- published: 20 Oct 2014
- views: 5512
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Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and counterpoint.
Zelenka's pieces are characterized by very daring compositional structure, with a highly spirited harmonic invention and perfection of the art of counterpoint. His works are often virtuosic and difficult to perform, but always fresh and surprising, with sudden turns of harmony, being always a challenge for their interpreters.[citation needed] In particular, his writing for bass instruments is far more demanding than that of other composers of his era. His instrumental works (the trio sonatas, capricci, and concertos) are exemplary models of his early style (1710s–1720s). The six trio sonatas demand high virtuosity and expressive sensitivity from performers. As Zelenka was himself a violone player, he was known to write fast-moving continuo parts with driving and complicated rhythm. Zelenka was aware of the music in different regions of Europe. He wrote complex fugues, ornate operatic arias, galant-style dances, baroque recitatives, Palestrina-like chorales, and virtuosic concertos. Zelenka's musical language is closest to Bach's, especially in its richness of contrapuntal harmonies and ingenious usage of fugal themes. Nevertheless, Zelenka's language is idiosyncratic in its unexpected harmonic twists, obsession with chromatic harmonies, huge usage of syncopated and tuplet figures, and unusually long phrases full of varied musical ideas. He is sometimes considered as Bach's Catholic counterpart, in his works. Zelenka's music is influenced by Czech folk music. In this respect, he continues the tradition of the production of specific Czech national music, initiated by Adam Michna z Otradovic and brought to its culmination later, in works by Bedřich Smetana and Antonín Dvořák in the nineteenth century and Leoš Janáček and Bohuslav Martinů in the twentieth century. In 2013 Damian Thompson wrote of Zelenka, "He belongs to a band of mavericks in musical history whose experiments with harmony seem to catapult them into another generation
COMMENT AND SUNG TEXT/ TRANSLATIONS
This unforgettable, ultra-rare perfomance of Jan Dismas Zelenka's extensive number setting of the Psalm 122(1) "Laetatus sum" (ZWV 90) took place in Hamburg's Concert Hall Laeiszhalle 23.09.2011. Unfortunately, this shaky amateur recording done by myself from the audience is all I can offer ( but at least the music is excellent...).
Soloists Gemma Bertagnolli (s) & Delphine Galou (a) fascinated with their artistry, backed up by the always outstanding Collegium 1704, directed by Václav Luks.
According to Zelenka expert Janice Stockigt, Zelenka probably composed the demanding vocal parts for two Italian castrati who arrived in Dresden in 1730. Secure knowledge about ZWV 90's original performance circumstances is however inattainable, because the autograph is lost. ZWV 90 survives in Prague as a unique copy - fortunately of reliable quality - written by Antonín Görbig while he was musical director of the choir of the city's cathedral between 1734 and 1737.
ZWV 90's impressive vocal ranges, in addition to a rich instrumentation that varies between each of the six alternating duet/ solo numbers, makes this composition not only one of Zelenka's most exceptional and ambitious within the genre - maybe together with ZWV 57 - but also the very longest (about 20 min, depending on the performers) of all his surviving Psalm settings.
********************************************************************************
TEXT & TRANSLATIONS:
Psalm 122 (121, Latin Vulgate)
New American Standard Bible (1995)
LATIN TEXT (VULGATA VERSION):
Canticum graduum huic David
-------------------------------------------------
"LAETATUS SUM"
DUET (a, s), (c. 0 -3.45 min):
I) Laetatus sum in his, quae dicta sunt mihi: In domum Domini ibimus.
Stantes erant pedes nostri, in atriis tuis, Jerusalem.
Jerusalem, quae aedificatur ut civitas, cujus participatio eius in ipsum.
ARIA FOR SOPRANO SOLO (c. 3.55-7.05 min):
II) Illic enim ascenderunt tribus, tribus Domini: testimonium Israel ad confitendum nomini Domini.
Quia illic sederunt, sedes in iudicio, sedes super domum David.
DUET (a, s) (c. 7.20-9.56 min):
III) Rogate quae ad pacem sunt Jerusalem: et abundantia diligentibus te.
ARIA FOR ALTO SOLO (c. 10.05-14.25 min):
IV) Fiat pax in virtute tua: et abundantia in turribus tuis.
Propter fratres meos, et proximos meos, loquebar pacem de te.
Propter domum Domini Dei nostri, quaesivi bona tibi.
+ DOXOLOGIA MINOR (PARS 1 & 2)
DUET (a, s), (c. 14.40-16.18 min):
V) Gloria Patri et Spiritui Sancto.
DUET (a, s), (c. 16.20-19.20 min):
VI) Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.
***********************************************************************
ENGLISH TRANSLATION
(Prayer for the Peace of Jerusalem.)
"I WAS GLAD"
I) I was glad when they said to me,
"Let us go to the house of the LORD."
Our feet are standing
Within your gates, O Jerusalem,
Jerusalem, that is built
As a city that is compact together;
II) To which the tribes go up, even the tribes of the LORD—
An ordinance for Israel —
To give thanks to the name of the LORD.
For there thrones were set for judgment,
The thrones of the house of David.
III) Pray for the peace of Jerusalem:
"May they prosper who love you.
IV) "May peace be within your walls,
And prosperity within your palaces."
(Alternative translation of the above "Fiat pax (...)"-phrase from the
Douay-Rheims Bible:
"Let peace be in thy strength, and abundance in thy towers.")
For the sake of my brothers and my friends,
I will now say, "May peace be within you."
For the sake of the house of the LORD our God,
I will seek your good.
+ LESSER DOXOLOGY (PART 1 & 2)
v) Glory to the Father and to the Holy Spirit.
vi) As it was in the beginning, also now, and always, and to ages of ages. Amen
*********************************************************************************
Hamburg 23.09.2011
Collegium 1704 consisted of the following musicians this evening:
VIOLINE I
Helena Zemanová (Concert Master)
Jan Hádek
Martina Štillerová
Markéta Knittlová
VIOLINE II
Jana Chytilová
Simona Tydlitátová
Petra Šcevková
VIOLA
František Kuncl
Lýdie Cillerová
VIOLONCELLO
Hana Fleková
KONTRABASS
Ondrej Balcar
THEORBE
Jan Krejca
FLÖTE
Julie Braná
Lucie Dušková
OBOE
Susanne Regel
Tereza Pavelková
FAGOTT
Stephan von Hoff
SINGERS
Gemma Bertagnolli (soprano)
Delphine Galou (alto)
- published: 26 Sep 2011
- views: 11874
__
• Zelenka: Officium Defunctorum & Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias Berndt: bass
• Tomas Kral: bass
Collegium 1704
Conducted by Václav Luks
Ensemble website: http://www.collegium1704.com
• Directed by Louise Narboni © Broadcast by Mezzo, 2009
__
- published: 17 Oct 2012
- views: 108986
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht
Jan Dismas Zelenka (1679--1745)
Missa Omnium Sanctorum ZWV 21
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
COLLEGIUM 1704
Václav Luks
Solisten:
Alena Hellerová , sopraan
Kamila Mazalová, alt
Václav Cížek, tenor
Tomáš Král, bas
Collegium Vocale 1704:
Barbora Sojková, Alena Hellerová,
Dora Pavlíková, Kamila Zborilová,
Joanna Klisowska, sopraan
Kamila Mazalová, Marta Fadljevicová,
Jan Mikušek, Daniela Cermákovám, alt
Václav Cížek, Hasan El-Dunia, Cenek
Svoboda, Tomáš Lajtkep, tenor
Tomáš Král, Jaromír Nosek, Martin Vacula,
Aleš Procházka, bas
Collegium 1704:
Helena Zemanová, Petra Šcevková,
Martin Kalista, Peter Barczi, Eva Borhi, viool 1
Jana Chytilová, Simona Tydlitátová,
Markéta Knittlová, Jan Hádek, viool 2
Lýdie Cillerová, Eleonora Machová,
František Kuncl, altviool
Libor Mašek, Hana Fleková, violoncello
Ondrej Štajnochr, contrabas
Pablo Kornfeld, orgel
Eva Harmuthová, Petra Ambrosi, hobo
Kryštof Lada, fagot
- published: 26 Aug 2012
- views: 147198
www.avrotros.nl/klassiek
Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.:
Eva Hornyáková, sopraan
Janina Baechle, sopraan
Benjamin Hulett, tenor
Andrew Schroeder, bas-bariton
A. Dvorak - Mis, op. 86
Openingsconcert de Vrijdag van Vredenburg seizoen 2014-2015
Opgenomen op 19 september 2014 in TivoliVredenburg, Utrecht
Voor de pauze werd gespeeld:
H. Berlioz - Ouverture 'Le Roi Lear', op. 4
J. Wagenaar - Aveux de Phèdre
Bekijk het deel voor de pauze op onze site:
http://web.avrotros.nl/cultuur/klassiek/nieuws/20140919_vvv.aspx
Kijk voor meer concerten op: http://www.avrotros.nl/klassiek
http://Facebook.com/AVROTROS.klassiek - http://Twitter.com/klassiekonline
- published: 26 Sep 2014
- views: 64344
__
• Zelenka: Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias Berndt: bass
• Tomas Kral: bass
Collegium 1704
Conducted by Václav Luks
Ensemble website: http://www.collegium1704.com
• Directed by Louise Narboni © Broadcast by Mezzo, 2009
__
- published: 17 Oct 2012
- views: 26607
Lento
Recorded in 1928
The Bohemian Quartet (Czech: České kvarteto; known as the Czech Quartet after 1918) were a Czech string quartet of international repute that was founded in 1891 and disbanded in 1934.
