- published: 09 Dec 2012
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Sacred Harp singing is a tradition of sacred choral music that originated in the American South of the United States. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England, with a significant, related development under the influence of "revival" services around the 1840s. This music was included in, and became profoundly associated with, books using the shape note style of notation popular in America in the 18th and early 19th centuries.
Sacred Harp music is performed a cappella (voice only, without instruments) and originated as Protestant Christian music.
The name of the tradition comes from the title of the shape-note book from which the music is sung, The Sacred Harp. This book exists today in various editions, discussed below.
I'm Going Home may refer to:
Going Home or Goin' Home may refer to:
Sacred means revered due to sanctity, is in general the state of being holy (perceived by religious individuals as associated with divinity) or sacred (considered worthy of spiritual respect or devotion; or inspiring awe or reverence among believers).
From an anthropological or atheistic perspective, the religious view of the sacred is an emic perspective on a culture's collection of thoughts and practices that function as a basis for the community's social structure.
Objects are often considered holy or sacred if used for spiritual purposes, such as the worship or service of gods. The property is often ascribed to people ("a holy man", a "holy prophet" who is venerated by his followers), objects (a "sacred artifact" that is venerated and blessed), times ("holy days"), or places ("holy places", "sacred ground").
The word "sacred" descends from the Latin sacrum, which referred to the gods or anything in their power, and to sacerdos and sanctum, set apart. It was generally conceived spatially, as referring to the area around a temple.
The harp is a stringed musical instrument which has a number of individual strings running at an angle to its soundboard, which are plucked with the fingers. Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3500 BCE. The instrument had great popularity in Europe during the Middle Ages and Renaissance, where it evolved into a wide variety of variants with new technologies, and was disseminated to Europe's colonies, finding particular popularity in Latin America. While some ancient members of the harp family died out in the Near East and South Asia, descendants of early harps are still played in Burma and in Sub-Saharan Africa, while other defunct variants in Europe and Asia have been revived by musicians in the modern era.
Harps vary globally in many ways. In terms of size, many smaller harps can be played on the lap, while larger harps are quite heavy and rest on the floor. Different harps may use strings of catgut or nylon, or of metal, or some combination. While all harps have a neck, resonator, and strings, "frame harps" have a pillar at their long end to support the strings, while "open harps", such as arch or bow harps, do not. Modern harps also vary in techniques used to extend the range and chromaticity of the strings, such as adjusting a string's note mid-performance with levers or pedals which modify the pitch.
47b Idumea, led by Claire Hogan and Irial Ó Cheallaigh at the second Ireland Sacred Harp convention, March 3rd & 4th, 2012 Video by Seamus Hegarty. Audio by Danny Forde. Full audio recordings available at http://corksacredharp.bandcamp.com
A short piece on PGTC about the renewed interest in Sacred Harp singing among younger singers, especially those who live in cities and college towns. Includes footage from "Awake My Soul: The Story of the Sacred Harp" and it's companion CD, "Help Me to Sing".
A group of Primitive Baptist young people singing "Soar Away" (Sacred Harp 455) in Cades Cove Primitive Baptist Church, Great Smoky Mountains National Park. Unstaged! Thanks to YouTuber bmelcho for capturing part of an awesome day on video. I want a sober mind An all sustaining eye To see my God above And to the heavens fly I'd soar away above the sky I'd fly to see my God above I want a Godly fear A quick discerning eye That looks to Thee my God And see the tempter fly
146 Hallelujah, led by Dara Desmond and John O'Flynn at the second Ireland Sacred Harp convention, March 3rd & 4th, 2012 Video by Seamus Hegarty. Audio by Danny Forde. Full audio recordings available at http://corksacredharp.bandcamp.com
Songs from the Seventh Ireland Sacred Harp Convention 2017 in Cork, Saturday 4th March. Delight [216] David's Lamentation [268] Tolling Bell [459] Peace and Joy [532] A Thankful Heart [475] Living Hope [500] Heavenly Vision [250] Westford [280] North Port [324] The Promised Land [128] New Jerusalem [299] The Trumpet [149] The Sacred Harp Singers of Cork have published the complete audio and video recordings here: https://corksacredharp.bandcamp.com/ https://www.youtube.com/user/CorkSacredHarp
I'm Going Home from the Royce Hall Concert (source: Cold Mountain DVD) This is being sung out of "The Sacred Harp" #282 For more information on Sacred Harp Singing see: https://www.youtube.com/watch?v=YaLnG7vfVOc Sacred Harp Music Heritage Association http://fasola.org/
"Hallelujah" (#146), sung by the 1982 Holly Springs Sacred Harp Convention; led by Lucy Marie Heidorn. Shot by Alan Lomax and crew using four quad-split cameras, Holly Springs, Georgia, June 1982. For more information about the American Patchwork filmwork, Alan Lomax, and his collections, visit http://culturalequity.org. [03.09.39]
Recorded in 1942 by Alan Lomax for the Library of Congress. http://en.wikipedia.org/wiki/Alabama_Sacred_Harp_Singers
Sacred Harp singing at Mount Pisgah in Stroud , Alabama. May 24,2008
282 I'm Going Home, led by Al McCready at the second Ireland Sacred Harp convention, March 3rd & 4th, 2012 Video by Seamus Hegarty. Audio by Danny Forde. Full audio recordings available at http://corksacredharp.bandcamp.com
47b Idumea, led by Claire Hogan and Irial Ó Cheallaigh at the second Ireland Sacred Harp convention, March 3rd & 4th, 2012 Video by Seamus Hegarty. Audio by Danny Forde. Full audio recordings available at http://corksacredharp.bandcamp.com
A short piece on PGTC about the renewed interest in Sacred Harp singing among younger singers, especially those who live in cities and college towns. Includes footage from "Awake My Soul: The Story of the Sacred Harp" and it's companion CD, "Help Me to Sing".
