Epilogue - lent
Piano Works, Volume 2: Valses nobles et sentimentales / La valse / Gaspard de la Nuit / Le Tombeau de Couperin
Released 1994- add to main playlist Play in Full Screen Valses nobles et sentimentales: I. Modéré-très franc
- add to main playlist Play in Full Screen Valses nobles et sentimentales: II. Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: III. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales: IV. Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales: V. Preseque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VI. Vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VII. Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales: VIII. Epilogue: Lent
- add to main playlist Play in Full Screen Gaspard de la nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la nuit: II. Le gibet
- add to main playlist Play in Full Screen Gaspard de la nuit: III. Scarbo
- add to main playlist Play in Full Screen Le Tombeau de Couperin: I. Prélude
- add to main playlist Play in Full Screen Le Tombeau de Couperin: II. Fugue
- add to main playlist Play in Full Screen Le Tombeau de Couperin: III. Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin: IV. Rigaudon
- add to main playlist Play in Full Screen Le Tombeau de Couperin: V. Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin: VI. Toccata
- add to main playlist Play in Full Screen La valse
Complete Music for Piano Solo / Complete Piano Concertos (Monte Carlo National Opera Orchestra feat. conductor: Alceo Galliera, piano: Werner Haas)
Released 1993- add to main playlist Play in Full Screen Piano concerto in G: I. Allegramente
- add to main playlist Play in Full Screen Piano concerto in G: II. Adagio assai
- add to main playlist Play in Full Screen Piano concerto in G: III. Presto
- add to main playlist Play in Full Screen Gaspard de la Nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la Nuit: II. Le gibet
- add to main playlist Play in Full Screen Gaspard de la Nuit: III. Scarbo
- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen Menuet sur le nom de Haydn
- add to main playlist Play in Full Screen A la manière de Borodine
- add to main playlist Play in Full Screen A la manière de Chabrier
- add to main playlist Play in Full Screen Miroirs: Noctuelles
- add to main playlist Play in Full Screen Miroirs: Oiseaux tristes
- add to main playlist Play in Full Screen Miroirs: Une barque sur l'océan
- add to main playlist Play in Full Screen Miroirs: Alborada del gracioso
- add to main playlist Play in Full Screen Miroirs: La vallée des cloches
Ernest Ansermet L'orchestre de la suisse romande
Released 1992- add to main playlist Play in Full Screen Symphonie en ut Allegro vivo
- add to main playlist Play in Full Screen Symphonie en ut Adagio
- add to main playlist Play in Full Screen Symphonie en ut Allegro vivace
- add to main playlist Play in Full Screen Symphonie en ut Allegro vivace
- add to main playlist Play in Full Screen Jeux d'enfants Marche (Trompette et tambour)
- add to main playlist Play in Full Screen Jeux d'enfants Berceuse (La poupee)
- add to main playlist Play in Full Screen Jeux d'enfants Impromptu (La toupie)
- add to main playlist Play in Full Screen Jeux d'enfants Duo (Petit mari, petite femme)
- add to main playlist Play in Full Screen Jeux d'enfants Galop (Le bal)
- add to main playlist Play in Full Screen La Jolie Fille de Perth --- suite Prelude
- add to main playlist Play in Full Screen La Jolie Fille de Perth --- suite Serenade
- add to main playlist Play in Full Screen La Jolie Fille de Perth --- suite Marche
- add to main playlist Play in Full Screen La Jolie Fille de Perth --- suite Danse bohemienne
- add to main playlist Play in Full Screen Le Tombeau de Couperin Prelude
- add to main playlist Play in Full Screen Le Tombeau de Couperin Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin Rigaudon
Bolero - Rapsodie Espagn (Philadelphia Orchestra)
Released 1992- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Rapsodie espagnole - Prelude a la nuit
- add to main playlist Play in Full Screen Rapsodie espagnole - Malaguena
- add to main playlist Play in Full Screen Rapsodie espagnole - Habanera
- add to main playlist Play in Full Screen Rapsodie espagnole - Feria
- add to main playlist Play in Full Screen Alborada del gracioso
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Prelude
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin - Rigaudon
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Assez anime
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Assez vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales - Epilogue Lent
Berühmte Werke, Volume II
Released 1991- add to main playlist Play in Full Screen Concerto pour piano et orchestre en sol majeur (allegramente)
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en sol majeur (adagioassai)
- add to main playlist Play in Full Screen Concerto pour piano et orchestre en sol majeur (presto)
- add to main playlist Play in Full Screen Piece en form de Habanera
- add to main playlist Play in Full Screen Prelude a l'après midi d'un faune
- add to main playlist Play in Full Screen Suite Bergamasque (Prelude)
- add to main playlist Play in Full Screen Suite Bergamasque (Menuett)
- add to main playlist Play in Full Screen Suite Bergamasque (Clair de lune)
- add to main playlist Play in Full Screen Suite Bergamasque (Passepied)
- add to main playlist Play in Full Screen Introduction et Allegro
Ravel: Bolero / Debussy: La Mer (Chicago Symphony Orchestra feat. conductor: Georg Solti)
Released 1991- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Le Tombeau de Couperin: I. Prelude
- add to main playlist Play in Full Screen Le Tombeau de Couperin: II. Forlane
- add to main playlist Play in Full Screen Le Tombeau de Couperin: III. Menuet
- add to main playlist Play in Full Screen Le Tombeau de Couperin: IV. Rigaudon
- add to main playlist Play in Full Screen Prelude a l'apres-midi d'un faune
- add to main playlist Play in Full Screen La Mer: I. De l'aube midi sur la mer
- add to main playlist Play in Full Screen La Mer: II. Jeux de vagues
- add to main playlist Play in Full Screen La Mer: III. Dialogue du vent at de la mer
Ravel (Czecho-Slovak Radio Symphony Orchestra feat. condutor Kenneth Jean)
Released 1991- add to main playlist Play in Full Screen Rapsodie espagnole: I. Prelude a la nuit
- add to main playlist Play in Full Screen Rapsodie espagnole: II. Malaguena
- add to main playlist Play in Full Screen Rapsodie espagnole: III. Habanera
- add to main playlist Play in Full Screen Rapsodie espagnole: IV. Feria
- add to main playlist Play in Full Screen Pavane pour une infante defunte
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Daphnis et Chloe Suite No. 2
Mussorgsky: Pictures at an Exhibition / Ravel: Rapsodie Espagnole / La Valse
Released 1989- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: I. Gnomus
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: II. Il vecchio castello
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: III. Tuileries
- add to main playlist Play in Full Screen Pictures at an Exhibition: IV. Bydło
- add to main playlist Play in Full Screen Pictures at an Exhibition: Promenade
- add to main playlist Play in Full Screen Pictures at an Exhibition: V. Ballet des petits poussins dans leur coques
- add to main playlist Play in Full Screen Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuyle
- add to main playlist Play in Full Screen Pictures at an Exhibition: VII. Limoges. Le Marché
- add to main playlist Play in Full Screen Pictures at an Exhibition: VIII. Catacombae. Sepulchrum Romanum - Cum mortuis in lingua mortua
- add to main playlist Play in Full Screen Pictures at an Exhibition: IX. La Cabane de Baba-Yaga sur des pattes de poule
- add to main playlist Play in Full Screen Pictures at an Exhibition: X. La Grande Porte de Kiev
- add to main playlist Play in Full Screen Rapsodie espagnole: I. Prélude à la nuit. Très modéré
- add to main playlist Play in Full Screen Rapsodie espagnole: II. Malagueña. Assez vif
- add to main playlist Play in Full Screen Rapsodie espagnole: III. Habanera. Assez lent e d'un rythme las
- add to main playlist Play in Full Screen Rapsodie espagnole: IV. Feria. Assez animé
- add to main playlist Play in Full Screen Une barque sur l'océan
- add to main playlist Play in Full Screen La Valse
Maurice Ravel - Intégrale de l'oeuvre pour piano (piano: Benoña Uriarte, Karl-Hermann Mrongovius)
Released 1989- add to main playlist Play in Full Screen Sérénade grotesque
- add to main playlist Play in Full Screen Sites auriculaires: I.
- add to main playlist Play in Full Screen Sites auriculaires: II.
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Rapsodie espagnole: I.
- add to main playlist Play in Full Screen Rapsodie espagnole: II.
- add to main playlist Play in Full Screen Rapsodie espagnole: III.
- add to main playlist Play in Full Screen Rapsodie espagnole: IV.
- add to main playlist Play in Full Screen Miroirs: I.
- add to main playlist Play in Full Screen Miroirs: II.
- add to main playlist Play in Full Screen Miroirs: III.
- add to main playlist Play in Full Screen Miroirs: IV.
- add to main playlist Play in Full Screen Miroirs: V.
- add to main playlist Play in Full Screen Boléro
Nojima Plays Ravel
Released 1989- add to main playlist Play in Full Screen Miroirs: Noctuelles
- add to main playlist Play in Full Screen Miroirs: Oiseaux tristes
- add to main playlist Play in Full Screen Miroirs: Une barque sur l'océan
- add to main playlist Play in Full Screen Miroirs: Alborada del gracioso
- add to main playlist Play in Full Screen Miroirs: La valée des cloches
- add to main playlist Play in Full Screen Gaspard de la Nuit: Ondine
- add to main playlist Play in Full Screen Gaspard de la Nuit: La gibet
- add to main playlist Play in Full Screen Gaspard de la Nuit: Scarbo
Boléro / Daphnis et Chloé (Suite no. 1) / Ma mère l'oye / Valses nobles et sentimentales
Released 1989- add to main playlist Play in Full Screen Ma mère l'oye (Pavane de la belle au bois dormant)
- add to main playlist Play in Full Screen Ma mère l'oye (Petit poucet)
- add to main playlist Play in Full Screen Ma mère l'oye (Laideronette, impératrice des pagodes)
- add to main playlist Play in Full Screen Ma mère l'oye (Les entretiens de la belle et de la bête)
- add to main playlist Play in Full Screen Ma mère l'oye (Le jardin féerique)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Modéré)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Assez lent)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Modéré)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Assez animé)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Presque lent)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Assez vif)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Moins vif)
- add to main playlist Play in Full Screen Valses nobles et sentimentales (Epilogue)
- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Daphnis et Chloé Suite 1 (Nocturne)
- add to main playlist Play in Full Screen Daphnis et Chloé Suite 1 (Interlude)
- add to main playlist Play in Full Screen Daphnis et Chloé Suite 1 (Danse guerrière)
The Two Piano Concertos, Tzigane (Orchestre de Paris feat. conductor: Jean Martinon, piano: Aldo Ciccolini, violin: Itzhak Perlman) (1988 Remaster)
Released 1988- add to main playlist Play in Full Screen Concerto for the Left Hand in D Major - I. Lento
- add to main playlist Play in Full Screen Concerto for the Left Hand in D Major - II. Allegro
- add to main playlist Play in Full Screen Concerto for the Left Hand in D Major - III. Lento
- add to main playlist Play in Full Screen Piano Concerto in G major - I. Allegramente
- add to main playlist Play in Full Screen Piano Concerto in G major - II. Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G major - III. Presto
- add to main playlist Play in Full Screen Tzigane - Lento, quasi cadenza - Moderato
Bolero / Rapsodie espagnole / Alborada del gracioso / La Valse / Valses nobles et sentimentales
Released 1988- add to main playlist Play in Full Screen Alborado del gracioso
- add to main playlist Play in Full Screen Rapsodie espagnole : I. Prelude a la nuit
- add to main playlist Play in Full Screen Rapsodie espagnole : II. Malagueña
- add to main playlist Play in Full Screen Rapsodie espagnole : III. Habanera
- add to main playlist Play in Full Screen Rapsodie espagnole : IV. Feria
- add to main playlist Play in Full Screen Valses nobles et sentimentales : I. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales : II. Assez lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales : III. Modéré
- add to main playlist Play in Full Screen Valses nobles et sentimentales : IV. Assez animé
- add to main playlist Play in Full Screen Valses nobles et sentimentales : V. Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales : VI. Assez vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales : VII. Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales : VIII. Epilogue
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Bolero
Streichquartette
Released 1986- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: I. Animé et très décidé
- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: II. Assez vif et bien rythmé
- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: III. Andantino doucement expressif
- add to main playlist Play in Full Screen String Quartet in G minor, Op. 10: IV. Très mouvementè et avec passion; Très animé
- add to main playlist Play in Full Screen String Quartet in F major: I. Allegro moderato
- add to main playlist Play in Full Screen String Quartet in F major: II. Assez vif; Très rythmé
- add to main playlist Play in Full Screen String Quartet in F major: III. Très lent
- add to main playlist Play in Full Screen String Quartet in F major: IV. Vif et agité
Orchestral Works (feat. conductor: Andre Previn, orchestra: Royal Philharmonic Orchestra)
Released 1986- add to main playlist Play in Full Screen Valses nobles et sentimentales - 1. Modere
- add to main playlist Play in Full Screen Valses nobles et sentimentales - 2. Assez lent
- add to main playlist Play in Full Screen Valses Nobles et Sentimentales 3 Modere 4 Assez anime
- add to main playlist Play in Full Screen Valses nobles et sentimentales - 5. Presque lent
- add to main playlist Play in Full Screen Valses nobles et sentimentales - 6. Assez vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales - 7. Moins vif
- add to main playlist Play in Full Screen Valses nobles et sentimentales - 8. Epilogue. Lent
- add to main playlist Play in Full Screen Le Tombeau de Couperin 1 Prelude Vif
- add to main playlist Play in Full Screen Le tombeau de Couperin - 2 Forlane. Allegretto
- add to main playlist Play in Full Screen Le tombeau de Couperin - 3 Menuet. Allegro moderato
- add to main playlist Play in Full Screen Le Tombeau de Couperin 4 Regaudon Assez vif
- add to main playlist Play in Full Screen Alborada del gracioso
- add to main playlist Play in Full Screen Rapsodie Espagnole 1 Prelude a la nuit Tres modere
- add to main playlist Play in Full Screen Rapsodie Espagnole 2 Malaguena Assez vif
- add to main playlist Play in Full Screen Rapsodie Espagnole - 3 Habanera. Assez lent et d'un rythme las
- add to main playlist Play in Full Screen Rapsodie Espagnole 4 Feria Assez anime
- add to main playlist Play in Full Screen Pavane pour une infante defunte
Debussy: String Quartet in G minor / Ravel: String Quartet in F major
Released 1986- add to main playlist Play in Full Screen Quartet in G minor, op. 10: I. Animé et très décidé
- add to main playlist Play in Full Screen Quartet in G minor, op. 10: II. Assez vif et bien rythmé
- add to main playlist Play in Full Screen Quartet in G minor, op. 10: III. Andantino doucement expressif
- add to main playlist Play in Full Screen Quartet in G minor, op. 10: IV. Très modéré; Très mouvementè et avec passion; Très animé
- add to main playlist Play in Full Screen Quartet in F major: I. Allegro moderato
- add to main playlist Play in Full Screen Quartet in F major: II. Très rythmé
- add to main playlist Play in Full Screen Quartet in F major: III. Très lent
- add to main playlist Play in Full Screen Quartet in F major: IV. Vif et agité
Thibaudet Ravel Recital
Released 1985- add to main playlist Play in Full Screen Jeux D'eau
- add to main playlist Play in Full Screen Sonatine: Modéré
- add to main playlist Play in Full Screen Sonatine: Mouvt de Menuet
- add to main playlist Play in Full Screen Sonatine: Animé
- add to main playlist Play in Full Screen Le Tombeau De Couperin: Prélude
- add to main playlist Play in Full Screen Le Tombeau De Couperin: Fugue
- add to main playlist Play in Full Screen Le Tombeau De Couperin: Forlane
- add to main playlist Play in Full Screen Le Tombeau De Couperin: Rigaudon
- add to main playlist Play in Full Screen Le Tombeau De Couperin: Menuet
- add to main playlist Play in Full Screen Le Tombeau De Couperin: Toccata
Gaspard de la nuit and other piano pieces
Released 1985- add to main playlist Play in Full Screen Gaspard de la nuit: I. Ondine
- add to main playlist Play in Full Screen Gaspard de la nuit: II. Le Gibet
- add to main playlist Play in Full Screen Gaspard de la nuit: III. Scarbo
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Valses nobles et sentimentales
Mélodies
Released 1984- add to main playlist Play in Full Screen Sheherazade: I. Asie
- add to main playlist Play in Full Screen Sheherazade: II. La flûte Enchantée
- add to main playlist Play in Full Screen Sheherazade: III. L'indifférent
- add to main playlist Play in Full Screen Vocalise en forme de habanera
- add to main playlist Play in Full Screen Chanson espagnole (Chants populaires, n° 1)
- add to main playlist Play in Full Screen Sur l'herbe
- add to main playlist Play in Full Screen Histoires naturelles: I. Le paon
- add to main playlist Play in Full Screen Histoires Naturelles: II. Le grillon
- add to main playlist Play in Full Screen Histoires Naturelles: III. Le cygne
- add to main playlist Play in Full Screen Histoires Naturelles: IV. Le martin-pêcheur
- add to main playlist Play in Full Screen Histoires Naturelles: V. La pintade
- add to main playlist Play in Full Screen Chanson Francaise (Chants populaires, n° 2)
- add to main playlist Play in Full Screen Melodies populaires grecques: I. Chanson de la mariée
- add to main playlist Play in Full Screen Melodies populaires grecques: II. Là-bas, vers l'église
- add to main playlist Play in Full Screen Melodies populaires grecques: III. Quel galant m'est comparable
- add to main playlist Play in Full Screen Melodies populaires grecques: IV. Chanson de cueilleuses de lentisques
- add to main playlist Play in Full Screen Melodies populaires grecques: V. Tout gai !
- add to main playlist Play in Full Screen Tripatos, chant populaire grec
- add to main playlist Play in Full Screen Ballade de la reine morte d'aimer
- add to main playlist Play in Full Screen Manteau de fleurs
- add to main playlist Play in Full Screen Rêves
The Piano Concertos (Orchestre symphonique de Montréal feat. conductor: Charles Dutoit, piano: Pascal Rogé)
Released 1983- add to main playlist Play in Full Screen Piano Concerto in G major: I. Allegramente
- add to main playlist Play in Full Screen Piano Concerto in G major: II. Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G major: III. Presto
- add to main playlist Play in Full Screen Menuet antique
- add to main playlist Play in Full Screen Piano Concerto for the Left Hand
- add to main playlist Play in Full Screen Une barque sur l’océan
- add to main playlist Play in Full Screen Fanfare from l’Éventail de Jeanne
L'heure espagnole (BBC Symphony Orchestra feat. conductor: Bruno Maderna)
Released 1960- add to main playlist Play in Full Screen Introduction
- add to main playlist Play in Full Screen Scène I: Señor Torquemada, horloger de Tolède ?
- add to main playlist Play in Full Screen Scène II: Totor !
- add to main playlist Play in Full Screen Scène III: Il reste, voilà bien ma chance !
- add to main playlist Play in Full Screen Scène IV: Il était temps, voici Gonzalve !
- add to main playlist Play in Full Screen Scène V: C'est fait, l'horloge est à sa place
- add to main playlist Play in Full Screen Scène VI: Maintenant pas de temps à perdre !
- add to main playlist Play in Full Screen Scène VII: Salut à la belle horlogère !
- add to main playlist Play in Full Screen Scène VIII: Voilà !… Et maintenant à l'autre !
- add to main playlist Play in Full Screen Scène IX: Évidemment, elle me congédie
- add to main playlist Play in Full Screen Scène X: Voilà ce que j'appelle une femme charmante
- add to main playlist Play in Full Screen Scène XI: Monsieur, ah ! Monsieur !
- add to main playlist Play in Full Screen Scène XII: Enfin, il part !
- add to main playlist Play in Full Screen Scène XIII: Voilà l'objet !
- add to main playlist Play in Full Screen Scène XIV: Ah vous, n'est-ce pas, preste ! Leste !
- add to main playlist Play in Full Screen Scène XV: En dépit de cette inhumaine
- add to main playlist Play in Full Screen Scène XVI: Voilà ce que j'appelle une femme charmante !
- add to main playlist Play in Full Screen Scène XVII: Oh ! la pitoyable aventure !
- add to main playlist Play in Full Screen Scène XVIII: Voilà !… Et maintenant, Señora
- add to main playlist Play in Full Screen Scène XIX: Mon œil anxieux interroge
- add to main playlist Play in Full Screen Adieu, cellule, adieu, donjon !