The Quartet was founded in Budapest by three pupils of Antonín Bennewitz (Karel Hoffmann, Josef Suk and Oskar Nedbal) and a pupil of Hanuš Wihan (Otakar Berger); Bennewitz and Wihan were both teachers at the Prague Conservatory. Wihan had himself studied at Prague, and was cellist of the chamber quartet of Ludwig II in Munich, becoming Professor at Prague in 1888. He replaced his student Otakar Berger as cellist in the quartet when Berger died prematurely. Wihan then directed the Quartet until 1913 when the strain of touring obliged him to retire from it and resume his teaching. His place was then taken by Ladislav Zelenka (b. 1881), who since 1911 had been playing with the Ševčik-Lhatsky Quartet. The group made repeated tours in Europe, especially with the quartets of Dvorak and Smetana, and were noted for their warm tone and fiery rhythms. In 1922 the four members were appointed professors at the Prague Conservatory.
Many key contemporary works were written for and/or first performed by the Bohemian Quartet. Most notably, this included works by Antonín Dvořák and Leoš Janáček, such as Janáček's second string quartet, subtitled "Intimate Letters".
1st violin
• Karel Hoffmann
2nd violin
• Josef Suk (to 1933)
• Stanislav Novák (1933-1934)
viola
• Oskar Nedbal (to 1906)
• Lionel Tertis (in 1906)
• Jeří Herold (1906-1934)
violoncello
• Otto Berger (to 1894)
• Hanuš Wihan (1894-1914)
• Ladislav Zelenka (1914-1934)
- published: 21 May 2012
- views: 1460
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a jeho prvním učitelem byl jeho bratr. Vystudoval pražskou konzervatoř, kde ho učili mimo jiné Milan Zelenka a Arnošt Sádlík. Ve studiu pokračoval na pražské Akademii múzických umění, tam jej vedl uznávaný kytarový virtuóz Štěpán Rak. Mimo klasického studia sbíral Pavel Steidl zkušenosti také návštěvami mistrovských tříd, které vedli David Russell a Abel Carlevaro. Další cenné zkušenosti získal účastí v mnoha soutěžích a na řadě hudebních festivalů.
Koncertoval ve více než třiceti zemích světa jako Kanada, Kuba, Španělsko, Polsko, Rakousko, Kostarika, Guatemala, Austrálie, Japonsko, Velká Británie, Mexiko a mnoho dalších. Nahrál mnoho skladeb světového repertoáru a českých skladatelů nejen minulosti, ale i 20. století. Pavel Steidl také komponuje a svými skladbami často obohacuje svůj koncertní repertoár.
Zdroj besedy: http://www.ceskatelevize.cz/ct24/kultura/278836-duse-k-s-kytarovym-virtuosem-pavlem-steidlem.
Můžete "mrknout" také na další besedy Duše K s Jaroslvaem Duškem a jeho hosty na http://zivutek.cz/besedy.
- published: 20 Jul 2014
- views: 37129
Collegium 1704
Collegium 1704 is a Czech early music orchestra and choir founded in 1991 by the Czech conductor, harpsichordist and horn player Václav Luks. Luks was formerly horn soloist of the Akademie für Alte Musik Berlin. Although founded while Luks was a student in Plzen, the seat of the orchestra is Prague. The Collegium Vocale 1704 and Amphion Wind Octet are sister ensembles.
The Collegium specialises in Baroque music, in particular that of Zelenka, Bach and Handel. All the performers are virtuosos, and often perform with other early music ensembles.
Performers
A number of performers appear regularly with the Collegium. These include:
Collegium Vocale 1704:
In addition, Hana Blažíková and Marketa Cukrová often appear as soloists.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Collegium_1704
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Jan Dismas Zelenka
Jan Dismas Zelenka (baptised Jan Lukáš Zelenka; 16 October 1679 – 23 December 1745), also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and counterpoint.
Life
Zelenka was born in Louňovice pod Blaníkem (German: Launiowitz), a small market town southeast of Prague, in Bohemia. He was the eldest of the eight children born to Marie Magdalena (née Hájek) and Jiří Zelenka. The middle name Dismas is probably his confirmation name. Zelenka's father Jiří was a schoolmaster and organist in Launiowitz, and it is likely that Zelenka received his musical lessons with him. However, nothing more is known with certainty about Zelenka's early years. He received his musical training at the Jesuit college Clementinum in Prague. His instrument was the violone (or bass viol). His first works were probably written in Prague, and his earliest known work Via laureta (ZWV 245) was composed in 1704. The music is lost, but a libretto still exists.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Jan_Dismas_Zelenka
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Pavel Steidl
Pavel Steidl (born June 24, 1961) is a classical guitarist who was born in Rakovnik, Czechoslovakia (now in the Czech Republic), but has lived in the Netherlands for many years. After winning first prize at the 1982 International Guitar Competition of Radio France in Paris, Steidl began his career as a professional musician.
"Here was a guitarist who knew how to laugh with the music and share the joke with his audience. But behind the entertainer lies a serious artist, whose extended composition in memory of Jana Obrovska proved fully capable of stirring emotions at the other end of the scale. Never was a standing ovation more richly deserved. Pavel Steidl had won the hearts and minds of a capacity crowd." (Classical guitar magazine)
Since he won first prize at the Radio France International Competition in Paris in 1982, he has become one of the most widely celebrated soloists of his generation. Among the members of the jury were such artists as Alexandre Tansman, Antonio Lauro and Maria Luisa Anido.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Pavel_Steidl
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
D major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F♯, G, A, B, and C♯. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor.
D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings.
It is thus no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart (No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini (No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev (No. 1, 1917); Stravinsky (1931); and Korngold (1945).
It is appropriate for guitar music, with drop D tuning making two Ds available as open strings. For some beginning wind instrument students, however, D major is not a very suitable key, since it transposes to E major on B-flat wind instruments, and beginning methods generally tend to avoid keys with more than three sharps.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/D_major
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
I was glad
I was glad (Latin incipit, Laetatus sum) is an introit commonly used in the Anglican church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry, which sets only verses 1–3,6,7.
The text of the anthem consists of verses from Psalm 122, from the psalter found in the 1662 Book of Common Prayer:
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This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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1:42:29Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & ContinuoJan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and counterpoint. Zelenka's pieces are characterized by very daring compositional structure, with a highly spirited harmonic invention and perfection of the art of counterpoint. His works are often virtuosic and difficult to perform, but always fresh and surprising, with sudden turns of harmony, being always a challenge for their interpreters.[citation needed] In particular, his writing for bass instruments is far more demanding than that of other composers of his era. His instrumental works (the trio sonatas, capricci, and concertos) are exemplary models of his early style (1710s–1720s). The six trio sonatas demand high virtuosity and expressive sensitivity from performers. As Zelenka was himself a violone player, he was known to write fast-moving continuo parts with driving and complicated rhythm. Zelenka was aware of the music in different regions of Europe. He wrote complex fugues, ornate operatic arias, galant-style dances, baroque recitatives, Palestrina-like chorales, and virtuosic concertos. Zelenka's musical language is closest to Bach's, especially in its richness of contrapuntal harmonies and ingenious usage of fugal themes. Nevertheless, Zelenka's language is idiosyncratic in its unexpected harmonic twists, obsession with chromatic harmonies, huge usage of syncopated and tuplet figures, and unusually long phrases full of varied musical ideas. He is sometimes considered as Bach's Catholic counterpart, in his works. Zelenka's music is influenced by Czech folk music. In this respect, he continues the tradition of the production of specific Czech national music, initiated by Adam Michna z Otradovic and brought to its culmination later, in works by Bedřich Smetana and Antonín Dvořák in the nineteenth century and Leoš Janáček and Bohuslav Martinů in the twentieth century. In 2013 Damian Thompson wrote of Zelenka, "He belongs to a band of mavericks in musical history whose experiments with harmony seem to catapult them into another generation -
3:01Antonín Dvořák: Když mne má matka (Songs My Mother Taught Me)
Antonín Dvořák: Když mne má matka (Songs My Mother Taught Me) -
20:19Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_completeJan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
