X is well known as perhaps the most successful and musically ambitious of the original
Los Angeles Punk bands. The band’s strengths were the vocal interplay between (at that time married)
John Doe and
Exene Cervenka; the rockabilly tinged guitar of
Billy Zoom (who had played in
Gene Vincent’s band) and the hardhitting beats of aptly named drummer
DJ Bonebrake. The lyrics reflected L.A. in all its decadence and bordered on poetry.
Many first got their taste of X from the original
Decline Of Western Civilization film, which focused on the LA scene and also featured Black Flag, Fear, The Germs and The Circle Jerks.
X’s first album
Los Angeles (1980)
had some money behind it and got a lot of promotion and press. Some of this was due to the involvement of Ray Manzarek, the keyboardist from
The Doors, who produced the record and also played keyboards on it. The album is in Rolling Stone’s top 100 records of the 80’s and in the top 300 of all time.
Despite some revisionist history, I remember that the album was pretty much ripped in most reviews. Remember, this was the time when Punk and all incarnations were pretty much universally reviled by the major media (with the exception of more established bands like the Ramones and The Clash). The L.A. scene was pretty violent and excessive and although X were certainly not hardcore in any way, they were lumped in with other more excessive bands.
Still, the album contained such classics as "The Phone’s Off The Hook (But You’re Not)", "Nausea", "Johnny Hit And Run Pauline", and a cover of The Doors’ "Soul Kitchen". The album breaks the three minute punk per song barrier as well, most notably with the 4 1/2 minute "The World's a Mess, It's in My Kiss".
Much better received was their next album;
Wild Gift (1981).
This album featured classics such as "The Once Over Twice", "Beyond and Back" and the decidedly unpunk "White Girl" and established X as THE L.A. punk band. The album is also recognized in the (yecch) Rolling Stone top 500 records of all time.
X also appeared in the concert film
Urgh- A Music War playing "Beyond And Back".
X was amazing in concert (still are, in fact). Billy Zoom would stand almost motionless, flashing a big shit-eating smile, John Doe (dressed workmanlike) and Exene (dressed in thrift store splendor) would be harmonizing, and the place would go wild.
I had the chance to hang with X a couple of times in the early 80's. John Doe and DJ Bonebrake were the nicest, most easy going guys in the world. It was tremendous to actually be able to have conversations with (
at least to us) real adult rock stars. Zoom was kinda unapproachable... he looked so, well royal with the platinum blonde perfect hair. And Exene, man I was sorta scared of Exene, she had this other-worldly aura about her, like she had one foot in some mystic punk rock universe. The fact that so much of their iconography was religious didn't help either! When she sang "Riding With Mary" (about her dead sister), it was genuinely chilling.
X then signed with Elektra records and released two more fantastic albums:
Under The Big Black Sun and
More Fun In The New World. Both of these records have a more “produced” (ie big budget) sound, but both are still highly recommended. The record companies were shooting for hits and despite college radio airplay on songs like "Blue Spark", "The Hungry Wolf" (on
Big Black Sun) and "The New World" and "We’re Having So Much Fun" (on
More Fun), the big break never happened. At this point, X also covered
Jerry Lee Lewis' Breathless, from the movie of the same name).
In the mid 1980’s, X released a film
The Unheard Music which details the band’s history. Seek it out- it is well worth owning. The musical performances are amazing.
X actually ended up with a semi-hit, when they covered the old Troggs tune Wild Thing (which got big play in the movie
Major League).
The band (with-out Billy Zoom, but adding Dave Alvin from
The Blasters) than changed direction and became The Knitters, which was a country folk project. Zoom left X at this point and the band added Tony Gilkyson for the albums
Ain't Love Grande,
See How We Are and
Hey Zeus in the mid to late 1980’s.
That was about it for X.
Exene and John Doe ended up releasing several solo albums.
John Doe has also appeared in several films and TV shows.
Since then, the band has reunited to play show (especially over the last three years.)
I am offering up a fantastic entire concert soundboard recording (from live radio) of X performing at My Fathers Place on Long Island, NY from 1983. I was at this show, in fact at one point we passed Exene a bottle of homemade Applejack (grain alcohol and cider) and she swigged it and almost puked mid-song. The crowd noise in the background undoubtedly included me and my friends. Good times, good times.
I am posting this on a new hosting site, if someone can let me know if the downloads are working, I would be most appreciative.
Click on this link for:
and here are a couple of other X tunes you may not have:
From the Adult Books 7"
From the soundtrack of The Decline:
This past Saturday saw not one but two band practices with different (as the kids say) projects. Considering my lack of musical ability, the concept of lil' ol' me participating with two different r 'n' r concerns is astounding and something I am truly thankful for.
This is a shot taken as we drove away. You can see the Yankee Stadium lettering in blue, right above our Ramones air freshener!
The Yankee Stadium Facade.
Mariano Riviera pitching the 9th inning. You can see the ball speeding it's way to home plate (slightly to the right of the 2nd basemen).
No one ever rocked the leather m/c like the Ramones.
What a beautiful football game Sunday night. The Giants kicked the crap out of the Cowgirl's and now it's on to the frozen tundra of Lambeau Field. The Cowboys went down quicker than Jessica Simpson does on her loser QB boyfriend.
We played a show last nite that was the musical equivalent of an abortion. And not just any old abortion. An abortion that would be performed in the backroom of a Tijuana bar, involving a drunken bartender and a rusty can opener.
had some money behind it and got a lot of promotion and press. Some of this was due to the involvement of Ray Manzarek, the keyboardist from The Doors, who produced the record and also played keyboards on it. The album is in Rolling Stone’s top 100 records of the 80’s and in the top 300 of all time. 
This album featured classics such as "The Once Over Twice", "Beyond and Back" and the decidedly unpunk "White Girl" and established X as THE L.A. punk band. The album is also recognized in the (yecch) Rolling Stone top 500 records of all time.
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