Rudy may refer to:
Crime of the Century is the third album by the English progressive rock band Supertramp, released in September 1974. Crime of the Century was Supertramp's commercial breakthrough in both the US and UK, aided by the UK hit "Dreamer" and the U.S. hit "Bloody Well Right". It was a UK Top 10 album and a U.S. Top 40 album, eventually being certified Gold in the U.S. in 1977 after the release of Even in the Quietest Moments.... The album was Supertramp's first to feature drummer Bob Siebenberg (at the time credited as Bob C. Benberg), woodwinds player John Anthony Helliwell, bassist Dougie Thomson, and co-producer Ken Scott.
The album's dedication reads "To Sam", which is a nickname for Stanley August Miesegaes, the Dutch millionaire who supported the band financially from 1969–72.
After the failure of their first two albums and an unsuccessful tour, the band broke up, and Rick Davies and Roger Hodgson recruited new members, drummer Bob C. Benberg, woodwinds player John Helliwell, and bassist Dougie Thomson. This new line-up were sent by their record label, A&M, in particular A&R man Dave Margereson (who would become their manager for the next ten years) to a seventeenth-century farm in Somerset in order to rehearse together and prepare the album.
"Rudy" is a pop rock ballad written by Dennis Frederiksen, Henri Belolo, Howie Epstein, Jacques Morali, Jimmy Hunter and Mark Maierhoffer. Produced by John Farrar and under the label of Columbia Records, in May 6, 1982, it was covered by American singer-actress Cher, who released it as the lead single from her seventeenth studio album. The song also appears on the greatest hits compilation The Very Best of Cher (2003) as fourteenth track of the International version of the album.
No music video was ever made for the song, which did not help the song's chart fortunes.
AllMusic described the single as a girl-group-styled song, noting how it and another track stood out on the album.
An elevator (US) or lift (UK) is a type of vertical transportation that moves people or goods between floors (levels, decks) of a building, vessel, or other structure. Elevators are generally powered by electric motors that either drive traction cables or counterweight systems like a hoist, or pump hydraulic fluid to raise a cylindrical piston like a jack.
In agriculture and manufacturing, an elevator is any type of conveyor device used to lift materials in a continuous stream into bins or silos. Several types exist, such as the chain and bucket bucket elevator, grain auger screw conveyor using the principle of Archimedes' screw, or the chain and paddles or forks of hay elevators.
Languages other than English may have loanwords based on either elevator (e.g., Japanese and Mandarin Chinese) or lift (e.g., Cantonese, Korean, Russian and Thai).
Because of wheelchair access laws, elevators are often a legal requirement in new multistory buildings, especially where wheelchair ramps would be impractical.
Elevator is a 1979 rock album by the Bay City Rollers. Having replaced longtime lead singer Les McKeown with Duncan Faure, the group shortened their name to simply The Rollers, and pursued a more rocking, power-pop sound than their previous work.
The album, released by Arista, was poorly received. Neither the album itself or any single releases would hit the charts.
The album was reissued on CD in 2008, with no bonus cuts however.
Elevator is a band from Moncton, New Brunswick. Started in 1994 as Elevator To Hell, a solo outlet for Eric's Trip lead man Rick White, the project eventually grew to include Eric's Trip drummer Mark Gaudet and White's ex-wife Tara on bass and, for a short while, Ron Bates of Orange Glass as a fourth member. Dallas Good of The Sadies joined the band for their most recent studio LP and live performances from around this time. The band mainly produces haunting, lo-fi psychedelia.
After releasing some albums on Sub Pop, the band's name changed to Elevator Through, and by 1999 it was shortened to simply Elevator, due to concerns over the commercial viability of the original moniker.
In 1997, The Sadies' Dallas Good was added as a second guitarist, though he did not begin recording with the band until 2002's Darkness → Light album.
Between label releases, Elevator have put out many albums on their own Great Beyond label.
At the 2009 Sappy Fest, in Sackville, New Brunswick, White confirmed that Elevator had broken up.