COMMENT AND SUNG TEXT/ TRANSLATIONS This unforgettable, ultra-rare perfomance of Jan Dismas Zelenka's extensive number setting of the Psalm 122(1) "Laetatus sum" (ZWV 90) took place in Hamburg's Concert Hall Laeiszhalle 23.09.2011. Unfortunately, this shaky amateur recording done by myself from the audience is all I can offer ( but at least the music is excellent...). Soloists Gemma Bertagnolli (s) & Delphine Galou (a) fascinated with their artistry, backed up by the always outstanding Collegium 1704, directed by Václav Luks. According to Zelenka expert Janice Stockigt, Zelenka probably composed the demanding vocal parts for two Italian castrati who arrived in Dresden in 1730. Secure knowledge about ZWV 90's original performance circumstances is however inattainable, because the autograph is lost. ZWV 90 survives in Prague as a unique copy - fortunately of reliable quality - written by Antonín Görbig while he was musical director of the choir of the city's cathedral between 1734 and 1737. ZWV 90's impressive vocal ranges, in addition to a rich instrumentation that varies between each of the six alternating duet/ solo numbers, makes this composition not only one of Zelenka's most exceptional and ambitious within the genre - maybe together with ZWV 57 - but also the very longest (about 20 min, depending on the performers) of all his surviving Psalm settings. ******************************************************************************** TEXT & TRANSLATIONS: Psalm 122 (121, Latin Vulgate) New American Standard Bible (1995) LATIN TEXT (VULGATA VERSION): Canticum graduum huic David ------------------------------------------------- "LAETATUS SUM" DUET (a, s), (c. 0 -3.45 min): I) Laetatus sum in his, quae dicta sunt mihi: In domum Domini ibimus. Stantes erant pedes nostri, in atriis tuis, Jerusalem. Jerusalem, quae aedificatur ut civitas, cujus participatio eius in ipsum. ARIA FOR SOPRANO SOLO (c. 3.55-7.05 min): II) Illic enim ascenderunt tribus, tribus Domini: testimonium Israel ad confitendum nomini Domini. Quia illic sederunt, sedes in iudicio, sedes super domum David. DUET (a, s) (c. 7.20-9.56 min): III) Rogate quae ad pacem sunt Jerusalem: et abundantia diligentibus te. ARIA FOR ALTO SOLO (c. 10.05-14.25 min): IV) Fiat pax in virtute tua: et abundantia in turribus tuis. Propter fratres meos, et proximos meos, loquebar pacem de te. Propter domum Domini Dei nostri, quaesivi bona tibi. + DOXOLOGIA MINOR (PARS 1 & 2) DUET (a, s), (c. 14.40-16.18 min): V) Gloria Patri et Spiritui Sancto. DUET (a, s), (c. 16.20-19.20 min): VI) Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen. *********************************************************************** ENGLISH TRANSLATION (Prayer for the Peace of Jerusalem.) "I WAS GLAD" I) I was glad when they said to me, "Let us go to the house of the LORD." Our feet are standing Within your gates, O Jerusalem, Jerusalem, that is built As a city that is compact together; II) To which the tribes go up, even the tribes of the LORD— An ordinance for Israel — To give thanks to the name of the LORD. For there thrones were set for judgment, The thrones of the house of David. III) Pray for the peace of Jerusalem: "May they prosper who love you. IV) "May peace be within your walls, And prosperity within your palaces." (Alternative translation of the above "Fiat pax (...)"-phrase from the Douay-Rheims Bible: "Let peace be in thy strength, and abundance in thy towers.") For the sake of my brothers and my friends, I will now say, "May peace be within you." For the sake of the house of the LORD our God, I will seek your good. + LESSER DOXOLOGY (PART 1 & 2) v) Glory to the Father and to the Holy Spirit. vi) As it was in the beginning, also now, and always, and to ages of ages. Amen ********************************************************************************* Hamburg 23.09.2011 Collegium 1704 consisted of the following musicians this evening: VIOLINE I Helena Zemanová (Concert Master) Jan Hádek Martina Štillerová Markéta Knittlová VIOLINE II Jana Chytilová Simona Tydlitátová Petra Šcevková VIOLA František Kuncl Lýdie Cillerová VIOLONCELLO Hana Fleková KONTRABASS Ondrej Balcar THEORBE Jan Krejca FLÖTE Julie Braná Lucie Dušková OBOE Susanne Regel Tereza Pavelková FAGOTT Stephan von Hoff SINGERS Gemma Bertagnolli (soprano) Delphine Galou (alto) -
1:48:58Zelenka: Requiem pour Auguste II | Collegium 1704
Zelenka: Requiem pour Auguste II | Collegium 1704Zelenka: Requiem pour Auguste II | Collegium 1704
__ • Zelenka: Officium Defunctorum & Requiem in D major __ • Katerina Knezikova: soprano • Mariana Rewerski: mezzosoprano • Marketa Cukrova: alto • Jaroslav Brezina: tenor • Tobias Berndt: bass • Tomas Kral: bass Collegium 1704 Conducted by Václav Luks Ensemble website: http://www.collegium1704.com • Directed by Louise Narboni © Broadcast by Mezzo, 2009 __ -
1:09:51Zelenka: Missa Omnium Sanctorum, ZWV 21
Zelenka: Missa Omnium Sanctorum, ZWV 21Zelenka: Missa Omnium Sanctorum, ZWV 21
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht Jan Dismas Zelenka (1679--1745) Missa Omnium Sanctorum ZWV 21 Kyrie Gloria Credo Sanctus Agnus Dei COLLEGIUM 1704 Václav Luks Solisten: Alena Hellerová , sopraan Kamila Mazalová, alt Václav Cížek, tenor Tomáš Král, bas Collegium Vocale 1704: Barbora Sojková, Alena Hellerová, Dora Pavlíková, Kamila Zborilová, Joanna Klisowska, sopraan Kamila Mazalová, Marta Fadljevicová, Jan Mikušek, Daniela Cermákovám, alt Václav Cížek, Hasan El-Dunia, Cenek Svoboda, Tomáš Lajtkep, tenor Tomáš Král, Jaromír Nosek, Martin Vacula, Aleš Procházka, bas Collegium 1704: Helena Zemanová, Petra Šcevková, Martin Kalista, Peter Barczi, Eva Borhi, viool 1 Jana Chytilová, Simona Tydlitátová, Markéta Knittlová, Jan Hádek, viool 2 Lýdie Cillerová, Eleonora Machová, František Kuncl, altviool Libor Mašek, Hana Fleková, violoncello Ondrej Štajnochr, contrabas Pablo Kornfeld, orgel Eva Harmuthová, Petra Ambrosi, hobo Kryštof Lada, fagot -
9:53Atelier Karel_14/15-Porcelán
Atelier Karel_14/15-Porcelán -
46:08Antonin Dvorak - Mis, op. 86 Live Concert HD
Antonin Dvorak - Mis, op. 86 Live Concert HDAntonin Dvorak - Mis, op. 86 Live Concert HD
www.avrotros.nl/klassiek Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.: Eva Hornyáková, sopraan Janina Baechle, sopraan Benjamin Hulett, tenor Andrew Schroeder, bas-bariton A. Dvorak - Mis, op. 86 Openingsconcert de Vrijdag van Vredenburg seizoen 2014-2015 Opgenomen op 19 september 2014 in TivoliVredenburg, Utrecht Voor de pauze werd gespeeld: H. Berlioz - Ouverture 'Le Roi Lear', op. 4 J. Wagenaar - Aveux de Phèdre Bekijk het deel voor de pauze op onze site: http://web.avrotros.nl/cultuur/klassiek/nieuws/20140919_vvv.aspx Kijk voor meer concerten op: http://www.avrotros.nl/klassiek http://Facebook.com/AVROTROS.klassiek - http://Twitter.com/klassiekonline -
41:15Zelenka: Requiem in D major | Collegium 1704
Zelenka: Requiem in D major | Collegium 1704Zelenka: Requiem in D major | Collegium 1704
__ • Zelenka: Requiem in D major __ • Katerina Knezikova: soprano • Mariana Rewerski: mezzosoprano • Marketa Cukrova: alto • Jaroslav Brezina: tenor • Tobias Berndt: bass • Tomas Kral: bass Collegium 1704 Conducted by Václav Luks Ensemble website: http://www.collegium1704.com • Directed by Louise Narboni © Broadcast by Mezzo, 2009 __ -
7:57Czech String Quartet - Dvorak op 96 (American) mvt 2
Czech String Quartet - Dvorak op 96 (American) mvt 2Czech String Quartet - Dvorak op 96 (American) mvt 2
Lento Recorded in 1928 The Bohemian Quartet (Czech: České kvarteto; known as the Czech Quartet after 1918) were a Czech string quartet of international repute that was founded in 1891 and disbanded in 1934. The Quartet was founded in Budapest by three pupils of Antonín Bennewitz (Karel Hoffmann, Josef Suk and Oskar Nedbal) and a pupil of Hanuš Wihan (Otakar Berger); Bennewitz and Wihan were both teachers at the Prague Conservatory. Wihan had himself studied at Prague, and was cellist of the chamber quartet of Ludwig II in Munich, becoming Professor at Prague in 1888. He replaced his student Otakar Berger as cellist in the quartet when Berger died prematurely. Wihan then directed the Quartet until 1913 when the strain of touring obliged him to retire from it and resume his teaching. His place was then taken by Ladislav Zelenka (b. 1881), who since 1911 had been playing with the Ševčik-Lhatsky Quartet. The group made repeated tours in Europe, especially with the quartets of Dvorak and Smetana, and were noted for their warm tone and fiery rhythms. In 1922 the four members were appointed professors at the Prague Conservatory. Many key contemporary works were written for and/or first performed by the Bohemian Quartet. Most notably, this included works by Antonín Dvořák and Leoš Janáček, such as Janáček's second string quartet, subtitled "Intimate Letters". 1st violin • Karel Hoffmann 2nd violin • Josef Suk (to 1933) • Stanislav Novák (1933-1934) viola • Oskar Nedbal (to 1906) • Lionel Tertis (in 1906) • Jeří Herold (1906-1934) violoncello • Otto Berger (to 1894) • Hanuš Wihan (1894-1914) • Ladislav Zelenka (1914-1934) -
2:29:24Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a jeho prvním učitelem byl jeho bratr. Vystudoval pražskou konzervatoř, kde ho učili mimo jiné Milan Zelenka a Arnošt Sádlík. Ve studiu pokračoval na pražské Akademii múzických umění, tam jej vedl uznávaný kytarový virtuóz Štěpán Rak. Mimo klasického studia sbíral Pavel Steidl zkušenosti také návštěvami mistrovských tříd, které vedli David Russell a Abel Carlevaro. Další cenné zkušenosti získal účastí v mnoha soutěžích a na řadě hudebních festivalů. Koncertoval ve více než třiceti zemích světa jako Kanada, Kuba, Španělsko, Polsko, Rakousko, Kostarika, Guatemala, Austrálie, Japonsko, Velká Británie, Mexiko a mnoho dalších. Nahrál mnoho skladeb světového repertoáru a českých skladatelů nejen minulosti, ale i 20. století. Pavel Steidl také komponuje a svými skladbami často obohacuje svůj koncertní repertoár. Zdroj besedy: http://www.ceskatelevize.cz/ct24/kultura/278836-duse-k-s-kytarovym-virtuosem-pavlem-steidlem. Můžete "mrknout" také na další besedy Duše K s Jaroslvaem Duškem a jeho hosty na http://zivutek.cz/besedy.
