At Carnegie Hall is the second album by The Weavers. The concert was recorded live at Carnegie Hall in New York City on Christmas Eve 1955. At the time the concert was a come-back for the group following the inclusion of the group on the entertainment industry blacklist. The album peaked at number 24 on the Billboard Top 200.
This album represents the first half of that landmark Carnegie Hall concert. A recording of the concert's second half was also released as an album, entitled The Weavers on Tour (1970).
The Weavers were an American folk music quartet based in the Greenwich Village area of New York City. They sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads, and sold millions of records at the height of their popularity. Their hard-driving string-band style inspired the commercial "folk boom" that followed them in the 1950s and 1960s, including such performing groups as The Kingston Trio, Peter, Paul, and Mary, The Rooftop Singers, and Bob Dylan.
The Weavers were formed in November 1948 by Ronnie Gilbert, Lee Hays, Fred Hellerman, and Pete Seeger. In 1940 and 1941, Hays and Seeger had co-founded a previous group, the Almanac Singers, which had promoted peace and isolationism during the Second World War, working with the American Peace Committee. It featured many songs opposing entry into the war by the U.S. In June 1941, the same month Germany invaded the Soviet Union, the APC changed its name to the American People's Committee and altered its focus to supporting U.S. entry into the war. The Almanacs supported the change and produced many pro-war songs urging the U.S. to fight on the side of the Allies. The group disbanded after the U.S. entered the war.
The Weavers: Wasn't That a Time! is a 1982 documentary film about the folk group The Weavers and the events leading up to their 1980 reunion concert at Carnegie Hall.
The film was the inspiration for the 2003 mockumentary film A Mighty Wind.
The Weavers (German:Die Weber) is a 1927 German silent historical drama film directed by Frederic Zelnik and starring Paul Wegener, Valeska Stock and Hermann Picha. The film is based on the 1892 play of the same title by Gerhart Hauptmann based on a historical event. The film's art direction was by Andrej Andrejew.
During the 1840s a group of Silesian weavers stage an uprising due to their concerns about the Industrial Revolution's impact of their lives.
At Carnegie Hall is a jazz album by the Dave Brubeck Quartet. It was recorded at the famed Carnegie Hall in New York City on Friday, February 22, 1963. Critic Thom Jurek described it as "one of the great live jazz albums of the 1960s". Critic Jim Santella wrote, "This is timeless music from a classic ensemble. Goosebumps are guaranteed."
Ironically, original expectations for the concert were low. Not only was drummer Joe Morello recovering from a case of the flu at the time, but New York had been suffering from a newspaper strike, and the group was worried that the attendance would be sparse. The worries were groundless: the hall was full.
The album is somewhat unusual because it contains the complete concert; the producer, Teo Macero, noted that "not a note or a phrase of the musical part of the program has been deleted". The only change was to move "It's a Raggy Waltz", originally heard after "Eleven-Four", to a later position; this was done to allow the concert to fit onto two LP records.
Miles Davis at Carnegie Hall is a live album by American jazz musician Miles Davis. Subtitled The Legendary Performances of May 19, 1961, it was released by Columbia Records as CL 1812 in monaural and CS 8612 as "electronically re-channeled for stereo."
This live performance features Davis with his regular quintet and also accompanied by Gil Evans and his 21-piece orchestra. The orchestra is heard on several selections drawn from Miles Ahead as well as a complete reading of the adagio movement from Concierto de Aranjuez as recorded on Sketches of Spain.
The concert begins with the orchestra playing the Gil Evans introduction to "So What", which is performed by the quintet, and then segues directly into the only recording of an Evans arrangement of "Spring is Here".
Jimmy Reed at Carnegie Hall is a double LP album by Jimmy Reed, released in 1961. Though the title suggests that the record was recorded live, it consists of a studio recreation of a Carnegie Hall performance on one disc and a second disc that is identical to an LP released separately as The Best of Jimmy Reed.
Reed's recordings of "Bright Lights, Big City" and "Big Boss Man" were voted two of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
All songs by Jimmy Reed, except where noted.
Record 1, side 1:
Record 1, side 2:
I've got a home in that rock, don't you see?
I've got a home in that rock, don't you see?
Between the earth and sky I thought I heard my Savior cry
You better get home in that rock, don't you see?
Now, the rich man Davies lived so well, don't you see?
Rich man Davies lived so well, don't you see?
Rich man Davies lived so well, when he died he had a home in hell
He had no home in that rock, don't you see
A poor man Lazurus poor as I, don't you see?
Poor man Lazurus poor as I, don't you see?
Poor man Lazurus poor as I when he died he held my home on high
He had him a home in that rock, don't you see?
Now, God gives no other rainbow sign, don't you see?
God gives no other rainbow sign, don't you see?
God gives no other rainbow sign, no more water but fire next time
You better get a home in that rock, don't you see?
You better get a home in that rock, don't you see?
You better get a home in that rock, don't you see?
Between the earth and sky I thought I heard my Savior cry
You better get a home in that rock, don't you see?
You better get a home in that rock, don't you see?