Africa is an epic poem in Latin hexameters by the 14th century Italian poet Petrarch (Francesco Petrarca). It tells the story of the Second Punic War, in which the Carthaginian general Hannibal invaded Italy, but Roman forces were eventually victorious after an invasion of north Africa led by Publius Cornelius Scipio Africanus, the epic poem's hero.
Africa and De viris illustribus were partially inspired by Petrarch's visit to Rome in 1337. According to Bergin and Wilson (p. ix). It seems very likely that the inspirational vision of the Eternal City must have been the immediate spur to the design of the Africa and probably De viris illustribus as well. After returning from his grand tour, the first sections of Africa were written in the valley of Vaucluse. Petrarch recalls
The fact that he abandoned it early on is not entirely correct since it was far along when he received two invitations (from Rome and from Paris) in September 1340 each asking him to accept the crown as poet laureate. A preliminary form of the poem was completed in time for the laurel coronation April 8, 1341 (Easter Sunday).
Africa is 2009 Perpetuum Jazzile album. By large most successful song from the album is a capella version of Toto's "Africa", the performance video of which has received more than 15 million YouTube views since its publishing in May 2009 until September 2013.
Africa is a 1930 Walter Lantz cartoon short featuring Oswald the Lucky Rabbit.
Oswald was riding through the Egyptian desert on his camel. The camel, though looking real on the exterior, is actually mechanical because of the two ball-shaped pistons inside which Oswald manipulates with his feet like bike pedals. One day, a lion was running toward them. To defend himself, Oswald brought out a rifle but it malfunctioned. As a final resort, Oswald fired the ball pistons from the camel like a cannon and aimed into the lion's mouth. Terrified by its lumpy back, the lion runs away in panic.
Nearby where he is, Oswald saw an oasis and a palace. Upon seeing the apes dance and play instruments, the curious rabbit decides to join the fun. As he entered the palace, Oswald was greeted by the queen. The queen asked him who he is, and Oswald introduced himself in a song as well as giving advice for a possibly better lifestyle. Pleased by his visit, the queen asked Oswald if he would like to be her king. Oswald was at first uncertain, knowing he never met a queen, but immediately accepted. It turns out momentarily that the queen still has a king who shows up then throws Oswald out of the palace and into a pond full of crocodiles. Luckily, Oswald escapes unscathed and runs off into the desert.
STUDIO was a subscription television arts channels available in Australia on the FOXTEL and AUSTAR platforms.
The channel launched in April 2010 as STVDIO, and is owned and operated by SBS Subscription TV, a subsidiary of free-to-air broadcaster Special Broadcasting Service.
STUDIO is Australia's only channel dedicated to the arts and entertainment and themed nights. It shows classical and popular music, literature, film, visual arts and dance with documentaries and performances.
As part of a brand redesign in March 2012, the channel was renamed to STUDIO, suggested to be a more accessible name.
The channel was forced into closure on 27 March 2015 as they were unable to re-negotiate their contract with Foxtel, and was instead replaced with Foxtel-owned channel Foxtel Arts. As a result, a number of the channel's arts programming moved to SBS and its video on demand service.
The channel also records live local music, theatre and dance productions, known as the STUDIO Season Ticket.
Studio (also known as Studio.co.uk) is part of a multi-brand retailing company in the United Kingdom, which specialises in home shopping services. Based in Accrington in Lancashire, Studio is the online sector of Studio (formerly known as Studio Cards and Gifts). Currently, Studio produces 100 different publications, and mails over 63 million catalogues in a calendar year. Their customer base of 1.2 million people is geographically spread across the UK, with the highest concentration of customers residing in city areas. 89% of Studio’s customer base is female.
Due to Studio’s Autumn Winter catalogue being their biggest publication of the year and containing a high proportion of Christmas products, much of the company’s business is undertaken in the final third of the year.
Studio is owned by Findel plc Findel plc.; a British home shopping company based in West Yorkshire.
Founded in Preston in 1962, Studio originally specialised in paper products, such as greetings cards, and sold them through a mail order catalogue. Over time, the company expanded, and in 1974 they bought a company called Ace, selling a similar product range to that of Studio.
ERT Digital (Greek: ΕΡΤ Ψηφιακή) was a pilot project by ERT, the public broadcaster of Greece. It was the first legal attempt at digital television broadcasting in Greece, featuring four new channels: Cine+, Prisma+ Sport+ and Info+. It was officially launched in early 2006 as part of the digital television transition mandated by the European Union. The project was funded through ERT's budget and had no advertising.
In the initial phase of the program, each channel was to broadcast between six to ten hours of original programming. This would last approximately 1-2 years in which time it was anticipated that new programming would be produced for each channel. ERT also hoped to launch at least two more digital channels at some point in the future, a lifestyle channel and a children's channel. The programming on the four digital channels was separate and distinct from that featured on ERT's three traditional analogue services - ΕΤ1, ΝΕΤ and ΕΤ3.
ERT Digital was available to approximately 65% of the population, mainly in Athens, Thessaloniki and some other major cities. It broadcast free-to-air without any subscription cost, requiring only a generic DVB-T set-top box. The issue of paying for the four digital channels had been a bone of contention for many Greek citizens as ERT was funded by a fee levied on all Greek households through their electricity bills. Some contended that they should not have to pay for a service they might not be able to receive or did not want to watch.
