- published: 10 May 2014
- views: 17430
A pork pie hat (a.k.a. porkpie) is a type of hat made of felt or straw. It is a type of fedora which has a cylindrical crown and flat top. This style of crown is called a "telescopic crown", but the hat overall resembles the boater hat. It is short (usually 3" to 4" in height) and has an indentation all the way around its top, allowing it to pop upward slightly when worn. Furthermore, as stated in a newspaper clipping from the mid-1930's: "The true pork pie hat is so made that it cannot be worn successfully except when telescoped." The same clipping refers to the hat also as "the bi crowned" [sic].
The pork pie hat originated in the mid-19th century. The porkpie is named for its resemblance to the pork pie dish. According to the American fashion reporting of the 1930's, the smooth dark brown felt was the original popular model, but the "fuzzier" green model came in close second.
The pork pie hat was a staple of the British man-about-town style for many years. It was commonly worn by American Civil War soldiers and the US Army (unofficially) throughout the 1880s. Pork pie hats are often associated with jazz, blues and ska musicians and fans. Charles Mingus wrote an elegy for jazz saxophone great Lester Young called "Goodbye Pork Pie Hat", since Young was noted for his ever-present broad-brimmed porkpie.
Goodbye Pork Pie is a 1981 New Zealand film directed by Geoff Murphy and written by Geoff Murphy and Ian Mune. The film is considered[by whom?] to be one of New Zealand's most popular films, and has been described as Easy Rider meets the Keystone Kops.
It was filmed during November 1979, and during filming, utilized only 24 cast and crew. Its overheads were surprisingly minimal, to the point that the Holden Police cars used doubled as crew and towing vehicles, and that the director Geoff Murphy, performed some of the stunts himself.
In the Northland town of Kaitaia in Spring 1978, nineteen-year-old Gerry Austin (Kelly Johnson) opportunistically steals a wallet accidentally dropped by a wealthy woman named Lesley Morris. Finding cash and her driver's licence inside it, he uses them to rent a yellow Mini. With no particular aim in mind, he drifts down to Auckland. Meanwhile in Auckland, the middle-aged John (Tony Barry), has just had Sue, his girlfriend of six years, walk out on him and return home to Invercargill. After a night on the bottle, John decides to go down to Invercargill.
When Charlie speaks of Lester
You know someone great has gone
The sweetest swinging music man
Had a Porkie Pig hat on
A bright star
In a dark age
When the bandstands had a thousand ways
Of refusing a black man admission
Black musician
In those days they put him in an
Underdog position
Cellars and chittlins'
When Lester took him a wife
Arm and arm went black and white
And some saw red
And drove them from their hotel bed
Love is never easy
It's short of the hope we have for happiness
Bright and sweet
Love is never easy street!
Now we are black and white
Embracing out in the lunatic New York night
It's very unlikely we'll be driven out of town
Or be hung in a tree
That's unlikely!
Tonight these crowds
Are happy and loud
Children are up dancing in the streets
In the sticky middle of the night
Summer serenade
Of taxi horns and fun arcades
Where right or wrong
Under neon
Every feeling goes on!
For you and me
The sidewalk is a history book
And a circus
Dangerous clowns
Balancing dreadful and wonderful perceptions
They have been handed
Day by day
Generations on down
We came up from the subway
On the music midnight makes
To Charlie's bass and Lester's saxophone
In taxi horns and brakes
Now Charlie's down in Mexico
With the healers
So the sidewalk leads us with music
To two little dancers
Dancing outside a black bar
There's a sign up on the awning
It says "Pork Pie Hat Bar"
And there's black babies dancing...