- published: 26 Jun 2011
- views: 318335
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
Long Road Out of Eden is the seventh studio album by American rock group the Eagles, released in 2007 on Lost Highway Records. Nearly six years in production, Long Road Out of Eden is the first new studio album from the Eagles since 1979's The Long Run, and along with the four original tracks on 1994 Hell Freezes Over, and two songs in 2003 ("Hole in the World") and 2005 ("One Day at a Time"), the only original material since. It is also the band's first album since the dismissal of Don Felder in 2001, and the final album with Glenn Frey before his death in 2016.
The album produced two singles on the Hot Country Songs charts: a cover of J.D. Souther's "How Long" and "Busy Being Fabulous", both of which were Top 30 hits on the country charts as well as Top 20 hits on the Hot Adult Contemporary Tracks charts. The album produced five straight hits on the Hot Adult Contemporary Tracks charts with "How Long", "Busy Being Fabulous", "No More Cloudy Days", "What Do I Do With My Heart", and "I Don't Want to Hear Anymore".
"Scream" is the ninth single by the horror punk band the Misfits, and the only single released from their 1999 album Famous Monsters. The music video for the song was directed by George A. Romero, famous for his Living Dead series of zombie films.
"Scream" was written in a parking lot in Seattle while the Misfits were on tour. The band had learned that director Wes Craven was interested in using Misfits songs for his film Wishmaster, but instead they decided to submit a song for the upcoming Scream 2. They recorded a demo version of the song at a studio in Phoenix, Arizona. Singer Michale Graves described this early version as having a Peter Murphy influence. The demo was submitted to Craven but was not used for the film.
"Scream" was later re-recorded for the band's 1999 album Famous Monsters. This version had a slightly different arrangement than the demo version. It was released as the album's only single at the choosing of Roadrunner Records. The band later stated in the Cuts from the Crypt liner notes that they "never felt it was the strongest choice for either the single nor the corresponding music video that followed."
Scream (also known as Scream: The TV Series) is an American horror television series that premiered on MTV on June 30, 2015. The series is a television adaptation of the slasher film series of the same name.
On July 29, 2015, MTV renewed Scream for a second season. The first season finale paid tribute to the film series' director Wes Craven who died on August 30, 2015. The second season will premiere on April 20, 2016.
Instigated by a cyberbullying incident that goes viral, a brutal murder in Lakewood stirs memories of a crime spree from the town's past that has haunted some, intrigued others and maybe just spawned a new executioner. At the center of the story is a group of teenagers—with two old friends struggling to reconnect at its heart—who, says the network, "become lovers, enemies, suspects, targets and victims of a killer who's out for blood."
Hints Allegations and Things Left Unsaid is the debut studio album by the American rock band Collective Soul. It was originally released on vinyl on an indie label in Atlanta called Rising Storm Records in 1993. The track "Shine" gained the band attention thanks to college radio. They later signed on with Atlantic Records and the album was released on CD in 1994 under the Atlantic label.
The album's title is derived from the lyrics of Paul Simon's 1986 hit "You Can Call Me Al." The cover art is a modified version of the original logo of Stephen Sondheim's 1979 broadway musical Sweeney Todd: The Demon Barber of Fleet Street, with just the man on the cover, the picture in color and on a red background and the knife replaced by a huge banner. The album's opening track, "Shine," would arguably become Collective Soul's biggest hit.
Hints Allegations and Things Left Unsaid was recorded in a basement in 1992 as a promotional demo. Frontman Ed Roland hoped to simply sell the songs to a publishing company rather than form a band. He gave the demo to a small college radio station in Atlanta which began playing "Shine." The track quickly became their most requested song and the band was asked to perform some concerts for the station. Favoring an opportunity to perform a few shows with his brother, Roland agreed and regathered the demo's guitarist and drummer as well as his brother Dean.
Phoenix was a vessel launched in France in 1809. After the British captured her she was sold and her new owners employed her as whaler. She visited the Galapagos islands in July 1823. In 1824, while under the command of John Palmer, she discovered Phoenix Island, later known as Rawaki Island, as well as Kanton Island.
Phénix was built in Bordeaux in 1809. In 1810 she was under the command of Jacques François Perroud, a notable French captain with a long history of privateering. Under Perroud's command, Phénix made a number of captures.