- add to main playlist Play in Full Screen Scène XX: Il n'est, pour l'horloger
- add to main playlist Play in Full Screen Scène XXI: Pardieu, déménageur, vouz venez à propos
- add to main playlist Play in Full Screen Un financier… et un poète
The Great Composers, Volume 26 - Ravel Orchestral Works
- add to main playlist Play in Full Screen Boléro, op. 81
- add to main playlist Play in Full Screen Miroirs: Alborada del Gracioso
- add to main playlist Play in Full Screen Pavane pour une Infante Defunte
- add to main playlist Play in Full Screen Rapsodie Espagnole
- add to main playlist Play in Full Screen La valse, un poème choréographique pour orchestre
A Ravel Weekend
- add to main playlist Play in Full Screen Ravel: Boléro
- add to main playlist Play in Full Screen Ravel: Alborada del gracioso - Orchestral version
- add to main playlist Play in Full Screen Ravel: Daphnis et Chloé, Suite No.2
- add to main playlist Play in Full Screen Ravel: Pavane pour une infante défunte
- add to main playlist Play in Full Screen Ravel: Rapsodie espagnole - 1. Prélude à la nuit
- add to main playlist Play in Full Screen Ravel: Rapsodie espagnole - 2. Malagueña
- add to main playlist Play in Full Screen Ravel: Rapsodie espagnole - 3. Habanera
- add to main playlist Play in Full Screen Ravel: Rapsodie espagnole - 4. Feria
- add to main playlist Play in Full Screen Ravel: La Valse
A Celebration 1955-1995 - Bonus CD
- add to main playlist Play in Full Screen Piano Trio in A minor: I. Modéré
- add to main playlist Play in Full Screen Piano Trio in A minor: II. Pantoum. Assez vif
- add to main playlist Play in Full Screen Piano Trio in A minor: III. Passacaille. Très large
- add to main playlist Play in Full Screen Piano Trio in A minor: IV. Final. Animé
- add to main playlist Play in Full Screen Piano Trio in G, Hob. XV:25: I. Andante
- add to main playlist Play in Full Screen Piano Trio in G, Hob. XV:25: II. Poco adagio. Cantabile
- add to main playlist Play in Full Screen Piano Trio in G, Hob. XV:25: III. Rondo all'Ongarese. Presto
- add to main playlist Play in Full Screen Piano Trio in D minor, op. 120: I. Allegro ma non troppo
- add to main playlist Play in Full Screen Piano Trio in D minor, op. 120: II. Andantino
- add to main playlist Play in Full Screen Piano Trio in D minor, op. 120: III. Allegro vivo
Dukas: The Sorcerer's Apprentice / Mussorgsky: A Night on the Bare Mountain / Ravel: Boléro
- add to main playlist Play in Full Screen The Sorcerer's Apprentice
- add to main playlist Play in Full Screen Suite "Mother Goose": Pavane of the Sleeping Beauty
- add to main playlist Play in Full Screen Suite "Mother Goose": Hop o' my Thumb
- add to main playlist Play in Full Screen Suite "Mother Goose": Laideronette, Empress of the Pagodas
- add to main playlist Play in Full Screen Suite "Mother Goose": Conversation between Beauty and the Beast
- add to main playlist Play in Full Screen Suite "Mother Goose": The Fairy Garden
- add to main playlist Play in Full Screen Prélude à l'après-midi d'un faune
- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen A Night on the Bare Mountain
The Great Composers: 39 - Ravel Orchestral Works
- add to main playlist Play in Full Screen Boléro, Op. 81
- add to main playlist Play in Full Screen Miroirs: Alborada Del Gracioso
- add to main playlist Play in Full Screen Pavane Pour Une Infante Defunte
- add to main playlist Play in Full Screen Rapsodie Espagnole
- add to main playlist Play in Full Screen La valse, un poème choréographique pour orchestre
Respighi: Feste Romane / Ravel: Daphnis et Chloé Suite No. 2 / Dukas: L'Apprenti sorcier
- add to main playlist Play in Full Screen Feste Romane: I: Circences
- add to main playlist Play in Full Screen Feste Romane: II: Il giubileo
- add to main playlist Play in Full Screen Feste Romane: III: L'ottobrata
- add to main playlist Play in Full Screen Feste Romane: IV: La befana
- add to main playlist Play in Full Screen Daphnis et Cloé Suite No. 2
- add to main playlist Play in Full Screen L'Apprenti sorcier
Ravel: Boléro / La Valse / Debussy: Prélude à l'Après-Midi d'un Faune / Nocturnes
- add to main playlist Play in Full Screen Nocturnes: Triptyque symphonique pour orchestre et chœurs: Nuages: Modéré - Un peu animé
- add to main playlist Play in Full Screen Nocturnes: Triptyque symphonique pour orchestre et chœurs: Fêtes: Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement
- add to main playlist Play in Full Screen Nocturnes: Triptyque symphonique pour orchestre et chœurs: Sirènes: Modérément animé
- add to main playlist Play in Full Screen Prélude à l'après-midi d'un faune: Très modéré
- add to main playlist Play in Full Screen La Valse: Poème chorégraphique: Mouvement de valse viennoise
- add to main playlist Play in Full Screen Boléro: Tempo di Boléro moderato assai
Boléro, la Valse, Pavane pour une Infante défunte, ma Mère l'Oye, Valses nobles et sentimentales
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Valse nobles et sentimentales - I Modéré
- add to main playlist Play in Full Screen Valse nobles et sentimentales - II Assez lent
- add to main playlist Play in Full Screen Valse nobles et sentimentales - III Modéré
- add to main playlist Play in Full Screen Valse nobles et sentimentales - IV Assez animé
- add to main playlist Play in Full Screen Valse nobles et sentimentales - V Presque lent
- add to main playlist Play in Full Screen Valse nobles et sentimentales - VI Assez vif
- add to main playlist Play in Full Screen Valse nobles et sentimentales - VII Moins vif
- add to main playlist Play in Full Screen Valse nobles et sentimentales - VIII Epilogue
- add to main playlist Play in Full Screen Ma mère l'Oye - I Pavane de la Belle au Bois Dormant : Lent
- add to main playlist Play in Full Screen Ma mère l'Oye - II Petit Poucet : Très modéré
- add to main playlist Play in Full Screen Ma mère l'Oye - III Laideronette, Impératrice des Pagodes : Mouvement de marche
- add to main playlist Play in Full Screen Ma mère l'Oye - IV Les Entretiens de la Belle et de la Bête : Mouvement de valse modéré
- add to main playlist Play in Full Screen Ma mère l'Oye - V Le jardin féerique : Lent et grave
Ravel - Daphnis et Chloé, Rapodie espagnole - Monteux
- add to main playlist Play in Full Screen Daphnis et Chloé, Part I: Introduction et Danse religieuse
- add to main playlist Play in Full Screen Daphnis et Chloé, Part I: Danse générale
- add to main playlist Play in Full Screen Daphnis et Chloé, Part I: Danse grotesque de Dorcon
- add to main playlist Play in Full Screen Daphnis et Chloé, Part I: Danse légère et gracieuse de Daphnis
- add to main playlist Play in Full Screen Daphnis et Chloé, Part I: Danse de Lycéion
- add to main playlist Play in Full Screen Daphnis et Chloé, Part I: Danse lente et mystérieuse des Nymphes
- add to main playlist Play in Full Screen Daphnis et Chloé, Part II: Introduction
- add to main playlist Play in Full Screen Daphnis et Chloé, Part II: Danse guerrière
- add to main playlist Play in Full Screen Daphnis et Chloé, Part II: Danse suppliante de Chloé
- add to main playlist Play in Full Screen Daphnis et Chloé, Part III: Lever du jour
- add to main playlist Play in Full Screen Daphnis et Chloé, Part III: Pantomime
- add to main playlist Play in Full Screen Daphnis et Chloé, Part III: Danse générale
- add to main playlist Play in Full Screen Rapsodie espagnole: 1. Prélude à la nuit
- add to main playlist Play in Full Screen Rapsodie espagnole: 2. Malagueña
- add to main playlist Play in Full Screen Rapsodie espagnole: 3. Habanera
- add to main playlist Play in Full Screen Rapsodie espagnole: 4. Feria
- add to main playlist Play in Full Screen Pavane pour une infante défunte
Piano Concertos
- add to main playlist Play in Full Screen Piano Concerto in G major: I. Allegramente
- add to main playlist Play in Full Screen Piano Concerto in G major: II. Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G major: III. Presto
- add to main playlist Play in Full Screen Piano Concerto in A minor, op. 16: I. Allegro molto moderato
- add to main playlist Play in Full Screen Piano Concerto in A minor, op. 16: II. Adagio
- add to main playlist Play in Full Screen Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato
The Best of Ravel (Tbilisi Symphony Orchestra)
- add to main playlist Play in Full Screen Boléro
- add to main playlist Play in Full Screen Pavane pour une infante défunte
- add to main playlist Play in Full Screen Rhapsodie Espagnole: Prélude à la Nuit
- add to main playlist Play in Full Screen Rhapsodie Espagnole: Malagueña
- add to main playlist Play in Full Screen Rhapsodie espagnole: Habanera
- add to main playlist Play in Full Screen Rhapsodie Espagnole - Feria
- add to main playlist Play in Full Screen Piano Concerto in G major - Adagio assai
- add to main playlist Play in Full Screen La Valse
- add to main playlist Play in Full Screen Daphnis et Chloé, Suite No. 2
The Best of Ravel
- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Spanish Rhapsody
- add to main playlist Play in Full Screen Piano Concerto in G Major: Allegramente
- add to main playlist Play in Full Screen Piano Concerto in G Major: Adagio assai
- add to main playlist Play in Full Screen Piano Concerto in G Major: Presto
Bolero / Ma Mère L'Oye / Concerto in Sol maggiore per pianoforte e orchestra
- add to main playlist Play in Full Screen Bolero
- add to main playlist Play in Full Screen Ma Mère l'Oye: Pavane de la belle au bois dormant
- add to main playlist Play in Full Screen Ma Mère l'Oye: Petit poucet
- add to main playlist Play in Full Screen Ma Mère l'Oye: Laideronnette, impératrice des pagodes
- add to main playlist Play in Full Screen Ma Mère l'Oye: Les entretiens de la Belle et de la Bête
- add to main playlist Play in Full Screen Ma Mère l'Oye: Le jardin féerique
- add to main playlist Play in Full Screen Concerto in Sol maggiore per pianoforte e orchestra. Allegro
- add to main playlist Play in Full Screen Concerto in Sol maggiore per pianoforte e orchestra. Adagio assai
- add to main playlist Play in Full Screen Concerto in Sol maggiore per pianoforte e orchestra. Presto
Born: 1875-03-07
Died: 1937-12-28
-
The Best of Ravel
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic Tracklist: 1. Boléro, ballet for orchestra 2. La valse, poème choréographique for orchestra 3. Daphnis et Chloé, ballet for orchestra 4. Piano Concerto in G major- I. Allegramente 5. Piano Concerto in G major- II. Adagio assai 6. Piano Concerto in G major- III. Presto Royal Philharmonic Orchestra For more: http://www.melhoresmusicasclassicas.blogspot.com -
Maurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906. Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other. Miroirs has five movements, each dedicated to a member of Les Apaches: 1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work... -
Maurice Ravel - Bolero
Version complète du Bolero de Maurice Ravel (environ 15 minutes). Pour plus de Musique Classique, abonnez-vous :) -
Bolero - Maurice Ravel
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition. -
Bolero - Maurice Ravel
Bolero by Maurice Ravel Choreography by Maurice Bejart. Performed by Nicolas Le Riche. -
Maurice Ravel - Pavane for Dead Princess
Painting - Lake George, 1869 Artist - John Frederick Kensett (1816--1872) -
Maurice Ravel - Maurice Ravel: Jeux d'eau
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan Kindler and Andreas Otto Grimminger, www.kuk-art.com -
- Maurice Ravel BOLERO - Wiener Philharmonic
Wiener Philharmonic : Gustavo Dudamel : Albena Danailova -
Daphnis et Chloé - Ravel - Dutoit
Maurice Ravel (1875 - 1937) Daphnis et Chloé (1909 - 1912) Ballet in three parts Montreál Symphony Orchestra and Chorus Charles Dutoit Cover image: set design for the premiere of the ballet (1912), by Léon Bakst. -
String Quartet in F Major - Maurice Ravel [HD]
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28. Dedicated to his friend and teacher Gabriel Fauré, the work was introduced in Paris by the Heymann Quartet on March 5, 1904. The quartet follows a strict four movement classical structure: Moderato très doux begins as a sonata form allegro, the following Assez vif-Très rythmé functions as the quartet's scherzo, while Très lent acts as a contrasting foil. The last movement, Vif et agité, reintroduces themes from the earlier passages and ends with a striking finale. History The Quartet in F major was Ravel's final submission to the Prix de Rome and the Conservatoire de Paris. The composition was rejected by both institutions soon after its premier on March 5, 1904. The quartet received mixed reviews... -
Maurice Ravel - Gaspard de la nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil. Movements: 1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early ... -
-
Maurice Ravel - Rapsodie Espagnole
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie represents one of Ravel's first major works for orchestra. In its atmosphere, the Rapsodie reflects the profound influence of the Spanish musical heritage imparted to Ravel by his Basque mother. As a child, Ravel would listen to his mother sing him folk songs from her country. Later works by Ravel, such as Boléro and the opera L'heure espagnole, also claim similar sources of inspiration. Ravel composed his Rapsodie only a year before Claude Debussy appeared with his own evocations of Spain in Iberia. -
Maurice Ravel - Daybreak (Daphnis et Chloé)
Daphnis et Chloé is a ballet with music by Maurice Ravel. Ravel described it as a "symphonie choréographique" (choreographic symphony). The scenario was adapted by Michel Fokine from an eponymous romance by the Greek writer Longus thought to date from around the 2nd century AD. Scott Goddard published a contemporary commentary that discussed the changes to the story that Fokine made to prepare a workable ballet scenario.The story concerns the love between the goatherd Daphnis and the shepherdess Chloé. The ballet is in one act and three scenes. Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the Théâtre du Châtelet in Paris by his Ballets Russes on June 8, 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Miche... -
Maurice Ravel String Quartet in F major
-
Ravel - Daphnis et Chloé - Pons
Maurice Ravel Daphnis and Chloé BBC Symphony Chorus BBC Symphony Orchestra Josep Pons, conductor London, Proms 2014 -
Maurice Ravel - Ma Mère l'Oye (Mother Goose) (Full)
The Orchestra of the University of Music FRANZ LISZT Weimar, conducted by Prof. Nicolás Pasquet, plays Maurice Ravel's "Ma Mère l'Oye" (Mother Goose), originally composed as a piano duet for 2 children, later transformed into a solo piano piece, then orchestrated and finally transformed into a ballet. Our Orchestra plays the Orchestra Version, which consists of 5 parts: I. Pavane de la belle au bois dormant Pavane of Sleeping Beauty II. Petit Poucet Little Tom Thumb / Hop o' My Thumb III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the Pagodas IV. Les entretiens de la belle et de la bête Conversation of Beauty and the Beast V. Le jardin féerique The Fairy Garden The Concert took place at the Neue Weimarhalle on December 8th, 2011 -
Maurice Ravel - La Valse
La valse, poème choréographique for orchestra (1919-1920) Philharmonia Slavonica Loic Bertrand Ballet impresario Serge Diaghilev asked Ravel to write what would become La valse for the Ballets Russes, on a program to be shared with Stravinsky's Pulcinella, and thus was responsible for one of Ravel's most popular orchestral concert works. Ironically, the two-piano "test-drive" reduction of La valse never met with Diaghilev's approval, and so this is the work that precipitated the break between the composer and the producer, whose relations had been strained since disagreements over Daphnis et Chloé. Ravel had for years intended to write some sort of tribute to Johann Strauss II, a Viennese-style waltz on Ravel's own terms. Strauss, had he been alive, would probably have found the result... -
Maurice Ravel Bolero London Symphony Orchestra Valery Gergiev
설명 Maurice Ravel, Bolero for Orchestra London Symphony Orchestra Cond. Valery Gergiev -
Maurice Ravel - Piano Concerto in G major. Mov. 2 - adagio assai
Maurice Ravel Piano Concerto in G major. (adagio assai) Krystian Zimerman (piano) London Symphony Orchestra Pierre Boulez Deutsche Grammophon 449 213-2 -
Maurice Ravel - Bolero [HD]
Ravel's famous and very beautiful Bolero.. Reminds me of the rocky mountains, dunno why.. =================================== Check out these funny and nerdy t-shirts :) http://nerdtee.me =================================== Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition. -- I'm not sure who played this, and I will include it as soon as I find out. :) -
ARCHIVIO IEM: Maurice Ravel, Bolero ( London Symphony Orchestra / Valery Gergiev)
Istituto Europeo di Musica General and Art Director Davide Polovineo ARCHIVIO IEM / Ravel's Archive_ Bolero Maurice Ravel, Bolero for Orchestra London Symphony Orchestra Cond. Valery Gergiev -
Maurice Ravel - Piano Concerto for the left hand (Full)
The Orchestra of the University of Music FRANZ LISZT Weimar (Conductor: Prof. Nicolás Pasquet) plays Maurice Ravels Piano concerto for the left hand, which he composed 1929 for austrian pianist Paul Wittgenstein who lost his right arm during WW I. On the piano Hélène Tysman (29) who finishes her final exam at the LISZT UNIVERSITY with this concert. The concert took place at the Neue Weimarhalle on December 8th, 2011
The Best of Ravel
- Order: Reorder
- Duration: 72:06
- Updated: 07 Jun 2013
- views: 787738
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
1. Boléro, ballet for orchestra
2. La valse, poème choréographique for orchestra
3...
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
1. Boléro, ballet for orchestra
2. La valse, poème choréographique for orchestra
3. Daphnis et Chloé, ballet for orchestra
4. Piano Concerto in G major- I. Allegramente
5. Piano Concerto in G major- II. Adagio assai
6. Piano Concerto in G major- III. Presto
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com
wn.com/The Best Of Ravel
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
1. Boléro, ballet for orchestra
2. La valse, poème choréographique for orchestra
3. Daphnis et Chloé, ballet for orchestra
4. Piano Concerto in G major- I. Allegramente
5. Piano Concerto in G major- II. Adagio assai
6. Piano Concerto in G major- III. Presto
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com
- published: 07 Jun 2013
- views: 787738
Maurice Ravel - Miroirs
- Order: Reorder
- Duration: 28:38
- Updated: 04 Sep 2012
- views: 349027
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes...
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
wn.com/Maurice Ravel Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
- published: 04 Sep 2012
- views: 349027
Maurice Ravel - Bolero
- Order: Reorder
- Duration: 15:29
- Updated: 19 Oct 2010
- views: 5554901
Version complète du Bolero de Maurice Ravel (environ 15 minutes).
Pour plus de Musique Classique, abonnez-vous :)
Version complète du Bolero de Maurice Ravel (environ 15 minutes).
Pour plus de Musique Classique, abonnez-vous :)
wn.com/Maurice Ravel Bolero
Version complète du Bolero de Maurice Ravel (environ 15 minutes).
Pour plus de Musique Classique, abonnez-vous :)
- published: 19 Oct 2010
- views: 5554901
Bolero - Maurice Ravel
- Order: Reorder
- Duration: 14:50
- Updated: 02 Dec 2011
- views: 799045
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the p...
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
wn.com/Bolero Maurice Ravel
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
- published: 02 Dec 2011
- views: 799045
Bolero - Maurice Ravel
- Order: Reorder
- Duration: 16:32
- Updated: 26 Jul 2014
- views: 113130
Bolero by Maurice Ravel
Choreography by Maurice Bejart.
Performed by Nicolas Le Riche.
- published: 26 Jul 2014
- views: 113130
Maurice Ravel - Pavane for Dead Princess
- Order: Reorder
- Duration: 6:47
- Updated: 15 Jan 2008
- views: 2519951
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
- published: 15 Jan 2008
- views: 2519951
Maurice Ravel - Maurice Ravel: Jeux d'eau
- Order: Reorder
- Duration: 6:06
- Updated: 06 Aug 2010
- views: 94511
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan Kindler and Andreas Otto Grimminger, www.kuk-art.com
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan Kindler and Andreas Otto Grimminger, www.kuk-art.com
wn.com/Maurice Ravel Maurice Ravel Jeux D'Eau
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan Kindler and Andreas Otto Grimminger, www.kuk-art.com
- published: 06 Aug 2010
- views: 94511
- Maurice Ravel BOLERO - Wiener Philharmonic
- Order: Reorder
- Duration: 17:23
- Updated: 28 Nov 2011
- views: 3733010
Wiener Philharmonic
: Gustavo Dudamel
: Albena Danailova
Wiener Philharmonic
: Gustavo Dudamel
: Albena Danailova
wn.com/Maurice Ravel Bolero Wiener Philharmonic
Daphnis et Chloé - Ravel - Dutoit
- Order: Reorder
- Duration: 55:58
- Updated: 07 Oct 2012
- views: 382805
Maurice Ravel (1875 - 1937)
Daphnis et Chloé (1909 - 1912)
Ballet in three parts
Montreál Symphony Orchestra and Chorus
Charles Dutoit
Cover image: set desig...
Maurice Ravel (1875 - 1937)
Daphnis et Chloé (1909 - 1912)
Ballet in three parts
Montreál Symphony Orchestra and Chorus
Charles Dutoit
Cover image: set design for the premiere of the ballet (1912), by Léon Bakst.
wn.com/Daphnis Et Chloé Ravel Dutoit
Maurice Ravel (1875 - 1937)
Daphnis et Chloé (1909 - 1912)
Ballet in three parts
Montreál Symphony Orchestra and Chorus
Charles Dutoit
Cover image: set design for the premiere of the ballet (1912), by Léon Bakst.
- published: 07 Oct 2012
- views: 382805
String Quartet in F Major - Maurice Ravel [HD]
- Order: Reorder
- Duration: 27:40
- Updated: 16 Jun 2014
- views: 39001
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28. Dedicated to his friend and teacher Gabriel Fauré, the work was intr...
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28. Dedicated to his friend and teacher Gabriel Fauré, the work was introduced in Paris by the Heymann Quartet on March 5, 1904. The quartet follows a strict four movement classical structure: Moderato très doux begins as a sonata form allegro, the following Assez vif-Très rythmé functions as the quartet's scherzo, while Très lent acts as a contrasting foil. The last movement, Vif et agité, reintroduces themes from the earlier passages and ends with a striking finale.
History
The Quartet in F major was Ravel's final submission to the Prix de Rome and the Conservatoire de Paris. The composition was rejected by both institutions soon after its premier on March 5, 1904. The quartet received mixed reviews from the Parisian press and local academia. Gabriel Fauré, to whom the work is dedicated, described the last movement as "stunted, badly balanced, in fact a failure." Ravel himself commented on the work, "My Quartet in F major responds to a desire for musical construction, which undoubtedly is inadequately realized but which emerges much more clearly than in my preceding compositions." As a result of major criticism and rejection, a frustrated Ravel left the Conservatoire in 1905 following what was later called the Ravel Affair.
Ravel's loss during the 1904 Prix de Rome and rejection from the Conservatoire de Paris catapulted his career not backwards but forward: a sympathetic public rallied behind his compositions and musical style. In 1905, Claude Debussy wrote to Ravel: "In the name of the gods of music and in my own, do not touch a single note you have written in your Quartet." Ravel's string Quartet in F major stands as one of the most widely performed chamber music works in the classical repertoire, representing Ravel's early achievements and rise from obscurity. On CD, it is often coupled with Debussy's own string quartet.
Movements
1. Allegro moderato. Très doux
2. Assez vif. Très rythmé
3. Très lent
4. Vif et agité
Use in modern media
A rendering of the second movement of Ravel's Quartet in F Major by the Ysaÿe Quartet was used in Wes Anderson's film The Royal Tenenbaums and in the audio addition to the Madacy Entertainment distribution of Fritz Lang's film Metropolis. It has been used as well in one of the first scenes of William Friedkin's film Sorcerer, in which French actor Bruno Cremer eats at a restaurant. It was also used as the main theme for the British television drama The Camomile Lawn.
On Andrew Bird's album, Music of Hair, the song "Minor Beatrice" borrows directly from Ravel's piece.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Musicians from Marlboro (violinists Soovin Kim & Jessica Lee, violist Jonathan Vinocour, cellist Soo Bae)
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Painting: "Lake Albano, Sunset" by George Inness
Courtesy National Gallery of Art, Washington
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
wn.com/String Quartet In F Major Maurice Ravel Hd
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28. Dedicated to his friend and teacher Gabriel Fauré, the work was introduced in Paris by the Heymann Quartet on March 5, 1904. The quartet follows a strict four movement classical structure: Moderato très doux begins as a sonata form allegro, the following Assez vif-Très rythmé functions as the quartet's scherzo, while Très lent acts as a contrasting foil. The last movement, Vif et agité, reintroduces themes from the earlier passages and ends with a striking finale.
History
The Quartet in F major was Ravel's final submission to the Prix de Rome and the Conservatoire de Paris. The composition was rejected by both institutions soon after its premier on March 5, 1904. The quartet received mixed reviews from the Parisian press and local academia. Gabriel Fauré, to whom the work is dedicated, described the last movement as "stunted, badly balanced, in fact a failure." Ravel himself commented on the work, "My Quartet in F major responds to a desire for musical construction, which undoubtedly is inadequately realized but which emerges much more clearly than in my preceding compositions." As a result of major criticism and rejection, a frustrated Ravel left the Conservatoire in 1905 following what was later called the Ravel Affair.
Ravel's loss during the 1904 Prix de Rome and rejection from the Conservatoire de Paris catapulted his career not backwards but forward: a sympathetic public rallied behind his compositions and musical style. In 1905, Claude Debussy wrote to Ravel: "In the name of the gods of music and in my own, do not touch a single note you have written in your Quartet." Ravel's string Quartet in F major stands as one of the most widely performed chamber music works in the classical repertoire, representing Ravel's early achievements and rise from obscurity. On CD, it is often coupled with Debussy's own string quartet.
Movements
1. Allegro moderato. Très doux
2. Assez vif. Très rythmé
3. Très lent
4. Vif et agité
Use in modern media
A rendering of the second movement of Ravel's Quartet in F Major by the Ysaÿe Quartet was used in Wes Anderson's film The Royal Tenenbaums and in the audio addition to the Madacy Entertainment distribution of Fritz Lang's film Metropolis. It has been used as well in one of the first scenes of William Friedkin's film Sorcerer, in which French actor Bruno Cremer eats at a restaurant. It was also used as the main theme for the British television drama The Camomile Lawn.
On Andrew Bird's album, Music of Hair, the song "Minor Beatrice" borrows directly from Ravel's piece.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Classical music piece performed by: Musicians from Marlboro (violinists Soovin Kim & Jessica Lee, violist Jonathan Vinocour, cellist Soo Bae)
Licensed by: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
Painting: "Lake Albano, Sunset" by George Inness
Courtesy National Gallery of Art, Washington
You can download this classical music piece from our website, www.hdclassicalmusic.com. There, you will also find our complete library of songs, and a customized HD radio experience. Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
- published: 16 Jun 2014
- views: 39001
Maurice Ravel - Gaspard de la nuit
- Order: Reorder
- Duration: 23:26
- Updated: 01 Sep 2012
- views: 74998
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three mov...
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil.
Movements:
1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords.
2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change.
3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand.
Pianist: Jean-Efflam Bavouzet
wn.com/Maurice Ravel Gaspard De La Nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil.
Movements:
1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords.
2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change.
3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand.
Pianist: Jean-Efflam Bavouzet
- published: 01 Sep 2012
- views: 74998
MAURICE RAVEL: LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
- Order: Reorder
- Duration: 18:43
- Updated: 25 Dec 2013
- views: 107220
Maurice Ravel - Rapsodie Espagnole
- Order: Reorder
- Duration: 15:39
- Updated: 23 Jun 2015
- views: 11103
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie represents one of Ravel's first major works ...
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie represents one of Ravel's first major works for orchestra.
In its atmosphere, the Rapsodie reflects the profound influence of the Spanish musical heritage imparted to Ravel by his Basque mother. As a child, Ravel would listen to his mother sing him folk songs from her country. Later works by Ravel, such as Boléro and the opera L'heure espagnole, also claim similar sources of inspiration. Ravel composed his Rapsodie only a year before Claude Debussy appeared with his own evocations of Spain in Iberia.
wn.com/Maurice Ravel Rapsodie Espagnole
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie represents one of Ravel's first major works for orchestra.
In its atmosphere, the Rapsodie reflects the profound influence of the Spanish musical heritage imparted to Ravel by his Basque mother. As a child, Ravel would listen to his mother sing him folk songs from her country. Later works by Ravel, such as Boléro and the opera L'heure espagnole, also claim similar sources of inspiration. Ravel composed his Rapsodie only a year before Claude Debussy appeared with his own evocations of Spain in Iberia.
- published: 23 Jun 2015
- views: 11103
Maurice Ravel - Daybreak (Daphnis et Chloé)
- Order: Reorder
- Duration: 6:25
- Updated: 07 May 2012
- views: 124781
Daphnis et Chloé is a ballet with music by Maurice Ravel. Ravel described it as a "symphonie choréographique" (choreographic symphony). The scenario was adapted...
Daphnis et Chloé is a ballet with music by Maurice Ravel. Ravel described it as a "symphonie choréographique" (choreographic symphony). The scenario was adapted by Michel Fokine from an eponymous romance by the Greek writer Longus thought to date from around the 2nd century AD. Scott Goddard published a contemporary commentary that discussed the changes to the story that Fokine made to prepare a workable ballet scenario.The story concerns the love between the goatherd Daphnis and the shepherdess Chloé. The ballet is in one act and three scenes.
Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the Théâtre du Châtelet in Paris by his Ballets Russes on June 8, 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Michel Fokine, and Vaslav Nijinsky and Tamara Karsavina danced the parts of Daphnis and Chloe. Léon Bakst designed the original sets.
The work is written for a large orchestra consisting of piccolo, 2 flutes (2nd flute also doubling piccolo), alto flute, 2 oboes, English horn, E-flat clarinet, 2 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones, tuba, timpani, tam-tam, wind machine, triangle, bass drum, field drum, castanets, tambourine, celesta, crotales, glockenspiel, 2 harps, wordless choir and strings in eight parts.When Diaghilev took the ballet to London in 1914, he omitted the chorus, which prompted Ravel to send an angry letter to The Times newspaper (see editions of June 9, 10 and 17).
At almost an hour long, Daphnis et Chloé is Ravel's longest work. In spite of the ballet's time length, a small number of musical leitmotifs gives musical unity to the score.The music, some of the composer's most passionate, is widely regarded as some of Ravel's best, with extraordinarily lush harmonies typical of the impressionist movement in music. Even during the composer's lifetime, contemporary commentators described this ballet as his masterpiece for orchestra.He extracted music from the ballet to make two orchestral suites, which can be performed with or without the chorus. The second of the suites, which includes much of the last part of the ballet and concludes with the "Danse generale", is particularly popular. When the complete work is itself performed live, it is more often in concerts than in staged productions.
Performed by:Philharmonia Orchestra
Conductor:Geoffrey Simon
Artwork :Remedios Varo "Revelation or The Clockmaker".
wn.com/Maurice Ravel Daybreak (Daphnis Et Chloé)
Daphnis et Chloé is a ballet with music by Maurice Ravel. Ravel described it as a "symphonie choréographique" (choreographic symphony). The scenario was adapted by Michel Fokine from an eponymous romance by the Greek writer Longus thought to date from around the 2nd century AD. Scott Goddard published a contemporary commentary that discussed the changes to the story that Fokine made to prepare a workable ballet scenario.The story concerns the love between the goatherd Daphnis and the shepherdess Chloé. The ballet is in one act and three scenes.
Ravel began work on the score in 1909 after a commission from Sergei Diaghilev. It was premiered at the Théâtre du Châtelet in Paris by his Ballets Russes on June 8, 1912. The orchestra was conducted by Pierre Monteux, the choreography was by Michel Fokine, and Vaslav Nijinsky and Tamara Karsavina danced the parts of Daphnis and Chloe. Léon Bakst designed the original sets.
The work is written for a large orchestra consisting of piccolo, 2 flutes (2nd flute also doubling piccolo), alto flute, 2 oboes, English horn, E-flat clarinet, 2 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones, tuba, timpani, tam-tam, wind machine, triangle, bass drum, field drum, castanets, tambourine, celesta, crotales, glockenspiel, 2 harps, wordless choir and strings in eight parts.When Diaghilev took the ballet to London in 1914, he omitted the chorus, which prompted Ravel to send an angry letter to The Times newspaper (see editions of June 9, 10 and 17).
At almost an hour long, Daphnis et Chloé is Ravel's longest work. In spite of the ballet's time length, a small number of musical leitmotifs gives musical unity to the score.The music, some of the composer's most passionate, is widely regarded as some of Ravel's best, with extraordinarily lush harmonies typical of the impressionist movement in music. Even during the composer's lifetime, contemporary commentators described this ballet as his masterpiece for orchestra.He extracted music from the ballet to make two orchestral suites, which can be performed with or without the chorus. The second of the suites, which includes much of the last part of the ballet and concludes with the "Danse generale", is particularly popular. When the complete work is itself performed live, it is more often in concerts than in staged productions.
Performed by:Philharmonia Orchestra
Conductor:Geoffrey Simon
Artwork :Remedios Varo "Revelation or The Clockmaker".
- published: 07 May 2012
- views: 124781
Maurice Ravel String Quartet in F major
- Order: Reorder
- Duration: 28:46
- Updated: 26 Mar 2015
- views: 32176
- published: 26 Mar 2015
- views: 32176
Ravel - Daphnis et Chloé - Pons
- Order: Reorder
- Duration: 61:28
- Updated: 06 Aug 2014
- views: 78323
Maurice Ravel
Daphnis and Chloé
BBC Symphony Chorus
BBC Symphony Orchestra
Josep Pons, conductor
London, Proms 2014
Maurice Ravel
Daphnis and Chloé
BBC Symphony Chorus
BBC Symphony Orchestra
Josep Pons, conductor
London, Proms 2014
wn.com/Ravel Daphnis Et Chloé Pons
Maurice Ravel
Daphnis and Chloé
BBC Symphony Chorus
BBC Symphony Orchestra
Josep Pons, conductor
London, Proms 2014
- published: 06 Aug 2014
- views: 78323
Maurice Ravel - Ma Mère l'Oye (Mother Goose) (Full)
- Order: Reorder
- Duration: 18:00
- Updated: 14 Dec 2011
- views: 108302
The Orchestra of the University of Music FRANZ LISZT Weimar, conducted by Prof. Nicolás Pasquet, plays Maurice Ravel's "Ma Mère l'Oye" (Mother Goose), originall...
The Orchestra of the University of Music FRANZ LISZT Weimar, conducted by Prof. Nicolás Pasquet, plays Maurice Ravel's "Ma Mère l'Oye" (Mother Goose), originally composed as a piano duet for 2 children, later transformed into a solo piano piece, then orchestrated and finally transformed into a ballet. Our Orchestra plays the Orchestra Version, which consists of 5 parts:
I. Pavane de la belle au bois dormant
Pavane of Sleeping Beauty
II. Petit Poucet
Little Tom Thumb / Hop o' My Thumb
III. Laideronnette, impératrice des pagodes
Little Ugly Girl, Empress of the Pagodas
IV. Les entretiens de la belle et de la bête
Conversation of Beauty and the Beast
V. Le jardin féerique
The Fairy Garden
The Concert took place at the Neue Weimarhalle on December 8th, 2011
wn.com/Maurice Ravel Ma Mère L'Oye (Mother Goose) (Full)
The Orchestra of the University of Music FRANZ LISZT Weimar, conducted by Prof. Nicolás Pasquet, plays Maurice Ravel's "Ma Mère l'Oye" (Mother Goose), originally composed as a piano duet for 2 children, later transformed into a solo piano piece, then orchestrated and finally transformed into a ballet. Our Orchestra plays the Orchestra Version, which consists of 5 parts:
I. Pavane de la belle au bois dormant
Pavane of Sleeping Beauty
II. Petit Poucet
Little Tom Thumb / Hop o' My Thumb
III. Laideronnette, impératrice des pagodes
Little Ugly Girl, Empress of the Pagodas
IV. Les entretiens de la belle et de la bête
Conversation of Beauty and the Beast
V. Le jardin féerique
The Fairy Garden
The Concert took place at the Neue Weimarhalle on December 8th, 2011
- published: 14 Dec 2011
- views: 108302
Maurice Ravel - La Valse
- Order: Reorder
- Duration: 12:54
- Updated: 10 Oct 2011
- views: 22745
La valse, poème choréographique for orchestra (1919-1920)
Philharmonia Slavonica
Loic Bertrand
Ballet impresario Serge Diaghilev asked Ravel to write what wou...
La valse, poème choréographique for orchestra (1919-1920)
Philharmonia Slavonica
Loic Bertrand
Ballet impresario Serge Diaghilev asked Ravel to write what would become La valse for the Ballets Russes, on a program to be shared with Stravinsky's Pulcinella, and thus was responsible for one of Ravel's most popular orchestral concert works. Ironically, the two-piano "test-drive" reduction of La valse never met with Diaghilev's approval, and so this is the work that precipitated the break between the composer and the producer, whose relations had been strained since disagreements over Daphnis et Chloé.