Zelenka, Antonín Filmography
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Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and counterpoint. Zelenka's pieces are characterized by very daring compositional structure, with a highly spirited harmonic invention and perfection of the art of counterpoint. His works are often virtuosic and difficult to perform, but always fresh and surprising, with sudden turns of harmony, being always a challenge for their interpreters.[citation needed] In particular, his writing for bass instruments is far more demanding than that of other composers of his era. His instrumental works (the trio sonatas, capricci, and concertos) are exemplary models of his early style (1710s–1720s). The six trio sonatas demand high virtuo...
published: 20 Oct 2014 -
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Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
COMMENT AND SUNG TEXT/ TRANSLATIONS This unforgettable, ultra-rare perfomance of Jan Dismas Zelenka's extensive number setting of the Psalm 122(1) "Laetatus sum" (ZWV 90) took place in Hamburg's Concert Hall Laeiszhalle 23.09.2011. Unfortunately, this shaky amateur recording done by myself from the audience is all I can offer ( but at least the music is excellent...). Soloists Gemma Bertagnolli (s) & Delphine Galou (a) fascinated with their artistry, backed up by the always outstanding Collegium 1704, directed by Václav Luks. According to Zelenka expert Janice Stockigt, Zelenka probably composed the demanding vocal parts for two Italian castrati who arrived in Dresden in 1730. Secure knowledge about ZWV 90's original performance circumstances is however inattainable, because the autogr...
published: 26 Sep 2011 -
Zelenka: Requiem pour Auguste II | Collegium 1704
__ • Zelenka: Officium Defunctorum & Requiem in D major __ • Katerina Knezikova: soprano • Mariana Rewerski: mezzosoprano • Marketa Cukrova: alto • Jaroslav Brezina: tenor • Tobias Berndt: bass • Tomas Kral: bass Collegium 1704 Conducted by Václav Luks Ensemble website: http://www.collegium1704.com • Directed by Louise Narboni © Broadcast by Mezzo, 2009 __
published: 17 Oct 2012 -
Zelenka: Missa Omnium Sanctorum, ZWV 21
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht Jan Dismas Zelenka (1679--1745) Missa Omnium Sanctorum ZWV 21 Kyrie Gloria Credo Sanctus Agnus Dei COLLEGIUM 1704 Václav Luks Solisten: Alena Hellerová , sopraan Kamila Mazalová, alt Václav Cížek, tenor Tomáš Král, bas Collegium Vocale 1704: Barbora Sojková, Alena Hellerová, Dora Pavlíková, Kamila Zborilová, Joanna Klisowska, sopraan Kamila Mazalová, Marta Fadljevicová, Jan Mikušek, Daniela Cermákovám, alt Václav Cížek, Hasan El-Dunia, Cenek Svoboda, Tomáš Lajtkep, tenor Tomáš Král, Jaromír Nosek, Martin Vacula, Aleš Procházka, bas Collegium 1704: Helena Zemanová, Petra Šcevková, Martin Kalista, Peter Barczi, Eva Borhi, viool 1 Jana Chytilová, Simona Tydlitátová, Markéta Knittlová, Jan Hádek, viool 2 Lýdie Cillerová, Eleonora Machová...
published: 26 Aug 2012 -
Atelier Karel_14/15-Porcelán
Fotografie Martina Sedláka dokumentující proces výroby porcelánových návrhů studentů Atelieru Karel ÚPD FAČVUT. 11.12.14-17.12.14 / 5.1.15 - 9.1.15 / Realizační centrum FUD UJEP v Dubí. Technická podpora a Realizace - Antonín Tomášek,Martin Zelenka,Jana Linhartová
published: 11 Jan 2015 -
Antonin Dvorak - Mis, op. 86 Live Concert HD
www.avrotros.nl/klassiek Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.: Eva Hornyáková, sopraan Janina Baechle, sopraan Benjamin Hulett, tenor Andrew Schroeder, bas-bariton A. Dvorak - Mis, op. 86 Openingsconcert de Vrijdag van Vredenburg seizoen 2014-2015 Opgenomen op 19 september 2014 in TivoliVredenburg, Utrecht Voor de pauze werd gespeeld: H. Berlioz - Ouverture 'Le Roi Lear', op. 4 J. Wagenaar - Aveux de Phèdre Bekijk het deel voor de pauze op onze site: http://web.avrotros.nl/cultuur/klassiek/nieuws/20140919_vvv.aspx Kijk voor meer concerten op: http://www.avrotros.nl/klassiek http://Facebook.com/AVROTROS.klassiek - http://Twitter.com/klassiekonline
published: 26 Sep 2014 -
Zelenka: Requiem in D major | Collegium 1704
__ • Zelenka: Requiem in D major __ • Katerina Knezikova: soprano • Mariana Rewerski: mezzosoprano • Marketa Cukrova: alto • Jaroslav Brezina: tenor • Tobias Berndt: bass • Tomas Kral: bass Collegium 1704 Conducted by Václav Luks Ensemble website: http://www.collegium1704.com • Directed by Louise Narboni © Broadcast by Mezzo, 2009 __
published: 17 Oct 2012 -
Czech String Quartet - Dvorak op 96 (American) mvt 2
Lento Recorded in 1928 The Bohemian Quartet (Czech: České kvarteto; known as the Czech Quartet after 1918) were a Czech string quartet of international repute that was founded in 1891 and disbanded in 1934. The Quartet was founded in Budapest by three pupils of Antonín Bennewitz (Karel Hoffmann, Josef Suk and Oskar Nedbal) and a pupil of Hanuš Wihan (Otakar Berger); Bennewitz and Wihan were both teachers at the Prague Conservatory. Wihan had himself studied at Prague, and was cellist of the chamber quartet of Ludwig II in Munich, becoming Professor at Prague in 1888. He replaced his student Otakar Berger as cellist in the quartet when Berger died prematurely. Wihan then directed the Quartet until 1913 when the strain of touring obliged him to retire from it and resume his teaching. His p...
published: 21 May 2012 -
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a jeho prvním učitelem byl jeho bratr. Vystudoval pražskou konzervatoř, kde ho učili mimo jiné Milan Zelenka a Arnošt Sádlík. Ve studiu pokračoval na pražské Akademii múzických umění, tam jej vedl uznávaný kytarový virtuóz Štěpán Rak. Mimo klasického studia sbíral Pavel Steidl zkušenosti také návštěvami mistrovských tříd, které vedli David Russell a Abel Carlevaro. Další cenné zkušenosti získal účastí v mnoha soutěžích a na řadě hudebních festivalů. Koncertoval ve více než třiceti zemích světa jako Kanada, Kuba, Španělsko, Polsko, Rakousko, Kostarika, Guatemala, Austrálie, Japonsko, Velká Británie, Mexiko a mnoho dalších. Nahrál mnoho skladeb světového repertoáru a českých skladatelů nejen minulosti,...
published: 20 Jul 2014
Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
- Order: Reorder
- Duration: 1:42:29
- Updated: 20 Oct 2014
- views: 5512
Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventive...
Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and counterpoint.
Zelenka's pieces are characterized by very daring compositional structure, with a highly spirited harmonic invention and perfection of the art of counterpoint. His works are often virtuosic and difficult to perform, but always fresh and surprising, with sudden turns of harmony, being always a challenge for their interpreters.[citation needed] In particular, his writing for bass instruments is far more demanding than that of other composers of his era. His instrumental works (the trio sonatas, capricci, and concertos) are exemplary models of his early style (1710s–1720s). The six trio sonatas demand high virtuosity and expressive sensitivity from performers. As Zelenka was himself a violone player, he was known to write fast-moving continuo parts with driving and complicated rhythm. Zelenka was aware of the music in different regions of Europe. He wrote complex fugues, ornate operatic arias, galant-style dances, baroque recitatives, Palestrina-like chorales, and virtuosic concertos. Zelenka's musical language is closest to Bach's, especially in its richness of contrapuntal harmonies and ingenious usage of fugal themes. Nevertheless, Zelenka's language is idiosyncratic in its unexpected harmonic twists, obsession with chromatic harmonies, huge usage of syncopated and tuplet figures, and unusually long phrases full of varied musical ideas. He is sometimes considered as Bach's Catholic counterpart, in his works. Zelenka's music is influenced by Czech folk music. In this respect, he continues the tradition of the production of specific Czech national music, initiated by Adam Michna z Otradovic and brought to its culmination later, in works by Bedřich Smetana and Antonín Dvořák in the nineteenth century and Leoš Janáček and Bohuslav Martinů in the twentieth century. In 2013 Damian Thompson wrote of Zelenka, "He belongs to a band of mavericks in musical history whose experiments with harmony seem to catapult them into another generation
https://wn.com/Jan_Dismas_Zelenka_Six_Trio_Sonatas_For_Oboe,_Violin_Continuo
Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and counterpoint.
Zelenka's pieces are characterized by very daring compositional structure, with a highly spirited harmonic invention and perfection of the art of counterpoint. His works are often virtuosic and difficult to perform, but always fresh and surprising, with sudden turns of harmony, being always a challenge for their interpreters.[citation needed] In particular, his writing for bass instruments is far more demanding than that of other composers of his era. His instrumental works (the trio sonatas, capricci, and concertos) are exemplary models of his early style (1710s–1720s). The six trio sonatas demand high virtuosity and expressive sensitivity from performers. As Zelenka was himself a violone player, he was known to write fast-moving continuo parts with driving and complicated rhythm. Zelenka was aware of the music in different regions of Europe. He wrote complex fugues, ornate operatic arias, galant-style dances, baroque recitatives, Palestrina-like chorales, and virtuosic concertos. Zelenka's musical language is closest to Bach's, especially in its richness of contrapuntal harmonies and ingenious usage of fugal themes. Nevertheless, Zelenka's language is idiosyncratic in its unexpected harmonic twists, obsession with chromatic harmonies, huge usage of syncopated and tuplet figures, and unusually long phrases full of varied musical ideas. He is sometimes considered as Bach's Catholic counterpart, in his works. Zelenka's music is influenced by Czech folk music. In this respect, he continues the tradition of the production of specific Czech national music, initiated by Adam Michna z Otradovic and brought to its culmination later, in works by Bedřich Smetana and Antonín Dvořák in the nineteenth century and Leoš Janáček and Bohuslav Martinů in the twentieth century. In 2013 Damian Thompson wrote of Zelenka, "He belongs to a band of mavericks in musical history whose experiments with harmony seem to catapult them into another generation
- published: 20 Oct 2014
- views: 5512
Antonín Dvořák: Když mne má matka (Songs My Mother Taught Me)
- Order: Reorder
- Duration: 3:01
- Updated: 10 Aug 2009
- views: 3210
Performed by Lubomír Malý (viola) and Milan Zelenka (guitar).