On 25 January 1810 the privateer Phoenix, of 20 guns and 110 men, belonging to Bordeaux, captured the Donna Maria, Lunes, master, which had been sailing from Boston to Lisbon. However, on 9 February HMS Conflict recaptured Donna Maria on 9 February; she arrived at Plymouth on 24 February.
On 13 March, the English ship Chatham, which had sailed from Georgia with a cargo of rice and cotton, arrived at Paimbœuf. Chatham was a prize to the Phoenix, of Bordeaux.
Created on Juni 26, 2011.
Long Road Out of Eden is the seventh studio album by American rock group the Eagles, released in 2007 on Lost Highway Records. Nearly six years in production, Long Road Out of Eden is the first studio album from the Eagles since 1979's The Long Run, and along with the four original tracks on 1994 Hell Freezes Over, and two songs in 2003 ("Hole in the World") and 2005 ("One Day at a Time"), the only original material since. The album produced two singles on the Hot Country Songs charts: a cover of J.D. Souther's "How Long" and "Busy Being Fabulous", both of which were Top 30 hits on the country charts as well as Top 20 hits on the Hot Adult Contemporary Tracks charts. The album produced five straight hits on the Hot Adult Contemporary Tracks charts with "How Long", "Busy Being Fabulous", "N...
This is the guitar solo from the Eagles song "Long Road Out of Eden", by Joe Walsh. After playing the solo, I play it slowly lick by lick so you can learn it. You have the guitar TAB and the backing track (I only made the solo part) here: https://sweepfliping.com/solos/joe-walsh-the-eagles-long-road-out-of-eden/ I don't own this music, and I only use it with teaching purposes. More at https://sweepfliping.com/
One of the best songs by The Eagles, taken from the album 'Long Road Out Of Eden'. I spent ages making the music video. I hope you enjoy it.
People ask me how this guy is and I don’t really have any connections to know specifically all I’ve seen our pictures and he’s aged Way more than the other guys who were his peers in this band I think he would’ve been better off in a band like poco for his entire career.
The Eagles playing Long Road To Eden @ See Rock Festival in Graz Great concert!!! Video is not complete, because of security guards... :(
Music video by Eagles performing How Long. (C) 2007 Eagles Recording Company II #Eagles #HowLong #Vevo
Eagles Interview ( Classic 60 Minutes ) Sunday, 11/25/2007, "Long Road out of Eden" album. First new material in 28 years ! ( Classic 60 Minutes ) Lara Logan & Steve Kroft, VH1 Classic.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
* bonus track
[Vast Aire]
I know cats are on some shit
But we about to elevate right now
Bout to scream Phoenix. . .
[Vordul]
Mega, Allah's stars seen only afar
The physical of ma chosen, my craft is balls
We rebels righteous, and stand and scowl in the heightness
Rep life, graf artists and ghetto writers united
Starvin' with one table and no mic
And still get it on bombin' and flow nice
Spit vomit and throw dice
Taking chances with life trying to get by
And stop all the time trying to get high
Gotta clear mind and stay focused, avoid serpents
And worship life, we like merchants
Street peasants with these lessons
Live, build, and pass away, and keep stressin'
Thinking how we gonna master days
With passion, that's why we rap this way
From Manhattan 115 to 135
We pigeons became phoenix with open mind
To open yours, flow the raw innovative
Phoenix
[chorus]
so when you see me shine light (better scream phoenix)
the god locked in a cell (scream phoenix)
moms can't post bail (you gotta scream phoenix)
Jésus on a crucifix (scream phoenix)
Jésus on a crucifix (scream phoenix)
Jésus on a crucifix
[Vast Aire]
Yo, birds of the same flock together
Congested on a majestic * cuts off * no! no! no!
My feathers and flames are one skin
Hallowed be Thy name in the beginning there was no sin
We in the ninth inning, and I'm God body trying to win
Flying against the wind
But now my shell is weightless and fireproof
But the truth is I'm proof of living fire
I'm not made of organics, not even wires
Just felt my body light up and heard the choir
See to the common fowl the phoenix is Sire
Most high of all things to ever have wings
Existence is struggle, resistance is futile
Meanwhile we now possess the power of ten suns
To transcend and elevate into one
Famine, disease and senseless dieing is done
Pigeon bird got a breath left
Heart beat no more
Phoenix bird morph and we live off the G-force
[chorus]
scream phoenix
the god locked in a cell (scream phoenix)
moms can't post bail (scream phoenix)