Ravel had for years intended to write some sort of tribute to Johann Strauss II, a Viennese-style waltz on Ravel's own terms. Strauss, had he been alive, would probably have found the result to be gruesome. Ravel's waltz is both nostalgic and sinister, rising from nothing but a vague rhythmic pulse, proceeding through several distinct waltz sequences (much more closely linked thematically than in any Strauss waltz), each culminating in an increasingly powerful crescendo and ending in apocalypse. Along the way come disturbing accelerations and ritards (making this particularly unsuitable for ballroom dancing), dynamic extremes, and eerie glissandi, creating an atmosphere of violence, decadence, and decay. In short, it is a portrait of Vienna (and Europe) in the years surrounding World War I.
Ravel's preface in the score hardly hints at any of this: "Drifting clouds give glimpses, through rifts, of couples waltzing. The clouds gradually scatter, and an immense hall can be seen, filled with a whirling crowd. The scene gradually becomes illuminated. The light of chandeliers bursts forth. An imperial court about 1885."
Ravel prepared the orchestral version first, but presented the music to Diaghilev in 1920 in a two-piano reduction, which Ravel played with Marcelle Meyer. Diaghilev declared it to be "a masterpiece...but it is not a ballet. It is the portrait of a ballet." He refused to have it choreographed. Stravinsky, who was also present, maintained absolute silence. Ravel gave the first concert performance of the two-piano version in Vienna that year with fellow composer Alfredo Casella. This reduction is very faithful to the orchestral score, right down to the glissandi. Ravel's solo-piano version is extremely difficult, and so it is infrequently played, although it did meet with the approval of Glenn Gould, who rarely bothered with Ravel's other music. [allmusic.com]
Art by Jean-François Raffaëlli
wn.com/Maurice Ravel La Valse
La valse, poème choréographique for orchestra (1919-1920)
Philharmonia Slavonica
Loic Bertrand
Ballet impresario Serge Diaghilev asked Ravel to write what would become La valse for the Ballets Russes, on a program to be shared with Stravinsky's Pulcinella, and thus was responsible for one of Ravel's most popular orchestral concert works. Ironically, the two-piano "test-drive" reduction of La valse never met with Diaghilev's approval, and so this is the work that precipitated the break between the composer and the producer, whose relations had been strained since disagreements over Daphnis et Chloé.
Ravel had for years intended to write some sort of tribute to Johann Strauss II, a Viennese-style waltz on Ravel's own terms. Strauss, had he been alive, would probably have found the result to be gruesome. Ravel's waltz is both nostalgic and sinister, rising from nothing but a vague rhythmic pulse, proceeding through several distinct waltz sequences (much more closely linked thematically than in any Strauss waltz), each culminating in an increasingly powerful crescendo and ending in apocalypse. Along the way come disturbing accelerations and ritards (making this particularly unsuitable for ballroom dancing), dynamic extremes, and eerie glissandi, creating an atmosphere of violence, decadence, and decay. In short, it is a portrait of Vienna (and Europe) in the years surrounding World War I.
Ravel's preface in the score hardly hints at any of this: "Drifting clouds give glimpses, through rifts, of couples waltzing. The clouds gradually scatter, and an immense hall can be seen, filled with a whirling crowd. The scene gradually becomes illuminated. The light of chandeliers bursts forth. An imperial court about 1885."
Ravel prepared the orchestral version first, but presented the music to Diaghilev in 1920 in a two-piano reduction, which Ravel played with Marcelle Meyer. Diaghilev declared it to be "a masterpiece...but it is not a ballet. It is the portrait of a ballet." He refused to have it choreographed. Stravinsky, who was also present, maintained absolute silence. Ravel gave the first concert performance of the two-piano version in Vienna that year with fellow composer Alfredo Casella. This reduction is very faithful to the orchestral score, right down to the glissandi. Ravel's solo-piano version is extremely difficult, and so it is infrequently played, although it did meet with the approval of Glenn Gould, who rarely bothered with Ravel's other music. [allmusic.com]
Art by Jean-François Raffaëlli
- published: 10 Oct 2011
- views: 22745
Maurice Ravel Bolero London Symphony Orchestra Valery Gergiev
- Order: Reorder
- Duration: 15:50
- Updated: 26 Jul 2014
- views: 532777
설명
Maurice Ravel, Bolero for Orchestra
London Symphony Orchestra
Cond. Valery Gergiev
- published: 26 Jul 2014
- views: 532777
Maurice Ravel - Piano Concerto in G major. Mov. 2 - adagio assai
- Order: Reorder
- Duration: 9:23
- Updated: 02 Mar 2014
- views: 9068
Maurice Ravel
Piano Concerto in G major. (adagio assai)
Krystian Zimerman (piano)
London Symphony Orchestra
Pierre Boulez
Deutsche Grammophon 449 213-2
Maurice Ravel
Piano Concerto in G major. (adagio assai)
Krystian Zimerman (piano)
London Symphony Orchestra
Pierre Boulez
Deutsche Grammophon 449 213-2
wn.com/Maurice Ravel Piano Concerto In G Major. Mov. 2 Adagio Assai
Maurice Ravel
Piano Concerto in G major. (adagio assai)
Krystian Zimerman (piano)
London Symphony Orchestra
Pierre Boulez
Deutsche Grammophon 449 213-2
- published: 02 Mar 2014
- views: 9068
Maurice Ravel - Bolero [HD]
- Order: Reorder
- Duration: 14:49
- Updated: 04 Jan 2013
- views: 174862
Ravel's famous and very beautiful Bolero.. Reminds me of the rocky mountains, dunno why..
===================================
Check out these funny and nerdy t-...
Ravel's famous and very beautiful Bolero.. Reminds me of the rocky mountains, dunno why..
===================================
Check out these funny and nerdy t-shirts :)
http://nerdtee.me
===================================
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
--
I'm not sure who played this, and I will include it as soon as I find out. :)
wn.com/Maurice Ravel Bolero Hd
Ravel's famous and very beautiful Bolero.. Reminds me of the rocky mountains, dunno why..
===================================
Check out these funny and nerdy t-shirts :)
http://nerdtee.me
===================================
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
--
I'm not sure who played this, and I will include it as soon as I find out. :)
- published: 04 Jan 2013
- views: 174862
ARCHIVIO IEM: Maurice Ravel, Bolero ( London Symphony Orchestra / Valery Gergiev)
- Order: Reorder
- Duration: 19:17
- Updated: 26 May 2013
- views: 677361
Istituto Europeo di Musica
General and Art Director Davide Polovineo
ARCHIVIO IEM / Ravel's Archive_ Bolero
Maurice Ravel, Bolero for Orchestra
London Symphon...
Istituto Europeo di Musica
General and Art Director Davide Polovineo
ARCHIVIO IEM / Ravel's Archive_ Bolero
Maurice Ravel, Bolero for Orchestra
London Symphony Orchestra
Cond. Valery Gergiev
wn.com/Archivio Iem Maurice Ravel, Bolero ( London Symphony Orchestra Valery Gergiev)
Istituto Europeo di Musica
General and Art Director Davide Polovineo
ARCHIVIO IEM / Ravel's Archive_ Bolero
Maurice Ravel, Bolero for Orchestra
London Symphony Orchestra
Cond. Valery Gergiev
- published: 26 May 2013
- views: 677361
Maurice Ravel - Piano Concerto for the left hand (Full)
- Order: Reorder
- Duration: 20:45
- Updated: 16 Dec 2011
- views: 267369
The Orchestra of the University of Music FRANZ LISZT Weimar (Conductor: Prof. Nicolás Pasquet) plays Maurice Ravels Piano concerto for the left hand, which he c...
The Orchestra of the University of Music FRANZ LISZT Weimar (Conductor: Prof. Nicolás Pasquet) plays Maurice Ravels Piano concerto for the left hand, which he composed 1929 for austrian pianist Paul Wittgenstein who lost his right arm during WW I. On the piano Hélène Tysman (29) who finishes her final exam at the LISZT UNIVERSITY with this concert.
The concert took place at the Neue Weimarhalle on December 8th, 2011
wn.com/Maurice Ravel Piano Concerto For The Left Hand (Full)
The Orchestra of the University of Music FRANZ LISZT Weimar (Conductor: Prof. Nicolás Pasquet) plays Maurice Ravels Piano concerto for the left hand, which he composed 1929 for austrian pianist Paul Wittgenstein who lost his right arm during WW I. On the piano Hélène Tysman (29) who finishes her final exam at the LISZT UNIVERSITY with this concert.
The concert took place at the Neue Weimarhalle on December 8th, 2011
- published: 16 Dec 2011
- views: 267369
-
-
Joyce DiDonato - Maurice Ravel, Shéhérazade
Full concert here http://www.medici.tv/#!/alan-gilbert-joyce-didonato-salonen-ravel-strauss Subscribe to our channel for more videos http://ow.ly/ugONZ "Asia", Maurice Ravel, Shéhérazade Joyce DiDonato mezzo-soprano New York Philharmonic Alan Gilbert conductor Recorded live at Philharmonie de Paris, April 25, 2015. © Philharmonie de Paris | Like us on Facebook : https://www.facebook.com/medicitv | Follow us on Twitter : https://twitter.com/medicitv Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year. -
Argerich - Ravel Piano Concerto in G Major
Martha Argerich playing Piano Concerto by Maurice Ravel live from Torino Andrej Boreyko, conductor Orchestra Sinfonica Nazionale della Rai -
Maurice Ravel - "Sonatine pour piano" - Nino Kotrikadze
Live at the Concordia Theatre in Borgo Maggiore, San Marino 2012 -
Emile Naoumoff - Maurice Ravel Valses Nobles et Sentimentales - Live Concert - HD
Emile Naoumoff speelt Maurice Ravel Valses Nobles et Sentimentales tijdens een herdenkingsconcert door vijf internationale meesterpianisten voor de Russische pianist Youri Egorov. Opgenomen op 16 november 2013 in het Muziekgebouw aan 't IJ in Amsterdam tijdens het Young Pianists Festival. -- Emile Naoumoff plays Maurice Ravel Valses Nobles et Sentimentales during a memorial concert for Youri Egorov by five international master pianists. Recorded on November 16th 2013 in the Muziekgebouw aan 't IJ in Amsterdam during the Young Pianists Festival. -
André Rieu - Boléro (Ravel)
André Rieu & the Johann Strauss Orchestra performing Ravel's Boléro live in Maastricht. Taken from the DVD/Blu-Ray "André Rieu - Under the Stars - Live in Maastricht 5." For tour dates visit: http://www.andrerieu.com http://www.facebook.com/andrerieu http://www.twitter.com/andrerieu https://plus.google.com/+andrerieu -
-
Maurice Ravel - "Le tombeau de Couperin" by Angela Hewitt
http://www.cbcmusic.ca Angela Hewitt performs a live concert for the Royal Conservatory of Music at Toronto's Koerner Hall. -
Parker Quartet - Maurice Ravel - String Quartet in F Major (Live on Performance Today)
The Parker Quartet performs Movement I - Allegro Moderato. Tres Doux, from Maurice Ravel's String Quartet in F Major (1903) live on Performance Today. -
Fabrizio Spaggiari: Scarbo - Maurice Ravel - Live - Teatro Ariosto Theater - Reggio Emilia - Piano
Fabrizio Spaggiari plays Maurice Ravel's Scarbo live in Reggio Emilia Ariosto Theater, May 4th 1989 My Facebook page: https://www.facebook.com/pages/Jazzy-Fabbry/146097878822515 -
Maurice Ravel: 'Bolero'
Volker Hartung conducts Ravel's Bolero in a live performance given at Cologne Philharmonic Hall. Volker Hartung dirigiert Maurice Ravel's Bolero. Live Konzertmitschnitt aus der Kölner Philharmonie. -
Morgan (Marco Castoldi) suona Maurice Ravel (live@Cage, Livorno)
08/02/2014 - Live at The Cage Theatre - Morgan (Marco Castoldi) suona Maurice Ravel (secondo tempo del concerto in sol per piano ed orchestra) Sito Ufficiale: The Cage Theatre http://thecagetheatre.it Produzione: WeUSETV - http://www.weusetv.com Merchandising (coming soon): http://www.weusetv.com/channel/cagerocktv Grazie di cuore a Morgan, per averci onorato con la sua presenza e per concederci di pubblicare il video sul nostro canale, e a tutto lo staff del Cage. Segui Ilboccatv: http://www.youtube.com/user/IlBoccaTV Che cosa ne pensi di questi canali?..what do you think about this channel? http://www.youtube.com/user/WeUSETV http://www.youtube.com/user/ilboccatv http://www.youtube.com/user/Livornorugbytv http://www.youtube.com/user/CageRockTv http://www.youtube.com/user/TresMusicChan... -
Maurice Ravel - Concerto pour la main Gauche 2/2 live on Erard Concert Grand
Live-recording of Tamara Rumiantsev and Noord Nederlands Orkest conducted by Jacques Mercier. Erard Concert Grand of Frits Janmaat. -
Maurice Ravel, La Valse, Royal Concertgebouw Orchestra live, Mariss Jansons
Maurice Ravel (1875 - 1939) La valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), is a work written by Maurice Ravel between February 1919 and 1920 . From the cd box Mariss Jansons live, the radio recordings. This piece is recorded by AVRO in the Concertgebouw Amsterdam 4th of February 2007 -
Sviatoslav Richter plays Ravel "Pavane"
Maurice Ravel - "Pavane pour une Infante Defunte" Live recording, 1954 -
Linden Quartet: M. Ravel, String Quartet in F Major
String Quartet in F major Maurice Ravel (1875-1937) I. Allegro moderato. Très doux II. Assez vif. Très rythmé (9:21) III. Très lent (17:12) IV. Vif et agité (26:13) (recorded live by the Linden String Quartet in Sprague Hall, Yale University, 02/20/12) About the Linden String Quartet: Described as "...polished, radiant and incisive..." (The Strad), the Linden String Quartet--formed in 2008 at the Cleveland Institute of Music--has already enjoyed remarkable success with victories at the 2010 Concert Artists Guild International Competition, 2009 Fischoff National Chamber Music Competition (Gold Medal/Grand Prize) and the 9th Borciani International String Quartet Competition (ProQuartet Prize). Previously Graduate String Quartet-in-Residence at the Yale School of Music, the quartet now s... -
Berlin Reichstag - Shoah Day - Maurice Ravel - Kaddish
At the conclusion of the ceremony commemorating International Shoah Day on January 27th 2010 South African born violinist Daniel Hope plays a very moving Kaddish by Maurice Ravel. Prior to the music Israel's president Shimon Peres and Polish writer and publicist Dr. Feliks Tych delivered much acclaimed speeches to both Houses. -
Bolero - Andre Rieu (Live)
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition. -
Hagen Quartet - Maurice Ravel - String Quartet in F - Assez vif, Très rythmé (2/4)
The second movement of 28 year-old Ravel's Quatuor à Cordes. He is said to have been meticulous in his writing, and, finally, a group of musicians have matched his efforts in terms of attention. This is, in my opinion, the best performance and recording of this piece. The second movement is possibly the most known, as audiences remember the pizzicato opening; its usage in media, such as for the film "The Royal Tenenbaums" (W. Anderson) and as trailer music for films such as "Be Kind Rewind" (M. Gondry) also furthers its memorability. Assez vif introduces two new melodies; a rhythmic melody and a contrasting "sung" melody, which is both graceful and heroic. It is as though these are character motifs. Hagen Quartet: First Violin - Lukas Hagen (Austria) Second Violin - Rainer Schmid...
(Maurice Ravel) Bolero - Sungha Jung (live)
- Order: Reorder
- Duration: 5:06
- Updated: 21 Jun 2015
- views: 82224
Joyce DiDonato - Maurice Ravel, Shéhérazade
- Order: Reorder
- Duration: 2:22
- Updated: 28 Apr 2015
- views: 3638
Full concert here http://www.medici.tv/#!/alan-gilbert-joyce-didonato-salonen-ravel-strauss
Subscribe to our channel for more videos http://ow.ly/ugONZ
"Asia",...
Full concert here http://www.medici.tv/#!/alan-gilbert-joyce-didonato-salonen-ravel-strauss
Subscribe to our channel for more videos http://ow.ly/ugONZ
"Asia", Maurice Ravel, Shéhérazade
Joyce DiDonato mezzo-soprano
New York Philharmonic
Alan Gilbert conductor
Recorded live at Philharmonie de Paris, April 25, 2015.
© Philharmonie de Paris
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
wn.com/Joyce Didonato Maurice Ravel, Shéhérazade
Full concert here http://www.medici.tv/#!/alan-gilbert-joyce-didonato-salonen-ravel-strauss
Subscribe to our channel for more videos http://ow.ly/ugONZ
"Asia", Maurice Ravel, Shéhérazade
Joyce DiDonato mezzo-soprano
New York Philharmonic
Alan Gilbert conductor
Recorded live at Philharmonie de Paris, April 25, 2015.
© Philharmonie de Paris
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
Medici.tv is the first classical music digital channel, offering a catalogue of over 1 400 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
- published: 28 Apr 2015
- views: 3638
Argerich - Ravel Piano Concerto in G Major
- Order: Reorder
- Duration: 23:51
- Updated: 07 Jan 2011
- views: 221173
Martha Argerich playing Piano Concerto by Maurice Ravel live from Torino
Andrej Boreyko, conductor
Orchestra Sinfonica Nazionale della Rai
Martha Argerich playing Piano Concerto by Maurice Ravel live from Torino
Andrej Boreyko, conductor
Orchestra Sinfonica Nazionale della Rai
wn.com/Argerich Ravel Piano Concerto In G Major
Martha Argerich playing Piano Concerto by Maurice Ravel live from Torino
Andrej Boreyko, conductor
Orchestra Sinfonica Nazionale della Rai
- published: 07 Jan 2011
- views: 221173
Maurice Ravel - "Sonatine pour piano" - Nino Kotrikadze
- Order: Reorder
- Duration: 10:37
- Updated: 28 Aug 2014
- views: 2624
Emile Naoumoff - Maurice Ravel Valses Nobles et Sentimentales - Live Concert - HD
- Order: Reorder
- Duration: 15:24
- Updated: 05 Dec 2013
- views: 10171
Emile Naoumoff speelt Maurice Ravel Valses Nobles et Sentimentales tijdens een herdenkingsconcert door vijf internationale meesterpianisten voor de Russische pi...
Emile Naoumoff speelt Maurice Ravel Valses Nobles et Sentimentales tijdens een herdenkingsconcert door vijf internationale meesterpianisten voor de Russische pianist Youri Egorov.
Opgenomen op 16 november 2013 in het Muziekgebouw aan 't IJ in Amsterdam tijdens het Young Pianists Festival.
--
Emile Naoumoff plays Maurice Ravel Valses Nobles et Sentimentales during a memorial concert for Youri Egorov by five international master pianists.
Recorded on November 16th 2013 in the Muziekgebouw aan 't IJ in Amsterdam during the Young Pianists Festival.
wn.com/Emile Naoumoff Maurice Ravel Valses Nobles Et Sentimentales Live Concert Hd
Emile Naoumoff speelt Maurice Ravel Valses Nobles et Sentimentales tijdens een herdenkingsconcert door vijf internationale meesterpianisten voor de Russische pianist Youri Egorov.
Opgenomen op 16 november 2013 in het Muziekgebouw aan 't IJ in Amsterdam tijdens het Young Pianists Festival.
--
Emile Naoumoff plays Maurice Ravel Valses Nobles et Sentimentales during a memorial concert for Youri Egorov by five international master pianists.
Recorded on November 16th 2013 in the Muziekgebouw aan 't IJ in Amsterdam during the Young Pianists Festival.
- published: 05 Dec 2013
- views: 10171
André Rieu - Boléro (Ravel)
- Order: Reorder
- Duration: 6:57
- Updated: 24 Apr 2012
- views: 8993039
André Rieu & the Johann Strauss Orchestra performing Ravel's Boléro live in Maastricht.
Taken from the DVD/Blu-Ray "André Rieu - Under the Stars - Live in Maast...
André Rieu & the Johann Strauss Orchestra performing Ravel's Boléro live in Maastricht.
Taken from the DVD/Blu-Ray "André Rieu - Under the Stars - Live in Maastricht 5."
For tour dates visit: http://www.andrerieu.com
http://www.facebook.com/andrerieu
http://www.twitter.com/andrerieu
https://plus.google.com/+andrerieu
wn.com/André Rieu Boléro (Ravel)
André Rieu & the Johann Strauss Orchestra performing Ravel's Boléro live in Maastricht.
Taken from the DVD/Blu-Ray "André Rieu - Under the Stars - Live in Maastricht 5."
For tour dates visit: http://www.andrerieu.com
http://www.facebook.com/andrerieu
http://www.twitter.com/andrerieu
https://plus.google.com/+andrerieu
- published: 24 Apr 2012
- views: 8993039
Vahid Khadem-Missagh performing Ravel "Tzigane", live concert recording, Veronika Trisko, piano
- Order: Reorder
- Duration: 10:43
- Updated: 30 Jun 2013
- views: 1883
Vahid Khadem-Missagh performing Maurice Ravel's "Tzigane"
live concert recording, 12th May 2013 @ Congress Casino Baden
Veronika Trisko, piano
www.khadem-missag...
Vahid Khadem-Missagh performing Maurice Ravel's "Tzigane"
live concert recording, 12th May 2013 @ Congress Casino Baden
Veronika Trisko, piano
www.khadem-missagh.com
wn.com/Vahid Khadem Missagh Performing Ravel Tzigane , Live Concert Recording, Veronika Trisko, Piano
Maurice Ravel - "Le tombeau de Couperin" by Angela Hewitt
- Order: Reorder
- Duration: 25:24
- Updated: 12 Feb 2012
- views: 353226
http://www.cbcmusic.ca
Angela Hewitt performs a live concert for the Royal Conservatory of Music at Toronto's Koerner Hall.
http://www.cbcmusic.ca
Angela Hewitt performs a live concert for the Royal Conservatory of Music at Toronto's Koerner Hall.
wn.com/Maurice Ravel Le Tombeau De Couperin By Angela Hewitt
http://www.cbcmusic.ca
Angela Hewitt performs a live concert for the Royal Conservatory of Music at Toronto's Koerner Hall.
- published: 12 Feb 2012
- views: 353226
Parker Quartet - Maurice Ravel - String Quartet in F Major (Live on Performance Today)
- Order: Reorder
- Duration: 8:34
- Updated: 21 Jan 2010
- views: 16548
The Parker Quartet performs Movement I - Allegro Moderato. Tres Doux, from Maurice Ravel's String Quartet in F Major (1903) live on Performance Today.
The Parker Quartet performs Movement I - Allegro Moderato. Tres Doux, from Maurice Ravel's String Quartet in F Major (1903) live on Performance Today.
wn.com/Parker Quartet Maurice Ravel String Quartet In F Major (Live On Performance Today)
The Parker Quartet performs Movement I - Allegro Moderato. Tres Doux, from Maurice Ravel's String Quartet in F Major (1903) live on Performance Today.
- published: 21 Jan 2010
- views: 16548
Fabrizio Spaggiari: Scarbo - Maurice Ravel - Live - Teatro Ariosto Theater - Reggio Emilia - Piano
- Order: Reorder
- Duration: 8:45
- Updated: 08 Jan 2011
- views: 1294
Fabrizio Spaggiari plays Maurice Ravel's Scarbo live in Reggio Emilia Ariosto Theater, May 4th 1989
My Facebook page:
https://www.facebook.com/pages/Jazzy-Fabb...
Fabrizio Spaggiari plays Maurice Ravel's Scarbo live in Reggio Emilia Ariosto Theater, May 4th 1989
My Facebook page:
https://www.facebook.com/pages/Jazzy-Fabbry/146097878822515
wn.com/Fabrizio Spaggiari Scarbo Maurice Ravel Live Teatro Ariosto Theater Reggio Emilia Piano
Fabrizio Spaggiari plays Maurice Ravel's Scarbo live in Reggio Emilia Ariosto Theater, May 4th 1989
My Facebook page:
https://www.facebook.com/pages/Jazzy-Fabbry/146097878822515
- published: 08 Jan 2011
- views: 1294
Maurice Ravel: 'Bolero'
- Order: Reorder
- Duration: 9:06
- Updated: 30 Aug 2008
- views: 93743
Volker Hartung conducts Ravel's Bolero in a live performance given at Cologne Philharmonic Hall.
Volker Hartung dirigiert Maurice Ravel's Bolero.
Live Kon...
Volker Hartung conducts Ravel's Bolero in a live performance given at Cologne Philharmonic Hall.
Volker Hartung dirigiert Maurice Ravel's Bolero.
Live Konzertmitschnitt aus der Kölner Philharmonie.
wn.com/Maurice Ravel 'Bolero'
Volker Hartung conducts Ravel's Bolero in a live performance given at Cologne Philharmonic Hall.
Volker Hartung dirigiert Maurice Ravel's Bolero.
Live Konzertmitschnitt aus der Kölner Philharmonie.
- published: 30 Aug 2008
- views: 93743
Morgan (Marco Castoldi) suona Maurice Ravel (live@Cage, Livorno)
- Order: Reorder
- Duration: 13:05
- Updated: 17 Apr 2014
- views: 1173
08/02/2014 - Live at The Cage Theatre - Morgan (Marco Castoldi) suona Maurice Ravel (secondo tempo del concerto in sol per piano ed orchestra)
Sito Ufficiale: T...
08/02/2014 - Live at The Cage Theatre - Morgan (Marco Castoldi) suona Maurice Ravel (secondo tempo del concerto in sol per piano ed orchestra)
Sito Ufficiale: The Cage Theatre http://thecagetheatre.it
Produzione: WeUSETV - http://www.weusetv.com
Merchandising (coming soon): http://www.weusetv.com/channel/cagerocktv
Grazie di cuore a Morgan, per averci onorato con la sua presenza e per concederci di pubblicare il video sul nostro canale, e a tutto lo staff del Cage.
Segui Ilboccatv: http://www.youtube.com/user/IlBoccaTV
Che cosa ne pensi di questi canali?..what do you think about this channel?
http://www.youtube.com/user/WeUSETV
http://www.youtube.com/user/ilboccatv
http://www.youtube.com/user/Livornorugbytv
http://www.youtube.com/user/CageRockTv
http://www.youtube.com/user/TresMusicChannel
http://www.youtube.com/user/TerrapuraTV
http://www.youtube.com/user/EtruschiFootball
http://www.youtube.com/user/Lukeespression
http://www.youtube.com/user/EvaGiovannini
http://www.youtube.com/user/andrej333tube
http://www.youtube.com/user/Camminatorifolli
http://www.youtube.com/user/scorpiopubblicita
http://www.youtube.com/user/mrandregiova
http://www.youtube.com/user/mrnembokidde
Pagina G+: IlBoccaTV; WeUSETV, Terrapura, Hodos psicosintesi, CagerockTV, Tres Music Channel, Etruschi Football, Hodos Psicosintesi.
Pagine facebook :USE TV & USE: United States of Earth, CagerockTv, Etruschi Football
wn.com/Morgan (Marco Castoldi) Suona Maurice Ravel (Live Cage, Livorno)
08/02/2014 - Live at The Cage Theatre - Morgan (Marco Castoldi) suona Maurice Ravel (secondo tempo del concerto in sol per piano ed orchestra)
Sito Ufficiale: The Cage Theatre http://thecagetheatre.it
Produzione: WeUSETV - http://www.weusetv.com
Merchandising (coming soon): http://www.weusetv.com/channel/cagerocktv
Grazie di cuore a Morgan, per averci onorato con la sua presenza e per concederci di pubblicare il video sul nostro canale, e a tutto lo staff del Cage.
Segui Ilboccatv: http://www.youtube.com/user/IlBoccaTV
Che cosa ne pensi di questi canali?..what do you think about this channel?
http://www.youtube.com/user/WeUSETV
http://www.youtube.com/user/ilboccatv
http://www.youtube.com/user/Livornorugbytv
http://www.youtube.com/user/CageRockTv
http://www.youtube.com/user/TresMusicChannel
http://www.youtube.com/user/TerrapuraTV
http://www.youtube.com/user/EtruschiFootball
http://www.youtube.com/user/Lukeespression
http://www.youtube.com/user/EvaGiovannini
http://www.youtube.com/user/andrej333tube
http://www.youtube.com/user/Camminatorifolli
http://www.youtube.com/user/scorpiopubblicita
http://www.youtube.com/user/mrandregiova
http://www.youtube.com/user/mrnembokidde
Pagina G+: IlBoccaTV; WeUSETV, Terrapura, Hodos psicosintesi, CagerockTV, Tres Music Channel, Etruschi Football, Hodos Psicosintesi.
Pagine facebook :USE TV & USE: United States of Earth, CagerockTv, Etruschi Football
- published: 17 Apr 2014
- views: 1173
Maurice Ravel - Concerto pour la main Gauche 2/2 live on Erard Concert Grand
- Order: Reorder
- Duration: 10:00
- Updated: 04 Jun 2010
- views: 4198
Live-recording of Tamara Rumiantsev and Noord Nederlands Orkest conducted by Jacques Mercier. Erard Concert Grand of Frits Janmaat.