The child archetype is a Jungian archetype, first suggested by psychologist Carl Jung. In more recent years, author Caroline Myss has suggested that the child, out of the four survival archetypes (victim, prostitute, and saboteur), is present in all humans. According to Myss, its presence ranges from "childish to childlike longing for the innocent, regardless of age" and comprises sub-archetypes: "wounded child", "abandoned or orphan child", "dependent child", "magical/innocent child", "nature child", "divine child", and "eternal child".
Jung placed the "child" (including the child hero) in a list of archetypes that represent milestones in individuation. Jungians exploring the hero myth have noted that "it represents our efforts to deal with the problem of growing up, aided by the illusion of an eternal fiction". Thus for Jung, "the child is potential future", and the child archetype is a symbol of the developing personality.
Others have warned, however, of the dangers posed to the parents drawn in by the "divine child" archetype – the belief of extraordinary potential in a child. The child, idealized by parents, eventually nurtures a feeling of superiority.
MRS LYONS
HELLO, MRS J. HOW ARE YOU?
MRS J.? ANYTHING WRONG?
MRS JOHNSTONE
I HAD IT ALL WORKED OUT.
WITH ONE MORE BABY WE COULD HAVE MANAGED.
BUT NOT WITH TWO, THE WELFARE HAVE ALREADY BEEN ON TO ME.
MRS LYONS
TWINS? YOU'RE EXPECTING TWINS?
NARRATOR
HOW QUICKLY AN IDEA, PLANTED, CAN
TAKE ROOT AND GROW INTO A PLAN.
THE THOUGHT CONCEIVED IN THIS VERY ROOM
GREW AS SURELY AS A SEED, IN A MOTHER'S WOMB
MRS LYONS
GIVE ONE OF THEM TO ME.
PLEASE, MRS JOHNSTONE. PLEASE.
MRS JOHNSTONE
ARE Y'.... ARE Y' THAT DESPERATE TO HAVE A BABY?
MRS LYONS
EACH DAY I LOOK OUT FROM THIS WINDOW
I SEE HIM WITH HIS FRIENDS, I HEAR HIM CALL,
I RUSH DOWN BUT AS I FOLD MY ARMS AROUND HIM
HE'S GONE. WAS HE EVER THERE AT ALL?
I'VE DREAMED OF ALL THE PLACES I WOULD TAKE HIM
THE GAMES WE'D PLAY THE STORIES I WOULD TELL
THE JOKES WE'D SHARE, THE CLOTHING I WOULD MAKE HIM
I REACH OUT. BUT AS I DO, HE FADES AWAY.
MRS JOHNSTONE
IF MY CHILD WAS RAISED I A PALACE LIKE THIS ONE
HE WOULDN'T HAVE TO WORRY WHERE
HIS NEXT MEAL WAS COMIN' FROM
HIS CLOTHING WOULD BE
SUPPLIED BY GEORGE HENRY LEE
MRS LYONS
HE'D HAVE ALL HIS OWN TOYS
AND A GARDEN TO PLAY IN
MRS JOHNSTONE
HE COULD MAKE TOO MUCH NOISE
WITHOUT THE NEIGHBOURS COMPLAININ'
MRS LYONS
SILVER TRAYS TO TAKE MEALS ON
MRS JOHNSTONE
A BIKE WITH BOTH WHEELS ON?
MRS LYONS
AND HE'D SLEEP EVERY NIGHT
IN A BED OF HIS OWN
MRS JOHNSTONE
HE WOULDN'T GET INTO FIGHTS
HE'D LEAVE MATCHES ALONE
AND YOU'D NEVER FIND HIM
EFFIN' AND BLINDIN'
AND WHEN HE GREW UP
HE COULD NEVER BE TOLD
TO STAND AND QUEUE UP
FOR HOURS ON END AT THE DOLE
HE'D GROW UP TO BE
MRS LYONS / MRS JOHNSTONE
A CREDIT TO ME
MRS JOHNSTONE
TO YOU?
MRS LYONS
YES.
MRS JOHNSTONE
I WOULD STILL BE ABLE TO SEE HIM EVERY DAY,
WOULDN'T I?
MRS LYONS
OF COURSE
MRS JOHNSTONE
AN'.... AN' YOU WOULD LOOK AFTER HIM,
WOULDN'T Y'?
MRS LYONS
I'D KEEP HIM WARM IN THE WINTER
AND COOL WHEN IT SHINES
I'D PULL OUT HIS SPLINTERS
WITHOUT MAKING HIM CRY
I'D ALWAYS BE THERE
IF HIS DREAM BECAME A NIGHTMARE
MRS JOHNSTONE & MRS LYONS
MY CHILD
MY CHILD
MY CHILD
MRS LYONS
MRS J. WE MUST MAKE THIS A BINDING AGREEMENT.
NARRATOR
IN THE NAME OF JESUS, THE THING WAS DONE,
NOW THERE'S NO GOING BACK, FOR ANYONE,
IT'S TOO LATE NOW FOR FEELING TORN
THERE'S A PACT BEEN SEALED,