Pictures of Czech countryside nearby Brno taken last weekend. Enjoy the culture and nature of Czec...
Performed by Lubomír Malý (viola) and Milan Zelenka (guitar).
Pictures of Czech countryside nearby Brno taken last weekend. Enjoy the culture and nature of Czechia!
https://wn.com/Antonín_Dvořák_Když_Mne_Má_Matka_(Songs_My_Mother_Taught_Me)
Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
- Order: Reorder
- Duration: 20:19
- Updated: 26 Sep 2011
- views: 11874
COMMENT AND SUNG TEXT/ TRANSLATIONS
This unforgettable, ultra-rare perfomance of Jan Dismas Zelenka's extensive number setting of the Psalm 122(1) "Laetatus su...
COMMENT AND SUNG TEXT/ TRANSLATIONS
This unforgettable, ultra-rare perfomance of Jan Dismas Zelenka's extensive number setting of the Psalm 122(1) "Laetatus sum" (ZWV 90) took place in Hamburg's Concert Hall Laeiszhalle 23.09.2011. Unfortunately, this shaky amateur recording done by myself from the audience is all I can offer ( but at least the music is excellent...).
Soloists Gemma Bertagnolli (s) & Delphine Galou (a) fascinated with their artistry, backed up by the always outstanding Collegium 1704, directed by Václav Luks.
According to Zelenka expert Janice Stockigt, Zelenka probably composed the demanding vocal parts for two Italian castrati who arrived in Dresden in 1730. Secure knowledge about ZWV 90's original performance circumstances is however inattainable, because the autograph is lost. ZWV 90 survives in Prague as a unique copy - fortunately of reliable quality - written by Antonín Görbig while he was musical director of the choir of the city's cathedral between 1734 and 1737.
ZWV 90's impressive vocal ranges, in addition to a rich instrumentation that varies between each of the six alternating duet/ solo numbers, makes this composition not only one of Zelenka's most exceptional and ambitious within the genre - maybe together with ZWV 57 - but also the very longest (about 20 min, depending on the performers) of all his surviving Psalm settings.
********************************************************************************
TEXT & TRANSLATIONS:
Psalm 122 (121, Latin Vulgate)
New American Standard Bible (1995)
LATIN TEXT (VULGATA VERSION):
Canticum graduum huic David
-------------------------------------------------
"LAETATUS SUM"
DUET (a, s), (c. 0 -3.45 min):
I) Laetatus sum in his, quae dicta sunt mihi: In domum Domini ibimus.
Stantes erant pedes nostri, in atriis tuis, Jerusalem.
Jerusalem, quae aedificatur ut civitas, cujus participatio eius in ipsum.
ARIA FOR SOPRANO SOLO (c. 3.55-7.05 min):
II) Illic enim ascenderunt tribus, tribus Domini: testimonium Israel ad confitendum nomini Domini.
Quia illic sederunt, sedes in iudicio, sedes super domum David.
DUET (a, s) (c. 7.20-9.56 min):
III) Rogate quae ad pacem sunt Jerusalem: et abundantia diligentibus te.
ARIA FOR ALTO SOLO (c. 10.05-14.25 min):
IV) Fiat pax in virtute tua: et abundantia in turribus tuis.
Propter fratres meos, et proximos meos, loquebar pacem de te.
Propter domum Domini Dei nostri, quaesivi bona tibi.
+ DOXOLOGIA MINOR (PARS 1 & 2)
DUET (a, s), (c. 14.40-16.18 min):
V) Gloria Patri et Spiritui Sancto.
DUET (a, s), (c. 16.20-19.20 min):
VI) Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.
***********************************************************************
ENGLISH TRANSLATION
(Prayer for the Peace of Jerusalem.)
"I WAS GLAD"
I) I was glad when they said to me,
"Let us go to the house of the LORD."
Our feet are standing
Within your gates, O Jerusalem,
Jerusalem, that is built
As a city that is compact together;
II) To which the tribes go up, even the tribes of the LORD—
An ordinance for Israel —
To give thanks to the name of the LORD.
For there thrones were set for judgment,
The thrones of the house of David.
III) Pray for the peace of Jerusalem:
"May they prosper who love you.
IV) "May peace be within your walls,
And prosperity within your palaces."
(Alternative translation of the above "Fiat pax (...)"-phrase from the
Douay-Rheims Bible:
"Let peace be in thy strength, and abundance in thy towers.")
For the sake of my brothers and my friends,
I will now say, "May peace be within you."
For the sake of the house of the LORD our God,
I will seek your good.
+ LESSER DOXOLOGY (PART 1 & 2)
v) Glory to the Father and to the Holy Spirit.
vi) As it was in the beginning, also now, and always, and to ages of ages. Amen
*********************************************************************************
Hamburg 23.09.2011
Collegium 1704 consisted of the following musicians this evening:
VIOLINE I
Helena Zemanová (Concert Master)
Jan Hádek
Martina Štillerová
Markéta Knittlová
VIOLINE II
Jana Chytilová
Simona Tydlitátová
Petra Šcevková
VIOLA
František Kuncl
Lýdie Cillerová
VIOLONCELLO
Hana Fleková
KONTRABASS
Ondrej Balcar
THEORBE
Jan Krejca
FLÖTE
Julie Braná
Lucie Dušková
OBOE
Susanne Regel
Tereza Pavelková
FAGOTT
Stephan von Hoff
SINGERS
Gemma Bertagnolli (soprano)
Delphine Galou (alto)
https://wn.com/Jan_Dismas_Zelenka_Laetatus_Sum_Zwv_90_Galou,_Bertagnolli_Collegium_1704_Complete
COMMENT AND SUNG TEXT/ TRANSLATIONS
This unforgettable, ultra-rare perfomance of Jan Dismas Zelenka's extensive number setting of the Psalm 122(1) "Laetatus sum" (ZWV 90) took place in Hamburg's Concert Hall Laeiszhalle 23.09.2011. Unfortunately, this shaky amateur recording done by myself from the audience is all I can offer ( but at least the music is excellent...).
Soloists Gemma Bertagnolli (s) & Delphine Galou (a) fascinated with their artistry, backed up by the always outstanding Collegium 1704, directed by Václav Luks.
According to Zelenka expert Janice Stockigt, Zelenka probably composed the demanding vocal parts for two Italian castrati who arrived in Dresden in 1730. Secure knowledge about ZWV 90's original performance circumstances is however inattainable, because the autograph is lost. ZWV 90 survives in Prague as a unique copy - fortunately of reliable quality - written by Antonín Görbig while he was musical director of the choir of the city's cathedral between 1734 and 1737.
ZWV 90's impressive vocal ranges, in addition to a rich instrumentation that varies between each of the six alternating duet/ solo numbers, makes this composition not only one of Zelenka's most exceptional and ambitious within the genre - maybe together with ZWV 57 - but also the very longest (about 20 min, depending on the performers) of all his surviving Psalm settings.
********************************************************************************
TEXT & TRANSLATIONS:
Psalm 122 (121, Latin Vulgate)
New American Standard Bible (1995)
LATIN TEXT (VULGATA VERSION):
Canticum graduum huic David
-------------------------------------------------
"LAETATUS SUM"
DUET (a, s), (c. 0 -3.45 min):
I) Laetatus sum in his, quae dicta sunt mihi: In domum Domini ibimus.
Stantes erant pedes nostri, in atriis tuis, Jerusalem.
Jerusalem, quae aedificatur ut civitas, cujus participatio eius in ipsum.
ARIA FOR SOPRANO SOLO (c. 3.55-7.05 min):
II) Illic enim ascenderunt tribus, tribus Domini: testimonium Israel ad confitendum nomini Domini.
Quia illic sederunt, sedes in iudicio, sedes super domum David.
DUET (a, s) (c. 7.20-9.56 min):
III) Rogate quae ad pacem sunt Jerusalem: et abundantia diligentibus te.
ARIA FOR ALTO SOLO (c. 10.05-14.25 min):
IV) Fiat pax in virtute tua: et abundantia in turribus tuis.
Propter fratres meos, et proximos meos, loquebar pacem de te.
Propter domum Domini Dei nostri, quaesivi bona tibi.
+ DOXOLOGIA MINOR (PARS 1 & 2)
DUET (a, s), (c. 14.40-16.18 min):
V) Gloria Patri et Spiritui Sancto.
DUET (a, s), (c. 16.20-19.20 min):
VI) Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.
***********************************************************************
ENGLISH TRANSLATION
(Prayer for the Peace of Jerusalem.)
"I WAS GLAD"
I) I was glad when they said to me,
"Let us go to the house of the LORD."
Our feet are standing
Within your gates, O Jerusalem,
Jerusalem, that is built
As a city that is compact together;
II) To which the tribes go up, even the tribes of the LORD—
An ordinance for Israel —
To give thanks to the name of the LORD.