Live-recording of Tamara Rumiantsev and Noord Nederlands Orkest conducted by Jacques Mercier. Erard Concert Grand of Frits Janmaat.
wn.com/Maurice Ravel Concerto Pour La Main Gauche 2 2 Live On Erard Concert Grand
Live-recording of Tamara Rumiantsev and Noord Nederlands Orkest conducted by Jacques Mercier. Erard Concert Grand of Frits Janmaat.
- published: 04 Jun 2010
- views: 4198
Maurice Ravel, La Valse, Royal Concertgebouw Orchestra live, Mariss Jansons
- Order: Reorder
- Duration: 12:51
- Updated: 23 Jan 2016
- views: 36
Maurice Ravel (1875 - 1939)
La valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), is a work written by Maurice Ravel between Febr...
Maurice Ravel (1875 - 1939)
La valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), is a work written by Maurice Ravel between February 1919 and 1920 .
From the cd box Mariss Jansons live, the radio recordings. This piece is recorded by AVRO in the Concertgebouw Amsterdam 4th of February 2007
wn.com/Maurice Ravel, La Valse, Royal Concertgebouw Orchestra Live, Mariss Jansons
Maurice Ravel (1875 - 1939)
La valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), is a work written by Maurice Ravel between February 1919 and 1920 .
From the cd box Mariss Jansons live, the radio recordings. This piece is recorded by AVRO in the Concertgebouw Amsterdam 4th of February 2007
- published: 23 Jan 2016
- views: 36
Sviatoslav Richter plays Ravel "Pavane"
- Order: Reorder
- Duration: 7:05
- Updated: 18 Jan 2008
- views: 526247
Maurice Ravel - "Pavane pour une Infante Defunte"
Live recording, 1954
- published: 18 Jan 2008
- views: 526247
Linden Quartet: M. Ravel, String Quartet in F Major
- Order: Reorder
- Duration: 33:01
- Updated: 04 Jul 2013
- views: 8395
String Quartet in F major
Maurice Ravel (1875-1937)
I. Allegro moderato. Très doux
II. Assez vif. Très rythmé (9:21)
III. Très lent (17:12)
IV. Vif et agité (2...
String Quartet in F major
Maurice Ravel (1875-1937)
I. Allegro moderato. Très doux
II. Assez vif. Très rythmé (9:21)
III. Très lent (17:12)
IV. Vif et agité (26:13)
(recorded live by the Linden String Quartet in Sprague Hall, Yale University, 02/20/12)
About the Linden String Quartet:
Described as "...polished, radiant and incisive..." (The Strad), the Linden String Quartet--formed in 2008 at the Cleveland Institute of Music--has already enjoyed remarkable success with victories at the 2010 Concert Artists Guild International Competition, 2009 Fischoff National Chamber Music Competition (Gold Medal/Grand Prize) and the 9th Borciani International String Quartet Competition (ProQuartet Prize). Previously Graduate String Quartet-in-Residence at the Yale School of Music, the quartet now splits its time between touring and presenting the Parallels Chamber Music Series in Cleveland's Severance Hall (Reinberger Chamber Music Stage).
Check them out at: http://www.lindenquartet.com
wn.com/Linden Quartet M. Ravel, String Quartet In F Major
String Quartet in F major
Maurice Ravel (1875-1937)
I. Allegro moderato. Très doux
II. Assez vif. Très rythmé (9:21)
III. Très lent (17:12)
IV. Vif et agité (26:13)
(recorded live by the Linden String Quartet in Sprague Hall, Yale University, 02/20/12)
About the Linden String Quartet:
Described as "...polished, radiant and incisive..." (The Strad), the Linden String Quartet--formed in 2008 at the Cleveland Institute of Music--has already enjoyed remarkable success with victories at the 2010 Concert Artists Guild International Competition, 2009 Fischoff National Chamber Music Competition (Gold Medal/Grand Prize) and the 9th Borciani International String Quartet Competition (ProQuartet Prize). Previously Graduate String Quartet-in-Residence at the Yale School of Music, the quartet now splits its time between touring and presenting the Parallels Chamber Music Series in Cleveland's Severance Hall (Reinberger Chamber Music Stage).
Check them out at: http://www.lindenquartet.com
- published: 04 Jul 2013
- views: 8395
Berlin Reichstag - Shoah Day - Maurice Ravel - Kaddish
- Order: Reorder
- Duration: 5:32
- Updated: 28 Jan 2010
- views: 36583
At the conclusion of the ceremony commemorating International Shoah Day on January 27th 2010 South African born violinist Daniel Hope plays a very moving Kaddis...
At the conclusion of the ceremony commemorating International Shoah Day on January 27th 2010 South African born violinist Daniel Hope plays a very moving Kaddish by Maurice Ravel.
Prior to the music Israel's president Shimon Peres and Polish writer and publicist Dr. Feliks Tych delivered much acclaimed speeches to both Houses.
wn.com/Berlin Reichstag Shoah Day Maurice Ravel Kaddish
At the conclusion of the ceremony commemorating International Shoah Day on January 27th 2010 South African born violinist Daniel Hope plays a very moving Kaddish by Maurice Ravel.
Prior to the music Israel's president Shimon Peres and Polish writer and publicist Dr. Feliks Tych delivered much acclaimed speeches to both Houses.
- published: 28 Jan 2010
- views: 36583
Bolero - Andre Rieu (Live)
- Order: Reorder
- Duration: 6:32
- Updated: 21 Mar 2013
- views: 31627
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937).
Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the p...
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937).
Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
wn.com/Bolero Andre Rieu (Live)
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937).
Originally composed as a ballet commissioned by Russian ballerina Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.
- published: 21 Mar 2013
- views: 31627
Hagen Quartet - Maurice Ravel - String Quartet in F - Assez vif, Très rythmé (2/4)
- Order: Reorder
- Duration: 6:28
- Updated: 27 Oct 2009
- views: 412636
The second movement of 28 year-old Ravel's Quatuor à Cordes. He is said to have been meticulous in his writing, and, finally, a group of musicians have matched ...
The second movement of 28 year-old Ravel's Quatuor à Cordes. He is said to have been meticulous in his writing, and, finally, a group of musicians have matched his efforts in terms of attention. This is, in my opinion, the best performance and recording of this piece.
The second movement is possibly the most known, as audiences remember the pizzicato opening; its usage in media, such as for the film "The Royal Tenenbaums" (W. Anderson) and as trailer music for films such as "Be Kind Rewind" (M. Gondry) also furthers its memorability. Assez vif introduces two new melodies; a rhythmic melody and a contrasting "sung" melody, which is both graceful and heroic. It is as though these are character motifs.
Hagen Quartet:
First Violin - Lukas Hagen (Austria)
Second Violin - Rainer Schmidt (Germany)
Viola - Veronika Hagen (Austria)
'Cello - Clemens Hagen (Austria)
Concert hall - Mozarteum, Salzburg, Austria. (2000.)
DISCLAIMER: I do not own the copyrights. I am uploading these in the spirit of sharing artistry and education. I urge you to visit the following links and consider purchasing:
The avi file, http://www.medici.tv/#/movie/2832/
And/or the DVD, http://www.hbdirect.com/album_detail.php?pid=3003258
wn.com/Hagen Quartet Maurice Ravel String Quartet In F Assez Vif, Très Rythmé (2 4)
The second movement of 28 year-old Ravel's Quatuor à Cordes. He is said to have been meticulous in his writing, and, finally, a group of musicians have matched his efforts in terms of attention. This is, in my opinion, the best performance and recording of this piece.
The second movement is possibly the most known, as audiences remember the pizzicato opening; its usage in media, such as for the film "The Royal Tenenbaums" (W. Anderson) and as trailer music for films such as "Be Kind Rewind" (M. Gondry) also furthers its memorability. Assez vif introduces two new melodies; a rhythmic melody and a contrasting "sung" melody, which is both graceful and heroic. It is as though these are character motifs.
Hagen Quartet:
First Violin - Lukas Hagen (Austria)
Second Violin - Rainer Schmidt (Germany)
Viola - Veronika Hagen (Austria)
'Cello - Clemens Hagen (Austria)
Concert hall - Mozarteum, Salzburg, Austria. (2000.)
DISCLAIMER: I do not own the copyrights. I am uploading these in the spirit of sharing artistry and education. I urge you to visit the following links and consider purchasing:
The avi file, http://www.medici.tv/#/movie/2832/
And/or the DVD, http://www.hbdirect.com/album_detail.php?pid=3003258
- published: 27 Oct 2009
- views: 412636
-
Ravel - Piano Works
Performed by Pascal Rogé Year of recording: 1994 Part II: https://www.youtube.com/watch?v=nru9vdZG8K4 0:00 Sonatine I 4:40 Sonatine II 8:06 Sonatine III 11:53 Prélude 13:29 Pavane pour une infante défunte 19:43 Menuet sur le nom d'Haydn 21:29 Menuet antique 27:45 Le tombeau de Couperin I 30:41 Le tombeau de Couperin II 34:38 Le tombeau de Couperin III 39:52 Le tombeau de Couperin IV 43:03 Le tombeau de Couperin V 48:13 Le tombeau de Couperin VI 51:54 A la manière de Chabrier 53:50 A la manière de Borodine http://en.wikipedia.org/wiki/Pascal_Rog%C3%A9 -
Maurice Ravel - Daphnis et Chloé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) - Orchestra: Orchestre Symphonique de Montréal - Choir: Montreal Symphony Orchestra Chorus - Conductor: Charles Dutoit - Soloist: Timothy Hutchins (flute) - Year of recording: 1980 Daphnis et Chloé, ballet for orchestra, written in 1909-1912. Part I (Une prairie а la lisiére d'un bois sacré) 00:00 - 01. Introduction et Danse religieuse 10:20 - 02. Danse générale 11:51 - 03. Danse grotesque de Dorcon 13:46 - 04. Danse légère et gracieuse de Daphnis 18:11 - 05. Danse de Lycéion 23:10 - 06. Danse lente et mystérieuse des Nymphes (Nocturne) Part II (Camp des pirates) 29:08 - 07. Introduction 29:22 - 08. Danse guerrière 33:45 - 09. Danse suppliante de Chloé Part III (Paysage du première 1er tableau, а la fin de la nu... -
Maurice Ravel-Piano Trio in A minor + Sheets
-Movements 1. Modéré, 0:00 2. Pantoum (Assez vif), 9:52 3. Passacaille: Trés large, 14:23 4. Final: Animé, 21:30 ---- -Artists Menuhin-Violin Cassadó-Cello Kentner-Piano Rec-1960 ---- Score- http://imslp.org/wiki/Piano_Trio_(Ravel,_Maurice) ---- The trio opens with a movement marked modéré, a sonata whose dreamy themes in a modal cast spaciously float in a surprisingly placid sequence that is more suggestive than argumentative, dream rather than discourse. There are two clear themes. The first is rhythmic, brief and somewhat dark, the second delicate, lyrical and bright, both familiar as Ravel's poetic language. The development focuses chiefly on the first, returns into the gentle dawn of the second and obliquely concludes with elements of both drawn into new harmonic rea... -
Maurice Ravel Porträt Teil 1
-
Maurice Ravel - Piano Concerto in G Major
This is my favorite version of Ravel's Piano Concerto in G Major, but I haven't been able to find it posted by anyone else. If this version is already posted on youtube and someone can show me, then i'll take this one down. I'm not sure when, where, or by whom this was performed, I ripped it from a library CD a while ago. -
David Fray: Maurice Ravel - Concerto in G major (Orchestre de Paris & Esa-Pekka Salonen)
Recorded at the Salle Pleyel, 8 March 2011 Orchestre de Paris Esa-Pekka Salonen - conductor David Fray - piano Maurice Ravel - Concerto in G major 0:00 I. Allegramente 8:32 II. Adagio assai 16:52 III. Presto Watch the full concert: https://www.youtube.com/watch?v=kxEMgHGrAPM&list;=PLBjoEdEVMABLaKeEEZglMr4TmrkToDLFB Esa-Pekka Salonen is particularly renowned for his expertise in music of the 20th century. In this concert, he conducts Debussy and Ravel for the first time with the Orchestre de Paris. It is also a rare opportunity to hear the maestro conducting Classical repertoire, specifically Beethoven. -
Ravel - Le Tombeau de Couperin, orchestration complète
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long, la suite pour piano Le Tombeau de Couperin comporte six morceaux, Prélude, Fugue, Forlane, Rigaudon, Menuet et Toccata, dédiés à la mémoire d'amis tombés au cours de la Première Guerre mondiale. Ravel orchestra par la suite quatre de ces pièces, entendues pour la première fois sous cette forme en février 1920 et se jouant dans l'ordre suivant : Prélude, Forlane, Menuet et Rigaudon. Près de 80 ans plus tard, le pianiste et chef d'orchestre hongrois Zoltán Kocsis entreprit d'orchestrer les deux pièces restantes, la Fugue et la Toccata. C'est cette version orchestrale complète qu'on peut entendre ici, interprétée par l'Orchestre Philharmonique National Hongrois dirigé par Zoltán Kocsis (l'image sur la... -
Modest Mussorgsky / Maurice Ravel - Pictures at an Exhibition
Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане, Kartinki s vystavki -- Vospominaniye o Viktore Gartmane, "Pictures from an Exhibition -- A Remembrance of Viktor Hartmann") is a suite composed for piano by Russian composer Modest Mussorgsky in 1874. The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Ravel's arrangement being the most recorded and performed. It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. Hartmann died from an aneurysm i... -
Gürzenich-Orchester Köln, Maurice Ravel, Klavierkonzert G-Dur, Louis Langrée, Steven Osborne
Maurice Ravel, Klavierkonzert G-Dur Gürzenich-Orchester Köln Louis Langrée, Dirigent Konzert vom 22. Dezember 2015 Aufgezeichnet für GO PLUS http://www.guerzenich-orchester.de/go-plus -
Maurice Ravel Piano Concerto in G (Leonard Bernstein)
Maurice Ravel Piano Concerto in G (Leonard Bernstein) -
Maurice Ravel-String Quartet in F Major (Complete)
Budapest String Quartet (Joseph Roisman, Alexander Schneider: violin, Boris Kroyt: viola, Mischa Schneider: cello)-1958 -
Gürzenich-Orchester Köln, Maurice Ravel, Ma mère l'oye, Louis Langrée
Maurice Ravel, Ma mère l'oye – Cinq pièces enfantines Gürzenich-Orchester Köln Louis Langrée, Dirigent Konzert vom 22. Dezember 2015 Aufgezeichnet für GO PLUS http://www.guerzenich-orchester.de/go-plus -
Maurice Ravel - Le Tombeau de Couperin (piano, complete)
Maurice Ravel - Le Tombeau de Couperin 00:00 - 1. Prélude 03:33 - 2. Fugue 06:47 - 3. Forlane 13:42 - 4. Rigaudon 17:00 - 5. Menuet 21:51 - 6. Toccata Dušan Holý - piano Piano: Steinway D ********* Here is another record from my concert in Brno / Czech rep., in 2006.. AULA hall of Janáček Academy of Performing Arts. It's funny - those times, I kind of had almost no idea who is Couperin, who is Rameau.. I was just somehow pretty much in love with Ravel's music, and my teacher decided to give me Tombeau as a "starter" piece for my final graduation recital.. Is almost 10 years ago.. :( - sooo long.. Anyway, today I know much better who is Rameau and Couperin, so maybe one day when I play this again, will improve some things (especially ornamentation... :) is really funny to hear myself after ...
Ravel - Piano Works
- Order: Reorder
- Duration: 55:31
- Updated: 24 Feb 2014
- views: 418117
Performed by Pascal Rogé
Year of recording: 1994
Part II: https://www.youtube.com/watch?v=nru9vdZG8K4
0:00 Sonatine I
4:40 Sonatine II
8:06 Sonatine III
11:53 ...
Performed by Pascal Rogé
Year of recording: 1994
Part II: https://www.youtube.com/watch?v=nru9vdZG8K4
0:00 Sonatine I
4:40 Sonatine II
8:06 Sonatine III
11:53 Prélude
13:29 Pavane pour une infante défunte
19:43 Menuet sur le nom d'Haydn
21:29 Menuet antique
27:45 Le tombeau de Couperin I
30:41 Le tombeau de Couperin II
34:38 Le tombeau de Couperin III
39:52 Le tombeau de Couperin IV
43:03 Le tombeau de Couperin V
48:13 Le tombeau de Couperin VI
51:54 A la manière de Chabrier
53:50 A la manière de Borodine
http://en.wikipedia.org/wiki/Pascal_Rog%C3%A9
wn.com/Ravel Piano Works
Performed by Pascal Rogé
Year of recording: 1994
Part II: https://www.youtube.com/watch?v=nru9vdZG8K4
0:00 Sonatine I
4:40 Sonatine II
8:06 Sonatine III
11:53 Prélude
13:29 Pavane pour une infante défunte
19:43 Menuet sur le nom d'Haydn
21:29 Menuet antique
27:45 Le tombeau de Couperin I
30:41 Le tombeau de Couperin II
34:38 Le tombeau de Couperin III
39:52 Le tombeau de Couperin IV
43:03 Le tombeau de Couperin V
48:13 Le tombeau de Couperin VI
51:54 A la manière de Chabrier
53:50 A la manière de Borodine
http://en.wikipedia.org/wiki/Pascal_Rog%C3%A9
- published: 24 Feb 2014
- views: 418117
Maurice Ravel - Daphnis et Chloé
- Order: Reorder
- Duration: 56:11
- Updated: 14 Nov 2015
- views: 4334
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre Symphonique de Montréal
- Choir: Montreal Symphony Orchestra Chorus...
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre Symphonique de Montréal
- Choir: Montreal Symphony Orchestra Chorus
- Conductor: Charles Dutoit
- Soloist: Timothy Hutchins (flute)
- Year of recording: 1980
Daphnis et Chloé, ballet for orchestra, written in 1909-1912.
Part I (Une prairie а la lisiére d'un bois sacré)
00:00 - 01. Introduction et Danse religieuse
10:20 - 02. Danse générale
11:51 - 03. Danse grotesque de Dorcon
13:46 - 04. Danse légère et gracieuse de Daphnis
18:11 - 05. Danse de Lycéion
23:10 - 06. Danse lente et mystérieuse des Nymphes (Nocturne)
Part II (Camp des pirates)
29:08 - 07. Introduction
29:22 - 08. Danse guerrière
33:45 - 09. Danse suppliante de Chloé
Part III (Paysage du première 1er tableau, а la fin de la nuit)
39:33 - 10. Lever du jour
45:06 - 11. Pantomime (Les amours de Pan et Syrinx)
52:39 - 12. Danse générale (Bacchanale)
Many consider Daphnis et Chloé, a symphonie choréographique in three scenes, to be Maurice Ravel's greatest work. The label may not really be a fair one; there were so many different Maurice Ravels throughout his life, each with a different set of musical goals, each exploring different musical worlds, that it is not right to assign the label of life masterpiece to the top work of any one of those periods, over the top works of all the others, just because it happens to be longer, more ambitious, and easier to access. But Daphnis et Chloé is certainly one of the most colorfully, intricately, and in a very immediate, almost physical sense, beautifully scored works ever written; if one were to assign pre-eminent status to any of Ravel's works solely on the basis of orchestration, this ballet would, without a doubt, be the one selected for the honor. There may be no more skillfully orchestrated work in all the twentieth century repertoire (Stravinsky's work included) and whole shelves of orchestration textbooks could be eliminated without loss by simply replacing them with an astute examination of this score.
Daphnis et Chloé was composed between 1909 and 1912, after a commission by Diaghilev and the Ballets Russes, and is a setting of a scenario adapted by Mikhail Fokine from the Greek work of the same name by Longus. It was premiered on 8 June 1912. The performance was not well prepared, and few people took note of Ravel's piece. Two orchestral suites derived from the score, however, did make a splash when Ravel brought them out just a short time after (especially the Suite No. 2, which is probably still Ravel's most often-played work).
Ravel was always far more interested in reproducing traditional musical forms and structures than he was in achieving the kind of sonic soundscapes that get rather callously lumped together as impressionist music; Daphnis et Chloé is, section-by-section, built along firmly classical lines (Ravel was extremely proud of the fact). Even the famous sunrise music at the opening of the third scene, with its scintillating thirty-second notes strewn about the orchestra and bright chirrups from the flute and piccolo flute and ecstatic, rising melody, has nothing in it that might be called progressive or even especially innovative in a technical sense, though certainly nothing written before it sounds even remotely like it. This was the essence of Ravel's genius: the ability to take the old and make it somehow sound completely new and different. Whether Daphnis et Chloé is Ravel's greatest achievement may be an irrelevant question: from the very first call of the backstage choir, distant and brought forth from an ancient world of shepherds and nymphs, to the rhythmic revelry of the final dance, it is proof on paper of Ravel's astounding capacity to fuse diverse elements into an astonishing new whole.
wn.com/Maurice Ravel Daphnis Et Chloé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestre Symphonique de Montréal
- Choir: Montreal Symphony Orchestra Chorus
- Conductor: Charles Dutoit
- Soloist: Timothy Hutchins (flute)
- Year of recording: 1980
Daphnis et Chloé, ballet for orchestra, written in 1909-1912.
Part I (Une prairie а la lisiére d'un bois sacré)
00:00 - 01. Introduction et Danse religieuse
10:20 - 02. Danse générale
11:51 - 03. Danse grotesque de Dorcon
13:46 - 04. Danse légère et gracieuse de Daphnis
18:11 - 05. Danse de Lycéion
23:10 - 06. Danse lente et mystérieuse des Nymphes (Nocturne)
Part II (Camp des pirates)
29:08 - 07. Introduction
29:22 - 08. Danse guerrière
33:45 - 09. Danse suppliante de Chloé
Part III (Paysage du première 1er tableau, а la fin de la nuit)
39:33 - 10. Lever du jour
45:06 - 11. Pantomime (Les amours de Pan et Syrinx)
52:39 - 12. Danse générale (Bacchanale)
Many consider Daphnis et Chloé, a symphonie choréographique in three scenes, to be Maurice Ravel's greatest work. The label may not really be a fair one; there were so many different Maurice Ravels throughout his life, each with a different set of musical goals, each exploring different musical worlds, that it is not right to assign the label of life masterpiece to the top work of any one of those periods, over the top works of all the others, just because it happens to be longer, more ambitious, and easier to access. But Daphnis et Chloé is certainly one of the most colorfully, intricately, and in a very immediate, almost physical sense, beautifully scored works ever written; if one were to assign pre-eminent status to any of Ravel's works solely on the basis of orchestration, this ballet would, without a doubt, be the one selected for the honor. There may be no more skillfully orchestrated work in all the twentieth century repertoire (Stravinsky's work included) and whole shelves of orchestration textbooks could be eliminated without loss by simply replacing them with an astute examination of this score.
Daphnis et Chloé was composed between 1909 and 1912, after a commission by Diaghilev and the Ballets Russes, and is a setting of a scenario adapted by Mikhail Fokine from the Greek work of the same name by Longus. It was premiered on 8 June 1912. The performance was not well prepared, and few people took note of Ravel's piece. Two orchestral suites derived from the score, however, did make a splash when Ravel brought them out just a short time after (especially the Suite No. 2, which is probably still Ravel's most often-played work).
Ravel was always far more interested in reproducing traditional musical forms and structures than he was in achieving the kind of sonic soundscapes that get rather callously lumped together as impressionist music; Daphnis et Chloé is, section-by-section, built along firmly classical lines (Ravel was extremely proud of the fact). Even the famous sunrise music at the opening of the third scene, with its scintillating thirty-second notes strewn about the orchestra and bright chirrups from the flute and piccolo flute and ecstatic, rising melody, has nothing in it that might be called progressive or even especially innovative in a technical sense, though certainly nothing written before it sounds even remotely like it. This was the essence of Ravel's genius: the ability to take the old and make it somehow sound completely new and different. Whether Daphnis et Chloé is Ravel's greatest achievement may be an irrelevant question: from the very first call of the backstage choir, distant and brought forth from an ancient world of shepherds and nymphs, to the rhythmic revelry of the final dance, it is proof on paper of Ravel's astounding capacity to fuse diverse elements into an astonishing new whole.
- published: 14 Nov 2015
- views: 4334
Maurice Ravel-Piano Trio in A minor + Sheets
- Order: Reorder
- Duration: 27:44
- Updated: 20 May 2014
- views: 46563
-Movements
1. Modéré, 0:00
2. Pantoum (Assez vif), 9:52
3. Passacaille: Trés large, 14:23
4. Final: Animé, 21:30
----
-Artists
Menuhin-Violin
Cassadó-C...
-Movements
1. Modéré, 0:00
2. Pantoum (Assez vif), 9:52
3. Passacaille: Trés large, 14:23
4. Final: Animé, 21:30
----
-Artists
Menuhin-Violin
Cassadó-Cello
Kentner-Piano
Rec-1960
----
Score-
http://imslp.org/wiki/Piano_Trio_(Ravel,_Maurice)
----
The trio opens with a movement marked modéré, a sonata whose dreamy themes in a modal cast spaciously float in a surprisingly placid sequence that is more suggestive than argumentative, dream rather than discourse. There are two clear themes. The first is rhythmic, brief and somewhat dark, the second delicate, lyrical and bright, both familiar as Ravel's poetic language. The development focuses chiefly on the first, returns into the gentle dawn of the second and obliquely concludes with elements of both drawn into new harmonic reaches that feel resolved and fully realized in spite of the astonishingly spacious neutrality into which the music melts.
Next comes a glittering scherzo charged with brilliant rhythm and color that immediately recalls a similarly remarkable scherzo in Ravel's quartet. The distinctive sonorities are formed by combinations of pizzicato, octave doublings in the strings and the illuminated writing for piano that first made Ravel famous. These techniques combined with the string trills, harmonics and tremolos found in the other movements describe the deliciously innovative palette from which both Ravel and Debussy painted their musical epiphanies. It is truly amazing that the innovative and complex writing for piano demands the utmost virtuosity yet blends so perfectly without overwhelming the chamber textures. Indeed, Ravel is among the few great originators of new ensemble sonorities. The title "pantoum" refers to a Malaysian form of poetic verse adopted by a variety of French writers of the period and applied here to purely musical language by a most ingenious Ravel. Three different themes alternate and shift positions according to a precise literary plan across multiple stanzas. While following this scheme, Ravel still maintains the clear and simple structure of a scherzo and trio, a ternary form like the Bergerettes.
The third, slow movement is titled Passacaille, the French equivalent to the Italian Passacaglia, an old Baroque theme and variations form built around a ground bass melody that recurs through ever changing contexts. Ravel composed a brilliant eightmeasure theme of ponderous beauty that begins low in the piano, climbs up into the cello, rises soulfully with the violin and continues to be ceremoniously exchanged among the intimately entwined players in a long line that swells and sinks with subtle but profound intensity. Sparse and remote, the misty lament is treated to an especially poignant treatment by a string duo with ancient-sounding hollow harmonies and a final jagged contemplation in the deepest rage of the solo piano, a return to the primordial ground bass. Haunting and timeless, this is the trio's unforgettable center of gravity.
Several commentators have described Ravel's predicament in finishing the trio: with the sudden outbreak of WWI, he became nearly manically compelled to wrap up the composition in order to enlist in military service. Ravel described his own final effort as driven by "insane heroic rage." The music is bright and energetic without any traces of anger, but many argue that the finale's initial promise may have been compromised by haste or distraction. It begins with one of the grandest splashes of color in the literature with compelling new sonorities. The meter alternates between 5/4 and 7/4, unusual time signatures drawn from Basque influence. A wash of triumphant gestures swirl up and down dynamic arcs in a fantasia of shifting tempi. The unmistakably conclusive wave is punctuated by the brief recurrent motif featuring a dotted-rhythm and the fundamental stepwise whole note turns that characterize the themes of all four movements in a typically French but especially subtle cyclic recall. There is energy and sweep but some lament a loss of focus on precise chamber textures as the piano trio strains, through smoke and mirrors, to evoke the grandeur of an orchestra. Yet it is all extraordinary chamber psychedelia. After the variety of meticulous form, mood and motion in the previous movements, the last is a welcome gust, free and wild, a flurry in the wake of a man suddenly called into urgent action on another front.
© Kai Christiansen and Music at Kohl Mansion. All rights reserved.
----
wn.com/Maurice Ravel Piano Trio In A Minor Sheets
-Movements
1. Modéré, 0:00
2. Pantoum (Assez vif), 9:52
3. Passacaille: Trés large, 14:23
4. Final: Animé, 21:30
----
-Artists
Menuhin-Violin
Cassadó-Cello
Kentner-Piano
Rec-1960
----
Score-
http://imslp.org/wiki/Piano_Trio_(Ravel,_Maurice)
----
The trio opens with a movement marked modéré, a sonata whose dreamy themes in a modal cast spaciously float in a surprisingly placid sequence that is more suggestive than argumentative, dream rather than discourse. There are two clear themes. The first is rhythmic, brief and somewhat dark, the second delicate, lyrical and bright, both familiar as Ravel's poetic language. The development focuses chiefly on the first, returns into the gentle dawn of the second and obliquely concludes with elements of both drawn into new harmonic reaches that feel resolved and fully realized in spite of the astonishingly spacious neutrality into which the music melts.