A group of Primitive Baptist young people singing "Soar Away" (Sacred Harp 455) in Cades Cove Primitive Baptist Church, Great Smoky Mountains National Park. Unstaged! Thanks to YouTuber bmelcho for capturing part of an awesome day on video. I want a sober mind An all sustaining eye To see my God above And to the heavens fly I'd soar away above the sky I'd fly to see my God above I want a Godly fear A quick discerning eye That looks to Thee my God And see the tempter fly
146 Hallelujah, led by Dara Desmond and John O'Flynn at the second Ireland Sacred Harp convention, March 3rd & 4th, 2012 Video by Seamus Hegarty. Audio by Danny Forde. Full audio recordings available at http://corksacredharp.bandcamp.com
Songs from the Seventh Ireland Sacred Harp Convention 2017 in Cork, Saturday 4th March. Delight [216] David's Lamentation [268] Tolling Bell [459] Peace and Joy [532] A Thankful Heart [475] Living Hope [500] Heavenly Vision [250] Westford [280] North Port [324] The Promised Land [128] New Jerusalem [299] The Trumpet [149] The Sacred Harp Singers of Cork have published the complete audio and video recordings here: https://corksacredharp.bandcamp.com/ https://www.youtube.com/user/CorkSacredHarp
I'm Going Home from the Royce Hall Concert (source: Cold Mountain DVD) This is being sung out of "The Sacred Harp" #282 For more information on Sacred Harp Singing see: https://www.youtube.com/watch?v=YaLnG7vfVOc Sacred Harp Music Heritage Association http://fasola.org/
"Hallelujah" (#146), sung by the 1982 Holly Springs Sacred Harp Convention; led by Lucy Marie Heidorn. Shot by Alan Lomax and crew using four quad-split cameras, Holly Springs, Georgia, June 1982. For more information about the American Patchwork filmwork, Alan Lomax, and his collections, visit http://culturalequity.org. [03.09.39]
Recorded in 1942 by Alan Lomax for the Library of Congress. http://en.wikipedia.org/wiki/Alabama_Sacred_Harp_Singers
Sacred Harp singing at Mount Pisgah in Stroud , Alabama. May 24,2008
282 I'm Going Home, led by Al McCready at the second Ireland Sacred Harp convention, March 3rd & 4th, 2012 Video by Seamus Hegarty. Audio by Danny Forde. Full audio recordings available at http://corksacredharp.bandcamp.com
ArchiTreats: Food for Thought lecture series. Alabama Department of Archives and History, Farley Auditorium. Makers of the Sacred Harp presented by David Warren Steel. May 21, 2015.
I Heard The Voice Edwin Hawkins style Gospel Sacred Harp Several Favorite Hymn Lyrics added....
Sacred Harp singing sponsored by the Alabama Folklife Association at the Columbiana Alabama Courthouse on March 15th 2014
Every year, on the Saturday before the third Sunday in July, people from around the country gather to sing from "The Sacred Harp," a four shape, shaped note singing book. Adherents love to sing this music, although there is no audience nor performance, it is a gathering, an hymn jam session, if you will, with a repertoire of well over 500 songs from "The Sacred Harp." http://fasolamichigan.org
Every year, on the Saturday before the third Sunday in July, people from around the country gather to sing from "The Sacred Harp," a four shape, shaped note singing book. Adherents love to sing this music, although there is no audience nor performance, it is a gathering, an hymn jam session, if you will, with a repertoire of well over 500 songs from "The Sacred Harp." http://fasolamichigan.org
Every year, on the Saturday before the third Sunday in July, people from around the country gather to sing from "The Sacred Harp," a four shape, shaped note singing book. Adherents love to sing this music, although there is no audience nor performance, it is a gathering, an hymn jam session, if you will, with a repertoire of well over 500 songs from "The Sacred Harp." http://fasolamichigan.org
Every year, on the Saturday before the third Sunday in July, people from around the country gather to sing from "The Sacred Harp," a four shape, shaped note singing book. Adherents love to sing this music, although there is no audience nor performance, it is a gathering, an hymn jam session, if you will, with a repertoire of well over 500 songs from "The Sacred Harp." http://fasolamichigan.org
Every year, on the Saturday before the third Sunday in July, people from around the country gather to sing from "The Sacred Harp," a four shape, shaped note singing book. Adherents love to sing this music, although there is no audience nor performance, it is a gathering, an hymn jam session, if you will, with a repertoire of well over 500 songs from "The Sacred Harp." http://fasolamichigan.org