For there thrones were set for judgment,
The thrones of the house of David.
III) Pray for the peace of Jerusalem:
"May they prosper who love you.
IV) "May peace be within your walls,
And prosperity within your palaces."
(Alternative translation of the above "Fiat pax (...)"-phrase from the
Douay-Rheims Bible:
"Let peace be in thy strength, and abundance in thy towers.")
For the sake of my brothers and my friends,
I will now say, "May peace be within you."
For the sake of the house of the LORD our God,
I will seek your good.
+ LESSER DOXOLOGY (PART 1 & 2)
v) Glory to the Father and to the Holy Spirit.
vi) As it was in the beginning, also now, and always, and to ages of ages. Amen
*********************************************************************************
Hamburg 23.09.2011
Collegium 1704 consisted of the following musicians this evening:
VIOLINE I
Helena Zemanová (Concert Master)
Jan Hádek
Martina Štillerová
Markéta Knittlová
VIOLINE II
Jana Chytilová
Simona Tydlitátová
Petra Šcevková
VIOLA
František Kuncl
Lýdie Cillerová
VIOLONCELLO
Hana Fleková
KONTRABASS
Ondrej Balcar
THEORBE
Jan Krejca
FLÖTE
Julie Braná
Lucie Dušková
OBOE
Susanne Regel
Tereza Pavelková
FAGOTT
Stephan von Hoff
SINGERS
Gemma Bertagnolli (soprano)
Delphine Galou (alto)
- published: 26 Sep 2011
- views: 11874
Zelenka: Requiem pour Auguste II | Collegium 1704
- Order: Reorder
- Duration: 1:48:58
- Updated: 17 Oct 2012
- views: 108986
__
• Zelenka: Officium Defunctorum & Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav B...
__
• Zelenka: Officium Defunctorum & Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias Berndt: bass
• Tomas Kral: bass
Collegium 1704
Conducted by Václav Luks
Ensemble website: http://www.collegium1704.com
• Directed by Louise Narboni © Broadcast by Mezzo, 2009
__
https://wn.com/Zelenka_Requiem_Pour_Auguste_Ii_|_Collegium_1704
__
• Zelenka: Officium Defunctorum & Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias Berndt: bass
• Tomas Kral: bass
Collegium 1704
Conducted by Václav Luks
Ensemble website: http://www.collegium1704.com
• Directed by Louise Narboni © Broadcast by Mezzo, 2009
__
- published: 17 Oct 2012
- views: 108986
Zelenka: Missa Omnium Sanctorum, ZWV 21
- Order: Reorder
- Duration: 1:09:51
- Updated: 26 Aug 2012
- views: 147198
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht
Jan Dismas Zelenka (1679--1745)
Missa Omnium Sanctorum ZWV 21
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
COLLE...
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht
Jan Dismas Zelenka (1679--1745)
Missa Omnium Sanctorum ZWV 21
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
COLLEGIUM 1704
Václav Luks
Solisten:
Alena Hellerová , sopraan
Kamila Mazalová, alt
Václav Cížek, tenor
Tomáš Král, bas
Collegium Vocale 1704:
Barbora Sojková, Alena Hellerová,
Dora Pavlíková, Kamila Zborilová,
Joanna Klisowska, sopraan
Kamila Mazalová, Marta Fadljevicová,
Jan Mikušek, Daniela Cermákovám, alt
Václav Cížek, Hasan El-Dunia, Cenek
Svoboda, Tomáš Lajtkep, tenor
Tomáš Král, Jaromír Nosek, Martin Vacula,
Aleš Procházka, bas
Collegium 1704:
Helena Zemanová, Petra Šcevková,
Martin Kalista, Peter Barczi, Eva Borhi, viool 1
Jana Chytilová, Simona Tydlitátová,
Markéta Knittlová, Jan Hádek, viool 2
Lýdie Cillerová, Eleonora Machová,
František Kuncl, altviool
Libor Mašek, Hana Fleková, violoncello
Ondrej Štajnochr, contrabas
Pablo Kornfeld, orgel
Eva Harmuthová, Petra Ambrosi, hobo
Kryštof Lada, fagot
https://wn.com/Zelenka_Missa_Omnium_Sanctorum,_Zwv_21
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht
Jan Dismas Zelenka (1679--1745)
Missa Omnium Sanctorum ZWV 21
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
COLLEGIUM 1704
Václav Luks
Solisten:
Alena Hellerová , sopraan
Kamila Mazalová, alt
Václav Cížek, tenor
Tomáš Král, bas
Collegium Vocale 1704:
Barbora Sojková, Alena Hellerová,
Dora Pavlíková, Kamila Zborilová,
Joanna Klisowska, sopraan
Kamila Mazalová, Marta Fadljevicová,
Jan Mikušek, Daniela Cermákovám, alt
Václav Cížek, Hasan El-Dunia, Cenek
Svoboda, Tomáš Lajtkep, tenor
Tomáš Král, Jaromír Nosek, Martin Vacula,
Aleš Procházka, bas
Collegium 1704:
Helena Zemanová, Petra Šcevková,
Martin Kalista, Peter Barczi, Eva Borhi, viool 1
Jana Chytilová, Simona Tydlitátová,
Markéta Knittlová, Jan Hádek, viool 2
Lýdie Cillerová, Eleonora Machová,
František Kuncl, altviool
Libor Mašek, Hana Fleková, violoncello
Ondrej Štajnochr, contrabas
Pablo Kornfeld, orgel
Eva Harmuthová, Petra Ambrosi, hobo
Kryštof Lada, fagot
- published: 26 Aug 2012
- views: 147198
Atelier Karel_14/15-Porcelán
- Order: Reorder
- Duration: 9:53
- Updated: 11 Jan 2015
- views: 382
Fotografie Martina Sedláka dokumentující proces výroby porcelánových návrhů studentů Atelieru Karel ÚPD FAČVUT.
11.12.14-17.12.14 / 5.1.15 - 9.1.15 / Realizační...
Fotografie Martina Sedláka dokumentující proces výroby porcelánových návrhů studentů Atelieru Karel ÚPD FAČVUT.
11.12.14-17.12.14 / 5.1.15 - 9.1.15 / Realizační centrum FUD UJEP v Dubí. Technická podpora a Realizace - Antonín Tomášek,Martin Zelenka,Jana Linhartová
https://wn.com/Atelier_Karel_14_15_Porcelán
Antonin Dvorak - Mis, op. 86 Live Concert HD
- Order: Reorder
- Duration: 46:08
- Updated: 26 Sep 2014
- views: 64344
www.avrotros.nl/klassiek
Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.:
Eva Hornyáková, sopraan
Janina Baechle, sopraan
Benjamin Hulett, tenor
Andre...
www.avrotros.nl/klassiek
Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.:
Eva Hornyáková, sopraan
Janina Baechle, sopraan
Benjamin Hulett, tenor
Andrew Schroeder, bas-bariton
A. Dvorak - Mis, op. 86
Openingsconcert de Vrijdag van Vredenburg seizoen 2014-2015
Opgenomen op 19 september 2014 in TivoliVredenburg, Utrecht
Voor de pauze werd gespeeld:
H. Berlioz - Ouverture 'Le Roi Lear', op. 4
J. Wagenaar - Aveux de Phèdre
Bekijk het deel voor de pauze op onze site:
http://web.avrotros.nl/cultuur/klassiek/nieuws/20140919_vvv.aspx
Kijk voor meer concerten op: http://www.avrotros.nl/klassiek
http://Facebook.com/AVROTROS.klassiek - http://Twitter.com/klassiekonline
https://wn.com/Antonin_Dvorak_Mis,_Op._86_Live_Concert_Hd
www.avrotros.nl/klassiek
Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.:
Eva Hornyáková, sopraan
Janina Baechle, sopraan
Benjamin Hulett, tenor
Andrew Schroeder, bas-bariton
A. Dvorak - Mis, op. 86
Openingsconcert de Vrijdag van Vredenburg seizoen 2014-2015
Opgenomen op 19 september 2014 in TivoliVredenburg, Utrecht
Voor de pauze werd gespeeld:
H. Berlioz - Ouverture 'Le Roi Lear', op. 4
J. Wagenaar - Aveux de Phèdre
Bekijk het deel voor de pauze op onze site:
http://web.avrotros.nl/cultuur/klassiek/nieuws/20140919_vvv.aspx
Kijk voor meer concerten op: http://www.avrotros.nl/klassiek
http://Facebook.com/AVROTROS.klassiek - http://Twitter.com/klassiekonline
- published: 26 Sep 2014
- views: 64344
Zelenka: Requiem in D major | Collegium 1704
- Order: Reorder
- Duration: 41:15
- Updated: 17 Oct 2012
- views: 26607
__
• Zelenka: Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias ...
__
• Zelenka: Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias Berndt: bass
• Tomas Kral: bass
Collegium 1704
Conducted by Václav Luks
Ensemble website: http://www.collegium1704.com
• Directed by Louise Narboni © Broadcast by Mezzo, 2009
__
https://wn.com/Zelenka_Requiem_In_D_Major_|_Collegium_1704
__
• Zelenka: Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: mezzosoprano
• Marketa Cukrova: alto
• Jaroslav Brezina: tenor
• Tobias Berndt: bass
• Tomas Kral: bass
Collegium 1704
Conducted by Václav Luks
Ensemble website: http://www.collegium1704.com
• Directed by Louise Narboni © Broadcast by Mezzo, 2009
__
- published: 17 Oct 2012
- views: 26607
Czech String Quartet - Dvorak op 96 (American) mvt 2
- Order: Reorder
- Duration: 7:57
- Updated: 21 May 2012
- views: 1460
Lento
Recorded in 1928
The Bohemian Quartet (Czech: České kvarteto; known as the Czech Quartet after 1918) were a Czech string quartet of international repute ...