Next comes a glittering scherzo charged with brilliant rhythm and color that immediately recalls a similarly remarkable scherzo in Ravel's quartet. The distinctive sonorities are formed by combinations of pizzicato, octave doublings in the strings and the illuminated writing for piano that first made Ravel famous. These techniques combined with the string trills, harmonics and tremolos found in the other movements describe the deliciously innovative palette from which both Ravel and Debussy painted their musical epiphanies. It is truly amazing that the innovative and complex writing for piano demands the utmost virtuosity yet blends so perfectly without overwhelming the chamber textures. Indeed, Ravel is among the few great originators of new ensemble sonorities. The title "pantoum" refers to a Malaysian form of poetic verse adopted by a variety of French writers of the period and applied here to purely musical language by a most ingenious Ravel. Three different themes alternate and shift positions according to a precise literary plan across multiple stanzas. While following this scheme, Ravel still maintains the clear and simple structure of a scherzo and trio, a ternary form like the Bergerettes.
The third, slow movement is titled Passacaille, the French equivalent to the Italian Passacaglia, an old Baroque theme and variations form built around a ground bass melody that recurs through ever changing contexts. Ravel composed a brilliant eightmeasure theme of ponderous beauty that begins low in the piano, climbs up into the cello, rises soulfully with the violin and continues to be ceremoniously exchanged among the intimately entwined players in a long line that swells and sinks with subtle but profound intensity. Sparse and remote, the misty lament is treated to an especially poignant treatment by a string duo with ancient-sounding hollow harmonies and a final jagged contemplation in the deepest rage of the solo piano, a return to the primordial ground bass. Haunting and timeless, this is the trio's unforgettable center of gravity.
Several commentators have described Ravel's predicament in finishing the trio: with the sudden outbreak of WWI, he became nearly manically compelled to wrap up the composition in order to enlist in military service. Ravel described his own final effort as driven by "insane heroic rage." The music is bright and energetic without any traces of anger, but many argue that the finale's initial promise may have been compromised by haste or distraction. It begins with one of the grandest splashes of color in the literature with compelling new sonorities. The meter alternates between 5/4 and 7/4, unusual time signatures drawn from Basque influence. A wash of triumphant gestures swirl up and down dynamic arcs in a fantasia of shifting tempi. The unmistakably conclusive wave is punctuated by the brief recurrent motif featuring a dotted-rhythm and the fundamental stepwise whole note turns that characterize the themes of all four movements in a typically French but especially subtle cyclic recall. There is energy and sweep but some lament a loss of focus on precise chamber textures as the piano trio strains, through smoke and mirrors, to evoke the grandeur of an orchestra. Yet it is all extraordinary chamber psychedelia. After the variety of meticulous form, mood and motion in the previous movements, the last is a welcome gust, free and wild, a flurry in the wake of a man suddenly called into urgent action on another front.
© Kai Christiansen and Music at Kohl Mansion. All rights reserved.
----
- published: 20 May 2014
- views: 46563
Maurice Ravel Porträt Teil 1
- Order: Reorder
- Duration: 30:12
- Updated: 02 Sep 2013
- views: 5653
- published: 02 Sep 2013
- views: 5653
Maurice Ravel - Piano Concerto in G Major
- Order: Reorder
- Duration: 23:02
- Updated: 25 Jul 2013
- views: 30097
This is my favorite version of Ravel's Piano Concerto in G Major, but I haven't been able to find it posted by anyone else. If this version is already posted on...
This is my favorite version of Ravel's Piano Concerto in G Major, but I haven't been able to find it posted by anyone else. If this version is already posted on youtube and someone can show me, then i'll take this one down.
I'm not sure when, where, or by whom this was performed, I ripped it from a library CD a while ago.
wn.com/Maurice Ravel Piano Concerto In G Major
This is my favorite version of Ravel's Piano Concerto in G Major, but I haven't been able to find it posted by anyone else. If this version is already posted on youtube and someone can show me, then i'll take this one down.
I'm not sure when, where, or by whom this was performed, I ripped it from a library CD a while ago.
- published: 25 Jul 2013
- views: 30097
David Fray: Maurice Ravel - Concerto in G major (Orchestre de Paris & Esa-Pekka Salonen)
- Order: Reorder
- Duration: 21:09
- Updated: 14 Nov 2015
- views: 4877
Recorded at the Salle Pleyel, 8 March 2011
Orchestre de Paris
Esa-Pekka Salonen - conductor
David Fray - piano
Maurice Ravel - Concerto in G major
0:00 I. Al...
Recorded at the Salle Pleyel, 8 March 2011
Orchestre de Paris
Esa-Pekka Salonen - conductor
David Fray - piano
Maurice Ravel - Concerto in G major
0:00 I. Allegramente
8:32 II. Adagio assai
16:52 III. Presto
Watch the full concert: https://www.youtube.com/watch?v=kxEMgHGrAPM&list;=PLBjoEdEVMABLaKeEEZglMr4TmrkToDLFB
Esa-Pekka Salonen is particularly renowned for his expertise in music of the 20th century. In this concert, he conducts Debussy and Ravel for the first time with the Orchestre de Paris. It is also a rare opportunity to hear the maestro conducting Classical repertoire, specifically Beethoven.
wn.com/David Fray Maurice Ravel Concerto In G Major (Orchestre De Paris Esa Pekka Salonen)
Recorded at the Salle Pleyel, 8 March 2011
Orchestre de Paris
Esa-Pekka Salonen - conductor
David Fray - piano
Maurice Ravel - Concerto in G major
0:00 I. Allegramente
8:32 II. Adagio assai
16:52 III. Presto
Watch the full concert: https://www.youtube.com/watch?v=kxEMgHGrAPM&list;=PLBjoEdEVMABLaKeEEZglMr4TmrkToDLFB
Esa-Pekka Salonen is particularly renowned for his expertise in music of the 20th century. In this concert, he conducts Debussy and Ravel for the first time with the Orchestre de Paris. It is also a rare opportunity to hear the maestro conducting Classical repertoire, specifically Beethoven.
- published: 14 Nov 2015
- views: 4877
Ravel - Le Tombeau de Couperin, orchestration complète
- Order: Reorder
- Duration: 24:33
- Updated: 02 May 2012
- views: 257648
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long, la suite pour piano Le Tombeau de Couperin comporte six morceaux, Pr...
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long, la suite pour piano Le Tombeau de Couperin comporte six morceaux, Prélude, Fugue, Forlane, Rigaudon, Menuet et Toccata, dédiés à la mémoire d'amis tombés au cours de la Première Guerre mondiale. Ravel orchestra par la suite quatre de ces pièces, entendues pour la première fois sous cette forme en février 1920 et se jouant dans l'ordre suivant : Prélude, Forlane, Menuet et Rigaudon.
Près de 80 ans plus tard, le pianiste et chef d'orchestre hongrois Zoltán Kocsis entreprit d'orchestrer les deux pièces restantes, la Fugue et la Toccata. C'est cette version orchestrale complète qu'on peut entendre ici, interprétée par l'Orchestre Philharmonique National Hongrois dirigé par Zoltán Kocsis (l'image sur la vidéo est une vue partielle d'un dessin de Ravel ornant la partition originale).
Se succèdent ainsi :
[00:00] Prélude ("à la mémoire du lieutenant Jacques Charlot");
[03:08] Fugue ("à la mémoire du sous-lieutenant Jean Cruppi");
[06:20] Forlane ("à la mémoire du lieutenant Gabriel Deluc");
[12:23] Rigaudon ("à la mémoire de Pierre et Pascal Gaudin");
[15:24] Menuet ("à la mémoire de Jean Dreyfus");
[20:32] Toccata ("à la mémoire du capitaine Joseph de Marliave").
wn.com/Ravel Le Tombeau De Couperin, Orchestration Complète
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long, la suite pour piano Le Tombeau de Couperin comporte six morceaux, Prélude, Fugue, Forlane, Rigaudon, Menuet et Toccata, dédiés à la mémoire d'amis tombés au cours de la Première Guerre mondiale. Ravel orchestra par la suite quatre de ces pièces, entendues pour la première fois sous cette forme en février 1920 et se jouant dans l'ordre suivant : Prélude, Forlane, Menuet et Rigaudon.
Près de 80 ans plus tard, le pianiste et chef d'orchestre hongrois Zoltán Kocsis entreprit d'orchestrer les deux pièces restantes, la Fugue et la Toccata. C'est cette version orchestrale complète qu'on peut entendre ici, interprétée par l'Orchestre Philharmonique National Hongrois dirigé par Zoltán Kocsis (l'image sur la vidéo est une vue partielle d'un dessin de Ravel ornant la partition originale).
Se succèdent ainsi :
[00:00] Prélude ("à la mémoire du lieutenant Jacques Charlot");
[03:08] Fugue ("à la mémoire du sous-lieutenant Jean Cruppi");
[06:20] Forlane ("à la mémoire du lieutenant Gabriel Deluc");
[12:23] Rigaudon ("à la mémoire de Pierre et Pascal Gaudin");
[15:24] Menuet ("à la mémoire de Jean Dreyfus");
[20:32] Toccata ("à la mémoire du capitaine Joseph de Marliave").
- published: 02 May 2012
- views: 257648
Modest Mussorgsky / Maurice Ravel - Pictures at an Exhibition
- Order: Reorder
- Duration: 32:46
- Updated: 17 Mar 2012
- views: 547458
Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане, Kartinki s vystavki -- Vospominaniye o Viktore Gartmane, "Pictures f...
Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане, Kartinki s vystavki -- Vospominaniye o Viktore Gartmane, "Pictures from an Exhibition -- A Remembrance of Viktor Hartmann") is a suite composed for piano by Russian composer Modest Mussorgsky in 1874.
The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Ravel's arrangement being the most recorded and performed.
It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends.
Hartmann died from an aneurysm in 1873. The sudden loss of the artist, aged only 39, shook Mussorgsky along with others in Russia's art world. Stasov helped organize an exhibition of over 400 Hartmann works in the Academy of Fine Arts in Saint Petersburg, Russia in February and March 1874. Mussorgsky lent works from his personal collection to the exhibit and viewed the show in person. Fired by the experience, he composed Pictures at an Exhibition in six weeks.
Mussorgsky based his musical material on drawings and watercolours by Hartmann produced mostly during the artist's travels abroad. Locales include Poland, France and Italy; the final movement depicts an architectural design for the capital city of Ukraine.
Movements:
0:00 I. Promenade
1:41 II. Gnomus
4:15 III. Promenade
5:14 IV. Il vecchio castello
9:37 V. Promenade
10:11 VI. Tuileries
11:14 VII. Bydło
14:13 VIII. Promenade
14:57 IX. Ballet of the Unhatched Chicks
16:16 X. "Samuel" Goldenberg und "Schmuÿle"
18:17 XI. Limoges, le marché
19:46 XII. Catacombæ (Sepulcrum romanum) and "Cum mortuis in lingua mortua"
23:29 XIII. The Hut on Fowl's Legs (Baba-Yagá)
27:06 XIV. The Great Gate of Kiev
Conductor: Jean-Claude Casadeus
Orchestra: Royal Philharmonic Orchestra
Picture: Portrait of Modest Mussorgsky - Ilya Repin.
wn.com/Modest Mussorgsky Maurice Ravel Pictures At An Exhibition
Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане, Kartinki s vystavki -- Vospominaniye o Viktore Gartmane, "Pictures from an Exhibition -- A Remembrance of Viktor Hartmann") is a suite composed for piano by Russian composer Modest Mussorgsky in 1874.
The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Ravel's arrangement being the most recorded and performed.
It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends.
Hartmann died from an aneurysm in 1873. The sudden loss of the artist, aged only 39, shook Mussorgsky along with others in Russia's art world. Stasov helped organize an exhibition of over 400 Hartmann works in the Academy of Fine Arts in Saint Petersburg, Russia in February and March 1874. Mussorgsky lent works from his personal collection to the exhibit and viewed the show in person. Fired by the experience, he composed Pictures at an Exhibition in six weeks.
Mussorgsky based his musical material on drawings and watercolours by Hartmann produced mostly during the artist's travels abroad. Locales include Poland, France and Italy; the final movement depicts an architectural design for the capital city of Ukraine.
Movements:
0:00 I. Promenade
1:41 II. Gnomus
4:15 III. Promenade
5:14 IV. Il vecchio castello
9:37 V. Promenade
10:11 VI. Tuileries
11:14 VII. Bydło
14:13 VIII. Promenade
14:57 IX. Ballet of the Unhatched Chicks
16:16 X. "Samuel" Goldenberg und "Schmuÿle"
18:17 XI. Limoges, le marché
19:46 XII. Catacombæ (Sepulcrum romanum) and "Cum mortuis in lingua mortua"
23:29 XIII. The Hut on Fowl's Legs (Baba-Yagá)
27:06 XIV. The Great Gate of Kiev
Conductor: Jean-Claude Casadeus
Orchestra: Royal Philharmonic Orchestra
Picture: Portrait of Modest Mussorgsky - Ilya Repin.
- published: 17 Mar 2012
- views: 547458
Gürzenich-Orchester Köln, Maurice Ravel, Klavierkonzert G-Dur, Louis Langrée, Steven Osborne
- Order: Reorder
- Duration: 25:27
- Updated: 01 Mar 2016
- views: 329
Maurice Ravel, Klavierkonzert G-Dur
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konzert vom 22. Dezember 2015
Aufgezeichnet für GO PLUS
http://www.guerzeni...
Maurice Ravel, Klavierkonzert G-Dur
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konzert vom 22. Dezember 2015
Aufgezeichnet für GO PLUS
http://www.guerzenich-orchester.de/go-plus
wn.com/Gürzenich Orchester Köln, Maurice Ravel, Klavierkonzert G Dur, Louis Langrée, Steven Osborne
Maurice Ravel, Klavierkonzert G-Dur
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konzert vom 22. Dezember 2015
Aufgezeichnet für GO PLUS
http://www.guerzenich-orchester.de/go-plus
- published: 01 Mar 2016
- views: 329
Maurice Ravel Piano Concerto in G (Leonard Bernstein)
- Order: Reorder
- Duration: 23:49
- Updated: 19 May 2011
- views: 180073
Maurice Ravel-String Quartet in F Major (Complete)
- Order: Reorder
- Duration: 30:34
- Updated: 02 Jun 2011
- views: 80320
Budapest String Quartet (Joseph Roisman, Alexander Schneider: violin, Boris Kroyt: viola, Mischa Schneider: cello)-1958
Budapest String Quartet (Joseph Roisman, Alexander Schneider: violin, Boris Kroyt: viola, Mischa Schneider: cello)-1958
wn.com/Maurice Ravel String Quartet In F Major (Complete)
Budapest String Quartet (Joseph Roisman, Alexander Schneider: violin, Boris Kroyt: viola, Mischa Schneider: cello)-1958
- published: 02 Jun 2011
- views: 80320
Gürzenich-Orchester Köln, Maurice Ravel, Ma mère l'oye, Louis Langrée
- Order: Reorder
- Duration: 21:51
- Updated: 01 Mar 2016
- views: 347
Maurice Ravel, Ma mère l'oye – Cinq pièces enfantines
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konzert vom 22. Dezember 2015
Aufgezeichnet für GO PLUS
h...
Maurice Ravel, Ma mère l'oye – Cinq pièces enfantines
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konzert vom 22. Dezember 2015
Aufgezeichnet für GO PLUS
http://www.guerzenich-orchester.de/go-plus
wn.com/Gürzenich Orchester Köln, Maurice Ravel, Ma Mère L'Oye, Louis Langrée
Maurice Ravel, Ma mère l'oye – Cinq pièces enfantines
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konzert vom 22. Dezember 2015
Aufgezeichnet für GO PLUS
http://www.guerzenich-orchester.de/go-plus
- published: 01 Mar 2016
- views: 347
Maurice Ravel - Le Tombeau de Couperin (piano, complete)
- Order: Reorder
- Duration: 26:26
- Updated: 06 May 2015
- views: 5646
Maurice Ravel - Le Tombeau de Couperin
00:00 - 1. Prélude
03:33 - 2. Fugue
06:47 - 3. Forlane
13:42 - 4. Rigaudon
17:00 - 5. Menuet
21:51 - 6. Toccata
Dušan Hol...
Maurice Ravel - Le Tombeau de Couperin
00:00 - 1. Prélude
03:33 - 2. Fugue
06:47 - 3. Forlane
13:42 - 4. Rigaudon
17:00 - 5. Menuet
21:51 - 6. Toccata
Dušan Holý - piano
Piano: Steinway D
*********
Here is another record from my concert in Brno / Czech rep., in 2006.. AULA hall of Janáček Academy of Performing Arts. It's funny - those times, I kind of had almost no idea who is Couperin, who is Rameau.. I was just somehow pretty much in love with Ravel's music, and my teacher decided to give me Tombeau as a "starter" piece for my final graduation recital.. Is almost 10 years ago.. :( - sooo long.. Anyway, today I know much better who is Rameau and Couperin, so maybe one day when I play this again, will improve some things (especially ornamentation... :) is really funny to hear myself after 10 years)
There are some little mistakes there and there, apologies for that. It is live concert performance.. (and the sound quality is not any better..) This is not a record from my final exam. It comes from a concert several days after, in my home city - Brno.
*********
From wiki (check for more info): Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.
wn.com/Maurice Ravel Le Tombeau De Couperin (Piano, Complete)
Maurice Ravel - Le Tombeau de Couperin
00:00 - 1. Prélude
03:33 - 2. Fugue
06:47 - 3. Forlane
13:42 - 4. Rigaudon
17:00 - 5. Menuet
21:51 - 6. Toccata
Dušan Holý - piano
Piano: Steinway D
*********
Here is another record from my concert in Brno / Czech rep., in 2006.. AULA hall of Janáček Academy of Performing Arts. It's funny - those times, I kind of had almost no idea who is Couperin, who is Rameau.. I was just somehow pretty much in love with Ravel's music, and my teacher decided to give me Tombeau as a "starter" piece for my final graduation recital.. Is almost 10 years ago.. :( - sooo long.. Anyway, today I know much better who is Rameau and Couperin, so maybe one day when I play this again, will improve some things (especially ornamentation... :) is really funny to hear myself after 10 years)
There are some little mistakes there and there, apologies for that. It is live concert performance.. (and the sound quality is not any better..) This is not a record from my final exam. It comes from a concert several days after, in my home city - Brno.
*********
From wiki (check for more info): Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917, in six movements based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.
- published: 06 May 2015
- views: 5646
-
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) - Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), Per Billman (bass clarinet), Per Billman (clarinet), Lars Paulsson (clarinet), Peter Rydström (piccolo), Peter Rydström (flute), Andreas Alin (flute), Bengt Forsberg (piano), Mats Lindström (cello) - Soloist: Anne Sofie von Otter (mezzo soprano) - Year of recording: 1994 Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano), written in 1913. 00:00 - I. Soupir [à Igor Stravinsky] 04:22 - II. Placet futile [à Florent Schmitt] 08:55 - III. Surgi de la croupe et du bond [à Erik Satie] In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magici... -
LEO VAUCHANT, the genius trombonist of Maurice Ravel -Archives Michel Laplace
5 trombone solos by LEO VAUCHANT in 1928-31 (with Jack Hylton & Ray Ventura orchestras) Leo Vauchant interview about Ravel's Boléro (Ravel & Vauchant want NO GLISSANDI in that trombone solo) Gordon PULIS (NOT VAUCHANT) playing with a few troubles the Bolero solo without glissandi, in the right style (1950, New York Philharmonic conducted by Victor de Sabata) Vauchant photos and interview are from Michel Laplace Collection Michel Laplace knew Leo Vauchant in 1974 & 1975, and wrote his story in his CD Rom "Trompette, Cuivres & XXe Siècle" (no longer available). A revised edition will appear in his DVD Rom "Le Monde de la Trompette et des Cuivres (classique, variétés, jazz)" together with a reprinted of his article "Ravel and the New Trombone". Film by Michel Laplace (c)2013 This video is fo... -
Hélène Grimaud on Maurice Ravel's Piano Concerto in G major
Free full-length version at http://www.digitalconcerthall.com/concert/280 Hélène Grimaud in conversation with Emmanuel Pahud, first flute of the Berliner Philharmoniker / Recorded in the Berlin Philharmonie, 10 January 2010. Watch Hélène Grimaud performing Ravel's Piano Concerto in G major here on YouTube: http://www.youtube.com/user/BerlinPhil#p/u/0/Ro8I3rzQkxw The Berliner Philharmoniker's Digital Concert Hall: http://www.digital-concert-hall.com Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de -
Maurice Ravel - Trois Poèmes de Stéphane Mallarmé
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano) (1913) Marie-Thérèse Escribano Ensemble Friedrich Cerha In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two fl... -
Jacques Loussier Trio - Maurice Ravel：Bolero
-
Sarah Connolly performs "Shéhérazade" by Maurice Ravel
In the biography on her website and in several interviews, the superb British mezzo-soprano Sarah Connolly has said that, after some negative experiences at auditions early in her career, she toyed with the idea of becoming a jazz singer/pianist, but that the desire to sing Ravel's "Shéhérazade" was stronger... Here Sarah Connolly performs this gorgeous song-cycle, accompanied by the Philharmonia Orchestra, directed by the Finnish conductor Susanna Mälkki. From a BBC Proms concert in the Royal Albert Hall, London, August 2008. Text by Arthur Justin Léon Leclère (1874 - 1966) , under the pseudonym Tristan Klingsor 1. Asie Asie, Asie, Asie. Vieux pays merveilleux des contes de nourrice Où dort la fantaisie comme une impératrice En sa forêt tout emplie de mystère. Asie, Je voudrais m'en ... -
Martha Argerich & Nelson Freire: Maurice Ravel - La Valse (Munich, 1982)
In a concert recorded in the Kongressaal, Munich, the two south-american pianists - Martha Argerich from Argentina and Nelson Freire from Brazil - play piano works for four hands by Rachmaninoff and Ravel. Maurice Ravel - La Valse Watch the whole concert: https://www.youtube.com/watch?v=SNWjkwL541s&list;=PLDOx7nx0z2hgbrDs_1b3eyjtP0GsIg5Ff Martha Argerich (born June 5, 1941) is an Argentinian-Swiss pianist, widely regarded as one of the greatest pianists of the second half of the 20th century. Argerich was born in Buenos Aires, Argentina. Her paternal ancestors were Catalonians based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in the Entre Ríos province—one of the colonies established... -
Maurice Ravel : Ma mère l'oye
Download: http://v.blnk.fr/Axd2hP7h Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise." -
David Fray on Ravel's Piano Concerto in G
David Fray speaks about performing Ravel's Piano Concerto in G for his performances with the New York Philharmonic on Dec 3-5, & 8, 2009. For more information visit http://nyphil.org -
L'auditiorium Maurice Ravel de Lyon : 1ère partie
11 fevrier 1975 Reportage sur l'auditorium de La Part Dieu qui sera inauguré le 14 février à Lyon.Interview de Charles DELFANTE, urbaniste de la ville, qui explique avec embarras qu'il n'y a pas eu une maitrise d'ouvrage unique pour le quartier de La Part Dieu et que le résultat est un catalogue d'architecture contemporaine. Interview de Louis PRADEL : "Nous sommes fiers de cette réalisation". Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture -
Anne Sofie von Otter: The complete "3 Poèmes de Stéphane Mallarmé" (Ravel)
3 Poèmes de Stéphane Mallarmé (1913): I. Soupir 00:00 II. Placet futile 04:19 III. Surgi de la croupe et du bond 08:52 Ravel, Maurice (1875-1937) -composer Anne Sofie von Otter -mezzosoprano Andreas Alin -flute Peter Rydstroem -flute Lars Paulsson -clarinet Per Billman -clarinet Bengt Forsberg -piano Nils-Erik Sparf -violin Ulf Forsberg -violin Matti Hirvikangas -viola Mats Lidstroem -cello Score: http://javanese.imslp.info/files/imglnks/usimg/7/7b/IMSLP06188-Ravel_-_3_Po__mes_de_St__phane_Mellarm____score_.pdf Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician... -
12 Pianists: Maurice Ravel / Werner Genuit Bolero 4 pianos 16 hands
12 Pianists live at the Cairo Opera House (Egypt), 1 January 2011 Maurice Ravel (1875-1937) Bolero Transcribed for 4 pianos 16 hands by Werner Genuit (1937-1997) Pianists in order of appearance: Noriko Ishikawa-Kratzer, Reimi Matsuda, Christine Schandelmeyer, Thomas Turek, Dina El-Leisy, Sebastian Bausch, Eriko Takezawa, Christoph Sischka Die 12 Pianisten sind ein in ihrer Art einzigartiges Klavierensemble. Allein die Choreographie, die notwendig ist, um 24 Arme mit 120 Fingern immer im richtigen Moment die entsprechende Taste finden zu lassen, kann den Zuhörern und Zuschauern ein besonderes Vergnügen bereiten. Das Repertoire des Klavierensembles umfasst selten zu hörende Originalkompositionen für 12, 16, oder sogar 24 Hände sowie Bearbeitungen populärer „Klassik-Hits" wie Ravels Bolero... -
Anne Sophie Mutter "Tzigane" Maurice Ravel
"Tzigane" est une rhapsodie de concert pour violon et orchestre composée par Maurice Ravel en 1924. Anne-Sophie Mutter, l’interprète à la perfection avec l'Orchestre Philharmonique de Berlin ( direction musicale Sir Simon Rattle) Soirée de la Saint-Sylvestre 2015 -
L'auditorium Maurice RAVEL : 2ème partie
12 fevrier 1975 Reportage sur le nouvel auditorium de Lyon, inauguré le 14 février : alternant avec des plans des salles de l'auditorium et d'une répétition, interviews de l'architecte Henry POTTIER et du chef de l'Orchestre national de Lyon Serge BAUDO. Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture -
Magdalena Kozena: The complete "Chansons madécasses" (Ravel)
Chansons madécasses (1925-26): I. Nahandove 00:00 II. Aoua 06:10 III. Il est doux 10:16 Ravel, Maurice (1875-1937) -composer Magdalena Kozená -mezzosoprano Paul Edmund Daviesc-flute Jiri Barta -cello Malcolm Martineau -piano Score: http://imslp.eu/linkhandler.php?path=/imglnks/euimg/5/52/IMSLP06290-Ravel_-_Chansons_mad__casses__score_and_parts_.pdf Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ During the final phase of Maurice Ravel's career, he experienced hampered creativity and a confused emotional state - which in the years that followed evolved into a preoccupation with economy of means and ensemble combinations. For example, the Chansons madécasses (Madagascar Songs), with their... -
Modeste Moussorgski : Tableaux d'une exposition, orchestration de Maurice Ravel : Promenade 1
Download: http://v.blnk.fr/Ax63jP7h Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise." -
Maurice Ravel: "Kaddisch" from Deux mélodies hébraïques
Steven Isserlis, cello The Norwegian Chamber Orchestra 15 January 2013 Universitetets Aula, Oslo -
Modeste Moussorgski : Tableaux d'une exposition, orchestration de Maurice Ravel : Catacombae, Sepulc
Download: http://v.blnk.fr/Ax63uP7h Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise." -
Modeste Moussorgski : Tableaux d'une exposition, orchestration de Maurice Ravel : Bydlo
Download: http://v.blnk.fr/Ax63pP7h Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise." -
Bolero by Maurice Ravel/arr. Johnnie Vinson
To purchase or for more info go to http://goo.gl/wfemkR MusicWorks - Grade 2 One of the best-known classical themes ever written, Ravel's familiar melody appears in many movies as well as on the concert stage. Johnnie Vinson's skillful adaptation allows even younger players to enjoy this famous work. Included are short solo (or soli) passages for clarinet, alto sax, flute and trumpet, as well as the signature rhythmic ostinato in the percussion. HL04002123 HL04002124 -
Yuja Wang: Maurice Ravel - La Valse, transcription for piano (Verbier Festival 2008)
Verbier Festival, 29. July 2008 Yuja Wang - piano Maurice Ravel - La Valse, transcription for piano Watch the full concert: https://www.youtube.com/watch?v=t_-mzJrVOEk&list;=PLBjoEdEVMABKtSMam7X-OhRidS2ah73d3 Yuja Wang (Chinese: 王羽佳; born February 10, 1987) is a Chinese classical pianist. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing. By the age of 21 she was already an internationally recognized concert pianist, giving recitals around the world. She has a recording contract with Deutsche Grammophon. https://en.wikipedia.org/wiki/Yuja_Wang -
euronews musica - Classical jazz - when Bollani met Ravel
http://www.euronews.com/ Stefano Bollani is a popular Italian jazz pianist who also plays classical music. In Rome he performed Maurice Ravel's Piano Concerto in G, conducted by British classical conductor Daniel Harding. Stefano Bollani explained how he felt about playing the piece: "With the exception of the 2nd movement, the piece is very energetic, it's full of accents and small details - which is what, I think, Ravel thought was 'jazz'. Not so much the improvisation aspect, but rather all these irregular accents which sound like an American big band. And it's not by chance that this concert was written after he'd been to America and had been able to hear jazz for real." Bollani provided further insights when he spoke to euronews: "Ravel was called 'the Swiss clockmaker' by his 'frie...
