The Grave
The Grave may refer to:
See also
The Grave (film)
The Grave is a 1996 thriller starring Craig Sheffer, Gabrielle Anwar and Josh Charles. Its plot concerns two convicts who escape from prison to find a buried treasure.
External links
The Grave (poem)
The Grave is a blank verse poem by the Scottish poet Robert Blair. It is the work for which he is primarily renowned. According to Blair, in a letter he wrote to Dr. Dodderidge, the greater part of the poem was composed before he became a minister, Edinburgh editor and publisher John Johnstone stating that it was composed whilst he was still a student, although "probably corrected and amplified by his more matured judgement". The poem, 767 lines long, is an exemplar of what became known as the school of graveyard poetry.
Part of the poem's continued prominence in scholarship involves a later printing of poems by Robert Hartley Cromek which included illustrations completed by the Romantic poet and illustrator William Blake. He completed forty illustrations for the poem, twenty of which were printed in Cromek's edition. Blake's original watercolours for the prints were believed lost, until they were rediscovered in 2003.
First publication and critical reception
According to that same letter to Dodderidge, two publishers rejected the poem before it was finally first published in 1743, in London by Mr. Cooper. The grounds for rejection, as related by Blair, were that he lived too far away from London to be able to "write so as to be acceptable to the fashionable and polite". He sarcastically observed that "to what distance from the metropolis these sapient booksellers conceived poetical inspiration to extend, we are not informed".
Enhanced 9-1-1
Enhanced 911, E-911 or E911 is a system used in North America that links emergency callers with the appropriate public resources. Three-digit emergency telephone numbers originated in the United Kingdom in 1937 and have spread to continents and countries around the globe. Other easy dial codes, including the 112 number adopted by the European Union in 1991, have been deployed to provide free-of-charge emergency calls.
In North America, where 9-1-1 was chosen as the easy access code, the system tries to automatically associate a location with the origin of the call. This location may be a physical address or other geographic reference information such as X/Y map coordinates. The caller's telephone number is used in numerous manners to track a location that can be used to dispatch police, fire, emergency medical and other response resources. Automatic location of the emergency makes it faster to locate the required resources during fires, break-ins, kidnappings, and other events where communicating one's location is difficult or impossible.
Wheat
Wheat (Triticum spp.) is a cereal grain, originally from the Levant region of the Near East but now cultivated worldwide. In 2013, world production of wheat was 713 million tons, making it the third most-produced cereal after maize (1,016 million tons) and rice (745 million tons). Wheat was the second most-produced cereal in 2009; world production in that year was 682 million tons, after maize (817 million tons), and with rice as a close third (679 million tons).
This grain is grown on more land area than any other commercial food. World trade in wheat is greater than for all other crops combined. Globally, wheat is the leading source of vegetable protein in human food, having a higher protein content than other major cereals, maize (corn) or rice. In terms of total production tonnages used for food, it is currently second to rice as the main human food crop and ahead of maize, after allowing for maize's more extensive use in animal feeds. The archaeological record suggests that this first occurred in the regions known as the Fertile Crescent.
Wheat (band)
Wheat is an American indie-rock band formed by Scott Levesque (vocals, guitar), Brendan Harney (drums, vocals), Ricky Brennan Jr. (guitar, vocals), and Kenny Madaras (bass) in Taunton, Massachusetts, in 1996.
History
Wheat's debut album, Medeiros, released in 1997 on Sugar Free Records, was recorded by Dave Auchenbach and mixed by Red Red Meat's Brian Deck. Madaras left the group—and was never permanently replaced on bass—prior to the release of their second Sugar Free album, 1999's Hope and Adams, which was produced by Dave Fridmann at Tarbox Road Studios in Cassadaga, New York, and included the song "Don't I Hold You." Don't I Hold You also reached number 50 of the UK's legendary BBC Radio 1 DJ John Peel Festive Fifty chart of 1999.
The group left Sugar Free and signed with London-based Nude Records in 2000, but the label folded soon after. Wheat continued writing, however, and in 2002, after two years of record-business limbo, they signed with Aware Records, which had a distribution deal with Columbia. Two of the songs recorded for the unfinished Nude incarnation of Wheat's third album, Per Second, Per Second, Per Second ... Every Second, survived as so-called "naked" versions on the 2003 sampler EP Too Much Time, while others were rerecorded for the Aware-sanctioned edition of Per Second, also released in '03. The track "Some Days" was included in the film Win a Date With Tad Hamilton! and on its soundtrack album, "I Met a Girl" appeared in A Cinderella Story, and the 2003 version of "Don't I Hold You" was featured in Elizabethtown.
Tempo
In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
Measuring tempo
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds
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The Grave
The grave that they dug him had flowers
Gathered from the hillsides in bright summer colours,
And the brown earth bleached white at the edge of his gravestone.
He's gone.
When the wars of our nation did beckon,
A man barely twenty did answer the calling.
Proud of the trust that he placed in our nation,
He's gone,
But Eternity knows him, and it knows what we've done.
And the rain fell like pearls on the leaves of the flowers
Leaving brown, muddy clay where the earth had been dry.
And deep in the trench he waited for hours,
As he held to his rifle and prayed not to die.
But the silence of night was shattered by fire
As guns and grenades blasted sharp through the air.
And one after another his comrades were slaughtered.
In morgue of Marines, alone standing there.
He crouched ever lower, ever lower with fear.
"They can't let me die! They can't let me die here!
I'll cover myself with the mud and the earth.
I'll cover myself! I know I'm not brave!
The earth! the earth! the earth is my grave."
The grave that they dug him had flowers
Gathered from the hillsides in bright summer colours,
And the brown earth bleached white at the edge of his gravestone.