Lento
Recorded in 1928
The Bohemian Quartet (Czech: České kvarteto; known as the Czech Quartet after 1918) were a Czech string quartet of international repute that was founded in 1891 and disbanded in 1934.
The Quartet was founded in Budapest by three pupils of Antonín Bennewitz (Karel Hoffmann, Josef Suk and Oskar Nedbal) and a pupil of Hanuš Wihan (Otakar Berger); Bennewitz and Wihan were both teachers at the Prague Conservatory. Wihan had himself studied at Prague, and was cellist of the chamber quartet of Ludwig II in Munich, becoming Professor at Prague in 1888. He replaced his student Otakar Berger as cellist in the quartet when Berger died prematurely. Wihan then directed the Quartet until 1913 when the strain of touring obliged him to retire from it and resume his teaching. His place was then taken by Ladislav Zelenka (b. 1881), who since 1911 had been playing with the Ševčik-Lhatsky Quartet. The group made repeated tours in Europe, especially with the quartets of Dvorak and Smetana, and were noted for their warm tone and fiery rhythms. In 1922 the four members were appointed professors at the Prague Conservatory.
Many key contemporary works were written for and/or first performed by the Bohemian Quartet. Most notably, this included works by Antonín Dvořák and Leoš Janáček, such as Janáček's second string quartet, subtitled "Intimate Letters".
1st violin
• Karel Hoffmann
2nd violin
• Josef Suk (to 1933)
• Stanislav Novák (1933-1934)
viola
• Oskar Nedbal (to 1906)
• Lionel Tertis (in 1906)
• Jeří Herold (1906-1934)
violoncello
• Otto Berger (to 1894)
• Hanuš Wihan (1894-1914)
• Ladislav Zelenka (1914-1934)
https://wn.com/Czech_String_Quartet_Dvorak_Op_96_(American)_Mvt_2
Lento
Recorded in 1928
The Bohemian Quartet (Czech: České kvarteto; known as the Czech Quartet after 1918) were a Czech string quartet of international repute that was founded in 1891 and disbanded in 1934.
The Quartet was founded in Budapest by three pupils of Antonín Bennewitz (Karel Hoffmann, Josef Suk and Oskar Nedbal) and a pupil of Hanuš Wihan (Otakar Berger); Bennewitz and Wihan were both teachers at the Prague Conservatory. Wihan had himself studied at Prague, and was cellist of the chamber quartet of Ludwig II in Munich, becoming Professor at Prague in 1888. He replaced his student Otakar Berger as cellist in the quartet when Berger died prematurely. Wihan then directed the Quartet until 1913 when the strain of touring obliged him to retire from it and resume his teaching. His place was then taken by Ladislav Zelenka (b. 1881), who since 1911 had been playing with the Ševčik-Lhatsky Quartet. The group made repeated tours in Europe, especially with the quartets of Dvorak and Smetana, and were noted for their warm tone and fiery rhythms. In 1922 the four members were appointed professors at the Prague Conservatory.
Many key contemporary works were written for and/or first performed by the Bohemian Quartet. Most notably, this included works by Antonín Dvořák and Leoš Janáček, such as Janáček's second string quartet, subtitled "Intimate Letters".
1st violin
• Karel Hoffmann
2nd violin
• Josef Suk (to 1933)
• Stanislav Novák (1933-1934)
viola
• Oskar Nedbal (to 1906)
• Lionel Tertis (in 1906)
• Jeří Herold (1906-1934)
violoncello
• Otto Berger (to 1894)
• Hanuš Wihan (1894-1914)
• Ladislav Zelenka (1914-1934)
- published: 21 May 2012
- views: 1460
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
- Order: Reorder
- Duration: 2:29:24
- Updated: 20 Jul 2014
- views: 37129
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a jeho prvním učitelem byl jeho bratr. Vystudoval pražskou konzervatoř,...
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a jeho prvním učitelem byl jeho bratr. Vystudoval pražskou konzervatoř, kde ho učili mimo jiné Milan Zelenka a Arnošt Sádlík. Ve studiu pokračoval na pražské Akademii múzických umění, tam jej vedl uznávaný kytarový virtuóz Štěpán Rak. Mimo klasického studia sbíral Pavel Steidl zkušenosti také návštěvami mistrovských tříd, které vedli David Russell a Abel Carlevaro. Další cenné zkušenosti získal účastí v mnoha soutěžích a na řadě hudebních festivalů.
Koncertoval ve více než třiceti zemích světa jako Kanada, Kuba, Španělsko, Polsko, Rakousko, Kostarika, Guatemala, Austrálie, Japonsko, Velká Británie, Mexiko a mnoho dalších. Nahrál mnoho skladeb světového repertoáru a českých skladatelů nejen minulosti, ale i 20. století. Pavel Steidl také komponuje a svými skladbami často obohacuje svůj koncertní repertoár.
Zdroj besedy: http://www.ceskatelevize.cz/ct24/kultura/278836-duse-k-s-kytarovym-virtuosem-pavlem-steidlem.
Můžete "mrknout" také na další besedy Duše K s Jaroslvaem Duškem a jeho hosty na http://zivutek.cz/besedy.
https://wn.com/Duše_K_Pavel_Steidl_A_Jaroslav_Dušek_Divadlo_Kampa,_Praha_19._7._2014_☯
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a jeho prvním učitelem byl jeho bratr. Vystudoval pražskou konzervatoř, kde ho učili mimo jiné Milan Zelenka a Arnošt Sádlík. Ve studiu pokračoval na pražské Akademii múzických umění, tam jej vedl uznávaný kytarový virtuóz Štěpán Rak. Mimo klasického studia sbíral Pavel Steidl zkušenosti také návštěvami mistrovských tříd, které vedli David Russell a Abel Carlevaro. Další cenné zkušenosti získal účastí v mnoha soutěžích a na řadě hudebních festivalů.
Koncertoval ve více než třiceti zemích světa jako Kanada, Kuba, Španělsko, Polsko, Rakousko, Kostarika, Guatemala, Austrálie, Japonsko, Velká Británie, Mexiko a mnoho dalších. Nahrál mnoho skladeb světového repertoáru a českých skladatelů nejen minulosti, ale i 20. století. Pavel Steidl také komponuje a svými skladbami často obohacuje svůj koncertní repertoár.
Zdroj besedy: http://www.ceskatelevize.cz/ct24/kultura/278836-duse-k-s-kytarovym-virtuosem-pavlem-steidlem.
Můžete "mrknout" také na další besedy Duše K s Jaroslvaem Duškem a jeho hosty na http://zivutek.cz/besedy.
- published: 20 Jul 2014
- views: 37129
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1:42:29
Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
Jan Dismas Zelenka also known as Johann Dismas Zelenka, was a Czech composer and musician ...
published: 20 Oct 2014
Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
Jan Dismas Zelenka /// Six Trio Sonatas For Oboe, Violin & Continuo
- Report rights infringement
- published: 20 Oct 2014
- views: 5512
3:01
Antonín Dvořák: Když mne má matka (Songs My Mother Taught Me)
Performed by Lubomír Malý (viola) and Milan Zelenka (guitar).
Pictures of Czech countrysid...
published: 10 Aug 2009
Antonín Dvořák: Když mne má matka (Songs My Mother Taught Me)
Antonín Dvořák: Když mne má matka (Songs My Mother Taught Me)
- Report rights infringement
- published: 10 Aug 2009
- views: 3210
20:19
Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
COMMENT AND SUNG TEXT/ TRANSLATIONS
This unforgettable, ultra-rare perfomance of Jan Dism...
published: 26 Sep 2011
Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou, Bertagnolli & Collegium 1704_complete
- Report rights infringement
- published: 26 Sep 2011
- views: 11874
1:48:58
Zelenka: Requiem pour Auguste II | Collegium 1704
__
• Zelenka: Officium Defunctorum & Requiem in D major
__
• Katerina Knezikova: soprano...
published: 17 Oct 2012
Zelenka: Requiem pour Auguste II | Collegium 1704
Zelenka: Requiem pour Auguste II | Collegium 1704
- Report rights infringement
- published: 17 Oct 2012
- views: 108986
1:09:51
Zelenka: Missa Omnium Sanctorum, ZWV 21
Festival Oude Muziek 25 augustus 2012, Domkerk Utrecht
Jan Dismas Zelenka (1679--1745)
Mis...
published: 26 Aug 2012
Zelenka: Missa Omnium Sanctorum, ZWV 21
Zelenka: Missa Omnium Sanctorum, ZWV 21
- Report rights infringement
- published: 26 Aug 2012
- views: 147198
9:53
Atelier Karel_14/15-Porcelán
Fotografie Martina Sedláka dokumentující proces výroby porcelánových návrhů studentů Ateli...
published: 11 Jan 2015
Atelier Karel_14/15-Porcelán
Atelier Karel_14/15-Porcelán
- Report rights infringement
- published: 11 Jan 2015
- views: 382
46:08
Antonin Dvorak - Mis, op. 86 Live Concert HD
www.avrotros.nl/klassiek
Radio Filharmonisch Orkest o.l.v. Serge Baudo, m.m.v.:
Eva Horn...
published: 26 Sep 2014
Antonin Dvorak - Mis, op. 86 Live Concert HD
Antonin Dvorak - Mis, op. 86 Live Concert HD
- Report rights infringement
- published: 26 Sep 2014
- views: 64344
41:15
Zelenka: Requiem in D major | Collegium 1704
__
• Zelenka: Requiem in D major
__
• Katerina Knezikova: soprano
• Mariana Rewerski: me...
published: 17 Oct 2012
Zelenka: Requiem in D major | Collegium 1704
Zelenka: Requiem in D major | Collegium 1704
- Report rights infringement
- published: 17 Oct 2012
- views: 26607
7:57
Czech String Quartet - Dvorak op 96 (American) mvt 2
Lento
Recorded in 1928
The Bohemian Quartet (Czech: České kvarteto; known as the Czech Qu...
published: 21 May 2012
Czech String Quartet - Dvorak op 96 (American) mvt 2
Czech String Quartet - Dvorak op 96 (American) mvt 2
- Report rights infringement
- published: 21 May 2012
- views: 1460
2:29:24
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
Kytarový virtuóz Pavel Steidl se narodil v Rakovníku. Na kytaru začal hrát v osmi letech a...
published: 20 Jul 2014
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo Kampa, Praha - 19. 7. 2014 ☯
- Report rights infringement
- published: 20 Jul 2014
- views: 37129
Jan Dismas Zelenka /// Six Trio Sonatas For Oboe,...