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
- Order: Reorder
- Duration: 12:26
- Updated: 05 Jan 2016
- views: 953
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), P...
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), Per Billman (bass clarinet), Per Billman (clarinet), Lars Paulsson (clarinet), Peter Rydström (piccolo), Peter Rydström (flute), Andreas Alin (flute), Bengt Forsberg (piano), Mats Lindström (cello)
- Soloist: Anne Sofie von Otter (mezzo soprano)
- Year of recording: 1994
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano), written in 1913.
00:00 - I. Soupir [à Igor Stravinsky]
04:22 - II. Placet futile [à Florent Schmitt]
08:55 - III. Surgi de la croupe et du bond [à Erik Satie]
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on 14 January 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes more a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine."
wn.com/Maurice Ravel 3 Poèmes De Stéphane Mallarmé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti Hirvikangas (viola), Ulf Forsberg (violin), Nils-Erik Sparf (violin), Per Billman (bass clarinet), Per Billman (clarinet), Lars Paulsson (clarinet), Peter Rydström (piccolo), Peter Rydström (flute), Andreas Alin (flute), Bengt Forsberg (piano), Mats Lindström (cello)
- Soloist: Anne Sofie von Otter (mezzo soprano)
- Year of recording: 1994
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano), written in 1913.
00:00 - I. Soupir [à Igor Stravinsky]
04:22 - II. Placet futile [à Florent Schmitt]
08:55 - III. Surgi de la croupe et du bond [à Erik Satie]
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on 14 January 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes more a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine."
- published: 05 Jan 2016
- views: 953
LEO VAUCHANT, the genius trombonist of Maurice Ravel -Archives Michel Laplace
- Order: Reorder
- Duration: 5:14
- Updated: 13 Sep 2013
- views: 780
5 trombone solos by LEO VAUCHANT in 1928-31 (with Jack Hylton & Ray Ventura orchestras)
Leo Vauchant interview about Ravel's Boléro (Ravel & Vauchant want NO GL...
5 trombone solos by LEO VAUCHANT in 1928-31 (with Jack Hylton & Ray Ventura orchestras)
Leo Vauchant interview about Ravel's Boléro (Ravel & Vauchant want NO GLISSANDI in that trombone solo)
Gordon PULIS (NOT VAUCHANT) playing with a few troubles the Bolero solo without glissandi, in the right style (1950, New York Philharmonic conducted by Victor de Sabata)
Vauchant photos and interview are from Michel Laplace Collection
Michel Laplace knew Leo Vauchant in 1974 & 1975, and wrote his story in his CD Rom "Trompette, Cuivres & XXe Siècle" (no longer available). A revised edition will appear in his DVD Rom "Le Monde de la Trompette et des Cuivres (classique, variétés, jazz)" together with a reprinted of his article "Ravel and the New Trombone".
Film by Michel Laplace (c)2013
This video is for historical and educational purposes only
wn.com/Leo Vauchant, The Genius Trombonist Of Maurice Ravel Archives Michel Laplace
5 trombone solos by LEO VAUCHANT in 1928-31 (with Jack Hylton & Ray Ventura orchestras)
Leo Vauchant interview about Ravel's Boléro (Ravel & Vauchant want NO GLISSANDI in that trombone solo)
Gordon PULIS (NOT VAUCHANT) playing with a few troubles the Bolero solo without glissandi, in the right style (1950, New York Philharmonic conducted by Victor de Sabata)
Vauchant photos and interview are from Michel Laplace Collection
Michel Laplace knew Leo Vauchant in 1974 & 1975, and wrote his story in his CD Rom "Trompette, Cuivres & XXe Siècle" (no longer available). A revised edition will appear in his DVD Rom "Le Monde de la Trompette et des Cuivres (classique, variétés, jazz)" together with a reprinted of his article "Ravel and the New Trombone".
Film by Michel Laplace (c)2013
This video is for historical and educational purposes only
- published: 13 Sep 2013
- views: 780
Hélène Grimaud on Maurice Ravel's Piano Concerto in G major
- Order: Reorder
- Duration: 4:06
- Updated: 21 Jun 2010
- views: 39870
Free full-length version at http://www.digitalconcerthall.com/concert/280
Hélène Grimaud in conversation with Emmanuel Pahud, first flute of the Berliner Phi...
Free full-length version at http://www.digitalconcerthall.com/concert/280
Hélène Grimaud in conversation with Emmanuel Pahud, first flute of the Berliner Philharmoniker / Recorded in the Berlin Philharmonie, 10 January 2010.
Watch Hélène Grimaud performing Ravel's Piano Concerto in G major here on YouTube: http://www.youtube.com/user/BerlinPhil#p/u/0/Ro8I3rzQkxw
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digital-concert-hall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
wn.com/Hélène Grimaud On Maurice Ravel's Piano Concerto In G Major
Free full-length version at http://www.digitalconcerthall.com/concert/280
Hélène Grimaud in conversation with Emmanuel Pahud, first flute of the Berliner Philharmoniker / Recorded in the Berlin Philharmonie, 10 January 2010.
Watch Hélène Grimaud performing Ravel's Piano Concerto in G major here on YouTube: http://www.youtube.com/user/BerlinPhil#p/u/0/Ro8I3rzQkxw
The Berliner Philharmoniker's Digital Concert Hall:
http://www.digital-concert-hall.com
Subscribe to our newsletter:
http://www.digitalconcerthall.com/newsletter
Website of the Berliner Philharmoniker:
http://www.berliner-philharmoniker.de
- published: 21 Jun 2010
- views: 39870
Maurice Ravel - Trois Poèmes de Stéphane Mallarmé
- Order: Reorder
- Duration: 11:21
- Updated: 27 May 2011
- views: 21332
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano) (1913)
Marie-Thérèse Escribano Ensemble
Friedrich Cerha
In a 1927 interview, Mau...
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano) (1913)
Marie-Thérèse Escribano Ensemble
Friedrich Cerha
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on January 14, 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine." [allmusic.com]
Art by Jean-Léon Gérôme
wn.com/Maurice Ravel Trois Poèmes De Stéphane Mallarmé
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano) (1913)
Marie-Thérèse Escribano Ensemble
Friedrich Cerha
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on January 14, 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine." [allmusic.com]
Art by Jean-Léon Gérôme
- published: 27 May 2011
- views: 21332
Jacques Loussier Trio - Maurice Ravel：Bolero
- Order: Reorder
- Duration: 12:04
- Updated: 13 Apr 2013
- views: 63445
- published: 13 Apr 2013
- views: 63445
Sarah Connolly performs "Shéhérazade" by Maurice Ravel
- Order: Reorder
- Duration: 18:48
- Updated: 15 Aug 2014
- views: 1457
In the biography on her website and in several interviews, the superb British mezzo-soprano Sarah Connolly has said that, after some negative experiences at aud...
In the biography on her website and in several interviews, the superb British mezzo-soprano Sarah Connolly has said that, after some negative experiences at auditions early in her career, she toyed with the idea of becoming a jazz singer/pianist, but that the desire to sing Ravel's "Shéhérazade" was stronger...
Here Sarah Connolly performs this gorgeous song-cycle, accompanied by the Philharmonia Orchestra, directed by the Finnish conductor Susanna Mälkki. From a BBC Proms concert in the Royal Albert Hall, London, August 2008.
Text by Arthur Justin Léon Leclère (1874 - 1966) , under the pseudonym Tristan Klingsor
1. Asie
Asie, Asie, Asie.
Vieux pays merveilleux des contes de nourrice
Où dort la fantaisie comme une impératrice
En sa forêt tout emplie de mystère.
Asie,
Je voudrais m'en aller avec la goëlette
Qui se berce ce soir dans le port
Mystérieuse et solitaire
Et qui déploie enfin ses voiles violettes
Comme un immense oiseau de nuit dans le ciel d'or.
Je voudrais m'en aller vers des îles de fleurs
En écoutant chanter la mer perverse
Sur un vieux rythme ensorceleur.
Je voudrais voir Damas et les villes de Perse
Avec les minarets légers dans l'air.
Je voudrais voir de beaux turbans de soie
Sur des visages noirs aux dents claires;
Je voudrais voir des yeux sombres d'amour
Et des prunelles brillantes de joie
En des peaux jaunes comme des oranges;
Je voudrais voir des vêtements de velours
Et des habits à longues franges.
Je voudrais voir des calumets entre des bouches
Tout entourées de barbe blanche;
Je voudrais voir d'âpres marchands aux regards louches,
Et des cadis, et des vizirs
Qui du seul mouvement de leur doigt qui se penche
Accordent vie ou mort au gré de leur désir.
Je voudrais voir la Perse, et l'Inde, et puis la Chine,
Les mandarins ventrus sous les ombrelles,
Et les princesses aux mains fines,
Et les lettrés qui se querellent
Sur la poésie et sur la beauté;
Je voudrais m'attarder au palais enchanté
Et comme un voyageur étranger
Contempler à loisir des paysages peints
Sur des étoffes en des cadres de sapin
Avec un personnage au milieu d'un verger;
Je voudrais voir des assassins souriant
Du bourreau qui coupe un cou d'innocent
Avec son grand sabre courbé d'Orient.
Je voudrais voir des pauvres et des reines;
Je voudrais voir des roses et du sang;
Je voudrais voir mourir d'amour ou bien de haine.
Et puis m'en revenir plus tard
Narrer mon aventure aux curieux de rêves
En élevant comme Sindbad ma vieille tasse arabe
De temps en temps jusqu'à mes lèvres
Pour interrompre le conte avec art...
2. La flûte enchantée
L'ombre est douce et mon maître dort
Coiffé d'un bonnet conique de soie
Et son long nez jaune en sa barbe blanche.
Mais moi, je suis éveillée encor
Et j'écoute au dehors
Une chanson de flûte où s'épanche
Tour à tour la tristesse ou la joie.
Un air tour à tour langoureux ou frivole
Que mon amoureux chéri joue,
Et quand je m'approche de la croisée
Il me semble que chaque note s'envole
De la flûte vers ma joue
Comme un mystérieux baiser.
3. L'Indifférent
Tes yeux sont doux comme ceux d'une fille,
Jeune étranger,
Et la courbe fine
De ton beau visage de duvet ombragé
Est plus séduisante encor de ligne.
Ta lèvre chante sur le pas de ma porte
Une langue inconnue et charmante
Comme une musique fausse.
Entre! Et que mon vin te réconforte...
Mais non, tu passes
Et de mon seuil je te vois t'éloigner
Me faisant un dernier geste avec grâce
Et la hanche légèrement ployée
Par ta démarche féminine et lasse...
wn.com/Sarah Connolly Performs Shéhérazade By Maurice Ravel
In the biography on her website and in several interviews, the superb British mezzo-soprano Sarah Connolly has said that, after some negative experiences at auditions early in her career, she toyed with the idea of becoming a jazz singer/pianist, but that the desire to sing Ravel's "Shéhérazade" was stronger...
Here Sarah Connolly performs this gorgeous song-cycle, accompanied by the Philharmonia Orchestra, directed by the Finnish conductor Susanna Mälkki. From a BBC Proms concert in the Royal Albert Hall, London, August 2008.
Text by Arthur Justin Léon Leclère (1874 - 1966) , under the pseudonym Tristan Klingsor
1. Asie
Asie, Asie, Asie.
Vieux pays merveilleux des contes de nourrice
Où dort la fantaisie comme une impératrice
En sa forêt tout emplie de mystère.
Asie,
Je voudrais m'en aller avec la goëlette
Qui se berce ce soir dans le port
Mystérieuse et solitaire
Et qui déploie enfin ses voiles violettes
Comme un immense oiseau de nuit dans le ciel d'or.
Je voudrais m'en aller vers des îles de fleurs
En écoutant chanter la mer perverse
Sur un vieux rythme ensorceleur.
Je voudrais voir Damas et les villes de Perse
Avec les minarets légers dans l'air.
Je voudrais voir de beaux turbans de soie
Sur des visages noirs aux dents claires;
Je voudrais voir des yeux sombres d'amour
Et des prunelles brillantes de joie
En des peaux jaunes comme des oranges;
Je voudrais voir des vêtements de velours
Et des habits à longues franges.
Je voudrais voir des calumets entre des bouches
Tout entourées de barbe blanche;
Je voudrais voir d'âpres marchands aux regards louches,
Et des cadis, et des vizirs
Qui du seul mouvement de leur doigt qui se penche
Accordent vie ou mort au gré de leur désir.
Je voudrais voir la Perse, et l'Inde, et puis la Chine,
Les mandarins ventrus sous les ombrelles,
Et les princesses aux mains fines,
Et les lettrés qui se querellent
Sur la poésie et sur la beauté;
Je voudrais m'attarder au palais enchanté
Et comme un voyageur étranger
Contempler à loisir des paysages peints
Sur des étoffes en des cadres de sapin
Avec un personnage au milieu d'un verger;
Je voudrais voir des assassins souriant
Du bourreau qui coupe un cou d'innocent
Avec son grand sabre courbé d'Orient.
Je voudrais voir des pauvres et des reines;
Je voudrais voir des roses et du sang;
Je voudrais voir mourir d'amour ou bien de haine.
Et puis m'en revenir plus tard
Narrer mon aventure aux curieux de rêves
En élevant comme Sindbad ma vieille tasse arabe
De temps en temps jusqu'à mes lèvres
Pour interrompre le conte avec art...
2. La flûte enchantée
L'ombre est douce et mon maître dort
Coiffé d'un bonnet conique de soie
Et son long nez jaune en sa barbe blanche.
Mais moi, je suis éveillée encor
Et j'écoute au dehors
Une chanson de flûte où s'épanche
Tour à tour la tristesse ou la joie.
Un air tour à tour langoureux ou frivole
Que mon amoureux chéri joue,
Et quand je m'approche de la croisée
Il me semble que chaque note s'envole
De la flûte vers ma joue
Comme un mystérieux baiser.
3. L'Indifférent
Tes yeux sont doux comme ceux d'une fille,
Jeune étranger,
Et la courbe fine
De ton beau visage de duvet ombragé
Est plus séduisante encor de ligne.
Ta lèvre chante sur le pas de ma porte
Une langue inconnue et charmante
Comme une musique fausse.
Entre! Et que mon vin te réconforte...
Mais non, tu passes
Et de mon seuil je te vois t'éloigner
Me faisant un dernier geste avec grâce
Et la hanche légèrement ployée
Par ta démarche féminine et lasse...
- published: 15 Aug 2014
- views: 1457
Martha Argerich & Nelson Freire: Maurice Ravel - La Valse (Munich, 1982)
- Order: Reorder
- Duration: 11:46
- Updated: 14 Nov 2015
- views: 359
In a concert recorded in the Kongressaal, Munich, the two south-american pianists - Martha Argerich from Argentina and Nelson Freire from Brazil - play piano wo...
In a concert recorded in the Kongressaal, Munich, the two south-american pianists - Martha Argerich from Argentina and Nelson Freire from Brazil - play piano works for four hands by Rachmaninoff and Ravel.
Maurice Ravel - La Valse
Watch the whole concert: https://www.youtube.com/watch?v=SNWjkwL541s&list;=PLDOx7nx0z2hgbrDs_1b3eyjtP0GsIg5Ff
Martha Argerich (born June 5, 1941) is an Argentinian-Swiss pianist, widely regarded as one of the greatest pianists of the second half of the 20th century.
Argerich was born in Buenos Aires, Argentina. Her paternal ancestors were Catalonians based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in the Entre Ríos province—one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. [...] The family moved to Europe in 1955, where Argerich studied with Friedrich Gulda in Austria. Juan Perón, then the president of Argentina, made their decision possible by appointing her parents to diplomatic posts in the Argentine Embassy in Vienna.
Argerich rose to international prominence when she won the seventh International Chopin Piano Competition in Warsaw in 1965, at age 24. In that same year, she debuted in the United States in Lincoln Center's Great Performers Series. In 1960, she had made her first commercial recording, which included works by Chopin, Brahms, Ravel, Prokofiev, and Liszt; it received critical acclaim upon its release in 1961. In 1967, she recorded Chopin's Polonaise, Op. 53. [...] Argerich is also famous for her interpretation of Prokofiev's Piano Concerto No. 3, Ravel's Piano Concerto in G, and Bach's Partita No. 2 in C minor, which she has recorded several times and continues to perform. [...] Her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. Nevertheless she is widely recognized as one of the greatest pianists of her time.
https://en.wikipedia.org/wiki/Martha_Argerich
Nelson Freire (born October 18, 1944) is a Brazilian classical pianist. Freire began playing the piano at age 3. He replayed from memory pieces his older sister, Nelma, had just performed. His teachers in Brazil were Nise Obino and Lucia Branco, former students of a pupil of Liszt. For his first public recital, at the age of four, Freire chose Mozart's Sonata in A major, K. 331.
In 1957, Freire's performed Beethoven's Piano Concerto No. 5, at the age of 12. He was awarded 7th place at the Rio de Janeiro International Piano Competition. He subsequently received a Brazilian government grant to study in Vienna with Bruno Seidlhofer. By 1964, Freire had won his first prize at the Vianna da Motta International Music Competition in Lisbon, Portugal (ex-aequo with Vladimir Krainev) and he also received the Dinu Lipatti Medal and the Harriet Cohen Medal in London, England. In December 2001, he chaired the jury for the Marguerite Long Competition in Paris. His debut at The Proms was in August 2005.
In general, Freire tends to avoid the limelight, publicity, and interviews. However, in 2011, Freire withdrew from a scheduled engagement with the Orquestra Sinfônica Brasileira (OSB) and conductor Roberto Minczuk, in support of the orchestra musicians, following the dismissal of about 3 dozen OSB musicians by Minczuk.
http://en.wikipedia.org/wiki/Nelson_Freire
wn.com/Martha Argerich Nelson Freire Maurice Ravel La Valse (Munich, 1982)
In a concert recorded in the Kongressaal, Munich, the two south-american pianists - Martha Argerich from Argentina and Nelson Freire from Brazil - play piano works for four hands by Rachmaninoff and Ravel.
Maurice Ravel - La Valse
Watch the whole concert: https://www.youtube.com/watch?v=SNWjkwL541s&list;=PLDOx7nx0z2hgbrDs_1b3eyjtP0GsIg5Ff
Martha Argerich (born June 5, 1941) is an Argentinian-Swiss pianist, widely regarded as one of the greatest pianists of the second half of the 20th century.
Argerich was born in Buenos Aires, Argentina. Her paternal ancestors were Catalonians based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in the Entre Ríos province—one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. [...] The family moved to Europe in 1955, where Argerich studied with Friedrich Gulda in Austria. Juan Perón, then the president of Argentina, made their decision possible by appointing her parents to diplomatic posts in the Argentine Embassy in Vienna.
Argerich rose to international prominence when she won the seventh International Chopin Piano Competition in Warsaw in 1965, at age 24. In that same year, she debuted in the United States in Lincoln Center's Great Performers Series. In 1960, she had made her first commercial recording, which included works by Chopin, Brahms, Ravel, Prokofiev, and Liszt; it received critical acclaim upon its release in 1961. In 1967, she recorded Chopin's Polonaise, Op. 53. [...] Argerich is also famous for her interpretation of Prokofiev's Piano Concerto No. 3, Ravel's Piano Concerto in G, and Bach's Partita No. 2 in C minor, which she has recorded several times and continues to perform. [...] Her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. Nevertheless she is widely recognized as one of the greatest pianists of her time.
https://en.wikipedia.org/wiki/Martha_Argerich
Nelson Freire (born October 18, 1944) is a Brazilian classical pianist. Freire began playing the piano at age 3. He replayed from memory pieces his older sister, Nelma, had just performed. His teachers in Brazil were Nise Obino and Lucia Branco, former students of a pupil of Liszt. For his first public recital, at the age of four, Freire chose Mozart's Sonata in A major, K. 331.
In 1957, Freire's performed Beethoven's Piano Concerto No. 5, at the age of 12. He was awarded 7th place at the Rio de Janeiro International Piano Competition. He subsequently received a Brazilian government grant to study in Vienna with Bruno Seidlhofer. By 1964, Freire had won his first prize at the Vianna da Motta International Music Competition in Lisbon, Portugal (ex-aequo with Vladimir Krainev) and he also received the Dinu Lipatti Medal and the Harriet Cohen Medal in London, England. In December 2001, he chaired the jury for the Marguerite Long Competition in Paris. His debut at The Proms was in August 2005.
In general, Freire tends to avoid the limelight, publicity, and interviews. However, in 2011, Freire withdrew from a scheduled engagement with the Orquestra Sinfônica Brasileira (OSB) and conductor Roberto Minczuk, in support of the orchestra musicians, following the dismissal of about 3 dozen OSB musicians by Minczuk.
http://en.wikipedia.org/wiki/Nelson_Freire
- published: 14 Nov 2015
- views: 359
Maurice Ravel : Ma mère l'oye
- Order: Reorder
- Duration: 1:29
- Updated: 01 Mar 2015
- views: 277
Download: http://v.blnk.fr/Axd2hP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalEx...
Download: http://v.blnk.fr/Axd2hP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
wn.com/Maurice Ravel Ma Mère L'Oye
Download: http://v.blnk.fr/Axd2hP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 01 Mar 2015
- views: 277
David Fray on Ravel's Piano Concerto in G
- Order: Reorder
- Duration: 3:02
- Updated: 18 Sep 2009
- views: 51558
David Fray speaks about performing Ravel's Piano Concerto in G for his performances with the New York Philharmonic on Dec 3-5, & 8, 2009. For more information v...
David Fray speaks about performing Ravel's Piano Concerto in G for his performances with the New York Philharmonic on Dec 3-5, & 8, 2009. For more information visit http://nyphil.org
wn.com/David Fray On Ravel's Piano Concerto In G
David Fray speaks about performing Ravel's Piano Concerto in G for his performances with the New York Philharmonic on Dec 3-5, & 8, 2009. For more information visit http://nyphil.org
- published: 18 Sep 2009
- views: 51558
L'auditiorium Maurice Ravel de Lyon : 1ère partie
- Order: Reorder
- Duration: 4:04
- Updated: 30 Jul 2012
- views: 345
11 fevrier 1975
Reportage sur l'auditorium de La Part Dieu qui sera inauguré le 14 février à Lyon.Interview de Charles DELFANTE, urbaniste de la ville, qui expl...
11 fevrier 1975
Reportage sur l'auditorium de La Part Dieu qui sera inauguré le 14 février à Lyon.Interview de Charles DELFANTE, urbaniste de la ville, qui explique avec embarras qu'il n'y a pas eu une maitrise d'ouvrage unique pour le quartier de La Part Dieu et que le résultat est un catalogue d'architecture contemporaine. Interview de Louis PRADEL : "Nous sommes fiers de cette réalisation". Images d'archive INA
Institut National de l'Audiovisuel
http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
wn.com/L'Auditiorium Maurice Ravel De Lyon 1Ère Partie
11 fevrier 1975
Reportage sur l'auditorium de La Part Dieu qui sera inauguré le 14 février à Lyon.Interview de Charles DELFANTE, urbaniste de la ville, qui explique avec embarras qu'il n'y a pas eu une maitrise d'ouvrage unique pour le quartier de La Part Dieu et que le résultat est un catalogue d'architecture contemporaine. Interview de Louis PRADEL : "Nous sommes fiers de cette réalisation". Images d'archive INA
Institut National de l'Audiovisuel
http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
- published: 30 Jul 2012
- views: 345
Anne Sofie von Otter: The complete "3 Poèmes de Stéphane Mallarmé" (Ravel)
- Order: Reorder
- Duration: 12:29
- Updated: 01 Apr 2014
- views: 16103
3 Poèmes de Stéphane Mallarmé (1913):
I. Soupir 00:00
II. Placet futile 04:19
III. Surgi de la croupe et du bond 08:52
Ravel, Maurice (1875-1937) -composer
Ann...
3 Poèmes de Stéphane Mallarmé (1913):
I. Soupir 00:00
II. Placet futile 04:19
III. Surgi de la croupe et du bond 08:52
Ravel, Maurice (1875-1937) -composer
Anne Sofie von Otter -mezzosoprano
Andreas Alin -flute
Peter Rydstroem -flute
Lars Paulsson -clarinet
Per Billman -clarinet
Bengt Forsberg -piano
Nils-Erik Sparf -violin
Ulf Forsberg -violin
Matti Hirvikangas -viola
Mats Lidstroem -cello
Score: http://javanese.imslp.info/files/imglnks/usimg/7/7b/IMSLP06188-Ravel_-_3_Po__mes_de_St__phane_Mellarm____score_.pdf
Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on January 14, 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes more a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine."
Source: http://www.allmusic.com/composition/trois-po%C3%A8mes-de-st%C3%A9phane-mallarm%C3%A9-song-cycle-for-voice-amp-ensemble-or-piano-mc0002368187
Buy the CD here: http://www.deutschegrammophon.com/en/cat/4477522
wn.com/Anne Sofie Von Otter The Complete 3 Poèmes De Stéphane Mallarmé (Ravel)
3 Poèmes de Stéphane Mallarmé (1913):
I. Soupir 00:00
II. Placet futile 04:19
III. Surgi de la croupe et du bond 08:52
Ravel, Maurice (1875-1937) -composer
Anne Sofie von Otter -mezzosoprano
Andreas Alin -flute
Peter Rydstroem -flute
Lars Paulsson -clarinet
Per Billman -clarinet
Bengt Forsberg -piano
Nils-Erik Sparf -violin
Ulf Forsberg -violin
Matti Hirvikangas -viola
Mats Lidstroem -cello
Score: http://javanese.imslp.info/files/imglnks/usimg/7/7b/IMSLP06188-Ravel_-_3_Po__mes_de_St__phane_Mellarm____score_.pdf
Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ
In a 1927 interview, Maurice Ravel said of the symbolist poet Stéphane Mallarmé that he "exorcised our language, like the magician that he was. He has released the winged thoughts, the unconscious daydreams from their prison." Mallarmé had been an immense influence on a variety of artists, including Ravel, who had set his first Mallarmé poem, Sainte, in 1896 and returned to the poet's work in 1913 with the Trois poèmes. Around that time Ravel had heard Igor Stravinsky's Trois poésies de la lyrique japonaise (1912-1913), and was particularly impressed by Stravinsky's arrangement, in which the singer was backed by an ensemble of piano, string quartet, two flutes, and two clarinets. Stravinsky, in turn, had been much influenced by Arnold Schoenberg's notorious Pierrot lunaire (1912), with its similar instrumentation. On completing his songs, which employed the same instrumental layout as Stravinsky's, Ravel envisioned what he called a "scandalous concert," featuring his songs along with Stravinsky's and Schoenberg's. That concert did take place, although with songs by Maurice Delage replacing the Schoenberg, under the auspices of the Société Musicale Indépendante on January 14, 1914. Soprano Jane Bathori, one of the best known French singers of her day, was featured, along with an ensemble conducted by Désiré-Emile Inghelbrecht.
The increasing angularity and dissonance of Ravel's Trois poèmes reflects the increasingly dissociative imagery of the three Mallarmé poems. The first song, "Soupir" (Sigh), is in two parts, the first slow and delicate (evoking the poet's "white fountains"), the second more spacious and evanescent. The vocal line becomes more a bit more jagged in "Placet futile" (Futile Petition), a gently melancholy love song. And with the third and final song, "Surgi de la croupe et du bond" (Risen from the Crupper and Leap), Ravel comes as close to the atonality of Arnold Schoenberg as he ever would. This setting of what Ravel once called "the strangest, if not the most hermetic" of Mallarmé's sonnets is still and mysterious, with a very spare accompaniment.
Coincidentally, at the very time that Ravel was composing his Trois poèmes, Claude Debussy was also setting three of Mallarmé's poems (both were perhaps inspired by a new complete edition of Mallarmé's poetry which had just been published). Not only that, but they had both chosen to set two of the same poems; Debussy called this a "phenomenon of autosuggestion worthy of communication to the Academy of Medicine."
Source: http://www.allmusic.com/composition/trois-po%C3%A8mes-de-st%C3%A9phane-mallarm%C3%A9-song-cycle-for-voice-amp-ensemble-or-piano-mc0002368187
Buy the CD here: http://www.deutschegrammophon.com/en/cat/4477522
- published: 01 Apr 2014
- views: 16103
12 Pianists: Maurice Ravel / Werner Genuit Bolero 4 pianos 16 hands
- Order: Reorder
- Duration: 7:13
- Updated: 11 Mar 2011
- views: 17857
12 Pianists live at the Cairo Opera House (Egypt), 1 January 2011
Maurice Ravel (1875-1937)
Bolero
Transcribed for 4 pianos 16 hands by
Werner Genuit (1937-199...
12 Pianists live at the Cairo Opera House (Egypt), 1 January 2011
Maurice Ravel (1875-1937)
Bolero
Transcribed for 4 pianos 16 hands by
Werner Genuit (1937-1997)
Pianists in order of appearance: Noriko Ishikawa-Kratzer, Reimi Matsuda, Christine Schandelmeyer, Thomas Turek, Dina El-Leisy, Sebastian Bausch, Eriko Takezawa, Christoph Sischka
Die 12 Pianisten sind ein in ihrer Art einzigartiges Klavierensemble. Allein die Choreographie, die notwendig ist, um 24 Arme mit 120 Fingern immer im richtigen Moment die entsprechende Taste finden zu lassen, kann den Zuhörern und Zuschauern ein besonderes Vergnügen bereiten. Das Repertoire des Klavierensembles umfasst selten zu hörende Originalkompositionen für 12, 16, oder sogar 24 Hände sowie Bearbeitungen populärer „Klassik-Hits" wie Ravels Bolero. Die private Notensammlung umfasst inzwischen mehr als 700 Kompositionen.
1989 fanden sich in Deutschland mehrere junge Pianisten zusammen um mehrhändige Klaviermusik neu zu entdecken, im Konzert aufzuführen und zeitgenössische Komponisten zu neuen Werken anzuregen. Aus diesem ersten Ensemble mit wechselnden Mitgliedern löste sich 1996 das Klavierensemble Piano4te (gesprochen: Pianoforte) heraus, um mit vier festen Mitgliedern eine kontinuierliche Fortentwicklung zu ermöglichen, ähnlich Kammermusikensembles. Piano4te mit Gästen entwickelte sich zu Die 12 Pianisten.
Ausgangspunkt der Großformation war eine Bearbeitung des Galop Marche von Albert Lavignac für zwölf Pianisten an einem Klavier von Christoph Sischka. Dies führte zu einem Eintrag in das Guinness Buch der Rekorde 2002.
The 12 Pianists are indeed a unique piano ensemble. The choreographic necessities of putting 24 arms with 120 fingers in the right place, on the right keys at the right time are a major achievement. The spectators will enjoy just watching this.
In 1989 a number of young pianists gathered in Germany in order to rediscover and perform music for piano ensemble and to encourage contemporary composers to create new works. In 1996 a new constellation with four permanent members emerged from this group, named Piano4te (pronounced: pianoforte). Their aim was to work in a way similar to chamber music ensembles. Other pianists joined and the big ensemble 12 Pianists came into existence. The starting point for the big-size formation was Sischka's arrangement of Albert Lavignac's Galop Marche for 12 pianists at one piano (mentioned in The Guinness Book of Records (German edition) 2002, page 277).
The private collection of scores now comprises more than 700 compositions.
CD: Bolero Night -- up to 24 hands, Die 12 Pianisten, Ars 38010
http://www.ars-produktion.de/Bolero_Night_up_to_24_Hands/topic/SACDs/shop_art_id/135/tpl/shop_article_detail
CD: Pictures, Die 12 Pianisten & Karlsruhe Perc. Ens., Ars 38125
http://www.ars-produktion.de/die_12_pianisten_und_das_Karlsruher_Schlagzeug_Ensemble/topic/Suchergebnis/shop_art_id/398/tpl/shop_article_detail
An interview with Prof. Sischka on his piano ensembles can be found here: http://www.piano4te.de/interview.pdf (in German)
wn.com/12 Pianists Maurice Ravel Werner Genuit Bolero 4 Pianos 16 Hands
12 Pianists live at the Cairo Opera House (Egypt), 1 January 2011
Maurice Ravel (1875-1937)
Bolero
Transcribed for 4 pianos 16 hands by
Werner Genuit (1937-1997)
Pianists in order of appearance: Noriko Ishikawa-Kratzer, Reimi Matsuda, Christine Schandelmeyer, Thomas Turek, Dina El-Leisy, Sebastian Bausch, Eriko Takezawa, Christoph Sischka
Die 12 Pianisten sind ein in ihrer Art einzigartiges Klavierensemble. Allein die Choreographie, die notwendig ist, um 24 Arme mit 120 Fingern immer im richtigen Moment die entsprechende Taste finden zu lassen, kann den Zuhörern und Zuschauern ein besonderes Vergnügen bereiten. Das Repertoire des Klavierensembles umfasst selten zu hörende Originalkompositionen für 12, 16, oder sogar 24 Hände sowie Bearbeitungen populärer „Klassik-Hits" wie Ravels Bolero. Die private Notensammlung umfasst inzwischen mehr als 700 Kompositionen.
1989 fanden sich in Deutschland mehrere junge Pianisten zusammen um mehrhändige Klaviermusik neu zu entdecken, im Konzert aufzuführen und zeitgenössische Komponisten zu neuen Werken anzuregen. Aus diesem ersten Ensemble mit wechselnden Mitgliedern löste sich 1996 das Klavierensemble Piano4te (gesprochen: Pianoforte) heraus, um mit vier festen Mitgliedern eine kontinuierliche Fortentwicklung zu ermöglichen, ähnlich Kammermusikensembles. Piano4te mit Gästen entwickelte sich zu Die 12 Pianisten.
Ausgangspunkt der Großformation war eine Bearbeitung des Galop Marche von Albert Lavignac für zwölf Pianisten an einem Klavier von Christoph Sischka. Dies führte zu einem Eintrag in das Guinness Buch der Rekorde 2002.
The 12 Pianists are indeed a unique piano ensemble. The choreographic necessities of putting 24 arms with 120 fingers in the right place, on the right keys at the right time are a major achievement. The spectators will enjoy just watching this.
In 1989 a number of young pianists gathered in Germany in order to rediscover and perform music for piano ensemble and to encourage contemporary composers to create new works. In 1996 a new constellation with four permanent members emerged from this group, named Piano4te (pronounced: pianoforte). Their aim was to work in a way similar to chamber music ensembles. Other pianists joined and the big ensemble 12 Pianists came into existence. The starting point for the big-size formation was Sischka's arrangement of Albert Lavignac's Galop Marche for 12 pianists at one piano (mentioned in The Guinness Book of Records (German edition) 2002, page 277).
The private collection of scores now comprises more than 700 compositions.
CD: Bolero Night -- up to 24 hands, Die 12 Pianisten, Ars 38010
http://www.ars-produktion.de/Bolero_Night_up_to_24_Hands/topic/SACDs/shop_art_id/135/tpl/shop_article_detail
CD: Pictures, Die 12 Pianisten & Karlsruhe Perc. Ens., Ars 38125
http://www.ars-produktion.de/die_12_pianisten_und_das_Karlsruher_Schlagzeug_Ensemble/topic/Suchergebnis/shop_art_id/398/tpl/shop_article_detail
An interview with Prof. Sischka on his piano ensembles can be found here: http://www.piano4te.de/interview.pdf (in German)
- published: 11 Mar 2011
- views: 17857
Anne Sophie Mutter "Tzigane" Maurice Ravel
- Order: Reorder
- Duration: 11:42
- Updated: 06 Jan 2016
- views: 2025
"Tzigane" est une rhapsodie de concert pour violon et orchestre composée par Maurice Ravel en 1924.
Anne-Sophie Mutter, l’interprète à la perfection avec l'Orc...
"Tzigane" est une rhapsodie de concert pour violon et orchestre composée par Maurice Ravel en 1924.
Anne-Sophie Mutter, l’interprète à la perfection avec l'Orchestre Philharmonique de Berlin ( direction musicale Sir Simon Rattle)
Soirée de la Saint-Sylvestre 2015
wn.com/Anne Sophie Mutter Tzigane Maurice Ravel
"Tzigane" est une rhapsodie de concert pour violon et orchestre composée par Maurice Ravel en 1924.
Anne-Sophie Mutter, l’interprète à la perfection avec l'Orchestre Philharmonique de Berlin ( direction musicale Sir Simon Rattle)
Soirée de la Saint-Sylvestre 2015
- published: 06 Jan 2016
- views: 2025
L'auditorium Maurice RAVEL : 2ème partie
- Order: Reorder
- Duration: 4:26
- Updated: 06 Aug 2012
- views: 424
12 fevrier 1975
Reportage sur le nouvel auditorium de Lyon, inauguré le 14 février : alternant avec des plans des salles de l'auditorium et d'une répétition, in...
12 fevrier 1975
Reportage sur le nouvel auditorium de Lyon, inauguré le 14 février : alternant avec des plans des salles de l'auditorium et d'une répétition, interviews de l'architecte Henry POTTIER et du chef de l'Orchestre national de Lyon Serge BAUDO. Images d'archive INA
Institut National de l'Audiovisuel
http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
wn.com/L'Auditorium Maurice Ravel 2Ème Partie
12 fevrier 1975
Reportage sur le nouvel auditorium de Lyon, inauguré le 14 février : alternant avec des plans des salles de l'auditorium et d'une répétition, interviews de l'architecte Henry POTTIER et du chef de l'Orchestre national de Lyon Serge BAUDO. Images d'archive INA
Institut National de l'Audiovisuel
http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
- published: 06 Aug 2012
- views: 424
Magdalena Kozena: The complete "Chansons madécasses" (Ravel)
- Order: Reorder
- Duration: 14:49
- Updated: 01 Apr 2014
- views: 6704
Chansons madécasses (1925-26):
I. Nahandove 00:00
II. Aoua 06:10
III. Il est doux 10:16
Ravel, Maurice (1875-1937) -composer
Magdalena Kozená -mezzosoprano
Pau...
Chansons madécasses (1925-26):
I. Nahandove 00:00
II. Aoua 06:10
III. Il est doux 10:16
Ravel, Maurice (1875-1937) -composer
Magdalena Kozená -mezzosoprano
Paul Edmund Daviesc-flute
Jiri Barta -cello
Malcolm Martineau -piano
Score: http://imslp.eu/linkhandler.php?path=/imglnks/euimg/5/52/IMSLP06290-Ravel_-_Chansons_mad__casses__score_and_parts_.pdf
Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ
During the final phase of Maurice Ravel's career, he experienced hampered creativity and a confused emotional state - which in the years that followed evolved into a preoccupation with economy of means and ensemble combinations. For example, the Chansons madécasses (Madagascar Songs), with their unique chamber ensemble, was, as Ravel indicated, "a kind of quartet in which the voice plays the part of the main instrument." The vocal line is uncharacteristic of Ravel's detached and objective style; instead the song sensuously and frightfully declares its message. The texts, taken from the eighteenth century Creole poet Evariste-Desire de Parny, are a cry for liberation from colonialism, exploitation, and slavery as they occurred in Madagascar. "Nahandove" depicts the erotic seduction of a native woman, in which Ravel uses the cello in counterpoint to the flute and piano. "Aoua!" is the frightful warning of the deceiving and dangerous white men; it opens with shrieks of the song's title, made on descending minor thirds. The vocal line is supported by dissonant piano crunches, while a tam-tam effect is made by the resonances of the piano and low notes of the flute. "Aoua!" was probably the most discussed of the three songs. When it was sung by Jane Bathori in 1925, at a concert in the Paris Salle Majestic, it was well received, except by a few members of the audience, who found the song's message especially disturbing because fighting was occurring in Morocco. The song comes to a bitter ending where the singer again proclaims "mefiez-vous des blancs" ("Don't trust the whites"). "Il est doux," featuring exotic timbres, returns to the earlier sexual lure. The first complete performance of the three songs was in 1926. Elizabeth Sprague Coolidge, an American patroness of chamber music, made only one suggestion when she commissioned the songs, in regards to the instrumentation of the accompaniment; the choice of text reveals Ravel's interest in the exotic.
Ravel stated that he viewed the years shortly before and during which the Chansons madécasses were written as a turning point in his career. In that time he turned from harmonic techniques to "the spirit of melody." The composer revealed in a late interview that these three songs were his favorites.
Source: http://www.allmusic.com/composition/chansons-mad%C3%A9casses-song-cycle-for-soprano-flute-cello-piano-mc0002356570
Buy the CD here: http://www.deccaclassics.com/en/cat/4715812
wn.com/Magdalena Kozena The Complete Chansons Madécasses (Ravel)
Chansons madécasses (1925-26):
I. Nahandove 00:00
II. Aoua 06:10
III. Il est doux 10:16
Ravel, Maurice (1875-1937) -composer
Magdalena Kozená -mezzosoprano
Paul Edmund Daviesc-flute
Jiri Barta -cello
Malcolm Martineau -piano
Score: http://imslp.eu/linkhandler.php?path=/imglnks/euimg/5/52/IMSLP06290-Ravel_-_Chansons_mad__casses__score_and_parts_.pdf
Playlist "The art of French song: Faure, Debussy, Ravel, Poulenc, Satie...": http://www.youtube.com/playlist?list=PLdM8VSWYvcWGecjk_VR0LNMYlVs05efWQ
During the final phase of Maurice Ravel's career, he experienced hampered creativity and a confused emotional state - which in the years that followed evolved into a preoccupation with economy of means and ensemble combinations. For example, the Chansons madécasses (Madagascar Songs), with their unique chamber ensemble, was, as Ravel indicated, "a kind of quartet in which the voice plays the part of the main instrument." The vocal line is uncharacteristic of Ravel's detached and objective style; instead the song sensuously and frightfully declares its message. The texts, taken from the eighteenth century Creole poet Evariste-Desire de Parny, are a cry for liberation from colonialism, exploitation, and slavery as they occurred in Madagascar. "Nahandove" depicts the erotic seduction of a native woman, in which Ravel uses the cello in counterpoint to the flute and piano. "Aoua!" is the frightful warning of the deceiving and dangerous white men; it opens with shrieks of the song's title, made on descending minor thirds. The vocal line is supported by dissonant piano crunches, while a tam-tam effect is made by the resonances of the piano and low notes of the flute. "Aoua!" was probably the most discussed of the three songs. When it was sung by Jane Bathori in 1925, at a concert in the Paris Salle Majestic, it was well received, except by a few members of the audience, who found the song's message especially disturbing because fighting was occurring in Morocco. The song comes to a bitter ending where the singer again proclaims "mefiez-vous des blancs" ("Don't trust the whites"). "Il est doux," featuring exotic timbres, returns to the earlier sexual lure. The first complete performance of the three songs was in 1926. Elizabeth Sprague Coolidge, an American patroness of chamber music, made only one suggestion when she commissioned the songs, in regards to the instrumentation of the accompaniment; the choice of text reveals Ravel's interest in the exotic.
Ravel stated that he viewed the years shortly before and during which the Chansons madécasses were written as a turning point in his career. In that time he turned from harmonic techniques to "the spirit of melody." The composer revealed in a late interview that these three songs were his favorites.
Source: http://www.allmusic.com/composition/chansons-mad%C3%A9casses-song-cycle-for-soprano-flute-cello-piano-mc0002356570
Buy the CD here: http://www.deccaclassics.com/en/cat/4715812
- published: 01 Apr 2014
- views: 6704
Modeste Moussorgski : Tableaux d'une exposition, orchestration de Maurice Ravel : Promenade 1
- Order: Reorder
- Duration: 2:01
- Updated: 15 Feb 2015
- views: 247
Download: http://v.blnk.fr/Ax63jP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalEx...
Download: http://v.blnk.fr/Ax63jP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
wn.com/Modeste Moussorgski Tableaux D'Une Exposition, Orchestration De Maurice Ravel Promenade 1
Download: http://v.blnk.fr/Ax63jP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 15 Feb 2015
- views: 247
Maurice Ravel: "Kaddisch" from Deux mélodies hébraïques
- Order: Reorder
- Duration: 4:53
- Updated: 16 Jan 2013
- views: 20852
Steven Isserlis, cello
The Norwegian Chamber Orchestra
15 January 2013
Universitetets Aula, Oslo
- published: 16 Jan 2013
- views: 20852
Modeste Moussorgski : Tableaux d'une exposition, orchestration de Maurice Ravel : Catacombae, Sepulc
- Order: Reorder
- Duration: 4:07
- Updated: 15 Feb 2015
- views: 24
Download: http://v.blnk.fr/Ax63uP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalEx...
Download: http://v.blnk.fr/Ax63uP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
wn.com/Modeste Moussorgski Tableaux D'Une Exposition, Orchestration De Maurice Ravel Catacombae, Sepulc
Download: http://v.blnk.fr/Ax63uP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 15 Feb 2015
- views: 24
Modeste Moussorgski : Tableaux d'une exposition, orchestration de Maurice Ravel : Bydlo
- Order: Reorder
- Duration: 3:28
- Updated: 15 Feb 2015
- views: 117
Download: http://v.blnk.fr/Ax63pP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalEx...
Download: http://v.blnk.fr/Ax63pP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
wn.com/Modeste Moussorgski Tableaux D'Une Exposition, Orchestration De Maurice Ravel Bydlo
Download: http://v.blnk.fr/Ax63pP7h
Subscribe now and never miss a video: http://bit.ly/1C1KlDZ
Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
- published: 15 Feb 2015
- views: 117
Bolero by Maurice Ravel/arr. Johnnie Vinson
- Order: Reorder
- Duration: 3:29
- Updated: 11 Feb 2015
- views: 10276
To purchase or for more info go to http://goo.gl/wfemkR
MusicWorks - Grade 2
One of the best-known classical themes ever written, Ravel's familiar melody appear...
To purchase or for more info go to http://goo.gl/wfemkR
MusicWorks - Grade 2
One of the best-known classical themes ever written, Ravel's familiar melody appears in many movies as well as on the concert stage. Johnnie Vinson's skillful adaptation allows even younger players to enjoy this famous work. Included are short solo (or soli) passages for clarinet, alto sax, flute and trumpet, as well as the signature rhythmic ostinato in the percussion.
HL04002123
HL04002124
wn.com/Bolero By Maurice Ravel Arr. Johnnie Vinson
To purchase or for more info go to http://goo.gl/wfemkR
MusicWorks - Grade 2
One of the best-known classical themes ever written, Ravel's familiar melody appears in many movies as well as on the concert stage. Johnnie Vinson's skillful adaptation allows even younger players to enjoy this famous work. Included are short solo (or soli) passages for clarinet, alto sax, flute and trumpet, as well as the signature rhythmic ostinato in the percussion.
HL04002123
HL04002124
- published: 11 Feb 2015
- views: 10276
Yuja Wang: Maurice Ravel - La Valse, transcription for piano (Verbier Festival 2008)
- Order: Reorder
- Duration: 11:43
- Updated: 11 Aug 2015
- views: 7967
Verbier Festival, 29. July 2008
Yuja Wang - piano
Maurice Ravel - La Valse, transcription for piano
Watch the full concert: https://www.youtube.com/watch?v=t_...
Verbier Festival, 29. July 2008
Yuja Wang - piano
Maurice Ravel - La Valse, transcription for piano
Watch the full concert: https://www.youtube.com/watch?v=t_-mzJrVOEk&list;=PLBjoEdEVMABKtSMam7X-OhRidS2ah73d3
Yuja Wang (Chinese: 王羽佳; born February 10, 1987) is a Chinese classical pianist. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing. By the age of 21 she was already an internationally recognized concert pianist, giving recitals around the world. She has a recording contract with Deutsche Grammophon.
https://en.wikipedia.org/wiki/Yuja_Wang
wn.com/Yuja Wang Maurice Ravel La Valse, Transcription For Piano (Verbier Festival 2008)
Verbier Festival, 29. July 2008
Yuja Wang - piano
Maurice Ravel - La Valse, transcription for piano
Watch the full concert: https://www.youtube.com/watch?v=t_-mzJrVOEk&list;=PLBjoEdEVMABKtSMam7X-OhRidS2ah73d3
Yuja Wang (Chinese: 王羽佳; born February 10, 1987) is a Chinese classical pianist. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing. By the age of 21 she was already an internationally recognized concert pianist, giving recitals around the world. She has a recording contract with Deutsche Grammophon.
https://en.wikipedia.org/wiki/Yuja_Wang
- published: 11 Aug 2015
- views: 7967
euronews musica - Classical jazz - when Bollani met Ravel
- Order: Reorder
- Duration: 4:42
- Updated: 17 Aug 2012
- views: 12686
http://www.euronews.com/ Stefano Bollani is a popular Italian jazz pianist who also plays classical music. In Rome he performed Maurice Ravel's Piano Concerto i...
http://www.euronews.com/ Stefano Bollani is a popular Italian jazz pianist who also plays classical music. In Rome he performed Maurice Ravel's Piano Concerto in G, conducted by British classical conductor Daniel Harding.
Stefano Bollani explained how he felt about playing the piece: "With the exception of the 2nd movement, the piece is very energetic, it's full of accents and small details - which is what, I think, Ravel thought was 'jazz'. Not so much the improvisation aspect, but rather all these irregular accents which sound like an American big band. And it's not by chance that this concert was written after he'd been to America and had been able to hear jazz for real."
Bollani provided further insights when he spoke to euronews: "Ravel was called 'the Swiss clockmaker' by his 'friend' Stravinsky, because he was extremely good at working each tiny detail whilst having quite a detached attitude. Of course you should not perform it in a 'cold' way, but you can add a kind of 'ice coating' to it, which is appropriate to Ravel, and I think he would have liked. He's often considered a Romantic composer, but in my opinion that 'sugary ingredient' is absent in Ravel's music."
So how does a world-acclaimed conductor such as Daniel Harding feel about a jazz musician like Bollani interpreting a classical piece? He was positive about it: "What I really like is that there's a completely unpretentious thing about the way he plays it. He loves the music, he has a great feeling for the kind of incessant drive of it. In the second movement, with this extraordinary, beautiful harmonic line and of course as a jazz musician his ear for harmony is fantastic, but maybe his way of approaching it is not quite the same way as ours, and there's something beautiful about the kind of child-like honesty with which he approaches it. He plays the piece in a way that makes me love the piece, or reminds me that I love the piece, and that's great."
Bollani added: "When talking of this concert everyone refers to the second movement, which is certainly the least jazzy of the three, but the most difficult to play for the pianist; it doesn't look so when you look at the score but it's quite difficult to keep that kind of tension all the time; that's exactly where I'd like to add my 'ice coating' because it's a very 'Mozart-like' piece, it's very inspired but also very posed, and as this music is so beautiful the risk is to let yourself go and play it all cantabile (meaning 'singable' or 'songlike'). Now, as it's over eight minutes long if you play it all cantabile it won't sound cantabile at all. So, you have to choose accurately when you want to move the audience, and move yourself as well."
In this story you can hear segments of Richard Strauss's 'Thus Spoke Zarathustra' and Maurice Ravel's Piano concerto in G.
Special thanks to the Hotel De Russie in Rome that kindly provided the location for the interview with conductor Daniel Harding.
For more excerpts from our interview (in Italian) with pianist Stefano Bollani please click on the following link: "Intervista (con bis) con Stefano Bollani":http://it.euronews.com/2012/07/11/intervista-con-bis-con-stefano-bollani
Find us on:
Youtube http://bit.ly/zr3upY
Facebook http://www.facebook.com/euronews.fans
Twitter http://twitter.com/euronews
wn.com/Euronews Musica Classical Jazz When Bollani Met Ravel
http://www.euronews.com/ Stefano Bollani is a popular Italian jazz pianist who also plays classical music. In Rome he performed Maurice Ravel's Piano Concerto in G, conducted by British classical conductor Daniel Harding.
Stefano Bollani explained how he felt about playing the piece: "With the exception of the 2nd movement, the piece is very energetic, it's full of accents and small details - which is what, I think, Ravel thought was 'jazz'. Not so much the improvisation aspect, but rather all these irregular accents which sound like an American big band. And it's not by chance that this concert was written after he'd been to America and had been able to hear jazz for real."
Bollani provided further insights when he spoke to euronews: "Ravel was called 'the Swiss clockmaker' by his 'friend' Stravinsky, because he was extremely good at working each tiny detail whilst having quite a detached attitude. Of course you should not perform it in a 'cold' way, but you can add a kind of 'ice coating' to it, which is appropriate to Ravel, and I think he would have liked. He's often considered a Romantic composer, but in my opinion that 'sugary ingredient' is absent in Ravel's music."
So how does a world-acclaimed conductor such as Daniel Harding feel about a jazz musician like Bollani interpreting a classical piece? He was positive about it: "What I really like is that there's a completely unpretentious thing about the way he plays it. He loves the music, he has a great feeling for the kind of incessant drive of it. In the second movement, with this extraordinary, beautiful harmonic line and of course as a jazz musician his ear for harmony is fantastic, but maybe his way of approaching it is not quite the same way as ours, and there's something beautiful about the kind of child-like honesty with which he approaches it. He plays the piece in a way that makes me love the piece, or reminds me that I love the piece, and that's great."
Bollani added: "When talking of this concert everyone refers to the second movement, which is certainly the least jazzy of the three, but the most difficult to play for the pianist; it doesn't look so when you look at the score but it's quite difficult to keep that kind of tension all the time; that's exactly where I'd like to add my 'ice coating' because it's a very 'Mozart-like' piece, it's very inspired but also very posed, and as this music is so beautiful the risk is to let yourself go and play it all cantabile (meaning 'singable' or 'songlike'). Now, as it's over eight minutes long if you play it all cantabile it won't sound cantabile at all. So, you have to choose accurately when you want to move the audience, and move yourself as well."
In this story you can hear segments of Richard Strauss's 'Thus Spoke Zarathustra' and Maurice Ravel's Piano concerto in G.
Special thanks to the Hotel De Russie in Rome that kindly provided the location for the interview with conductor Daniel Harding.
For more excerpts from our interview (in Italian) with pianist Stefano Bollani please click on the following link: "Intervista (con bis) con Stefano Bollani":http://it.euronews.com/2012/07/11/intervista-con-bis-con-stefano-bollani
Find us on:
Youtube http://bit.ly/zr3upY
Facebook http://www.facebook.com/euronews.fans
Twitter http://twitter.com/euronews
- published: 17 Aug 2012
- views: 12686
close fullscreen
- Playlist
- Chat
close fullscreen
- Playlist
- Chat
72:06
The Best of Ravel
Maurice Ravel -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
1. Boléro, b...
published: 07 Jun 2013
The Best of Ravel
The Best of Ravel
- Report rights infringement
- published: 07 Jun 2013
- views: 787738
28:38
Maurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer...
published: 04 Sep 2012
Maurice Ravel - Miroirs
Maurice Ravel - Miroirs
- Report rights infringement
- published: 04 Sep 2012
- views: 349027
15:29
Maurice Ravel - Bolero
Version complète du Bolero de Maurice Ravel (environ 15 minutes).
Pour plus de Musique Cla...
published: 19 Oct 2010
Maurice Ravel - Bolero
Maurice Ravel - Bolero
- Report rights infringement
- published: 19 Oct 2010
- views: 5554901
14:50
Bolero - Maurice Ravel
Boléro is a one-movement orchestral piece by Maurice Ravel (1875--1937). Originally compos...
published: 02 Dec 2011
Bolero - Maurice Ravel
Bolero - Maurice Ravel
- Report rights infringement
- published: 02 Dec 2011
- views: 799045
16:32
Bolero - Maurice Ravel
Bolero by Maurice Ravel
Choreography by Maurice Bejart.