Antonín Dvořák: Když mne má matka (Songs My Mother...
Jan Dismas Zelenka: "Laetatus sum" [ZWV 90]- Galou...
Zelenka: Requiem pour Auguste II | Collegium 1704...
Zelenka: Missa Omnium Sanctorum, ZWV 21...
Atelier Karel_14/15-Porcelán...
Antonin Dvorak - Mis, op. 86 Live Concert HD...
Zelenka: Requiem in D major | Collegium 1704...
Czech String Quartet - Dvorak op 96 (American) mvt...
Duše K - Pavel Steidl a Jaroslav Dušek - Divadlo K...
See more photos of antonín zelenka
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Border Wall Deadline Passes And Bids Vary From Manageable To Outlandish
Edit WorldNews.com 05 Apr 2017
The deadline to submit proposals for a 2,000-mile barrier along the U.S.-Mexico border passed Tuesday and, according to multiple sources, the designs submitted vary from government’s specs and would be multi-purposed, The Los Angeles Times reported. Among the more interesting proposals were a wall made of solar panels and one design including a booby trap of nuclear waste. In June, the U.S ... The side facing the U.S....
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White House Chief Strategist Stephen Bannon No Longer Part Of National Security Council
Edit WorldNews.com 05 Apr 2017
In a Cabinet shakeup announced Wednesday, The Los Angeles Times reported U.S. President Donald Trump has removed chief strategist Stephen Bannon from his post on the National Security Council in a move that consolidated the power of White House national security advisor H.R. McMaster. The change was first disclosed in a notice published in the Federal Register....
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US warns it may act in Syria if UN won't
Edit Philadelphia Daily News 05 Apr 2017
WASHINGTON (AP) - The United States and Russia traded conflicting assertions Wednesday about who launched a chemical weapons attack in Syria that killed 72 people, as world leaders grasped for a response to the latest atrocity in Syria's intractable civil war. US warns it may act in Syria if UN won't. Advertisment. of. Gallery.. Facebook icon. Twitter icon. Pinterest. Mail icon ... Not so, said Russia, Assad's most powerful ally ... A U.S ... ....
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North Korea may have tested new technology in latest missile
Edit The Associated Press 05 Apr 2017
SEOUL, South Korea (AP) -- The missile in North Korea's latest launch didn't fly very far, but it may have been the second test of a technology that worries experts. The launch Wednesday into waters off North Korea's east coast came shortly before U.S. President Donald Trump's first meeting with Chinese leader Xi Jinping later this week, raising speculation that it might have been timed to get their attention ... U.S ... ....
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Snake Wranglers Capture 15-Foot Python in Florida's Everglades
Edit WorldNews.com 05 Apr 2017
Snake wranglers Nick Banos and Leonardo Sanchez had a career-making catch during a hunt in the Florida Everglades on Saturday when they wrestled a 15-foot, 144-pound python into submission, CBS News reportsThe pair spotted the snake in the brush on the side of a levee where the trees meet the water. It quickly bolted into the bushes and trees when Sanchez jumped to grab it.“We had to fight it in those trees to get it out....
Dvořák: The Spectre’s Bride CD review – choral music takes a wild nocturnal ride
Edit The Guardian 30 Mar 2017
3 / 5 stars. Šaturová/Breslik/Plachetka/Wiener Singakademie/ORF Vienna SO/Meister. (Capriccio). Antonín Dvořák. Dvořák. The Spectre’s Bride CD review – choral music takes a wild nocturnal ride. 3 / 5 stars. Šaturová/Breslik/Plachetka/Wiener Singakademie/ORF Vienna SO/Meister. (Capriccio) ... ....
Art, film and theater notes, Feb. 26
Edit The Oklahoman 26 Feb 2017
Abstract artist to lecture. NORMAN — Native Oklahoma artist Poteet Victory uses symbolism and color to distill figures to their simplest forms that result in abstract works with hidden meanings. He will discuss his process in Finding Originality, a free public lecture set for 1 p.m. Tuesday at the Fred Jones Jr. Museum of Art. A reception will follow the lecture ... The Fred Jones Jr ... In addition to Antonín Dvorak's famous Symphony No ... Feb ... Feb....
See Comet 45P’s close brush with Earth in the pre-dawn sky
Edit Astronomy/Spaceflight Now 10 Feb 2017
The track of close approach Comet 45P/Honda–Mrkos–Pajdušáková as seen from the British Isles at 5am GMT from 11–15 February 2017. To get your celestial bearings, look to the southeast, half way from horizon to overhead ... Stars down to magnitude +6 are shown ... Discovered by Minoru Honda on 3 December 1948 and named after Honda, Antonín Mrkos and Ľudmila Pajdušáková, Comet 45P has an orbital period of 5¼ years ... Inside the magazine ... ....
Rusalka Is a Fairy Tale for Our Gilded Era
Edit The New Republic 06 Feb 2017
Under the moon a naiad with blue hair extensions lounges in a willow tree’s crook. Below is her native lake, ringed by trees. According to Slavic tradition her name is Rusalka, the water sprite. Between us, silver retractable baubles twinkle in the Metropolitan Opera’s ceiling. To my right, a man in black tie sighs. Kristine Opolais is singing the title role in the Met’s production of Rusalka, an opera by Antonín Dvořák ... ....
Elizabethtown car salesman-turned-opera singer makes Metropolitan Opera debut
Edit Lexington Herald-Leader 03 Feb 2017
... National Council Auditions, made his debut at the Met Thursday night in the company’s production of Antonín Dvořák’s “Rusalka.”....
North Shore Celtic Ensemble joins Sinfonia in string fling
Edit North Shore News 27 Jan 2017
Lions Gate Sinfonia presents Tugging at the Heart Strings, with the North Shore Celtic Ensemble Saturday, Jan. 28, 7.30 p.m. at Centennial Theatre. Tickets. adults $39, seniors $35, child - $12. More info. lionsgatesinfonia.com ... Mitchell is excited to once again join forces with the young virtuosos ... In contrast to that jaunty number is an arrangement of the angst-filled and romantic “String Serenade” by Czech composer Antonín Leopold Dvorak....
Legendary cellist Yo-Yo Ma lets Houston fans get close, for a price
Edit Houston Chronicle 25 Jan 2017
The Houston Symphony is offering the opportunity for one hundred Yo-Yo Ma enthusiasts to purchase seats on the stage for the legendary cellist's sold-out show at Jones Hall, a rare opportunity for an up-close view of Ma and Petunia as they work their way through a program of George Gershwin's "An American in Paris" and Antonín Dvorák's Cello Concerto ... ....
Czech celebration of Veterans' Day featured honor guard in SS uniform and speech calling for ...
Edit Romano 22 Nov 2016
It's not unusual to pay tribute to veterans at their cenotaphs or tombs, except that on this occasion the Nazis, specifically the SS, were standing as honor guards (even if only in an SS military uniform), which to me is unacceptable and unimaginable - and yet it is happening, at least in Rakovník," Antonín Nešpor, the son of Anna Nešporová, née ......
Review: It's a brave 'New World' at the Utah Symphony
Edit The Salt Lake Tribune 05 Nov 2016
No soloists in Abravanel Hall this weekend — the Utah Symphony itself is the star in symphonies by a trio of composers who, at least on the surface, couldn’t be more disparate. Antonín Dvorák’s Symphony No. 9 (“From the New World”) gets top billing, of course, as it’s one of the best-known works in the genre ... The first movement l... ....
Andrzej Wajda obituary
Edit The Guardian 10 Oct 2016
Polish film director whose own experiences inspired his acclaimed 1950s war trilogy A Generation, Kanał and Ashes and Diamonds ... Facebook. Twitter. Pinterest ... Twitter ... “The war was no longer regarded as a heroic necessity, but a supreme example of suffering made up of individual tragedies which could never be wiped out by either a common faith or the victorious outcome of the war,” wrote the critic Antonín Liehm. Facebook. Twitter. Pinterest....
Miami Shores resident celebrates her 100th birthday with friends and family
Edit The Miami Herald 29 Sep 2016
Celebrating your 100th birthday is pretty special. Miami Shores resident Jeanne G. Hutchinson did just that on Sept. 7, when friends and family members gave her a party to mark the milestone. The luncheon in her honor included two nephews from Pennsylvania and her niece from California ... 7, 1916 ... 7, 2016 as Jeanne G ... 14 ... 45,” plus two works showcasing Calloway’s talents—David Popper’s “Hungarian Rhapsody” and “Silent Woods” by Antonín Dvořák....
A musical tour of Europe’s great cities: Prague
Edit The Guardian 08 Sep 2016
After Mozart, everything else can seem like an anticlimax, but perhaps Jan Dismas Zelenka – championed by heroic commenters @thesecretorganist and @abkquan, among others – will save us. Zelenka was born in Bohemia in 1679, studied in Prague and wrote his early works there, and in 1710 joined the court orchestra in Dresden ... Zelenka is one of the greats; we just haven’t acknowledged it yet....
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