Performed by Nicolas Le Riche.
published: 26 Jul 2014
Bolero - Maurice Ravel
Bolero - Maurice Ravel
- Report rights infringement
- published: 26 Jul 2014
- views: 113130
6:47
Maurice Ravel - Pavane for Dead Princess
Painting - Lake George, 1869
Artist - John Frederick Kensett (1816--1872)
published: 15 Jan 2008
Maurice Ravel - Pavane for Dead Princess
Maurice Ravel - Pavane for Dead Princess
- Report rights infringement
- published: 15 Jan 2008
- views: 2519951
6:06
Maurice Ravel - Maurice Ravel: Jeux d'eau
Music video by Maurice Ravel performing Maurice Ravel: Jeux d'eau. (C) 2009 Josef-Stefan K...
published: 06 Aug 2010
Maurice Ravel - Maurice Ravel: Jeux d'eau
Maurice Ravel - Maurice Ravel: Jeux d'eau
- Report rights infringement
- published: 06 Aug 2010
- views: 94511
17:23
- Maurice Ravel BOLERO - Wiener Philharmonic
Wiener Philharmonic
: Gustavo Dudamel
: Albena Danailova
published: 28 Nov 2011
- Maurice Ravel BOLERO - Wiener Philharmonic
- Maurice Ravel BOLERO - Wiener Philharmonic
- Report rights infringement
- published: 28 Nov 2011
- views: 3733010
55:58
Daphnis et Chloé - Ravel - Dutoit
Maurice Ravel (1875 - 1937)
Daphnis et Chloé (1909 - 1912)
Ballet in three parts
Montreá...
published: 07 Oct 2012
Daphnis et Chloé - Ravel - Dutoit
Daphnis et Chloé - Ravel - Dutoit
- Report rights infringement
- published: 07 Oct 2012
- views: 382805
27:40
String Quartet in F Major - Maurice Ravel [HD]
Maurice Ravel completed his String quartet in F major in early April 1903 at the age of 28...
published: 16 Jun 2014
String Quartet in F Major - Maurice Ravel [HD]
String Quartet in F Major - Maurice Ravel [HD]
- Report rights infringement
- published: 16 Jun 2014
- views: 39001
23:26
Maurice Ravel - Gaspard de la nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of piec...
published: 01 Sep 2012
Maurice Ravel - Gaspard de la nuit
Maurice Ravel - Gaspard de la nuit
- Report rights infringement
- published: 01 Sep 2012
- views: 74998
18:43
MAURICE RAVEL: LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS
LISBOA - PORTUGAL - 1° DE MAYO DE 2003
published: 25 Dec 2013
MAURICE RAVEL: LE TOMBEAU DE COUPERIN - PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
15:39
Maurice Ravel - Rapsodie Espagnole
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 19...
published: 23 Jun 2015
Maurice Ravel - Rapsodie Espagnole
Maurice Ravel - Rapsodie Espagnole
- Report rights infringement
- published: 23 Jun 2015
- views: 11103
6:25
Maurice Ravel - Daybreak (Daphnis et Chloé)
Daphnis et Chloé is a ballet with music by Maurice Ravel. Ravel described it as a "symphon...
published: 07 May 2012
Maurice Ravel - Daybreak (Daphnis et Chloé)
Maurice Ravel - Daybreak (Daphnis et Chloé)
- Report rights infringement
- published: 07 May 2012
- views: 124781
close fullscreen
- Playlist
- Chat
5:06
(Maurice Ravel) Bolero - Sungha Jung (live)
2015.5.30 Singapore Tour.
Arrangement by Kotaro Oshio.
published: 21 Jun 2015
(Maurice Ravel) Bolero - Sungha Jung (live)
(Maurice Ravel) Bolero - Sungha Jung (live)
- Report rights infringement
- published: 21 Jun 2015
- views: 82224
2:22
Joyce DiDonato - Maurice Ravel, Shéhérazade
Full concert here http://www.medici.tv/#!/alan-gilbert-joyce-didonato-salonen-ravel-straus...
published: 28 Apr 2015
Joyce DiDonato - Maurice Ravel, Shéhérazade
Joyce DiDonato - Maurice Ravel, Shéhérazade
- Report rights infringement
- published: 28 Apr 2015
- views: 3638
23:51
Argerich - Ravel Piano Concerto in G Major
Martha Argerich playing Piano Concerto by Maurice Ravel live from Torino
Andrej Boreyko, c...
published: 07 Jan 2011
Argerich - Ravel Piano Concerto in G Major
Argerich - Ravel Piano Concerto in G Major
- Report rights infringement
- published: 07 Jan 2011
- views: 221173
10:37
Maurice Ravel - "Sonatine pour piano" - Nino Kotrikadze
Live at the Concordia Theatre in Borgo Maggiore, San Marino 2012
published: 28 Aug 2014
Maurice Ravel - "Sonatine pour piano" - Nino Kotrikadze
Maurice Ravel - "Sonatine pour piano" - Nino Kotrikadze
- Report rights infringement
- published: 28 Aug 2014
- views: 2624
15:24
Emile Naoumoff - Maurice Ravel Valses Nobles et Sentimentales - Live Concert - HD
Emile Naoumoff speelt Maurice Ravel Valses Nobles et Sentimentales tijdens een herdenkings...
published: 05 Dec 2013
Emile Naoumoff - Maurice Ravel Valses Nobles et Sentimentales - Live Concert - HD
Emile Naoumoff - Maurice Ravel Valses Nobles et Sentimentales - Live Concert - HD
- Report rights infringement
- published: 05 Dec 2013
- views: 10171
6:57
André Rieu - Boléro (Ravel)
André Rieu & the Johann Strauss Orchestra performing Ravel's Boléro live in Maastricht.
Ta...
published: 24 Apr 2012
André Rieu - Boléro (Ravel)
André Rieu - Boléro (Ravel)
- Report rights infringement
- published: 24 Apr 2012
- views: 8993039
10:43
Vahid Khadem-Missagh performing Ravel "Tzigane", live concert recording, Veronika Trisko, piano
Vahid Khadem-Missagh performing Maurice Ravel's "Tzigane"
live concert recording, 12th May...
published: 30 Jun 2013
Vahid Khadem-Missagh performing Ravel "Tzigane", live concert recording, Veronika Trisko, piano
Vahid Khadem-Missagh performing Ravel "Tzigane", live concert recording, Veronika Trisko, piano
- Report rights infringement
- published: 30 Jun 2013
- views: 1883
25:24
Maurice Ravel - "Le tombeau de Couperin" by Angela Hewitt
http://www.cbcmusic.ca
Angela Hewitt performs a live concert for the Royal Conservatory o...
published: 12 Feb 2012
Maurice Ravel - "Le tombeau de Couperin" by Angela Hewitt
Maurice Ravel - "Le tombeau de Couperin" by Angela Hewitt
- Report rights infringement
- published: 12 Feb 2012
- views: 353226
8:34
Parker Quartet - Maurice Ravel - String Quartet in F Major (Live on Performance Today)
The Parker Quartet performs Movement I - Allegro Moderato. Tres Doux, from Maurice Ravel's...
published: 21 Jan 2010
Parker Quartet - Maurice Ravel - String Quartet in F Major (Live on Performance Today)
Parker Quartet - Maurice Ravel - String Quartet in F Major (Live on Performance Today)
- Report rights infringement
- published: 21 Jan 2010
- views: 16548
8:45
Fabrizio Spaggiari: Scarbo - Maurice Ravel - Live - Teatro Ariosto Theater - Reggio Emilia - Piano
Fabrizio Spaggiari plays Maurice Ravel's Scarbo live in Reggio Emilia Ariosto Theater, May...
published: 08 Jan 2011
Fabrizio Spaggiari: Scarbo - Maurice Ravel - Live - Teatro Ariosto Theater - Reggio Emilia - Piano
Fabrizio Spaggiari: Scarbo - Maurice Ravel - Live - Teatro Ariosto Theater - Reggio Emilia - Piano
- Report rights infringement
- published: 08 Jan 2011
- views: 1294
9:06
Maurice Ravel: 'Bolero'
Volker Hartung conducts Ravel's Bolero in a live performance given at Cologne Philharmoni...
published: 30 Aug 2008
Maurice Ravel: 'Bolero'
Maurice Ravel: 'Bolero'
- Report rights infringement
- published: 30 Aug 2008
- views: 93743
13:05
Morgan (Marco Castoldi) suona Maurice Ravel (live@Cage, Livorno)
08/02/2014 - Live at The Cage Theatre - Morgan (Marco Castoldi) suona Maurice Ravel (secon...
published: 17 Apr 2014
Morgan (Marco Castoldi) suona Maurice Ravel (live@Cage, Livorno)
Morgan (Marco Castoldi) suona Maurice Ravel (live@Cage, Livorno)
- Report rights infringement
- published: 17 Apr 2014
- views: 1173
10:00
Maurice Ravel - Concerto pour la main Gauche 2/2 live on Erard Concert Grand
Live-recording of Tamara Rumiantsev and Noord Nederlands Orkest conducted by Jacques Merci...
published: 04 Jun 2010
Maurice Ravel - Concerto pour la main Gauche 2/2 live on Erard Concert Grand
Maurice Ravel - Concerto pour la main Gauche 2/2 live on Erard Concert Grand
- Report rights infringement
- published: 04 Jun 2010
- views: 4198
12:51
Maurice Ravel, La Valse, Royal Concertgebouw Orchestra live, Mariss Jansons
Maurice Ravel (1875 - 1939)
La valse, poème chorégraphique pour orchestre (a choreographi...
published: 23 Jan 2016
Maurice Ravel, La Valse, Royal Concertgebouw Orchestra live, Mariss Jansons
Maurice Ravel, La Valse, Royal Concertgebouw Orchestra live, Mariss Jansons
- Report rights infringement
- published: 23 Jan 2016
- views: 36
close fullscreen
- Playlist
- Chat
55:31
Ravel - Piano Works
Performed by Pascal Rogé
Year of recording: 1994
Part II: https://www.youtube.com/watch?v=...
published: 24 Feb 2014
Ravel - Piano Works
Ravel - Piano Works
- Report rights infringement
- published: 24 Feb 2014
- views: 418117
56:11
Maurice Ravel - Daphnis et Chloé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Orchestra: Orchestr...
published: 14 Nov 2015
Maurice Ravel - Daphnis et Chloé
Maurice Ravel - Daphnis et Chloé
- Report rights infringement
- published: 14 Nov 2015
- views: 4334
27:44
Maurice Ravel-Piano Trio in A minor + Sheets
-Movements
1. Modéré, 0:00
2. Pantoum (Assez vif), 9:52
3. Passacaille: Trés large, 14:...
published: 20 May 2014
Maurice Ravel-Piano Trio in A minor + Sheets
Maurice Ravel-Piano Trio in A minor + Sheets
- Report rights infringement
- published: 20 May 2014
- views: 46563
30:12
Maurice Ravel Porträt Teil 1
published: 02 Sep 2013
Maurice Ravel Porträt Teil 1
Maurice Ravel Porträt Teil 1
- Report rights infringement
- published: 02 Sep 2013
- views: 5653
23:02
Maurice Ravel - Piano Concerto in G Major
This is my favorite version of Ravel's Piano Concerto in G Major, but I haven't been able ...
published: 25 Jul 2013
Maurice Ravel - Piano Concerto in G Major
Maurice Ravel - Piano Concerto in G Major
- Report rights infringement
- published: 25 Jul 2013
- views: 30097
21:09
David Fray: Maurice Ravel - Concerto in G major (Orchestre de Paris & Esa-Pekka Salonen)
Recorded at the Salle Pleyel, 8 March 2011
Orchestre de Paris
Esa-Pekka Salonen - conduct...
published: 14 Nov 2015
David Fray: Maurice Ravel - Concerto in G major (Orchestre de Paris & Esa-Pekka Salonen)
David Fray: Maurice Ravel - Concerto in G major (Orchestre de Paris & Esa-Pekka Salonen)
- Report rights infringement
- published: 14 Nov 2015
- views: 4877
24:33
Ravel - Le Tombeau de Couperin, orchestration complète
Composée entre 1914 et 1917, donnée en première audition en avril 1919 par Marguerite Long...
published: 02 May 2012
Ravel - Le Tombeau de Couperin, orchestration complète
Ravel - Le Tombeau de Couperin, orchestration complète
- Report rights infringement
- published: 02 May 2012
- views: 257648
32:46
Modest Mussorgsky / Maurice Ravel - Pictures at an Exhibition
Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане...
published: 17 Mar 2012
Modest Mussorgsky / Maurice Ravel - Pictures at an Exhibition
Modest Mussorgsky / Maurice Ravel - Pictures at an Exhibition
- Report rights infringement
- published: 17 Mar 2012
- views: 547458
25:27
Gürzenich-Orchester Köln, Maurice Ravel, Klavierkonzert G-Dur, Louis Langrée, Steven Osborne
Maurice Ravel, Klavierkonzert G-Dur
Gürzenich-Orchester Köln
Louis Langrée, Dirigent
Konze...
published: 01 Mar 2016
Gürzenich-Orchester Köln, Maurice Ravel, Klavierkonzert G-Dur, Louis Langrée, Steven Osborne
Gürzenich-Orchester Köln, Maurice Ravel, Klavierkonzert G-Dur, Louis Langrée, Steven Osborne
- Report rights infringement
- published: 01 Mar 2016
- views: 329
23:49
Maurice Ravel Piano Concerto in G (Leonard Bernstein)
Maurice Ravel Piano Concerto in G (Leonard Bernstein)
published: 19 May 2011
Maurice Ravel Piano Concerto in G (Leonard Bernstein)
Maurice Ravel Piano Concerto in G (Leonard Bernstein)
- Report rights infringement
- published: 19 May 2011
- views: 180073
30:34
Maurice Ravel-String Quartet in F Major (Complete)
Budapest String Quartet (Joseph Roisman, Alexander Schneider: violin, Boris Kroyt: viola, ...
published: 02 Jun 2011
Maurice Ravel-String Quartet in F Major (Complete)
Maurice Ravel-String Quartet in F Major (Complete)
- Report rights infringement
- published: 02 Jun 2011
- views: 80320
21:51
Gürzenich-Orchester Köln, Maurice Ravel, Ma mère l'oye, Louis Langrée
Maurice Ravel, Ma mère l'oye – Cinq pièces enfantines
Gürzenich-Orchester Köln
Louis Langr...
published: 01 Mar 2016
Gürzenich-Orchester Köln, Maurice Ravel, Ma mère l'oye, Louis Langrée
Gürzenich-Orchester Köln, Maurice Ravel, Ma mère l'oye, Louis Langrée
- Report rights infringement
- published: 01 Mar 2016
- views: 347
26:26
Maurice Ravel - Le Tombeau de Couperin (piano, complete)
Maurice Ravel - Le Tombeau de Couperin
00:00 - 1. Prélude
03:33 - 2. Fugue
06:47 - 3. Forl...
published: 06 May 2015
Maurice Ravel - Le Tombeau de Couperin (piano, complete)
Maurice Ravel - Le Tombeau de Couperin (piano, complete)
- Report rights infringement
- published: 06 May 2015
- views: 5646
close fullscreen
- Playlist
- Chat
12:26
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937)
- Performers: Matti H...
published: 05 Jan 2016
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé
- Report rights infringement
- published: 05 Jan 2016
- views: 953
5:14
LEO VAUCHANT, the genius trombonist of Maurice Ravel -Archives Michel Laplace
5 trombone solos by LEO VAUCHANT in 1928-31 (with Jack Hylton & Ray Ventura orchestras)
Le...
published: 13 Sep 2013
LEO VAUCHANT, the genius trombonist of Maurice Ravel -Archives Michel Laplace
LEO VAUCHANT, the genius trombonist of Maurice Ravel -Archives Michel Laplace
- Report rights infringement
- published: 13 Sep 2013
- views: 780
4:06
Hélène Grimaud on Maurice Ravel's Piano Concerto in G major
Free full-length version at http://www.digitalconcerthall.com/concert/280
Hélène Grimau...
published: 21 Jun 2010
Hélène Grimaud on Maurice Ravel's Piano Concerto in G major
Hélène Grimaud on Maurice Ravel's Piano Concerto in G major
- Report rights infringement
- published: 21 Jun 2010
- views: 39870
11:21
Maurice Ravel - Trois Poèmes de Stéphane Mallarmé
Trois poèmes de Stéphane Mallarmé, song cycle for voice & ensemble (or piano) (1913)
Mari...
published: 27 May 2011
Maurice Ravel - Trois Poèmes de Stéphane Mallarmé
Maurice Ravel - Trois Poèmes de Stéphane Mallarmé
- Report rights infringement
- published: 27 May 2011
- views: 21332
12:04
Jacques Loussier Trio - Maurice Ravel：Bolero
published: 13 Apr 2013
Jacques Loussier Trio - Maurice Ravel：Bolero
Jacques Loussier Trio - Maurice Ravel：Bolero
- Report rights infringement
- published: 13 Apr 2013
- views: 63445
18:48
Sarah Connolly performs "Shéhérazade" by Maurice Ravel
In the biography on her website and in several interviews, the superb British mezzo-sopran...
published: 15 Aug 2014
Sarah Connolly performs "Shéhérazade" by Maurice Ravel
Sarah Connolly performs "Shéhérazade" by Maurice Ravel
- Report rights infringement
- published: 15 Aug 2014
- views: 1457
11:46
Martha Argerich & Nelson Freire: Maurice Ravel - La Valse (Munich, 1982)
In a concert recorded in the Kongressaal, Munich, the two south-american pianists - Martha...
published: 14 Nov 2015
Martha Argerich & Nelson Freire: Maurice Ravel - La Valse (Munich, 1982)
Martha Argerich & Nelson Freire: Maurice Ravel - La Valse (Munich, 1982)
- Report rights infringement
- published: 14 Nov 2015
- views: 359
1:29
Maurice Ravel : Ma mère l'oye
Download: http://v.blnk.fr/Axd2hP7h
Subscribe now and never miss a video: http://bit.ly/1...
published: 01 Mar 2015
Maurice Ravel : Ma mère l'oye
Maurice Ravel : Ma mère l'oye
- Report rights infringement
- published: 01 Mar 2015
- views: 277
3:02
David Fray on Ravel's Piano Concerto in G
David Fray speaks about performing Ravel's Piano Concerto in G for his performances with t...
published: 18 Sep 2009
David Fray on Ravel's Piano Concerto in G
David Fray on Ravel's Piano Concerto in G
- Report rights infringement
- published: 18 Sep 2009
- views: 51558
4:04
L'auditiorium Maurice Ravel de Lyon : 1ère partie
11 fevrier 1975
Reportage sur l'auditorium de La Part Dieu qui sera inauguré le 14 février...
published: 30 Jul 2012
L'auditiorium Maurice Ravel de Lyon : 1ère partie
L'auditiorium Maurice Ravel de Lyon : 1ère partie
- Report rights infringement
- published: 30 Jul 2012
- views: 345
12:29
Anne Sofie von Otter: The complete "3 Poèmes de Stéphane Mallarmé" (Ravel)
3 Poèmes de Stéphane Mallarmé (1913):
I. Soupir 00:00
II. Placet futile 04:19
III. Surgi d...
published: 01 Apr 2014
Anne Sofie von Otter: The complete "3 Poèmes de Stéphane Mallarmé" (Ravel)
Anne Sofie von Otter: The complete "3 Poèmes de Stéphane Mallarmé" (Ravel)
- Report rights infringement
- published: 01 Apr 2014
- views: 16103
7:13
12 Pianists: Maurice Ravel / Werner Genuit Bolero 4 pianos 16 hands
12 Pianists live at the Cairo Opera House (Egypt), 1 January 2011
Maurice Ravel (1875-193...
published: 11 Mar 2011
12 Pianists: Maurice Ravel / Werner Genuit Bolero 4 pianos 16 hands
12 Pianists: Maurice Ravel / Werner Genuit Bolero 4 pianos 16 hands
- Report rights infringement
- published: 11 Mar 2011
- views: 17857
11:42
Anne Sophie Mutter "Tzigane" Maurice Ravel
"Tzigane" est une rhapsodie de concert pour violon et orchestre composée par Maurice Rave...
published: 06 Jan 2016
Anne Sophie Mutter "Tzigane" Maurice Ravel
Anne Sophie Mutter "Tzigane" Maurice Ravel
- Report rights infringement
- published: 06 Jan 2016
- views: 2025
4:26
L'auditorium Maurice RAVEL : 2ème partie
12 fevrier 1975
Reportage sur le nouvel auditorium de Lyon, inauguré le 14 février : alter...
published: 06 Aug 2012
L'auditorium Maurice RAVEL : 2ème partie
L'auditorium Maurice RAVEL : 2ème partie
- Report rights infringement
- published: 06 Aug 2012
- views: 424
Maurice Ravel - 3 Poèmes de Stéphane Mallarmé...
LEO VAUCHANT, the genius trombonist of Maurice Rav...
Hélène Grimaud on Maurice Ravel's Piano Concerto i...
Maurice Ravel - Trois Poèmes de Stéphane Mallarmé...
Jacques Loussier Trio - Maurice Ravel：Bolero...
Sarah Connolly performs "Shéhérazade" by Maurice R...
Martha Argerich & Nelson Freire: Maurice Ravel - L...
Maurice Ravel : Ma mère l'oye...
David Fray on Ravel's Piano Concerto in G...
L'auditiorium Maurice Ravel de Lyon : 1ère partie...
Anne Sofie von Otter: The complete "3 Poèmes de St...
12 Pianists: Maurice Ravel / Werner Genuit Bolero ...
Anne Sophie Mutter "Tzigane" Maurice Ravel...
L'auditorium Maurice RAVEL : 2ème partie...
Magdalena Kozena: The complete "Chansons madécasse...
Modeste Moussorgski : Tableaux d'une exposition, o...
Maurice Ravel: "Kaddisch" from Deux mélodies hébra...
Modeste Moussorgski : Tableaux d'une exposition, o...
Modeste Moussorgski : Tableaux d'une exposition, o...
Bolero by Maurice Ravel/arr. Johnnie Vinson...
Yuja Wang: Maurice Ravel - La Valse, transcription...
euronews musica - Classical jazz - when Bollani me...
photo: AP / Mary Altaffer
Hughie Fury dominates Dominick Guinn in off-TV bout
Edit WBN 27 Mar 2016
The 22 year-old brute kept Guinn off with his exceptional jab and had no trouble staying away from the veteran’s punching to breeze through each of the ten rounds and continue his steady progress ... Blackwell was taken out on a stretcher and subsequently taken to hospital after a brutal beating. Other results from London. ... ....
photo: AP / Matt Sayles
Miley Cyrus joining ‘The Voice’ for Season 11 as a judge
Edit Zap2it 26 Mar 2016
It's true! I am going to be the newest judge on Season 11 of The Voice @NBCTheVoice #thevoice 🦄❤️💐 pic.twitter.com/hP5AyHDtdh. — Miley Ray Cyrus (@MileyCyrus) March 26, 2016 ... RELATED ... ....
photo: AP / Richard Drew
Donald Trump may halt US oil purchases from Saudi Arabia: Report
Edit The Times of India 26 Mar 2016
WASHINGTON. Republican presidential front-runner Donald Trump told the New York Times he would consider stopping U.S. oil purchases from Saudi Arabia unless the Saudi government provide troops to fight Islamic State ... allies unless they provided on-the-ground forces against Islamic State ... ....
photo: AP / Ahrar al-Sham Twitter Page
Yemen conflict: Al-Qaida ‘used surface-to-air missile’ to bring down Emirati fighter jet
Edit The Times of India 27 Mar 2016
Al-Qaida has acquired sophisticated surface-to-air missiles, The Independent has learned, which were used to shoot down an Emirati fighter jet in a dangerous escalation of the civil war raging in Yemen. A French-made Mirage jet, flying in the air force of the United Arab Emirates (UAE), crashed into a mountain side just outside the southern port city of Aden on 14 March ... The SA-7 is a shoulder held heat-seeking missile ... ....
« back to news headlines
OU concerto competition winners will perform in gala event in Norman
Edit The Oklahoman 26 Mar 2016
NORMAN — Winners of the 2015 University of Oklahoma School of Music Concerto Competition will perform with the OU Symphony Orchestra in a concert Thursday ... Madden is a third-year candidate for a master's and doctoral degree in piano performance and pedagogy from Hollidaysburg, Pa., studying with Stephen Beus, assistant professor of music. Madden will perform the first movement of Maurice Ravel's "Piano Concerto in G Major."....
Korean dance gets French makeover (Ministry of Culture, Sports And Tourism of the Republic of Korea)
Edit Public Technologies 25 Mar 2016
(Source. Ministry of Culture, Sports And Tourism of the Republic of Korea) ... Traditional Korean dance has been imbued with French flair ... In part three, dancers express the joy of life by dancing in twos to a soundtrack that combines Korean instruments and Ravel's 'Bolero.'. In part three, 'Bolero,' dancers expressed their joy for life and desire for rhythm to a remixed soundtrack of 'Bolero' by French composer Maurice Ravel (1875-1937)....
Versatile, Fearless Charles Rosen at the Piano
Edit The New York Review of Books 25 Mar 2016
In January 1959 the thirty-one-year-old Rosen stepped for the first time into CBS’s legendary 30th Street Studio (a converted church), auspiciously to record Maurice Ravel’s Gaspard de la nuit (1908), viewed even among pianists as nearly unplayable. Ravel had openly intended to surpass the then title-holder for the world’s most impossible piano piece, Mily Balakirev’s Islamey (1869, revised in 1902) ... When Mr ... ....
Makes reader think about what is possible
Edit Otago Daily Times 20 Mar 2016
Shortly into this novel, a waitress in a New York cafe displays a tattoo, YOLO. You Only Live Once. But do you?. What if life really matters, not because you only have one chance, but because it happens again and again, and consequences can unfold? ... He cites the case of Maurice Ravel, who "was able to think musically but was unable to express his ideas in writing or performance'' ... As Lightning to the Children eased. With explanation kind ... ....
A Spanish maestro, daylight savings, pie for Pi Day and more
Edit Star Tribune 13 Mar 2016
Pick of the week. The way Spanish maestro Jesús López-Cobos zips around the world, it’s surprising that he hasn’t been in the Twin Cities before, except to change planes ... The conductor, who’s flying in from the Casals Festival in Puerto Rico, where he directed Saturday’s closing-night concert, will lead the Minnesota Orchestra in a program featuring music by Robert Schumann, Maurice Ravel and Manuel de Falla ... ....
The 2015–2016 San Francisco Performances Vocal Series
Edit The Examiner 13 Mar 2016
This season the San Francisco Performances (SFP) Vocal Series will get off to a very late start. The first of the concerts in the series will not be given until the beginning of next month, meaning that all four concerts will take place over the course of two months ... All four of the concerts will begin at 7.30 p.m ... Hector Berlioz, Claude Debussy, Ottorino Respighi, Reynaldo Hahn, Francis Poulenc, Maurice Ravel, and Manuel de Falla ... ....
Charles Dutoit showcases the rich sonorities of the San Francisco Symphony
Edit The Examiner 11 Mar 2016
Gabriel Fauré’s Opus 80 is a four-movement suite of pieces selected from incidental music written for a performance of Maurice Maeterlinck’s play Pelléas et Mélisande in 1898 ... 1912 was also the year of the premiere of a ballet score by Maurice Ravel, which was also based on previously composed music ... Ravel orchestrated these pieces in 1911 but was then approached to expand the score for a one-act ballet....
In the Music Spotlight: Goran Ivanovic Trio
Edit Chicago Sun-Times 09 Mar 2016
BY JEFF ELBEL . FOR THE SUN-TIMES ... The Croatian native’s stirring style incorporates jazz, traditional Balkan, flamenco and classical styles ... The title track was reprised on an eponymous 2005 release by the Goran Ivanovic Group ... Maksin joins the trio for the undulating “Maurice’s Ragtime,” a beautifully impressionistic piece honoring French composer Maurice Ravel with its intoxicating and sublime atmosphere ... Mar. 15, Jazz Showcase, 806 S ... ....
Google’s new music lab launched with a tribute to the first female electronic music star
Edit Quartz 09 Mar 2016
A beguiling rockstar graces Google’s home page today. Clara Rockmore, born 105 years ago, was the original master of the theremin, the first electric musical instrument and one which allows musicians to create sound from thin air. Here’s Rockmore displaying her air-shredding prowess with Maurice Ravel’s Habanera.. Google’s tribute to this pioneering musician and her extraordinary instrument is no ordinary doodle....
Guest Artist Cello Recital with Christopher Adkins on March 7 (Lamar University)
Edit Public Technologies 04 Mar 2016
(Source. Lamar University) ... Adkins will perform Johann Sebastian Bach's 'Pastorale' and G Major Suite for Cello, as well as several fairy tale-inspired selections by composers such as Maurice Ravel, Antonin Dvorak, Paul Hindemith and Christoph Gluck. Admission is free and open to the public. 'I am pleased that Mr ... 'He will perform a wide variety of styles in a very impressive and challenging program of cello works ... Original Document....
Schwabacher Debut Recitals Presents Efra ín Sol ís and Robert Mollicone (San Francisco Opera Orchestra)
Edit Public Technologies 03 Mar 2016
(Source. San Francisco Opera Orchestra). Release date. 3/2/2016 ... The March 20 recital will feature Histoires Naturelles, Maurice Ravel's witty and charming five-song cycle set to poems of Jules Renard; songs by the pioneering Mexican composer and songwriter María Grever (1894-1951),writer of such hits as 'Volveré' and 'What a Difference a Day Makes'; music by Franz Schubert and Erich Wolfgang Korngold; and Russian and Spanish works....
15-02-2016: HK Phil Presents Pictures at an Exhibition, a concert of Russian colours (25 & ...
Edit Public Technologies 29 Feb 2016
(Source. Hong Kong Philharmonic Orchestra). FOR IMMEDIATE RELEASE. Media Contact. Deborah Hennig. Director of Marketing. Tel. (852) 2721 9035. Email. deborah.hennig@hkphil.org. Becky Lee. Media Relations Manager. Tel. (852) 2721 1585. Email ... 1 ... Originally written for piano as a tribute to his architect friend Viktor Hartmann, we experience it here in a classic orchestral version by Maurice Ravel, the version most people will recognise ... 3 ... 2 ... Ravel﹞....
- 1
- 2
- 3
- 4
- 5
- Next page »
